Tumgik
#anon you opened a can of worms
vinegar-rights · 15 days
Note
It would be so awesome and cool if you drew orin and Seymour together 😁😁😁
Tumblr media Tumblr media
Got a little too fixated on these doodles. Idc if im mischaracterizing seymour i need this to be toxic and one sided. (Kicks rock)
95 notes · View notes
roguelov · 1 year
Note
Ok. Kkkkk. Everyone always writes aphrodisiac/ sex pollen with reader getting hit with it but what if dream did? Just complete loss of higher function just Needing their s/o and once starting not being able to stop even if their s/o passes out, even once they wake up again until he's satisfied (which given they're a personification of everyone's wet dreams is gonna be a While)
Tumblr media Tumblr media
YES YES YES FERAL DREAM FERAL DREAM (Warning: somnophilia below fyi)
Like hours upon hours of pleasure. You have been through every position imaginable and have given everything you could. You, of course, inevitably pass out. He does let you rest. But, for only a short while and soon he can’t help himself. He needs you. He gently nudges your legs apart, and is quickly between your legs again wanting to taste you again. Soft moans tumble off of your lips in your sleep. And it all just encourages him. He becomes ravenous. You stir back awake, and tangle your fingers into his hair.
“Morpheus,” you whine, arching your back.
“I know, my love, please bare with me,” he murmurs. “I just need another taste.”
And after a few more rounds he is finally satisfied and collapses into bed with you
51 notes · View notes
arvandus · 5 months
Note
barbatos headcanons sfw or nsfw? totally fine if not <3 i love anything you write for barbatos <3
Ohhhh man, so many headcanons considering how much space he takes up in my brain. Most of it centers around relationships and, by proxy, NSFW stuff. It ties into what I recall of canon material, but take it with a grain of salt since I haven't finished the OG game yet (I'm on lesson 42 right now). I'm just going to put SOME of them since I have so many. Also, some of these will probably sound more like character analysis than headcanons.
WARNING: MINORS AND AGELSS BLOGS DNI; THIS POST CONTAINS 18+ CONTENT. DO NOT, I REPEAT DO NOT FOLLOW ME!
My Humble Barbatos Thoughts:
General stuff (SFW):
He smells like warm bread and spices due to all the baking/cooking he does and the tea he grows and brews.
When Asmo painted his and Diavolo's nails to match the brothers (per Diavolo's request), Barbatos let Diavolo choose his nail color for him.
His biggest worry is the mistakes of his past coming back to haunt him by inadvertently impacting Diavolo's reputation by association. If Barbatos's past sins became public knowledge, he would worry about how the Devildom might view him and how that would impact Diavolo.
Because of how incredibly old he is, and the way he seemed to come into Sol's life when he was a teenager (if I recall correctly?), and came into Diavolo's life when he was also young, I see his relationships with them as almost parental/guardian (at least initially).
Which means he probably doesn't really have any truly balanced/equal relationships with those around him, which can cause him to be somewhat isolated. He's there for others, but he's not very willing to let others reciprocate. He believes he needs to handle all of his troubles/worries on his own.
I can see his dynamic with Diavolo evolving into a more equal/balanced friendship over time, the parental/guardian dynamic falling away as he let's go of his protective role. I think this has already happened with Sol, since they seem more friends/equals than father/son (e.g., he allows Sol to have power over him not just in pact, but also with his grimoire); Diavolo is harder because Barbatos still sees the young prince as his responsibility (plus Dia is always trying to sneak out like a teenager 😂).
Barbatos has a LOT of talents and interests; he may be very proper and well-mannered, but he's been around for a LONG time. Canon things we've learned about him so far: he likes heavy metal music, he likes classical music, he is great at ice skating, fangol, and chess; he kills it at cross-dressing and dancing... he's a very diverse individual which tells me he did and tried probably literally everything when he was younger.
He's 10/10 middle-aged adult energy now. He's done everything, experimented with all the things, and now he just wants stability. He's still got some spunk to him and will engage in fun activities (especially for the sake of others), but if he had his way, I think he'd want to relax with his tea, his gardens, and his walks under the stars.
Relationship/Intimacy (including NSFW):
He had plenty of lovers earlier on in his life, but he didn't exactly have a lot of emotional intimacy. He's always been the oldest demon, and when he was younger, that simple fact made him arrogant and he saw himself as always being above others. It drove an invisible wedge between himself and those around him.
He's a greed demon, so I imagine that in the beginning he was more emotionally charged and selfishly motivated.
He has literally tried every kink under the sun moon. Young Barbatos was kinkier, hornier, meaner (due to his arrogance), and likely was not a very healthy individual to engage in relations with. Probably had lots of red flags. Was very free-spirited (our boy was hopping timelines will-nilly);
Young Barb had fuckboi energy, but in a quiet, intelligent sort of way (if that makes sense). He was hard to resist, yet very much untouchable.
As time passed, he mellowed out but also became more reserved. This made emotional intimacy even harder, and sexual escapades grew boring after a while.
Young Barbatos certainly got around, but he only truly fell in love once. But he had to leave that person behind when he made the decision to go back and fix his mistakes. He still thinks about them to this day.
In the past, when he saw the consequences of his recklessness and how it had impacted those he cared about (Dia, Sol) he had a change of heart and devoted himself to fixing his mistakes and to be in service of others before himself.
It may seem endearing and like excellent character growth; which it is, to a point. But it's also reactionary to the harm he caused. Barbatos sees his passions and desires as something toxic, something negative. As such, he sees them as being something that needs to be bottled up and controlled at all times.
Which makes it so much harder to fall in love, and when he does fall in love, it will scare him, because he feels that pull of selfishness, of wanting purely for the sake of wanting it. He has yet to figure out how to find balance within himself (i.e., trust himself), to allow himself to want without letting it consume him, and to give without self-deprivation.
Monogamous or poly? I could see it going either way, although I see him leaning more towards monogamous. It's the greed and also how he isolates himself; letting in one person would be hard, letting in more than one, especially to the same extent, would be nearly impossible. He's a VERY private person.
But poly can also work as long as its established that the relationship is exclusive between him and his partners (no open relationships/flings with outsiders). Poly might also be nice for him in that he can take comfort in knowing that his partners are there for each other when his work keeps him away from them (i.e., he'd hate for his monogamous partner to be alone all the time).
Either way, mono or poly, Barbatos does not like to share. It's the greed in him. They're his, and no one else's.
Barbatos would be very VERY resistant to entering a relationship in the present time mainly because he's dedicated himself to Diavolo. He knows his partner would not be able to be his top priority no matter how much he loves them, and not many people would be okay with that.
Barbatos used to be very sexually promiscuous in his younger years, but now he's completely closed off simply because has a reputation to protect for Diavolo. He doesn't want any jilted lovers/ex-lovers to try to cause trouble for the Prince of the Devildom simply to get back at Barbatos. Also, the man has no time for shenanigans.
If someone does manage to worm their way into his heart, it would be very slowly, over many years without him noticing until he suddenly realizes one day that he'd be lost without them. It'd be jarring for him, to say the least.
Barbatos is canonically VERY romantic. He's a giver, and his love language is acts of service. That includes not only errands/duties/chores/meals/dates, but also physical acts of service (massages, orgasms, etc.).
Loves LOVES to give oral. He loves making his lover(s) putty in his hands (think service dom).
Lots of kissing. So so much kissing. He's gonna worship every inch with his mouth and tongue.
Definitely does have a kinky side, but it only comes out to play with someone he really REALLY trusts.
He'd be down for nearly everything. Bondage, anal, edging, etc. He can even be a mean dom if you ask him really nicely (he needs to believe you REALLY want it before he lets that old side of himself come out to play); however, the only things I can see him having a hard no on would be anything in a public space where there's a chance of being seen/caught (remember he's worried about reputation) and hard degradation via name-calling (sorry, I just can't picture it - he'd respect his partner too much regardless of whatever nasty kinky stuff they do together).
Will most definitely use his tail on himself and his partner(s).
If his lover is human, he'd be constantly keeping himself (and his strength) in check out of fear of hurting them.
He'd be big on consent. He's a master at reading body language; the slightest hint of distress and he's stopping everything immediately. He's not one to lose himself in the moment.
However, this doesn't mean he doesn't have the capacity to be passionate; it's just that his passion can be a bit strong, so he's always worried about overwhelming his partner. But if his partner can handle it, then it'd open up an entirely different side of him.
Despite his capacity for kinky shenanigans, Barbatos's favorite type of intimacy with his partner will be more vanilla and filled with lots of love and affection. So think lazy oral on the bed or couch in the privacy of his room, missionary so he can see your face and feel your legs wrap around him, and you in his lap so he can let you have control and wrap his arms tight around you.
Barbatos is the KING OF AFTERCARE. Baths, tea, cakes, warm blankets, firelight, soft touches, gentle massages, kisses to your cheeks, your temples... and very heartfelt verbal confessions of his love for you.
Will snuggle you tightly after all is said and done.
Loves watching you sleep while he holds you in his arms.
He'd never say it out loud because he doesn't want to burden you, but getting up early each morning and leaving your warmth is the most painful, torturous thing for him.
146 notes · View notes
lady-harrowhark · 1 year
Note
Hello! I saw you mention that Pyrrha remembers pre-resurrection, and I totally missed that!! Do you have any theories as to why?
I have a few thoughts!
Just for context - because I didn't catch that on my first read either until I started going back through! - there are a few instances that seem to suggest Pyrrha remembers at least some of her life pre-Resurrection. Off the top of my head, I know there's one point where she refers to G1deon as G--, just like John does. Nona also says that Pyrrha calls her "Hairy Maclary", which is referring to a series of children's books by a New Zealand author. Here's a link to a picture and some info about Hairy Maclary... I can definitely understand why Pyrrha would call Nona that lol. This one's super interesting to me in that it's such a fantastic example of the way Tamsyn uses memes and references so skillfully! In the previous books, most of the references are fairly organic in that they're things that could conceivably be, you know, just things the characters say; the readers catch it (if they also know the reference! otherwise they're fairly unobtrusive) but the characters themselves aren't intentionally making a reference. This would be the things like "You can't just ask someone why they want to be a Lyctor" and "a hunger that only thumbs could satisfy," etc. The exception, though, is John. The "none Houses with left grief" particularly is SO fun from an exposition perspective (but if I start on that one I'll never stop), and then of course we have Commander Wake Me Up Inside. The implication here being that John remembers these specific things and is intentionally making those references within the context of the story. Pulling that same expository trick with Pyrrha sets them up as both remembering... at least to some degree. The hints that we get from Pyrrha are such that it's pretty unclear to what extent she remembers, leaving a lot of room for juicy speculation :)
I initially touched on it over on this post where I rambled about names, memory, and the Eightfold Word, but I'm copying over the Pyrrha-specific paragraph so that you don't have to dig for it:
When assisting with Harrow’s lobotomy, Ianthe tells her, “If you push your brain too hard, any surgery could simply heal over.” And in NtN, Pyrrha tells Palamedes, “You should be draining and replacing her fucking brain fluid... When Gideon and I designed that trial, I used to crack his skull and sieve it myself, just as a control variable... The only other people I put through that damn trial were Mercy and Cris, because only Cris didn’t mind being trepanned on the regular.” I don’t know exactly where the threshold is for pushing one’s brain too hard, but I suspect frequently draining and replacing one’s brain fluid is in that ballpark. Which is to say, it’s very possible that Mercy and Pyrrha (and potentially others) could have healed over from anything John had done to their brains.
Also, I don't know why this didn't occur to me as I was writing up that other post, but when Pyrrha's telling Palamedes about how dangerous their uhhhhh living arrangements are, and how they're risking brain damage... Pyrrha and G1deon were operating under somewhat similar circumstances for thousands of years. Cumulatively, it's possible that G1deon's brain was racking up damage that eventually eroded away whatever John had done. Another thought is that maybe the fact that G1deon died and Pyrrha didn't is at play here.
It could very well be less dramatic than that, though. We don't know much about how Lyctorhood impacts the brain, although to be completely fair, we also can't say for certain how a typical human brain would function after ten thousand years of runtime either. Our brains are constantly wiring new neural pathways and rewiring and revising old ones. After thousands of years, might we be reaching a Ship of Theseus situation with regard to the neural circuitry impacting pre-Res memories? Which is a fancy way of saying, "Maybe it wore off."
It could be all of the above, too. Assuming that Lyctor brains retain plasticity like we see in typical human brains (and I'm not letting myself think too hard on implications either way, because in sci-fi/fantasy make-believe land, neuroscience can be whatever you want it to be), we'd probably see that effect happening with the other Lyctors at roughly the same rate, but at least as far as we can tell (and that wording is intentional because I'm not taking anything off the table with this series), the others don't seem to remember. So that might be contributing, but not sufficient on its own. BUT perhaps ten thousand years of rewiring PLUS ten thousand years of cohabitation PLUS however long of being "trepanned on the regular" PLUS G1deon dying might override John's meddling.
We've still got so many open questions here regardless of what the specific mechanisms are. Like, I'd love to know when Pyrrha started to remember exactly. And did G1deon remember anything, then? It seems like he was Straight Up Not Having a Good Time so if he did remember, he might not have been relying on those memories much. Whatever's going on, I'm sure it's just as bonkers as the rest of the series!
234 notes · View notes
randomnameless · 12 days
Note
Genuine question, not trying to start a fight, why do you get so upset about gods and churches being presented in a negative light in fictional works?
No pbs!
I guess it's a mix of being too common, too forced and having, in general, the cast use common tropish arguments to fight /defeat them.
I rant a lot about this game, but take TS where we have three sort of factions opposing each other, and each are supposed to suck. Who is the faction who never receives any "positive traits" or "pet the dog" moment?
The game force fed us a scene where an Aesfroti soldier - when Aesfrost is depicted as a highly militarised nation with a cult of personality towards their current ruler, that invaded the protag's home and slaughtered several civilians and NPCs in the process - say goodbye to his wife and kids before going to "war" to defend his land against, well, the protags who are invading it to kill their warmongering leader.
As force-fed as this scene was, it, I believe at least, tried to tell us that even the Aesfrosti who pillaged villages and killed their inhabitants are humans, and care about their loved ones, sure it's corny, but it's all about not deshumanising any party.
When we attack Hyzante? Niet, zilch, nothing. No similar scene where random soldiers, or NPCs, worry about what is going on and if they're going to die when their wall has been breached. They just, don't exist in this context.
I think the cherry on the cake is the Golden Route scene, where, apparently, nationalists Aesfrosti decide to turn back against their ultra charismatic leader because, uh, he "lied" when he declared the war and used a false pretense, so the soldiers and people who were butchering babies and invading a city where people were preparing a marriage apparently now have morals and rebel.
There's no similar scene for Hyzante when the cast reveals that the teachings of their Goddess were made up and salt wasn't exclusively given to them by divine intervention, because rock salt exists everywhere. Sure it would be a bit weird and forced that people thinking they're chosen ones and looking down on everyone else suddenly, hm, don't break down when their entire system of belief is shattered, but hey, if the Aesfrostian Gregor can have morals after washing his hands of all this Glenbrookian blood, why shouldn't religious npc #55 not make the same heel face turn?
And then, we have the slavery/human experimentation plot - in general, when TS tries to give nuance, they more or less explain/justify why something that "sucks" is done, it's basically Silvio's character.
Aesfrost' Gustadolph manages to push his "freedom" mentality because his land is a harsh place where people are desperate to survive, salt smuggling is reprehensible, but it's the only way to give some to the ones who cannot afford it. Of course is everyone is free, no one is because, as Gustadolph puts it, they're basically free to die for his ambitions.
Hyzante? Follows a racist creed where Rozellians have to pay for some great sin, and are slaved away in a lake to recover salt until they die. It's, later, justified by Hyzante wanting to keep its salt monopoly else they don't have anything, and wanting to curb down the Rozelle people because they know about the exitence of rock salt (and I guess getting free workers to harvest salt from the lake + having state enemies make his own population docile/not willing to rebel ?).
And then, we have the human experimentations, that are just done for, uhh, Idore's lol. When Hyzante is known for its "advanced medicine" and we could have had the usual dilemna of, idk, having those humans experimentations used to develop this medicine that is reknown in the world (idk, sacrificing a Rozellian to save someone else's life?) - it's not the angle the devs picked. Rozellians are sacrificed to power up an idol, Idore wants to control the world through his idol and soft power (compared to Gustadolph's hard power) and manipulates his people (just like Gustadolph) to do so.
The two are very similar, but who is the final boss? Complete with a transformation in an eldritch monster? The war-mongering imperialist or the jaded old man who is leading de facto a religion?
Hopefully there's the entire "human experimentations for no other purpose than the lols" to settle them apart.
---
I recently watched Dune, and even if I have some issues with the adaptation, the Bene Gesserit isn't portrayed as "comically" evil-er than the Harkonen Empire, I reckon the comparison isn't adequate, because Dune is multi book series when I'm mostly talking about video games.
Symphonia's church of Martel is a font for the Big Bad (tm) to put in motion his nefarious plans, and yet, through the game, we see how random clergymen use their, uh, religious buildings to help people around. Ultimately Martel herself is reincarnated through plot device and tells the big bad to stop being an ass and the story is less about "church and gods evil" but "big bad distorts Martel/church's teachings and role for his plans because he has a tragic backstory"
(but then Symphonia ends with the biggest whitewashing from every Tales I've played for its big bad so I'll stop talking about it because otherwise I'm going to be salty).
Abyss' church is more or less the same thing - the Church is supposed to help people deal with the fact their verse has "predestination stones" where the future is already written, and in the course of the game, we see how it has several factions and one opposes the group (who has the pope as a NPC!) - but it's not a story about "gods bad church BaD".
I remember playing Suikoden Tierkreis a long time ago, and while the game seemed to go through familiar "church bad gods bad" route and we end with defeating a god-like entity... I pretty much loved the twist that, in a game that relied on alternate dimensions/universe, the god-like entity was actually the protag if he made different choices!
In those games, if you fight a religious body and someone pretending to be a God or what not - it's not because people fight against an eldritch creature who wants world domination and to erase puny insects, or is the reason why everything goes wrong, but because, at the end, the conflict/fight is ultimately caused by someone, generally a human or at least a non "god like" entity, wanting to destroy the world.
I don't remember if FE was my first JRPG series or not, but I always liked the idea that if the world is doomed in those games and the heroes must prevent said doom, it's not because a god-like being wants to destroy the world, but because people, humans/randoms are the most shitty ones out there.
---
As for the "tropes" often used to deride fictional churchs and religious people, well, I will again point to TS - which did a splendid job in the Benedict Route where you smash Hyzante after allying with Aesfrost.
There's one battle where out protags diss Hyzantese because they worship a goddess and have no free will, listening to Her teachings and Her says (the traditional "religious people have no free will and listen to their churches who tell them how to think!") - which is immediately countered by one of those Hyzantese characters asking Serenor if he's not the same, but instead of blindly listening to a Goddess, blindly follows Benedict. And it ends with the final chapter title referencing automatons/puppets : who is that title talking about ? The fake "idol" Idore created, or the fake "king" Benedict created?
Anyways, the usual "religions people have no free will because their church/religion tells them how to think" trope reeks of r/atheism and the double standard - bar in this route of TS, but I guess, in TS itself in the Roland route! - is never called out, blindly following a charismatic leader is okay, as long as charismatic leader isn't religious?
Regardless of my IRL thoughts about religion, usually those tropes are presented as a "gotcha!" when they are... not at all, but the games/books leave it at that and we're supposed to roll with it.
I'd say it's lazy writing or, as we saw in Naruto, a quick way to end a story without having to dwelve in characters and their motivations : "you're a god/alien/other being and you're bad, so let us do what we want!" - end of the story.
Hopefully some fillers and to an extent, Boruto gave her more meat bar being the 11 hour villain we had to defeat quick and who manipulated the previous sad'n'lonely antagonists - but it still felt rich from Naruto, known for his famous "talk no jutsu" and trying to understand people he's fighting against, to drop the ball with Kaguya, calling her pure malice and ending with some "let us live the way we want" to wrap up the plot so he can wrestle with his boyfriend later on.
In the end, we often end up with "religion bad bcs the big bad manipulates people through it", as if those mangas/animes/vg never have other examples of charismatic people not using religion to manipulate their randoms/people or "gods bad they should let humans do what they want" when we've read/seen/played through various, uh, really fucked-up shit humans did - but on their own! and ultimately, but it's more in fandom spaces, with have Projection 101.
TLDR : church/religion/gods are too often used in those works as the ultimate scapegoat to either wrap up a story in a rushed ending or to pretend to have "nuance" but still have a common enemy where all the "nuanced" characters can grow/be whitewashed and side together against that "common enemy".
Just like in all things I guess, I prefer when something isn't painted as purely negative and all of the positive traits are erased because there is a need for a perfect scapegoat - sure, bring out too much "nuance" and writing/designing a game/manga/anime becomes harder because there's no "clear cut" antagonist, and yet, the one who always gets fucked in this scenario is the religious/church side.
Want a generic stock villain who will destroy the world so the heroes have to fight against them? Just create a "religion" in your setting, and have the big bad either hell bent on resurrecting Chtullu to destroy the world because Chtullu BaD, or have them be the most corrupt piece of shit who manipulate everything in the shadows, so the rest of the world, even the ones who slaughter others bcs they feel like they must start a war, can be whitewashed at the end.
I mean, there's a saying about diverting attention from a fire by starting a bigger one near, or a trope of "aliens made them do it" : who cares if Madara started a continental war and targeted a village full of random civilians he swore to protect because he lost the elections? Did y'know he was manipulated by a woman, I mean, an eldritch thing created by a woman, regarded as a God, who ultimately wanted to get out of her fridge to kill everyone?
Roland must get over his hatred for Aesfrost for barging in his kindgom and killing hundred of his people while they were preparing for a wedding, because hey, Idore is evil and plans on ruling the world through his sham religion!
I'll forever be salty at TS for not giving Kamsell the occasion to rise against Idore, or not even have minor NPCs get the same treatment as Sycras suddenly going all "u lied to me gustadolph so i won't listen to u anymore + sad goodbyes to my wife'n'kids".
Extremism of all kinds can lead to wars/tragedy/fucked up shit - Sure I don't want to get my History lessons in video game medium when I play lol, but what I really don't like is how it feels like depicting "they're extremists because they're religious" feels like the default/easy answer : want a bunch of brainwashed people the heroes must fight against and can't talk no justu their way out of this fight/will fight without looking too BaD? Depict those people as "misguided" members of a corrupt church/believers of a religion, no one will givea fig. If they are instead supporters of a charismatic leader who throws them through the meatgrinder to further their goals? Well, there's no automatic loyalty so either you have to show/depict it on screen, else it can be challenged at key points to demonstrate how those people - who follow the charismatic leader - aren't completely "mindlessly listening to their leader" or how their leader "isn't that bad after all".
#idk if it makes sense anon#replies#anon#i'm not tackling the fandom projected takes anon this is another can of worms#I'm not immune to it far from that#Having grown up in a post 2000s world with some people lit being asked how dare they be religious and all#'religion is the only reason why people do those horrible things' dude are you serious? Did you open a book recently?#TS was really mind boggling about the duality between 'regular' imperialism and 'religious' one#and how one faction got way more care than the other to make a clear cut villain#Also blaming everything on Gods/evil cults etc etc imo is often used to remove agency from people X or Y who start shit#That's why I really liked Fe Jugdral#sure we have nutjobs going to say everything BaD happens because of Loptyr#But DiMaggio seducing Aidean? Danan turning Isaach in a giant brothel? Slavery in the Thracian peninsula?#Dragons in this opus are sitting on the sidelines and only itnervening when one of them starts shit#but otherwise? Humans are allowed to be shitty without blaming 'Gods' for behaving like they did#and they receive their due#From the Tales I've played they mostly avoid this general religion BaD#even if iirc it's one of the plot points in Berseria? who would have guessed lol#I guess I'd say I'm not seriously upset whenever a game/manga ends up with 'akshually the religious faction was the big BaD'#it's just the same canned ravioli again and again#but whenever games/manga/anime try to give some grey morality to antagonists#the ones who always are wrecked are the religious/god-like entities#Is there any room for nuance when one faction has no other reason for doing the things they do bar 'for the lols/bcs i was told to?'#fandom woes
24 notes · View notes
hws-lceland · 11 months
Text
Tumblr media
danish slaughterhouse fanart
81 notes · View notes
Note
HOW ARE YOU FEELING ABOUT DOCTOR WHO??
OKAY FIRST THINGS FIRST HELLO!!!!
SECONDLY-
Tumblr media
CAN'T BELIEVE WE JUST WITNESSED ONE OF THE VERY FEW TRULY HAPPY ENDINGS IN THIS SHOW
This is the perfect excuse to tell you about a recurring thought I've had while watching new who time and time again, and while watching devastating season finales and companion exits, which is the following (and bear with me because it's long): "there is already so much tragedy in doctor/companion relationships, they're so doomed-by-the-narrative, so one-of-us-has-to-leave-first by their very nature that it seems impossible to imagine any other way. However, and precisely because of this, one of the very few things that could revolutionize this show would be having a lifelong Doctor/companion story. Allowing just for once a gentler quieter resolution, having the companion stay, and letting the Doctor stay beside them too"
AND GUESS WHAT
The state of euphoria those last 15 minutes of the ep sent me to is absolutely undescribable and it felt DIFFERENT and EMOTIONAL and FREEING! It was a rush of fresh air and a balm to my wounds!
So yes, I think Russel did something new and most importantly, something good. The final theme of the 3 specials being healing and home and found family mean the world to me, and I don't know, being a queer ace person even more so! It feels achingly true to Tennant's Doctors, and having it be confirmed that his incarnations were the ones that yearned for a home and domesticity the most is absolutely SPOT ON NAILED IT CHEF KISS
THAT SAID, finales have never been the strong suit of RTD, and I think this one is similarly flawed. I think he has rehashed some of his tropes, he has trouble reconciling the multiple conflicts of the Doctor and he only knows one way of solving that. Not gonna go over that here, because I'd be damned being pissy and shit at a time such as this. We got a happier ending than any of us could've ever imagined, and in a show that rarely indulges in that, well, how can I complain?
24 notes · View notes
bookishjules · 10 months
Note
Different anon but I would love to hear all about your sizzy headcanons and theories
i have a lot of thoughts when it comes to simon and music, but with sizzy specifically.. i like to think simon writes silly, ad-libbed songs for isabelle. sometimes, though, he'll surprise her with something with more meaning, a love song just for her. and it's kinda cheesy but that doesn't take away the heart of it
to that end, i think there's probably music playing in their house like 70% of the time, between simon fooling around on his guitar or playing with some new instrument he borrowed from the institute or just the radio. the last one allows for some pretty cute moments that end with them dancing around the kitchen hehe
i do think izzy continues her terrible cooking, but i also think she gets better. simon also has no talent in the kitchen, so they kind of stumble through learning together. i think it's important to isabelle that they have homemade meals (which i went into in this post)
i think it takes a little while for them to start having kids, for a few reasons, but once they do... they're some of the best parents. they listen to them and get on their level a lot. it also helps that they don't have the kind of responsibility that the other lightwoods do, which allows them to spend more time with them, and also frees them up to do most of the babysitting, even before they had kids of their own
as for simon's side of the family.. um well fuck that whole never seeing your mundane family ever again shit. if will and cecily were able to get around that to see their mom for decades, we can do it now. i think izzy and rebecca get along well. like so well that sometimes simon will come home to them hanging out without him, drinking wine and swapping stories or watching movies or playing a card game that was a lewis-family staple for them growing up that they later taught isabelle
actually, i think card/board games are a way they like to spend their down time, as much as movies or video games. i will stand by the hc that izzy's nerdiness was simply dormant until she started spending time with simon and found out about all the wonderful things there are to be a nerd about. though she will often deny it and say she only knows things bc of simon. and anyway, didn't dnd come in handy when they were in edom?? it's all about strategy practice (sureeee)
the games the two of them play don't always get finished tho bc you know, competition leads to taunting leads to flirting leads to kissing leads to...
good. night. kisses. <- i'll leave you with that one hehe
23 notes · View notes
youremyonlyhope · 1 year
Text
In Defense of Tolya/Inej
(A long rambling essay exploring asexuality, "shipping wars," and the effect that constant cancellations has had on fandom. 4600 words. I'm not even sorry that it's long. There's a tldr at the end.)
Let's start this off by saying I am asexual. Or demisexual... greysexual... aceflux... the point is I am on the asexual spectrum. I don't know where precisely. I don't personally think it really matters for me to specifically define it. I am somewhere over there. I also consider myself to be somewhere on the aromantic spectrum (for that one I'm 90% sure I lean toward greyromantic).
All of this is to say: asexuality and aromanticism are both spectrums. They are umbrella terms. There are subgroups within them to help describe the range of the spectrum, but if people want to just use asexual or aromantic to describe themselves then they can. Where I fall is different from where someone else falls, and that's different from where another person falls, and that's probably different from the person reading this if you are ace and/or aro too. And it's different for Tolya. There isn't one aroace experience and there isn't one type of aroace representation.
A little more about me. I am also mixed race. More specifically Black and white like Jesper, but mixed people of all races know the shared experiences of feeling like we're between two worlds. It's not as obvious in the show (I can't remember if it's even mentioned but I can see that some fans don't seem to know), but in in the books Tamar and Tolya are half-Shu and half-Ravkan. Also, I am a twin. I am a girl with a boy twin. My twin brother is a foot taller than me. So, Tamar and Tolya's existence in the Grishaverse speak to MY SOUL. Tamar, Tolya, and Jesper make me feel like so many parts of myself are represented on these pages.
Moving on from my background. Just another reminder that ace is a spectrum. Aro is a spectrum. Life. Is. A. Spectrum.
Onto the actual topic: Tolya. In the books, Tolya doesn't have any love interests. He also notably says "I have my faith, my books. I've never wanted more," in Rule of Wolves. This leads many fans to headcanon him as ace, aro, or aroace. I headcanon him as aroace too. I loved that one almost throwaway line and it made me feel even more connected to Tolya. I recently reread the Shadow and Bone trilogy and it renewed my love for Tolya. The perfect casting of Lewis Tan also reignited my excitement for seeing this character that I adore appear onscreen.
It seems, from the scene of Tolya helping Inej onto the boat, that the show will explore the possibility of Tolya and Inej being together. THIS IS OK. This is ok specifically because THE STORY IS NOT OVER.
I find that when I am worried about something, going over worst case scenarios and best case scenarios can help me calm down. Let's list a few possibilities of where this will lead:
Tolya and Inej fall in love. Inej forgets Kaz exists. Tolya's possible aroace-ness is never acknowledged. They spend all their time kissing and having sex, never again hunting slavers or reciting poetry ever. If Inej and Kaz meet again, she'll break his heart because they'll never get together. Kaz dies alone. Tolya and Inej then have 20 kids.
Tolya develops (or has already developed) a crush on Inej. It's understandable, she helped save his life and they fought well together against Ohval. Tolya is a very outwardly affectionate person: he's open about his feelings (hence the constant poetry recitation), he loves to care for the people around him (sharing food with multiple characters, helping Jesper with Wylan), he values his blade (his hallucination nightmare is Tamar dying on his blade, he doesn't notice people ducking out of the way of his handle), and he is incredibly spiritual (praying in Shu-Han, but many more examples in the books, the show has barely touched the surface of his spirituality). He is nearly the polar opposite of Kaz, and Inej has said that Kaz cannot give her what she wants, so that probably draws Inej towards Tolya. They get closer after spending time at sea, and they start a relationship. They stay together through the end of the show. Kaz either stays alone or finds someone else. Tolya's aroace-ness is never acknowledged.
Everything from #2, except they don't stay together through the end of the show. Inej realizes that despite Tolya being able to give her what she thinks Kaz can't, she still wants Kaz. And Kaz, now having been away from Inej for a period of time and possibly working through some of his touch aversion and other anxieties, wants to try to meet Inej somewhere in the middle after knowing with it's like to almost lose her to someone else. She accepts Kaz, leaves Tolya, and Tolya is fine with it (because I can't imagine Tolya ever holding a grudge for that). Tolya's aroace-ness isn't never acknowledged, but is probably somewhat implied (something along the lines of telling Inej the "faith and books" line to reassure her).
Everything from #2, but this time Tolya is the one who realizes that this might not be what he wants. Maybe he realizes that he has romantic feelings for Inej but not sexual. Maybe he realizes that he has sexual feelings for Inej but not romantic. Maybe he realizes his feelings for Inej are purely platonic and the intensity comes from his gratitude for saving him. Or maybe the intensity comes from them connecting through their spirituality. This could either lead to Inej feeling sad and rejected and turning to Kaz for some comfort, OR she just agrees that the feelings aren't the same as what she had for Kaz. Kaz has now worked through some of his trauma. So they end the relationship, Toya is happy with his faith and books, and Inej reconnects with Kaz romantically.
The look that Tolya gave Inej wasn't from some sort of romantic interest, but instead intrigue at the chance of getting to know her better. They become best friends with their bond starting from their mutual love for blades and their spirituality. They become the blade fighting duo we never knew we needed. The show never mentions his sexuality, he just stays single.
Same as #5, but they also Tolya say the "faith and books" line and confirm he's aroace.
The show sees the negative response from some fans and does a complete 180, never addressing the possibility Tolya and Inej again. I do not want this to happen. Not because I like Tolnej, but because I hate that fan response and pandering has become a thing in the current age of social media and letting fans influence media. It completely ruined the Rise of Skywalker. I fully believe it's influenced RTD's Doctor Who (I can go more in depth on that another time). Looking at these examples, I would rather the Shadow and Bone writers continue with whatever storyline they already have planned rather than shift to appease some of the fans, even if that planned storyline isn't something I will like. People need to remember that the fans who care enough to speak on social media, both positively and negatively, only make up a small percentage compared to the entire viewership. So I definitely do not want them to take fan response into account when planning the show. Leigh is an executive producer, so I trust she wouldn't let them explore something with her characters and her world that she wouldn't mind seeing herself.
Kaz, in my headcanon, also falls somewhere on the asexual spectrum. Whether it's because of his touch aversion or if that's just a part of it, I do think he's somewhat asexual. While most of us are ace just because we're ace, there are some people who are ace due to past trauma and I've imagined Kaz falls in that category. To me, subtly in the books but definitely in the show, Inej desires a sexual relationship and she's well aware that Kaz doesn't want that. Her hallucination, which I see so many Kanej fans gif'ing and fangiring over, would never happen at this point in Kaz's life. Inej realizes it in the moment, and that's how she knows it isn't real. Tolya is literally using his Heartrender abilities to try to slow down the effects of the poison before succumbing to the horror of his hallucination, but it's Inej who snaps out of her hallucination first BECAUSE she knows what she's seeing is not possible. It's different from Jesper, who knows his hallucination isn't real since his mom is gone and yet still wants to stay in it, because Inej knows this could theoretically happen, but also knows that Kaz would never let it happen. She doesn't even let herself enjoy the hallucination the way Jesper did because it's something she doesn't think she can ever have with Kaz. There is a very real possibility that the show could ultimately decide (after some combination of the earlier scenarios in my list) that Tolnej doesn't work/doesn't happen AND then that Inej and Kaz will never have any sort of relationship either. They could all end up single or with other characters. Even at the end of Crooked Kingdom, the Kanej relationship is still somewhat ambiguous. They hold hands, she says she's not ready to give up on him, and he helped find her family, but they aren't explicitly in love. I wouldn't be surprised if the show goes the book route and leaves Kanej ambiguous yet hopeful at the end.
BONUS! Just because I think it'd be fun. Make Tolya canonically aromantic and just care deeply and platonically for Inej, but maybe he can still fulfill Inej's desire for a sexual relationship since he can be demi or greysexual or even asexual with a libido. Kaz may never fully stop being touch averse, which is perfectly fine, and he and Inej connect romantically with a fulfilling life of love. And then Kaz and Tolya get to bond deeply platonically over their mutual love for life's beauty (poetry and Inej). Make them some sort of triad that mixes and fulfills everyone's romantic, sexual, and platonic needs. It's a win-win-win for all three. It doesn't have to be a love triangle, Inej has two hands. Do I expect the show to go in this direction? No. Would I love to see it? Yes.
Obviously I'm exaggerating scenerio #1 on purpose. Because that exaggeration is what I imagine people to seem to think the show is leading to based on how intense their responses have been so far. I also tried to address some other things I've seen people freaking out about when making the scenarios, like how Kaz will react to Tolya or worrying if Tolya being aroace will ever be acknowledged in the show.
What do I think is most likely to happen? Honestly, scenario #3 or #4. Maybe #6. That's why I'm not freaking out. Yes I ship Kanej, yes I think Tolya is aroace, but I also like the idea of them exploring Tolnej and I think either #3 or #4 would be fun to see. While the show strays from the books in a lot of ways, I don't think they'll stray from the final relationships by the end of it.
At the end of Ruin and Rising, Mal and Alina get to leave, get married, and live an ordinary life full of ordinary things. I LOVE the ending (apparently that's another controversial opinion I have about the Grishaverse) but that didn't happen in the show. Yet. The show has separated Mal and Alina so that Mal can figure out who he is without his tracking and so they can find out if they love each other for each other, or if it was just destiny that pulls them together. This is not in the book at all. And yet I love it. It can lead to strengthening their relationship since I trust the show will still end eventually with them together, hopefully with their ordinary ending. I think the show is doing the same thing with Kanej. The "I'll have you without your armor or not at all" conversation actually came towards the end of the duology, but the show moved it much earlier. I like that they did because this gives them something to build up from. Another reason I like scenarios #3 and #4 is because they still give Kaz the opportunity take what Inej said to heart and try to live without his armor. At the end of Crooked Kingdom, he takes off his glove and holds Inej's hand, but he is not at that point in the show yet. He will be eventually. And knowing that Inej might move on with Tolya can give him more reason to work to get to that point. I don't think the show is telling us Kanej will never happen, I think the possibility of Tolnej is the same as them separating Malina. I believe they will all come back together.
And if any of my listed scenarios do happen: THAT DOESN'T NECESSARILY MEAN TOLYA'S SEXUALITY IS ERASED.
Sexuality in the Grishaverse is never defined. The fans can make inferences based on the relationships that Leigh gives her characters, but they don't define the characters' sexualities with labels in the books. This is because in the Grishaverse, labels as we know them don't seem to exist. You can kind of think of it in the way that we should treat LGBT+ people in history: we can give them labels of what we would consider them to be in our current era, but we'll never truly know what they would have labeled themselves because either they were closeted or there were just no labels for their sexualities at the time. And when they did have labels, they often called themselves things that many LGBT+ people would never use today. I look at the Grishaverse characters' sexualities in a similar way; they don't label themselves, and we can make assumptions based on the labels we would use, but they will never be explicitly canon unless Leigh puts it in the books.
For example, Hanne in Rule of Wolves (MAJOR SPOILERS FOR THIS PARAGRAPH) Leigh uses "she/her" pronouns for them up until the last part of the book, and then Leigh is careful to NEVER use any pronouns for Hanne again. The fandom assumes Hanne identifies as a transman from that point on or maybe nonbinary, but we really don't know for sure yet because it happened so late in the book. The Grishaverse wiki uses "they/them" pronouns for Hanne precisely because we don't know what they prefer. All we know is that they always felt uncomfortable when they presented as a girl, and they enjoyed Tailoring themself to be more masculine. Maybe in future books we will get a definite answer as to whether they are a transman or nonbinary, but for now we technically don't know. But out of respect, the fandom has agreed to use they/them for Hanne. (RULE OF WOLVES SPOILERS ARE DONE)
So, if Tolya does have a relationship with Inej at some point in the show, whether or not it lasts, it doesn't erase the possibility of Tolya being on the asexual and/or aromantic spectrums. The show and books are never going to give him a definitive label. He could be demisexual/romantic and figure out after forming a bond with Inej that he has sexual or romantic feelings for her. Or he could be greysexual/romantic, which has a purposefully wide definition (rare specific circumstance that he desires having a relationship, weak attraction or difficulty telling it apart from platonic feelings, etc), and his experiences with Inej could fall into one of those categories. In these cases, we'd probably get a scene where he'd say something like "I've always thought I only needed my books and faith, but after getting to know you, Inej, I have never felt this way before and I don't think I'll ever feel this way again." This would still be representation for people who fall along the middle of the aroace spectrum, but not those at the furthest edge. If the relationship doesn't last and through it he realizes that he's sure that these are things he's not interested in, then that represents every aroace person who had to go through that before coming to terms with their sexuality. It's not erasure. Maybe it doesn't specifically represent YOU if you consider yourself aroace, but it definitely represents SOMEONE who does (I'd find it very relatable).
And all of this goes back to something I mentioned at the start: the show is not DONE. If it gets renewed, which it likely will, then there is more to see. To me, the people I see freaking out about the possibility of Tolnej, whether it's because they ship Kanej and don't want a triangle or because they don't want Tolya's sexuality to be "erased," are reacting the way you'd usually see people react if the show ended at this point. But it probably will not. And then when I see posts from the people who are thinking ahead, they seem to only be considering scenario #1 and not realizing there are a multitude of directions for the show to go in. It's not worth freaking out over. Plus, there's always the saying "don't like don't read," so if you find you really are disliking even the possibility that any scenario I listed could come true, you can just not watch the show and pretend it doesn't exist. The books are never changing. Even if the show changes everything, even if they have Alina end up with Jesper or Wylan end up with Nadia or Zoya marry a volcra or any other ridiculous outcome that utterly changes the show's canon, the book's canon will never change. You can always turn to the books if things don't ultimately turn out in a way you want them to.
Also, why am I seeing people complain that fans are writing fanfiction already about Tolnej? Why are you complaining about what other fans are doing that has zero affect on you? Fanfiction is not just for the canon ships. It's not even just for shipping in general, but it's definitely not reserved to the ships that are canon. You can write fanfiction for any ship you want to. Shipping wars have never truly made sense to me, but maybe that's because my first big online fandom was Glee and the ships were constantly changing and switching around so there was no point in putting too much effort into arguing because it may all change in the next episode anyway. Yes, we had lots of ship wars, but when people shipped the most random "crackships" possible then the appropriate response for most people was "wow, they really ship that, weird" and then to move on. Let people write fanfics. That's why AO3 exists. You can just write whatever you like. And yes of course a new crop of fans hate AO3, which is a whole other issue I cannot wrap my head around, but the point is to just let people write the fanfic they want to write and make the fanart they want to. Someone has already made a Tolnej fanvid on YouTube? Wow that's incredible since they did it so quickly! Malina on the moon AU? Cool throw in some sun and moon jokes! Do you think that Wylan and Hershaw would be best friends? Go for it, they'll probably blow everything up! The Darkling and Mal and Alina incest AU fic? Not my cup of tea but you do you and I just won't read it. People will write what they want to, and they aren't hurting anyone in the process, so if you don't want to see it then don't read it.
I see people complaining that shipping wars will begin to start after this fandom had been so peaceful for years. Honestly, the only reason there weren't shipping wars before this was because Six of Crows didn't have enough characters and possible ships to have a war over. Mixing with Shadow and Bone earlier in the timeline has opened up the possibilities. You know how to prevent shipping wars? Just don't fight with people who ship the things that you don't ship. Don't engage. If you see a Tolnej fanfiction, don't tell the author "Ew I hate Tolnej. You shouldn't have written this." just don't read it. Or if you do read it and still don't like it, then move on. If someone who ships Tolnej comes on a Kanej post and starts saying Tolnej is better, or vice versa, you can press the block button. Or you can just not respond to them. A shipping war doesn't start if you don't fight in it. There can just be people who ship Tolnej, people who ship Kanej, people who ship all 3 of them together, and everyone can just choose what they want to interact with and scroll past what they don't.
When it comes to Avatar: The Last Airbender, I am a gigantic Zutara shipper, and the Zutara vs Kataang ship war was infamously a bad one, but I just try not to engage in it. I know my ship isn't canon. Sure, I'll complain that it's not canon, maybe say "Oh in this scene they were so in love" and think about what could have been, but then I just go read Zutara fanfics. If you don't want to see shipping wars, don't participate. Ignore it. Move on.
But you know what? I think I know what the ultimate source of this is, or at least one of the sources. I've been seeing similar uproars in the Stranger Things and Umbrella Academy fandoms this year. Both are fandoms that also tend to skew younger than myself. I think fans, especially younger fans, are now reacting in these intense ways as a defense mechanism because so many shows get cancelled early. They're preparing in advance for this to be the last of whatever media they love, they're preparing for this to be canon forever, and they aren't happy.
Using Stranger Things as my example, I saw it happen when people were mad that Will didn't come out as gay at the end of Season 4 and that Mike didn't fall in love with him. I get that you guys ship them, and I love Will and want him to be happy, but just because it didn't happen in Season 4 doesn't mean it's not going to happen. First of all, Will is a 14 year old kid in the 1986 from a small town in Indiana that can barely handle Dungeons and Dragons and he's already been bullied at school for possibly being gay, coming out is not as easy as it is today. Reagan only just acknowledged AIDS one year earlier. Even Robyn hasn't come out to anyone but Steve. If they had thrown in Will coming out amongst the chaos of Elle fighting Vecna and trying to save Max, I know people would complain that it got shoehorned in as an afterthought. And because it didn't happen at all, people are complaining about that too. I know people will always complain about something, but I'm sure that fewer fans would complain if they didn't have the fear of cancellation instilled in them. Sure, Stranger Things would never get cancelled before finishing the planned story, but these fans are just used to feeling that the end of each season of every show could possibly be The End, and then complain about the loose ends accordingly.
That's what I think I'm seeing from the people who are upset about the possibility of Tolya and Inej being together. The show will probably be renewed, but it's not guaranteed. If it were to end right now, then yeah, fans who only watch the show would assume Inej and Kaz will never be together, that Tolya is interested Inej, and they'd have no idea that he's implied to be aroace in the books. But here's the thing: if you read the books, you know none of this is true. In the books, Tolya is aroace representation. In the books, Kaz and Inej are implied to have a romantic future. Why does it matter to you and your life if some people who watch the show don't know about the parts of the books that haven't happened yet? The fans who are mad about this change are all book fans because we're the ones who know it's a change. If we don't like the change, we can always choose to only acknowledge the books. The books can't be cancelled. The books are not going to change. Even if the show goes in directions you don't like, you can always take solace in the books.
Also, I see way too many people complaining about Tolya and Inej who have only read SoC/CK but not any of the books that Tolya actually appears in.
I'm nearly done. I wanted to address the aroace fans who are sad because they saw themselves in Tolya and now feel he doesn't represent them. I'm sorry that a character you connected to doesn't touch you the same way in the show as they did in the book. But you can't say Tolya isn't aroace representation in the show, at least not yet. At this point, he doesn't represent YOU and you definitely deserve representation, but he does represent SOMEONE. And hopefully he will continue to represent someone. So many aroace people had relationships with people they cared about and thought they felt romantic or sexual love for, before they eventually realized they were aroace. If this ends up as Tolya's story, then that rings true to SO MANY people. As I keep repeating, the show is not over, this could be leading to one of the scenarios where Tolya figures out that he is aroace through pursuing a relationship with Inej. He could already be demi or grey and it just hasn't come up in the show yet, but meeting Inej is one of the few times in his life that he does feel romantic and/or sexual attraction. Or, the look he gave her was just platonic and he's excited to have her aboard the Volkvolny.
We don't know for sure. It's better to just let the show's story unfold and remember that you will always have the books you love, rather than waste energy worrying about where the show is heading.
So yeah. I love Tolya. I love the idea of Tolnej. I love any plot point that can put more Tolya on my screen. I am greyromantic and demi/grey/flux/asexual/whatever and I personally like where they're taking his character and I want to see what it leads to. I hope it ultimately leads to him staying on the asexual and aromantic spectrums, but we don't know for sure right now. We just need to wait and see.
Also, don't tag any hate posts for the ship in the Tolya Yul-Bataar, Tolnej, Tolya x Inej, and Inej x Tolya tags. That's just fandom etiquette 101.
.......................
tl;dr:
1) The show isn't done yet and we don't know where it's heading. 2) The show can be heading in a bunch of different directions, including keeping Tolya as aroace and having Kanej be canon. 3) Asexuality and aromanticism are spectrums and umbrella terms, so Tolya could be with Inej and still be considered aroace. 4) This isn't erasing aroace representation because there will still be aroace people who will feel represented by him. 5) The books are not going away so if worst comes to worst, he'll still always be aroace representation in the books.
30 notes · View notes
gorejo · 6 months
Note
hi ae! if u have some time, pls spare some reader meets forbes gojo’s parents/family hcs <3
hmm i love his parents!!
forbes gojo is close enough with his parents that he is able to still be his childish, cocky persona with them. I headcanon his parents to be exactly like him and his partner — gojo san being just as down bad for his wife despite all the years. (i wonder where gojo got his lovestruck personality?? i wonder... hahah) literally satoru is a copy and paste of his father.
i don't presume satoru to introduce his partner to them right away, but in due time when they're ready, he absolutely will. But, his parents actually found out about him dating through an outside source, so they didn't even hear from his son first... lmao
imagine how many times satoru and his dad bickered while he trained under his father hahahah IMAGINE HOW MANY TIMES GOJO SAN GOT JEALOUS OF BABY SATORU TAKING HIS TIME AWAY FROM HIS WIFE hahahah
the best way i can envision their dynamic is 'Daytime Star', Kang Seunghyeon's family. That to me is Satoru's family — the beloved only child of the Satoru family that has such affluent parents, yet are still down to earth and warm despite their status.
the only reason why they set him up on so many blind dates wasn't just so he could get married and settle down... but because they both believed their son was incapable of getting a partner on his own with his obnoxious personality so they got worried bc they do want to see litto grandchildren someday )) : so imagine how shocked they were to know someone was able to withstand their son
14 notes · View notes
yasmindifference · 11 months
Note
can i ask why isn't stephanie in any of your stories?
To make a very long story short, and intending no hate to anyone who loves/writes Stephanie:
Before I started writing Bat-related fic, I read a lot of it, mostly centered around Tim, a lot of it jaytim. Stephanie appeared in a lot of the jaytim fic, and the way her relationship with Tim was usually portrayed made me viscerally uncomfortable. So uncomfortable that I started avoiding any fic that had Tim&Steph tagged as a relationship and ultimately started avoiding fics that tagged her as a character at all. Which unfortunately didn't prevent me from still frequently stumbling across fics that included her in that same dynamic with Tim.
It kind of ruined her as a character for me, to be honest. As a result, I have no interest at all in writing her. Sorry if that disappoints! ♡
11 notes · View notes
seyaryminamoto · 10 months
Note
If Ozai hates the very thought of his father so much, how was he able to handle his very own daughter being named after the man?? Did he ever truly love Azula? Did he ever truly love Zuko? And does he truly hate Azula now?
:'D that will be explained in due time through flashbacks...
... I do believe I've said before that it's VERY difficult to say that Ozai has loved someone. Even himself. He's a narcissist who hates himself anyhow. Basically, he believes that all the difficulties he has faced are someone else's fault and responsibility, not his own, that he deserves everything he wants because he's selfish and greedy that way... but he hates himself for a fair few reasons anyhow. So I wouldn't even say he loves himself :'D
Hence, saying he loves Azula is just... complicated as hell to argue for. I've said before that the person he came closest to fully loving was Ursa, and he still didn't pull it off... and his feelings for Azula basically came close to that, but he's waaaaaaaaaaaaaay too fucked up to love her properly.
This being said...
Ozai in the flashbacks, as a lot of you may have guessed by now, is meant to explain how he wound up in the position he's in right now. How a guy who actually resembled Zuko soooo much becomes... well, the very fucked up Fire Lord who ruined his daughter's life and hasn't ever said he's sorry for it because destroying her life was apparently not as unforgivable a crime as Azula's terrible crime of... loving someone. Yep.
So, the flashbacks of Azula's birth will show us an Ozai who bonds far faster with her than he ever could with Zuko. His insecurities got in the way with Zuko, as we've seen already, and then Zuko's nature didn't help matters much, so they were kind of incompatible... but it's fair to say that Ozai tried, as you'll see in the next flashback, which is another of my favorites, actually. His attempts, however, weren't all that successful before Azula was born... and after Azula is born, his brain kind of shortcircuits and Zuko falls 100% to the wayside because This One is the kid he likes.
Azula's name being based on Azulon's is, in fact, a power play by Ozai. One he basically uses to flaunt that his child is, in fact, superior to his own father. You'll see what this means when we get there... but it's an insult just as much as it is a compliment, which means that Ozai actually put Azulon in a VERY uncomfortable position, for the first time in his life... through Azula. Through her name.
The way this flows results in Ozai not really caring, in the end, that he named his daughter after his piece of shit of a father (at least, that doesn't really matter to him through the bulk of her life). He distinguishes enough between them to not associate Azula inherently with his father because why would he? Azula validates him, she boosted his ego because he gave life to an extraordinary child, going against all of Azulon's hopes and expectations that his marriage would be a failure. Meanwhile? Azulon was only ever the person who wore him out, tore him down and made him think he was worthless. Therefore, his bond with each of them is veeeery different. Azula just means way too much to Ozai all on her own, even as a wee little baby, for Ozai to connect Azula to his father all that much. Doesn't help that Azulon actually wanted nothing to do with Azula or Zuko, so it's not like Ozai had to worry about Azula and Azulon having some important connection/dynamic... nah. Old geezer would have traded Zuko and Azula's lives for Lu Ten's in a heartbeat. Don't doubt it.
As for Zuko... yeah I can say for certain that Ozai does not love Zuko. He wanted to be a good dad at first! He tried! But then he stopped trying. He gave up on that bond once he found it so much easier to bond with Azula, especially when Azula turned out to be the gifted child she was. Zuko didn't spend all his life fighting to earn Ozai's love non-stop for no reason: he didn't have it. He KNEW he didn't. Ozai never offered it to him. And while you could argue that in a super deep subconscious way, MAYBE Ozai cared about Zuko because ultimately, he has projected his personal failings as a human being on Zuko, and if he actually bothered to treat his son right, he'd realize he's inflicting the exact same suffering on him that Azulon inflicted on himself...?
But the truth is that he hasn't gone through that thought process at all. Hence, any buried feelings he might have for his son are so damn lost in the chaos of his soul that they're basically non-existent.
As for whether Ozai hates Azula now or not...?
... Honestly? He doesn't.
Problem is, he doesn't realize he doesn't.
Call this the worst possible kind of parental punishment on a child, completely uncalled for, completely disproportionate, absolutely unacceptable... but it genuinely comes from a place that Ozai doesn't want to acknowledge: he feels hurt. Her choices have hurt him.
Azula broke away from everything he believes in, everything his legacy is about. He doesn't like that. He wants Azula to remain his perfect heir, his legacy, to honor every stupid idea he ever had about what her fate would be. Any attempts by Azula to break free from that make Ozai react VERY adversely. But ultimately? He doesn't hate Azula. He can't. It's about as impossible for him as hating Ursa. The concept of hating either of them is just... beyond him. He CAN get mad at them, he can be a dick to them... but he cannot ever fathom hating either of them, not for real.
... He hates Sokka though. I can assure you of that one :') as far as he can tell, Sokka is the instigator, culprit, guilty party behind his daughter's "corruption", so basically, if you're wondering if his rage from Part 2's finale resulted in Ozai despising Azula? Nah, he took all that hatred and channeled it towards Sokka alone. He throws tantrums of the "I'm disappointed in you, young lady" kind in the most gruesome way he could, sure... But he doesn't hate Azula. He's able to hate ANYONE, but not Azula, not Ursa. Those two are the only people in the world he would actually get off his ass for, aside from himself :'D
10 notes · View notes
sargetblu · 2 months
Note
Got any good memories you'd like to tell us?
Or any war stories??
I’ve got a lot of memories son!
Like…
Um…
Well back in 1945! Or was it ‘52?
2 notes · View notes
rush-the-stars · 1 year
Note
idk what kinds horror in a/b/o you mean, but i immediately thought about the subtle horror in this reylo fic called "Until You" by ever-so-reylo on ao3 (sorry if you dont like reylo. i dont. but i recognize reylo authors can be BEASTS and i just use cognitive dissonance if i need it) where it's like.. horror in the sense of how society limits and treats omegas and it's all very normalized. like the fic describes a marriage pathway, alarms on doors, omegas cant be present to hear the results of their own doctor appointment, how not getting pregnant is reason for annulment, and so on, and it's just so wildly subtle in how horrific itd be to live like this and i think the scariest part is, in parts of this world rn, there are places where women are treated very similarly to this. it's a one-shot and not super long, and Kylo/Ben/whoever isnt a dickbag or anything, he treats Rey well, and the author is good about making a distinction between "this is how it is here" and "that doesnt mean its good or ideal or warranted" which i think just adds to the horror kinda sorta, i dunno, i could see you having fun writing about a similar kinda world
regardless, id love to hear more about how youd wanna add further horror to a/b/o, bc what i was talking about was Handmaid's Tale-adjacent (not that i like Handmaid's Tale bc the author's a fucking terf and also, m'am, that IS how the world is like for many woc in various parts of the world, it isnt "even more horrifying" having it happen to white women too jfc idk if it counts as "apocalyptic" if its happening here and now and no one seems to care tho; but you get what i mean when i name-drop it however. anyway. i digress) and im curious if you mean in a monster-fucker way or sex pollen way or what, i find the concept of a/b/o + horror fascinating so, again, id LOVE to hear more pls ♡
firstly anon thank you for coming into my inbox and taking the time to share all this with me!! it is greatly appreciated!!
now to get into this!! i’m gonna put this under a cut w some warnings just in case!!
cw: sexism, mentions of violence against women/feminist horror, reylo (LMAO SORRY), a/b/o, uh romantic cannibalism, blood
i am so sorry anon i detest reylo lol. and sorry if anyone follows me and likes them </3
also i think this is very fascinating that i mentioned horror and your mind jumped to what is essentially feminist horror! not a bad thing—just something observed!!
i personally read a lot of horror outside of fanfiction and i read a lot of feminist horror specifically. or i see or have been apart of plays/theater works/etc. that feature feminist/gender horror in various ways. i write short stories that are not fanfic about this topic as well, so with fanfic, i tend to avoid this a great deal! it’s an incredibly heavy topic and for a whole year last year, i had surrounded myself in it (and acted in shows where stage violence was enacted on me by men, acted in roles where i was often in distress because of male characters, acted in emotionally straining and difficult scenes) and realized i was actually…very drained. and learned what i liked to see in these stories and what i thought was needless violence against women reiterated again and again as torture porn of some kind. but long story short, fanfic was a reprieve of that for me!!
(i know you’re thinking—but cielo! you seem to love yandere content! and you are right! but i think all my yan content i enjoy is seeped in a warped love rather than a gendered violence. not that both can’t exist. it’s sticky.)
more than that, i am also interested in a/b/o that breaks gender constructs and dynamics in ways and is not just an afab omega enduring societal and personal violence!
the horror i was mentioning more i think had to do with body horror, possession (as in, almost…demonic. spiritual.), etc.! romance as a horror. (“but the horror? the horror was for love”)
blood lust being tied to heats/ruts. an omega, feverish and in heat, slick with blood and wild eyed. some romantic cannibalism with the way a bite is for claiming. it’s vampiric. it’s a devouring.
it’s a conjoining. a possession. two souls being forcibly twisted together. the horror of having only one true mate that you cannot choose. that is, for better or for worse, only yours. the horror of not just being yourself anymore, but someone else and vice versa. your uncontrollable “other half”.
sublime heats/ruts where you cannot tell what is real or not, shaky snapshots of mind melting ache and pain, only relieved by one person. hallucinations or ailments that come from deeply lonely and isolated omegas and alphas. nightmares when it reaches a fever pitch.
omegas with needle sharp teeth and so much hunger that need to feed and take relentlessly from alphas. omegas and alphas with eyes that glow in the dark and watch too keenly.
rituals where heats/ruts are watched, the horror of bareness and vulnerability. the horror of being an animal in a human skin. of your own desire or pleasure.
also just the horror of being dependent on someone. of needing someone so greatly you’ll be sick with it. the horror of being powerless to their love. the horror of their power over you. or yours over them.
the twisted care. i am interested in strange/more uncommon dynamics; alphas who are nurturing and motherly in awful ways. who hand feed and coddle and smother. omegas who are possessive and violent towards other alphas or omegas.
i just think there is A LOT that could be played with. thought of. messed around with.
i also think we don’t see enough historical au with a/b/o….i’m thinking also gothic-style. western man vs. nature. cowboy a/b/o…victorian…ancient civilization….etc.
anyways, i hope you don’t take this as me like scolding you or hating on what you’ve said in any way—defs not that!! i just had a different sort of horror in mind!! like i said, fanfic for me is all about romance at its core! it’s a reprieve and escape from the work and art that often is very serious and heavy (whether feminist/gender horror, capitalist horror, etc. etc.) that i usually spend my time creating or apart of in my day to day life! it’s deeply important work to me, just not something i wanna do here really!!
13 notes · View notes
cloysterbell · 1 year
Note
can you explain fringe's leitmotifs? you talk about them all the time but i never really know what you actually mean
YOU BET YOUR ASS I CAN.... okay so first off, a leitmotif is a short piece of music that's assigned to a character or theme or idea, so think the menacing DUUHH DUHHH for Jaws or the Imperial March from Star Wars. You hear those little musical stingers and you immediately know either the shark is coming or Vader's coming. Also I am the Doctor for the Eleventh Doctor's another good one.
But also what you need to know about leitmotifs is it's not always the notes themselves that make it up but way in which they're grouped. So sometimes it might be ABAB but other times it might be pitched up a step to be BCBC but as long as it's the same pattern of notes in the same arrangement, it counts.
So for Fringe, there are a few key leitmotifs that pop up constantly: Olivia's theme, Peter's theme, the Polivia love theme, and the Fringe Division theme. A few other characters like Fauxlivia and Lincoln have their own but they don't pop up nearly as much.
Olivia's leitmotif. Her theme is this 6 or 7 note scale that is roughly A B Ab A C B E, sometimes without the last note. You can hear examples here, here, here, and here and you hear this pop up probably the most out of any of the themes, usually whenever Olivia's going through character development or is having a big character moment. Think like, her "you have no idea how extraordinary you are" moment with Walter in The Last Sam Weiss or like every 30 seconds in Jacksonville but specifically when she's in the corner of the burnt out room and Peter asks if she's okay.
Peter's leitmotif. His theme is shorter, just 4 notes that are roughly E G A A. Examples are here, here, here, and here. You can hear this during Peter's big moments like the "you're my favorite thing Peter" from the finale or pretty consistently in The Bishop Revival and The Man from the Other Side. The big Peter episodes
The Polivia theme. Loosely A C B Ab A F A, another set of 7 notes that's similar to Olivia's but without the drawn out first two notes. Examples are here, here, here, and here. You hear this, natch, in the big Polivia moments like in the garden in Marionette or in the "I thought she was you" scene also in Marionette or when they kiss for the first time in the S2 finale.
The Fringe Division theme. I actually have a whole video for this one already so I'm just gonna link you to it instead because it's probably my favorite of the themes and fun fact, the only time they change the end credits music from the typical track is in the series finale when they play a slowed down version of the Fringe Division theme. Pretty fucked up but also I love Chris Tilton for it.
I don't have Fauxlivia's and Lincoln's mapped out as well as I do the others' (I do have a whole ass Google doc full of time codes), but you can hear an example of Fauxlivia's 7 note theme here and here, and Lincoln's also 7 note theme here and here.
22 notes · View notes
Text
I’m loving the Byler passionate kissing defense going around cause several months ago it was like puritans invaded the tag and the mere suggestion that they would do more than kiss on the cheek led to anons attacking you left and right and it’s why so many of us started tagging fics with “making out” cause apparently people were getting upset reading about kissing scenes in Byler fics, which I thought was excessive but people were still getting attacked for sexualizing them even if you avoided smut. It’s the wildest thing with this fandom…
14 notes · View notes