also the way that the nimona movie showed that hate is a taught behavior?? the way that gloreth, the hero worshipped for slaying monsters, was fully accepting of nimona until her mother told her what to believe? until that generational bigotry was passed down? the way the director’s motive wasn’t even power like most evil government figureheads in media, but rather a fear of monsters destroying the kingdom because that hate had been instilled in her too, like it had in gloreth? the way ballister was also indoctrinated into hatred of “monsters” until he was just as outcast as one? because only then was he willing to change and learn?? and how even people with good hearts and good intentions like ballister and ambriosius and even the queen herself are still capable of perpetuating bigotry and unnecessary violence when they don’t take the time to understand or learn about the “others” they supposedly hate????????? i need to lie down
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things mr d does for his own entertainment:
convince percy he's his dad (he isn't), then asks him to get him alcohol (he's not allowed to drink alcohol)
telling percy zeus is very likely mad at him for stealing the thunderbolt (which he didn't steal)
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no way people have not analysed this to hell and back already but im new to the whole 'i watched the terror' experience and im going insane
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I am fully in support of all of those posts that critique fandom's obsession with making the clones completely Mandalorian in every way curse you Traviss, and I think it's valid to take a second look at the impulse, but I also take umbrage with the idea that the clones have nothing to do with Mandalorian culture at all. Literally the most visible clone in the whole of TCW wears jaig eyes, used the same way the Mandalorians use them, and so do multiple other clones. Multiple clones also picked Mando'a names for themselves, or wear traditional Mandalorian hairstyles, and Boil isn't the only clone who wears some sort of Death Watch insignia (which is fascinating in its own right).
There's just - nuance to all of it, I think. The clones aren't wholly Mandalorian, but they aren't not Mandalorian either. Whatever canon you want to take re: Jango and the trainers he picked, the clones clearly picked up bits of the culture from them, whether because of or despite them. Especially considering Mandalorian culture was largely spread through conquest originally, and adoption, the clones have as much of a right to it as anyone, and writing that off or ignoring the fact that at least some of them clearly do consider themselves part of the culture in some way removes a lot of the grey area from them as their own thing, imo.
The clones are a grey area, as a whole. I think that's part of the tragedy of them. They don't have one people who are their own except other clones. They don't have one specific homeworld or culture. They were created literally to die as cannon fodder, and they made themselves into a people despite that. Taking away one of the major pieces they incorporated into their lives (in strict canon, even if you want to ignore everything Traviss ever touched) is weird and overlooks a lot of what's presented about the clones in TCW.
They don't have to be perfectly Mandalorian in every way. That's just as much of an injustice to them. But removing the Mandalorian bits entirely strips away a lot of how they clearly see themselves, too.
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Okay, serious discussion about s5e7 of wwdits. I have a lot of mixed feelings about it. The creatures fell into the uncanny valley, why did they choose the donut lady as a plot for nadja when it could've been with the guide, etc. HOWEVER, what I do appreciate about this episode is the meta commentary on how Nandor's culture is simultaneously erased in history classes and then mocked by museums. His culture, his writings, his garments.. almost everything about his history is completely misrepresented by the museum and all of his artifacts were stolen. He literally sees a pair of his underwear on display! He is looked at as an object, a relic of the past. The museum portays him as being unintelligent and frowns upon his writings. And that's based on their narrow understanding of him, Al Q, and his culture. The historians do not know Nandor of course, but they view him through a lense that chooses to only see him and his culture as unintelligent, subhuman even- because why else would someone write something like this? Or wear something like this? Or use weapons like this? It reminds me of those TV shows that theorize the pyramids were made by aliens. Because how else could the Egyptians have been capable of creating the pyramids? Surely they can't be intelligent enough! *eye roll*
Idk someone could probably use better words to communicate what I'm trying to say here, but I wanted to bring it to the table anyway. Oh, also Colin becomes the center of attention by acting like the stereotypical white professor who is more focused on feeding their ego than actually educating his pupils. And this ends up in Nandor being pushed out of the conversation. A literal metaphor for how whiteness obscures and diminishes other cultures and immigrant communities. Of course Colin did that just to feed off of the students. Because then he ends up replacing the museum display with a more accurate representation of Nandor (albeit for comedic effect). And then by taking back his horsie necklace. But.. everyone listened to Colin! And ignored Nandor! Lots to think about in terms of erasure, white washing, forced assimilation, how museums profit off of stolen artifacts and skewing history, etc.
Nandor is an immigrant to Staten island and he was forced to assimilate. Imagine how he must feel when he sees all these stolen artifacts in the museum, and plaques that inaccurately portray his culture and history. And people gawking at the clothes and weapons he proudly wore/still wears. This is a reality for many native and immigrant communities here in America and abroad. Being forced to view your culture, your way of life through the lense of the oppressor.
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