Every time someone on twitter says something mean about him I want to cry or bite something

I hate when people try to be some kinda funnyman in response to powerful art. Maybe you should just earnestly feel things once in a while, babe.

The hardest, but most important, part of my transition has been untangling what my personal dysphoria is, and what is more a result of cissexism.

What I mean by this is that I learned that I am not dysphoric about certain aspects of myself, my body, and my life, but my discomfort in these aspects was influenced by the cissexist culture I live in which told me I couldn't exist as myself.

It's definitely a slow process, but I have found that it helps me self-actualize and actually see myself instead of what others demand of me.

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

donna’s inherent honesty vs dick’s tendency to be manipulative.. speak to me

When someone speaks a foreign language in public and I’m desperately trying not to stare like I’m sorry I’m not racist I just desperately want to hear the different vowel sounds you’re making. sorry.

so, old news obvious news blah blah, but i keep seeing people not getting this about my girl gideon nav so have to say: i think at first blush, people get the impression that Harrow’s got all the convolutions and layers and hidden vulnerability whereas gideon wears her heart on her sleeve and is just brazenly herself (a loveable rowdy himbo) & that’s the contrast. and yes, that’s there, but that’s not all. that dynamic itself is a part of their mutual (codependent) front, and like everything else in this book, it gets peeled back. 

i think the real contrast is that they’ve both got masks, and those masks are complimentary. they’re both kids who never got a childhood. they grew up tortured in the same place from very different angles with no one but each other to butt heads against. they both had to play-act grown up versions of themselves with few models for what a well-adjusted adult even looked like. so it’s cartoonish. gideon is the plucky hero of her own adventure story that will totally have a happy ending some day, far far away from her nemesis whom she’s totally not in love with. harrow meanwhile (to grossly oversimplify) has to imagine herself as someone cruel and cold enough to cope with being alive at the price of 200 other people. these two things fit very well together. gideon can play the hero to harrow’s villain, and harrow can enact cruelty toward gideon to make herself feel strong and mean (and generally just to vent anguish). the way they hate one another is a kind of mutual protection - it re-enforces the self-image that each of them needs to get through the day. but that’s the coping mechanism. harrow the ruthless bones overlord. gideon the hapless swords idiot, who thinks of nothing but tiddies & sweet sweet vengence (harrow’s corpse in various states of disgrace ) all day. and behind that they’re both tearing apart at the seems beneath caricatures of themselves that are deeply unsustainable and neither of them feels safe letting on the extent to which that’s the case. their hearts are a goddamned mess. neither of them is wearing that shit on their sleeve.   so yeah, there’s a lot more to gideon than being a swords himbo but that’s not the wild thing. the wild thing is she’s so convincing that she somehow manages to sell people on her no braincells act while being the pov character of entire first novel.

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him: hold her

her: is hold

can you all please please please stop asking me to make a fionna and cake version of nico the catboy

A cold winter day, and for some reason Howdy is unusually fluffy and Barnaby loves it

NO YOU DON'T UNDERSTAND i think about them w/ winter coats So Fucking Much its not even funny-

Kirby deals with existential crisis and Bandana is a good friend

hey um. u sure make a lot of art about lesbians for a man. you're normal about us, right? ;;

What? Yeah, I’m normal about y’all.

btw please block me if you feel the need to gatekeep the queer community. cishet aspecs ARE valid and they ARE queer. the "they don't experience discrimination" argument is possibly the most stupid thing i have ever heard because aspecs experience insane levels discrimination and people are extremely dismissive of them. we our more than our suffering. our community is not yours to gatekeep it isn't fair to invalidate people's queer identities just because you can't fit them in your stupid little box of specific labels.

the juxtaposition between mundanity and tragedy never fails to make me feel insane but it is literally what life is built around. flowers at the scene of a car crash. getting a phone call that a relative died while you’re at work. watching a news report of a natural disaster from the comfort of your living room. eating breakfast the day of a funeral. the older i get the more i realise that normality is a carefully orchestrated performance and nobody gets out of having to peer behind the curtain at one point or another

already seeing people who clearly don’t understand that a lot of us who are upset about what happened to marwa in this episode aren’t upset about the characters’ in-universe morality but the real life misogyny and racism in the way that this plot was handled lol

its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice