#and i never have time or inspiration to make gifs/edits
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i promise i'm still here i am simply ogrewhelmed
#and i never have time or inspiration to make gifs/edits#and the search function on this website is garbanzo#and i must snuggle pinkyboo and
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A Lonely Night
summary: Your crush on your roommate gets out of hand. His smile ruins you in a way you never expected.
pairing: Bucky Barnes x Female Reader
word count: 1.9K
warnings: 18+, masturbation (fingering, vibrator use), fantasies, daddy kink, no mention of y/n
A/N: I actually planned this as a 3 part story where we see his POV as well. I hope to write the remaining 2 parts. I hope my inspiration lasts.
The gif represents the smile that ruined the reader. Who can blame her?
Thank you so much @notafunkiller for beta-reading and editing on such short notice. You're a lifesaver!
All work is mine, please do not repost or translate without my permission.
Read more tag starts after the second paragraph of the story.
You don’t know how you ended up here. You had no intention of doing something like this. You didn’t intend to think about sex at all, especially not while your roommate is home. But when you saw his charming smile and those shiny blue eyes, you felt a jolt of electricity running through your body. It somehow felt like a 0.5-millisecond orgasm. It doesn’t matter how short it was, though, because you can feel the dampness of your panties, so you have no other choice but do something about it.
The TV is on, and it sounds like Bucky is watching the news. That’s not the sexiest thing to hear while touching yourself, yet you are grateful there’s something that covers the noises you make. It’s not like you are a really loud person. Especially not while touching yourself, but this time… You feel there’s something different about this time. The way your body responds to your own touch is not something you’ve experienced before. Neither is the wetness that is dripping out of you. It’s like your body is desperate for this. Desperate for attention and release.
You keep rubbing your pussy, touching all the different spots that make yourself feel good, and your whole body starts to shake, your ears buzzing, and your mind completely blank except for the image of Bucky. His smile and those blue eyes... You want him to be on top of you, touching you the way you like it, fingering you, telling you to be a good girl for him, and making you come over and over again. Then when you think it’s over you want him to push himself inside you, making your abused pussy clench with need. You can imagine how tired you would feel yet how wonderful it would be to finally have him inside you. He would start slowly, making you ask for it. You would either beg him to give you a break because you can’t come one more time or beg him to go harder, faster so you can just lose yourself. The thought of him consumes you while you are coming. It’s such a sweet orgasm, not all-consuming. It feels like you are floating in the air. So good. Exactly what you needed. What you don’t expect is how long it lasts.
You don’t remember the last time you felt like this. Self-pleasuring is something you do often, but it never felt this good. Normally you would be done by now: already reached the top and breathing heavily while enjoying your after-glow, but this time it’s like your body wants even more. You can’t stop touching yourself. It just doesn’t stop feeling good, no overstimulation. At least not yet.
So if your body wants more, you are going to give it more. You will continue until you feel absolutely satisfied. That’s why you keep touching yourself, testing what feels the best and using your wetness. You haven’t used an ounce of lube since you started and yet your fingers are unbelievably sticky. You can’t help yourself but raise on your elbows and look at your pussy. You move your fingers apart and the wetness creates a bridge between them.
“Oh my god…”
He just gave you the most charming smile on the face of the earth. Nothing more. Why are you so freaking wet?
You can actually think of a couple of reasons. One of them is not having sex for a while. You don’t remember when was the last time. You can only remember it wasn’t impressive so you came home and took your vibrator out and rode it until you collapsed on the bed, finally feeling satisfied enough to sleep. Since then, you either used your fingers or your vibrator to get off, and your body needed more. A lot more.
The other reason is, your growing crush on Bucky. You knew this would be a problem when you decided to be roommates with him, yet it didn’t stop you. It’s delightful to see his handsome face every day, but it’s also torture. Seeing him getting out of the shower, with only a towel around his waist, or half naked while working out… It’s impossible not to get a crush. And on top of that, he’s super kind. Always considering you. He doesn’t sleep much, you know that, but he never makes any noise at night. Never disturbs you. Never eats your food. He never even brought someone over. At least not yet. You are dreading the day that might happen. It will hurt so badly, and there’ll be nothing you can do about it. Maybe that will help you get over your silly crush. But truth be told, you’d rather have it forever than hear him fucking someone else.
You keep rubbing yourself, over and over again until your head is thrown back. There’s this hunger building inside you. God, you feel like begging even though you are the one touching yourself.
“Please, please, please…” You try to be as quiet as possible. It’s just a whisper.
“I really need it, please…”
You do. You really do. You need to come so hard that you can’t breathe. Maybe then it will be enough. Maybe then you will feel satisfied. Your fingers start working even faster. You can feel your second orgasm, but there’s something on the back of your mind that’s holding you back. The thought of Bucky finding you like this. You don’t want that to happen. So you are holding back a little. You can’t risk it, can you? Otherwise, you won’t be able to look at him. You keep rubbing different spots trying to find the best one for this orgasm. Nothing works until you hear a sound from the living room. Probably Bucky moving around in the apartment. Somehow that sets you off. Your orgasm comes crashing in, taking your breath away while you silently keep touching yourself. You keep going until you can’t anymore. You feel buzzed, breathing heavily. That might be the best orgasm you had lately. You take a deep breath in, and then out. The thought of him catching you was terrifying yet you couldn’t stop. You didn’t want to stop. Can you be actually terrified and excited at the same time? If so, that’s exactly how you felt.
You lay there, in the comfort of your bed, and try to collect your mind. A part of you feels guilty because of what you’ve just done. Not the masturbation part, but pleasuring yourself at the thought of Bucky because he has no idea. He probably never even looked at you like that. Still, you can’t help but feel attraction, and it’s not just a physical thing. His personality is making everything worse. If he was just an asshole, everything would be easier, but he had to be the most amazing guy you’ve ever met. So, it’s his fault if you are masturbating to the thought of him, right? He’s just too perfect.
You breathe in and out, trying to deal with the guilt and your racing thoughts. Normally, this would be more than enough. Two back-to-back orgasms and the second one was so fucking intense yet you can still feel the need. It’s right there. Your core is silently begging while your wetness keeps dripping out of you. When you close your eyes and imagine Bucky pushing himself inside you, your muscles contract and your whole body begs for more.
Sighing, you open your bedside drawer. Here it is, your beloved vibrator. You close the drawer and look at it for a couple of seconds, trying to decide if you should really do this. He’s still in the living room, you can still hear the TV. It’s possible you might get caught, yet the hunger inside you takes over any rational thought.
After a couple of seconds, you finally give in. Slowly, you push the vibrator inside you and your pussy clenches around it. Even without moving or turning it on, it feels amazing. The feeling of being full… You missed it so much. Then you start to move it in and out, slowly. You close your eyes and imagine it’s a real cock inside you, but it’s hard to get lost in that thought. The texture of the vibrator is far from realistic and the size isn’t that impressive. When that doesn’t work out, you turn it on and let yourself feel it. It’s better. Much better but still not enough.
“God…” You complain silently while changing your position. You flip around and go on all fours, pushing your ass out as much as you can, the way you would do during sex. That finally hits the spot. You grab your pillow with haste and push your face into it, trying to cover any noise you might make.
“Oh fuck, oh fuck.” Your muffled moans can’t reach Bucky. He’s watching the TV after all.
“Yess, right there.” The words leave your lips before you are able to process them. Where are these words coming from? Who are you talking to? Is it a fantasy? You don’t know, but it feels good to let it out.
“Oh please, fuck me.” You try to push all the rational thoughts aside. It’s not the time for that.
“Fuck me, daddy, please.” You close your eyes and imagine Bucky again. Him taking his sweet time, edging you until you beg for release. You would give anything, absolutely anything to do this with him.
“Harder, please, daddy, I need it harder,” you mumble and then turn and press the vibration button again. It starts to pulse faster inside you and you feel like there is no air in your lungs anymore. You choke for a second, raising your head up from the pillow, and take a deep breath while your orgasm rips you apart. It’s nothing like you’ve experienced before. A part of your brain thinks you’re unlocking another level of orgasm while the other part is trying to enjoy this feeling while it lasts.
“Yes, yes, yes. Right there.” You let your head fall back on the pillow as you keep imagining Bucky. You have no idea how long your orgasm actually lasts. It’s definitely the longest one you’ve ever had. When your pussy starts to feel too sensitive you take out the vibrator and turn it off.
Finally, you are feeling satisfied. You place the vibrator on top of your nightstand while you get on your back again. After taking a couple of deep breaths, you notice the lack of TV noise.
Shit.
Why did he turn the TV off? And more important, when? You look at the clock on the wall in front of you and the news program is not over yet. Did he hear you?
God, please... Don’t let that happen.
You quickly stand up, putting your clothes back on quickly, and then you open the door as carefully as possible. The living room is empty. All you can hear is the shower running.
Thank god!
Bucky is taking a shower. So even with no TV on, he couldn’t have possibly heard you. The sound of the water would cover your moans, right? You hope so at least.
You go back to your room, clueless about the fact that Bucky heard everything, how he paid attention to every single detail, trying to memorize how you sound while coming. How you moan, how you rub yourself, and how needy you are.
Feeling like a creep, he jumped in the shower. Clearly, you were imagining someone else, and he had no right to listen to something as private as this. Yet he couldn’t stop himself. He couldn’t stop imaging how it would be the one that you call daddy. And he definitely couldn't stop his left hand from wrapping around his cock.
#bucky barnes#bucky barnes x reader#bucky barnes x female reader#bucky barnes smut#bucky barnes au#bucky barnes fanfiction#bucky barnes x you#bucky barnes x y/n#bucky barnes imagine#bucky barnes one shot#sebastian stan#marvel fanfiction#bucky barnes x reader smut#bucky x reader#bucky x you#A Lonely Night#james bucky barnes#bucky barnes x f!reader#avengers smut#my stories
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Two Selfies and a GIF
Male Reader x Naoi Rei
Length: 2341 words
Tags: lovers on vacation, teasing and tempting, public sex, blowjob, overstimulation, face fuck, gagging, standing sex, anal, sweat, body appreciation, anal creampie, thrill of maybe getting caught
TW: sex in a public space, also barely any editing
Inspiration: an ask from quite some time ago
(A/N: I hope this fic makes you say Holy Moly. @writerpeach because he wanted another Rei piece lol)
“Another sunny day! <3 Hope to see you all soon~”
You jump from your bed. Most of the time, you have no clue where the feeling of deja vu comes from, but this one is still palpable. A year ago, you were on vacation with Rei on some warm, small island nation, blessed with endless sunshine and she sent a similar selfie with a similar caption. Her hair was still brown back then, if your memory serves you right.
Unlike last time however, you can’t dig straight into her cute pussy. Rei is not on the bed beside you, although that’s where she took the picture. In fact, she’s not even in the hotel room anymore. You check the washroom a final time before looking back down on your phone.
“Where are you?”
“By~ the~ pool~”
The phone has yet to disappear in the pockets of your shorts when you’ve already stormed out of the empty hotel room and towards the elevators. Alright, she said something about going to the pool, you remember, but you didn’t even notice that she took the selfie earlier. Hopefully this won’t end in a chase of never ending teases because you missed the moment she was horny and right next to you.
You jump out of the elevator and across the lobby, both staff and visitors confused by your hurried, hectic behavior given the calm, vacation atmosphere. Your urgent need to feel your girlfriend's body, to see that face, adorned by beautiful blonde hair, with thick lips and a lewd glint in her eyes, it’s easily overtaking your desire of being perceived as normal.
“By the pool isn’t accurate enough,” you puff and pant while your eyes go over the many, many pools and parasols and people. It seems Rei isn’t in the water or on one of the loungers, so you once again reach for your phone—just to be greeted by a couple of private messages.
“Still need you to fill these cheeks~ or did you mean my other cheeks?!”
The wink, the tongue bite, the v-pose. She can never post this picture or else all those horny fanboys would blow infinite loads to it (not like they aren’t already doing it; don’t kid yourself). It’s sexy, tempting, only meant for you. You know what she wants, what she needs, what you promised her, yet she continues to play with you.
Until suddenly, another message. A third selfie? Even better.
“I hope you remember where this is~”
The changing booths by the pool. The unmistakable brown walls and baby blue curtains. Rei has complained about their design choice on the day of your arrival, now she’s there doing tik-tok-instagram-dance-challenge-thingys, flaunting what you’ve been craving. Needless to say you sprint there as fast as possible, disregarding all the warning signs about slipper tiles or blissfully ignorant tourists.
You’re on your way to bliss, and nothing will stop you.
Rei sticks out among the few people in the area. Her tall figure, her blonde hair, not a second later and you get a hold on her shoulders and drag her into the next booth. The Japanese girl doesn’t even seem fazed.
“There you are,” she sultrily says, eyes on yours through the mirror wall. Good heavens, you forgot about that thing. It’s going to be so much fun. With a single swoop you close the curtain and take a closer look at Rei’s fuckable body through the mirror.
“You look to good not to fuck,” you groan and pinch her cheeks, looking at her duckface, mesmerized by how plump her lips are, how good they will feel. Rei winks again and your hand is already past the waistband of your shorts. “Get on your knees, now.”
Rei’s smile is horny when she pulls down your shorts while getting on eye level with your cock, which jumps free and barely, sadly misses her face with the removal of your briefs. Rei spits in her hand and pumps you, focused on every inch of your hot rod. Suddenly, before any annoyance can urge you to do it yourself, she puts you on her lips. A heavy push that sends you back against the wall later, you're inside her and have to bite a lip to not groan out every profanity known to mankind.
Feel her tongue swirl around your cockhead while an expression of determination forms on her face. You can see that she is already planning ahead on how to make this the best head she’s ever given you. Rei has an amazing bitch face, but it also fills you with thread. You have to surrender to her mouth, her lips, her tongue—now her hands that grab your hips and then—
“Oh, fuck, ouh fuck!”
Rei slams her head back and forth, your cock going in and out almost fully with every single repetition, while she gags and slobbers on every centimeter she forces into herself. A bizarre thing, face fucking herself on you, for your pleasure, yet you are about to wince for mercy. Rei’s mouth is perfect, but it’s all too fast, without warning she grinds the top, then the back of her tongue on your sensitive slit. You leak, you hiss, you struggle to stand or think.
“Re-Rei, t-too much, fuck.”
Rei pops you free from her lips, but they look eager to go back to it and apply even more pressure on your cock. She firmly holds the base of your dick and glares at you.
“Then do it yourself, pussy. Fill my cheeks already.”
It’s like she’s given you the controller to a video game back; though this is vastly superior than anything you have ever played. You pull at her hair, force her to cry out before flailing backwards against the opposite wall of the booth. This time you lay your cock on her lips on your own merit.
“I’ll make you take that back.”
Pry her slutty mouth open, hope she is ready for impact and make her entire body convulse when you slam your pelvis into her face. The feeling of her tight, gagging throat is a lot different when you're in control, not better, not worse, though you like that Rei can take your roughness so well.
You close your eyes and begin to thrust, rarely giving her time to breathe, never giving yourself time to rest. The generously wet expedition into Rei's throat both feels like finding something new and being at home. A familiar warm feeling and alien sounds, your girlfriend's deepthroats are one of a kind.
Rei is opportunistic, her tongue now out of her mouth, receiving hits by your balls as you continue to fuck her face. It's one of those days apparently, when she is for some damn reason completely enamored with your sac. Maybe she likes the hisses that escape your lips because of the extra stimulation, maybe she is just impatient and wants what's inside of them.
When her already generously big and round cheeks are the biggest and roundest, you finally pull out and let her cough out the pool of saliva, two smaller pools underneath her eyes are also letting loose. You smack her purple-blue lips with your stiff length.
"I thought you could take it," you laugh at a set of coughs by Rei.
"I, hng, thought you'd fill my cheeks.
"Loser."
"Okay, get up."
Cheeky grin on her lips, Rei pushes herself off the ground and you push up something of your own, her tight crop top. You struggle to get the white fabric over her bountiful tits, but she is quick to help you by stretching out her arms high in the air. After a couple of tugs, you see the two massive melons bounce freely—or not. Two laughably tiny patches of silk, connected to each other and Rei’s neck form a bikini that is definitely too sexy for this pool, for any pool.
“You really wanted to go out there wearing this?” you question, a finger already hooked in one of the patches.
“No, that’s why I’m still here~”
“Then it’s confiscated.”
A single pull and the bikini top falls off as if spider webs held it together. Now they are free, Rei’s magnificent melons, round like her cheeks, soft like her thighs, the nipples stiff like you. Before you give them a squeeze however, you surprise your girlfriend by roughly yanking up her skirt to above her hips. Rei yelps and loses her balance, but one of her hands finds safety on the mirror, mirror on the wall.
“Very unlike you to not go straight for my chest,” Rei teases, her voice still stable though her stand becomes a lot less stable when you get behind her and plant her firmly in front of the mirror. Now she needs both hands to not fall over with how you manhandle her light yet astoundingly thick frame.
“They will get enough appreciation later.” Put emphasis on these words by nibbling her ear. She trembles in excitement.”I want to hear you say it again.”
“Say what again?” Rei once more teases, as you hook a finger into the flimsy excuse of a thong she’d call a stylish bikini, ready to reveal both her aroused entrances. “Oh, that.
“I need you to fill my ass cheeks with your sticky load, pretty please.”
So fake, so lewd, yet so incomparably preposterous. The moment her bikini bottom falls down her long legs, Rei presses her bottom against your cock and it takes barely any effort for you to get it inside her. Talking about bottom, you're close to bottoming out, but Rei’s cute yet also growling cry has you scrambling to find something to gag her. You’re still in public, she can’t be that loud. All you find is the pathetic bikini, which you shove into her pretty little mouth.
“I’m going to fuck you good, but keep it down,” you groan into her ear and give in to the risky, yet irresistible desire to plow her ass. Rei is trying her best, munching and soaking the green in her mouth rather than screaming out your name. You’ll buy her a new, better bikini after this anyways. If she’d ran around in that thing for more than a minute, then you’d need to fuck her the rest of your vacation and that would be—wait, would you even mind that?
You’d do it like this all day long, her wrists in your grasp, her body slightly tilted towards the mirror while you watch her tits bounce with every thrust into her tight back entrance. Rei is at your mercy, only upright because you want to. Each inch you pull out has her scrambling for footing, but you gladly give them back to her, into her, to the point where exactly this has her knees buckling.
“Fuck you’re so… suffocating,” you mumble, the heat from your crotch spread up to your head long ago. The same goes for Rei: a hand on her freely jumping tits confirms it. Her eyes roll into the back of her head when you roll a nipple in between two lazy fingers. It’s not much, but you swear it made her even tighter and less stable.
You lift a leg of hers, feel the sweaty meat of her full thigh make your hand sink deep. It reminds you of a pillow, a comfortable bed—now a waterbed because her orgasm is wet. Rei surrenders her beautiful back onto your chest, eyes closed, mouth ready to voice her pleasure but she has to keep it shut. Outside are people, laughing, gossiping, going about their lives. And in here, you recklessly pound in the still sensitive Rei.
It’s incredible how she still relaxes around you, how easy it is to fill her with a girthy cock. Honest to God, it has you tripping, forward, against the cold mirror. Rei spits out her bikini-gag when her hard nubs touch the reflective surface. You’d stop her ensuing moans from escaping her mouth, but you have to hold onto her thigh and breast. There are just not enough hands to touch every perfect part of her body—and her lips are definitely on that list.
Your orgasm is nigh, hence why you thrust frantically, the claps of a nye pelvis on nye ass now also louder than any background noise if someone is close enough. You can already hear the murmurs from behind the curtains. Someone whispers about hearing weird sounds—you have to bust before you get busted.
Rei’s fishnet-covered foot crawls up a wall. Fucking is now easier, so you put in the final gear and reach for her hips to to smash her back into you. Everything is too loud, too lewd; Rei’s expression, your expression, your combined groans, all the sweaty and love juice trailing down your legs—
The connection of your cock in her ass as if explodes on the final thrust you can muster up. Rei’s anal cavity is stretched and now stuffed to the fullest to the point where pulling out will cause a mess of cataclysmic proportions. You have to stay inside her for longer, plug up the cum filled hole as it sluttily clenches around your sensitive cock.
“Fuck, that was perfect,” Rei groans, her body limp between you and the mirror. You look at her and smile for a second. That round face, adorable, makes for great selfies and family pictures. Mere moments ago, it was drooling and moaning uncontrollably. The duality of Rei.
“Yeah, but how the fuck do we clean this up?” you ask, hands mindlessly on your girlfriend's chest.
“I don’t know, I haven't planned for this scenario. I thought you’d fuck my face and I could swallow it all and then you could fill my ass in the hotel room.”
“Well, we can still do that, but we now need to get out of here.” You try to think for a second before your eyes fall on the fallen bikini thong on the floor. You stop massaging Rei’s breasts and instead reach for her pussy, wet and flushed. “By the way, what was your goal with that ‘bikini’?”
“O-oh, you really don’t like it?”
“It’s just that I wouldn’t be able to help myself but fuck you if you wore that. It’s way too revealing. I don’t want anyone seeing the pussy I fuck and the ass I fill and the tits I fondle—”
“So you want no one seeing me?” Rei moans softly when you rub her clit.
“Yes, cause I love you so fucking much, Rei.”
“Ts, looooser~”
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Hello my little grieving friends (aka my CREW!)
I just want to talk about how much our flag means death has given me. I have not had internet friends since i were a teenager. They all kind of disapeared over time in the same way as high school classmates went away. I have been on this blog on tumblr since 2010 and i have never experienced what ofmd has given me. Not even in my very derranged ca 5 year long sherlock-era did i get to befriend and know this many amazing people who live in my phone. Some of you have come and gone and that is life, but some of you are still here and I hope I get to keep you here for a very long time. Max can not stop us and I want to be here with you until tumblr is put down like the beloved rabid pet it is.
I think we are all taking the news very hard and I think it's important to remember what it is all about really. It's about love and family and above all else the crew so i just want to show some love for my beloved mutuals. And i hope maybe some of you will be inspired to do the same because its what we need in these dark times. We need to be a lighthouse guiding each other to shore.
First of all @gentlebeard - Ella💕 my beloved honey 🍯 I can not explain properly or even believe how lucky I am that I found you and that I get a little good morning from you every day. We have been talking every single day since the first message over a year ago and I don't remember or want to remember how i survived before that. I will treasure the time i spent drinking pina coladas on your balcony in the sun forever and i hope i will get some more time on that balcony this summer. I have found a pirate bar in Sweden so we can continue our expensive pirate drinks theme that we started in Berlin. There is no one else i want to spend 6-8 hours talking to over the phone.💕My partner in crime, lasagna partner and floor person or whatever nicknames we have come up with during this time. You are not just the perfect friend to have, you are also funny, sweet, smart and a expert at making fanvideos that make me cry my heart out and laugh my lungs up - sometimes at the same time 💕💕
@blakbonnet - Meow my darling💕 you were the first one i really started to talk to in the fandom and i am so glad i did. You brighten my days and i love talking to you you brilliant humanbeing (i often find myself thinking i have listened to much to cabin pressure because i struggle to use any other word than brilliant to explain things.. the Arthur runs deep in me) also thank you for being my personal skincare guide in life!! Your fics, your art, your edits, your gifs, your meta the whole you make my dash a better place and we are all happy to have you! There is nothing you are not good at and i am both a bit jealus and impressed by you. Its Meows fandom we all just live in it 💕💕
@youshouldseemeinadeerstalker - Nes my dear💕 We may not be talking very often but I know I always have you there. I loved our vacation together and we had so much to talk about that we didn't even realize that the same song kept playing in my car so long that it messed up my spotify wrapped. It was amazing taking naps with you outside ruins of castles and in botanical gardens and living together in the worlds smallest hotel room. I hope we can get lost together in more cities than Hamburg and Copenhagen. (preferably without rain and sickness and maybe with a map) 💕💕
@darkinerry - Marlena 💕 its a pleasure getting weather and work updates from you and i am always interested in knowing what you have been up to and what you have to say. It brightens my day, please never stop!! Your videos and gifsets can make any day better and you are always kind and funny which are two things i appreciate hugely in my friends!! 💕💕 + You have the coolest haircut out of all my mutuals 😌
@aha-my-villainous-thoughts - Ash my wife💕 my love💕Nothing can make me scream, blush and giggle as much as your fanart. You have this style of everything you make from fanart to dolls to interior design that is so special and breathtaking. One day we will drink so many lattes in a cosy cafe and then sniff lush products for the rest of the day. 💕 You are always there for me - as a online shoulder to cry on or to motivate me with the smuttiest wips ever. I am happy to be mutual married to you 💕💕
@bizarrelittlemew - Ida 💕- my thirsting for rhys brother in arms. I can not imagine tumblr without your gifs or your posts. I love screaming with you over a picture of rhys darbys bicep. I am so happy i got to meet you this summer and i really hope it will happen again. We are not that far from each other, just some miles and a stupid bridge; we can make it. You are always a sweetheart and an incredible friend who write the hottest fanfiction ever💕💕
@dickfuckk - josh 💕 (who I also thought for a long time was called tyler) I dont know where the fandom would be without your bts blog! its a international treasure and a service to humanity. i don't know how you do it. 💕You always have everything i have ever been looking for and as a bonus you are witty and funny like no one else. I am so happy i got to meet you and spend a whole day in your company! 💕
@izzy-b-hands - Holden my absolute darling!💕 I am so glad I got the chance to get to know you! You are smart, funny and kind and my izzy mutual tm. You are always there for me with kind words and I am still forever shipping izzy and the third badminton brother which I think is the best headcanon I have ever helped coming up with. 💕
@funforahermit - Kristina 💕 Your love for Rhys and your gifs are a staple on tumblr and my dash. I know where to go when i need someone to understand how hot Steve is (even if we have agreed that he is yours and Murray is mine which i still think is a fine deal). I very often make or see a picture of Rhys and my first thought is "I NEED TO SHOW KRISTINA THIS" so you live rentfree in my brain 💕
@rainbowcrowley - Addi 💕If i ever start playing wow again you bet i am gonna be talking your ear off about my little frost mages progress but in the meantime i am happy to have you on my dash and even if we don't talk that much are you a beloved part of my dash and brighten it daily.💕💕
@fandomsmeantheworldtome - Maria💕 You were one of the very first people i found in this fandom and your gifs might have helped my rhys obession taking form. You might be into many things I have never heard of but its a pleasure seeing your excitement over everything. You are always a ray of sunshine and i love that so much💕💕
@tabbystardust - Tabby dear💕 You are the kindest person I know who I always get the strongest need to hug and hold close. Your fanart is beyond this world and i adore it like nothing else. Its always both hot and soft in the best way ever💕 I am always excited to get kitty updates and to hear about your ramen receipts. I hope we can still meet at the con next year! I am game if you are!! 💕💕
@hummingbee-o0o - Humming 💕 (i dont know your name sorry) I am always excited to hear your thoughts and metas about everything ofmd related as well as your beautiful art. 💕 it was a pleasure to scream about season 2 after every watched episode!💕
@xoxoemynn - Emy 💕💕 i am so happy to be mutual with you! 💕You always bring joy to the people who get to be around you and fill my dash with the same. We might not talk often but i know you got my back! That is the kind of person you are!💕
@saltpepperbeard - Jodi💕 No one write tags on tumblr dot com like you. There is nothing that can cheer me up more than see that one of my posts has gotten a whole ass novel written in the tags and then i instinctively know that its you who have left your wonderful mark. You are always excited and such a lovely human to be mutual with. 💕 And on top of that you make incredible gifs that make my heart stop!!! 💕💕
@autumnbois - Kai 💕💕 I hope you are doing okay. We might not talk much right now but you were there for me when i needed it most and you are a good friend to have living in my phone.💕💕 I will think of you whenever i see something related to scream and your love for piccrew always make me smile💕
@edsbacktattoo - Jams, jams jams! 💕 We are never online at the same time because of the damn time differences *shakes fist* but you are a staple in this fandom. Your art is incredible and you are the sweetest cookie in the jar. You are funny and always spread good energy to everyone around you and I love that with my whole heart💕💕
@kiwistede - Sam 💕 Your love for stede and rhys is unmet and i love you for that. You are always a good source for some rhys darby insanity and we all know that is what i treausure most here in life! 💕💕
@stedesearring - Kaitlin💕 You are the sweetest and kindest soul out here always spreading joy and love like the sun of my dash. 💕 I always love seeing you and i am happy to have the pleasure to have you as a friend in my phone! 💕💕
@stedebonnets - Ara 💕 Where would we be without your gifs?? without your joy?? without your blog?? without you?? No one knows! I am so happy to call you a mutual and friend and you always bring a smile to my face. Always!!💕💕
@appleteeth - Liz 💕 No one is quite as normal about rhys darby as you and it a pleasure to watch! Speaking of pleasure.. your fic the slightest touch is an all time favorite of mine and i would be embarrassed to tell you how many times i have read it... you are one of my mutuals that i am baffled that they want to follow me. Its a privilege! 💕
@as-a-creww - Caroline dear 💕 You are a beloved mutual and your blog are a permanent part of my dash and i want to keep it like that! you are the friendliest of the friendliest and what is more important than that?? 💕💕
@nandorisms - Ed dear💕 Your shameless reblogs makes the world go around. You are always sweet and a much needed wwdits addition to my life. I count you as a dear friend living in my heart!💕
@londonlock - Londie! 💕💕 The only sherlock mutual i have left and i am very happy to have kept you! 💕 I might have left those days behind me but you know as well as i that sherlock lives in my soul and seeing some sherlock and john love on a daily basis keep me grounded and on top of that are you such a romantic and beautiful human being! 💕💕
@follovver - Tanya 💕 My fellow Swedish ofmd fan! I am very happy to have found you! its nice to be able do discuss it in my mother tongue and i hope we one day can do it live! its to bad we never met when we went to the same uni (or maybe we did but didn't know) Du är fantastisk!! 💕
@wastingyourgum - Al💕(which i always read in my head as artificial intelligence and giggle because it make me feel like you are a robot) My fellow rhys friend. You bring me doses of darby when its most needed and your blog is always on fleek 💕💕
@xray-vex - Xray 💕 100 % one of my funniest mutuals!💕💕 You make hilarious posts that no one else could even dream of coming up with! Always top tier blog content and what more can a girl ask for??💕
@jellybeanium124 - Nina💕 I can not imagine my blog without you! Your posts are always a delight and you are so nice and sweet and funny and incredible (even when you make math mistakes kisses kisses) You bring a honest joy into the fandom that we could not live without! 💕💕
@thunderwingdoomslayer - Nellie 💕 My official rhys darby gif provider who I come to as if i needed a new hit of an illegal substance. I salute you and thank you for your service!💕💕
@forestofsprites - Green my dear 💕You might have gone from ofmd to be the supernatural provider of my dash but that does not stop you from being the kindest forest spirit i know. Your presence is calming in a way i can not explain and i am glad to have you and your love for meg here.💕💕
@cheersmequeers - Kate💕💕 A big puzzle piece to bring my dash together. Always filling it with my favorite gay pirates and i love having you here. Always friendly and full of love.💕💕
@sugashook - Sugaaa💕💕 You know i am in love with your art! Your art is always on top and it bring me back to life every time. I keep the dress i bought from you on the outside of my closet so every morning its the first thing i see and it sets the day right!💕💕 I wear your art on my tshirt to the gym as often as i can hoping to lure in a ofmd fan between the weights but that has not happened yet sadly!! Never stop making your art!! The world would be at loss if that happened 💕💕
@lacefuneral - Jay 💕(should be called YAY because that is what i say when i see a new selfie or fashion post from you) You are a fantastic friend and i love your love for stede and you are always kind and patient in a way that makes me comfortable to ask you questions about something i might not be familiar with. You are forever my moth mutual in my mind 💕💕
@meanmisscharles - Charles 💕 In my head i call you charles but i don't think that is your name but i hope its okay with you! Always friendly and sweet but ready to fight the bullshit the other spread! and such a source for good music recommendations!! 💕💕
@forpiratereasons - Darcy 💕literary no one does it like Darcy! Aways bringing the best ofmd posts to my dash and ensuring i don't miss anything! You are incredible! 💕💕
@blackbeardskneebrace - Miles my dear 💕 You make incredible art both the cute and amazing ofmd art but also the gorgeous historical art you post. Its a pleasure to see you talk about history but also about our beloved gay pirates. Your snoopy ofmd art will live in my heart forever and i think it might be healing me a bit. Maybe even watering my crops and clearing my skin! And those valentine ofmd arts from last year. I am 100 % gonna bring them back this February like beloved decorations you store in the attic. 💕💕💕
@awkward-fallen-angel - Heather 💕 You are one of the sweetest people i have had the pleasure to come across. You bring a big excitement and attention to the things you like and it moves along to everyone near. I mean i have watched long critical role videos just because you spoke so warmly about them and i wanted to know what it meant. I love having you here. 💕💕
@mxmollusca - Mx 💕 (dont know your name so i am just calling you that) I mean you are an incredible writer. I have only managed to read ifwts once because i cried so much that i am scared to open it again because i might just never stop crying. You are creative and funny and absolutely totally normal about rhys darby which in my book is a very good thing to be. And besides that you are a very friendly and nice mutual who is always a pleasure to interact with. 💕💕
@poisonintopositivity - Lilias💕 We have not talked much but we have been mutuals for a very long time and i hope you know that i appreciate you greatly as a mutual and you always but the best posts on my dash!💕💕
@glam-hutchence - Birb 💕💕my dear bird lover! You are a sweet potatoe and i love reading about your love for music and the concerts you go to.💕 Its so nice to take a little part of your life. You are always there for me and i always get happy when i talk to you. You are like a little happy pill! 💕💕
@turtles-on-turts - Turts 💕 Whenever i see a turtle i think about you. Its your brand! You make amazing art! and the ones on canvas always blow me away. 💕💕 Its incredible. You are also so very pretty and i have that picture of you in your depression robe with all the pigeons imprinted in my mind because it such a cute one. You are always very friendly and i love reading your personal posts as well. 💕💕
@vonlipwig - Franky 💕 You bring me lots of normality about rhys darby but these days also a huge bunch of normality about david tennant which i appreciate a lot. You are very nice and i stand by my assesment that you have a very cool aura!💕💕
@haeva - Mar my beloved💕 You bring me my wifes emily and valkyrie and a bunch of amazing posts about everything i can imagine. You are loving and sweet and good at maths which i am always very impressed by. I love being your mutual and doing ask games with you is a pleasure!💕💕
@mykonossalome - Myko💕 When i see moomin i think of you because i know how much you love it. We dont talk as much as i would like but the interactions we have had has meant a lot to me and i love seeing you posting about the things you love! 💕💕
@cottoncandiescupcakes - Cupcake 💕 I love that you are always so excited over our boy the swede and its a pleasure to compare language with you. We can continue fighting if the swede belong to the dutch or the swedes but that is a pleasure!💕💕
@mister-brightside - Andrea my dear💕. Your art is always perfect and whenever i see a picture of izzy giving the middle finger i think about you! Its your brand and its your picture now and no one can change that. You are sweet and caring and a lovely mutual to have. thank you!💕💕
@merryfinches - Kylie 💕 What can i say more than that i ADORE your fanart. The colours the style the softness of it all is exactly what we all need in these times. Every single time it shows up on my dash it makes my heart grows softer and my love grow stronger! I love it so so much. 💕
@ofmd-ann - Ann 💕 You glorious glorious gifmaker! Your gifs are always beautiful and these last days you have saved me with your wrecked edits. As a supplier of rhys darby gifs i love you forever. You are a hero love. 💕💕
@usersukuna - Bia 💕You are a gif magician. Your gifs are perfect and you are also very kind and sweet and i am so glad i can call you a mutual! You light up tumblr like no one else and i am always happy to see you on my dash.💕💕
If you are not in this list it does not mean that i dont love you or have forgotten about you it means that tumblr has put a limit to how many people you can tag which sucks. But if i follow you then it means i love and appreciate you. 💕💕💕 And you know what? We will make it through this hard and trying times of greedy streaming services putting an end to our gay pirates show. I love you all and you know what??
We will make it through as A CREW!
#i might have spent half my work day on this because i am sad and can not concentrate so please dont tell my boss#personal#my beloved mutuals#renew as a crew#i am just very filled with love for you all#for this fandom#💕💕💕💕💕💕💕💕
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hi lovely!! do you have any tips on making cool fun and sexy typography?
hey joanna!! this made me giggle haha, i'm not quiiiite sure how to answer that, but here are some tips i keep in my when i do typography, and some examples:
FONTS
don't be afraid to "shop" for fonts and try funky fonts you've never used/seen. i often try so many before settling. i almost always use at least 2 different font for gifsets, even 3 sometimes. i think a good font pairing can do a lot for a gif. it's usually something like:
serif + cursive/funky fonts (example)
sans serif + cursive/funky fonts (example)
serif + sans serif fonts (example)
two different cursive/funky fonts (example)
or even simply the same font but all caps + all lowercase (example)
in case you're unsure where too start or want inspiration, here's a great resource: usergif's font pairing guide and its fonts page
BLEND MODES & LAYER STYLES
i think playing around with different blend modes and layer styles will always elevate your typography game, in my opinion. it's usually a bit more dynamic than just an opaque color. tho this minimalist typography can also be really good.
when you double click on a text layer, you get all the layer style options, as well as the blend modes. a very popular layer style is setting the layer's blending option to difference, paired with a color and/or gradient overlay (often set to multiply/color dodge). a drop shadow is also important so the text is more easily readable. we often see a black soft drop shadow, but don't hesitate to be creative with it, for example a thick, hard line, colorful drop shadow.
i feel like this step often takes the most time for me because the possibilities are endless. definitely play around with layer styles, especially drop shadow, color overlay, gradient overlay, stroke. and also try different blending modes for these settings.
as for the layer's blend mode, also definitely play around with them. and keep in mind that the text's color will also give a different result, it doesn't have to be white + blend mode set to difference, even tho this is a classic that works well.
TEXT WRAPING & POSITION
a great feature on photoshop is definitely the text warping tool. to access it, right click on a text layer and go "warp text". from there you'll get a few different styles and setting sliders. my favorites are flag and wave (example). you can always go back to edit these settings once they're done by right clicking again. and you can even keyframe/animate these settings!
typography doesn't always have to be centered and straight, i often prefer it on a side and rotated a little. you can easily rotate typography by selecting the layer(s) and hitting ctrl + T. you can also play with the skew and pespective after hitting ctrl + T by right clicking the canvas and clicking on either. these will give different ways to move your text.
SIZING
i love playing around with different font sizes, it makes the typography more interesting in my opinion, and it's a way to emphasize some words.
so for that reason i usually put each word on a different layer so i can edit each word separately. sometimes i will also put each letter on a different layer, because it can be interesting to offset/rotate some letters sometimes (example) (another example).
i often pair a quite small serif or sans serif font with a much bigger funky font (example). and often that bigger font will also have different sized words (example). i play around a lot with this!
ADDED EFFECTS
there are some things than can be done to enhance typography:
adding a colorful rectangle block behind the text (example)
using text symbols such as quotation marks or backets (example)
using lines around the text (example) (another example)
these can definitely bring typography to a different level
MORE RESOURCES
great font website
usergif's typography tag
my fonts tag
this is all i can think of right now, i hope it helps :D if you have any question on a specific text effect let me know, i can definitely make a tutorial!
#alie replies#silversmists#typography#photoshop#*ps help#resource#completeresources#allresources#resourcemarket#usercats#userabs#userpjo
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Drake and Kiara: When You're Fucking Racist
Series - TRR's Alternative LIs - The "Romances" that Didn't Happen
Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims
A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.
CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.
Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.
On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.
The caption underneath this edit?
Classify under things no one asked for.
Kiara's dream come true!
The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).
The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.
"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"
"Well it's close to Halloween so we should expect scary shit"
"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)
I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.
Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.
But in this series, Kiara was, is, and will always be an anomaly.
The Jezebel Stereotype
In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.
An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."
So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.
(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)
Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.
In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.
Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.
The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.
An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).
The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.
We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.
The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.
How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?
A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:
"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)
"I liked Penelope, I thought she was nice. But Kiara got on my nerves."
In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:
"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).
Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.
TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?
"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.
Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.
We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).
Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.
It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.
Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.
Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:
The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.
That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.
So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?
But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.
This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.
In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.
No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.
Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.
Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.
On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".
TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)
I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.
Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.
What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).
Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.
The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.
When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.
TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol
So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.
This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:
1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)
Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.
She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).
The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.
The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.
2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)
A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.
Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.
Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.
3. Never-Have-I-Ever (Ch 9)
This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.
3. Flirting with Drake in Paris (Ch 10)
For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.
Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.
Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.
The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.
The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.
The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".
Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.
This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).
After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.
4. Pranking Kiara (Ch 17)
A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.
And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.
Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.
His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).
Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.
Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.
The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".
There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.
Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.
The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.
Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.
5. Drinks at Homecoming Ball (Ch 19)
This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.
Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.
The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.
The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).
Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).
The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.
Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3
On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:
According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".
Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.
Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.
I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.
Well. Boy was I about to be disappointed.
Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??
Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.
For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.
Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.
For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.
Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!
Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.
The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:
"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."
In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.
Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.
And then there is the matter of how PB deals with the problems of all the court ladies.
(Screenshots from the Skylia YouTube Channel)
The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.
In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.
But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.
It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".
Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.
When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3
As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.
Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.
1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)
Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.
Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.
A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.
This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.
In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.
It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.
2. Cheering for Drake's Victory (Ch 10)
Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.
In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.
A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.
Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.
3. Leaving Court + Wedding Conversations
Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.
Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.
Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.
In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).
In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.
Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.
This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.
As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!
I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:
1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.
2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.
3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.
4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.
And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.
He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.
It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.
I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.
The Talk
If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".
I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).
Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???
It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.
He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.
Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.
And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.
Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.
Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.
It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.
They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.
I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?
The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.
The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?
TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase
Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.
Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.
The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.
Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.
Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.
An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.
There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.
The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.
Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:
(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)
There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.
There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?
If they did, then that plan didn't last beyond these two chapters.
Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.
Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.
Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.
This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.
Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.
In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).
Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.
You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.
We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.
In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!
TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.
Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.
It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.
Fandom
When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.
I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.
Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.
But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?
Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.
Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.
And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.
This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?
Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.
But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).
You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.
It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.
Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.
Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.
Did Drake and Kiara Ever Have A Chance?
There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.
I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.
A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.
Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.
I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.
But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.
It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.
All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.
Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.
And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.
They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.
They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.
They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.
--
Resources I used to learn about the Jezebel stereotype:
The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland
Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).
From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website
#kiara theron#anti drake walker#anti the royal romance#essay series: trr's alternative lis#long post
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LOVE TRAIN INBOUND !! 🚂💨💨
This is inspired by @acuar-io !! Thank you for doing this and THANK YOU FOR THE TAG!! (even tho it didnt tag me properly 🤧)
Tumblr is silly and while I will tag ppl, I know not everyone will be properly tagged, so if u see this, skim thru the list for your name ESPECIALLY if your my mutual ! 🫶
To start off, I just wanna say that Fae (acuar-io) has some absolutely STUNNING sims, it's hard to exactly word it, but their sims are SUPER recognizable, and their saves (Snow flower, Cozy save, etc) are SO nicely edited, so aesthetically pleasing to the eyes 🫶😩
@oshinsimblr is the reason why I started storytelling (even before my simblr time) and why I try and find a story-related reason on why my sims/characters do certain things, her videos are also SO comforting and i love her lovesick series!!! and of course, @minimooberry the whole inspo for this simblr and why I render in blender!
@mattodore and @cinamun are AMAZING simblrs if u want rich storytelling and/or well-thought out characters, River has inspired me to really tear into my characters and give them more personality, and cina just genuinely makes such realistic characters and the tea is ALWAYS hot and simblr aside, she has very good takes >:P
@groovetrys and @circusjuney have been around on my blog and as my mutuals for a LONG time and they really are some of my biggest hype people, lori has an AMAZING legacy going on with her sim, Melody, and u should DEF check it out, and june makes the most amazing clown sims 🥹 theyre always so pretty and STUNNINGGGG
-> To add onto the above category, id also consider @miralure as one of my biggest hype ppl!!! Although they havent been around as long as june and lori, they always hype me up and it makes me stupid happy 😭 they make REALLY good lookbooks and i love their sim style SMMMM
if u dont know about @rebouks what are you DOING with your simblr-life, bc becca has some of the most human-feeling story/dialogue, i always get a stupid sappy smile on my face when i read her story posts
@jarakio has an AMAZING story called Girls with Guns and its prolly my fav story that ive read on simblr, the dialogue? amazing, the poses? amazing, the vibes? AMAZING, i'm ALWAYS hooked in whenever i see GwG pop up on my dash
@stellarfalls just HAD to be on this list are u kidding me????? Bree has a PHENOMENAL save called Valley, even tho there's no dialogue, each image and gif speaks more than words could, she's inspired me to kick up the quality of my posts and also start making gifs, I also consider her to be one of my biggest hype ppl, she always be coming in with the best compliments 🥹🫶
@torissims !!! She makes BEAUTIFUL posts, her blog is very yellow and orange and i LOVE IT, she pulls a lot of inspo from Studio Ghibli and even tho ive never seen any SG Movies, I can just see and feel the inspo, shes def underrated af 🥹
@amburgundy has BEAUTIFUL builds, and they dont just do TS4, they also make builds in other sims games!! (u did a phenomenal job with Madi's legacy house amber 🤝) I LOVE the clutter and they always looks so cozy 😭
@flovoid is another one of my hypemen LMFAOOO bro you and your tags literally make me so happy, i LOVE reading them. Flo makes AMAZING SIMS, and you should check out literally ALL of their sims, especially their sims Roo and Norman from Majima Land (first post under my Roo tag is me reacting to one of their posts with Roo and Norman, funniest introduction to a blog ever), Also their sim, Draco Almond??? He's got me tucking my hair behind my ear... 🫦🫦
@elderwisp has some of the most immaculate editing ive ever seen, the lighting, the vibes, the dialogue, the poses, the expressions, i be eating those posts up like im fine dining 😩😩
@changingplumbob is so chill, I love how much passion she has for her rotations, and her love for cats?? Perfect mutual to have, I also literally LOVE reading her behind the scenes posts, they're literally so funny 😭😭
@tricoufamily and @dejasenti99 make absolutely phenomenal renders, like if theres any renders on simblr that im gonna recognize immediately, its these two's renders, they're genuinely more HQ than my fucking eyes 😭😭
-> Also Nat (Missatan) makes incredibly HQ renders as well, these three are like... my biggest blender render inspos...
@buttertrait @missatan @virtualfolk @pearlean @claudtrait all have BEAUTIFUL sim styles, butter's is very unique, i know they arent really a sims 4 blog anymore but i ALWAYS recognize butter's sims when i see them on my dash and I genuinely love their sim style sm. Nat (Missatan) has SUCH a gorgeous sim style, you've heard of them hips dont lie, well her sims' lips dont lie 😩🫦 Virt (Virtualfolk) and Sam's (pearlean) sim styles are SO animated (if that makes sense), they're like eye-candy. Den (claudtrait), like Nat, has a sim style with the most luscious lips and poutiest faces ive ever seen and are just SOO pleasing to look at, like i just feel blessed in the eyes when i see their sims
@yukikocloud 's Apricot save and storytelling is incredibly reminiscent of Bree's posts, and I just LOVE looking at and reading her story posts, this post in particular just absolutely captivated me, I was drawn in and just get so giddy seeing the Apricot save pop up on my dash 🥹
@alientown @venriliz @nefarrilou @druidberries @machinegrl make STUNNINGGGGG occult (or cyber/robotic in Baja/Machinegrl's instance) sims. Nef always makes beautiful sims for their Cryptid "series", im just in AWE when i see their cryptids... Ven and Ana (alientown) both always make absolutely gorgeous alien sims and they also just have very unique/beautiful sim styles 😍 Baja's cyber girlies are just >>>>>>>>>>>>> I love her whole dystopian/cyber theme, its literally so good and so cool, and her Deadstars series? SO good. Alexis' (druidberries) elowen is so pretty, and her sim style, especially with occults, is just MWAH chefs kiss, literal eye candy
@swallowprettybird is just one of the sweetest people on simblr, I love reading what she has to say about mine and others' posts, and she makes amazingggg posts, I loved that one national geographic inspired post with the zebra, it was so well done
@softle0 makes some absolutely stunning builds, they always look so lived in, so cozy and I would ABSOLUTELY live in pretty much every single build they make
and honorable mentions to @droolski @felysline @pamsimmerstories @swiftviolets @weirdosalike @mushbop @calicosimgirl @shadowtrait and @seriallovertrait because I feel like they're all SO underrated, they're all passionate about their own stuff and I just love seeing their posts, and if you're seeing this, FOLLOW THEM 🫵🫵
Thank you Fae (acuar-io) once again for starting this train up, I love seeing stuff like this and it's so sweet to see what everyone has to say about one another, I may have spent 1 or 2 hours doing this, but it was INCREDIBLY well spent to be able to admire and appreciate all these people, them and every other simblr person, whether i follow them or not, deserve every last drop of love and appreciation genuinely
#tw yap nation LUHMAO#well deserved yap nation i loved doing this#i love doing stuff like this i love the lot of you 🥹#i just know tumblr is gonna untag so many people and its gonna make me so sad#simblr#simblr community#yapping
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[visual content blog recommendations]
we see fic recs all the time, but i don’t think i’ve ever seen rec lists for visual content (gif/art/gfx/etc.) creators! they’ve been dealing with a bunch of shit lately between reposts, tumblr garbage, etc., so i wanna shout-out some favorites. thank you for keeping us fed!!
disclaimer: this is not an exhaustive list!! if you have recommendations of your own, please feel free to expand on this yourself and/or drop some of your faves in the replies for others to see. self-promo is always welcome here, too ✨ p.s. some of these are recent finds for me, so pls expect to see more of them on my blog. eta: i will be adding more as i go!!
[bts]
@yooboobies — réka’s gif sets are *chef’s kiss* and the ART? omg. the talent!!! 😭 we simply have to simp.
@cordiallyfuturedwight — apart from being one of the coolest/funniest people i’ve found on army tumblr, i am a kayla stan because the niche themes for her gif sets (ex. bangtan turtlenecks series) feel like they’re made 👏🏻 for 👏🏻 me 👏🏻 even though they absolutely aren’t, lmao.
@hopeinthebox — the bts as reductress headline + incorrect bangtan series are probably my favorite pieces of content on the entire internet??? also, lizzy is absolutely gd hilarious. tags are 11/10. a blessing upon my dash.
@kimtaegis — i’m not visually artistic enough to say this in a way that makes sense, but annie’s gifs are just… stunning? like, the colors? idk about the process that goes into that, but i imagine it takes a lot of time/finesse to be this vivid.
@kithtaehyung — ryen is the renaissance man of army tumblr, fr. not only can she write (like!!!) but she’s multi-faceted and insanely creative with her graphic design. i want her to tutor me, lmao.
@raplinenthusiasts — ooohhhhh my god. the coloring of their gifs makes my brain go brrrrtttt. this bts x the office set is on my “always reblog” list; i’ll share it every time i come across it.
@heybaetae — this set in particular is on my “always reblog” list, no matter how many times i’ve done so already. also, idk how to describe this, but kelli’s gifs are just…. crispy 🤌🏻 like, so satisfying with the…. texture? filtering? contrast? i’m an idiot re: editing terms, but go peep them and you’ll know what i’m trying to say.
@kth1 — literally who could ever forget maggie’s 100 days of (member) series??? the amount of work that had to go into that? unfathomable.
@jeurias — i want to wallpaper my house and office with their gfx. i’m deadass.
@jinstronaut — emmeline has been doing her “a jin a day while he’s away” series for OVER 250 DAYS NOW. i have never been nor will i ever be able to commit to anything to this level.
[multi/skz/atz/svt/etc.]
@starryoong — do not get me started on starry’s paintings, sketches, etc. because i will never shut up. ever. j’adore 🫠 is also a five-star human being.
@irlvernon — my queue is probably 80% max gifs at any given time. god-tier, fr. a must-follow for carats, as far as i’m concerned.
@vcrnons — incredible gifs, lovely human, and also the writer of some of my favorite svt fics??? we stan.
@yelhsaart — i don’t have any words for how much i love their art so please imagine guttural screaming instead. asdfghjkl!!!
@hizuillu — ……breathtaking. legitimately stunning skz art. like…… i have heart palpitations.
@snug-gyu — THE USE OF COLORS. i’m always a simp for pantone-inspired sets; they just scratch an itch in the back of my brain, and BOY HOWDY, is my brain satisfied 😵💫
@yunwooz — again, i have no idea what i’m talking about when it comes to the gif-making process, but the colors!!! the COLORS!!! like, taking a mv that’s not super vivid/is fairly greyscale and bringing it to life? ya know????
@booskwan — you want incredible gifs? they’ve got em. you want stunning gfx? they’ve got em. seriously, idk what to tell you except “pause right here and go follow immediately”.
@haechannabelle — listen……. annabelle’s art style is 😗🤌🏻 (that’s a chef’s kiss). the use of color, and the technique, and and and — ! ALSO, i must mention that she took, like, 50 hours to compile a boycott-friendly k-pop playlist. their vibes are simply impeccable.
rev. 4/10/24
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All week I told myself that on Sunday, I was going to write all day.
I opened my laptop up for the first time in two weeks. I haven't written a word since I finished editing Expensive and tried for over an hour to work on my series Like My Dreams.
I thought about it all week and have been so eager to continue it, only the words won't come.
I know it's not for lack of passion or wanting to; I think about this story (and all the other ones) constantly.
I've been trying to deny some feelings for a while, or chalk it up to getting too much in my own head, but today it's come down heavier than ever and what is ultimately responsible for blocking my creativity and turning my love for my stories from thoughts into actual sentences.
I'm lonely.
I've never felt so alone.
The Charlie fandom seems to be relatively non existent, or just extremely quiet.
I have no space. No where I fit in.
I'm on the outskirts, trying to find a spot, constantly seeing if there is a way I can have a place for my ideas, stories, and even friendship, and have it hold some value to the others I'm around.
The more I post on here, the less I feel seen.
Engagement on this platform has reduced drastically across the board, and it's effecting so many artists.
It's not about numbers. I'm sure some of you are probably thinking "your last fic has over 100 notes". Yeah. It does. Almost all of those notes are likes, and more than half the reblogs are my own.
What I'm seeking is engagement. Conversation. A likeness and kinship started by a common interest that blooms into simple conversations and thoughts shared.
Comparison is a bitch. I see so many people living the Tumblr life I wish to have. Asks, comments, reblogs of teasers and moodboards for upcoming fics screaming of excitement and praise and how eager they are to read it. People dropping everything they're doing to read the latest chapter of their friend's new fic.
I realize the many reasons why I'm in a different position than they are, but lately it's been screaming at me louder than ever that I'm lacking something meaningful or whatever I'm doing on here isn't enough.
I've tried creating a buzz around my stories. I am aware that most of the time I write for unpopular characters with a smaller fan base, so I set the bar lower but am still left feeling inadequate even when I write for the popular ones. Whenever I've shared snippets of WIPs in hopes to gain some excitement from my readers, it falls short. Usually it'll inspire me to keep going, to write better than ever and make this next fic The Best One that makes me so happy and excited to get out. (For Charlie, I'll say, and write something I'm so unbelievably proud of) and then sometimes it makes me wonder if I should bother continuing at all.
I know I am not owed anything by anyone and no one is obligated to read or comment or anything of the sort, and I am beyond grateful for the comments and support I do receive, and the friendships I've made, old and new.
I'm not exactly sure what I'm getting at here, I just needed to write it down and "talk" it out.
I've been battling the decision to continue writing but not share it. I don't want that to happen, because as much as I write these stories for myself, a lot of the fun of it comes from being able to share it with all of you.
Nothing dramatic is happening. I'm not leaving, and I will be writing again because I'm not at all done with what I have to say about these characters, I just felt this needed to be said and already feel a little lighter by sharing it.
Write your stories, comment on your favourite fics, scream with your mutuals about a photo or gif that inspired something in you, tell your writer friends and writers you've never spoken to but love their stories just how much you do... I promise it makes more of an impact than you know. 💗
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tonight (is gonna be the loneliest)
summary -- in which you're in love with peter parker, only he's not in love with you.
warnings -- fucking angst on top of angst. mentions character death (uncle ben and r's father), tiny not even bad explicit language, peter parker is lowkey an asshole in this
authors note -- inspired by the lonelist by maneskin. proof read a little, not edited. gif not mine.
You had grown up next door to Peter Parker, he had been your best friend since the two of you were six years old and it hadn’t changed over the years. If you went digging through attics or basements, you’d find hundreds of pictures documenting two children growing up side-by-side into teenagers. The growth charts in the houses were faded now, but you could still make out initials and numbers, and smiley faces. A childhood spent so closely together, families practically weaved together. Peter Parker was part of you.
You’re not sure where along the line you’d fallen in love with him. Maybe as a ten year old when you’d finally learnt how to do the bunny loops to tie your shoelaces by yourself, and Peter spun the two of you around in circles in celebration. Maybe as a thirteen year old when you’d had your heart broken and Peter sat up with you all night to dry your tears. Or, maybe as a sixteen year old when you noticed the way he started looking at Gwen Stacey and you realised that Peter Parker was a boy you couldn’t have.
Now seniors at Midtown High School, you knew things were about to change drastically. Life revolved around homework, college applications, extra credit work, serious boyfriends, and making the most out of a school year that would be drawing to a close soon. Gone were the days of paper planes, skinned knees, hanging upside down until the two of you were red in the face. And, you’d be lying if you said it didn’t tear you up inside.
“Are you coming over tomorrow, Pete?” You asked on the walk home, sharing an earbud as you listened to the Peter + Y/n playlist, carefully curated over the years. The backpack you had since freshman year, splitting at the seams, was full of textbooks and homework, and you knew if you didn’t get it started tonight it was highly likely you’d procrastinate.
“Can’t, sorry bub.” Peter was nice enough to sound apologetic, and it hadn’t been the answer you’d been expecting. In the twelve years of friendship, you’d never not spent a Saturday together and it hurt you a little to know Peter was suddenly unavailable. “I can come over on Sunday though? We’ll start our assignment together.”
You shrugged in response, taking out the earbud as you reached your front steps. A quick goodbye was said before you ran up them and through the heavy front door, ignoring the way your backpack knocked against your back with enough force to leave bruises. Peter followed, stopping when the door slammed shut without enough time for him to slip through. Unsure if you wanted time alone or not, the boy decided it was perhaps better to leave you for now; he’d see you on Sunday.
Saturday was an incredibly boring day, for you anyway. You spent most of the day in a too-big sweater and some pj shorts, hunched over your desk as you worked through an English class essay. It felt weird not being with Peter, like something was missing and you wondered what he was doing. You wondered if he was lonely, wondered if Peter was doing anything even remotely close to exciting. You’d ask tomorrow, you decided.
Sunday rolled around, and you sat on the stairs outside your front door waiting for him to turn up, but he never did. Peter Parker, for all his lateness when it came to school, was never late for you. He had sworn against being late after he was five minutes late to your ninth birthday party, quite by accident, only to turn up and discover that nobody had come anyway; you’d been most hurt at the thought of Peter not being there.
“Come on love, dinner’s ready.” Your mom called you inside at 5pm, tea towel draped across her shoulder. You were silent as you stood and followed her, holding in all the heartbreak you were sure you’d cry into your pillow that night anyway. Peter had shown up during dinner, looking apologetic and peaky, and your mom served him some dinner and you had to pretend that his actions hadn’t cut deep inside.
Peter left after dinner, citing that his Aunt May needed help with something, and when you rounded the table for a hug, Peter didn’t stay long enough to give you the chance. Despite the action being unnecessary, you walked him to the front door and as it closed behind him, you collapsed onto the stair behind you and let yourself cry. Nothing needed to be said, the actions were enough, Peter Parker no longer saw you as a friend.
You took to ignoring him at school after that, much to his confusion. When his Uncle Ben passed away, you took Aunt May some condolence flowers and some prepared meals. “Mom said you’re welcome over anytime, which you know anyway.” You explained into a hug, feeling your own tears burn at your eyes. “She knows how you’re feeling, and said you don’t have to grieve alone. You’re not alone, Aunt May.”
A sympathetic smile sent in Peter’s direction before you stepped out of the Parker residence, unsure if you’d ever step back inside once again. Things had changed even more after that, Peter had become obsessed with avenging his Uncle’s death, fuelled by the need to catch his killer, and it was obvious that he didn’t have time for silly friendships anymore. Even if Peter Parker was still the biggest part of you.
When the seventh anniversary of your fathers passing rolled around, you found yourself crying in the arms of Aunt May. Your mom had gone to visit her mother in law for the weekend; her health had been declining in recent months, and having no other children, your mom figured it was only right for her to spend some time with her. You promised you’d be fine alone, said the Parkers were right next door if you needed them. And you did, more than ever. But where Peter failed, Aunt May succeeded.
“He should be here,” you wailed, tears coming thick and fast as you felt yourself breaking down. Peter had been there for every anniversary, every first since, and when you cried for your father, Peter had been the one to hold your hand, encouraging you to let it all out. “Peter should be here. Why isn’t he here? What could be more important?”
You’d fallen asleep on their couch that night, cheeks sticky from tears and throat raw from crying so hard. Eleven am saw you waking up to the sound of May lecturing Peter, “she needed you. You weren’t there when she needed you the most. Where were you, Peter? Where were you because you sure as hell weren’t here when it mattered the most?”
You had left when Peter Parker mumbled out that he was with Gwen Stacy; didn’t stay long enough for the apologies that you didn’t think you’d get to hear. But when Gwen’s father passed away, and Peter withdrew himself from the girl, Peter climbed through your window begging forgiveness.
“I waited for you that Sunday, and you didn’t come,” you cried, grateful your mom had been working a night shift at the local hospital. Peter could feel his heart crack at your tears, wanting to console you but moving felt impossible. “You came for dinner, and didn’t even hug me goodbye. You never leave without hugging me! And you weren’t there. When I needed you the most, you weren’t there.”
“I’m sorry,” Peter practically stumbled over his words, unsure if you’d believe him. He hoped you would, but he’d been such an awful friend to you lately that he wasn’t sure if you’d forgive him. Not that he’d blame you if you chose not to. “Believe me bub, I’m so so sorry. God, if I could turn back time I would, I’d spend every single second with you instead of with Gwen. I’d have held you whilst you cried instead of kissing Gwen. Believe me, I would have.”
Bile rose in your throat at the statement, and you swallowed it back down. You’d been in love with Peter for years now, he’d always been part of you. Twelve years of friendship; shared skinned knees, hanging upside down until you were red in the face, a silly marriage pact, tears, laughter. Peter had been your awkward first kiss aged fourteen when you worried that nobody would ever want to kiss you. You were so in love with your best friend, and wishful thinking had you hoping he loved you too.
“I love you,” you blurted out, unable to stop yourself. “I’ve loved you for longer than I think I can remember. Maybe I started loving you when we were ten and you twirled me around after I learnt to tie my shoelaces alone. Or maybe it started at thirteen when you stayed with me all night to dry my tears after that jerk broke my heart. Maybe at fourteen after you were my first kiss when I worried nobody would kiss me. It was confirmed at sixteen though, when you started looking at Gwen Stacy differently and I knew you were a boy that would never be mine.”
There, it was all out in the open now. A confession you could never take back, words you never thought you’d spill. Peter looked lost for words, opening and closing his mouth eerily like a fish as he tried to think of something to say. The right thing to say. The thing you wished he’d say more than anything: I love you too.
But he didn’t. Couldn’t. Instead, he turned and left your house. Leaving you alone for the last time ever.
Peter Parker will always be the saddest part of you. The part of you that would never be yours.
#tasm!peter parker x reader#tasm!peter parker x you#the amazing spiderman x reader#the amazing spiderman x you#peter parker x reader#peter parker x you#tasm!peter parker x you angst#tasm!peter parker x reader angst#tasm!peter parker angst#peter parker angst#the amazing spiderman#peach writes
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2023 writing gif-making round up
Rules (adapted for fic, gifs, art, etc.): Share what you made this year! It can be works you posted to Ao3, Wattpad, Tumblr, or anywhere else! You can share everything you made or just the projects you're most excited about.
I was tagged by @swearphil! thank you sm renee <33
Hii!! so 2024 is right around the corner, happy new year yayay. Actually, if I think too much about it I think I'll start crying cause like what do you mean we're less than 42 hours from staring a new year?!! 2023 doesn't feel real tbh time in general doesn't feel real but yeah anyways I'll save that convo for another time. I'm here today to reflect on all the gifsets I've made throughout this year, which let me add, has been A LOT. I'm going to start by sharing some fun stats (yes renee I'm copying you <33), and then I'll do a fun top 5 of my fave gifsets, and to finish it off I'd also like to use this to shout out some of my fave people and creators on this hellsite cause you all made my 2023 so much better and I love you all for that <333
fun statistics:
In total I made 61 gifsets in 2023
57 are heartstopper (not surprised)
3 are 911 lone star (mostly tarlos)
1 are dan and phil
In august I made 20 gifsets, which are the most gifsets I've made in a month this year
In may I made 1 gifset, which is the month I made less gifsets this year
6 of the gifsets are song lyrics edits
3 of the gifsets are heartstopper comic edits
31 of the gifsets are scenes from heartstopper
6 of the gifsets are heartstopper compilations from s1 and s2
top 5 gifsets from 2023 (in no particular order)
that one dnp gifset: I think most people know that I was and still am a big dan and phil fan, and that I spent most of my teenage years obsessing over them and giffing them and only them. Well, they went on hiatus and they stopped having a big impact on my life util they decided to come back and ruin my life again (in a good way). This gifset was the first time I giffed them since like idk 2019/2020, and it does mean a lot to me :') it's not really about the concept and the coloring, I chose this one to be apart of my top 5 for sentimental reasons, and I think that's valid.
give your friendships the magic you would give a romance: once again, sentimental reasons. when I read this quote on loveless it just spoke to me in so many levels. One of the things I love the most about heartstopper is the importance they give to friendship and I just had to make something that highlighted that and I think it turned out super good.
I think nellie loves him: well, now I think I snapped with this one akdhjahak I just love it so much. the coloring.. the heartstopper tv scenes with the heartstopper comic scenes, like chef's kiss, just perfect. of course this is not an original idea so I'd love to thank @rose-nobles for inspiring this gifset <33
mr. ajayi loves museum dates with his grumpy bf: and just like that we are back to sentimental reasons ahdhkas. well, this was one of the first gifsets I made when season two came out and it blew up. I've never had that many notes on a gifset, and honestly I think it's well deserved cause the coloring is good and I had finally just figured out how to sharpen gifs, so yeah love that for me.
I'm bi actually: I had so much fun making this one. the amount of bi coded elements and colors I included on this, I WAS ON A MISSION. the fact I made the font wobbly hsjgdjaka, I love love this gifset.
a little shout out to my faves (I hope you all have an amazing 2024)
@swearphil ☆ @barrowsteeth ☆ @narliee ☆ @cafecdramin ☆ @heroeddiemunson ☆ @nelsonnicholas ☆ @curlyhairedprince ☆ @wylanvannecks ☆ @aimeegbbs ☆ @indimlights ☆ @jelloandsugar ☆ @perrieedwards ☆ @imogen-heaney ☆ @thatwasthenightthingschanged ☆ @klinejack ☆ @birthdaysentiment ☆ @seeleybooth ☆ @sonseulsoleil ☆ @taraolssons ☆ @immortals-malec ☆ @parissquads ☆ @rose-nobles ☆ @itwasmagic ☆ @perccyjackson ☆ @naomismcpherson ☆ @neverfindmegone ☆ @charlieisverybored
Okay I think that's it, I'm so sorry if I missed someone. I'm also tagging everyone that wants to do this, just say I tagged you in it <33
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as someone who lives with music in their ears every chance they can get, for the @swiftiscruff challenge, I wanted to give you all something that means as much to me as the stories I tell: songs. they might not all be for you, or your usual taste. but, one thing I’ve learned from being in this fandom—from getting to know so many of you—is that there are lots of things I enjoy that I never thought I would. your creativity and ideas astounds me, it makes me better, it makes me want to be better. but on top of that, you’re there on the bad days and the good ones; there when it rains and when it’s sunny. your friendships and kindness towards me have allowed me to be myself, when usually, in a lot of spaces, I struggle to be. so thank you. from my liked songs to your ears, I am so grateful for all the friendships I’ve made and the works, gifs, edits and mood boards that inspire me continuously. to everyone who interacts with me, reads, talks, shares or just exists in the same space as I, thank you for letting me play in your sand boxes, thank you for letting me be here and thank you for letting me be your friend. ily all.
Snooze - SZA
Wildest Dreams - Taylor Swift (had to do it to them)
I’m In Love With You - the 1975
From Time - Drake
To Build A Home - The Cinematic Orchestra
I and Love and You (Live) - The Avett Brothers
Save Tonight - Eagle-Eye Cherry
Carry Me Home - Jorja Smith
R U Mine? - Arctic Monkeys
Unsteady - X Ambassadors
Funeral (The) - Band of Horses
Fade Into You - Mazzy Star
and here are some other songs that I just love, and wanted to share:
nathan (still breathing) - fred again | jackie and wilson - hozier | across the world - pitbull | sittin’ on the dock of the bay - otis redding | open your eyes - snow patrol | the middle - jimmy eat world | voodoo - gorgon city | happy sad - ocean alley | men in black - will smith | into you - tamia | slide - h.e.r | about you - the 1975 | nina cried power - hozier | never ever - all saints | this kiss - faith hill | in the end - linkin park | all the small things - blink 182 | all the stars - kendrick lamar 🎶
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I don't claim that making gifs is the hardest thing in the world and I know mine are far from the best here on tumblr. To me, they aren't even always exactly how I'd like them but I'm limited by what I use to make them (photoshop is expensive lol).
But I really do put time and effort into getting them just right. I have to get inspiration for which part of the show I want to gif, find the scene and download it if necessary, trim the video and import it so I can edit it. Then the actual editing itself can take a while to get the colours/frames and speed precisely how I want it.
So with all that in mind, it's incredibly disheartening that twice within a week, someone took my gifs without crediting me.
I am always happy to speak to new people. Yapping about Mando with fellow freaks [affectionate] is why I made this blog so you can always, always add a comment to my posts. I'll be thrilled, in fact! Stealing my gifs is really not necessary if adding something to the conversation is all you want to do.
By the same token, I'm always more than happy if you want to use something I've created in your posts as long as you credit me! (Funny how neither of the people who took my gifs actually asked, though...)
There really is no excuse for it. None. Ignorance is not a defence here. Stealing is wrong and I'm not going to hold your hand through it and make you understand why. We're adults. I truly have zero tolerance for this behaviour. If you steal something I post, you lose the privilege to look at my blog and I will block you.
Also just a heads up for anyone in the Din/Mando tag: if you see a new blog with hardly any posts, who has never previously made gifs suddenly posting them, it a 99% certainty that it is stolen. I'm not blaming anyone who interacts with it because you aren't to know (unless you happen to recognise my gifs, in which case please tell me!) but especially with the rise of AI art, I think it's never bad advice to take a second and think about where what you're interacting with originated!
Finally, to anyone who is considering taking my gifs without credit: I will call you out on your loser behaviour. Doesn't matter how many times I have to do it. Stealing content, along with everything AI, are two matters I feel very strongly about online. I will never tire of calling this behaviour out.
STOP STEALING MY GIFS!!!!
#spud rants#din djarin#the mandalorian#not another oneeeee#plagiarism#if you ever repost things without permission or credit i hope you step on lego :)))))
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I originally posted this in a reblog to @melonatures, but I'ma post it here.
Since you posted this, I haven't been able to forget it. I love it, but it took a little bit to figure out why these two gifs are particularly great.
I love your gifset. Let me explain all the ways:
"No, no, no. Fak's not my best friend."
I love how Carmy's face is turned away from the camera for a moment. And he hesitates and looks towards his front door where Syd just left. But then he agrees that Neil is his best friend. Which is totally fine! But I wonder if he was pressed by say, Nat or Richie he'd say the same thing. Fak is best friends to everyone, but is he Carmy's? I dare say Carmy's best friend is Syd, considering we're shown in the show how they are quietly and steadily laying the groundwork for a long, strong and substantial partnership. A partnership that is also a relationship.
We know that Carmy is working with Syd to reach her goal of a Michelin star, stars he thinks are bullshit. This is her goal but he's more than happy to help her reach it, to the point that he's willing to give her hands-on training on how to perfect a dish. Perfection requires fine tuning and precise decisions. Syd is an amazing chef early in her career, and has the makings of a wunderkind on the food scene if she can harness her natural abilities and training. I think Carmy sees that in her and admires it. I think he's attracted to her love of food and by spending time with her on the menu and just hanging out, it's reminding him that, even if he became a chef to spite Mikey, he actually loves it, he just didn't want to do it alone.
In working together to make the menu for The Bear, which will also help Syd get the star she covets, they've gotten close (more close than sitting behind the shop and commiserating), even if it's how they each come to their ideas about menus. In Honeydew, Luca tells Marcus that he experiences life and that's a part of what makes him a better chef. Sydney already does this. We see in Sundae how Syd gets inspiration for dishes, as well as her getting ideas in dreams (shortrib and risotto). Carmy is by the book, but I think he likes the way Syd thinks. That man would have never put chips on Nat's omelette! But I think Syd craves his wealth of knowledge and experience and ability to edit himself. We see in an episode where she realizes she's doing too much to a dish with Tina. Carmy helps her by hearing the ingredients and giving advice; I love Tina and everybody else, but only Carmy can provide that for her. They really do compliment each other, and learn about each other through their cooking.
"I fe- sorry, I feel like I should have known that, or, or- something--"
Makes sense that Carmy was mistaken! I think he's gotten to know aspects of Syd over a short period of time and in this scene he's maybe noticing that Syd holds things close to her chest. Omission plays a big role in her psyche. He can't just assume that she's okay or that she's an open book, because she's not.
Like mentioned above, I think Carmy is learning a lot about Syd through their menu creating. He's listening to her stories and anectdotes, laughing at her humor and learning about what she values through the food she creates. They have such symmetry through food, he assumed (incorrectly) that he knew more about her than he did. Because Syd is bringing back his love of food and the two of them really do communicate their desires through food. Syd loves taking care of people. But so does Carmy! They both don't want to use tweezers on food they don't care about. They want to use tweezers to show how much they love people lol
I love his stuttering in this gif because this man lost the plot and thought he could substitute communicating through food with actual communication. Example: Bro really was confused when Syd wasn't happy about the wall being torn down. By his logic, he tore the wall down for her, like he's working on the menu for her, so what's the big deal? (Someone save this man.) He's very action oriented, so it flew right by him that making a menu with Claire for Syd wasn't it, because he thought doing this action was what she wanted--like he said in that particular scene. But Syd wants communication and hands-on training (😏😏😏), because they're doing this together and if he just wants to put a menu together without her, she can just go somewhere else and make bullshit no-love tweezer dishes. They're supposed to be doing this for the love of food, not to just make money.
And even though they talk to each other via food, it doesn't make up for the other way they can and should communicate: straight up talking.
But The Table ™️ scene shows, in my opinion, that he's learning that. "Say more, please."
Anyway! I love this gifset melonatures. Sorry if this broke any Tumblr edicate. I loved your gifset. Thanks for making it! ❤️
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DAN AND PHIL REACT TO PHAN TWITTER REACTIONS w/ timestamps
.03 sir please don’t crack your hands in my ears.
.11 way to early in the video for a phude Jumpscare
.16 DIP AND PIP ?!!!??
.26 tbh shoutout to Phil for acknowledging that even tho we have fan accounts, not everything we say, create, post is something we would want them to see. Love the self awareness. Appreciate the space he provides
.35 rip Dan memes and tumblr tags
.56 I actually needed to be told I am gorgeous and intelligent, I knows it’s fake but it’s nice to hear even if fake
1.37 WHY IS HE **** ********* THE MIC N O NO NO NO NO WHAT??????
2.08 chill Phil we weren’t gonna fight about it. You’re Edward… OKAY
2.25 how many times are they going to watch pinof 1 ! Babes you can do that anytime you want not just on camera
2.37 Phil is in FULL CRISIS realizing how messy he is as if they haven’t already talked about this before
3.09 TUMBLR NEVER LEFT. YOU LEFT.
3.29 the synced lean in as they discovered the dan has something in his teeth bit was a video
3.40 SO SO SO GLAD THE SOCK VIDEO MADE IT. AND HES ACKNOWLEDGING
3.46 SHOES SOCK VIDEO JUMPS ARE😭😭😭
4.24 “keep reading” oh goodness that. Sir. Okay.
4.44 hi just realized is Dan wearing a muscle tank under the see through shirt????? Side note. Want the see through shirt
5.03 FANTASTIC FOURSOME JUMPDVARE
6.14 NO DAN NOT KATE THEY ARE LISTENINF. DONT BECOME INVOLVED IN ANOTHER ROYAL CONSPIRACY
7.41 absolutely fire meme. I laughed so loud I actually had to pause the video. Worst part? I had already reposted on twt yet still reacted to it
8.05 he is staring into my soul. Hell how is he staring THROUGH my soul
9.17 no words. “It’s not a bad look” alakakakak???
9.22 So suddenly it’s not “we” anymore, huh?
9.53 rip Phil’s slit😫
10.08 I just through Dan making a joke then immediately hitting Phil to let him know he was joking was really funny. Stuff I do with my friends I am tactile
11.46 I ALWAYS thought that image was edited to have all of them. I didn’t realize it was a real photos
12.38 OH MY FOS????? JUMPSVARE WHAT THE HELL
12:45 those pounds weee so aggressive. It sounded like they really hurt. I’m hurt listening
12:46 Phil is watching that monitor like a HAWK he is NOT losing monetization bc Dan wants to wap
13.00 Phil saw and saved this and nobody knew. He lurks. Nobody is safe.
13:36 about nine “what can I say”s in. Dan has a genuine look of terror and confusion. He looks like he’s playing up his reaction a bit in the beginning, laughing and stuff and acting annoyed but this point is genuine horror and realization. This is so gold. Will be giffing later. Also precious Phil
14.50 okay the editing kinda memes his monologue a bit but i was high key inspired. He’s so wrote. Everything is a story that must be concluded. I love that thought process. Clearly bc I am also a grade a yapper but still
15:50 oh the immediate IMMEDIATE regret in Phil’s face
16:35 we love a self aware king. The poster was a tad rough
16:56 THUS CIDEO AND COMMENTARY JS SO SO SO GOOD
17:38 YES THANK YOU THE WADVERT WAS RVEFHONE. We couldn’t eat sleep or think without seeing it
18:11 please wash your blanket? Guys? Like? You can clean, wash, or dry clean anything. Please?
19:00 tbh saw under the robbing blanks and it wasn’t even that bad? Compared to every horrific demon phannie thing that has been seen? Not bad! Could have been worse
19:45 2021 period???? Hello??? You were gone since 2018? At least from dapg??
20:44 yet???? Capitolestor strikes again
20:50 did they not have a keep calm and something on poster in their apt at one point??? Some people?? You mean you???
21:16 I SAW THIS WHEN IT DROPPED. love dami sm. This video was so good
22:24 JUMPSCARE
22:55 “1992” “Daniel” calm down
23:25 “you also let me” guys??? How is this forced situation? Who decided??
24:20 he needs to back away from the mic I can feel him breathing in my ears my goood ess??
24:34 I’m screaming bc they used a clip from the section before we all thought they got high. This section they posted was just a cute section
24:54 literally speechless. Also jumpscare?
26:30 the entire dan induced conclusion is beautiful I love them and their banter
26:54 nvm can you lean into the mic closer and tell us you’re proud again??? Needed that???
#dan and phil#amazingphil#dnp#phil lester#daniel howell#philip lester#dan howell#danisnotonfire#dan and phil renaissance#dnpgames
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