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#am I being rocked with or not
corpsepng · 1 year
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I don’t like knights in the “glorifying a military police force as symbols of power, wealth, and tradition” way. I like knights in the “cult of chivalry and psychological fallout of raising sons to die like their fathers for a king they’ll never meet” way but also in a “swords and armor symbolic of the heaviness and impermanence of manhood” way.
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knowlesian · 2 months
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jstor: the people’s “hey, has anybody smarter and/or more thoughtful than me written about this already?” princess, tbh
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knowthatiloveyou · 6 months
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God as Herself
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introspectivememories · 3 months
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i think one of the reasons i really like bernard and darla is because they met him at a time when he wasn't robin. to me, tim drake has always felt like an amalgamation of robin and tim. and he's good at it y'know? being tim drake and robin but when bernard and darla meet him at grieves he can't be robin. he has to just be tim drake. and he's obviously struggling but he tries for his father. and that's so interesting to me because who is tim drake without robin? he obviously doesn't know either. and we see him explore this in urban legends. he even asks himself in urban legends, "who am i if i'm not robin?" and i don't think it's too much of a surprise that at the end of urban legends, when he's figured out what he wants, he chooses the boy who only ever knew him as tim drake.
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thevalleyisjolly · 11 months
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There’s something really fascinating about the different ways in which the Hungry One is understood and conceptualized in Calorum.  In the Bulbosi Church, it’s characterized as an apocalyptic Satan-figure, the cause of suffering in the world and the thing that will one day come to devour everything just because that’s what it does.  Where things really get interesting is in the different sects within and around the Church.  Adherants of the Ramsian Doctrine, for example, believe that it is necessary for the Hungry One to devour the world so that the Bulb can triumph over it - and they believe that the Hungry One will not devour the world so long as it contains “junk food.”  In a similar manner, the Prophidian Heresy and the FDA believe that the Hungry One will not devour the world if it is full of waste -only the FDA consider waste to be general rot and decay rather than the Candians specifically, misanthropy vs xenophobia GO- and that this is therefore the key to preventing the destruction of the world. 
Within the FDA and the Prophidian Heresy, there’s also an intriguing link between body and soul that contradicts mainstream Bulb theology.  Whereas most of the Church believes in a rigid delineation between body and soul, that after death, the body returns to the ground and the soul (if it is not damned) goes to the Bulb, the FDA’s plan of filling the world with rot and decay so that the Hungry One will not devour it suggests, quite radically, that the body just as much if not more so than the soul is what the Hungry One devours.  Mainstream Bulbians believe the stomach of the Hungry One is Hell for damned souls who do not go to the Bulb - the FDA seems to believe that the state of the material is just as important to the Hungry One as the metaphysical and that large enough volumes of rotting decay (which could also be the moral decay that comes with actions in war, but in this case the FDA themselves have the most rotten souls of all) can keep this Devil-figure from consuming anything, regardless of the state of the soul.
On a different level, with Karna, we find the idea that the Hungry One is not just a powerful over-arching entity but rather something which people can relate to and personally interact with.  When Karna kills Sir Drunon and the woman, she takes part of their bodies and burns them “in offering” to the Hungry One.  As the audience, we know that Karna is mechanically a warlock of the Hungry One, with the specific subclass of The Great Old One.  Combined with the offering, the characterization of the Hungry One is as an active, powerful being who, to some degree, can engage with people personally.  Not necessarily in a reciprocal way -you can burn an offering as a sign of respect or acknowledgement without any expectation of receiving something in return- but people like Karna can and do engage with it on an individual and personal level.  Given the fact that when she kills, a new rotten spot appears on her body, it suggests that her relationship to the Hungry One does, in some part, go both ways, that there is something on the other side receiving her votives and responding to them.
Also fascinating to observe, when she kills Sir Drunon, she says “We are all eventual food in the maw of the Hungry One,” and immediately thereafter as she kills the woman he’s with, “I’m sorry, but we are all eventual waste.”  This presents another perspective on the relationship between the Hungry One and the concept of waste. In contrast to the FDA or the Ramsian Doctrine, which believe that the Hungry One won’t devour the world if it is full of waste or junk, Karna’s statements suggest that the process of dying inherently involves becoming waste - and that the Hungry One will still eat that waste nonetheless. 
Then there’s Cumulous and his specific monastic tradition (which is not actually one and the same as the Order of the Spinning Star because it’s stated that there are monks in the Order who draw power from the Bulb; overall, the Order seems to be more an organization of people dedicated to the same goal rather than a religious enclave of people with the same spiritual beliefs).  In ACOC, the first thing Cumulous ever says is, “The Hungry One must feed.”  It’s an interesting phrasing because there’s a very passive connotation - not “The Hungry One must consume” or “The Hungry One must eat,” but rather the use of the term “feed” suggests a little less agency and purpose.  It isn’t going out looking for something to eat, but rather it is feeding on whatever it is given.
Later, Cumulous explains to the party that he does not worship the Hungry One and that it is just a source of power to him.  He can tap into it, just like the Bulbosi miracle workers can tap into the Bulb, but it’s not something that has a real consciousness or its own will and he does not interact with it as if it does.  Combined with his monk subclass (Long Death), the characterization of the Hungry One is less a supernatural powerful figure but more a manifestation of inevitable death and entropy.  Very similarly to Karna’s perspective, it’s going to feed on everything eventually because everyone’s going to die one day.  It might be today, if you happen to be a cheese sailor trying to murder your lawful child duchess, but that’s neither here nor there.
And as Lapin realized in his last moments and as he later showed to Liam, this seems to be the closest understanding to the actual nature of the Hungry One which we have encountered so far in either campaign.  The Hungry One is just a cosmological ball (add that to the list of significant TTRPG orbs!) and while it certainly contains a lot of power, it doesn’t do anything with it other than eat what is delivered into its mouth.  The power and the destruction and the death associated with the Hungry One?  All of that has only been wielded or used by living people, for their own aims and agendas.
Anyways, all this to say that while I don’t think it likely to happen, my dream scenario is for a couple FDA members to flee the scene of whatever plan they had that some or all of the Scrumptious Scoundrels have managed to foil, and as they escape, they run straight into a group of Candian monks (aka what they were actually doing during the Ravening War).  The last thing they hear, after all their scheming to “save” the world, is “The Hungry One must feed.”  And it does.
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project-sekai-facts · 4 months
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How are we feeling about ensekai’s emu3 translation!!! (I’m mad)
(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)
i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.
for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange
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If you look for them, any fan TL of this scene will be something similar to this:
Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...
EN's official translation is this:
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So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.
while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).
Here's some examples:
Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)
HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)
Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)
Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)
What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.
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Yeah. I love all my friends - and they mean the world to me.
It's a better localisation than the official EN team one.
Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.
In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.
"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.
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Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:
Oh, and! And! She said that playing games with Nene-chan is also super fun!
And here's Rin's line from the official EN translation:
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That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).
It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.
oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.
read fan translations. they're better than what EN gives us and people put a lot of effort into them.
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jadegr8 · 2 months
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They don't even know how special they are to me
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chalkbird · 1 year
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Top 10 Hot Lou Wilson Moments
Say the last part of my title.
I AM FAITHFUL. I WAS FAITHFUL. I WOULD HAVE CONTINUED TO BE FAITHFUL.
Gladiator DIES!
FOR AVALIR!
revealing it was him who voted off katie in gc: survivor
The House Always Wins
With Love, Squak.
YOU WILL!!! BE!!! REMEMBERED!!!
stabbing Bill Seacaster
Fabian's nat20 at the arcade
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elvispresley · 9 months
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John Lennon looking extra fine in Austria (1965)
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nottspocket · 1 year
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Mermaid AUs are so lovely to see. Are they childhood friends in yours, too?
Maybe, i imagine Katsuki has kept gifts Izuku might have brought to him. Seashells, or nice looking rocks, probably with a few fossils inside them?
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Ohoho I’m so glad you see my vision (prev here)
Ramblings in the tags
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cupoteahatter · 1 year
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In the wake of the cancellation of Warrior Nun, I am imploring anyone who has Disney+ to watch Willow (2022).
It features a woman loving woman romantic subplot at the forefront, meaning it’s not in the subtext. Episode 1 has them kiss and afterward the lines of romance exist so throughout the narrative for these two characters that it is current and seen to the point that it cannot be argued away.
But there’s next to no buzz for it, only the Disney+ app really promotes it as something to watch with the odd ad showing up on Instagram of the cast playing mini games.
On top of that, it is a well written show that holds all of the love of the original film from the 80s.
I know that it would appear that numbers don’t seem to matter, but I am begging people to watch this show because it is a fantastic piece of media that delights in paying homage to the source material it comes from.
Also hot women with swords. Hot women with swords who could KILL you-
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knifearo · 5 months
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seeing all those posts from ppl ab how miserable they are without a partner like sorry can't relate. i'm doing great and in fact i hope i die alone 🖤
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yardsards · 6 days
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the thing about labru vs kabumisu is that both of them have the same core appeal to me, specifically from kabru's side of things: kabru being someone who is constantly agonizing about social rules and putting on the right mask, and meeting this Weird Fucking Guy who does not (cannot) care about all those things, and so kabru slowly allows himself to be more genuine. they're both such good relationships (whether you view them romantically or platonically), why must there be so much hostility between enjoyers of these ships?
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gatheredfates · 2 months
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Also related but I can't be bothered adding it to the original post: we should be allowed to make 'ugly' work. Don't treat your creative process like a content farm, I'm begging you.
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snackugaki · 2 years
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still (gently) bullying those boys from the bay(verse)
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front-facing-pokemon · 2 months
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