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#also i think horses are like the sea in this regard the only people who understand the sea are aivazovsky and turner and even then turner
soracities · 1 year
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thinking of Kafka's so called failed drawing of a horse and my theory regarding the classic "its impossible to draw a horse" dilemma is not that you can't draw a horse but that hardly anyone can truly draw a Horse because even when you have it down anatomically you've still missed the Essence of Horse, the horseness of the Horse, if you will, and this is EVERYTHING
you can draw a cat or a pigeon and absolutely capture the catness and the pigeonness of a cat and a pigeon but the horseness of a horse is so phenomenally antithetical to any and all visual representation it will never sit right ever. got the proportions perfectly rendered? faithfully captured the sheen on the coat? delineated all the sinews and muscles of this insane beast in motion? great. still not a Horse though!!!
truly i think 3 year olds are sometimes the only people who see the horse for what it is bc accurate depictions of horsenessness have nothing to do w anatomy and EVERYTHING to do w expressing the Vibe of being near these ridiculous animals. like the entire history of art flounders before the horse bc no amount of breaking them into circles and boxes will help you whatsoever these creatures are made up ENTIRELY of an utterly INCOMPREHENSIBLE marriage between mad staggering bulk and fluid motion like lets be real a static image will NOT cut it no matter how perfect we think the flank-to-belly ratio is.
im sorry but the cult of Realism has warped our minds Kafka nailed it this is precisely what a horse IS precisely !!
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i rest my case
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fuckyeahgoodomens · 3 months
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Terry Pratchett about fantasy ❤
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Terry Pratchett interview in The Onion, 1995 (x)
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.
Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
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saelwia · 2 years
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. Who were you in a past life? .
.1.
A dancer. You would illuminate the room. You would wear a lot of pretty dresses, clothing in general, pretty jewellery. You were seen as very beautiful and had many suitors. It seems you were a woman, or at least very feminine. You might have loved plants a lot. You also loved animals loved plants a lot as well. You might have been isolated, or a loner. Even though many might have liked you, they didn't approach you, causing you to be always alone. This could have been selfinflicted, that you prefered it like this, but I'm also getting it wasn't and that you always felt lonely and misunderstood. People also very much misunderstood you, you felt you didn't speak the same language. You might have been able to speak a lot of languages. I'm getting you might have lived between 1890's-1960's or in 18th century, if you lived in the 18th century, you had healing vibes, you were seen as a healer, people would come to you, you worked a lot with herbs and potions, I'm seeing you applying salves. You would also make a lot of teas and soups, you lived in a cabin behind a forest in a meadow, you lived a bit further from other people, and you lived there by yourself. You lived your life in solitude, you chose this because people wouldn't understand you anyway, or you might have even been ostracized in a way, yet people would still come to you when they needed help. You most likely had a cat, a dog for some and a horse, and some sheep and chickens as well. I see you collectin wood, you had a lovely tiny house filled with herbs everywhere. Some of you lived till you were in your forties and others till they were end sixties-early seventies. You definitely came from a witch's family or a healer's family. Healing is in your blood. You can definitely communicate with this past self if you want to, she wants to communicate with you and teach you, especially if you fit the second description.
.2.
A witch. You were wearing flowy clothing. I'm seeing sixties or seventies. You might be born in the nineties now. You are probably the reincarnation of one of your family members, I'm seeing an aunt, great aunt or something like that. You were freespirited. I don't think you had children and if you did, you only had one, who you taught great values. You thought outside the box and you lived differently. You were or in a same sex partnership or you partnership was different for that time. You were very strong as well. A very strong character. You would defend those who didn't have that many, you would defend those who got ostracized in society, like a social justice warrior. But you also actually fought with words. You read books a lot. You were very up to date and intelligent. The other scenario I'm getting is wearing armor. A castle. Getting 1600's. Or you might really like the time period You might also have been a tarot reader as well. You might have come from a family of wealth.
.3.
You were very religious. I'm getting 1800's-1900's. You were some kind of aristocrat, nobel, wealthy person (mainly getting women). You had a father who was very strict and told you what to do, but also let you study. He found education important. You were a specialist in your field, a scientist I'm seeing mainly, a biologist, a historian, anthropologist of some kind, mythologist. I'm also hearing marine biologist, but I feel it's more related to your life now, maybe you feel very attracted to the sea, bodies of water, mermaids, sirens, mythology regarding water beings, etc… You might be even doing studying to do these professions in your current life time. Maybe you place a great importance in studying and/or getting a degree. I'm also hearing prosecution and the 1500's, this is the other scenario, you were a woman and highly educated as well, they tried to prosecute you for this. You were extremely gifted and intelligent, you were able to get yourself out of this and you build some sort of "empire", family legacy. Your husband adored you, almost revered you and had your back.
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babyrdie · 15 days
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do you think having a nymph mom would interfere with the child's personality or appearance? like, your achilles and your penelope
Depends. To me, this affects them in the same way your parents' profession can affect you. That is, it isn't a biological development, but a matter of context. If a dryad's son has an appreciation for gardening, it's more because of the context than something biological (for example, having a strong relationship with his mother). A dryad's son would not necessarily enjoy being in the forest or growing plants.
Regarding my Achilles…I like to think yes, he's similar to the divine side of Thetis (a nereid) who is deeply interested in the sea. Not because he was born like that, but because he developed like that.
All the versions I've read so far seem to agree that Achilles was sent to be trained by Chiron when he was very young. Chiron, as we know, trains his students in the forest and is himself linked to nature. I imagine this would make Achilles particularly connected to nature as well. In Argonautica, Hera even mentions how water-nymphs (naiads, I assume) are helping Chiron take care of Achilles.
Generally Thetis is shown as having raised Achilles until the moment she failed to immortalize him, and then thereafter ceases to be a present figure (although she still cares). Achilles clearly cares about family, as we see in the way he thinks of his father and Neoptolemus in Homer and how he sees Thetis as a safe haven. I think it would be easy for him to have something physical to connect him with his mortal father (in The Iliad, his armor, spear and horses are gifts from Peleus, for example), but with his divine mother who one day left it's complicated. I think one way for him to feel connected to Thetis during the time he didn't have contact with her would be naturally by swimming, catching fish with his hands himself, admiring shells and things like that.
Achilles is one of the few Trojan War heroes whose mother is emphasized, precisely because who his mother is interferes very much in his narrative. He isn't only referred as Pelides, he's Thetis' son too. In most of his sources, characters mention his mother and not just his father. Achilles clearly is one of those cases in which the maternal side is absolutely essential. The connection between them is very important, so I think them being close in the sense you asked me about interesting as well. In fact, that's precisely why I drew Thetis and Achilles having a similar design (usually people draw him more similar to Peleus), because I think it's very important to emphasize that they're mother and son.
And his connection isn't just with Thetis, the other Nereids care about him too. We see this in how they all go out to console him after Patroclus' death and how in The Odyssey they're at the funeral crying. In Iphigenia at Aulis, the description of Achilles' ship even includes golden Nereids at the stern. One of Aeschylus' lost plays that were part of Achilles (a trilogy) even had the title "Nereids", and told how Thetis and her Nereid sisters came to bring Hephaestus' armor to Achilles.
Also, Achilles generally has a somewhat wild and free-spirited personality, I guess? So yes, I can see how someone like him would like to swim in the sea and occasionally spend a lot of time underwater just to see if he can scare someone (at one point it stopped working with Patroclus. But, well, Antilochus is still a new victim at least in the first years of the war. Yeah, I'm pushing the Antilochus agenda as much as possible, can you tell? lol). Not because he was born that way, because he developed that way.
So, considering his mother's absence in childhood, growing up among nature, being cared for by naiads, having a freer and wilder spirit, having an important connection with Tetis, the other nereids caring about him too, being a person with mainly physical abilities …it makes sense that, in his context, Achilles in my headcanon has an association with things like swimming and the sea itself.
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As for my Penelope, I honestly don't think so.
Firstly, his relationship to his mother isn't that relevant in the myths. She doesn't even have the same mother in all sources. That is, Penelope isn't always nymph-born. In the myths involving Penelope, Periboea doesn't play an active role, usually Penelope's connection is traced to Icarius (her father). So even in the versions where she's nymph-born, her relationship with her mother isn't portrayed as something that important. Even though Odysseus has mostly been associated as Laertes' son (or Sisyphus's depending on the source), at least we still have a very touching and important moment of him with Anticleia and we know that her family is important because her father, Autolycus, is also important in the myths of Odysseus. But Periboea? It doesn't impact Penelope's myths.
Secondly, I don't think it suits her personality. In The Odyssey, her skills are in weaving and in her own mind. They aren't in the body, like Atalanta or Achilles. She's generally portrayed in a modest, homely, caculate and polite manner. Even when she's angry with her suitors, Penelope doesn't do anything directly because she knows the risks so she tries to avoid the situation as much as possible in other ways. Although she's saddened by the years without hearing from Odysseus, she's discreet in her grief and laments in her own room rather than being vocal. She seems more reserved, even letting Telemachus be the leader of the house when he's old enough and not making a point of checking everything herself. In the myth given by Pausanias, she doesn't even respond when asked if she really wants to go to Ithaca with Odysseus after he wins her hand or if she would rather stay at home with Icarius, she just modestly covers her face with the veil.
I think she would prefer to stay at home, weaving and studying. I don't think it's like her to be after fish and shells, because apparently she doesn't even have a very important relationship with Periboea. I even think that Clytemnestra and Helen were much more…chaotic children than Penelope. But I don't think Penelope scolded them for it, she just didn't participate and found it fun to watch them. Eventually Clytemnestra controlled her temper in order to become the expected good mother and wife (headcanon based on her characterization in Iphigenia at Aulis, when she tells Agamemnon that she did what was necessary to be a good wife), but Helen still she remained quite intense because her divine lineage and her incomparable beauty would make her desired and adored regardless of whether or not she met the expected behavior requirements. As for Penelope, she would naturally be as expected, she would not need to strive for it as Clytemnestra and would not be different from what was expected as Helen. I like this idea of contrast between the three, so changing it would just make her look like my Helen and I prefer to avoid that.
On the other hand, while Achilles didn't take after Thetis' water-nymph physical characteristics although he looks like her (he isn't pale and don't have black eyes), Penelope inherited the typical water-nymph characteristics (pale skin and black eyes).
But of course, that's just my headcanon!
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innerchorus · 2 years
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Okay, this is the Book 15 scene where Hilmes and Burhan share a meal! WARNING for novel spoilers including mentions of character deaths. For some reason, I did a rough translation of the entire scene, even though the food is right at the start. Also warning for Hilmes being both heartbreaking and awful (it’s pretty typical of second half Hilmes, to be honest).
(Tiny bit of context going into this scene; Hilmes and Burhan have left Misr after things there didn’t go to plan. They were on board a ship heading for Maryam, and jumped overboard on horseback to reach the shore without having to disembark at the port.)
Translation Disclaimer: This is essentially a machine translation of a fan translation, edited for readability, so please don’t count on it being 100% accurate!
‘Thanks to outstanding horsemanship coupled with the calm seas of Maryam, Hilmes and Burhan were finally able to land safely on the country's shore. In the case of Hilmes, there were Lusitanian officials or soldiers in the port, and so they had needed to avoid the danger of his face being recognised. In order to do this, they had exhausted the strength of their horses, which had dropped dead when they came ashore.
Hilmes sat at rest on the sand dunes, and Burhan, who had gone out in search of food, returned with a shamefaced expression.
"I was only able to find such rudimentary food... If it is unsuited to your tastes, I'll try again."
"No, never mind that, it's best to eat our fill at once."
Hilmes unfolded the round flatbreads, added roast lamb, chicken, onion, mashed beans and so on, then wrapped it up.
"Go ahead and eat, too."
"Thank you."
There had been many different types of fish at the marketplace, both large and small, but as he was a Turanian, Burhan did not eat fish. It had taken a lot of effort in order to find meat.
While eating the flatbread, Hilmes was struck by a sudden thought.
'Kharlan, Sam, Zandeh, even this fellow's companions... I have made countless people who were loyal to me die meaningless deaths. As a lord, I really am like a seed of disaster.'
The capricious sea breeze had been both stronger and faster than human prediction, and in blowing from the southwest, the ship had reached the coastal waters of Maryam by the end of the ninth month.
The turquoise blue of the sea became ever more intense, and combined with the sunlight shining upon it to appear purple; this was the Sea of Maryam, known as the 'wine-coloured sea'. It was a sight to behold, but Hilmes had seen it before, and Burhan did not want to get close to the shoreline. The two of them sat in silence on the dunes while eating.
"By the way, what became of Lord Sebuk and Lord Framantas?"
"Huh?"
With regards to these Parsian generals that he had promoted, Hilmes had forgotten all about them. Not only that, he had not even recalled that he had left them behind in Misr.
"They're probably dead. There's no use in thinking about it."
If this line had been overheard by the 'wandering musician' of Pars, he might have sneered and said, "Your sort are always the same."
"Thinking about it like that, I've always had bad luck until now."
"Indeed it is so."
"So, from now on..."
Hilmes stroked his chin.
"It's time for others to experience misfortune."
The unpretentious, blunt Burhan stared at his master, perplexed. As far as seizing the throne in Misr or invading the kingdom of Nabatae were concerned, Burhan had no objections or doubts. Life is like a battle, a fight in which both body and mind bleed. Yet Burhan knew that battles were all about moving forward bravely. At least, that was what he believed.  
"My Lord, there is no hero who is your equal. Postpone the matter of Misr and do great things in Maryam first. What do you think?"
A hero with only one subordinate? Hilmes mocked himself internally. But twenty years ago, I started out alone.
"Guiscard is the king of Maryam. But his rule is evidently not lacking."
That said, it resembled the harsh cruelty of Bodin's reign, as no matter what one's religious beliefs, it felt like being in hell. Hilmes did not consider Guiscard to be incompetent, and therefore did not find the liveliness and prosperity of the port surprising. The question lay in how the country of Maryam could be forcibly seized from the grasp of someone who was far from incapable.
If he had succeeded in usurping the throne in Misr, Hilmes ought to be in the process of striving to become a better king of Misr. In the case of failure, he should have been treated as a traitor and executed. However, the man named Tunip had not killed Hilmes, but merely exiled him. That hateful figure had assumed an air of easygoing lenience!
For Hilmes, spending the rest of his life as the one who had lost was impossible to accept.
"I'm going to make that fellow Tunip regret letting me live."
After a taking short walk from the dunes, Hilmes and his companion deliberately entered the town from the direction of dry land. They were mentally prepared to draw their swords and fight at any time.
"Come to think of it, that's strange."
With such a large-scale port, it ought to have been possible to catch sight of the figures of more soldiers. However, at first glance, there were very few people who appeared to be soldiers. They were all merchants or sailors, in addition to civilians or perhaps slaves.
"Are they hiding? But what reason is there to hide?"
To concentrate one's troops in the capital, Heraklion, and if necessary, advance directly to one's destination all at once. Hilmes did not know the reason for Guiscard's change of strategy.
"Never mind that, anyway, we need two new horses first."
The eyes of the Turanian Burhan, who had lost his horse and so had no vitality, began to shine brightly.
A short time later, there was a commotion in the port. The bodies of two soldiers were discovered, both stabbed to death. Furthermore, the warhorses they were supposed to be riding had disappeared.’
So...
First of all, Burhan really thinks this is The Heroic Legend of Hilmes 😭
I can’t help but see him as a spiritual successor to Zandeh, in a way. He has a different outlook (largely thanks to being Turanian rather than Parsian) and he has his own reasons for serving Hilmes, but at the same time he is intensely loyal and really looks up to him.
(The fact that Hilmes is so good at convincing people to follow him, not just in Pars but also in other countries... He knows how to get what he wants out of them, but he can also inspire genuine loyalty in his leadership, like with Burhan. I maintain that the potential is there for him to be a good ruler, and by this point he knows more of what it takes it run a country, but...)
Anyway, Burhan desperately scouring the market for meat is cute. He bought two types! He was worried about whether it would be good enough for Hilmes! I know I said he was kind of like Zandeh, but Zandeh would have bought fish as well even if he didn’t like it, just in case Hilmes might prefer it. I think that highlights the difference between them, lol.
Hilmes thinking about his dead followers... 😭😭😭
(There are a few moments like these scattered through the novels and they hurt every time. He doesn’t know it, but soon he’ll lose Burhan, too.)
Then we get some typical Hilmes bitterness.
He’s just so absolute, he cannot accept being the loser, he cannot leave those perceived wrongs in the past. I liked Burhan’s attempt to redirect him. Why think about Misr now when all that is behind them and Maryam lies before them instead?
Lord Sebuk and Lord Framantas... In case you’re tempted to feel sorry for these two being left behind by Hilmes, don’t. They’re part of an anti-Arslan faction living in Misr (think nobles who are dissatisfied with Arslan’s reforms and those who made a lot of profit out of slavery, etc) who Hilmes recruits there while he’s using an alias (...the name of the oldest son of Kaykhusraw, who was killed by his younger brother and therefore never succeeded the throne of Pars... I see what you’re going for there, Hilmes...).
They weren’t actually dead at this point, either. They defected to Misr, were used by Tunip to assassinate the 8 year old king, and then took part in an attempted invasion of Pars where they concealed themselves as Parsian troops in the hopes that they could get close enough to assassinate Arslan. They are not likeable in the least, but they do illustrate that Hilmes is quite willing to use and discard people for his own ambition in a way that does not speak well of him.
He feels genuine guilt for what happened to people like Kharlan, Zandeh, etc but the irony of that moment being followed by a rather more callous one is not lost on me.
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the crown and the throne (DiaLovers fanfic // Game of Thrones AU)
bow to your lady || yui, ayato
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When Yui and Bernadette escaped from the Tsukinami castle, the giant dragon brought them to a city in the southeastern part of the map. And upon arrival, people they pass by were giving them astonishing looks. Yui couldn't blame them; they were riding on a giant dragon, after all.
"Bernadette," Yui whispered to the frightened girl, "hold onto me. I'll make sure you're safe."
Bernadette feebly nodded, her arm linking with Yui's as she scans the people staring at them. They just managed to escape death, and now they're barely alive thanks to Yui's powers.
Suddenly, a fabric vendor frantically stepped towards them and bowed deeply.
"The Lord of the Light has answered our prayers! The Mother of Dragons has come to save us!" he proclaimed, and soon, all the people nearby followed suit, bowing to Yui's presence and regarding her as Lady Eve.
Meanwhile, the two women were bewildered, reluctantly accepting the gifts from the vendors who were grinning happily at them. They were telling stories of how the Dothraki claimed their land and terrorized the civilians. Well, if Yui clearly remembers from Ayato, the Dothraki have decided to widen their territory.
"The Dothraki Sea is a vast place," Ayato told her one day, pointing at the country on the map with his sword. "Though there are countries there that can thrive peacefully without them ruling, some Khals prefer to conquer them as their trophies. That's how those fucking barbarians think. They like their women like their horses."
Bernadette whispered to Yui, "Lady Eve, there's something strange in this town."
And later on, when the Khals received news of Yui's arrival, they immediately sent out their best men to fetch the two women. They praised Yui for her bravery against the House Tsukinami (though they were just empty words, they will have to do). In addition, Yui kept noticing the other Khals looking her up from head to toe, muttering Dothraki words under their breath.
She quickly understood what they were doing. No wonder Ayato-kun calls them barbarians.
"Is there anything we can do for the Mother of Dragons?" one of them asked in a Westerosi tone.
Yui nodded, gesturing at Bernadette. "Please take her to a place far away from here."
The Khals were alarmed, while Bernadette was only surprised. "L-Lady Eve! What do you mean?"
"I promised you freedom," Yui replied. "You can't be here."
Another Kahl started speaking in Dothraki, which was translated by their representative. "The lady cannot go. It is a rule of the Khals that they now own her."
"Bernadette is mine," she stressed. "You cannot own her."
The Khals suddenly gathered for a brief meeting, and after a few minutes, the representative spoke.
"The men have all agreed to keep your lady safe. However, in exchange, the Mother of Dragons will remain in this place."
"Done."
And since then, Yui has become the center of attention of men and the envy of women. Some loved her enough to give her presents. Others loathed her presence and called her bitch when she was not looking. There are also a few men who fought for her hand, killing themselves to become Adam. The others find these events enjoyable, but Yui doesn't laugh. She doesn't humor them. She just watches them with a hard gaze, stone cold as if they're being ridiculous.
This only infuriated the Khals, claiming how brazen the Mother of Dragons is for ignoring all the men fawning over her. Hence why they instructed Yui to come to the Temple of the Dosh Khaleen, where she will be judged for her misdeeds.
"Is it so wrong of me to reject men I don't have affections for?" Yui questioned, staring at all of them in the eye.
"The men who have fought for your hand have died," the Khal representative said. "And now, there's a decrease in the number of men fighting in this town."
"I didn't ask for them to fight over me," she mumbled, which the Khals have rejected.
"You have no right!" the Khal representative replied. "Women do not have a voice in Dosh Khaleen."
"Vosma anha tat," Yui countered with a knowing smile, observing how their mouths were agape with surprise. (1)
She walked away from the center of the temple, approaching the torches, not minding if the fire burns her skin.
"You do not ignore or walk away from us," the Khal representative warned. "You will be punished by Dosh Khaleen for doing so."
She only ignored him, tracing her fingers with the fire. Yui remembered another of her precious conversations with Ayato somewhere at one of the temples in the King's Landing. He always found her ridiculous for always praying for safety.
"You know, Laito told me something about people praying to the old gods for safety."
"What is it?"
"The gods will do nothing when you're in danger."
Yui's faith never wavered back then. But everything was different now. She had seen another side of the story, and it only made her believe Ayato's words. After all, the gods did nothing when she was suffering back then.
She closed her eyes and held the ends of the torch, not minding the leftover burns.
"Do you believe that Vezhof will hear you if I burn this temple?" Yui asked, daring to burn Dosh Khaleen to the ground. There was a fire in her eyes that tells them she was going to make the wrong move.
"How dare you speak the name of Vezhof in vain?!" the Khal representative screamed. "You're the Mother of Dragons born from the Church. You should know how to respect the gods."
Yui only smiled, tightening her grip. "I do. I just don't pray anymore."
The Khals were terrified as Yui placed her hand directly into the fire, her smile still intact. "You bitch! You would really dare talk back?! You will not be a Khaleesi. From now on, the Dothraki will not be your allies."
"Rek's vo tawak." Yui walked back to the center again. "Haji asshekh, yer're ei elat tat athdrivar." (2)
And the next thing, the giant dragon who saved them jumped into the temple, breaking the ceiling and roaring flames at the Khals who started running towards the doors. They kept banging on it, screaming for help. Ayato's words were true. The gods will really do nothing when you're in danger.
When the temple has been burned down, and all the Khals have died, Yui stepped out of the fire unscathed, holding her locket in her hands as she stood dignified before all the Dothraki who bowed their head in her presence.
"Make way for the Khaleesi! All hail, Khaleesi!"
TRANSLATION (1) But I do. (2) That's not true. Because today, you're all going to die.
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juni-ravenhall · 2 years
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*cackles* OC ASK GAME! 3, 5, 9, 16, 21, 28, 30, 31, 42 (apples-stables) :3
thamk u <33333
3 Are they superstitious?
juni is at first that type who doesn't really believe in magic/religion things from a rational perspective but also finds value in rituals, as an emotional good luck charm type of thing. (but after she starts experiencing stuff relating to magic and pandoria, she readjusts quickly to accept that new reality, or unreality...)
juni's brother doesn't understand human stuff like this, at least not for a long time from after his rescue from pandoria.
5 What’s their sexuality/romantic orientation?
juni is pan, she's attracted to ppl based on their individuality with no regard to gender/etc. she's a bit of a romantic and probably had several small crushes throughout her life so far but no proper romances yet.
juni's brother is probably pan and demi (not a romantic person the way juni is but could experience the same feelings with specific ppl), after he heals enough to experience more feelings and stuff at all.
9 Where are they from originally?
they were born in valedale. but they don't have real memories of it since The Events happened when they were very small, so juni's brother only knows pandoria and juni grew up on south hoof (adopted by the hightower family). still both of them feel a familiarity with valedale when they're there, as if it's also home somehow.
16 Are they related to anyone in Jorvik?
biologically it's their parents (dead) and mayhaps some secret stuff beyond that. juni has her adopted family on south hoof.
21 What’s their favorite pastime?
for juni it's just doing random things, enjoying life whether it's resting or working. she likes reading and doing creative stuff, hanging out appreciating the sea breeze on south hoof, going on trail rides (whether for fun or working with the rangers), or eating cake at a café with friends, really anything. if she has a lazy and alone day she's probably reading old books in a cozy place somewhere, or hanging out in the sun outside with Winterborn.
juni's brother spends all his time being confused and suffering. he wanders off without saying anything to stare at things or dissociate.
28 What’s some stereotypical popular things that they like/secretly like? (i.e. Pumpkin Spice Lattes, scrunchies, etc)
juni isn't ashamed of liking anything so probably a lot of stuff, she just likes what she likes no matter if it's niche and weird or really popular. im not rly knowledgeable about whats popular jdfhkg but i think her taste in food is probably the most basic and might be embarrassing to others. she loves sweet stuff and sort of simple foods more than fancy Adult(tm) food. if you bought her some fancy restaurant dinner she'd be fine and appreciate it, but she'd prefer eating homemade sandwiches on a picnic or a strawberry milkshake at a cafe. i think she would prob drink pumpkin spice lattes a lot if it was trending, she's excited to try new snacks. but yeah i think just with anything at all she likes both popular and unpopular things without worries.
juni's brother doesn't care now, but if he had grown up in normal circumstances he would prob have been a bit more selfconscious about stuff like this than juni is.
30 How did they react when they first met a horse in real life?
for juni, she grew up on south hoof with a lot of farm animals and horses around so she's always known them, but basically she just feels a special bond to horses, like there's just something different about them (especially after she met Winterborn) even tho she also likes a lot of other animals. she probably waved at horses as a baby and wanted to poke their faces.
for juni's brother he wouldn't think anything of horses when he meets them after being rescued to jorvik, he would look at humans and animals and everything the same distant way. but there might be a horse he reacts differently to.
31 Who did they first meet in Jorvik? (if it was their parents, who next?)
the first people juni remember is her adoptive family, but technically the druids in valedale met her first after she was abandoned. she met the hermit as the first person outside the hightowers. as she grows up she just starts meeting tons of ppl and helping ppl all over (just like mc in the game).
juni's brother hasn't seen any humans after their parents until juni rescues him. the druids, elizabeth help with the rescue and are the first other ppl he meets. another of the first ones is gf's character yasmine.
42 What’s their favorite childhood memory?
for juni, starting to help out at the rescue ranch as an older kid / young teen was a big deal, and she has a close bond with hugh as an uncle and friend. there was probably some specific moment with hugh that was a big deal to her in growing up and choosing her path in life, but i dont know exactly what rn. other than that her memory of meeting Winterborn as a rescue foal is really important to her and significant for who she is.
for juni's brother, he obvs doesn't have normal memories due to being just sort of in limbo in pandoria his whole life, but i think in both of them there is a sort of vague memory of existing together as newborns, that would be the closest thing he has to a regular memory.
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wisdomrays · 2 years
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The Messenger of God: Muhammad: Part 68
The Ethos Created by the Messenger: Part 1
It is difficult for us to understand Prophet Muhammad fully. As we tend to compartmentalize the universe, life, and humanity itself, we have no unitary vision. However, Prophet Muhammad perfectly combined a philosopher's intellect, a commander valor, a scientist's genius, a sage's wisdom, a statesman's insight and administrative ability, a Sufi master's spiritual profundity, and a scholar's knowledge in his own person. Philosophers produce students, not followers; social or revolutionary leaders make followers, not complete people; Sufi masters make "lords of submission," not active fighters or intellectuals. But in Prophet Muhammad we find the characteristics of a philosopher, a revolutionary leader, a warrior and statesman, and a Sufi master. His school is one of the intellect and thought, revolution, submission and discipline, and goodness, beauty, ecstasy, and movement.
Prophet Muhammad transformed crude, ignorant, savage, and obstinate desert Arabs into an army of skilled fighters, a community of sincere devotees of a sublime cause, a society of gentleness and compassion, an assembly of sainthood, and a host of intellectuals and scholars. Nowhere else do we see such fervor and ardor combined with gentleness, kindness, sincerity, and compassion. This is a characteristic unique to the Muslim community, one that has been visible since its earliest days.
The "Garden" of Muhammad. Islam, the school of Prophet Muhammad, has been a "garden" rich in every kind of "flower." Like cascading water, God has brought forth from it such majestic people as Abu Bakr, 'Umar, 'Uthman, 'Ali, 'Umar ibn Abd al-'Aziz, Mahdi al-'Abbasi, Harun al-Rashid, Alp Arslan, Mehmed the Conqueror, Selim, and Sulayman. These were not only statesmen of the highest caliber and invincible commanders, but also men of profound spirituality, deep knowledge, oration, and literature.
The blessed, pure climate of the Messenger produced invincible generals. Among the first generation we see such military geniuses as Khalid, Sa'd ibn Abi Waqqas, Abu 'Ubayda, Shurahbil ibn Hasana, and A'la al-Khadrami. They were succeeded by such brilliant generals as Tariq ibn Ziyad and 'Uqba ibn Nafi, both of whom combined military genius with human tenderness and religious conviction and devotion.
When 'Uqba, the conqueror of North Africa, reached the Atlantic Ocean, 2,000 miles away from Arabia, he cried out: "And now, God, take my soul! If this sea didn't stretch out before me, I would convey Your holy Name across it to other lands!" We can hardly imagine Alexander the "Great" thinking such thoughts as he set out for Persia. Yet as conquerors, the two men achieved comparable feats. 'Uqba's idealism and his "possibility" with respect to the Divine Will would be transmuted into irresistible action in this world. Alexander's empire crashed after his death; the lands 'Uqba conquered still retain Islam as their dominant worldview, creed, and life-style 14 centuries later, despite attempts to change this reality.
Tariq was a victorious commander, not only when he defeated the 90,000-man Spanish army with a handful of self-sacrificing, valiant men, but also when he stood before the king's treasure and said: "Be careful, Tariq! You were a slave yesterday. Today you are a victorious commander. And tomorrow you will be under the earth." Yavuz Selim, an Ottoman Sultan who regarded the world as too small for two rulers, was truly victorious when he crowned some kings and dethroned others, and also when he silently entered Istanbul at bedtime, after conquering Syria and Egypt, to avoid the people's enthusiastic welcome. He also was victorious when he ordered that the robe soiled by his teacher's horse be placed over his coffin because of its sanctity—it had been "soiled" by the horse of a scholar.
During the rapid conquests after the Prophet, many conquered people were distributed among the Muslim families. Those emancipated slaves eventually became the foremost religious scholars: Hasan ibn Hasan al-Basri (Basra); 'Ata ibn Rabah, Mujahid, Sa'id ibn Jubayr, and Sulayman ibn Yasar (Makka); Zayd ibn Aslam, Muhammad ibn al-Munkadir, and Nafi' ibn Abi Nujayh (Madina); 'Alqama ibn Qays al-Nakha'i, Aswad ibn Yazid, Hammad, and Abu Hanifa Nu'man ibn Thabit (Kufa); Tawus and ibn Munabbih (Yemen); 'Ata ibn 'Abd Allah al-Khorasani (Khorasan); and Maqhul (Damascus). They all opened as splendid, sweet-smelling flowers in the garden of Muhammad. They established the Islamic legal code and brought up thousands of jurists, who wrote and complied volumes that are still valued as legal references.
One of these jurists, Imam Abu Hanifa, founded the Hanafi legal school, which has hundreds of millions of followers today. He brought up such great scholars as Imam Abu Yusuf, Imam Zufar, and Imam Muhammad Hasan al-Shaybani, who taught Imam Muhammed Idris al-Shafi'i. The notes Abu Hanifa dictated to Imam al-Shaybani were expounded centuries later by Imam Sarakhsi (the "Sun of Imams") in the 30-volume work Al-Mabsut. Imam Shafi'i, who established the methodological principles of Islamic law, is regarded as reviver or renewer (mujaddid) of religious sciences. However, when his students told Imam Sarakhsi that Imam Shafi'i had memorized 300 fascicles of the Prophetic Traditions, the latter answered: "He had the zakat (one-fortieth) of the Traditions in my memory.'
Imam Shafi'i, Abu Hanifa, Imam Malik, or Ahmad ibn Hanbal, and so many others, were brought up in the school of Prophet Muhammad.
And then there are such Qur'anic interpreters as Ibn Jarir al-Tabari, Fakhr al-Din al-Razi, Ibn Kathir, Imam Suyuti, Allama Hamdi Yazir, and Sayyid Qutb. In addition, there are such famous hadith collectors as Imam Bukhari, Muslim, Tirmidhi, Abu Dawud, Ibn Ma'ja, Nasa'i, Ibn Hanbal, Bayhaqi, Darimi, Daraqutni, Sayf al-Din al-Iraqi, Ibn Hajar al-Asqalani, and many others. They are all ever-shining stars in the luminous sky of Islamic sciences. All received their light from Prophet Muhammad.
According to Islam, God created humanity on the best pattern, as the most universal and all-embracing theater of Divine Names and Attributes. But people, because of their heedlessness, can fall to the lowest levels. Sufism, the inner dimension of Islam, leads people to perfection or enables them to reacquire their primordial angelic state. Islam has produced countless saints. As it never separated our metaphysical quest or gnosis from the study of nature, many practicing Sufis were also scientists. Such leading saints as 'Abd al Qadir al-Jilani, Shah Naqshband, Ma'ruf al-Karkhi, Hasan Shazili, Ahmad Badawi, Shaykh al-Harrani, Ja'far al-Sadiq, Junayd al-Baghdadi, Bayazid al-Bistami, Muhy al-Din al-'Arabi, and Mawlana Jalal al-Din al-Rumi have illumined the way to truth and trained others to purify their selves.
Being embodiments of sincerity, Divine love, and pure intention, Sufi masters became the motivating factor and the source of power behind the Islamic conquests and the subsequent Islamization of those lands. Figures like Imam Ghazali, Imam Rabbani, and Bediuzzaman Said Nursi are revivers or renewers of the highest degree, and combined in themselves the enlightenment of sages, the knowledge of religious scholars, and the spirituality of great saints.
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lucysweatslove · 2 years
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Another brief life update!
I decided that I was tired of sitting on my hands in a sea of self doubt regarding med school. I have strong convictions about who I am and why I love medicine, and there’s no reason for me to twiddle my thumbs waiting for some external power to tell me I’m good enough numbers wise to apply when I know I would an amazing physician and any community would benefit from my care. Not to sound too full of myself. I just know that when I look at all the providers I’ve worked with or for, the most effective ones are not the most brilliant, nor the hardest working ones, but the kindest ones with a genuine curiosity both for objective knowledge and for their patient’s experience. Yes, they are all smart and hardworking too, but at a point, there is such little return on those gains, and being a good human matters much more than ability to regurgitate the name of an old crusty white dude. I don’t need to be top 90th, even top 80th, hell even top 60th honestly, because the pool that’s taken from is already full of people who are intelligent enough to be physicians. I’ve always been so worried that I don’t look good enough on paper because I’m not as numerically exceptional as I used to be. I think people won’t see me if my numbers are ideal enough (Can we recognize the ridiculous parallel of this obsession with numbers with the numbers from my ED?) . The reality tho is that every single person who knows me and knows my passion for medicine and serving my community says the exact same thing: I want you to be MY doctor. I need to start accepting that people who matter can recognize my strengths and my value. If a school doesn’t care enough about my passion and commitment to loving and serving my community because I didn’t get a super high MCAT score or had only a 3.7 in undergrad, frankly their values do not align with mine and I don’t want to go there anyway.
So anyway, I said fuck it, realized that my old MCAT is three years old (too old for many schools), and signed up to retake them with a test date of 6/18. I got three weeks off work to study.
My last day of work, Husband tested positive for COVID. He isolated from me, but three days later I started feeling a bit scratchy, and the next day I woke up nauseous, highly febrile, and when I slowly tried to get to the bathroom, not only did I nearly faint and fell to the floor because my BP was super low, but all my muscles contracted and I physically could not move. Imagine a charley horse but it’s every voluntary muscle in your body. Husband had to call an ambulance since I was in so much pain and couldn’t move. I had basically no respiratory problems, but it took me a week to recover and an extra few days for the brain fog to lift enough that I could focus again.
After had about a week and a half to study for the MCATs again since a lot of my old knowledge was lost to learning extinction, but I did my best. I focused on typically high-yield things and parts of my hardest subjects I struggle with the most- like lenses and optics since I don’t think I ever went through that in my physics courses, or organic chemistry reactions because it’s been like 10 years and why would I remember any of that?
I took the damn test. And it was so awful. The “high yield” material I focused on? Maybe 5 questions TOTAL. Out of 177 (there is 230 total, but 53 are critical analysis skills which don’t really count in this context). There were the most random ass questions that I’d need to pull somehow from my ass- things that NEVER showed up on the over 2300 practice questions I did in the week and a half. Things that NEVER came up in my undergrad OR in my grad school program. Things that have never come up even in reading research articles about relevant medical topics across several specialties. I could’ve voided I guess, so no school would ever see my score, but I didn’t know if that also took my scores out of the sample pool for future “equating” and “scaling” (they are adamant they don’t curve the test… but everything they describe is basically a curve). I thought hey, if this score sucks, maybe it will make the test a little less difficult for future students. That felt like a worthy sacrifice.
I wish I could sit here and write that despite feeling awful I somehow did okay, but I won’t know for another 4 weeks. I am a little anxious about how I did. I have opted to think of the lowest score I think I could’ve gotten, and assume that is my score, so I can make plans for my next steps. These steps might be quitting my job so I can focus heavily on volunteering. Because no matter what, I want to serve my community through medicine. And I will. Hard stop.
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rareenglishmajor · 2 years
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Saving the World from "The Day of Doom"
Today, you can find various religions across America. To name a few, Christianity, Islam, Buddhism, and Judaism are among the most popular religions in America. In early colonial America, access to literature was limited. Often, the only book they had access to was the Bible. As a result, the population largely consisted of those devoted to the Christian faith. After all, the pilgrims fled from England to America to escape religious persecution. Religion was the primary component in the lives of Americans in the seventeenth century.
Because Christianity was so important to the people at that time, topics related to Christianity and the Bible were often themes of literature at that time. An example of a piece like this is "The Day of Doom" by Michael Wigglesworth, which was published in 1662. According to the Bible, Jesus Christ will return one day to earth to reclaim it and judge people according to their sins. If you believe Jesus died on the cross for your sins and rose again from the grave, your name will be written in the Book of Life. Those whose names are in the Book of Life will spend eternity with Jesus in heaven, and those who are not will spend eternity in hell. The poem "The Day of Doom" describes the return of Jesus. He describes the fear of those who do not know Jesus and the joy of those who do.
While the return of Jesus will be a wonderful day for those who are saved, the details regarding his return are quite terrifying. You can read about it in the book of Revelation in the Bible. A loud trumpet will sound, and Jesus will descend from the clouds on a white horse. Both the living and dead who believe in Jesus will be reunited with Him; this is called "the rapture." The events following can only be described similarly to an apocalypse. The earth will be covered in darkness. There will be seven years of great disasters, also called "The Seven Years of Tribulation." Seas will turn into blood, and there will be no safe water to drink. Earthquakes will ensue, and the ground will be destroyed. The earth will be plunged into chaos, and death will be at every corner. Although a great amount of controversy surrounds these events in the Bible, I think we can all agree that it truly is a time of doom.
However, I have to disagree with Wigglesworth on a point he makes in this poem. According to his writing, Wigglesworth believed that God had chosen before the earth was even formed who would go to heaven and hell. In stanza XL, Wigglesworth writes,
"These Men be those my Father chose before the World's foundation, And to me gave, that I should save from Death and Condemnation" (1-4)
While God does know each and everything any of us will ever do during our lifetime, it is up to us to make a choice to believe and follow Jesus. John 3:16-18 (ESV) says,
“For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life. For God did not send his Son into the world to condemn the world, but in order that the world might be saved through him. Whoever believes in him is not condemned, but whoever does not believe is condemned already, because he has not believed in the name of the only Son of God."
Our lives are not hopeless once we are born with no chance to know Jesus and spend eternity with Him. We all have the chance to repent and be saved.
As I read this poem for the first time, my heart ached for those who do not know Jesus. Even if you are a born-again believer, we all know people who do not believe in Jesus. As Christians, it is our responsibility to spread the good news of the Gospel. Matthew 28:19 (ESV) says,
"Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit."
With each person you encounter, make it a goal to share Jesus. It doesn't even have to be through your words; as they say, actions speak louder than words. Show people the same love that Jesus shows you. By doing so, you can help even just one person escape the grips of hell and enter the gates of heaven.
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beauty-and-passion · 4 years
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Time to talk about the flower shirt
You read the title. Time to talk about this.
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This is the infamous flower shirt Thomas put on in his store and, since the fandom is the fandom, everyone started to speculate about those flowers.
At first, I didn’t want to do it. They’re just flowers and other people already talked about them, so what could I possibly add to the conversation?
But while I was writing about Orange, I had to talk a moment about the orange flower. It was supposed to be a small parenthesis, just a couple of words about that.
But then I looked at the other flowers and what other people told/not told about them and how some didn’t find Patton’s flower... so here I am, adding my two cents to this theme.
You needed it? Probably not. Well, I’m writing it anyway.
So let’s take a closer look at those flowers and see each one in detail:
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Roman: Red rose
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Should I really explain why it’s perfect for Roman? Red roses are the universal symbol of love. Basically in all cultures red roses symbolize passion, true love, romance and desire. Also, according to this website, even the shade has a meaning! In fact, the deeper the red shade is, the stronger is the passion.
And even the number of red roses has a meaning! In this case, we have only one single red rose and that "represents love at first sight, or if it’s coming from a long-term partner, they are saying “you are still the one”.”
You know what that made me think? About Thomas telling Roman “You’re my hero”. A perfect symbol that he was “still the one” for Thomas.
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Orange: Lantana camara
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This is an incredibly peculiar flower.
Lantana Camara symbolizes severity and rigour. And this alone can be analyzed in all possible ways, but there are other interesting details about this plant I think it's worth mentioning.
Lantana is toxic for livestock, such as cattle, sheep, horses, dogs and goats. According to Wikipedia, previous studies suggested it could be toxic for humans too, especially the green unripe berries. However "other studies have found evidence which suggests that its fruit poses no risk to humans".
Lantana is a freaking invasive plant. In some areas, it's so predominant, to reduce biodiversity, because its presence "can significantly slow down the regeneration of forests, by preventing the growth of new trees". Also, as if this isn't enough, this plant can also produce toxic chemicals which inhibit other plant species.
Lantana has also a great adaptability, that helped it to be so invasive: it can live in a wide range of different environmental conditions, it can survive long periods without water, heck it's even resistant to fire. It's not a plant you can underestimate. Like Orange, I assume.
But Lantana isn't just an invasive plant. Lantana has always been used for medical purposes, because it showed good antimicrobial, fungicidal and insecticidal properties and its extract helps against respiratory infections and ulcers.
Also, since it doesn't have many pests or diseases, lantana became a common ornamental plant. It even attracts butterflies!
In other words: isn't that the perfect plant to symbolize the double nature of a dark side? It can be a threat, change the environment, destroy and even kill. But it can also be a medicine, something useful, something beautiful.
Whoever Orange is, Lantana camara tells us that, whithout a doubt, he’s a dark side.
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Janus: Sunflower
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Do you think Janus isn't perfect enough as he is? Do you think there's not enough husband material in the snek?
Well, you’re wrong and the sunflower is here to prove it.
Sunflower symbolizes loyalty, adoration, longevity, vitality, worship. Now add this up to the sunflower’s behaviour and how it follows the sun... and you’ll get Janus. Janus literally acts like a sunflower: Thomas is his sun and everything Janus does is for him. His whole existence is centered around Thomas.
But we already knew that, because it's the same message that shone through his playlist. Everything about Janus tells us how much he adores Thomas, from his canonical behavior in the series, to his playlist, to this flower.
Oh, do you need another proof that this is flower is perfect for Janus? Some societies use sunflowers as religious symbols. Ah, some good ol' reference to religion: it’s like being in his playlist all over again.
And, of course, sunflowers are used for a variety of reasons, like cooking oils, skin care and so on. Even the flower says self care.
This man is perfect.
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Remus: Green chrysanthemum
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Here's another interesting flower.
Chrysanthemum symbolizes death and it’s the typical flower used for funerals. And I thought this was its universal meaning. It was perfect for Remus just like that.
But then I found out that Europeans use chrysanthemums for funerals and to honor the dead. This flower actually has a whole lot of meanings, some completely different from this.
In China, for example, chrysanthemums are associated with wealth, prosperity and long life. Also they're symbols of new life and reincarnations, so they're the perfect gift for old people or newborns.
While in Japan chrysanthemums are symbols of power and royalty. And that's even more fitting for Remus, because he's a Duke, so he is royalty.
But chrysanthemum also symbolizes friendship - and not just "a friendship", but a meaningful one. It's a symbol of loyalty, devotion, romantic/platonic love and, in general, positive energy. It's a flower with an incredibly strong meaning, so it can't be given too lightly.
And this makes it even more perfect for Remus. It's a flower with a huge plurality of meanings, it's both associated with life and death, it's powerful and it's royalty.
Also, you can eat it. Isn't that the perfect Remus flower?
(On a side note: please notice how chrysanthemums and sunflowers are both associated with joy, loyalty and devotion. I would have never considered "joy" a common trait between Janus and Remus while loyalty and devotion... well, they both care about Thomas and his career and they both work for him despite not being accepted, so I can see why those are common traits.)
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Patton: Nemophila
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Surprise surprise, this flower wasn't easy to find. I’ve never heard of it, so I had to search among endless lists of blue flowers, hoping to find one that would perfectly match the one on the shirt.
And that’s how I found nemophila.
First of all: nemophila is also known as "Baby Blue Eyes" and it's an extremely rare color to find in nature. It’s very famous in Japan, thanks to the Hitachi Seaside Park. Open this link: it’s a literal sea of blue and it’s absolutely gorgeous. Of course, it attracts people every year.
Nemophila represents prosperity, congratulations on success and victory. Not the first things you would associate with Patton, right?
Well, while I was searching more informations about this flower, I found out this website about the essence of Baby Blue Eyes and the passage I quoted down below has the exact same words you can find on that link:
With its pronounced affinity for water, the Baby Blue Eyes flower essences addresses qualities of tender sensitivity, innocence and trust associated one’s early childhood relationship to the father, or other significant masculine figures that are in some way disturbed.
Very often the father was absent, or there was a lack of support or genuine presence. The Baby Blue Eyes type attempts over time to cover this wound of vulnerability with a false “hardening,” such as emotional distancing, mistrust, cynicism or spiritual alienation. It is a flower that can be equally helpful for men or women, although it is especially needed for many men who struggle to become strong, by disowning their pain.
So nemophilia’s essence has qualities associated with childhood, to the father figure and attempts to “repress” and hide emotions.
That’s Patton. That’s him, period. The childhood-related emotions, that are linked to Patton’s longing for “a simpler time”. The mentions of a father figure - who migh be absent or showing lack of support (like, idk, suggesting you should die so your friends live?). And the attempt to “cover the vulnerability” doesn’t remind you anything? Like the Nostalgia episodes?
This flower is Patton.
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Logan: Blue petunia
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I would like to say, from the bottom of my heart, a huge "FUCK YOU" to this flower, because I spent TWO DAYS searching all the blue flowers in the world and all possible variants, asking myself why this goddamn flower looked so familiar and why it was so hard to find. Blue isn't even a common color in nature, so why couldn't I find it?
I've learned more about blue flowers in these two days than in my entire life. I've searched among flowers I never saw before, like glandora diffusa, leschenaultia and omphalodes verna. I was so desperate to consider this flower a new species, with the petals of a bellflower and the corolla of a morning glory. I even found a goddamn chinese variant of the morning glory that was somehow similar but not that much and why, WHY this was so hard to find?!
And then, after two days and a lot more desperation, I remembered: my dear friend @reptilianwithscallions​ told me about a post they made, regarding this shirt and the flowers. Maybe they had some idea about Logan's flower?
Well, let's all thank my saviour and this post, because otherwise I would've kept searching until the end of my days.
Long story short, Logan's flower is a fucking blue petunia.
And it's a very peculiar choice, because petunias have multiple meanings, several of which can be contradictory.
In general, petunia symbolizes anger and resentment. It reminds someone that you're still angry or disappointed by their actions and you haven’t gotten over the things that caused these feelings.
Oh my, I didn't know we were back in Logan's playlist. It's basically what he kept expressing towards Thomas with his songs: that he was angry at Thomas for his decision, that he doesn't approve that Thomas hasn't "a real job" and so on. Petunia is a flower that screams passive-aggressive, so it's perfect for Logan.
But petunia's meaning deeply changes, depending on the color of the flower. And while petunia in general symbolizes anger, a blue petunia is a symbol of peacefulness, intimacy and deep trust, shared between two or more people. It's so wholesome, because the deep trust reminds me - again - of Logan's playlist and how it ended: no matter what, he and Thomas are always best friends.
Also, petunia flowers have even a secret meaning behind. Since they’re also gifted to new neighbors or to people who have just moved into a new home, they represent a perfect welcome and a way to express affection and kindness to others.
You’re lucky to be so wholesome, you tricky flower.
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Virgil: Perennial Geranium
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Geranium is a confused flower.
Some of the other flowers have conflicted meanings, but not as much as this flower. These are the most common meanings I found:
Folly or Stupidity
Gentility and kind nature
Clever minds
Ingenuity
Melancholy
Perfect gift for a bride
You can gift it to someone with whom you have planned a meeting 
You can gift it to someone with whom you haven't planned a meeting, just to make them feel welcomed
True Friendship
See? It’s confused.
Aside from jokes, this variety of meanings is due to its great diffusion: since geraniums grow everywhere, every culture gave them a different meaning. And sometimes these meanings depend on the situation too.
Awww, isn't it perfect for Virgil? He can be good and bad at the same time. Anxiety can be bad for Thomas and detrimental for his life, but it can also be the alarm Thomas needs. It depends on the situation.
And, just like geraniums in general symbolize positive emotions, happiness and friendship, so Virgil is in general a good guy. All he does is for Thomas' wellbeing, not against him.
And this is confirmed by the vast use of geranium's essential oil. It's one of the most popular and it has a ton of properties: anti-viral, anti-bacterial, anti-inflammatory, anti-depressant, decongestant, relaxing and so on. Just like our Virge boy can be incredibly useful under the right circumstances. (Did someone say "Flirting with social Anxiety"?)
Also, geraniums are simple, humble flowers that usually grow outside, but then we take them and make them part of our homes. Once again, it’s Virgil: he's an outsider, he's humble, he talks bad about himself - but Thomas and the others took him and made him part of the famILY anyway.
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Thomas: Cherry blossom
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I searched this flower everywhere and the only one that looks like the one on the shirt is the cherry blossom. Why did Thomas make a cherry blossom with eight petals, when they all have five? I have no idea. Is this a different flower, maybe? Maybe, but I’m done: I've looked at enough flowers and I don’t have any strength left.
As you probably already know, cherry blossoms are extremely important in Japan. They're beautiful, they're everywhere and they're meaningful.
Why? Because cherry blossoms are considered the perfect metaphor for human existence. When they blossom it's a pink ocean, a party, people go to admire them - but they’re short lived, because in two weeks, the blossoms start to fall. It's just like human life: a small, rich, glorious parenthesis in the void. Something little and precious that ends soon.
But cherry blossoms also symbolize rebirth, optimism, hopes and dreams. When they bloom, it means springtime is coming and spring has always been associated with renewal.
That’s a very good choice for character Thomas. He’s basically a cherry blossom, the whole series is: something that reminds us how beautiful life is, how multi-faceted, how important. Just like Thomas' single being encompasses seven different sides of himself, so life presents a wide range of choices, of aspects, of flavours. All beautiful, all worthy of appreciation, no matter how different they can be from you and your experience.
And this becomes even more important, in relation to the passage of time and the transience of life. Because life is short and, after that, there won't be any more time to appreciate anything.
In addition to that, I would like to point out how the theme of passage of time is something we already saw in the series. And not just one time, but several. Since the first season, we have episodes all around the concept of growing up, growing old, not being a child anymore, becoming an adult. And the last Aside keeps going in this direction. It's clear this is a big theme and its connection with the cherry blossoms proves it.
But why is the flower so different on the shirt? Because Thomas wanted to mess up with us? Probably. Almost certainly. Once again, thank you Mr. Sanders for making me question everything.
The floor is (figuratively) yours now: if you have any other information, thoughts or opinions, feel free to share them.
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luimagines · 3 years
Note
Coul I request the chain reacting to meeting the reader who is Wild's sibling? (If background is needed shrieks science and them whatever purchase did so the reader is just sorta- 15-28 )
Masterlist
I don't understand the second sentence but I think I can infer what you're trying to say. And even then, I came up with a backstory that more less fixes it regardless so yay!
Wild is everyone's favorite chaotic creative sibling!
And I went for older sibling because reasons and just assume that sibling! Reader is in their early twenties.
Content under the cut!
You woke up one day in Hateno village, quietly aware of the silence that echoed through your house.
You miss your brother.
Not that he was here often with his Goddess given assignment nor did he even know who you were for the first half of it.
What a day that was.
Your little brother back from the dead, scars and all and then some... but he had no idea who you were.
It hurt to say the least. But you were told it would happen once the news reached you. He would wake up one day to finish his duty but he would not remember anything regarding his past life.
Even when he found you again, after he somehow remembered you, you didn’t know where to begin.
You just knew that you were so happy to be together again after so long that you hugged him as tight as you could and told him that your door was always open.
To say you both cried is the understatement of the century. It was wet and ugly and messy and neither of you really talk about it but it felt good that day.
And while you both knew he couldn’t stay for long with his adventure being no where near complete. He did come home for the night after he set that travel medallion of his by the front door.
But that was then- before the Calamity was defeated.
Now that it’s gone- so is your brother. Again.
On a different quest this time, it seems.
You don’t understand why your baby brother of all people has to be the one to do it and you would like nothing more than to wrap him up in a blanket and shield him from anything else that comes to hurt him- but he never let you do that as a child- let alone now.
You begin the day like any other and try to get as many mundane chores done as you can before you finally try and get the stable in the back fixed up.
You noticed Link had an affinity to horses and had checked in with the nearest stable to see that he had some lodged under his name.
There’s a place at the house, darn it. Lodge them here. It just needs to be fixed.
With your goal in mind, you lose yourself to the work and the time passes effortlessly.
It’s around noon by the time you hear it.
The familiar sound of activation that gets your heart pounding in relief and unbridled joy.
You drop your hammer and run to the front of the house with the largest grin on your face. “You’re back, you Rug Rat! Come here!”
You single him out instantly amongst the group and tackle him in a hug.
He’s long stopped trying to fight on you on this and has also returned your crushing hug with one of his own. “I’m back.”
“You brought friends too.” You grin and give the group a two fingered salute. “And here I was afraid that this loner child would end up dead in a ditch somewhere and I would be none the wiser. Thank you for looking after my little brother. I’m aware he’s a handful.”
“Ok thanks.” He says.
“Little brother?” Someone from the group asks. They’re lost amongst the sea of head but you nod regardless.
“Yup. I remember the day he was born like it was yesterday.” You grin and put your hands on your hips, introducing yourself right after. “Any friend of Link’s is a friend of the family. Come in, come in. Make yourselves at home. It’s not much but it’s ours. Been in the family since before the calamity struck. Let me wash up a bit and then we can get some food going, yeah?”
“I’ll start up the stove.” Link says and you’re about to disagree. After all, he just got home and should rest while he can but he ahs the most unburdened smile on his face that you can’t bring yourself to deny him.
 “Alright.” You sigh and head to the back where the shower is. It’s always been small and a bit cramped and the door stopped fitting correctly about ten years ago but now that’s it’s not just you anymore, you can go around into the giving the house the TLC it deserves.
But you’re starting with the stable in the back.
When you’re finished and you’ve dried yourself off, you get into the house to find it in a delightful array of colors and chaos.
Each of the boys seemed to have made themselves completely at home in the time you were gone and you leaned against the door frame, watching them all interreact.
Your brother didn’t waste any time with getting the stove up and running. You can smell the beginning of lunch getting cooked and it appears that Link has wrangled two of the boys to be his helpers. One appears to be the youngest with bright wide eyes and a similar blue tunic to that of Links and the other looks to be  slightly more timid in the process. He’s around the same height as Link but darker hair and a long white cape still clasped around his shoulders. 
You recognize the Master Sword strapped to his back.
Making a note of that you look around the room again. Three of them have made themselves comfortable at the table. One is easily the biggest guy of the group, red and blue tattoos on his face and scar over his eye as he watches the others go about the admittedly small house. The other two look to be the same size and you’re sure you can look them in the eye if you needed to. They’re talking to both each other and the group that’s cooking. One has a wolf pelt on his shoulder with more tattoos on his face and other is a knight if you’ve ever seen one with a bright blue scarf around his neck.
You’re not one to judge your brother’s friends but you make a mental note to watch him in case he tries anything.
Two of the boys- one with pink hair and the other have the most solid brown mane of the whole group have made themselves spares and are talking quietly to each other and not making a fuss.
The final one looks to be the smallest but he’s got an older glint to his eye that recognize well. He’s wearing arguably the most color tunic of the group with those four patches sewn together. He’s tucked himself away into a corner with a book out, not interacting with either of them outright but he has been looking up and adding his two cents to the older’s conversation at the table.
They don’t notice you’re back which is a testament to how tired they all must be.
They’re an interesting bunch.
But Link did always surround himself with interesting people.
So you’re not really surprised.
“Sooo...” Pinky starts off, calling your bother’s attention. “You have an older sibling?”
“Yup!” He answers, not looking up from the pot. “They were waiting for me the whole time, and even manage to keep the house. Up keep still needs to be done but we’ve been working on it together.”
“But they’re older.”
“Yes. We’ve established this.”
You have to hold back your snort.
“You were asleep for one hundred years.” Four Patches speaks up, closing his book silently. ”Shouldn’t they... ummm...”
“Be dead?”
“Or at least really old?” Mr. Brunette hops in, trying to lessen the blow of the sentence.
“You’re like one hundred and seven teen right? Wouldn’t that put them at being one hundred and twenty something?” Wolf boy offers.
“I guess so. Yeah. They were old at some point.” Link stops stirring and you can see him try to run the numbers in his head. “I know that much. The village talks about them being really old sometimes, but I guess that was years ago because it’s only from the older folk that live here.”
“But they lived through those one hundred years, didn’t they?” Blue Baby Face speaks this time.
“That’s what they told me.”
“So....” The knight tilts his head and tries to put his hands out as if that would help answer the question. “They’re like the Old Man then? Old in their head but young on the outside.”
“You can say that, yeah.” You say and take extreme satisfaction at the way most of the jump at your voice. “Unlike Link, I was alive the whole time he was asleep. I’ve got grandkids in Lurelin and they visit from time to time but someone had to at least keep the house up and running, might as well have been me.”
“I...” Link starts as he takes the food off the burner. “I never asked you how you stayed young, did I?”
“Nope.”
“Oh.” He looks away and deflates a little. Link looks a little disappointed with himself and that won’t stand in this house.
“I didn’t realize it was that important. And I’m going to assume you’ve explained most of the situation Rug Rat.” You laugh a little with a raised eyebrow. “You can blame Purah. You know she wanted to find a way to keep the old from aging, right? It’s why she’s in the body of a little kid again. But when she tried the second formula she realized that if she tried it on herself that it might as well but poof her back into a baby and she wanted to contact Robbie but he’s too far and too old to make that trip. I volunteered.”
“Really?”
“It still didn’t really work, I was transformed into a teenager instead of a child- a horrible time to exist really. But I suppose it was a blessing in disguise. By the time this one-” You step into the house fully and ruffle Link’s hair. “-came back, it left us with the same age gap as before. So in the end I can’t complain.”
“Why’d you volunteer?” Cape guy leans on the wall. “There’s only so many times you can test it, right? Who’s to say it wouldn’t have been worse?”
“Yeah, what if it did transform you into a baby again and you forgot everything?” Four Patches stands up and comes to stand by the table, putting his book on top of it. 
“I wanted to take the risk.” you shrug and pull your brother into a hug. “Is it a crime to want to see my baby brother again not matter the cost?”
“Get off.” He whines.
You laugh but do as he asks. “It was never said when he’d be back. Only that he would. I was willing to buy as much time as needed to be there for him.”
“I didn’t remember you...” He mutters to himself.
“You now, don’t you?” You punch him gently. “We’ve talked about this. It’s ok. I knew it was going to happen. It wasn’t going to stop me. Ganon himself couldn’t properly get rid of me. I’m not leaving your side anytime soon.”
He smiles and turns to hug you.
“Now where’s your wolf friend?” You ask. “Are you still traveling together? There’s something I wanted to give him.”
Wolf Pelt shimmies in his seat for a second but you don’t think much of it.
Link shakes his head. “Not right now but he has been coming by every now and then.”
“Well it’s good he’s still around to look after you then in my stead.”
“We have a horse though.” Link tilts his head up to grin at you. “It’s not the same but her name is Epona.”
Familiarity stabs you in the heart and you know it’s something that Link even remember even if he lives another one hundred years.
He was too little when she passed.
“...Like dad’s old horse. Can I see her?” You say with a light constriction in your throat. “How crazy would it be if they looked alike?”
“Dad had a horse?”
“You wouldn’t remember her, you were too little. I barely remember her as it is but yes, he did.” You take a step back and motion back towards the door. “Maybe after lunch you show me. We can bring her to the back and measure up how the stable is. I’ve been fixing it up.”
“Really!?” Link blinks, an excited glint appearing in his eyes.
“Yes. That’s what I was doing when you first came in. But let’s eat first.” You put your hand to the small of his back and push him gently in the direction of the table. “And then you can tell me about your friends and this new adventure of yours.”
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jiangwanyinscatmom · 3 years
Text
Hi! So first of all I want to clarify that I'm not in any way saying jc isn't a homophobe, because I mean, it's pretty obvious. However back when I read the mxtx interview I read her answer as 'wwx acted all of a sudden very different with lwj, to the point where it was jarring for jc who had not seen him act that way before.' I do not think jc understood at all wwx's affections towards lwj, and this did not think it was disgusting because he saw it as flirting. (1/2)
I find it weird that people use it as a 'proof' that jc is homophobic when it's not straightforwardly telling us it's homophobia, and also since you know, the novel is right there and tells us far more clearly that jc is, in fact, a homophobe. (2/2)
So, here, I agree the interview isn't a stated full explanation in itself and not to be used as evidence alone.
I think that at the time it was not fully homophobia on his part when he had first noticed Wei Wuxian's attention for Lan Wangji in Cloud Recesses. Jiang Cheng had never understood Wei Wuxian's penchant for wanting to be around Lan Wangji and I think that his surprise of Wei Wuxian flirting with a man (He himself talks about how he never thought it odd with Wei Wuxian flirting with women all the time) Lan Wangji was always the strange outlier for flirting. It steadily devolves into more overt homophobia as they get older.
Cloud Recesses when they're 15,
Wei WuXian replied, “Yeah, I also thought that he should be praised for having the courage to come see me. He was probably told by his uncle to come check if I was kneeling properly.”
Jiang Cheng instinctively felt a foreboding sensation, “Were you kneeling properly?”
Wei WuXian, “I was kneeling properly. After he was some distance away, I found a stick and started to dig in the dirt. The pile beside your foot. There’s an ant hole there that I went through tons of trouble to find. When he turned his head, he saw that my shoulders were shaking, and he definitely thought that I was crying. He even came back to ask me. You really should have seen his expression as he saw the ant hole.”
“…” Jiang Cheng spoke, “You should get lost and go back to Yunmeng as soon as possible! I don’t think that he wants to see you ever again.”
The part that sticks out here is the fact that Jiang Cheng feels any sense of foreboding at all for a silly situation that Lan Wangji had walked away from seeing Wei Wuxian was actually okay. It's the first seed of him continuing the line of thought that "He hates you". He is already feeling strange about Wei Wuxian's flirting and chooses to sort of project this hate into Lan Wangji for Wei Wuxian.
Lotus Pier summer after Cloud Recesses lessons:
I just thought of someone.”
Jiang Cheng, “Who?”
Wei WuXian, “Lan Zhan.”
Jiang Cheng, “Why would you think of him for no reason? Reminiscing what it felt like to copy sect rules?”
Wei WuXian spat out a seed, “It’s fun to think of him. You don’t even know—he’s just too amusing. I told him, ‘Your sect’s food is disgusting. I’d rather eat stir-fried watermelon peel than eat your food. If you have time, come have fun with us at Lotus Pier…'”
Before he even finished, Jiang Cheng slapped his watermelon off, “Are you mad? Inviting him to Lotus Pier—are you trying to torture yourself?”
Wei WuXian, “Why are you so upset? My watermelon almost flew away! I was just being polite. Of course he wouldn’t come. Have you ever heard of him go anywhere by himself to have fun?”
Jiang Cheng had on a stern expression, “Let’s make this clear. I don’t want him to come, anyhow. Don’t invite him.”
Wei WuXian, “I never knew you hated him so much?”
Jiang YanLi sat down between the two, “Who are you talking about? A friend you made in Gusu?”
Wei WuXian responded happily, “Yeah!”
Jiang Cheng, “What a shameless ‘friend’ you are. Go ask Lan WangJi and see if he wants you as one.”
Wei WuXian, “Fuck off. If he doesn’t want me, I’ll bother him to the point that he does.” He turned to Jiang YanLi, “Shijie, do you know Lan WangJi?”
Jiang YanLi, “I do. He’s that Lan-er-gongzi whom everyone describes as handsome and talented, isn’t he? Is he really that handsome?”
Wei WuXian, “He is!”
Jiang YanLi, “Compared to you?”
Wei WuXian thought about it for a moment, “Maybe just a bit more handsome than me.”
He formed a tiny bit of space between two fingers. Taking the plate away, Jiang YanLi smiled, “He must be truly very handsome, then. It’s a good thing you made a new friend. In the future, you two can visit each other in your free time.”
Hearing this, Jiang Cheng spat out his watermelon. Wei WuXian waved his hands, “Forget it, forget it. All that’s at his place is bad food and a whole lot of rules. I’m not going again.”
Jiang YanLi, “Then you can bring him here. This is a good opportunity. Why not invite your friend to come stay at Lotus Pier for sometime?”
Jiang Cheng, “Don’t listen to his nonsense, Jie. He’s super annoying in Gusu. Lan WangJi would never want to come home with him.”
Wei WuXian, “What do you mean!? He would.”
Jiang Cheng, “Wake up. Lan WangJi told you to get lost, didn’t you hear? You still remember that?”
Wei WuXian, “What do you know!? Even though he told me to get lost on the surface, I know for sure that he secretly wants to come play with me in Yunmeng—in fact, he would love to.”
Wei Wuxian is still in the belief that Lan Wangji does like him. Jiang Cheng of course isn't amused by Jiang Yanli's indulgence in Wei Wuxian's daydreams. Wei Wuxian continues to, well, essentially pine innocently about Lan Wangji, his fellow disciples even encourage it leading to... Jiang Cheng sulking even further over the fact that Wei Wuxian is in fact pining over another boy. He puts two and two together as Wei Wuxian is flirting with the girls on shore later on and he talks of the things he will do with Lan Wangji as he visits. He talked of training with Lan Wangji in the same way he invited the girls to watch him train.
Phoenix Mountain Hunt
Lan WangJi suddenly raised his hand, stopping a flower tossed over from behind him.
He looked back. Over at the side of the YunmengJiang Sect’s riding formation, which hadn’t departed yet, Jiang Cheng clicked his tongue impatiently, seated at the front. However, the person beside him sat on a horse with black, gleaming hair. His elbow was at the head of the horse as he looked to the side as though nothing happened, talking and laughing with two slender-bodied maidens.
Lan XiChen saw that Lan WangJi had drawn the reins and ceased to move forward, “WangJi, what happened?”
Lan WangJi, “Wei Ying.”
Wei WuXian finally turned around, face full of surprise, “What? HanGuang-Jun, did you call me? What’s up?”
Holding the flower, Lan WangJi seemed to be quite cold. His tone seemed cold as well, “Was it you?”
Wei WuXian immediately denied it, “No, it wasn’t.”
The maidens beside him spoke at once, “Don’t believe him. It was him!”
Wei WuXian, “How could you treat a good person like this? I’m getting angry!”
Giggling, the maidens pulled their reins and went to the formations of their own sects. Lan WangJi lowered the hand that he held the flower with and shook his head. Jiang Cheng spoke, “ZeWu-Jun, HanGuang-Jun, apologies. Don’t pay attention to him.”
Lan XiChen smiled, “That is fine. I will thank Young Master Wei’s kindness behind the flower in place of WangJi.”
When they slowly rode into the distance, carrying with them the clouds of petals and fragrance, Jiang Cheng glanced at the colourful sea of handkerchiefs waving on the watching towers before turning to Wei WuXian, “Why are you throwing out flowers along with the girls?”
Wei WuXian, “I think he looks nice. Can’t I throw a few as well?”
Jiang Cheng pointed his nose into the air, “How old are you? Who do you think you are, still playing tricks like that?”
Interestingly enough, this flower scene is similar to what had once occurred during the summer of Lotus Pier. This is after it had been established that Wei Wuxian thinks Lan Wangji now dislikes him morally. Yet he still reaches out to tease and flirt with him, leading Jiang Cheng to continue asking why well into their early 20's is Wei Wuxian still doing this. It was excusable when they were younger but now this is inexcusable and troublesome for someone who is supposed to be his righthand acting on whims still and flirting with a man of reputation. Jiang Cheng actively had encouraged the rift between Wei Wuxian and Lan Wangji after the return from the Burial Mounds. He agreed very readily that Lan Wangji wanted to imprison Wei Wuxian instead of extending any help in regards to Wei Wuxian's volatile disposition that went on for years after this altercation, convincing himself and Wei Wuxian of Lan Wangji's supposed hate.
Wei WuXian was in such a state of distress that he couldn’t remember whether or not he called someone’s name at all. He only managed to pull himself together after Jiang Cheng commanded the dog to back away. After a moment of hesitation, he abruptly turned his head away. On the other side, Jiang Cheng left his seat. There was a whip attached beside his waist. With one hand on it, he bent down to look at Wei WuXian’s face. After a pause, he straightened up and asked, “Speaking of it, since when have you been so close to Lan WangJi?”
Wei WuXian immediately understood whose name he had unconsciously called out.
Jiang Cheng smiled menacingly, “It really is quite curious how far he went to protect you, back on Dafan Mountain.”
A moment later, he corrected himself, “No. You weren’t necessarily the one whom Lan WangJi was protecting. After all, the GusuLan Sect couldn’t have forgotten what you did with that loyal dog of yours. How could someone so celebrated for his righteousness tolerate the likes of you? Maybe he’s familiar with this body that you stole instead.”
His words were cruel and sinister. Every sentence seemed well-meaning on the surface, but was actually derogatory. Wei WuXian couldn’t bear hearing it any longer, “Watch your language.”
Thirteen years later his taunts have become more refined as he is well off into hating Lan Wangji himself now that Wei Wuxian had been dead. He taunts that Lan Wangji is more promiscuous than presented as well as using Wei Wuxian's old goodwill for Lan Wangji for him to go on the defense. Jiang Cheng however thinks using the fact these men are gay is only a tool, he does not believe they are as his disgust of Mo Xuanyu being gay does disgust him. His suspicions have turned into bigotry instead finally in the years that Wei Wuxian was gone.
When Jiang Cheng accused him, Wei WuXian couldn’t defend himself at all, but he just couldn’t bear it when those words were being directed at Lan WangJi.
Wei WuXian reprimanded, “Jiang Cheng, just listen to yourself. What are you saying? Is it appropriate? Don’t forget who you are. After all, you’re the leader of a sect. Insulting a renowned cultivator in front of Uncle Jiang and Madam Yu’s spirits—where is your discipline?”
His original intention was to remind Jiang Cheng to at least hold some respect for Lan WangJi. However, Jiang Cheng was always sensitive. From those words, he managed to make out the notion that he wasn’t fit to be a sect leader. Immediately, darkness crawled up his face, bearing an eerie similarity to how Madam Yu looked when she was angry. His voice was harsh, “Who is the one insulting my parents in front of their spirits?! Could you two please understand whose sect you’re in? I don’t care if you act so shamelessly outside, but don’t you dare fool around inside our ancestral hall, before my parents’ spirits! After all, they were the ones who brought you up—even I feel ashamed for you!”
Wei WuXian never expected such a huge blow to crash down on him. He was both shocked and furious, blurting, “Shut up!”
Jiang Cheng pointed outside, “Mess around outside however you want, whether under a tree or on a boat, hugging or otherwise! Get out of my sect, get away from anywhere my eyes can see!”
Hearing him mention ‘under a tree’, Wei WuXian felt his heart skip a beat—could Jiang Cheng have seen the moment where he crashed into Lan WangJi’s arms?
His guess was not wrong. Jiang Cheng did indeed go out to find Wei WuXian and Lan WangJi. He chased after them in the direction that the street vendors pointed at. A voice in his heart seemed to tell him which places Wei WuXian would definitely go. He caught up to them in just a while. Yet, he just so happened to see Wei WuXian and Lan WangJi enveloped in a tight embrace under a tree, unwilling to let go of each other even after so long.
Goosebumps immediately ran down Jiang Cheng’s body.
Although he’d made guesses at the relationship between Mo XuanYu and Lan WangJi before, they were only attacks trying to offend Wei WuXian, not that he really suspected anything. He’d never thought that Wei WuXian would have ambiguous ties with a man, because after all, when they grew up together, Wei WuXian had never expressed any such interest. He’d always loved good-looking girls with a passion. On the other hand, it was even more impossible for Lan WangJi. He was famous for his asceticism, seemingly interested in neither men nor women.
But hugging like that seemed intense no matter what. At least, they didn’t seem like normal friends or brothers. He immediately recalled that Wei WuXian had always stuck to Lan WangJi ever since he came back. Lan WangJi’s attitude towards him was also different from what it was before he was reborn. At once, he was almost certain that the two really were in that kind of relationship. He couldn’t turn around and leave, yet he didn’t want to say a single word to the two, so he continued to hide himself as he followed them. Every single look and movement that passed between them seemed different in his eyes. For a while, the shock, absurdity, and slight disgust that he felt combined to overpower his hatred. It was only after Wei WuXian brought Lan WangJi into the ancestral hall that the long-suppressed hatred was awakened again, devouring his courtesy and rationality.
Wei WuXian was holding something back, “Jiang WanYin, you… apologize right now.”
Jiang Cheng mocked, “Apologize? For what? For exposing your thing for each other?”
Wei WuXian raged, “HanGuang-Jun is only my friend—what do you think we are?! I warn you. Apologize right now—don’t make me beat you!”
Hearing this, Lan WangJi’s expression froze for an instant. Jiang Cheng laughed, “Well, then I’ve never seen “friends” like that before? You warn me? Warn me against what? If you two had the slightest trace of integrity left, you wouldn’t have come here and…”
Seeing the change in Lan WangJi’s expression, Wei WuXian thought he must have felt insulted by Jiang Cheng’s words. He was so angry that his entire body was shaking. He didn’t dare think about what Lan WangJi would think after being shamed like this.
Obviously in the penultimate scene Jiang Cheng himself is being "the unreliable narrator" that fans love to accuse Wei Wuxian of. He says he never expected this of the two, but all the years of his behavior shows that he had always gone out of his way to keep the two away from each other and had always been mildly homophobic when the two did express interest in the other however innocent it had been in their youth.
All of this is to say, when it comes to how MXTX worded that interview answer, I think it was meant as a careful nudge for those who had still tried to insist that Jiang Cheng didn't mean to be homophobic, actually wasn't homophobic and was just angry at any other actions of Wei Wuxian and lashing out about that etc, it was her telling people to simply pay attention to the underlying shadowing of Jiang Cheng and how he exasperated his own pre-existing biases that morphed into an uglier hate.
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retroyousei · 3 years
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Female characters in retro shojo [70s edition, part 1]
Ah, the 1970s (and early 80s), where a majority of the shojo manga stories took place in a distant European country or in America, surrounding either orphan girls from the 19th or early 20th century, who remain cheerful and have adventures, trying to find out who they are, making friends and falling in love, or epic historical stories filled with war, scandals and larger than life characters. If the manga was taking place in Japan, the plot was somehow more down to earth -though most of the time it restrained the same amount of unrealism- and it was either about following the journey of a girl who pursues the career of her dreams and evolves into a notable person, or a high school story filled either with melodrama and angst or a more heartwarming romantic comedy. But in this two-part article I won’t talk about plot tropes of the shojo manga of that era -as this topic deserves an exclusive article-, but about the female characters (I will dedicate an article on male characters some other time). Those characters are very important, as they set the standards of today’s manga and anime. But it should be noted that back then the formula of their design and characteristics are different from today’s. Those are the categories that I’ve noticed, regarding the appearance and personality.
The “average” protagonists
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They are the most common category. Usually, they come from middle class and they are presented either as cheerful and a little dense schoolgirls, or plain looking and unrefined, as oppose to their antagonists or rivals who are well educated, beautiful and more talented, but this may serve as a determination for them to improve. Other times they are presented as headstrong heroines, ahead of their time, who refuse to compromise and for this they are a pain to their old-fashion society. Either way, they are kind, good, well-intentioned and want to help the others, that’s why they make friends easily. The thing that really works with these characters and makes them much more interesting than they may seem, is that they are independent and built their future on their own and they never give up, no matter what happens and what someone might say about them. Even when they are not sure of themselves, they always keep trying, until they reach to their dream. They use their obstacles as strength and determination to go on, proving that they are not average at all.
Maya, the protagonist of “Glass Mask” is a great example of this. She starts as a good-for-nothing daughter of a poor family, who isn’t particularly accomplished, but has a hidden passion for acting which she hadn’t realise it herself at that point. But when she is discovered by Tsukigake, a former legendary actress, she realises how much she wants to be an actress to a point that she lied saying that her mother allowed her to study to sensei’s acting school and ran away from home. Not even when her mother told her that she doesn’t consider her as her daughter anymore, she didn’t gave up, in spite of being very hurt by this. Her path towards acting wasn’t easy. Many times she has to face many who say that she doesn’t belong to that industry, or who are jealous of her talent and means her harm, but with her faith in herself, she always overcomes those obstacles. An admirable thing about her is that she dislikes fame, being shy, as she just wants to act and that she does not gives up, no matter what and even when she does, she quickly stands up. The most interesting dynamic of the story is her worthy rivalry with Ayumi, that is clearly a case of the trope “technician vs performer”, with Maya as the performer, as her standard method to learn how to play a character is to become that character. As the story progresses, Maya evolves from a girl with a hidden talent, to a young actress who portraits an original take to classic characters, but who still had much to learn, to one of the greatest actresses of her generation.
In “Yokohama Monogatari”, Uno starts as a plain, poor, orphan girl, who is ignorant about the world, as she hasn’t even seen the sea before and she believed that westerners were vampires who could drink people’s blood, that’s why they had blonde hair and blue eyes. She starts to work as a companion in a rich family to their daughter Mariko, who is the same age as her. Besides their differences, they become quickly best friends. While Mariko is a little spoiled, Uno, despite of her ignorance of world, can be more considerate and responsible in some matters. She also has a lust for learning and soon her and Mariko pursuade her family to go to school. There, she meets many people, among them there are a few foreigners too, she makes a lot of friends, and she excels at all of her studies, being hardworking. As the years passed by, Japan changes and allows exchange of ideas from many cultures -it’s Meiji era we are taking about, that means the last quarter of the 19th century- and Uno evolves from a poor, -many would say- hopeless for her situation, clueless of the world girl, to an open minded, educated and refined woman, surrounded by many people she loves.
In “Tokimeki Tonight”, Ranze -well except of being the daughter of Dracula and warewolf and having her own vampire powers as well- is an average girl who is friendly, sweet and little quirky girl who goes to school and falls in love with Shuun. Some may say that she is pretty basic, but in fact, she knows her self worth well, so even when her parents were disappointed with her not having any power yet, at the beginning of the story, she wasn’t particularly bothered by it. Also she is very headstrong that she falls in love with a human boy, while she knows well that a creature from the demon world and a human cannot be together. But in spite of all of that, she decides to stay true to her own feelings and even though she’s not so sure about Shuun’s feelings for her either, she doesn’t give up and waits for him, because she hopes and deep down knows that he likes her too and she is right. And even when her parents want her to marry prince Aaron of the demon world and even the king- learn that she likes a human, in spite of that being against the rules, she isn’t afraid to stand up for her beliefs. Later though, we learn that Shuun is the lost prince of the demon world, so he is not a human after all, but that’s another story.
In “Aim For The Ace”, Hiromi is a typical schoolgirl who struggles to get better in tennis, when she gets selected as one of the club’s main players in school by the new coach, as he saw potential in her. Some of her seniors are jealous of her because of that and at first she thinks that she is not worth such a discrimination, but soon she improves and realises how much she loves tennis. There’s also a very similar rivalry dynamic with “glass mask” between Hiromi and Reika who grow to be worthy opponents.
In “Haikara San Ga Toru”, Benio is a headstrong young woman who studies Kendo, drinks sake and prefers reading literature and feminist ideas, rather than being interested in housework. She also likes to dress in western clothes, rather than the traditional kimono and strongly believes that women should have the right to decide for their future on their own and they should marry for love. But her world turns upside down when her father announces that he has arranged a marriage for her. The one that he indends for her is someone she knew before, very briefly and accidentally, a lieutenant named Shinobu. Of course, she refuses, being loyal to her ideals and she goes out of her way to avoid him, just to satisfy her pride, in spite of actually starting developing feelings for him. When she moves to his grandparents’ house to get prepared as his wife, she purposely fails in all of her duties as a housewife and constantly argues with his grandparents, but all of that only makes Shinobu fall for her even more. It’s only when he leaves to go to the war, when she realises her feelings for him and during at that time when everyone thought that he was dead, she matured and became even stronger, remaining loyal to him and determined to work as a journalist to support his family, but also tracking him down, hoping that he’s still alive. Of course, at the very end, they live happily ever after together. Benio’s character development is admirable; starting as a clever, but headstrong girl, to an independent and wise woman, proving that you don’t have to disagree with everyone in order to prove that you are the one who chooses how to live your own life.
The villains
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Their extreme pride and vain is their common nature. Most of the times they come from a wealthy family, so they are either oujo-sans who are always dressed elegantly, are seemingly refined and they tend to have curly, blonde hair -as blonde hair seem to be associated with wealth and sophistication in Japan-, or they are just spoiled brats that demand that everyone will do as they say. They are the main antagonist of the story for different reasons. The most common one is that they are jealous of the heroine, either because they are their love rivals and they are jealous of the heroine’s relationship with the love interest of the story, or because they are just pathologically jealous of the heroine because of her looks, her happiness, her luck and her loving nature. Another reason they act the way they do is because they want power and success, or they just want to secure all of that. The worse and least complex reason of all is that they are just mean for no particular reason.
Eliza, from “Candy Candy” is the typical alpha b*tch who is pathologically jealous of Candy. At first, she along with her brother, makes her life miserable, by blaming her for the bad things they do, such as hurting the horses in the stables, provoking her and then telling to their mother that she’s wild and leaving her alone in a town she doesn’t know and locking her in dark rooms. After that, during their time in London, Eliza says to everyone that Candy is an orphan who made her life miserable, even blaming her for Antony’s death. Later, having the habit of falling in love with the one that Candy likes too, school, she falls for Terry and constantly tries to turn him against her, failing miserably. She also writes a fake letter to her that it was supposedly from Terry and to Terry too, to meet each other in the stables at night and with this, she blabs them to the teachers and Candy, having no choice, leaves school. Later, when Candy was pursuing a career as a nurse, she continues her cruel ways and her mother also threats the director of the hospital where she was working, that if they won’t fire her, the Leagan family will withdraw their funds for the hospital and she also made sure that no hospital from Chicago will hire her, leaving Candy in a difficult situation. Those are only of few of the things that Leagan family did to Candy. The worst part is that they don’t pay for what they did at the end.
Fukiko from “Oniisama e” fits well this image; She is a refined lady from a rich family, the president of the sorority and very educated, that’s why she is admired by everyone. However, in reality she is manipulative, proud and very possessive. She wants to control everyone and she’s even willing to go out of her way to achieve what she wants. For instanse, she’s jealous of Nanako because she is close to Henmi Takehito, the one that she (Fukiko) is in love with, so to control her, she chooses her to be a member of the sorority and demands that she will stay away from him, even by pulling her into the lake and attempt to drown her . She also makes Rei’s life miserable, by stepping into her weakness, refuse to accept her as a member of their family and constantly manipulating her with the cruelest of ways. Also, it’s revealed that her friends from the sorority are feeling pressured because of her. Later, with the death of Rei, along with her realisation that Henmi and Kaoru No Kimi are truly in love, surprisingly, she regrets, gives up on her cruel ways and matures, growing even more beautiful for all of that.
Yoko from “Tokimeki Tonight” is a different case. She is the love rival of the story and the have loved Shuun ever since they were little. Being the only daughter of a rich businessman, she is spoiled and when something doesn’t go as she wants, she is is angry and demands that everything will go the way she wants. She envies Ranze for her close relationship with Makabe and ever since she accidentally saw her transforming, she tried desperately to prove others that she (Ranze) is a vampire. Her character is less dramatic and more comedic, as she is often grumpy and clumsy. But she isn’t really a bad person and she doesn’t really cause an awful lot of trouble.
In “The Rose of Versailles”, Madam Du Barry, the king’s mistress, wants to sustain her place in the court and demands that Marie Antoinette, who was at that time the dauphine, will speak to her. She also have tried to poison one of the court ladies. Countess De polignag becomes the queen’s best friend, for her own benefits and manipulates her without her (Marie Antoinette) knowing, like telling her to lie about being pregnant and also persuade her to start gambling in the court, which was illegal. She’s also Rosalie’s biological mother and accidentally kills the woman which raised her daughter and she’s the reason that her other daughter suicides, because she cannot handle the marriage the she arranged for her. Besides of her daughter’s death, she doesn’t seem to regret for any of her actions as she tries to make Rosalie merry the same man. Luckily Rosalie escapes. Also, she tried to sabotage Oscar many times and all this was just for the sake of power and money.
In “Glass Mask”, Norie Otobe, befriends Maya and she is supposedly her assistant, but in reality she just waits for the right moment to strike and steal Maya’s role and career. Unfortunately, she succeeds and it costs a lot for Maya, for a while. Luckily Ayumi discovers this and punishes her with the best way ever.
The tomboys
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They are either mysterious, or lively, but one thing is for sure; they are dressed in clothes that are considered to be “manly”, they are handsome and they are constantly mistaken for a boy. They are also very elegant and educated and their image is that of a prince. That’s why they are admired by both women and men. Some may say that even though they are trying to be like a man, they are still weak, but they point out that just because they dress more “tomboyish”, doesn’t mean that it makes them less of a woman. After all, when they want to, they can transform into the most feminine girl of all. They also prove that their sexuality is not associated with their looks, as a “masculine” girl has the same possibilities of being heterosexual or homosexual, with a more “feminine” one. So, they break all the stereotypes regarding women. Many times, they are portrayed as headstrong heroines who stand up for their beliefs and their friends.
The most famous character that supports this image is Oscar from “the Rose of Versailles”. Oscar is one of the daughters of the Jerjeyes household. Not having any son, her father decided to raise her as a boy so that one day she will succeed him. Oscar dresses in boys’ clothes and learns activities like fencing and archery. When she was fourteen, she was tasked to serve as Marie Antoinette’s bodyguard. The manga often pointed out how different those two were regarding appearance and character, even if they were in the same age. Oscar has a strong sense of justice and she always protects the weak and is not afraid to challenge someone that she believes that isn’t right. Of course, she is admired by men and women alike and she is also a great and loyal friend. At one point she falls in love with Fersen, who loves Marie Antoinette. But because of her respect for the queen and her love of Fersen, she helps them, despite being heartbroken. At the end, she realises that she loves her childhood friend, Andre. She loves medieval combat, drinking heavy drinks, talking about politics and playing violin. Many pointed out that being a woman she was weaker but she always proved them wrong, pointing out that women can do anything and that it doesn’t matter if you are a man or a woman, only how skilful you are. She was hiding her femininity not because she wanted to be a man, but because that if she acted like a woman, the society might think that she was weak and she wouldn’t be able to have the access and the freedom to do what women normally wouldn’t do back then, because women were alowed to limited things. In the early 1970s, by the time this manga was ongoing, the second wave of feminism had already started and women started fighting for equal legal and social rights, so Oscar’s character was influenced by all this.
Rei from “Oniisama e”, is admired by her fellow classmates and is also called “saint Juste”, named after one of the leaders from French Revolution, due to her physical resemblance to him. She is very charismatic, excelling to sports, piano, guitar and theatre, she is very elegant and dresses often in a black suit. Unfortunately she is drug-addict, she smokes and can be suicidal, carrying always pills and a sharp object with her. She is also obsessed with Fukiko, the sorority’s president, for many reasons, causing her to be controlled and abused by her. She also lives alone in a depressing house filled with mirrors and this also causes to be depressed. Her best friend is Kaoru no Kimi, who’s also a tomboy, but they are entirely different and she befriends Nanako and her friends. In the end she suicides, taking too many sleeping pills, having everyone, especially Nanako, left devastated.
Also from “Oniisama e”, Kaoru, is a tomboy who is strong and energetic. She is athletic and excels at basketball, but she is also very cool and doesn’t seem to care that she is the best at something that she’s doing, that’s why she is admired by her fellow classmates who gave her the nickname “Kaoru no Kimi”, from a Japanese classical novel; “the tale of Genji”. She also has a great sense of justice, as when she sees classmates being bullied, she defends them and put the bullies on their place. She is also very loyal and supportive and cares deeply about her friends, helping them when they are in need, especially her best friend, Rei, for whom she is very concerned. But in spite of her energetic appearance, she suffers from breast cancer and tries to keep it a secret, pretending that she is healthy and that everything is under control. But in fact, she pushes away her beloved, Henmi Takehito, concealing her true feelings, in order for him to be happy without her and not suffer anymore, showing how selfless she is and how much she loves him to a point of sacrificing her own feelings. At the end, it pays off and they end up together, living happily.
Another honourable mention is Rei, from “Glass Mask”. Rei is the older student of Tsukikage sensei’s company and one of Maya’s best friends. She is a tomboy who wears those characteristic 70s jeans and for some reason is mistaken by a boy -much to her dislike-, despite of being obvious that she is a girl. Being an actress, she can transform into a beautiful princess in no time, but she also portraits very well a prince. In the first volumes, she portrayed Jo, from “little women” which was a role very suited for her. As a sister figure for Maya, she is loyal, friendly and the responsible one who helps the theatre company stay organised and is a very strict teacher to Maya, helping her because she knows her potential. Also from “Glass Mask”, Keiko from the “Ikkakuju group” is also mistaken as boy, but she can transform into a pretty princess in no time.
Note: At the first half of the 20th century “Little Women” were very popular in Japan, particularly Jo, who was tomboyish and outspoken and her character had inspired the first female mangakas of the 60s for their stories and characters.
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alarawriting · 4 years
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52 Project #24: The Princesses and the Peas
(Inspired by a post on Tumblr and if I can ever find it again I will link it here.)
(Not proofread, beta’ed, or even read through a second time because this is massively late and if I don’t post within the next hour it will officially be next week everywhere in the United States and I will have failed in my mission. I’ll try to re-read and proofread and edit next week. Also this note is highly unprofessional, but I learned my relationship to my audience through fanfic, so this is how I roll.)
***
Surely you have heard a similar tale before, almost but not entirely like this one, of the queen who sought the perfect wife for her son, the crown prince.
The queen had ruled the land alone since the death of her husband. She was praised for her wisdom and her benevolence toward her people. But she was no longer young, and it was time to make sure her son made a politically beneficial marriage, to strengthen his position when it came time for him to take the crown. Many in the land whispered that the young man would make a terrible king, and wanted him to abdicate in favor of his younger sister, who was beautiful and bright and smiling. Celia, the young sister, could look anyone in the eye and make them believe that in that moment, they were the most important person in her world. Arien, the prince… could not do that.
The prince had a talent for mathematics, and it had expressed itself very young. Some said he should be the chancellor of the exchequer rather than the king. But Queen Leyta knew her son would make a compassionate and wise ruler as well as a prudent one. He also had a gift for seeing the humanity behind the numbers he calculated, of being able to think of the impact they would have on the people he would one day rule.
Once, when he was a child of six, his nursemaid lost him. Leyta found him behind the kitchens, picking through the garbage bins to find table scraps. She would have punished the kitchen staff for allowing such a thing, but Arien insisted that she should not. “It’s not their fault, Mother. I ordered them to let me, and I’m the prince, so they had to obey me. I told them that if you became angry at them I would tell you that they were only obeying my orders. They can’t get in trouble for obeying their liege.”
Leyta sighed. She could punish them for obeying their liege, when their liege was 6 and the thing he wanted to do was eat garbage, but she wouldn’t, because she knew why they obeyed. When the prince was thwarted, he would ask why. And if he received an answer, he would argue with it and present his position. Sometimes, this debate would lead to him accepting the necessity, and calmly going about his business, seeming to forget all about what he’d asked. More often, if he didn’t get an answer to “why”, or he didn’t like the answer and thought it didn’t make sense, and he was still thwarted, he would start to scream and hide under tables, or scream and run around and break things, or scream and slam his head into the wall, and he wouldn’t stop even when offered the thing he wanted. It was very, very hard to calm him once he started shrieking. So instead of punishing the kitchen staff, she asked Arien, “Why were you eating garbage?”
“Our food is bought with the taxes we take from the people,” he said seriously. “If we wasted less food, we wouldn’t have to tax the people as sorely as we do, and they would have more money to buy things for themselves.”
So she took him aside and told him that the scraps were fed to the dogs, who helped the palace huntsmen bring down game, or the goats and fowl, who gave the palace milk, meat and eggs, or they were tilled into the ground to make the fields around the palace more fruitful. They did not, in fact, go to waste; food that wasn’t wholesome for humans to eat could still feed animals, who would turn it back into wholesome food.
Then she had a lengthy discussion with him about tax policy, and listened gravely to his suggestions as to how they could ease the burdens on the people, and told him what the problems with his ideas were. And when some of his ideas didn’t have significant problems, she told him so, and discussed them with him, and even implemented a few as policy.
Arien also had a great love for bugs. He spent much of his days wandering the grounds, sketching every insect he saw, capturing some to study them and figure out what they ate. When Leyta learned of this, she found a learned scholar of insects, and hired him to be Arien’s tutor in the matter of insects, only. The man was at first openly resentful of being required to work with a small child, assuming that Arien would be a spoiled princeling with no real interest in learning, but when he discovered Arien’s love for the tiny creatures, he embraced the boy wholeheartedly and tutored him as well as he could.
The prince had few friends. He was open and innocent, happy to make friends with any child close to his own age, but the honest children who truly wanted a playmate were put off by Arien’s tendency to talk about bugs and math almost constantly. The children who put up with Arien’s chatter were, to Leyta’s eyes, obviously coached by ambitious mothers, pretending to friendship with the strange young prince to improve their position at court. She arranged for most of these children to be sent away – either their mothers dismissed, or the family sent to one of the crown’s holdings with some duty to perform or another. Arien was saddened by the disappearance of his playmates, since he didn’t realize they saw him as mere stepping stones to power. Celia knew, and would comfort her brother as well as she could… but she didn’t have a lot of patience for math, tax policy, and insects either.
As he grew up, Arien continued to display a strange mixture of wisdom and childishness. He would run around the palace grounds, playing with children far younger than he was, and they were not old enough to try to manipulate him, so Queen Leyta left them alone. He enjoyed riding his horse and taking care of it, and was often found at the stables, for he believed his horse needed to cared for in just the exact way he did it, and he didn’t trust the stablehands to follow his instructions exactly. He would spend hours discussing the politics of the land and the problems facing various groups of his subjects with Leyta and her own advisors, and then he would scream and throw himself on the floor at dinner because a chef had put visible onions in his soup, and he would need to be put to bed with his favorite blanket and a knitted doll of a dog that he’d had when he was four.
People said that the boy was touched in the head, that he was slightly mad, and also, that a future king who threw temper tantrums over onions was not to be trusted. But they weren’t, exactly, tantrums, as Leyta saw them. They didn’t stop when the problem was solved, they usually didn’t include demands – in fact, usually it was hard to get the prince to explain what was wrong, because he seemed to lose much of his ability to speak when these fits came on him. And she could see in his eyes that he was terrified and overwhelmed, not angry and demanding. Arien needed the world to work a certain way, and when it did not, it left him adrift, frightened and lost in a world that seemed to make no sense to him anymore.
Some of these ways that the world needed to work involved food, and the importance of not being able to see onions, for an onion large enough to see was large enough to crunch in his mouth in a way that apparently was so disgusting it would make him lose his ability to eat all day. There were similar rules regarding peppers, and certain cream dishes. Other ways the world needed to work regarded his mother’s advisors treating him like their future king, not in terms of obsequious deference but in terms of actually listening to his ideas and explaining things to him – even when he was merely eight. And then there was the care of animals – his own animals needed to be cared for in an exact way, and if he saw anyone being cruel to an animal, he might actually become violent to that person. The same was true of stronger people being cruel to weaker ones. When he was fourteen, he heard a maid crying, and asked a kitchen maid to find out for him what had happened. And then, when he learned that a nobleman under his roof had ill used her and cast her aside, he went to his mother and demanded the man be whipped for his crimes. The political explanations she gave for why that couldn’t be done fell on deaf ears; he was a cruel man and he’d harmed someone he had power over, and that was all Arien cared about. Leyta only managed to satisfy him by sending the man on a probably futile sea expedition to try to find a cheaper source of rice.
This was the boy that Queen Leyta had to find a proper bride for.
Her mother-in-law, the Dowager Queen, had ideas, but it had been many years since the Dowager Queen had actually held any power; she was one of Leyta’s advisors now, nothing more. So the idea would have to be one that Leyta agreed with, herself.
A ball to introduce eligible young women with powerful families to the prince? No. The prince didn’t handle crowds or parties well, or meeting a lot of new people in one evening.
A series of daytime salons, where a small group of eligible women would converse over luncheon with the prince? No. That was still too many people and the prince  was self-conscious about people watching him eat.
Individual visits from each eligible young lady and her chaperones, to the palace, to meet with Arien, and also to be approved by Leyta? Yes! An excellent idea. Leyta had her secretary write up the invitations, to all the young women whose parents had written to her or the Dowager to express an interest.
In the palace was a suite of rooms that had been Leyta’s, once, when she’d lived in this palace to learn its ways before marrying the then-prince. She had that suite cleaned and prepared for the guests. Sleeping quarters to either side for the princess’s guards. Ladies-in-waiting to sleep in the antechamber outside the princess’s bedroom. And inside the princess’s bedroom, a bed heaped with several thick eiderdown duvets and pillows, incredibly soft, with sheets made from the finest linens.
And under the second eiderdown duvet, dried peas.
Queen Leyta tested the peas. When she sat on the bed, she couldn’t feel them. If she laid in the bed, she could barely tell they were there. But when she had Arien try it, he said, “You’re going to take them out before the guests come, right? The peas make the bed much too uncomfortable.”
“The peas,” Leyta said, “are to test whether a girl is right for you or not. It’s magic.”
Arien looked at her skeptically, unsure whether he believed in magic or not. “How are dried peas supposed to find me the right wife?”
“Magic,” Leyta said. “I can’t tell you exactly how it works. But it’s very important that you not tell them about the peas, or the magic won’t work.”
“Mother, I’m sixteen. I’m not a child. This whole story sounds ridiculous.”
“All right,” Leyta admitted. “It’s not magic, but I won’t be able to explain it to you until after it’s proven that it works, or doesn’t. But it is very important that you not tell any of your guests about it.”
Arien looked like he wanted to argue some more about it. Leyta said, “Trust me,” and he sighed, plainly remembering the number of times his mother had stood up for him or had come up with some scheme to help him.
“All right, Mother, but I’ll want that explanation afterwards.”
The Dowager Queen had her own theories. “You want to see if they can tell the peas are there?”
“To a certain extent,” Leyta said.
“You know that old wives’ tale about princesses being true and refined if they’re extremely sensitive is just a myth. I wasn’t a fragile flower who’d lose petals if you looked at her hard, and neither were you. And neither will Celia be.”
“I know that, Mother,” Leyta said – it was custom to address your mother-in-law as Mother, and Leyta’s own mother had died shortly after her wedding. The Dowager Queen had been the closest thing to a mother she’d had the entire time she was Queen. “I’m not testing for extreme skin sensitivity. Trust me.”
“It’d be hard for him to get an heir on a princess that fragile, don’t you think?” The Dowager chortled.
Leyta sighed. “No need to be crude about it. I have my reasons, and I’ll explain them to you, eventually. Let’s see if it works, first.”
***
The first princess was from the west. She had long straight hair and delicate-looking eyes with folded lids that left them shaped like almonds, rather than the eggs that the people of this realm wore in their face. She had pale creamy skin with a golden undertone, and she was demure and very polite, her etiquette perfect. She sat with Arien for hours, smiling at him with a face that expressed great interest, as he explained to her the complexities of life in a beehive.
In the morning, Leyta asked her, “How did you sleep?”
“Oh, wonderfully,” the princess said. “The bed was perfect! So soft! Your hospitality is wonderful.” She bowed her head.
Leyta saw her and her entourage off. When she returned, she asked Arien, “What did you think of her?”
“She was nice,” Arien said. “She listened to me. I’ve only had a few friends who listened to me, and they all moved away.”
Privately, without Arien present, the Dowager asked, “So what’s your verdict?”
“Unless none of them pass the test, she’s a no.”
***
The second princess was from the land immediately to the north. Her skin was tree- brown but as smooth as a tranquil lake, her hair floating around her head in a soft, curly cloud. Arien talked to her about beetles. She made excuses of not feeling well about half an hour into the beetle discussion.
When Leyta asked her how she slept, she said, “Your rooms are very nice. And the food last night was excellent, I’m so sorry I had to cut the evening short. But I feel fully rejuvenated today.”
Arien said, “She seemed okay, but she kept looking around while I was talking to her, so much that I think she gave herself motion sickness. I think that’s why she got sick.”
Leyta said to the Dowager, “A definite no.”
***
The third princess was from the far south. She had beautiful straight golden hair, cut short and asymmetrically, where it was shorter in the back than front and where it was parted on one side rather than in the middle.
She complained about her soup being cold. She complained about her roast beef being too bloody. She complained that the dessert course had small portions and also that it was too sweet. She screamed at servants for not bringing her wet towels for wiping her hands quickly enough and for refilling her wine glass too quickly. She insisted on talking to the seneschal about the servants who had served her, demanding that they be banished from the castle for incompetence. When Arien tried to talk to her, her demeanor was sweet, but every time he tried to talk to her about something he liked, she insisted that he show her another part of the castle. She made plans for room redecoration as if she had already become Arien’s queen.
In the morning, she was sickly sweet with Leyta, saying it was only a minor thing, really, but surely more competent servants could be found to make the bed? It was extremely lumpy. Leyta found out that she’d woken the chambermaids at 1 in the morning to demand an additional five featherbeds piled on top of hers.
Arien didn’t look at his mother. “Um… I don’t want to be impolite, but… I didn’t like her very much.”
The Dowager Queen said, “Please don’t tell me you’re considering that young harridan just because she could tell there were peas in the bed.”
“Oh, no. Not even for a moment,” said Leyta, and drew her quill through the name “Princess Carinna” on the list.
***
The fourth princess was actually the daughter of a powerful merchant, not an actual princess at all. She had deeply tanned skin and thick black hair, and beautiful dark eyes. She and Arien talked for hours about tax policy and accounting techniques, and she seemed genuinely interested.
She said the bed had been wonderful, and there was nothing wrong with it. Arien liked her. But Queen Leyta marked her as a provisional choice, the first on the list if no one passed her test.
***
And so it went with princess after princess. Most of them showed at least some slight sign of impatience when Arien monopolized the conversation, but none of them admitted to it, and few even tried to change the topic. No others were as rude as Carinna. No others admitted to detecting the peas, either. Leyta was on the verge of contacting the merchant to make an offer for his daughter to wed Arien. And then Princess Inaya arrived.
Princess Inaya was from further north than the second princess had been, her skin darker and her hair in braids that lay directly against her head, with ribbons and beads woven into them at the bottom. She didn’t look Leyta in the eye – or anyone else, really, keeping her head bowed demurely. She picked at her food, more or less eating only the potatoes, and she barely spoke… until she met with Arien.
He offered, diffidently, to show her the garden, and she accepted. He started to point out interesting bugs that he saw in the garden… and she began to point out interesting rocks. They soon began an animated conversation that sounded to Leyta more like two separate threads, where Arien would say a sentence or two about insects, then yield to Inaya, who would say a sentence or two about rocks. Sometimes they had a genuine back-and-forth when they talked about the habitats of pillbugs, who lived under rocks, or other areas where rocks and insects somehow intersected. Arien showed Inaya the notebook where he drew bugs and made his observations, and Inaya seemed to be thrilled with his artistic skill. She showed him her own notebook, with no art at all, where she wrote down the properties of rocks she had discovered and outlined the tests she did on stones to see what they were made of. Arien was fascinated with the efforts she’d gone to and how thoroughly she’d documented her findings; he’d never thought of doing anything to research the insects aside from looking them up in his tutor’s books.
At no point did she ever look Arien in the eye. At no point did he seem to care. He relaxed enough with Inaya to flap his hands when he grew excited; Inaya had a chain of polished stones that, instead of wearing around her neck, she tossed in the air as she paced.
In the morning, when Leyta asked Inaya how she slept, she squirmed.
“I, um. The bed was mostly very nice. Very good linens, nice soft down. But, uh. It felt like maybe there were… tiny pebbles in there somewhere? I’m not sure, I didn’t want to be rude and strip down the bed to look, but, uh. It was kind of uncomfortable.”
“Oh, I’m so sorry to hear that,” Leyta said.
She made arrangements to ask Arien his opinion before Inaya’s entourage left, this time. He spoke very simply. “I love her. Pick her, she’s the one.”
“I thought you would say that,” Leyta said, and she finished drafting the offer to Inaya’s parents, and signed it. “Take this to her lady-in-waiting before they leave, to give to Inaya’s parents.”
“I can’t!” Arien said, looking all around. “I can’t be the one to do it because I have to give her a parting gift if I see her and I don’t have any nice rocks!”
So Leyta gave him a bracelet with a large inset opal, and smaller jades all around it. “Take this to her and tell her which kinds of stones are in it, and tell her she can wear it as a bracelet if she wants, or take it apart for the stones, whichever she prefers.”
Later she heard that Inaya collapsed on the ground crying when he made the offer, but that her lady-in-waiting reassured Arien that this wasn’t abnormal – that she did this whenever her emotions were too strong to control, even if they were happy emotions. Inaya confirmed that she was crying from relief and joy, because she had always thought that no man would ever want to marry her and if one did, he would hate her rocks and want her to do normal womanly things like embroidery or something, which she wasn’t good at in the slightest because her coordination was bad and she was always poking the needle into the wrong place, and she had never imagined that she would ever find a man who understood her and didn’t demand that she look in his eyes and liked to listen to her talk about what she loved. Then Arien asked her very gravely if she liked hugs, because most of the time he didn’t like hugs, especially when they were a surprise, but if she would like a hug he really wanted to give her one. They hugged, and declared mutual love (“as far as I can define the feeling of love, anyway,” Inaya said, “because I don’t think I’ve ever been in love before, so how can I know for sure that that’s what this is?” Arien had agreed with her, but said “I think that even if what we’re feeling isn’t the same kind of thing as other people feel when they’re in love, it’s close enough that we can use the same word, because who wants to have to make up a new word?” And then they spent several minutes amusing each other to the point of hysterical laughter in making up new words that sounded ridiculous, sometimes repeating them to each other ten or a dozen times.) When Inaya finally had to leave, Arien cried.
Leyta wasn’t there for any of that, but her spies were everywhere in the castle.
***
When the Dowager demanded that she explain her test, Leyta summoned Arien, who had washed his face so it looked more as if he had had a terrible runny nose and sneezes than that he’d been crying.
“You asked me about what it would prove, to put peas in the bed,” Leyta said, “and I was looking for two things, but one was more important than the other.”
“What were you looking for?” Arien asked.
“Arien… you know that you’re a special young man, and different in some ways than other people your age. I’ve consulted with many scholars. Children like you are often strangely sensitive to things that other people don’t notice… often to the point where it’s unpleasant. Such as your feelings about onions.”
He shuddered. “Please do not remind me of the existence of those devil vegetables.”
Leyta laughed. The Dowager scowled. Leyta knew she preferred that a king, or a crown prince who’d just been betrothed, have a serious demeanor. She also knew that Arien would be who he was, no matter what anyone asked him to be.
“So I thought, the peas might be noticeable to some of the girls, but they would be especially notable to a girl who was like Arien. More importantly, if a girl noticed it but claimed she didn’t… Arien, I know you are often taken off guard by lies, and you’re a very honest man yourself. I know you would prefer a wife who will tell you when something makes her unhappy, rather than her trying to guess how you feel about it and then telling you what she thinks you want to hear.”
Arien nodded. “Nobody can see inside someone else’s mind, so why would anyone even do that?”
“I wanted a girl who would be honest about something she found unpleasant, even if she had to offend her host to admit it. But, obviously, kindness and compassion and a lack of malice about it were necessary as well… we don’t want a Carinna anywhere near the rulership of the kingdom.”
“You can say that again,” Arien said. Leyta suspected he was setting her up so she could tell a joke.
“But I won’t, because I know you heard it the first time,” she said, smiling.
The Dowager frowned. “So you picked a girl who has the same kinds of problems as Arien? Was that wise? The kingdom may need rulers who understand the idea of telling lies when they must, who can be charming and adept with politics. I thought you’d pick a girl who would cover Arien’s weaknesses, not one with the same issues.”
“Your son understood me,” Leyta said simply. “It was an arranged marriage, but we quickly grew to love each other, because we respected and we understood each other. I don’t want the kingdom to have a queen who resents her husband because she thinks he’s strange… who may play politics behind the scenes to have him killed so she can take power. Or who takes lovers, so we don’t know if the royal blood is even in the heirs. It’s more important to me that Arien’s wife respects him and understands him, and that he understands and respects her, than to have rulers who can detect all the subterranean undercurrents of a conversation. That’s what spymasters are for… and Dowager mothers and grandmothers, and perhaps even younger sisters.”
“Mother,” Arien said, “thank you. I know the people think I’m strange, and maybe I am, but you’ve always watched out for me. I didn’t even know I needed to find a wife who wouldn’t lie to protect my feelings until you pointed it out, and now it’s obvious.” He looked at the Dowager. “And Grandmother, Inaya does complement me. I understand mathematics, and finance, and things like that. She was trained by her parents to understand logistics, so she could run the castle, but she went deeper with it; she understands things about what kind of weather will do things to the crops and what will happen to the farmers when that occurs, things I never even thought about asking. Together I think she and I can make our country one of the most prosperous and happy nations in the world.”
***
And so it came to be. Prince Arien and Princess Inaya were wed in a lovely ceremony that they immediately fled to go on their honeymoon as soon as the marriage vows were taken. They understood the economics of the nation, and other nations, as few kings and queens ever did, and when they needed someone to tell them that someone else was lying, they had the Dowager Leyta and Princess Celia. The country prospered as it never had before, with no beggars on the streets of the cities, because the King and Queen gave homes to those who had none, and living expenses to those too sick or weak or lacking in some ability so that they couldn’t work.
It would be a lie to say they lived happily ever after, because no human can be happy all the time, and they had arguments and problems in their relationship from time to time. But even Arien the Honest and his Queen would agree that we can say they lived mostly happily for the rest of their lives.
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pocketseizure · 3 years
Text
The Flower Thief
A young boy comes to Hyrule and meets a princess with a terrible destiny.
Or, Ganondorf visits Hyrule for the first time as a child and falls in love with the green and beautiful land, even as he is warned away by the woman who will become Zelda’s mother. 
This story was written for Ties of Time, an Ocarina of Time and Majora's Mask fanzine, which you can find on Twitter (here). The story is also (on AO3).
. . . . . . . . . .
Ganondorf had never been beyond the mountains separating the desert from the plains. The road from the fortress to the waystation was, if not well-traveled, safe enough for a child in the company of an escort. He’d crossed the bridge leading to the canyon pass a few times, always pausing to peer down through the railings at the great river rushing along the gully below, but this was the first time he was allowed to accompany a caravan through the Gerudo Valley pass and into Hyrule.
He thought he knew what to expect from Hyrule. He’d heard all manner of stories from travelers, and he was given Hylian books to study as he learned the language. Yet as the red earth and dry gravel gave way to healthy swards of grass, he could not open his eyes wide enough to take it all in. There was so much green, so much luxury. 
The climate changed as the caravan traveled east. The mornings were cool but not cold, and the days were warm but not hot. The sun was veiled by clouds that drifted like floating islands across the blue sea of the sky, dappling the light into gentle shadows.
Ganondorf was not prepared for the rain. Everyone took notice when the afternoon became dark and the air grew heavy, but no one seemed concerned. He was familiar with the storms that pummeled the open desert, fierce and veined with jagged lightning, and he was afraid of what the blanket of clouds might portend. He was even more afraid of the disdain of the adults, however, so he held his tongue. If he cried when the first drops fell on his skin, each tiny splash as soft as the finest silk, his tears went unremarked.
Vast fields spread before him as they rode east. Brightly colored wildflowers pushed their way through the tall grass on leafy stems, and the wind was fragrant with the sweet smell of growing things. The caravan turned north at the first ranch they encountered, skirting along the low fence marking its perimeter. Ganondorf was amazed to find that the crooked and neglected fenceposts were made of wood. He realized that, to the local farmers, timber must be far more common than stone. As their party joined the main road, the trees grew larger and the flowers became even more colorful. The early summer greenery seemed almost blasphemous in its profusion. Stalks of young wheat swayed in the breeze, and cows dotted the rolling plains.
At last, upon ascending the crest of a low hill, Ganondorf saw Hyrule Castle, its spires stretching bravely into the sky. This architectural feat would have been impossible in the desert, where the gale winds would quickly strip the tiles from the towers if lightning didn’t strike them first. The town spilling down from the castle walls was just as bold. Roads and houses spread along the wide valley of a river with no regard for how disaster might strike and send the water roiling from its banks at any given change of the weather. Hyrule was, he thought, a miracle.
Once the road approaching the castle town began to grow crowded, one of Ganondorf’s aunts pulled him aside as they watered their horses. “You must dress as we do,” she said. “The people of this kingdom are guided by superstition, and they will not look kindly on someone that they cannot fit into the stories they tell themselves. You will be in danger if anyone learns that you are different from us, and we may not always be able to protect you,” she warned him as she twisted his hair into a high ponytail and secured it with a jeweled band.
Taking care not to be noticed, Ganondorf exchanged his robes for loose pants and a sleeveless tunic. He had learned to appreciate being seen as special, but there had always been a part of him that wanted to dress like the girls his age. The thought occurred to him that perhaps it was only in Hyrule that he could be normal. Ganondorf resolved to use this situation to his advantage. He would break off from the group as soon as it was expedient to do so.
The women shed their travel cloaks in Castle Town as they merged into the throng of people converging in the central market plaza. Zora and Gorons jostled for place among the Hylians in front of the stalls, and Ganondorf spotted the leafy foliage of a few Deku Scrubs and even the broad shoulders of a Moblin. Almost no one paid any mind to the group of Gerudo that gradually split apart as they went their separate ways. A few people paused to cast glances in their direction, especially men, and Ganondorf’s companions seemed to enjoy the attention.
Ganondorf kept his own cloak drawn around his narrow shoulders. The bearded faces of Hylian men were strange to his eyes. He was disturbed by their large and clumsy hands, whose thick fingers sprouted coarse hair. Ganondorf didn’t want to attract their notice, and he was much more interested in seeing than being seen. He watched a team of laborers eating at the base of a tree emerging from the paving stones of the plaza, throwing their breadcrusts into a bed of flowers overgrown with weeds. In an alley leading away from the market, a woman emerged from her townhouse to throw water onto the cobblestones before whisking the puddle into a drain with a broom. And then, wonder of wonders, a fountain burbled its lazy jet of water toward the sky with no other purpose than to provide a pleasant breeze for the cat napping on its stone rim.
All of this was fascinating, yet Ganondorf was not satisfied. He wanted to see something even more rare and beautiful. If the town below the castle was filled with marvels, he could scarcely imagine what treasures might be contained within the castle itself.
It was not difficult to sneak past the guards posted along the outer wall. They were slow and he was small. Just to be safe, Ganondorf used his modest measure of magic to quiet his footsteps while shifting the color of his cloak to reflect his surroundings. He had a fair amount of practice evading the watchful eyes of his mothers and aunts, and he liked to think he was skilled at avoiding detection. Or perhaps it was simply the case that the soldiers standing at the castle gates did not expect anyone to enter. Perhaps they assumed that no one would dare.
The courtyard on the other side of the outer wall was surprisingly pedestrian. Wooden crates were piled near the servant entrances, and a small moat ran between uneven patches of grass that had been trampled by men and horses alike. Ganondorf challenged himself to make his way beyond the castle’s inner wall, which was somewhat trickier but not beyond his abilities. There wasn’t much to be seen here either, nothing more than a few narrow walkways lined with mossy stones sunken into the spongy earth between overgrown shrubs.
Ganondorf was disappointed. The curving rows of proud cypress trees surrounding the Gerudo fortress and the tiled mosaics glittering under its shaded awnings were much more impressive. Ganondorf paused at a muddy puddle lingering in the shadow of the castle’s mold-spotted wall. He debated whether to continue on or turn back, wondering if perhaps Hyrule’s beauty lay more in its wilderness than its towns. He decided that he had seen what he’d come to see. There was no need to remain here.
As he turned, Ganondorf caught a breeze that carried a sweet fragrance unlike anything he’d ever encountered. Intrigued, he followed the scent along the inner wall of the castle until he found himself at the gate of a secluded courtyard garden. 
Tall bushes with glossy leaves separated the garden from the bare stone of the castle walls. Each of the bushes bore a profusion of white flowers as large as his palm. The scent was stronger here – richer than jasmine and as fresh as the sky after the rain.
Before he was aware of what he intended to do, Ganondorf found himself slipping his knife from the sheath at his belt to cut the thick woody stem of one of the flowers, whose petals spread elegantly from the golden shimmer of the nectar at its center. He had never seen anything so beautiful before, and he wanted to hold it. He sliced through its stem and watched as tiny beads of sap welled from the incision. As he withdrew his hand, clutching the flower alongside his knife, Ganondorf heard the soft murmur of a woman’s voice, quiet but resonant.
“He’s a good man, I think,” the voice said as it grew louder. “My honored mother wouldn’t have chosen him if he weren’t, Hylia rest her soul. He’s kind, and he has a strong will. And that’s the problem; that’s precisely the problem. He will make a good king. But then what need will there be for a queen?”
Ganondorf watched as a young woman stepped into the garden. The deep chestnut of her hair was accented by her dress, which was dyed with an indigo as deep as the sky at twilight. A white-haired woman of the same age trailed along behind her, as silent as a shadow. 
“Tensions are mounting at our borders,” the woman continued, “and Hyrule does not need a king. Hyrule needs peace. I will do what I can, yet I worry about the signs in the stars…”
Ganondorf knew he should flee, but the princess was so beautiful in her garden that he couldn’t help but stare. It was like a scene from a fairy tale. He was transfixed.
A moment later the spell was broken, but it was a moment too long. Ganondorf pulled his foot back to retreat, but the princess’s Sheikah attendant was on him like a cat at the slightest hint of movement.
“What have we here?” she murmured, her voice as soft as velvet. “Such a pretty girl, with such a sharp blade.” The Sheikah bent his hand so that the bones of his fingers twisted. Ganondorf dropped his knife but managed to hold on to the flower.
“A girl after my own heart,” the princess remarked with laughter in her voice. “Bring her closer, Impa, if you will.”
The Sheikah released Ganondorf, but not before giving his hand another painful squeeze. The warning in her touch was clear. Ganondorf understood that he was trapped, utterly and completely. He waited for panic to rise in his throat, but it never materialized. He realized that he might be forced to remain here, with soft grass under his feet and the delicate scent of white flowers lingering in the air. Perhaps such a fate would not be so terrible.
“On a tour of the castle, were you?” the princess prompted.
“Who sent you?” the Sheikah hissed with narrowed eyes. “Tell us and you might survive.”
The princess raised her hand, and the Sheikah fell back.
“How do you find my castle?” the princess asked as she gestured to the flower in Ganondorf’s hand. “Do the gardenias please you?”
Ganondorf knew that neither force nor speed could extricate him from this situation. Words were the only thing that had any chance of saving him, but his tongue was like lead in his mouth. He could only gaze at the princess, who seemed to glow in the pale sunlight. His fingers tightened on the flower.
The princess saw this and smiled. “It seems a shame for us to keep all of these gardenias to ourselves,” she remarked, switching to fluent Gerudo. “We can stand to part with one. I hope you will consider it a gift, but take care not to touch it. Its petals will blacken at the slightest contact with your skin. The flowers cannot survive after they’re removed from the plant.��
She began to reach out, perhaps intending to draw Ganondorf’s hood away from his face, but she allowed her hand to drop to her side. “We will release you,” she told him, “but you must not be caught on your way outside the castle. Nothing will protect you should one of the soldiers find you within these walls.”
The princess smiled again, but her eyes were like ice. “There is nothing here to be stolen that cannot be freely given,” she said, “but remember always, child – Hyrule does not take kindly to thieves.”
Ganondorf did not need to be told twice. He turned and ran, bending to snatch his fallen knife from the grass as he fled from the princess and her garden.
He was careful not to touch the gardenia as he made his scurrying and surreptitious way back outside the castle, but the flower’s petals were already tinged an unhealthy shade of gray by the time he was able to stop to catch his breath. They had begun to curl at the edges, and their sweet smell had grown sour.
Now there was no reason not to touch the flower. Ganondorf stroked its smooth white petals and touched his nose to the golden center of its blossom as he crouched against a dirty wall in a back alley of the market. Even as its petals spoiled before his eyes, the gardenia was divine in its beauty.
Ganondorf used his knife to cut away the rest of the wooden stem and tucked the flower into an inner pocket of his tunic. He wanted the fading flower and the memory of the castle garden to be close to his skin. The furious beating of this heart had slowed now that the danger of being caught had passed, but Ganondorf was still haunted by the cold eyes of the princess.
He would have to be more careful next time.
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