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#also have a comic for this planned out but it’s for the far future
factual-fantasy · 2 days
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I know you probably won't continue this since it's been almost two years but recently I saw your Submas comic again with Emmet somehow ending up in Hisui with the help of Celebi and reuniting with his brother but also getting the consequences of his actions/neglect in taking care of himself (also probably Hisui being harsh to his already weakened state)
I imagined how it could continue (not written down anywhere just living rent free in the brain of yours truly) and I feel like sharing it with you since you inspired me:
We left off as Ingo weeps in front of Emmet sleeping... After he wakes up from his weeping Ingo and Sneasler reluctantly leave as Emmet has no signs of regaining consciousness or improving. Something tells Ingo that what his brother needs might be back in their original time with much better health care.
Similar to him Ingo seeks out Dialga and Palkia begging them to help him save his brother. They have just reunited and he doesn't dare to think what happens if Emmet doesn't get the treatment he needs.
Celebi is also still around and Ingo makes the decision to return to the future to help save Emmet. Sacrificing everything just like he did.
[off screen he makes his good byes get's one of Sneaslers Eggs as a parting gift and they return back to the future]
Next time we cut to the twins it's in the hospital when Emmet regains consciousness. Half awake he is distraught first because being in hospital means it was all a dream and he is all alone again. Waterworks start until he notices a presence by his bedside. Ingo. Totally exhausted and seemingly recently fallen asleep. Waterworks start even harder because Ingo is right there. It was real after all. Ingo awakes and wakes up and they hug and weep.
the end
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I know you're not fond of fanworks of your fanworks so I don't know if you even like this stupid little idea (also if you even remember the fanart and all that from way back when) I don't plan on sharing this anywhere outside to you. Take it if you want or leave and delete it. I just felt like sharing it with you since you inspired me.
I just want to say thank you because even after all this time your few works of art for submas fill me with joy and I smile each time I scroll past them on my dashboard. All your artworks are simply amazing and I know that you definitely make so many people happy with your content. Keep doing what you love because you do awesome! Take care and thank you for reading this far into this long message.
Awwee!! This is so sad yet adorable at the same time!! 😭😭😭 What a sweet way to wrap up Ingo and Emmets journey! :}}
And thank you so much! I'm so glad to hear that you liked my submas stuff and that it's inspired you! Even though I didn't draw much for it.. 😅 Perhaps someday when I'm feeling better I'll get back around to submas again.. 👀👀
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frosty-tian · 2 months
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Day 1 of @heartsandsparksshipweek!
Culture Shock/Date Night
“… Did he just fucking hand me a whole jar of his own energon? Blood??”
(Context for those who don’t know: Heatwave gifted a jar of his innermost energon to Kade. Such gesture showed how important someone is to them, and they cared for them very much.)
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somerandomdudelmao · 11 months
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I apologise for the intensely long analysis, but I was watching a dubbed version of your comics on YouTube when I came across a scene which sent me absolutely spiralling! I had to go back through “The Little Things”, “Everything is falling apart”, “You are in the past, your thoughts are in the future” and “Donatello” to find all the bits I needed.
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In these images we see Casey asking Donnie about time branches, how they haven’t rewritten the future, they’ve created another one, and that Casey’s timeline still exists. BUT!! If you look closely at the very first image, we’ve seen Uncle Tello’s lines before.
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Before I jump too far into that particular chapter, let’s head back briefly to these two moments:
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Tello admits to Raph he could fix his robot body, and to Leo he found a potential cure, but that he needs access to materials, ingredients and equipment which existed fifteen years ago. At this point, Leo directly says “You better be planning some sort of time travel machine”
Moving back to the honey saga, Tello tells Raph he will be able to eat again: he specifically states they have the blueprint and the knowledge, all they need are the materials. Once again, time travel is mentioned, this time by Tello himself. It’s even bolded out- how tf did I think that part wasn’t super important foreshadowing the first time around -.- (it also could have been authors choice, but seeing as you rarely add small details without looping back to them, I'm suspicious).
Tello did time travel- just not in the way any of them were expecting!
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Jumping into the present timeline; look how surprised Tello is about the time travel and all the extra ?? when he’s asking Casey when in time he is.
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THEN we discover Tello created LITERAL RESURECTION FOLDERS (we have witnessed him firsthand play God and win multiple times) and now he and Casey have access to the MATERIALS AND EQUIPMENT he mentioned previously. He got exactly what he wanted/needed! Cut to the end of the current chapter and we receive THIS:
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So what I’m saying is, this mf can ACTUALLY FIX THIS and YOU, CASS, in your brilliantly devious and cleverly sneaky way, HAVE LITERALLY BEEN TELLING US THIS ENTIRE TIME EXACTLY HOW!!!
Ehehehe
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yuurei20 · 6 months
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(This was originally an ask received through Twitter)
"Hello! Can you please elaborate on the time loop theory in book 2 that you mentioned in the tweet where you talked about your favourite theories?"
I am wary about discussing this theory as there are many others who have put much more thought into it than I have, but I can certainly try with what I was able to find :>
(The information in this thread was combined from here, here, here, and here)
The basic theory is that everything we know is repeating in a loop in an attempt to either stop something from happening or to make something happen.
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The game’s tagline of “I will show you a true happy ending” (EN: “Let us show you the real happily-ever-after”) could be insinuating that there have already been less than happy endings, and we may have already seen one: while some theorize that the events of the prologue are showing us what is going to happen in the future, others say that it is both that and something that has already happened.
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The theory goes that the battle with the chimera (who may or may not be an overblotted Grim) was lost and everyone (or just the prefect) is sent back to try again, thus the opening lines of the game narrated in Crowley’s voice.
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(Note: I would have translated this as “I—they—you—only have a little time left. Whatever you do, don’t let go”, but the situation is so vague that anything is possible.)
(Here is a short comic insinuating that this time loop is Crowley’s unique magic (warning: blood, death, a Yuu design))
This theory seems to be largely inspired by Mickey’s comment that he has seen the same dream three times but he also says “your voice gets clearer and clearer every time.”
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Since Mickey also shows up in Books 2 and 3 but we were not able to speak with him, it is possible that this is not actually hinting at two earlier loops, just earlier events within the same timeline. This does not dismiss the time loop theory and might mean that this is Mickey’s first time interacting with the loop, but there have been far more than just two or three timelines.
(This account pretends that Book 7 does not exist yet, so that is about as specific as I can get.)
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The theory gets kind of wild with references to STYX’s simulation system, supposed inconsistencies with Ace and Epel, Crowley’s potential connection to STYX, etc, but one thing that everyone seems to agree on is: Leona knows.
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Leona is extremely powerful and extremely private.
He has had a number of contracts with Azul who is also a powerful mage, and according to Idia he seems like “the kind of guy who always knows he’s dreaming.”
Yana has confirmed that Idia has a part in Book 7 and, with both him and Leona halfway out of their coffins in promotional art, people are wondering if Leona will be stepping up as well.
We know that Riddle’s current personality is a 180 degree change from original plans and that this change was made pretty far into development, after everything had already been approved.
There are also rumors that Leona’s Book 2 was the original Book 6, looking at older promotional information (Book 2 was originally listed between Ignihyde and Diasomnia on the official website).
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It is possible that—much like Riddle’s situation—Yana came up with a better idea than what had originally been decided, and it required shoehorning Leona’s drama into an earlier Book in order to make it work.
This would mean that Book 7 used to have significant space for Leona (there is a pattern of the previous Overblotter having a role in the next Book).
That space may have been rewritten for Idia, but it is also possible that Idia’s role was added separately and a role for Leona remains to some extent, which is why they went out of their way to say that Leona knows when he is in a dream.
Theories vary from “Leona is 100% aware of what is going on, broke free from the loop and he is the only one getting older as he tries to save the world” to “Leona knows something isn’t right but not exactly what.”
The proof that people usually point to is his comment where he is unsurprised by Grim “always” eating black stones (which he shouldn’t know anything about), but the phrasing is so vague that he could just be making the connection between the stones and a potential blot-risk.
Another scene that is often referenced in the “Leona knows” conversation is an interaction with Jamil where he accurately predicts Jamil’s attack on Kalim despite how rarely they interact before Book 6.
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There are also the three white chess pieces on the chessboard in Leona’s bedroom that seem to correspond to the only three characters in the game with light cosmic magic: a white rook for Rook, a white knight for Silver and a white pawn for Kalim, whom Leona literally refers to as a pawn piece in chess during Tamashima-Mina (these three chess pieces are also displayed prominently in Leona's first Birthday groovy).
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Leona also seems suspicious of Crowley, suspects what really happened in Book 5 and is able to literally sniff out magic, which we have seen no other character capable of doing.
Leona is very perceptive in general: he is suspicious of Lilia in Spectral Soiree, calls him an old man when no other character outside of Diasomnia knows his true age, is the first to figure out that Malleus is pretending to be possessed and is able to tell when someone becomes injured and is trying to hide it in both Book 6 and an event.
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This is not proof that Leona knows what is happening, but it may be an argument for why it is likely that he knows more than he is willing to let on.
Some versions of the time loop theory say that the same prefect is being sent back over and over again to try and save everyone (which ties into the game’s opening), while other versions say that this is the prefect’s first time being summoned into a loop that has been going on for a long time without them, in an effort by someone (Crowley?) to change the ending of the story.
While not technically part of the game, the Twst novelization supports the first pattern while the manga series supports the second, with new prefects showing up after the previous prefect presumably fails.
Knowing Yana it is possible that the game is actually a third, entirely different pattern with the novel and manga exploring alternatives that were considered for the game but not used.
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darkcircles4lyfe · 2 months
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To Build Something Else
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Whenever I read a fanfiction that takes place in the future where the hero kids continue their schooling as normal and emerge as pro heroes into the existing system, I always kinda view it as like, “AU where things weren’t as bad” or “AU where everyone is still pretending that this is the way things should be” or “AU where good and evil are morally uncomplicated.” I’m not trying to call anybody out—I’ll still read and enjoy these sometimes—but that’s how I’ve always looked at it. I’m starting to notice other people feeling it too. I’ve read fics where they point out how redundant and unfair it is to go back to being students after saving the world (remember how many pros straight up quit and left a bunch of kids to keep fighting?). I’ve seen people acknowledge how trauma will affect their ability to keep going. Perhaps the trickiest thing to wrap our heads around is how the villains will fit into it all if not through death, punishment, or imprisonment. What about all the other trappings of society? The heavily regulated quirk use, the government-funded pros aiding police control and contributing to cover-ups that maintain the illusion of peace. Hero idolization, quirk counseling, civilian helplessness. Judging a person’s worth or character based on their quirk…
It would sound too obvious and cheesy to simply point out that society isn’t “just the way things are,” that change is possible. We all know this, and yet we struggle to pinpoint exactly where to aim our sights, find the source, make any meaningful progress. The other day I read some articles from my university’s student newspaper around 1970, and it made me feel sick wondering if progress is really an illusion. Fact is, it’s easy to intellectually deconstruct society, but very difficult to imagine how to build something else.
In this fictional world, heroes have offered a mythical vision of safety and triumph. When All Might arrived, everything was going to be okay. But let’s not forget how this story began: with a moment where All Might paused, like a bystander, and in his place, a desperate civilian kid hurtled forward without any common sense. If you ask me, it wasn’t that Izuku was so good and pure and selfless, it was that he disregarded everything.
And so the person who “saves the world” (if we can even reduce it to such a concept) is not the person who puts everyone at ease and makes crowds cheer. It’s the person who makes everyone hold their breath, with a feeling in the air like the pressure changed, and it smells like rain. It is natural to be worried about the future. It’s honest. It means you can see what’s really going on. Hero society has never felt this exposed, but the people are held back from the edge of despair because there is also so much potential brewing. Electricity about to strike. The world will NOT go back to the way it was, no matter what. That much is certain. But what if we still live to see the dawn? What then? What if one person’s courage to break the mold makes all the difference?
I’m not just talking about Izuku, you know. I’m talking about Horikoshi.
To an extent, I’ve given up on predicting how exactly things will play out, because if nothing else, I can tell he’s planning something big—so big, I can’t quite picture it. I’m watching and waiting for the one person who can. I just know where he’s coming from. I think about how he’s never come this far before because his other stories were snuffed out. I know he used to struggle to see the future of his career. I relate to his stubbornly rebellious resolve to do what he wants anyway. To keep dreaming. I know that emotional sincerity is his specialty. And now he’s even directly breaking the fourth wall, having characters talk about what’s supposed to happen in comic books. Gradually, almost imperceptibly at first, we’ve been shown how something else can happen. He’s not done yet.
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reagi-df · 3 months
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Part 5 / Part 7 Sorry its short, rl gets in the way but also, this one was supposed to have come out with the other once, but as I was saving it it crashed and I lost it all 😭 so have a late reunion! But also! it seems my AU has gotten into the @tmntaucompetition , ngl I was surprised, I suck at selling myself but I'm really enjoying doing this comic and I loved to compete it. Never done anything like this before so its all new to me but I do have some plans for this au, I have said much about it cos again such at also explaining myself XD BUT there is definitely going to be a lot of angst for the twins both present and future but I'm determined to get to the good bits, its been a little slow at the moment mostly due to my impulsiveness and not really haven't the plot down, I'm chaotic when I draw/write but ive got ideas I want todo and there's some stuff that I'm excited to draw. I'm excited to see how this competition goes and going against other peoples aus. AndIt would mean a lot if this did well, I'm excited to see how this competition goes and going against other peoples aus. It would honestly make me happy to see how far this could go, You'd show Cleo just how much he deserves love, this boy is gonna need it for what I'm going to put him through.
sum dyslexic so I hope this makes sense
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nobodyfamousposts · 1 year
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Why Scarlet Lady Is Better Than Canon: Lila Rossi
I had mentioned before at length regarding my distaste, dislike, and dissatisfaction with the character of Lila Rossi in Miraculous Ladybug canon. A character so horrible, so poorly written, and so two dimensional that I did not think it was possible to make any iteration of her I wouldn’t dislike.
And yet it seems @zoe-oneesama has come through for me yet again in Scarlet Lady by taking what was quite possibly one of my biggest issues and most despised characters within canon and with only a few changes, turning her into something enjoyable. Dare I even say…likable.
More than that, even. It says something when my least favorite character in Miraculous Ladybug canon can somehow become one of my top favorite characters in a different variation of it. 
It’s because Zoe shows an understanding of the characters and what makes them engaging, and other than SL Adrien, it shows the most in the form of SL Lila.
See, Canon Lila Rossi is a selfish, manipulative, egotistical, petty, and self-centered liar.
Scarlet Lady Lila Rossi, on the other hand, is a selfish, manipulative, egotistical, petty, and self-centered liar.
Now I’m sure all of you are looking at those two sentences and noting that they’re the same thing. And you are right. That’s the point! Because the difference between the two versions isn’t who Lila is but rather in how the narrative and writing treat her and what Lila ends up doing because of it. And it’s why Scarlet Lady is superior in its handling of Lila.
Lila in Scarlet Lady is not a good person. Nor does she become a good person. She admits that she lies for fun and just to see how far she can take it. She’s fully on board with continuing her lies and trying to fool her mom and the school to get away with staying out of school for a year. This is all in lines with regular Canon Lila and shows that they are still the same person, it’s just the events and situation and narrative that differentiate them. It’s in how the Scarlet Lady story handles Lila and her character.
For the sake of convenience, I'm going to be using Scarlet Lady to refer to the comic itself and Scar to refer to Chloe's hero identity specifically.
Let’s review and compare Lila in Scarlet Lady to canon:
1. Lila in Scarlet Lady is NOT a plot device. 
She doesn’t need to be. It’s clear that the plot is and has been moving forward on its own without her. Even if Lila were to have been removed from Scarlet Lady altogether, it’s pretty evident from everything else that’s been happening that we would still be getting to some plots and story points without too much difference or delay.
Scarlet Lady has a natural progression. The story and characters aren’t so rooted in the status quo that sudden additional character like Lila or Felix are necessary to throw in just to move things along. And Lila isn’t simply forgotten about when she’s not needed to do so. She doesn’t vanish without an explanation only to return also without explanation just to be able to force the plot to move.
Events within a story can be dependent on the characters, but the plot itself should not be dependent on what feels like a third party to show up and force things to happen when they should already be happening. That speaks of bad writing.
Canon Lila existed for the purpose of getting the Grimoire into Marinette’s hands so she could be the one to take it to Fu and learn about the Guardian and Miraculous secrets, as well as to be a future helper to Hawk Moth. Up until that point, the plot had done nothing with Fu and had done nothing to move things forward in learning about the Miraculous or why Hawk Moth would want the specific two. And after Volpina, the episodes that feature Lila are the ones that display more plot progression or involve Hawk Moth having layers to his plans. Lila only appears when she’s to be used to further a plot, then disappears until needed again.
In Scarlet Lady, by the time Lila appears, it’s already clear to Adrien, Plagg, and Fu that Scar is a horrible person and that she had no business being a hero. It’s also clear that Adrien is handling the hero work on his own and needs help. This is part of what causes Adrien to know that Lila is a liar and call her out on his own because in addition to Lila stealing his book, he already knows Scar well enough to know Lila’s story of Scar saving her would never happen. Lila isn’t the reason they find this out, nor is she the reason that the book is discovered and gets to the Guardian because Plagg chooses for himself to take Adrien to Fu. And afterwards, Lila’s appearances are more natural. Plot progression happens with and without her. Her appearances involve her interacting with her classmates like a person. They don’t have to have a plot-relevant purpose.
Narratively, there are three reasons to put in a scene.
Plot
Expansion/information/character focus
Entertainment
In canon, all of Lila's scenes are plot-focused and plot-driving.
In Scarlet Lady, they vary. Some are plot (like Lila's anti-Scar attitude getting more focus and validity over time). But more of Lila's scenes are focus in on her character and entertainment. This builds Lila as a person and makes her enjoyable to watch.
Lila is not a plot device as the plot doesn’t NEED her to progress. But that’s not to say that Lila doesn’t matter…
2. Lila has a role that nobody else in the story could cover.
As I’ve stated before, Canon Lila is pretty much another Chloe and there was nothing she was used for that Chloe couldn’t have or wouldn’t have been able to do. As a rival/foil to Marinette, as another love interest for Adrien, and even as a helper to Hawk Moth—by the time Lila started any of these roles, Chloe was already there and fully capable of filling them.
In Scarlet Lady, due to Scar being the hero Lila is butting heads with and being outted earlier on, SL Lila ends up not filling those same “roles”. She’s not a rival to Scar or Marinette, just a hater/critic of the former and a friend to the latter. She was called out by Adrien so she is shown to have no further interest in trying to pursue him. And as of yet, there has been nothing of Lila helping Hawk Moth.
Instead, Lila’s scenes show her engaging with the other classmates. More of the results of her being revealed as a liar. Her being a queen of sass and snark. And most importantly, her going head to head with Chloe and Scarlet Lady in verbal lashings that prove her silver tongue is no duller for people knowing of it.
In fact, she’s a part of people starting to realize that Scar is in fact horrible and her popularity starts to break down. 
Yes, yes, we do have both Adrien and Marinette who realize how horrible Scarlet Lady is and hate her, but other than some snarky comments at her expense, they don’t do much about it. Mostly because they can’t. Especially early on, it’s clear that they’re forced to keep Scar around because as useless as she is otherwise, she is the only one who can purify the akuma and undo the damage. And as Fu has told them, Scar is still too popular with the city that trying to take the earrings from her would result in more problems. The two of them have to focus on dealing with the akumas more than trying to deal with Scar. Plus let’s be real: even as snarky as they both can get, they’re just too nice.
Others are also similarly of no help. Alya is still completely wrapped in Scar’s facade of a hero to see how selfish and unheroic she is. Most of the other classmates also go along with this narrative. But even the ones who DO know like Alix and Nino aren’t that active. They know but they don’t do anything with that knowledge.
Lila has no such barriers. She’s not a hero. She doesn’t know how “necessary” Scar is in akuma battles. And she doesn’t have to worry about not upsetting Scar since the “hero” already hates her. And thanks to Marinette and the other classmates with their “we still care about you for you” bit, she now has no reason to put up a mask…or a filter.
This makes Lila in prime position to try to push more against Scarlet Lady’s popularity and talk at length about how horrible she actually is. Something she is MORE than happy to do.
Lila is essentially the first main civilian hater of Scarlet Lady.
And with that in mind…
3. Lila’s actions are reasonable. Perhaps not intelligent, but they are reasonable.
She commits a number of the same acts as canon in Volpina. Stealing Adrien’s book, buying a necklace to be a fake Miraculous, trying to claim herself as the hero’s best friend for attention, and trying to claim she is a hero herself to get Adrien’s attention.
SL Lila is not a master manipulator or an up and coming villain. We are not expected to view her as a real threat to anything except Chloe’s ego.
Sure, she wants to speedrun the popularity and attention and maybe a nice rich blond boytoy to be her arm candy, but it’s clear in the very first comic she appears in that Lila has NO IDEA what sort of people she’s interacting with or telling lies about, and so has no way to prepare for what happens. First in that Adrien is so DONE with everything that he calls her out himself from the get go. Second in that Scarlet Lady appears to “save” Adrien from Lila’s lies when it was no longer necessary, proclaims aloud to the multitude of bystanders that Lila is a fraud, and then dumps her in a fountain for good measure and further insults her to boot. And at the end of it all, Scar doesn’t apologize for her actions, doubles down, and only further insults Lila. And as if all of that wasn’t bad enough, still being wet AND being on top of the Eiffel Tower results in her getting sick.
As such, Lila’s hatred of the Ladybug Hero in this version of events feels more understandable and based on a legitimate grievance. Several even. Scar’s actions go well beyond canon’s version. We clearly see how hurt and humiliated Lila is. Plus we have all of Scar’s previous antics to look back on and…well, we already came into this with more reason to hate Scarlet Lady than Lila, and Lila simply jumped on the bandwagon that was already there.
It also makes more sense then that Lila never even pretends to forgive Scar. Scar never apologized. She caused emotional and physical harm to Lila. And unlike Ladybug, Scar never tried to make an offer of friendship so Lila isn’t losing out on any opportunities out of spite. Heck, Scar’s treatment of Alya shows us that there is nothing to be gained from even pretending to be a fan of Scar. So Lila’s hatred of Scar is understandable and her refusal to be friends with Scar makes perfect sense.
When she hides away at her home, there’s a valid reason behind it due to her being sick. Her “plan” to fool her mom and the school in order to avoid going back also makes sense given the fallout she knows she would have to face if she did. (At least more sense than it made in canon for her to disappear for months just because Ladybug outted her to one guy who clearly seemed to be on her side more and neither of them did anything to inform anyone else of the truth.)
And when she returns to the school and the classmates, it isn’t out of nowhere. Once she was no longer sick, she was planning to continue some ruse. We clearly see how despondent Lila was over her situation and the feeling that she’s on her own and no one would side with her over Scar. This was deep. It shows real fears and feelings on Lila’s part. And it’s telling that it was the assurance from Marinette and support from her classmates that convinced her to rejoin the class. It doesn’t look like she would have had the willingness or perhaps the courage to do so if Marinette hadn’t reassured Lila that they had her back and had taken steps to try and help her, even when she wasn’t there and as of yet had done nothing to warrant it.
Here we see a Lila who is vulnerable and real. Who is clearly impacted by events on a deeper and more personal and meaningful level—or at least better than “GRR! Superhero revealed I was lying about her to a boy I like! I shall join the terrorist attacking the city and potentially destroy the WORLD for revenge!”
In this way, Lila is portrayed more like a normal girl. Since the narrative isn’t trying to play her off like she’s supposed to be some master manipulator the way canon does, Lila for all intents and purposes IS a normal teenage girl. A normal teenage girl who was humiliated and injured by someone with more power and social status than she can fight back against. She’s less of an archetype and more of a person with her own thoughts and feelings and ultimately choices which—even if we don’t like or agree with, we can at least see and understand.
Her actions are reasonable. Not just in that we as the audience can empathize with them but that they make sense. For Lila’s character, for her personality, and for someone in her position.
4. No plot armor.
SL Lila’s plans don’t just seamlessly work out. If anything, they go very wrong very quickly. Even before Scar calls her out, Adrien already made it clear that he knows she’s a liar. This effectively ruins her plan to try and get his interest and not just in the “Adrien being nice but not in to her” way. Furthermore, as she’s revealed as a liar in front of the entire class, we clearly see some of her classmates (Alya) continue to take issue with her later on. And even the ones who don’t have such issues are at least fully aware of Lila’s personality and don’t allow her to fool or manipulate them.
Sure, she still tries to manipulate her mom and the school to avoid having to go back, but that doesn’t last that long. And in Lila’s defense at that period of time, she was legitimately sick as a result of her dip in the fountain.
So it’s pretty clear that Lila lacks the plot armor that she had in canon. But it’s not just that Lila experiences losses, it’s also in the ways she succeeds. And unlike Canon Lila, SL Lila is not reliant on the plot to accomplish anything or make things work in her favor.
Some classmates still consider her friends. She’s still welcomed back—even with a bit more trepidation than before. She gets some epic zingers on Chloe and Scar. She got to have another interview with Alya just to be able to go on at length about how horrible Scar is. She manages to get on live TV just to heckle Scar. And over time, more and more people are seeing the problems with Scar.
Lila still gets some victories. Certainly not as many and not as big as what she gets in canon, but at least they don’t feel so forced. And they’re entertaining to see.
Which delves a bit more into an additional point I wanted to make…
5. There are consequences and responses to Lila and her lies.
With Canon Lila, everyone is in this weird sort of limbo where they automatically believe Lila JUST ENOUGH to not question her but at the same time NOT ENOUGH to actually follow through with some of her lies. In Chameleon, Lila claims to have and then magically be cured of Tinnitus and Bustier believes her just enough to rearrange the seats for her at her will but not enough to require some doctor’s note or confirmation of either the presence or recovery from the medical issue—even in the event the former could be overlooked, the latter could NOT and any school or teacher worth their salt would require SOME proof to discontinue an accommodation for someone with a disability because that would be a liability. In Ladybug, Lila claimed Marinette pushed her down stairs and the adults believed her just enough to admonish Marinette but not enough to get Lila actual medical attention, which is a liability and gross negligence. In Ono-chan, Nino believes Lila’s lies about needing Adrien to help tutor her just enough to give her an opening to go to his place but not enough to follow through, check up on her afterwards, or reasonably consider that maybe the supermodel with the super strict father might not be the best person to tutor her and he should ask for help from Max or Sabrina instead?
Each and every time, Lila is believed in the exact way she wants to the exact extent that would most benefit her with minimal effort on her part when it shouldn’t work that way. Even if we disregard how stupidly obvious many of her lies are, there is something wrong when they believe her enough to trust what she says over anyone else telling them otherwise but not enough to follow through on what that belief should then involve. They believe her when she says someone pushed her down the stairs but not enough to get her medical attention? Make sure she has no broken bones or internal bleeding? This has the issue of ruining the suspension of disbelief and making it look like the problem isn’t Lila being amazingly smart and evil so much as it is everyone around Lila being infuriatingly stupid and negligent.
Scarlet Lady nixes that problem in one episode by having Lila be revealed as a liar immediately, but furthermore follows up on it and the fallout of those lies. Nothing big or major or life-ruining—it’s middle school, after all. But the impact is still there.
Even episodes later, we see effects of Lila’s earlier lies. Chloe of course keeps referencing them in their encounters and yeah, it is reason for no one to really take Lila’s word against Scar’s—at least at first. Alya and Adrien both give her some pretty evil looking stares, showing that even five episodes later they both still very much remember what she did and do not approve of her getting free jewelry. Alya in particular stands out. She is shown to bear such a grudge against Lila for lying on her blog that she holds no sympathy for her being sick. And in the second intermission, she looks physically pained when she has to ask Lila for an interview on why she hates Scar. Something she had apparently sworn she would never do again after being fooled the first time. And something Lila looks completely overjoyed to do. There are people who are angry with Lila. They have every reason and every right to be. But it doesn’t have to mean the end of the world for her. It just means that there needs to be something.
The classmates don’t have to be made out to be stupid to make Lila work. They are canonically very kind and forgiving people. But canon makes them come off that way more because the lack of continuity seems to erase the lessons of previous episodes or somehow make them forget that certain people are horrible.
Zoe fixes this and a lot of problems in canon by having not just the classmates but EVERYONE in Paris remember and respond to things that have happened previously, even if just in little ways. Given how little room Zoe has to work with, this is HUGE. Simply adding comments here and there puts the scenes from canon in a new light and makes the classmates feel more fleshed out and like…dare I say it: PEOPLE.
The difference from Canon has a lot to do with how everyone else reacts to Lila, which makes these other characters and Lila appear more real and like fleshed out people rather than caricatures who only exist and move as the plot requires. They don’t have to bash Lila or try to light her on fire for it to be clear that Lila isn’t a good person and that there are consequences to her actions.
This is all leading up to the real possibility of…
6. Character arc?
It says something that contrary to most expectations, Lila is not what one would consider to be redeemed in Scarlet Lady. Lila is not a good person here just because she rejoins the class and becomes their friend and Zoe at no point tries to pretend that she is.
Marinette and other classmates made the choice to reach out and try to befriend Lila, but unlike most other arcs in other stories, this doesn’t result in Lila being redeemed. And she in no way got Lila to admit she was wrong and try to be a good person. 
Lila is not necessarily forgiven or absolved of what she did. Nor is anything Lila did magically erased. All Marinette did and all she had to do was encourage Lila to not run away now that the truth was out. She helped convince her to return to the class with everyone fully knowing what she’s done and the type of person that she is and move forward with that. She informs Lila that despite her lies, there are people in the class who genuinely care about her and are worried about her. 
Hell, it’s not even all up to Marinette. We see Alix sending messages to Lila encouraging her to join the class for Marinette’s birthday party. Sabrina fully admitted to inviting Lila to that party. Same with Rose, who has also been expressed to be worried about Lila. There are members of the class who are shown to care about her and who were noted to have made an effort to help Lila even after what had happened. Because they consider her a friend despite what she did, and that’s what friends do. All they asked was that Lila stop with the lies, stop with running away, and give people a chance.
And the result is the more mellow but passive aggressive Lila Rossi we see in Scarlet Lady. Not a Lila who is a good person or who is redeemed. This is a Lila who is at least honest with everyone about the sort of person that she is. She’s not pretending like she was in canon. She’s not being fake. She’s not putting on a mask of niceness anymore. This is a Lila who is fully acknowledged by everyone to have been a liar, to still be very selfish, and in some ways...a bad influence.
With a few episodes left, perhaps there is more we’ll see of Lila’s development and who she’ll become. Maybe we’ll get to see her take the steps to become better. To be a good friend, a good person, and maybe even a better hero than Scar. I don’t know for sure just yet what Zoe has planned for a character like Lila, but I do know what I see here:
A good start.
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thechekhov · 3 months
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How often would you say that you draw comics and art while also focus on the other things in life; work, family, etc?
Like, for example, if you had an exact number of minutes, hours, or days of drawing, what is an estimate per day or week? I'm just curious.
Honestly, it's difficult to count since my workweeks tend to vary based on the season but here's a quick example:
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I don't work full-time at this point but I do have an hour commute both ways, and because I'm on a salary, I'm sometimes forced to stay overtime, meaning that my entire day is just sleep-eat-work-eat-sleep in that order, with nothing else that really happens that day.
During non-work days, most of my non-work time is..... art-work time!
And by that I mean that if I'm not washing the dishes, running an errand or spacing out, I'm drawing.
When do I play video-games or watch shows? I don't.
When do I spend time with friends? I don't.
Not unless it's specifically scheduled, such as when someone visits from far away. I have about 1 hour of social stuff set aside each week because I participate in a taiko group in the city I work at.
When I count it up, my art stuff ends up being anywhere between 30 -35 hours each work. My part time job is supposed to be 24 hours (not counting the commute), but often ends up going over. And I usually need another 5 hours each week to take care of the back-end office stuff - scheduling posts, managing Patreon, answering asks and planning future stuff.
I will admit I would not be able to do that if it were not for the kindness of my partner, who takes care of most of the cooking and cleaning, and often ends up cooking me things to eat:
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I appreciate him and his commitment to keeping me alive very much
Also, just to be clear: I am not pretending that this is not a good work-life balance.
It it just the balance that works for ME, personally. I think most people would find this...less great.
I do not go out for coffees with pals. I do not watch new series, and I do not partake in social events. This is something I am fine with, but I know many other people would find my life incredibly repetitive and boring.
Actually, looking at this math laid out, I am quite disappointed in not being able to accomplish more with the 30 hours I have per week. But...the reality is that aside from running the comic on my Patreon and doing random personal doodling on my main blog, I'm also often trying to do other projects in the background that I don't feel like sharing until their completion.
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The reality is, I enjoy this load, though. I make it work for me, and I'm getting to do stuff I like AND make money for myself and my partner! So I'm fine with it. I'm not actually dying from exhaustion.
It's just hilarious when I sometimes get asks going "Hey, have you played that latest 130-hour-long videogame? :)" followed by a swift "I wish you would post comics daily again :((( I want more arrttttt" like kids, you can't have both, I don't know what to tell you.
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updownlately · 1 year
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i promise that i'll love you (for the rest of my life)
| leah williamson x reader | fluff | 1.8k | inspo: black & white by niall horan | a/n: it's my first fic ever so let's see how this goes. it's almost 1.9k words of pure fluff and im not the most happy with it, but if i edit it anymore, im going to lose my mind. anyways, feedback is much appreciated please and thank you!
~~~
It's only a little over a year into this whole dating your teammate thing that it really clicks. That everything actually sets in. You’re halfway across the earth from where you grew up, playing soccer at one of the highest levels, and you managed to somehow get a girlfriend. Little you would have never guessed that this would be your life now. You’d always been meticulous in planning your future and decided that dreaming to professionally play football wouldn’t do you any harm. The understanding that you succeeded in making your dreams come true while somehow also being happy was still appalling to you. The fact that you were also breaking one of the few non-negotiable rules you’d set for yourself by dating a teammate, but not only that, you were doing so for Leah was only just a drop of water in the ocean.
Leah Williamson. Captain of England. A gunner through and through. A fighter. Someone who’s made London home not only for herself but for you too. 
You really don’t know how it happened. Well you do, yet it creeped up on you so slowly, so timidly, that you didn’t know you were falling until you were metres from the ground, praying to be caught. 
You had really only moved overseas to follow Tobin's footsteps. Being able to play a year with one of your best friends and that too for a club like Arsenal was an offer too good to pass, much less to hesitate on. So when it came through that not only were they signing her, but they wanted you to join too, all it took was a quick conversation with Christen and the rest of your friends before you were packing a bag and hopping across the pond. 
So how'd you end up here? In a shared bed with Leah, spending more nights at her apartment than you had in your own since you moved here? Even better question, how the hell did you get Leah of all people to want to date you? You’d say you have no idea, yet the rest of your teammates, Tobin included, would just smack you upside the head and remind you of how smitten Leah was with your shy demeanour the first day you showed up to practice, Arsenal gear adoring you perfectly according to her.
It was clear as day to your teammates that from the start there was something between you two. The way Leah would go out of her way to talk to you before practice, complimenting you each time without fail, and how her seriousness on the pitch had lessened just a tiny bit when you were around. And you. Your painstakingly obvious shyness that heightened incredulously whenever Leah was around. Sure you were quiet in general, only often speaking when spoken to, content to just observe the world around you and people watch. Yet, whenever Leah came into view, your otherwise confident and upright figure would slowly hide behind whoever was nearest to you, which was typically Tobin. 
“You do realize if you never talk to her outside of the pitch you won’t be able to make a move on her? Heart eyes and a tomato-d face is only going to get you so far," Tobin would tease.
In the end, it had taken Tobin damn near holding you in a death grip beside her for you to actually talk with Leah outside of training as both she and Wälti watched amusedly. That coupled with your team putting you and Leah in the most comically unfortunate, and not at all slick like they thought, situations over the course of a few months, and before you knew it, Leah had asked you to come around for dinner. 
What started off as you both taking things slow quickly developed into something more before you guys had a chance to even consider any other option. Practices spent quietly murmuring jokes, possible plays, giving each other feedback on technique paved the way for post practice coffees and lunches. Shared car rides and playlists blasting, windows down on even the rainiest London days set the tone for movie marathons late into the night, popcorn long forgotten. Eyes drooping and barely focused on the dim lights illuminating the room one too many times and you eventually had a spare set of clothes in Leah's dresser, and hers in yours. Eventually it came as no surprise to your teammates when you both would consistently show up to and leave from practice together. You both in your car, you at the wheel and the blonde in the passenger where she’d without fail connect to aux became a common sight to players, trainers, and even staff.
Yet, you weren’t officially dating, neither of you willing to make the first move. The team had decided to let you two be, long given up on both of you, knowing how anxious you got with making decisions, and Leah being too stubborn to admit the possibility of you like liking her to ask. It was only when some of the English women’s team was over at Leah’s that your and her bubble was broken. Add both you and Leah cuddled up on the couch talking with the girls and a confused Keira walking in late, with a side of a follow up question of ‘So are you guys dating or is Leah still too chickenshit to ask?’ and the results were you choking on your spit with Leah stiff as a statue, eyes as wide as saucers right beside you. 
Regardless of her brashness, you’d have Keira to thank when that same night Leah had quietly asked if you’d like to go on an official date with her in the coming days. 
(Over half a year later you would find out that the instagram post Leah had made commemorating that night was not in fact reminiscent like you had originally thought, but instead for revenge from Keira, it featuring multiple unflattering photos of the other girl).
So where did that leave you now? If you were asked, your answer would be nothing short of heaven. Waking up to your girlfriend sleeping peacefully beside you, the first morning rays streaming in, and a late practice scheduled for midday with the team, all easily fitting the criteria for your ideal morning. 
Rolling over to face your love, you snake a hand underneath her shirt from where it had lifted slightly. Continuing on its path, you let your arm wrap around her waist before gently tugging her towards you, pulling her back flush against your front. You leave a trail of soft kisses at her neck in apology when Leah lets out a small whine at the disturbance to her sleep.
It's a few minutes later that she turns to face you, the sleepy smile on her face igniting one on your own. 
“Morning love,” you tease as Leah tries to burrow her head into your neck, trying to go back to sleep. Typically you’d pull away by now and the lack of your body heat would cause the blonde to follow your footsteps and get her day started as well, but who said you couldn’t indulge in your favourite treat once in a while. 
So you pull Leah closer to you, letting her get comfortable, your hands finding their way under her shirt to gently scratch her back. It's when she hums contentedly and lets out a gentle sigh that you know you’ve made the right decision. 
You lay like that for a while. The girl of your dreams in your arms, golden light bathing her in an ethereal glow that you think is an accurate representation of the angel she is to you. All that she’s really missing is a halo. And wings. Though maybe that’s not a good idea with how clumsy she could be sometimes. Maybe she’d even end up being like one of those birds that were caught flying straight into a glass pane head first. The thought that causes you to gently shake with laughter. The mental image of a Leah sprawled out on the floor while her wings lay mangled and her halo knocked on its side metres away causing you to evaluate whether you had lost your marbles somewhere between last night’s late night chat with your girlfriend and this morning. 
Apparently and unfortunately, your musings were enough to wake up said girlfriend again as well. Her long arms stretched near your head and a groggy voice quietly asked what had gotten you in such a good mood so early in the morning. 
“I get to wake up with a pretty girl in my arms, what’s there not to be in a good mood about?” The flirty reply earned you a smack to the chest as Leah adjusted to pull away from your grasp. She didn’t get quite far however, before you’re pulling her back in with your hand on her forearm. 
“Okay, okay, damn, sorry for trying to love you up. What does it take for a girl to appease her girlfriend these days?”
“Some breakfast would do the trick? Plus maybe a ride to practice? And a few kisses? Oh and since we’re already on the topic, a few gifts, maybe a new pair of dunks would really seal the deal.” she cheekily responds, laying her head back on your chest. 
“Oh snap, okay hmm lets see here. The best I can do is kisses and breakfast. The ride could possibly be arranged but the rest is quite hard to arrange you know? It’ll take resources I don't have.”
“Oh really? Please enlighten me on these resources you speak of.”
“Well for one, it would require me leaving the presence of my girlfriend, something I don’t think she’ll enjoy since she’s been really really really cling- OKAY OW IM SORRY.” 
It’s on the third playful slap on the arm that you’re able to catch her hand in yours. using the surprise to your advantage you roll her onto her back and position yourself over her. 
“How about this, we can knock the kisses off the list right now, breakfast can be arranged, and we can go adventure through the city in search of some dunks today after practice?”
And when Leah responds by pulling you closer and kissing you, you can’t help but smile into it, getting more excited for the day with each second that passes. Excited for each day together with every kiss shared. Excited for your future.
You seriously don’t know how you got here, Leah in your arms, a career you love, miles away from where you grew up, but you wouldn’t change it for the world. You’d spent your younger years daydreaming of the perfect future, one that you now had in your grasp, and you couldn’t wait for what still awaited you. Ever since she had caught you, you knew that as long as you had the blonde in your arms, you need not fret about life too much. 
All that was really left was to ensure that the both of you would one day stand in black and white under a clear sky, surrounded by your friends and family, celebrating a life you’d never thought you’d have.
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comicaurora · 5 months
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Out of curiosity, how far ahead are you on the comic? I mean, you must have it all planned and written out, but I imagine that you are drawing the future of Aurora even while we're reading it.
So is Arc 2 already illustrated and ready for upload while you're on like Arc 5 or something? I'm by no means undermining your need for a break; I'm shocked that you've been uploading continuously for over 4 years at this point. I'm just interested to know how long it takes a person to make something this great. And also if you change any details in the final edit?
Basically: what's the workflow like?
Also I think you low-key inspired me to pick up painting as a hobby. I'm ready to pour so much money into creating things that I know I'll hate. :)
God, arc 5? That's a very generous assessment of how fast I can draw!
Typically, when the comic is updating regularly, I keep a buffer of 10 to 20 completed pages. Right now, in the interest of taking a break, the buffer is 0 completed pages.
Chapter 1 of Arc 2 is completely storyboarded, meaning it's sketched out, the dialog is all mostly finalized barring last-minute rephrasements, etc. It can be read in its current form, it just looks unpretty. In fact, just for fun, here's a sneak peek!
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In the next month I'll go through and finalize as many pages from this chapter as possible - which means locking down the panel borders, fleshing out the backgrounds, lining, shading, coloring, polish, etc. - which will be the process of building up a new buffer for when the comic starts back up again in January. During that time, I'll also be storyboarding Chapter 2 and as much of the following parts as I can manage.
I have the next several chapters and sub-arcs planned out in loose timelines - event A happens at location B leading to consequences C and D, stuff like that. Chapter 2, being the closest, is a little more fleshed-out, with a more detailed bullet-pointed timeline and various character ideas I've had that might or might not make it into the final version.
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What exactly the chapter breakdown is going to look like is a little more complicated. Initially I'd planned for Chapter 1 to be low-stakes downtime and Chapter 2 to quickly kick off the high-octane adventure again, but when I started bullet-pointing out the stuff I wanted to do in Chapter 2, I ended up with a big pile of slower-paced character moments I thought were well worth exploring, so the runtimes might stretch a little.
Translating those brainstormed notes into storyboards and dialog is what I would classify as the "writing" part of this process. It happens at an erratic pace largely determined by the whims of whatever muse decides to get me in a headlock that day; sometimes I go weeks with no storyboarding progress, sometimes I hammer out fifteen pages in one day.
It's kinda like weaving, to me. The soon-to-be-arriving parts of the story are the most finalized, the most densely woven. A little ways beyond that, things get looser - some patterns may be locked down, but the actual work that'll hold it together hasn't been done yet. And in the far-flung future arcs, it's just the basic bones of the story and a pile of the threads I've planned to use. I know the shape of it, but in order for it to be fun and engaging for me to make it, I need to give myself room to be creative when I'm putting the whole thing together.
I actually have a file called the "Toolbox" that contains every random character or subplot idea I've had, and sometimes when I'm debating where to go with a chunk of story, I'll crack it open and scan through to see if anything jumps out begging to be used. Lotta fun stuff in there that may or may not ever see the light of day. Dropping stuff in the Toolbox is one of the most fun and freeing parts of the process for me!
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crosshatchedaces · 1 year
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My scrunkle (Fracturing Time Mikey) may have lost in the @rottmntpeepawpolls but he still loves his boys, even if Leo likes driving him up the wall.
I don't have a comic for ya since he lost, but I've got this and some random FT! facts below if you're interested in my ramblings
• I was originally actually going to do a F!Leo back in time fic! I had some ideas on what to do, it was going to take place during the movie, but the ending I had in mind was kinda sad tbh so I didn't go with it (though I do have a oneshot with all three going back instead now). Plus, there were already so many beautiful Future Leo fics out there!
• I then realized that there was quite literally only one other one of Future Mikey that I could find at the time (Mystic Hands), so I wanted to explore that idea more and give F!Mikey more love because he deserves it! I thought it would be a fascinating idea to go with too!
• This fic had originally been planned to be 10-15k long and just a short exploration of what could happen. The plot had been pretty different at the time as well, but it quickly got out of hand in word count.
• A part of the former bullet point was because I couldn't really find any Future Mikey fics to read lol so I just kept building upon my own. I also wanted to explore what his interpersonal relationships would be with each of the turtles, so he will be spending more time with Raph, Mikey, and Donnie in future chapters (currently it is at chapter 9 at the date this is posted).
• I love the idea that the movie parallels how Donnie and Raph died in the future, hence Donnie's death protecting Mikey in the fic.
• I have around 12 more chapters written out so far (just not checked over).
• I've tried to make most things that happen in the fic have some sort of connection with future chapters in some way, even some subtle, seemingly insignificant moments.
• I went out of my comfort zone with this fic. I wanted to do something bolder, something more plot heavy and what I wouldn't normally do, because I love reading fics like that. I often feel that I fall back on writing domestic aus, even though I'm not as interested in reading them, it's just what I was comfortable with.
• If I could go back, I would probably condense some of the beginning and make it pov alternating (but! I have snuck some moments in there, one of which is very soon).
• This fic is on a mini hiatus for a few weeks. I am neck deep in projects at the moment and work a full time job. I need to focus on those first before I can continue it, but I should hopefully have another chapter up in the foreseeable future.
And that's what I can think of for now! I'm not sure which person(s?) nominated FT!Mikey to be in the peepaw polls, but I want to thank you, it means a lot to me that you consider him to be up there with the other peepaws! He barely made it in there (32nd entry) lol but he's there!! I'm so glad there's fans out there that genuinely enjoy the story, and everyday I wish to continue it for all of you, you all keep me so inspired!!
I hope you all have a wonderful day, stay safe and cozy out there, everyone!
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buggachat · 2 years
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is adrien a sentimonster in this au? could you say (i mean if he is, that could affect your au alot and you might not want to say anything about the future) there were no hints so far but y’know there are so many questions yet to be answered and well, i have a million and one
Basically, it'll never come up in the comic. I started it before Season 4 and before the theory really gained any legitimate traction, so whether or not he's a sentimonster isn't incorporated into the story at all.
Personally, I am a 100% believer in sentiadrien and kind of of the opinion that Adrien being a sentimonster is core to the story of Miraculous Ladybug, because it's probably what kicked off the entire magical events of the series (i.e. why his mom used the peacock, aka why she got sick, aka why gabriel became hawkmoth, etc etc). So like, do I personally think he's a sentimonster in my AU? Probably, yeah. I mean, I don't have any reason to go out of my way to change the circumstances of Emilie's demise.
But again, it's totally irrelevant to the comic, and I don't have any plans on foreshadowing/implying/hinting at it, so if any readers don't like the theory, feel free to headcanon him as totally 100% human. He's not officially anything in my comic unless I actually put it in the text, and I'm not going to do that, so... you know. Interpret it however you'd like!
It's also worth mentioning that if Adrien or Marinette knew that he was a sentimonster, it would definitely affect the story/how I've been writing them... so if he is one, nobody knows it and they'll never find out... so... lol
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theskeletongames · 7 months
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Random question.
Ok i finally did a deep lore dive into why Horror is the way he is, and given he has the red eye due to His Undyne taking his old magic eye, and forcing him to steal the eye of a guard...
What do you think would happen, if someone tried to give Horror back a magic eye? would it just over lap the red one that has more or less settled into his body, would he be slightly more crazy due to power that he had lost habit of controlling. Would he just come off as a Crazy Classic Sans?
What is your take?
I have a deep theory that is brought out more by the authors note on page 84 on their deviantart post of the comic. There's a mention that the only way to get to the core's core is to dismantle it. In other words, there's a machine called the core, and then a core to that machine. The core's core. I think Sans eye fused with the core's core and I don't think Sans was truly able to destroy the machine once that happened, at least the core's core pare. I also don't think he tried to destroy the machine out of revenge only, just as eating fallen humans is more than revenge towards Undyne/Humans. He was going to tell Undyne something about the core before the incident, but she wasn't listening. (Probably something about combining all monster magic to power the core just like combining all monster souls will create the equivalent power of 1 human soul) I think his eye fusing with the core's core was not a good thing.
Why is it keeping him alive? That's what the guard said afterwards. Why does the guard start screaming about destroying the eye once it's put into the machine? What is the eye doing? If the eye was keeping him alive, why didn't he die when the machine was destroyed? So is the eye still active? Why was the eye so creepy at the end?
I do think that he'd exchange his eye if he could, but it's his' original eye's connection to the core that's the issue. He'd just pull the red eye out if he got ahold of his old eye (Or maybe someone else's...) I think the second eye he puts in his skull is just a replacement for him, and his change from Sans to Horror Sans was more than just his head getting cracked open and his eye stolen. And uh, I'm hoping more of this is elaborated on before I get far enough in my comic that he shows up, because right now I'm using that theory in my future plan...
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spooky-pop · 4 days
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Hey found your blog and your punk rock broppy au. Got to say love what I see so far and what to know more about it like. What movie does this au take place?
When rock branch and poppy meet again after all these years apart what was their impression on each other?
Was it love at first sight ? If not who fell for who first?
Is creek in this au and did poppy have a crush on him like in the canon? What’s branch thoughts about his siblings? Is branch fully loyal to the rock tribe including twt barb plan?
Does branch get jelly of creek or hickory when their around poppy like he did in canon? That’s all I got for now.
Thank you so much!! I also really appreciate the questions and am so excited to answer them since I've been working more on this AU behind the scenes. There are a lot of details and plot points I just have not figured out yet, so there's a chance some things could still be changed, cut out or just tweaked a tad. I don't mind sharing more about this AU since the comics are already in progress haha
Excuse the text wall, haha!
-This takes place around the Trolls 1 timeline, then maybe a little into Trolls 2. The Bergens are still a danger and Branch still accompanies Poppy to save the Snack Pack. Instead of him finding the will to sing again in Trolls 1, he works on facing his past and traumas with Poppy to finally find his happiness.
-When Branch left pop village he was probably around the age of 9 or 10, he and Poppy definitely had some kind of a bond as children but as years passed, they both tried to focus on their own lives by trying to move on and forget about what they lost/left behind. They re-unite in their 20s, and since this AU follows RomCom tropes, they have a similar vibe to Trolls 1 Broppy. She wants to know more about him, and he is very secretive about it all and keeps his distance. There's a lot of banter between them. Very much begins like they dislike eachother but time will fix that :)
-It was not love at first sight for them, but Branch was the one who fell first, and the hardest. He tried to keep that hidden behind his tough exterior though, because he CERTAINLY didn't want to show that he had fallen for the princess of pop, exactly what he swore he wouldn't do since he was done with pop village. Loving her meant he would definitely have to revisit his past he tried running from, which scared him. But he finds comfort in Poppy that he was not provided in many years.
-Creek is in this AU (not much), and he and Poppy are good friends who do flirt a little, she does have a crush on him. Branch absolutely hates him, and of course, becomes a jealous that someone else is fond of the Princess.
-In this AU, Brozone was still a thing and they still broke up and went different ways. They just never contacted Branch again. Branch is very fueled by his anger and resentment, because essentially, they did abandon him and still never returned when he needed his family. (His brothers COULD return in the future, but at this point in my AU, their whereabouts are unknown)
-When Branch left Pop Village, he sort of became a wanderer until he happened upon the Rock tribe. Nobody really took him in, he just made himself at home and they accepted him. He purposely kept his distance from some trolls and focused on himself. Sort of living his life on autopilot. He is still a pop troll at heart, he wouldn't have felt that Barb's plan was right either. The Rock tribe does have heavy influence on him in his personality and his appearance, but inside he is still the Branch that came from Pop.
-And again, yeah! He absolutely gets jealous still, it's a big part of his character haha.
There is so much lore and other stuff I've planned and thought out, also a lot of points I excluded because I don't want to reveal them yet. But I can't wait to make some mini comics sowing som of these scenes :)
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cupcakeslushie · 6 months
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Okay. I've been tip-toeing around this AU for a while now, but I just got caught up, and now I think I have a (decent) grasp on what's going on. So I wanna go over everything I know so far to see if I'm right or wrong on anything. Don't know if you'd be willing to correct me or not. Either way, I hope my mistakes can help you understand what to clarify to other fans like me. But, I also have some questions. You probably won't be able to answer most of them, but it's at least worth a shot.
First, where's Venus? Like, why is she not in your comics that are (sort of) separate frome the canon now story. The ones that skip to the future way after all the turtles reunite. Did she die? Did she escape? Is it because she wasn't introduced yet when you made those comics?
Two, why do you keep on making references to the future timeline? I know you're planning on possibly making your own stuff leading up to the events of the movie. It just gives me a jumpscare when I see certain...imagery in those comics. I guess you're hinting at what your version of the future apocalypse would look like, but it just hurts to see. Specifically in the comic explaining both the events and aftermath of the movie and the bad future timeline. It's starting to really confuse my brain as to where this story is headed. What's meant to be the main focus? The Hamto's reuniting? The aftermath? Or the future?
Third, did you make all those min-comics before you started the actual AU? Or did you do them during?
Fourth, are any of those mini-comics relevant to the actual story now? Or have you changed your mind on a few things? It's just that everything is so all over the place, I don't really know whether to trust if they're accurate. I know most of them are just there for funzies, but the longer ones concern me. I guess I'm just not used to the storyteller doing sequel, start, prequel, start, sequel, prequel, prequel, sequel, and then end. Or maybe it's just me, and I'm sleep deprived.
My little observation speech is gonna take a while for me to get out in your asks because when I get theoretical, my speech gets long, and my proper English goes down the drain. So I'll be back. I appreciate your work very much. Despite the pain it causes me, it's still amazing.
I’ll try my best to clear up what confusion I can!
1. As far as Venus. The answer is kind of a mix of, I was still figuring out her design and backstory while coming out with some of those early comics, and then, once I had that down, I wanted the boys to grow strong bonds as a main cast. That’s why a lot of the side characters are only making small appearances in the Sep!AU Life stories, as those are mainly for the boys reconnecting. (Usagi shows up the most because I love him and am totally biased towards him).
This maybe hasn’t been stated outright, but I wasn’t really expecting so many ppl to like Vee as much as they do, and now im trying not to spoil too much of her story. It’ll unfortunately just take us a while to get to the meat of it. Since the boys reconnecting takes up a lot of the early s1s2 story, Im trying to follow the familiar Rise blueprint of Draxum, Shredder, Krang, and then in s3 we’ll have crazy fun new stories with the extra characters.
Ive also decided to take this little nugget from one of the Q&As, and use it for Venus instead of Jennika. It was a much needed bit of inspiration to explain why Venus sorta disappears for a while and will go through some major physical changes (not yet revealed) before the family can figure out a way to reach her.
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2. I’m not sure if you mean jump scared in a bad/triggering or neutral way, but if you need me to tag anything on those posts please let me know!
The glimpses of the future timeline, are being scattered throughout wherever they parallel the present story in little ways, but that’s only for now. As we get closer to the movie plot, bigger chunks of the future will be revealed, because the future versions of the boys will have a larger role to play in the present timeline. So we will need more backstory than what the canon got. And also I just enjoy drawing my future versions so sometimes I don’t think too hard on a reason. I just like throwing them at ppl with no warning or reason.
When s2 ends, I plan on collecting all the future related stuff that’s been released, and recapping it for easier reading. Right now, it’s just little sprinkles of foreshadowing to give ppl an idea that, ‘oh crap. The doomed timeline is a bummer’. In my mind, I guess i thought it’d be kinda like a fun scavenger hunt for clues, but maybe ppl don’t like that 😅
3. All of the side-stories were written as the main comic was/is being released. A lot of them resulted from asks that just spawned the need to expand on certain ideas, or a desire to give all the turtles their time to shine.
For instance, when I was doing Donnie’s section of the main comic, it was a good few months where we hardly saw anyone but him and Venus. I wanted to just mix it up, and give Raph some love with his ‘Raph Time’ short. When Leo was front and center in the main, we hardly saw the others, so Mikey and Donnie got their little ‘Secrets’ short (and it was also I fun thank you for EW making it so far in the tmnt sep competition).
4. Anything that has been reworked/revised or just plain dropped should have an ‘Edit’ note because yes—I have gone back and changed some things, but more so from the asks i got in the early days, and some movie idea drafts.
All the short comics done in the last year, especially the ones that are listed in my pinned post, are canon and fall somewhere in the timeline. They’re like supplemental reading though—extra meat to give the world and the characters more personality. They do have particular backstory plot and important info in them, but nothing that shouldn’t eventually be re-visited/repeated in the main story.
um I hope that cleared up some things! I know it’s kind of a crazy amount of lore. I’ve tried my best to organize it in the pinned post, huge timeline, and search bar tags, but I know it’s getting harder and harder for newer ppl to jump in as it just get bigger. Thanks for reading regardless!
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akanemnon · 10 months
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I have a question: your Chara is very chill about all of this, far too calm (this is very suspicious) I know they are hiding some angst and trauma behind that calm exterior, like they should be somewhat freaked out about being in this world right? Also I know they will figure out that the Dreemurs are happy in this and that Asriel is all grown up because they were not living with them. Also from other undertale comics that are already going for a long period of time things cannot be all sunshine and rainbows shit has to hit the fan at some point, trauma and angst has to run wild. (also whenever a Chara appears in a story one cannot include angst and trauma it would be a crime)
It is very hard to fit trauma and angst into a four panel comic. Especially one that is primarily focused on comedy. I think there are better and more serious comics out there that can tackle that kinda stuff better than Twin Runes ever could. There IS an overarching storyline and there haven't been many chances for the characters to reveal things about themselves (but there will be). Chara has gone through quite some shit and it will be brought up. Especially with what I have planned. But it won't have much to do with the Deltarune Dreemurrs *cough* Anyways Chara's deal in this series especially is boredom. They have seen Frisk go through the same crap over any over time and time again. This new development of the parallel dimension excites them. They are a lot more aware of this whole setup than any of the other characters and that is something I wanna bring up later.
Actually a lot of the asks I have received and not answered are specifically things that WILL be brought up later. I just don't wanna take away the impact of future revelations. So yeah, TLDR sit back and watch the chaos unfold.
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