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#all the people in the tags who decided to read the book because of this post <3<3<3
shebsart · 1 year
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Im sick with flu so naturally I picked up my newly bought copy of Howl's Moving Castle which includes DWJ interviews in the back.
And im in love with the way she tells these stories feels like a part of her books.
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And my favorite:
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The magic in the mundane :)
edit: I'm copying the ID by @princess-of-purple-prose below, thank you!
[ID: Excerpts of printed text which read:
I suppose there's also a biographical element in that Sophie is the eldest of three sisters, and so am I. The idea for Sophie grew out of the time I discovered I had a very severe milk allergy. I almost lost the use of my legs and had to walk with the aid of a stick. I was moderately young, but because of this I suddenly became old.
I had to wait until I knew what Wizard Howl was like. I began to discover Howl about the time when one of my sons took to spending several hours in the bathroom every morning and I got really, really, really annoyed with him.
Where were you when you wrote it? I wrote the book the way I write everything, stretched out on the big sofa in my sitting room, in everyone's way. This often annoys my husband rather a lot.
which made me burst out laughing. I laughed and laughed at the seven league boot, and when I came to the bit where Sophie accidentally makes Howl's suit twenty times too big for him, I laughed so much that I fell off the sofa. My husband was really irritated by this time. He snapped, "You can't be making yourself laugh!" And I gasped, "But I am, I am!" and rolled about on the floor.
Are any of your relatives or friends included in the book? Yes, well the thing that started me off writing the book was a friend of mine who never does her laundry. She has it around the place in huge bags for often as much as a year. When she does tip it all out and try to wash it, she discovers all sorts of clothes that she has forgotten she had.
Which is your favourite part of the book and why? I like the book all over, but I suppose if I had to choose a bit, I'd choose the place where Howl gets a cold. It so happened that when I was writing this bit, my husband caught a bad cold. He is the world's most histrionic cold catcher. He moans, he coughs, he piles on the pathos, he makes strange noises, he blows his nose exactly like a bassoon in a tunnel, he demands bacon sandwiches at all hours, and he is liable to appear (usually wrapped in someone else's dressing gown) at any time, announcing that he is dying of neglect and boredom. So all I had to do was write it down. End ID]
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bastard-sweet · 5 months
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The point of A Christmas Carol was not to teach morals by example; it was to teach morals directly. Ebenezer Scrooge was specifically made to be a reader insert. The lessons of A Xmas Carol can mostly be divided into 'you don't want to be this guy (he's suffering)' and 'you don't want to be this guy (he's evil, like ultimately, Biblically, very un-Xtian)', afforded by the third category of Basically Everything In The Book 'you don't want to be this guy anymore (he's deeply relatable to the upper-class Victorians the book is targeted at)'. The fact that he doesn't spend money on himself is not a sign that he needs to care for himself more; it's to show that he's so greedy to the point that it is useless, to show that valuing money this much is bad and senseless. The fact that he were to die if he didn't change for the better is an example of Cosmic punishment. Maybe the story does have a hint of teaching Scrooge to take care of himself, but that's only for the same reason that Scrooge is given a 'workaholic billionaire' backstory. The rich like(d) to see themselves as hard-working, and were the target audience, and Dickens didn't want to insult his target audience while trying to teach them basic human decency. So he also took the opportunity to slot that into the 'you don't want to be this guy (he's suffering)' method of teaching.
#that post just frustrates me so i decided to write out my thoughts#ebenezer scrooge is a reader insert!!#a christmas carol#also charles dickens' mindset at the time of writing is fascinating to think about. a xmas carol was written in response to a government#report on the conditions of mines factories and mills for child labourers (which before writing charles dickens also conducted his own#investigation i think). dickens vowed he would deliver a 'sledge-hammer's blow on behalf of the Poor Man's child'#and xmas carol is... not that. from a 2023 perspective it feels really toothless actually. it's about a guy who learns about the magic of#xmas and being nice to poor people. but thats because it's not MEANT to be a sledge-hammer's blow clearly. he reconsidered#and wrote a persuasive letter and it's actually really interesting to pick apart! so there's my recommendation#and regarding accusations of antisemitism: dickens probably was really i havent really read many of his works outside of school so.#but the book is pretty (n yes pretty is doing a lot of legwork here) divorced from that. its antisemitic but thats mostly#because it uses classical Xtian models of morality (eg celebrating xmas) to equate not celebrating xmas to cruelty to show how bad cruelty#is. not to equate cruelty to non-xtianity to show how bad non-xtianity is. yes theres some fucked use of carciature but the antisemitism#i read as very casual? like nowadays. its hooked nose = evil. antisemitism was absolutely not the intent at all its just very much an#artifact of its time. which. i dont think anyones learning nazism from ACC. its not challenging antisemitism but. most books dont even now#sweet talkin'#long tags#sweet whisperin'#charles dickens#classism
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ace-with--a-mace · 1 year
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i definitely think quarantine stunted everyone under the age of like 25's growth and its detrimental to society today
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mosscrab · 1 month
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mgsv has so many literary references to books i have essays abt it kind of makes me.
#i'm sick this is my slightly fever-induced thought stream in the rest of the tags sorry ->#all the 1984 stuff is really interesting. the position of both ocelot and kaz as the people running room 101 is really fascinating.#because it somehow manages to place huey in the position of winston while also having venom be in the position of winston.#<- would that make quiet julia? actually yes it does bc of her nature motifs.#and the whole game seems to doublethink of whats real and what isn't. though it starts to tell you what isn't real its still there.#and then with moby dick you have pequod which is just. the ship. and queegueg who is ishmaels friend. which is why its kind of perfect he i#the other pilot we see who takes kaz places. and theres other stuff with him but i don't want to get into that. i could go on for a while.#but whats interesting is that ahab seems to apply more to kaz than it does to venom. esp because his own deception results in his downfall.#whereas that isn't true with venom if youve played mg1 he just kinda keeps going with it to at least some degree.#and i guess kaz is working for foxhound but you know what i mean.#ocelot even being the perfect counterpart to starbuck who works at kaz's side but disagrees with his methods to an extreme.#he isn't of the same morals as starbuck but its just the oppositional character type.#does that mean cipher is moby dick. yes actually bc of the leg thing with kaz. oh my god.#<- funny enough i am actually getting moby dick back out of the library bc i never finished it and its been ages since i read what i did.#i remember the narration being kind of nuts.#honestly the lord of the flies stuff feels less like a reference and more like eli read that book and decided he wanted to do it irl. lol.#i can't say these books are even close to being favorites but i'm intimately familiar with both 1984 and lotf so those are. those.#and moby dick is genuinely just kind of. what in the hell did i experience. theres a lot to unpack.#and i didn't even finish the damn thing.#ok i'm done now i just needed to get that out of my system. now i'm off to read veniss underground. 👍#.txt
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generalsmemories · 11 months
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How do I tell my husband he got scammed into buying a lion?
✧ jing yuan x gn!reader
✧ summary: during one autumn afternoon you're suddenly faced with another one of your husband's impulsive purchases. only that this time it's a living being.
✧ content: established relationship, fluff, humor, might be a bit ooc
✧ a/n: hello there hsr fandom! i have unfortunately lost the battle against myself on making another sideblog for jing yuan, the man who has singlehandedly occupied my mind since his first appearance in the beta. i do hope that this will actually appear in the tags, but every infomation you would need if you want to request something is all up on the blog if you so wish! i hope we can have a pleasant time together !!
also this is not beta-read, we die like how fast my resolve to not create a jing yuan blog died.
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Being the spouse of the Arbiter-General of the Xianzhou Luofu comes with it's share of benefits and disadvantages. For one you're regarded at a higher position than most of it's citizens, often being stopped on the side of the road when taking a walk to exchange numerous pleasantries with merchants from outside of Xianzhou, various store owners or cloud knights on duty.
Another factor is shouldering the burden your husband has on his shoulder, an oath you had taken yourself the day you accepted Jing Yuan's nth proposal. You considered that a fair trade with his vast knowledge and insight into a possible future and doing everything behind the scene to avoid colliding headfirst into said problem. A feat that attracted you towards the general in the first place, minus his dashing looks of course.
The biggest disadvantage of publicly announcing that you were indeed the Arbiter-General's significant other was doing everything within your power to not throw your husband's famous title away for a newer, more terrible one. (more utc!)
Because as you see him walking up the steps of the Seat of Divine Foresight, your gaze is not locked with your husband's smiling face, rather it's fixated on the small being he has cradled in his arms. The soft smile you had quickly spreading into a more nervous and confused smile as you glance over at Qingzu, the counselor looking at you with just as much confusion.
How in the world did you manage to leave him alone out in the market area for an hour and he comes back with a lion cub?
"[Name], darling! Look at this grimalkin that a merchant had!"
A what now?
"... A grimalkin, you say?" Every book that has recorded history had specified that the grimalkin species had gone extinct, and you were well aware that your husband knew this fact. And yet here you were, faced with his smile directed down towards what you can clearly tell is a lion cub, his thumb pressing down at its paws affectionately.
You're starting to think that Yanqing's impulsive purchases with his sword collection aligns with your own husband's impulsiveness.
Coughing loudly into your hand, you take a deep breath before descending down the stairs to be on the same level as Jing Yuan, peering down onto the cub's face. It was indeed cute, and judging by how enamored Jing Yuan is, you can clearly tell that it's small stature is what attracted him to it in the first place.
Oh he's going to be crushed when it grows up, "It's adorable, Jing Yuan," you settle on saying, waving a finger over the lion's grimalkin face, the animal lifting its paws to try to grab it. You shoot a look towards Qingzu, a silent command for her to look into which outer merchant was now scamming people into buying literal lions. The counselor quickly excusing herself to look into the matter immediately, Jing Yuan only giving her a smile and a wave of his hand as she scurries down the stairs.
"Right? I decided to name it Mimi," he muses, and your heart breaks a tiny bit for him, but there are more pressing matters at hand than the fact that your husband once again got scammed because he was most likely bored out of his mind.
You would rather that the Xianzhou citizens know him as "The Dozing General" instead of the general that gets scammed a few times too many. How does one even go on about trying to tell their husband that the grimalkin in his arms is actually a lion?
"A fitting name indeed," you mutter, raising a hand to caress Jing Yuan's cheek, a simple gesture to make the general direct his attention to you. However, you could still see that his guard was slightly up with you. You only chuckle at that, leaning in to slide your lips over his own, Jing Yuan wasting no time to press back.
Another well hidden secret reserved for the walls of the Divine Foresight is the fact your husband is incredibly weak for his own spouse.
"... Want to tell me how much you paid for Mimi, dear?" you ask in a whisper when your lips part, thumb caressing over the mole under his eye.
Jing Yuan merely smiles, twisting his head to press his lips against your hand instead, "It was from my personal wallet, dear. Please don't fret over the small details."
"Darling, I hope you're aware that the small details would be the necessary funding for accomodation, toys and food, right?" you say with a chuckle, your husband freezing with his ministrations upon remembering that fact.
Oh well, you want to see how long it takes before your husband comes to realization that it's a lion. You just have to be extra vigilant towards the numerous fundings in the meantime.
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While scrolling through your schedule for the next morning, your phone dings with a message from Qingzu. You quickly look down at Mimi whose resting on your belly and then at Jing Yuan whose sleeping self is still snoring away by your shoulder before letting out a small sigh in relief that the loud noise didn't awake any of them.
Qingzu:
Do I even have a say in this?
Was the message sent by Qingzu, attatched to it is a picture taken of what you can only presume is one of Jing Yuan's "diaries". The contents of it making you let out a low laugh, the shaking making said man beside you grumble before pressing his face into your neck.
Attatched image:
"Eventually, I paid hefty sum for the grimalkin, named it "Mimi", and took it home. Only that I'm too busy with official business and have little time to take care of Mimi. After thinking it over, chores like feeding it and changing its water should also be entrusted to Qingzu. I do wonder why [Name] looked so distraught when they first saw Mimi though. Maybe they didn't think I would favor the petite and small animals instead of the usual large and strong ones?"
[Name]:
So Qingzu, do you have an idea what the easiest way to tell someone they got scammed is?
Qingzu:
That is the role of the spouse, not the counselor.
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lotus-n-l0ve · 7 months
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CRIMSON LOVE OF THE CURSED KING
— Ryomen Sukuna x Female Reader
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She Is A Wild Flower In A Rose Field.
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*⁠.⁠✧ SYNOPSIS : When the selfish merchant, F/N L/N, sacrifices his illegitimate daughter to the King of Curses for his own desires. Y/N starts to work for Sukuna. With every passing day they come closer, with every late night meetings, a feeling develops in their heart.
*⁠.⁠✧ WARNINGS & TAGS : True form!Ryomen Sukuna, historical au, husband!Sukuna, wife!reader, sacrificed!reader, master-servant au, cursing, offering au, use of y/n, kissing, blowjob, pet names, a lot of questions, misunderstanding, ooc!Sukuna, not proofread, 6.2k words.
*⁠.⁠✧ — NAVIGATION // JUJUTSU KAISEN MASTERLIST
➥ Heart Divider's by @cafekitsune
DO NOT PRESS [READ MORE] IF YOU ARE NOT COMFORTABLE. MINORS DNI, IF YOU DO THEN IT'S YOUR OWN RESPONSIBILITY.
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Amusement is what Sukuna felt as he watched your adorable little figure sneak into the garden like a thief, looking left and right like a cautious cat who has stolen its favourite fish. Sukuna sat by the window on the second floor, blowing from the kiseru.
You still remained a mystery to the King of curses even after months of being here. Sukuna was known for wrecking havoc and destroying lands with a flip of his fingers. Kings and people from far away shiver in fear, when the monster will come for their neck next.
The kings and nobel heads offered him mountains of wealth and copious amounts of women. Sukuna never denied them but what he did with all that wealth or women was never known. To your misfortune or luck, your father, the infamous marchant, offered you, the illegitimate daughter, as the king's concubine. Then it was up to Ryomen Sukuna whether he would make you his queen or just another maid.
You were escorted to the estate in a carriage and then inside the shrine by none other than Uraume themselves. You didn't see nor hear from the king at the beginning of your stay here. Though you were made familiar with the other sacrificed maidens. Their fate was just like yours, sacrificed to the curse by their kings, fathers or even husbands, just to save their own life.
Every one of them was different from others. Some quivered when they even heard the name of their lord, while some were filled with rage for him. On the other hand some had developed the emotion called love for him. You waited everyday for him to decide your fate. It's not like you could run away from here. The estate was surrounded by dangerous curses who would kill you without a second thought.
Your days are spent like any other there. Waking up in the morning, then doing whatever work Uraume assigned you to. You were not still allowed to go outside yet so grocery shopping was not one of them. By the time the sun went down and the moon shone in the dark sky, most of you were permitted to go back to your own room. Only a few remain as per their schedule. You honestly like how your days were going but encountering Sukuna was inevitable.
It was three weeks after that you first came across the man, sitting by the inside pond. His back leaning on a round pillow. One hand held a book while the other had the wooden kiseru. The moonlight blessed down on him. Your feet stopped at the door. As he lifted his upper pair of eyes from the book, yours snapped down to your feet.
"I didn't know you would be here at this time, Master Sukuna. I'll take my leave." You bow down and turn to leave only to come to a halt when a deep voice sounded from behind.
"Stop right there." Sukuna watched as you paused before eventually turning around to face him. Sukuna beckoned you to come closer with two fingers, "Come here."
You walked up to him idly. Sukuna observed you from top to bottom. Just because it didn't seem like it doesn't mean that Sukuna doesn't know what goes on his property. He knew one and every person who worked for him. You were a new face he hadn't seen here before.
You stopped two hands length away from Sukuna, "You needed something, Master Sukuna?"
He hummed, pointing to the low table with his eyes, "Tidy up the table."
You tidied up the thin night kimono you hand on and sat down beside the table. You started with organising the books. Sukuna blew on the kiseru.
"You are new here." It was more of a statement than a question. His upper pair of eyes focused on the inked book but the stare lower pair weighted heavy on you.
You nodded your head, "Yes, Master Sukuna. I was brought here two weeks ago ………as an offering."
Offering huh? More like a sacrificed goat.
Sukuna scoffed inside. Of course this was not new. People of high status kept throwing slaves under Sukuna's feet like they meant nothing. More than half of his servants consisted of those offerings. Now Sukuna himself was not a gentleman, in fact he was far from being a gentleman but even he sometimes felt for their pathetic life. Sukuna would have rather died than being sacrificed for their selfish desires.
"Is that so? So, who were you offered by?"
You could hear the mocking tone lingering under his breath. If he tried to hide that, he did a terrible job but you doubt he was trying to hide it. You could not help but snort as you thought about the one who was behind all this.
"It was my father, Master Sukuna. He's a merchant from the West."
Sukuna saw no traces of sorrow in your expression as you talked about your father. As the matter of fact, your face was numb as if you don't care about him or your circumstances at all.
"You don't seem very upset with your situation." Sukuna carefully closed the book and dropped it in his lap, now just holding the kiseru. His all focus shifted on you and it made you feel a little jittery.
You stacked all the books away thinking to yourself, upset? You were far from that. Rather, you were liking your days here than you ever did at your father's house. Here, no one bore any hatred for you for your background. Your father wasn't here to remind you how much he despised you. Neither was his wife, who felt so jealous of her husband's affairs that she felt the need to torture you at every point of your life. Nor were your half siblings here who like their parents never hesitate to hurt you whether verbally or physically.
Others would call you crazy that you would rather work the vicious monster than your family but the uncountable faded marks littering on your body agreed with you.
You dared to raise your eyes to meet his', "I have no reason to be upset, Master Sukuna." With a small but content smile you put the brushes back in their place, "I am done. Now, may I go back to my chamber, Master Sukuna?"
"Hmm? Yes, you are dismissed." Sukuna waved you away.
You bow down one last time before leaving the room. Sukuna watched as you disappeared into the dark. Usually when people are brought here, they weep and sulk around. It takes them months to get over their pitiful state. And here you were, smiling as if nothing had happened in just two weeks. Nothing could be hidden from the King of curses but he could not figure out the void in your eyes. Too bad, Sukuna loved a worthy challenge.
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After that night meeting Sukuna became weirdly frequent with you. When you were in the kitchen, Sukuna would drop by to order someone to bring him snacks. If you were cleaning the shrine, you would see him roaming the halls. If you were mending the garden, from the corner of your eyes, you could see him sitting by the window on the second floor, smoking kiseru or reading books.
But most frequently you met by the pond, where you met for the first time. At night when you could not sleep, your feets would always led you back there unconsciously. First few nights when you saw him, you tried to excuse yourself saying you didn't want to bother him but then he stopped you and let you sit there, just enjoying the view or sometimes reading a book. After some time it became a habit that you came to relish.
Who could have imagined that Ryomen Sukuna could be a comforting company? You two didn't talk but that did not bother either of you. Until one night.
Sukuna sat in his place, leaning on a round pillow, while you sat a little away from him by the table. The thin black kimono you had on did nothing to help you against the cold breeze of night that twirled with your open hair. Maybe, you should have worn something thicker. Your body shivered, goosebumps raising over your skin. As you wrap your arms around yourself, you feil to hear the rustling noise of clothes moving. No long after a black haori was held in front of you.
You followed the hand holding it and saw Sukuna deeply emerged in the book he had been reading from last night. He grumbled without looking up, "Take it. You have been quivering all night like a reed in the wind."
You could feel heat raising up your cheeks in embarrassment. Like a reed in the wind of everything? You muttered a quiet thank you under your breath which was loud enough in the silence of the night and took the warm haori from his hand. You wrap it around yourself and bask in the warmth of the fine fabric. You picked up the paint brush again, twirling it in the red liquid, you started placing strokes on the canvas.
"You are Y/N L/N, illegitimate daughter of F/N L/N." Sukuna commented.
Your hands stopped for a second before resuming to colour the canvas, "Yes, Master."
So he did a background search on you. Not like he needed to. Your father made sure to write a three page letter, singing praises of Sukuna that you handed to Uraume, hoping to find it disposed of in the garbage.
Sukuna chuckled, "Your father really believed that he could get me to be his puppet by giving me his illegitimate daughter?"
You were not sure who those scornful words were for. Your father for being so delusional or you for being a result of a wedlock. You would not put it past him though. He was after all the strongest of them all.
He didn't say anything for the rest of the night as neither did you. It was the dawn when he finally went back to his chember, leaving you for yourself. You waited for the footsteps to get fader before you also organised your things to take back to your room. Your room was on the first floor at the very end of the hallway. You didn't take much time to get ready for the day that was awaiting for you.
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Night drawn upon, the moon dominated the night sky along with the millions of stars. You waited by the pond side for Sukuna but he didn't come. This was unusual, he was always here before you but today there was no sign of him. He was in the shrine that's for sure, you yourself delivered his dinner, though he was not in the room at that time.
Without his intense looming presence, you felt empty. Even his silence produced a comforting atmosphere for you which you missed dearly. You waited for him, one hour, two hours that turned into three hours but there was no sight of him. Sukuna was not entitled to work according to you after all you were just a mere peasant to him. But you could not help the disappointment heavy on your heart.
At last you got up with a sigh. Might as well get some sleep instead of dying of boredom. With a lamp in hand you started walking towards the library on the second floor to put the book at its place before going back to sleep. As you walked up the straits, out of nowhere a maiden ran past you, crying. You frowned your eyes wondering what on earth happened.
Standing at the top of the stairs, your eyes fell on the massive door of the master bedroom, where Sukuna resided. Many questions played in your mind. Did something happen to Sukuna? Or did Sukuna do something? You hated to admit but the first question worried you more than any other. Were you okay as long as Sukuna's fine even if it meant someone else's hurt?
You stopped in front of the shoji door, fidgeting with your fingers before you knocked on it twice, "Master Sukuna?"
No answer came from inside so knocked again, calling for him. Seconds later his deep voice answered, permitting you to go in. You took a deep breath before sliding the door open. Entering, you closed the door behind you.
Sukuna sat on the bed, the smoking pipe in his hand as usual. His chest on full display and red silken sheets hiding his lower half. Your eyes, unintentionally, cattled over the black tattoos that were inked on his body, from the smallest on his face to the strips on his chest. For being a monster, Sukuna seemed to be the favourite of God. Like God has centuries to create perfection, to you at least.
"What brought you here?" His lips curled into a smirk.
You quickly averted your eyes when you realised that he had caught you gawking at him like a shameless woman.
You clear your throat, "I-I saw someone running down stairs, crying."
Sukuna's face morphed into an irritated one, "So, you are here to see if I was the one that hurt her?"
"No, I wanted to check if you are okay." By the end of the sentence your voice reduced to mare whispers.
Now that you were saying it out loud, you noticed how ridiculous you sounded. Who on earth can dare or even think about hurting Sukuna. It was next to impossible. Well Sukuna noticed too because he was laughing like you have cracked the best joke of the century. You might have as well.
"Since you appear to be perfectly fine I'll take my leave. Good night, Master Sukuna." You were rushing out even before you could finish the sentence.
The door slammed shut behind you as Sukuna listened to footsteps running down the stairs, almost tripping on the last step. Sukuna wiped tears away from the corner of his eyes.
"O dear Y/N." Sukuna mumbled as he took a puff of kiseru, "You think that puny creature can land even a scratch on me?"
Though she knew how to piss him off real well. Sukuna thought back to the events that took place in his bedroom before you appeared. Sukuna wanted some good cunt to take out his frustration on. Like usual, Uraume made the arrangements.
Sukuna got up from the bathtub, water gliding down his muscular body. Quickly he wrapped a towel around his waist while he used another one to dry his hair. Sukuna was annoyed to say the least. Maybe he had gone quite soft nowadays because otherwise where do these peasants get the audacity to think that they can use Ryomen Sukuna?
Past days have been good for Sukuna. The reason? He has no idea. Or maybe it's those late night meetings with a curtain someone that kept his mood better. After all he anticipated the time when everyone would go to sleep and you would stumble upon the sitting area beside the indoor pond.
Your hair was always open, covering over your back. They always tempt him to just run his hands through them. He'd to clench his palms to not give in to his intrusive thoughts. Are you waiting for him tonight as well? How long will you wait for him? Are you thinking about him? Do you think about him like he does about you?
Sukuna walked into the bedroom and sat on the edge of the bed before finally addressing the girl who was kneeling on the ground a few metres away from. Her head was bent as ordered.
"Are you just going to sit like a useless doll?" Sukuna threw away the towel he was using to dry his hair, "Crawl on your knees here, pet."
Sukuna patted on his left thigh as two of his hands supported him as he leaned back a little. The kneeling girl got on all fours and started crawling towards him. Her back arched a little too much, putting her boobs and ass on show through the sheer kimono. She got between spreaded legs, sitting on the floor. She looked up at him with a cy smile as she slid her hands up his thighs.
She grabbed the hem of his towel and tied the knot, pulling it off. Cold air hit his two dicks making them twitch. The girl took one dick in her hand, giving him long strokes and giving kitty licks on the moist tip.
Sukuna grabbed a fistful of her hair, "What are you waiting for? Do what you came here to do."
Sukuna shoved his dick in her mouth, making her gag for life. She quickly calmed herself and started bobbing her head up and down. She hollowed the inside of her mouth, taking all in. Her small hands stroked the other one, giving them both the same amount of pleasure.
Sukuna threw his head back, groaning, as her tongue traced the throbbing vein wrapped around his cock. Images flashed in Sukuna's mind. Images of you kneeling between his legs instead of this no name girl. How good you would look taking his cocks like the good slut you were. Your mouth would puff up with his cook while your hands would work on his other one.
"F-fuck……. So good, you goddamn slut." His grip tightened as the thrusts became rougher and rougher. His red tips hitting the back of her throat. Tears swelled in her eyes in pain and pleasure.
"Y/N…… Y-Y/N, princess." His eyes rolled back as his hot cum shot in her mouth and chest. His hands released her hair, glancing down, disappointment filled inside him as he saw another girl instead of you.
"Master Sukuna, Who the hell is Y/N? I am Ayame." The girl cried out, "How could you call me by another girl's name?"
Her loud cries added to his annoyance. Before she could understand, Sukuna had grabbed her jaw in a tight grip, sneering at her, "Listen here you bitch, you are just a mare whore to satisfy me. Don't even try to cross your lines. You are nothing but a toy for me to play with, even that, you can't do right." He jerked her away, "Now scram."
She didn't need to be told twice. Her admiration for the king had clouded her mind, that she forgot his true nature. He was a notorious monster, not some prince charming. In a blink of an eye she was running for her room, completely ignoring the girl on the stairs.
Sukuna sighed, shaking his head. Too much drama in one day. At least your flustered face was worth it.
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Water showered from the watering can on the flower plants in the garden. You carefully watered every plant. It was early morning, you wanted to finish before the sun hovered over the head and dried them dead. As you came to an end, you saw something rushed past from the corner of your eyes. It was so fast that you almost missed it.
You dropped the can on the ground and marched up to the bush that it hid behind. Parting the leaves, you came across possibly the most beautiful bunny you have ever seen with the most beautiful white fur.
"O my gosh! You baby." You gushed over it but that only seemed to scare it more as you saw it stepping back in fear. You saw the white fur on its left back leg wet with blood, "Don't worry you poor little thing, I won't hurt you."
You slowly brought your hand over it's head to pet but the second your hand was about to touch it, it sprinted off in the jungle behind the shrine.
"Come on, don't run away from me." You shouted as you ran behind the rabbit.
But it didn't stop, going farther into the forest and you ran behind it without any idea of direction. You don't know how long you ran for but soon your legs gave out and you found yourself slumping down under a tree, out of breath. Minutes passed before your racing heart came to a steady pace. You looked around and reality hit you hard. You had absolutely no idea where on earth you were.
You got up from the ground and started walking from the way you came from. It was half an hour when you finally accepted that you were lost. Panic bubbled in your heart. There was only high greenery wherever you looked. Not a single idea what way you came from.
Damn you bunny! And damn you stupid Y/N!
But you didn't stop. You walked and walked till the forest became dark and the moon came up. Everything around you had covered itself into black. Big shapes taking the forms of the terrific monsters. Goosebumps arised all over your body, in cold and fear. Ironic. You feel comfortable with the King of Curses but here you are, getting scared of silhouette. Your steps got wobbly and slow.
À rustling noise came from a bush and that injured rabbit hopped out of it. You shriek in fear, stepping back without seeing and before you know you are falling down the slope. Your body rolled down on the ground, twigs scratching and digging in your skin and all you could do was cry in pain. At the bottom you slammed on to a tree. You felt like all the air had left your lungs.
Tears burned your eyes and sobs erupted from you uncontrollably. With the help of hands, you brought yourself up to rest your back on the tree. Blood ran down from the cut on your forehead. Your body was aching for some rest, fighting for its life to stay away. You felt utterly hopeless.
Will anyone even notice that you've disappeared from the shrine? Will Sukuna notice that you didn't go to the usual meeting spot tonight? It's as if you had gone back to those days in your father's house. Where no one loved you but everyone loved to take their anger out on. At the crack of dawn when you went back to your little room, your body would feel like hell with all the new marks added on your skin.
When your father disclosed the news that you would be offered to Sukuna as a peace offering, you didn't feel an ounce of surprise. You had already accepted your misery. Maybe it was the result of your previous life's sin that you would meet your end by Ryomen Sukuna. But what shocked you was that your life with the cursed king was thousand times better than you had back home. Though you aren't sure if you could call that home.
Sukuna may be known for his cruelty but you would not think twice if you were told to worship him, consider him your god. He was your god. You could live your whole life being his loyal priestess. But what does he think about you? Are you as important to him as he is to you? Or are you just a toy for his entertainment? Well play toys are replaceable. Like the girl from the previous night, he's got many.
Your eyelids became heavy and the dizziness hovered in your mind. Much to your resistance, the world around you disappeared and your body slumped against the tree, unconscious.
Back in the shrine heavy footsteps thud on the wooden floor, Sukuna's huge body moved down the dimmy hallway, eyes glaring into nothing. Behind him, Uraume followed with a poker face but a storm was going inside their head. Sukuna stopped at the end of the hallway and threw the door open that slammed against the hall. Few panicked screams came from other rooms but Sukuna paid no mind to it.
His jaw clenched as he found the room empty, no sign of you being there. His eyes flared in anger and hidden disappointment. So, you finally resorted to running away? Was your life that bad here? Or did you just hate him that much? Sukuna doesn't remember doing anything that will lead to taking this kind of step.
"Uraume." His voice roared in the hallway, "Since when is she missing?"
"We noticed her absence this afternoon, Master Sukuna."
Sukuna threw them a glare, "And why was I not informed?"
"You ordered us to let her do anything she wants so we didn't pay much attention there." Uraume looked down, ashamed, "I'm sorry, Master."
"If I don't find her, you'll be more than sorry." Sukuna grunted before walking past them.
Soon there was a crowd of curses in the manor. Sukuna ordered every one of them to find you before sunrise and inform him. Sukuna sat on the throne, waiting for any news of you as he reminisced over the moments you two spent together. When he first saw you standing on the doorway, moonlight made you glow. You reminded him of that myth, moon princess.
Or those times where you showed no fear, hatred or disgust for him. When you saved the best looking fruit to serve him yourself every night. When you coloured the blank canvas with his palette. Those nights when you dominated his dreams, from the filthiest to the fluffiest. When you looked at him with nothing but pure affection that made his heart flutter. Then why? Just why did you run away?
The door opened and Uraume hurried inside, "Master Sukuna, they have found Ms. Y/N."
In an instant Sukuna was out of the door and into the woods led by Uraume. Questions played in his mind. What state were you in? Were you okay? Were you hurt? Did any stupid curse spirit attack you? Uneasiness filled him from inside the more he went deeper into the woods. How far have you gone?
At last he caught the gimpels of your slumped body. Sukuna crouched down in front of you, sliding off the strands stuck to your sweaty forehead only to realise that you've fainted. His eyes ran over your wounded body, at that moment he wanted to punish you for putting yourself in this position more than anything.
Silently, Sukuna slid one hand under your knees and one underneath your back and picked you up. Sukuna went back to the shrine with you in his arms.
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When your eyes opened, an unfamiliar ceiling came to your view, too fancy to be your room. You frowned your eyebrows. What were you doing here? Then everything hit you from the previous day. You were not in the forest. That meant that someone had found you and brought you back here. Who was it?
You sat up on the soft bed, letting the blanket rest around your waist. Looking around, your eyes fell on the man sitting on the tatami mat with his back turned to you. His huge build and pink hair, hard to not notice. So he's the one who saved you? Again?
Your heart swelled up in happiness. Was he worried about you? Has he personally gone out to look for you? Did he miss you?
"Master Sukuna?" You called before you could understand. His back visibly stiffened but he remained still. Did he not hear you? You call him again but this time he roughly stood up and left the room. Confused is what you were with his actions. You wondered if you did something wrong. Seconds after he left, Uraume entered with a tray in hand.
They placed the tray on your lap, "Ms. Y/N, please drink some warm soup. You'll feel better."
Uraume said and took a seat beside the futon, on the tatami mat. Just as you were about to refuse, your belly rumbled embarrassingly loud. In the embarrassed silence, you picked up a little bit of steaming soup in the spoon, blowing on it and then drinking it.
You noticed that you were not feeling any kind of pain and there were no cuts or bruises on your body. After that fall you were sure that you would have at least one broken bone.
Uraume saw you inspecting your arms and they answered your unasked question, "Master Sukuna healed you."
You muttered a soft 'hmm' and silence engulfed you again. It was awkward, especially because the all put together Uraume was fidgeting with their sleeves.
You kept the tray aside with the empty soup bowl, "What is it, Uraume-san? You look anxious."
Uraume dropped their head on the floor, "Have we done something wrong that you had to take this kind of step? If so, please punish us."
Their sudden action sent you into panic mode, "Wait wait wait, What do you mean?"
"Master Sukuna is deeply hurt by your attempt to run away. Please don't punish him for our mistakes." Uraume answered.
Run away?
You threw off the blanket and grabbed them by their shoulders, bringing them up, "Uraume-san, I am confused. When did I try to run away?"
The next words that came out of Uraume's mouth sent you in a spiral. How they misunderstood you going missing. They also mentioned how hurt and angry Sukuna was. That explains his attitude just now.
You palmed your mouth, "O my lord! That's… um.... it's not, where is Master Sukuna? I've to clear this misunderstanding."
You ran out of the room, ignoring Uraume's shouting to not strain yourself. The first place you looked for him was the library where he spent most of his day, drowning himself in the poetic world of other's imagination. Unfortunately it was empty but there was a pile of books left on the table as if someone had tried so hard to read but just couldn't concentrate.
Next was the throne room but it also devoid any sign of him. Where could he be? What place would he go to? Then it clicked. That place. Where you first met him. Where you enjoyed the serene silence of the night. Where you slowly but surely fell for him. The indoor pond.
As you neared the place, muffled voices became clear. Deep raspy voice of you King and a higher pitched feminine voice.
"............. Please Master, I've surrendered myself to you. Why can't you see my love?" Tears streamed down Ayame's porcelain cheeks as she stared at Sukuna's back. Even while sitting down he almost towered over her petite figure.
Sukuna grunted, feeling irritated but otherwise decided to ignore her existence. If it was any other time, she already would have been sliced into million pieces. But at the moment, neither he had any wish nor any energy to put someone in their place.
The whole night Sukuna spent staying by your side and healing your wounds. In the process he discovered all the fading marks on your body when the maid changed you out of that dirty attire and onto a more comfortable blue one. Sukuna had a faint idea who might be the cause of those bruises. Of course who else other than that greedy bastard of your father.
It took every fibre in his body to not go on rampage and find that fucker. Sukuna wanted to give him the slowest and the most dreadful death anyone could even think of. But patience is the key to a satisfying result.
"Master Sukuna, that girl doesn't even love you. She didn't think twice before pulling that stunt."
Sukuna groaned in annoyance. Can't this girl just shut up for once. Ayame knew that she was crossing the line or may have crossed it long ago, it might cost her her life but today was her chance. If she could show him just how much she loved him and deserved his love, she might get to be with him for eternity. She could turn into a damn cannibalistic curse for him.
She gulped down the fear and approached him, "I love you, Master Sukuna, way more than that ungrateful girl could ever—"
Just as she was about to place her hand on his shoulder, a pair of hands grabbed her wrist in a painful fist. The huge one belonged to Sukuna while the one underneath his was much more skinny to be his. Both Sukuna and her eyes followed it and they saw you standing there but you were only looking at Sukuna. He instantly withdrew his hand back and got up, standing at the edge of the pond.
You jerked her hand off, "I do not appreciate anyone talking bad about me behind my back."
"You've got some nerves to say that after the atrocious stunt that you have pulled the night before." Ayame gritted words out between her teeth.
"Don't act so over smart. You don't even know what actually happened. I would never……" Your voice softened, "I can never do that."
Ayame scoffed, "You think anyone will believe your bullshit? If you really didn't try to run away then what were you doing that deep into the forest?"
"I don't owe you any explanation, whoever you may be."
"I'm Ayame—"
"I don't want to know." You ignored her fuming face and walked up to Sukuna instead, "Master Sukuna—"
"Ayame." Her face lit up with hope as Sukuna called her name but that soon turned into disappointment with his next words, "Get out."
Ayame took her leave with an already broken heart. Sukuna went back to being silent again, giving you a chance to explain yourself. You wait for the door to close and give you the much needed privacy but that never happened. You ignored that too.
"Master Sukuna, I didn't try to run away, it's a big misunderstanding." You explained everything, each and every small detail but you were not sure if he even believed you.
His back still faced you, Sukuna remained silent for some time before finally saying something to you, "Why should I believe you? For all I know all this might just be an excuse from you so that I don't kill you."
Sukuna's mouth worked without any thoughts, "Maybe you really intended to get as far away from me as possible. All this time that you spent with me was to make me let my guard down. I was shocked when you said that you aren't scared of me, that might have been a lie too right?......."
It hurt you to see him doubt you and your unspoken relationship. As you tried to interrupt him, his bombarding voice stopped you. Even you were starting to feel frustrated with the situation. At last you let frustration take over you.
In just three steps you were standing in front of the king of curses. You wrapped your arms around his thick neck and got on tiptoes, then your lips crushed on his rough ones. Sukuna didn't react instantly but then his stiff body relaxed. He reciprocated the kiss with much more passion. A hand tangled with your open hair while another rested on the middle of your back. Two hands wrapped around your waist and rested on you ass.
His tongue explored every corner of your mouth. Your hand sneaked up on the nape of his neck and twisted in his pink hair. Sukuna moved, taking you along with him and you followed blindly. Then you felt yourself falling and hitting the cold water of the pond.
You yelped in surprise, "Master Sukuna!"
Your fingers dug on the fabric over his shoulder in death grip. Sukuna kept a firm hold around your waist as he removed the hair on your face that was blocking his view. Water clung to him, making him appear more appealing than ever.
"You cannot live without me?" Sukuna said as his lips curled up in a smirk, using your earlier said words to tease you.
However the smirk was wiped off his face the next second when instead of shying away, you pulled him close till your breast was squeezed against his chest, "I, the loyal servant of the King of Curses, Ryomen Sukuna, can not live or even think of living without my King."
"You are getting bolder these days." Sukuna whispered under his breath and you reciprocated it with, "The effect of you, my King."
Sukuna wasted no time devouring your lips in his. Both soaking wet from the water, you let yourself be lost in each other, exploring each other's body. Clothes shredded, bodies entangled, and two cursed souls became one. Ayame stood outside, her back leaning against the wall as tears streamed down her cheeks and neck. Maybe she truly didn't deserve him.
Thus began the crimson love of the cursed king, Ryomen Sukuna.
"Come here baby, I brought you your favourite fruit, peaches." Sukuna watched as your kneeling form gushed over the white rabbit who hopped out from behind the tree, taking the peach and feasting on it without any care, "Eat fast before anyone sees you here."
It was the same injured one that had caused chaos in your life months ago. You found it wandering in the garden after that passionate night when you gave yourself completely to Sukuna. Sukuna sometimes wonders whether he should let you know that he already knows about him. But seeing you hop around, scared of him finding out is too entertaining.
"Y/N!" Sukuna called from the second floor.
"Bye bye baby." You shoo-ed the bunny away in fear. Sukuna could barely suppress the laugh as you sprinted inside the shrine, "Yes, Master Sukuna, I'm coming."
Yeah, he definitely should not.
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fatesundress · 11 months
Text
⭑ for the love that used to be here. tom riddle x reader
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summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.
tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people
note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡
word count. 21.8k (i know... i KNOW)
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You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.
You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.
He evidently does not.
“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.
You narrow your eyes. “‘Scuse me?”
“I said the powder has to be completely fine.”
“I heard you completely fine. I know how to read.”
He stares blankly at you before returning to his own station, and that’s that.
It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.
There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.
That decides it. Flotsam still floats.
Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 
…It’s just that he’s insufferable.
The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.
Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 
“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.
You blink at the vague shape of him. “What?”
“If you don’t hurt them back, eventually, they’ll just kill you.”
In hindsight, it’s an assumption so hastily bleak only a scared child could make it.
I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.
You roll over and pretend to sleep, and in the morning, you hurt them anyway.
It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.
Tom sits with you in the Great Hall for dinner that night, and he never really stops.
You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.
When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.
You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.
Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 
Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.
You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.
For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 
You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.
It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.
Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.
You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.
Tom is cross-legged and sat straight, his brows furrowed in concentration.
“What’ve you got?” you ask, leaning over to answer your own question.
Tom as good as rolls his eyes, holding up the book to give you an easier look.
“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”
“It’s the stuff they’ll never teach us.”
“I wonder why.”
He steals a glance at your own book and smiles in that smug way that makes you want to slap him.
“What, Tom?”
He shrugs. “You might want to know you’re reading stories about the author.”
You look down. Lore of — Godelot wrote Magick Moste Evile? 
It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.
“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”
“Well, they’d be out of his quill.”
“Oh my God, Tom, shut up.”
All good things must come to an end. Term resumes and your hackles are back up. 
Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.
Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 
You suppose, for them, it’s a question with few answers. 
For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.
He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)
Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.
You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 
They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.
You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.
“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.
He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”
“Don’t get ahead of yourself. I’m only curious.”
“Curiosity—”
“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”
He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.
You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.
But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.
“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.
“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”
“Of course,” he says blankly. “Hence this.”
This — restricted books and furtive duels — should not be necessary. 
“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”
He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 
It isn’t enough to be as good as them. You have to best them, and you have to do it forever.
The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 
The worst of the world has impeccable timing.
A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.
So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.
And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.
BOMB’S HAVOC IN CROWDED PUBLIC SHELTER
MOTHERS AND CHILDREN AMONG THE CASUALTIES
DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN
All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.
The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.
It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.
In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 
You figure the reason for the extra space is probably not one you want to know.
Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.
But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 
He doesn’t, or at least doesn’t say he minds your relocation.
You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 
You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.
“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.
Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.
He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”
“...Riiiiight, but that isn’t a proper answer.”
You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 
“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”
“An altercation.”
“Very good, that is what I said.”
You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 
“And I suppose you’re above such incidents,” he muses.
You cross your arms and huff. He always wins games like these.
You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 
But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 
She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.
For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.
Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)
Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.
“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.
“Perhaps someone else has,” Tom suggests.
“What? Malfoy?”
You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.
But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”
Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —
“A professor?”
“It may be.” He says it like he’s already decided his suspect.
He is, as always, and ever-infuriatingly, correct.
It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.
He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.
Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.
You consider it a warning.
Tom does not.
“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”
His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.
“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”
“So?”
It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.
“So?” You make an aggressive move with your knight. “So don’t give him one!”
He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.
“Are you stupid, Tom?”
You glance at the board. He’s got Check. A terrible, true answer.
“No,” you finish. “Then don’t act like it.”
Your king glances at you and you nod. He falls. The game is resigned.
Tom acts stupid.
Dumbledore knows.
It all happens very fast.
You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.
You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.
You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.
“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”
Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”
You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.
“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”
“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”
“I —”
“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”
You swear a great deal when you’re cold and mad, apparently.
“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”
“It doesn’t matter! He knows it’s you! He was staring at you all class!”
“So nothing novel then.”
“D’you want me to blast you again?”
His lips form a flat line. No. That’s what you thought.
You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”
That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.
“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.
“Tom.”
“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”
“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”
Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”
“I am half-drowned, dickhead.”
And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.
It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.
The day everything changes starts the same as any. 
You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 
Tom has cracked the book.
It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.
“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.
He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.
“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”
“Tom, I have no idea what you’re talking about.”
“It’s an Encyclopaedia on Parseltongue and its known speakers.”
You flip through the pages and none of it means anything. “Parseltongue?”
“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”
“Okay, so, what — you’re trying to learn it anyway?”
“I have no need.”
You frown. “You… you already know it.”
“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —
“You’re not muggle-born.”
“No, I’m not. And Dumbledore knows.”
“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”
“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”
“Why would he lie?”
“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”
You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.
“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”
He sighs, taking your hand and leading you further into the woods.
“Are you trying to murder me?”
“I might.”
“You’d be the first suspect.”
“No, I wouldn’t. You’ve far too many enemies.”
Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.
He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 
It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.
“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.
There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.
“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”
You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.
“Oh my God. Oh my God, Tom.”
The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.
“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.
He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 
“Should I?”
And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”
It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.
Tom’s smile fades. “We’re nothing like them.”
The thing is, neither of you know that’s the day that changes everything.
You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.
Summer blisters when it comes.
Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 
And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.
A stupid remark. You fervently ignore it.
Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.
But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.
It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?
You say the same to Tom and he rolls his eyes, but the amusement is there.
“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.
“If they’re yours, I doubt they have anything worth discussing.”
And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.
He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.
Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.
You always are.
The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 
Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.
He’s had an ego forever. He just has a few too many reasons for it now.
And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.
Everything changes but the observable truth that he is still insufferable.
You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.
You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.
You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.
Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 
You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.
So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 
It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.
It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.
Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.
The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 
You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.
Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 
But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.
“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.
Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.
“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”
He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.
You move to catch his wrist and manage it this time. “Tom.”
“Don’t argue,” he says thinly.
“You’ll get sick.”
His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”
Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.
Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.
When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 
What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.
You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.
Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.
You are regardless. 
It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.
A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.
Life is for the magical, you find. The muggles can burn.
It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.
You remember with a small ache that you no longer means you and him.
And then — it makes sense. You feel incredibly stupid.
“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.
He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”
“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”
“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”
“Why did you tell him, Tom?!”
“Why?” he deadpans.
You throw your hands up. “Oh, for fuck’s sake.”
“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”
“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”
Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.
To be short, he’s close, he’s very beautiful, and sometimes you despise him.
“Trust me,” he says again, without the derision of the last time. “This will change things for us.”
You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.
You are not his keeper. You know that. 
“Change them for the better, Tom,” you say on a sigh.
He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.
And he does nod, finally, but he does it with his thumb brushing the corner of your lip.
What? Sorry. What’s going on?
He pulls it away like he’s heard you. “You had something.”
You’re almost positive you did not.
Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.
You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.
Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.
Your contentment is remedied quickly.
Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.
You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.
Tom nods at your theory when you manage to escape to the Black Lake together in November.
“That isn’t unreasonable,” he says. High praise.
You sink into the moss, sighing. “Do you think there’ll be more?”
He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.
You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”
“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”
“How’s that?”
“No one would be senseless enough to try.”
And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.
One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.
It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.
You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.
It happens again.
Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.
There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.
You cry that night. You can’t remember the last time you cried.
This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.
You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.
You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)
He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 
And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.
Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.
And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.
The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.
The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.
That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.
One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.
The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?
You take to the library.
Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.
The third sign is the end. 
You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.
He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 
And he’d killed Myrtle Warren.
So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.
Don’t become like them now that you’re not like me.
He’s something else entirely.
What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.
You stand; and you tell no one. Not even Tom.
His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 
You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 
“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.
You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.
“Mhm,” you hum, transfiguring the daisy stem back to its regular length.
Tom observes it with curious eyes. “You’re getting good at that.”
“I’ve been good at it.”
His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.
His own doing and still you flicker with some relentless hope that he's drowning in regret.
“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.
You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.
You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.
He sees all of you.
Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.
“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.
“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."
He stares at you. There’s nothing there.
“Tell me, Tom.”
Your breath catches on an automatic please but you don’t want to offer him that.
“I cannot.”
Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.
It’s late winter and it’s too cold.
“You killed her,” you say quietly.
“If I told you I did not wish for it, would you even believe me?”
“What are you… so it was an accident?”
“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”
“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.
He’s so composed in the face of it that it only makes you more incensed.
“You told me to change things —”
“You killed someone! Can you understand that?”
“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”
“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”
“Do you want me to lie?”
“What could her death possibly bring me, Tom?”
“Her death is the first step to —”
“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”
“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.
All you can do is nod, arms falling to cross over your chest.
“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."
You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.
“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."
“...What?"
“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”
You blink, feeling dizzy. “Myrtle was the sacrifice.”
“Myrtle was there,” Tom remedies.
“How lucky for you.”
“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”
“For — you’d do it again? Again, Tom?”
His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.
“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."
“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”
And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 
You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 
“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 
Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 
Of course you can't stand or talk or think. You're you, contemplating a life without him.
“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 
He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.
After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"
“I thought I would have time.”
“To come up with a good lie? Something I’d sympathise with?”
He bites his cheek. “Evidently the particulars matter little to you.”
Fuck him. “Fuck you.”
“Very cogent.”
“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."
He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”
You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.
“You have lost me, Tom."
He stills as if suspended. Some maceration must follow but it doesn’t.
You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 
You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 
There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.
You fail your N.E.W.T courses. Quite spectacularly.
Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.
That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 
You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.
And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.
You tear the envelope open and pull the letter out.
It’s from Dumbledore. Some of it melds together, but the key words stand out.
Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.
Be well.
You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —
You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.
Some of your letter melds together but the key words stand out.
Thank you, Sir. Whatever you need.
It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.
You find that to be true.
Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.
Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 
“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.
You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 
Teacup to gerbil — to cat, and inverse.
Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.
Study Antar’s Doctrine. Miss Wright will act as your partner.
Due February.
It’s far too much to be done in that time. “Sir?”
Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”
Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.
You nod. “I hope… Good luck, Sir.”
Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”
And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.
Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.
You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.
You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.
In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.
Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.
You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.
But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.
You drink, and don’t look away.
By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.
There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.
You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 
An animal — like that isn’t the vaguest instruction you’ve ever received.
You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 
You’re better than them. You can do it forever.
The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.
The Ministry worker swallows. Dumbledore smiles.
“And — and back?” the worker says, like that will be the thing that stops you.
You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.
You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.
The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.
He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.
You find out you’ve passed with an Outstanding on your birthday.
Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)
“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.
You sigh into your own, partially giddy and mostly nervous.
Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”
You push her hand away but can’t help a small smile. “Outstanding,” you correct.
“Outstanding!” She bursts out laughing. “Bloody ego on you now…”
“Well, I am the smartest person you know.”
“I take that back.”
She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”
Your hands raise in surrender, and you steal only one when she’s gone.
You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.
It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.
On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.
There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.
Indifferent it is. 
“Can I help you?”
“You’re causing quite the stir,” he says, taking one of Mari’s chips.
You’re allowed. It’s infuriating when he does it.
“Am I?”
“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”
“They’re afraid of the wrong mudblood, then, aren’t they?”
Indifference effaced. You’re angry.
He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”
Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.
It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.
“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”
Something in his face shifts at the name. You swell with distorted pride.
He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.
He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”
You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.
“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.
Where is Mari?
“Your friend was at the bar, last I saw her.”
You stare at him with wild eyes. How the hell — ?
“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.
You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.
“Well then —” 
Right. Tom hasn’t actually moved away. You turn and his face is just there.
His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.
“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —
“That would be wise.”
He’s still looking at your lips.
No one else is looking at you at all.
It could exist in just this moment, you deliberate; separate from everything else.
Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.
“So I’ll be going now,” you say again.
“I haven’t protested.”
But he’s leaning in, and he has to know that’s impedance enough.
“But you will.”
His lips touch yours. “Yes, I will.”
You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.
The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)
You’re pulling away in intervals. “You don’t have me, you know.”
“I know,” he responds, lips on the corner of yours.
“You still lost me.”
“I know.”
“I hate you.”
He pauses for a moment. “I know.”
You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.
“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”
You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.
He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.
“My door is always open,” he says.
He lets you go.
You graduate with Mari’s hand in yours, and you aren’t afraid.
Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.
If he’s offering you lodgings now, he could have done it all along.
It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?
You think of him often. You think of his offer.
My door is always open.
Plenty of doors are open to you now. Why should you want to go back to his?
Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.
It’s a tempting door.
The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.
You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.
The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.
Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.
The Ministry job is truly, infinitesimally, insignificant. 
It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.
But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 
A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.
My door is always open.
Then you’ll slam it bloody closed.
Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.
She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.
When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.
It’s one stupid accident the next fall that changes things.
A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.
“Renauld’s on it, though,” your coworker says when the news finds your department.
“Renauld?”
He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.
“Well, yeah —”
You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”
“But McCormack sent him.”
“Where is it?”
“I… McCormack said that —”
“Where is it, Flack?”
“Um. Um, near King William, I think. Moorgate or, um —”
That’s good enough. You toss the Floo Powder into the fireplace and go.
The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.
But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.
“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”
You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”
“Oh my God! Fix. The muggles.”
You afford nothing else before pushing past them to enter the bank.
It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.
“Heal their wings,” you say without greeting.
Renauld jumps. “What? What are you doing here?”
“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”
“Who authorised you?” he hisses.
“I did.”
In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.
But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.
You were completely out of line and utterly right.
It isn’t something people like you are allotted.
Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.
And… he does.
With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.
It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.
There’s really no choice but to promote you.
Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.
By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.
The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.
Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.
After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.
“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”
“You’d have to be able to keep your mouth shut for that, Alves.”
Emilia punches Renauld in the arm.
“What are the aurors up to?” Flack asks.
“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”
“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”
“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”
“Hillicker’s not a source,” Renauld scoffs.
“Yeah? Why don’t you ask your daddy for something better?”
“Alves, I’ll have you know —”
You lean in over the counter. “What do you mean they’ve never seen anything like it?”
She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”
You roll your eyes, taking a drink.
That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.
But something about it itches.
You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.
You are green, through and through.
Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.
You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.
You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.
And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.
That makes it much worse when you sleep together. 
There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.
“Thanks for the — well, you have a nice home — I do think I should —”
“Yes.”
“Right.”
“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”
“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”
“I thought you might like to know. Don’t be daft about it.”
You’re incredibly daft about it.
There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 
The itch exacerbates.
You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.
You wake up and he isn’t there.
It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.
The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.
And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.
You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.
You tear the place apart and Transfigure it back together when you’re done.
All you find, in the end, is a scrap of an old envelope in a suitcase.
R.R
It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.
You return to Hogwarts posthaste.
It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.
The Grey Lady is as beautiful as she’s rumoured to be. 
You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.
“Is it found?” she whispers. The snow floats through her.
Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.
“Yes,” you say. And you dare further with the context you know, “In Albania.”
“Oh,” she hums. “Oh…”
And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.
Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.
There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.
But you do, because he told you.
You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.
It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 
It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.
You wait, legs crossed on an old loveseat, fiddling with your wand.
The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 
It strikes you only when he’s standing before you that it’s his birthday.
You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.
He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.
“I placed wards," he says, hanging his bag on a rack by the wall.
“I thought your door was always open.”
You see his posture change from just his silhouette.
“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 
He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.
“Duly noted. What are you here for?” He tries your surname like a foreign language.
You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.
You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.
“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."
“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”
“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."
His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"
“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 
Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.
“Is this a warning? I assure you, I don’t need the condescension.”
“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 
You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"
“Yes."
You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.
“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”
“I earned this,” you hiss.
“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”
“Fuck you.”
He smiles. “There you are.”
“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”
The humour dissolves from his face and you despise the immense glee it brings you.
“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”
“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.
You hum, meddling with your nails. “So what’s your plan?”
“I’d need a Vow for that.”
You laugh. “I’m not that desperate.”
“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”
“How many do you plan to make? How many people do you plan to kill?”
“A Vow.”
“Absolutely not.”
“Tea, then? Biscuits?”
“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”
“Hm. Terrible shame.”
Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”
He smiles at the barb in your words. “You never were good with subtlety.”
“I wasn’t trying to be subtle. This place is horrific.”
“I was referring to your inability to see more than what’s directly in front of you.”
“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”
Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 
“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 
He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.
“Yes,” you concur, “I suppose you should have.” 
You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”
Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.
“You have wandless magic,” he tries. A weak recovery.
“Scout’s honour, Riddle.”
He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.
He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.
“I should have killed you,” he repeats.
It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.
“Yes,” you agree.
It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.
Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.
There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.
He was your first in everything but this.
You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.
You pull him onto the sofa and crawl onto his lap.
“How long?” he asks thickly.
You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 
“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."
You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"
You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"
His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 
You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 
“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"
“N-no.”
He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."
Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 
But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 
You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.
He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.
Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.
His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 
You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.
He dips in and your eyes wrench shut, grasping frantically for his wrist.
“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.
You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.
“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”
And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.
You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.
He’s stroking at you now, pleased by the way you lurch against him with every touch.
You have to recover, you have to make it even, you have to… you…
A finger presses inside and you moan.
“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.
“Doesn’t make me yours,” you breathe.
He shakes his head. “I know. You’ll still take it though, won’t you?”
Oh, fuck.
He makes a sound of approval. “Good.”
Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.
You’ll take it, won’t you? Yes. 
Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.
You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.
He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.
But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.
Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.
“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.
“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.
“Will you give me more?”
Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.
He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.
You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.
He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —
“Want you,” you protest shakily, hand on his abdomen.
That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.
You sound frail, but you have to ask. “Is this how you wanted me?”
A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?
And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.
Maybe you already do.
Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —
He slides in. You cry out at the feel of him inside you, the angle of it like this.
“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”
You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.
“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”
You whimper.
“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.
If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.
“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”
Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.
“You can — uh — you can — ”
"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”
And he slams into you again, drawing a mewl from you that slices your unfinished thought.
You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.
“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.
You remember then. What you meant to say. “You can take me too.”
You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.
He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 
He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.
You have to promise yourself he’ll never have it again.
But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.
Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.
“Look at me,” he says, and for the strained need in it you do.
You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.
He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.
You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.
“Goodnight, Tom,” you say, finding home in the warmth of his chest.
You’ll dream of a morning where you wake up beside him, but you won’t be there.
3K notes · View notes
abbysbunny · 1 month
Text
SLITHERYN!ELLIE HC'S • 💫
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summery: enemies to lovers with slitheryn ellie:3
warnings: light angst, fluff, a wee bit of smut
notes: chat did I eated with this one>_<
tags: @ellslvr
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slytherin!ellie who's best friends with draco and they decide to start a one side prank war with you
slitheryn!ellie who makes it her job to terrorise you but never take it too far, but one day she does in fact take it too far leaving you sobbing as your covered in syrup and feathers, she thought it wouldn't be that much of a big deal because it's a classic prank
slytherin!ellie who feels sooo bad, she tried apologizing to you multiple times but every time you ignore her and move on, she even tries to sit next to you in class but you end up just leaving the seat
slytherin!ellie who shows up to your door with flowers and chocolate, you take the chocolate and then shut the door on her
slytherin!ellie who during class gets the bright idea to start leaving love letters in your dorm as an anonymous person
slytherin!ellie who spends hours writing love letters that'll last her a month, she slips one under your door every morning for a week straight
slitheryn!ellie who gets paired up with you for an assignment, while working she's inches away from you, you glance at her notebook and see it's the same writing as the love letters
slytherin!ellie who of course didn't think of changing her writing for the letters
slytherin!ellie who slowly gets closer to you while you guys are working on the project, you start talking instead of working
slytherin!ellie who has no clue the only reason you've sort of forgave her is because you know she wrote the letters
slytherin!ellie who's laying in bed reading a book when she hears a knock on her door, she opens it up to see you standing there
slytherin!ellie who's caught by surprise when you confess to her, her jaw dropped and her eyes are wide, 'really?' she questioned in pure shock
slytherin!ellie who takes you on the sweetest dates, picnics, pubs, or just in her dorm room
slytherin!ellie who fucks you in the slytherin common room when everyone's asleep
'shh, baby hush, you don't want anyone to hear you right?'
slytherin!ellie who's mean to everyone else but you!!! she acts all tough around other people but she's a total softie with you
slytherin!ellie who treats you like her princess and would never ever hurt you again:3
416 notes · View notes
mc-i-r · 9 months
Text
Disposable Heroes
Part one, Part two, Part three, Part four AO3 link
A/N: hi yes so sorry for how late this is, it turned into a huge monster of a fic that I’m still working on but I figured posting the first part wouldn’t hurt. This is based on this post by @liightsnow, @acowardinmordor, and @00biscuit while back and I decided to expand that concept a bit and here we are. I'll be tagging anyone that seemed interested in the concept at the end of the fic! Warnings are below but I just wanna say that Steve is struggling with his sexuality in this one so most of it comes from that. This will absolutely have a happy ending, just not right now. Enjoy the angst!
Tw: internalized homophobia, homophobic language, mentions of canon violence, dissociation, panic attacks
———
It’s a Sunday afternoon when he realizes it. Steve is sitting on his couch, eating a shitty frozen meal and watching a random movie on TV when it hits him. The kids haven’t asked him for a ride in two weeks. Two Saturdays have passed and there was not one call— either on the phone or over the walkie— from any of the kids. Not even Dustin, who has seemed to make it his life’s mission in the past couple years to annoy Steve into an early grave.
It’s not like he hasn’t seen them at all. He still practices basketball with Lucas on Thursdays, even though the season is long over. His weekly dinners with Claudia and Dustin are still going strong every Wednesday. Joyce seems to invite him over for dinners every couple weeks. From the outside, everything seems fine. And maybe it is, but Steve’s noticed things.
See, he’s not as stupid as people think he is. He may not be academically smart but he can read. However, instead of books, it’s people. He can read their micro-expressions, notice little signs in their body language that help him understand the person. He can tell when people are nervous when they avoid eye contact, can tell how anxious they are when they distract themselves by picking at their fingers. It’s how he’s so good with the kids. They’re in the stubborn stage of their teenage years, the time in which the only answer you’ll get is ‘I’m fine. Leave me alone’. But he can tell if there’s something on their minds, if there’s something eating away at them.
He can tell that Mike’s anger and pointed barbs are directed towards himself, how he’s struggling with something he can’t quite admit to himself yet. How Max is frustrated with her body, with accepting help, because she’s always had to rely on herself and putting that much trust in someone else has never been an option for her until now. How Lucas is trying to find joy in doing something he loves again, because his love for basketball has been ruined by Carver and his trusty band of assholes. How Dustin is trying to deal with almost losing Eddie, how he’s processing the feelings of almost losing a brotherly figure along with one of his friends. How Will is hiding part of himself, struggling to accept it in the same way Mike is. How El is trying so hard to find her new normal, to adjust to getting her life— her father— back.
There’s another thing he’s noticed, however. It’s that the kids are obsessed with Eddie. Steve from a couple years ago would feel jealous of Eddie, and would try to hold it against him. Now, though, Steve just feels… sad. The kids constantly talk about how cool and badass Eddie is for still being himself despite all the shit Hawkins has thrown at him. They talk about how Eddie takes them places, gets them little trinkets for their nerd game, and takes them fun places. Eddie does all these little things for the kids, lets them just be kids, and really, Steve can’t be mad at him for it. He tries to let them have fun, but his constant worrying overwhelms them. It brings them down. Eddie doesn’t do that. He joins right in with them, basking in the fun and letting himself go. Steve… can’t. Not with all the shit he’s seen. Letting his guard down is something he can’t afford to do anymore.
He sighs down at his meal, chucking it on the coffee table as he loses his appetite. His glasses land next to the disposable plastic tray, sliding across the finished wood surface from the force of his throw. He rubs harshly over his face, hands digging into his eyes until he sees stars.
Steve knows he’s not perfect. Hell, it took an interdimensional monster trying to kill him in order for him to realize that he could be a better person. That the only person truly able to change his life is himself. He used to think he had no choice in his life— whether it was his parents' high expectations of him or his friends trying to mold him into their perfect little plaything— but he knows better now. He knows that he shouldn’t have become King Steve, that he shouldn’t have hurled all his hate and anger towards other people who didn’t deserve it. He knows he shouldn’t have called people names or slurs, that he shouldn’t have spray painted lockers or ripped up books or shoved people against hard asphalt. He knows that, but knowing it was wrong doesn’t erase the fact that it happened. That Steve did those things and hurt people.
Part of him knows that his past is what made the kids turn towards Eddie. Why wouldn’t they? Steve was a bully, thought he was hot shit in school and made it everyone’s problem. Eddie was simply himself. His unabashed, unashamed self. He stood on cafeteria tables, made dramatic speeches, and shared his opinions to anyone and everyone who would listen. He’s so genuine and so, so much better for the kids. He teaches them how to be themselves, how to shove off the hate and embrace their weird side. He’s perfect for them, and Steve knows deep down that this is good for them. The kids need a good role model, one they can rely on, and Eddie has his herd of little sheep to teach and protect. It’s perfect. They’re perfect.
Steve remembers the time last week at the Byers-Hopper house when their little obsession truly became real. They were waiting for the bread to finish baking in the oven, and Steve saw that Will was seated alone in the living room. Joyce and Hopper were in the kitchen, talking and keeping a lookout so the bread wouldn’t burn. Jonathan and El were listening to music in his room, the synth and guitars echoing down the hallway. So, Steve decided to finally talk to Will. It’s not like they don’t talk ever, just… not much. Will is quiet, blends into the background, and Steve never felt like the kid would be comfortable with him trying to get in his business. However, he needed to ask the question that had been on his mind for a while.
Steve sat down on the couch next to him, keeping a fair amount of distance between them, and rested his elbows on his knees. Will was reading a comic, the cover full of bright colors and words, not paying attention. Steve sighed, pushed his glasses up, and ran a hand through his own hair.
“Hey, um… can we talk for a sec?”
Will startled a little, like he didn’t realize Steve was there, and closed his comic. He nodded, and Steve tried not to feel bad about the hesitation in his eyes.
“Is there something going on that I don’t know about? Like with the others?” Will’s eyebrows furrowed, a confused expression taking over his face.
“Um.. what do you mean?”
“Just… have I done anything to them to make them mad? I just… I don’t know, I feel like I’ve done something but I don’t know what,” Steve confessed. He must have looked as distraught as he felt, because Will seemed to soften at his explanation a bit.
“Why do you think that, Steve?” Will asked softly, and Steve had a moment of realization that Will seemed years older than he looked. Steve sighed, and explained that the kids haven’t really been hanging around him much and instead like to spend time with Eddie. He’s quick to clarify that he doesn’t mean anything bad by it, just wants to know what happened. It was Will’s turn to sigh, and he looked at Steve with something akin to sympathy.
“Steve, I don’t say this to be mean but… Eddie just relates to us more, you know? He shares more interests with us, and he seems to get us better,” Will expressed. His eyes widened and he hastily added, “it doesn’t mean there’s anything wrong with you! Just… it’s nice to have somewhere else to go, you know?”
The rest of the evening was spent with Steve silently eating his dinner, Will’s words echoing through his head as he munched on half-burnt bread.
Steve decides then, TV dinner half-eaten and work vest still on his shoulders, that he’s going to make this better.
The next day, Eddie comes into Family Video to pick up some movies, definitely for a movie night judging by the titles— he seriously doubts a metalhead would willingly watch The Goonies, The Dark Crystal, and Ghostbusters by himself on a Saturday night. Eddie bounds up to the register, movies in hand, and does a dramatic bow as he presents them to Steve.
“I wish to borrow these, my liege,” Eddie declares, his voice deep and in a horrible mockery of an English accent. Steve scoffs and rolls his eyes, unable to hide the small grin on his face at the other man's theatrics.
Eddie looks so effortlessly pretty, his hair tied back in a ponytail and his tattoos exposed through the large arm holes in his homemade tank top. Steve shakes his head to get rid of those thoughts and takes the movies to check them out, ignoring the late fee balance on Eddie's account. A glance at the man in front of him, who is bouncing on his toes and looking around the store, gives Steve an idea.
“Hey, is Hellfire still going on?”
Eddie snaps his attention back to Steve, looking a little startled to be asked such a thing.
“Uh… yeah, it's still going on. We have to play in Gareth’s hot ass garage since school is out but we’re making it work. Why d’you ask?”
“Oh, uh… the kids complained awhile back that they didn’t have a good spot to play anymore and I was just wondering,” Steve explains. Eddie raises an eyebrow at him, and Steve can feel him staring. Can feel him looking at him closely. Too closely. He clears his throat and looks back down at the counter, pushing his gold, wire-framed glasses further up his nose. “I uh… I actually wanted to offer up my place? My parents aren’t home much”— more like never— “and I’ve got plenty of space for the gremlins and the other guys. Plus, my A/C works and I’ve got a shit ton of snacks. I’ll stay out of your hair and-“
“Actually uh…” Eddie cuts him off with a strained voice. Steve looks up to find his face contorted like he ate something sour, and he knows what his response is going to be before he opens his mouth. Eddie wipes a hand over his mouth before shoving it in his pocket. “Yeah, the other guys just… really wouldn’t want to be there.”
Steve nods— tries not to let the denial sting— and looks down at the movies in his hands. Ignoring how they shake, he sets them on the counter and slides them towards Eddie.
“That’s okay man, I get it. I need a break from the little horrors anyway,” he huffs out, the words digging their way into the pit in his stomach. He puts on his best customer service smile and looks up at Eddie, finding him looking a little wary. Eddie hesitates, as if debating with himself on whether or not to say anything, before rapping his knuckles on the counter in a little rhythm and picking up his movies. An awkward smile finds its way to his face, and Steve thinks it strange and out of place. It’s so.. un-Eddie-like. The pit grows deeper.
Walking backwards towards the entrance, Eddie throws a little salute his way before turning and swinging out the door. A belated “see ya, Harrington” drifts through the closing door in his wake.
Steve slumps over the counter when he’s gone, holding his head in his hands and feeling the childish urge to cry make its way up to his eyes. Even after everything— after walking through hell together, dragging his lifeless body out of the Upside Down as his blood dripped down his back and soaked through his clothes, standing vigil at his side until he woke up two weeks later— Eddie still seems to hate him.
But Steve… he feels the opposite. He has this overwhelming desire to be with Eddie. To hang out with him in the back of his van, drinking sodas and eating snacks as they look out over Lover’s Lake while the sun sets. To talk to him until the early hours of the morning until there’s nothing left to say. To go for drives late at night and listen to his loud music on the radio while holding hands over the center console. He has feelings for Eddie he’s never had before. Not for any past romantic conquests nor any girl. Hell, not even for Nancy. He’s never felt this intense need to be near someone before, and it scares him. It truly terrifies him.
He’s not homophobic— his platonic soulmate is a lesbian, for Christ's sake— but the fact that he feels this way is just… wrong to him. How is Steve Harrington, ladies’ man and charmer extraordinaire, into dudes? What is he, like, half gay? It just doesn’t make sense, doesn’t seem right, for him to feel like this. He sighs into his hands, digging his palms into his eyes until he sees stars. He can’t be thinking about this now, he can’t be thinking about this at all. He needs to shove it in the box in the back of his head where all the hard feelings go, waiting and festering to be dealt with later. He needs to, but he doesn’t know if he can.
Fuck, he needs to talk to Robin. Shit- can he though? What if what he’s feeling is a fluke or something? What if it’s just in his head because he’s desperate? What if Robin thinks he’s making fun of her and won’t take him seriously? It’s not fair of him to throw all his problems on her, even if he thinks she could help. It’s not her job to look after him, to take care of him. He can do that himself. He can figure this out himself.
Distantly, the words of Richard Harrington play in his ears. About how being gay is wrong, how it’s a disease. How it’s a sickness that slowly takes over until there’s nothing left. How it’s a disgrace.
He remembers sitting in the living room with his parents on a rare occasion in which they were home, watching the news channel as it talked about an epidemic spreading through young men. His father scoffed at the screen when they started talking about potential cures.
“Cures? They should just let those fags die. They brought this on themselves, you know. Typical of them to complain about the fucking consequences,” Richard had spat out at the block TV, standing to refill his bourbon. Steve had clenched his fists at his side, his already stiff posture straightening still. He felt angry at his fathers words, something pure and burning in his gut.
He didn’t know what it was at the time, but maybe he should’ve known. Maybe him being queer shouldn’t be as much of a surprise as it feels. Maybe he’s always known and just couldn’t bring himself to admit it. Maybe that anger he felt at his father’s words was partly on behalf of himself, too.
A wince shudders through him as he remembers how that night ended.
Steve had stood up from the couch, watching the dark liquid flow into the crystal glass in his father’s hand.
“What’s so wrong with being gay? I don’t understand how you could just.. hate people like that. Hate them for just existing,” Steve countered. His father had frozen at his words, slowly setting down the decanter with a solid ‘thunk’ against the metal tray where it belonged and turned to face him. His face was slowly gaining a reddish hue, a sign of the anger rising within him.
“What did you just say?” He demanded, voice scarily calm but laced with an icy rage. Steve swallowed.
“What… What's wrong with being gay, sir?” Steve hesitated, voice failing him. Richard had downed the glass of bourbon before throwing it at Steve, the crystal shattering on the mantelpiece behind him and sending shards flying.
“What’s wrong, Steven, is that you think it’s okay. No son of mine will think like that, not on my watch,” his father boomed, taking long strides towards him. Steve didn’t dare move, only watched his fist grow nearer as he punched him high on his cheek. He fell to the floor, arms trying to protect his head but it was no use. Richard had ripped his arms away, gripping the front of his shirt and making Steve hover above the ground.
“I didn’t raise a fucking fairy, Steven,” he spat. “A faggot.” Steve recoiled, physically feeling the vitriol his father aimed at his face. Richard had sneered, pulled him close and whispered, “Never forget that, Steven,” before shoving him harshly onto the ground and walking away. Black had clouded the edges of his vision, and he laid on the plush rug until it cleared up. He looked over, found his mother silently watching the TV and sipping her wine, and begged with his eyes for her to help him. To say something. Anything. She didn’t, and Steve had to haul himself off the floor, grasping the couch when his vision swam, and stumbled his way to his room.
The rest of that weekend was spent in his room, gingerly cleaning his face and the couple places where glass had cut him on his arms with a wet washcloth and soap. It was the first time he had ever gotten a concussion. He was fifteen.
He remembers replaying the fight over and over again, feeling like those barbs were directed towards him, too. In hindsight, maybe they were. Maybe his father just knew. Knew he was queer long before Steve ever did. Maybe that’s why he’s always so angry with him, so… disappointed. A groan escapes him and he runs a hand through his hair. He’s been thinking way too damn much for it to be this early in the day.
God, he really wishes Robin was here. He knows he can’t talk to her, but it would be nice just to have someone here to keep him from spiraling and drowning in his thoughts. He pushes himself off the counter and goes over to the cart where the returns sit, hoping that busying himself will occupy his thoughts. He sets a few on the shelves when what Eddie said earlier barrels into him full-force.
“Yeah, the other guys just… really wouldn’t want to be there.”
Jesus fucking Christ, he’s stupid. Of course the other Hellfire guys wouldn’t want to be at his house, they probably still see him as King Steve. Most people do, nowadays. Only the ones he went through hell with know he’s different now, that he’s changed. So really, he can’t fault them for being against the idea of Hellfire at his house. He wouldn’t believe it either if he was in their shoes.
Then again, wouldn’t Eddie or the kids try to convince them he’s different? That he’s not a dick? Shit, he’s been through four apocalypses, three concussions, and survived Russian torture— surely they would give him the benefit of the doubt, right? He’s dropped the bad influences out of his life, found better friends, better family— or can he even say that anymore?— to be with. Wouldn’t they try to stick up for him? Or... is he just not worth it?
Steve clenches his eyes shut, willing his bubbling emotions back down, and grips the movie in his hands so hard the plastic begins to creak. The little voice in his head, one that sounds suspiciously like Robin, tells him to breathe. He does. Deep inhale, hold, long exhale. Over and over and over again until he’s calm, until his head is clear.
He knows what he needs to do now: apologize. If it's one thing Steve Harrington knows, it’s how to apologize. Hell, he’s done it more times than he can count. He knows how to repair burnt bridges and how to get past the tough exterior of a person to pull at their heartstrings for sympathy. He knows the key; he just has to make himself useful. If he can provide things for the kids, for Eddie and the Hellfire crew, then they’ll want him around. That’s how it’s always been. That’s how it is with his parents, with school, with his past friends, and now his current ones. He vaguely recalls his junior year art teacher saying that, "once is an accident, twice is a coincidence, but thrice is a pattern." Which means this, this is something he has to make right.
With a plan solidified in his mind, he goes back to work refilling the shelves with movies, brainstorming ideas to get his family back.
Over the next week, Steve becomes a one man show. He offers up more rides, more movie nights, more free reign of his house and his pool and his car and his money and himself just to make the kids happy. He picks up extra shifts at work just to get extra spending money for them, knowing that they go through twenty bucks in no time.
But… it doesn’t work. Because bit by bit, ride by ride, movie marathon by family dinner by game night by post-nightmare phone call, it becomes painfully clear. Everyone puts on a mask around him. One that says they’re happy to see him, that they’re glad he’s here, but he knows it’s a lie. This, really, shouldn’t be much of a surprise. People don’t stick around him much, so why did he think this was any different?
Maybe it’s because he was finally himself around them, he finally opened up and showed a bit of his true self, and was still rejected. Still pushed away. He wasn’t cowering behind a mask this time, he was just Steve. But it wasn’t good enough. He wasn’t good enough.
To their credit, it starts off slow. Casual comments that are cut off quickly, kicks under dinner tables and pointed throat clearing. It’s one instance during game night where it all clicks.
The Monopoly board is spread out before them in the Byers-Hopper living room. Steve, of course, is losing. He’s not good with investments and savings and he keeps landing on the goddamn ‘jail’ space but he doesn’t really care, not when he’s finally having fun with the kids. He groans when the dice make him land on one of Mike’s properties, shuffling his fake cash to pull out the tax money.
“C’mon this game is totally rigged. How the hell am I losing to a bunch of teens?” He grumbles as Mike proudly snatches the money from his hand. Max snickers from her place beside him, her pale blue eyes rolling as she looks at him.
“You know, if you actually used your brain then maybe you wouldn’t be losing. Ever think of that?” She quips, and Steve huffs. Leave it to him to be called out by a fifteen year old.
“I’m surprised there’s even a brain in there to begin with,” Dustin states. He’s seated across from Steve. “I mean, why else would he have-“
His comment is cut off by Lucas smacking his arm. Dustin looks at him like he’s about to protest when Lucas raises his eyebrows, looking pointedly from Dustin to Steve and back again. Steve can’t hear from his position so far away, but he swears Dustin mutters “shit” before crossing his arms and looking down at the board. Steve looks around at the rest of the group, noticing how none of them seem to want to look at him, choosing to focus rather intently on the cardboard before them.
The rest of the game is filled with awkward silences. Steve can feel them looking at him when he’s occupied, and it makes him feel like shit inside.
It’s on the drive home when it hits him. He is the one that doesn’t fit into their group, into their family. They’re slowly but surely removing him and replacing him with Eddie. With someone who fits. With someone better. It hits him so hard, so fully, that he has to pull over on a quiet street to sob in his empty car.
The first time it's fully solidified in his mind is at a barbecue at the Byers-Hoppers house. Robin can’t come, her aunt from up north is visiting for the weekend and she has to stay home. Steve walks through the house, planning on saying hello to Joyce before joining the party outside. He finds Joyce talking low to Eddie in the kitchen and he pauses in the doorway, watches how Joyce laughs at something Eddie says. How she places her hand on his arm as her eyes crinkle with the weight of her laugh. Eddie is smiling, open and wide, with a flush high on his cheeks that stains his skin pink. His dimples are on full display and it takes pure willpower for Steve not to go and poke at them, to settle his thumb in the divot of his skin.
Joyce leans close to Eddie and says something under her breath, making him blush purely red now and shush her, causing another wave of laughter to ripple through the both of them. The kitchen is filled with warmth, the afternoon sunlight streaming in through the sheer cream-colored curtains that line the two windows as laughter fills the room. It’s light, it’s happiness, it’s love. It’s something Steve hasn’t felt in years.
Steve knocks on the doorframe, waggling his fingers in greeting. They both turn to look at him, and all that warmth from before flees the room. If he hadn’t just seen the thin rays with his own two eyes, he could have sworn even the sun went down as well. He feels a stab of pain in his heart, so sharp it makes his breath stutter. He fights to put a smile on his face, briefly clearing his throat and praying his voice doesn’t sound as faint as he feels.
“Hey, Ms. Byers. Eddie,” he greets. Steve runs a hand through his hair, just to give himself something to do. “Just wanted to say hi before I go outside.”
Eddie’s face has gone completely slack, the only thing convincing Steve he didn’t hallucinate the entire exchange earlier is the flush that had yet to leave his cheeks. In fact, Eddie looks even more red now that he’s made his presence known. Joyce, to her credit, has a small polite smile on her face.
“Thank you, Steve, that's very kind of you,” she replies. She casts a glance at Eddie out of the corner of her eye, something Steve has noticed a lot of people do to each other when he’s around. “You go on outside now, okay? I’m sure the kids are missing you.”
Steve holds back his remark of “yeah, I actually doubt that” and nods, leaving the two of them in the kitchen as he continues down the hallway. He tries hard not to let the harshness of their quick whispers dig further into his already injured heart.
Once outside, he’s greeted by no one. Dustin and Lucas are discussing something rapidly to one another, Dustin gesturing wildly with his hands as Lucas nods along and adds details. Max and El are sitting on a lawn chair together, Max seemingly teaching El how to braid her hair. Mike and Will are sitting in the grass a bit away from the group, shoulders touching and heads bowed together as they talk quietly to one another. Steve smiles softly at them, knowing.
He makes his way over to Hopper, who is manning the grill with a beer in one hand and a spatula in the other. Steve waves and gives him an awkward little smile, and Hopper nods his head, pointing towards a cooler with his beer. Steve grabs one, popping it open and taking an, admittedly, big first swig. Hopper doesn’t notice, or at least doesn’t comment, and Steve looks out over the people he still considers his family. He catches Dustin’s eyes, hoping to have someone to talk to, but the kid only looks away and continues his conversation.
So now Steve is here by himself, slowly nursing a beer, and trying to keep his emotions in check.
It’s just that… he doesn’t know what he did. Was he too overbearing or did he not care enough? Was he too pushy or too distant? Was he just annoying them? Was he just an inconvenience? Did they ever really like him or did they just put up with them out of necessity? Or because they felt bad?
He takes another sip of beer, hating the way it tastes on his tongue but it’s better than the bile slowly rising in his throat. All he wants is for someone to see him, to see who he truly is and like it. To stick around. To stay.
And it’s true, he does have Robin, but sometimes she can’t give him what he needs. Call him a romantic but Steve wants that love, that connection, that intense feeling you get with a partner. He craves it more than anything. He wants to touch, to taste, to feel someone else.
Eddie. He wants Eddie.
A voice interrupts his thoughts.
“Kid, will you go get me a plate for the burgers?” Hopper asks, his gruff voice shoving all of his mushy thoughts aside. Steve nods, sets his beer on top of the cooler, and makes his way inside. He silently dreads ever walking in that room again, dreads having to feel the chill from before. However, the scene in the kitchen is drastically different this time. Joyce is by herself, Eddie nowhere to be seen, and is mixing together slaw in a big tupperware bowl.
Steve knocks on the frame again and is met with a small smile from the older woman. It’s infinitely more warm than the one he was met with when he got there, and he thinks it’s partly due to the lack of a certain metalhead in the room. Joyce sets down her spoon, wiping her hands on a nearby towel, and holds her arms out.
���C’mere, honey,” she murmurs, and Steve tries not to let her soft tone get to him. The last thing he needs is to cry in front of everyone. He walks forwards into her hug, leaning down a little to wrap his arms around her properly, and sighs when she rubs her hands up and down his back. Steve clenches his eyes shut, taking in stuttering breaths that he knows she can hear but thanks every god out there that she doesn’t comment on it. She taps her hands twice on his back and pulls away, reaching up to push some of his hair off his forehead and Steve wills himself to not lean into the touch too much.
“Sorry for not saying a proper hello earlier, I was a bit preoccupied. Eddie- well, that’s not my thing to tell but he needed some help with something and… well, you get it,” she smiles, laughs a little, and Steve smiles back.
This. This is what he wishes he could have with his parents. This lightness, this love. He never will, he knows that, but the little moments like this with Joyce, the way she hugs him and cares for him, are ones he treasures. Ones he wishes he could have everyday. Joyce is a wonderful mother, and part of him wishes he could have her as his own. Hell, she’s been more of a mother to him in the four years he’s known her than his mother ever has. But he knows that isn’t fair. It isn’t fair of him to put his parental issues on her or anyone else. So he doesn’t, and shoves his hands in his pockets instead.
“It’s okay, Ms. Byers, I get it. Sorry to interrupt you two, though,” he apologizes. She waves her hands in a shooing motion.
“Oh don’t apologize for that, honey, it’s okay,” she smiles, then hesitates. “I do want you to promise me something, okay?” Steve nods, and Joyce places her hands on either side of his face. “Promise me you’ll be careful with people, be gentle. Not everyone can be treated the same, some people… they’re special.
“Sometimes, it’s better to listen. Promise me, Steve, that you’ll always listen, okay?” She asks, and Steve has to swallow before he responds.
“I promise, Ms. Byers,” he replies, and she pats his cheek. Her smile has grown, and her eyes have softened.
“I love you, Steve, you know that, right?” Joyce asks, and it’s like the world has stopped moving. He didn’t know that, not really. Sure, he knew she liked him but he didn’t know she…
He doesn’t realize he’s tearing up until Joyce coos at him, wiping away a few stray tears that have escaped with her thumbs.
“I-I didn’t know you- I’m sorry, I don’t-“ Steve stutters out, but Joyce shushes him.
“You don’t have to apologize, Steve, it’s alright,” she insists. Her thin arms pull him into another hug and he buries his face in her shoulder. The angle is a little awkward, but it’s a comfort Steve hasn’t had in ages so he stays. “It’s gonna be alright.”
Her small hands rub up and down his back as he holds back tears. He regulates his breathing, taking in deep breaths and letting them out slowly, until he’s sure he won’t cry. He pulls back from the hug and wipes at his eyes, sure that they're red-rimmed and a little puffy, but Joyce only smiles that warm smile and pats his cheek again. Steve smiles at her, the first genuine smile he thinks he’s had in awhile, and it feels good. To smile and know it's real.
Joyce turns to the counter behind her and picks up a plate, handing it to Steve. His brows furrow, and he hesitantly takes the offered crockery.
“How did you-“
“I had a feeling,” she interrupts him with a wink. “Now go on before Hop burns the yard down.”
Steve smiles and goes back outside, handing the plate to Hop and ignoring his grumble of “took ya long enough”, before picking his beer back up and taking a much needed swig. A few minutes later, they’re all eating. Eddie has joined Dustin and Lucas in their rambling, all three of them loudly talking over one another. Steve watches them; wishing, wanting, yearning. Joyce bumps her shoulder into his, making him swivel his head to look down at her. She smiles, almost knowingly, and Steve blushes. He clears his throat and looks away, focusing on fixing his burger rather than whatever the fuck that was.
He sits alone away from the group, catching occasional glances from Joyce, Dustin, and Hopper. Joyce is concerned, he can tell that much, and part of her almost looks sad. Dustin looks conflicted, like he can’t decide if he wants to be mad from a distance or just come right up to Steve and say it to his face. Steve wouldn’t be surprised if he did the latter. Hopper, to Steve’s complete unsurprise, looks uninterested and, frankly, fed up with this whole situation. Steve doesn’t blame him, he is too.
After the food is gone, and dessert is served, Steve heads inside to help clean up. He washes dishes quietly with Joyce, while she dries them and puts them away. As he finishes up the last plate, Will comes into the kitchen.
“Hey, Mom? The party wanted to play some board games, is that okay?” He requests, and Steve can feel Joyce soften beside him. She smiles.
“Of course, honey. Make sure you ask the girls what they want to play, too, okay?” Will rolls his eyes and smiles, a mannerism Steve notes he definitely got from Mike.
“Got it, Mom,” he replies, and runs off. Steve turns back to the sink, realizing he’s been scrubbing the plate well past the point of clean, and rinses it off.
“I um.. I think I’m going to head out, Ms. Byers,” he begins. He hands the plate to her. “I’ve got a shift tomorrow and uh… I don’t want to intrude or anything.”
He doesn’t mention that he doesn’t want to repeat the last game night, where everyone kept glancing at him like he was a bomb set to explode at any moment. He doesn’t say that he can’t handle their stares for any longer than he already has.
“Oh, are you sure? You’re welcome to stay here as long as you want to,” Joyce offers, but Steve shakes his head.
“I really should be going, sorry.”
“Alright, dear. Let me walk you out,” she insists, moving to take off her apron.
“I’ll walk him out, Joyce, don’t worry about it,” Hopper's gruff voice interrupts from the doorway. Steve swallows and nods, drying his hands off on a towel. He looks at Joyce, seeing her share a glance and a smile with Hopper before looking back at him. He smiles, finally beginning to think that maybe… maybe things will be okay.
“Thank you, Ms. Byers. For everything,” he expresses. He leans down to give her a hug, her arms quickly hugging him back.
“It’s alright, dear. You come to me if you ever want to talk, you hear?” Steve pulls away from the hug.
“I will, promise,” he hesitates. Steve looks down at his hands, shaking from where they’re clutching each other, and takes a breath. “I… I love you too.”
He looks up right as Joyce pulls him into another hug. He laughs a little, and she pats his back before pulling away with a “be safe”. Hopper clears his throat from the door and Steve takes a step back, nods to Joyce, and follows the other man outside.
They step out on the front porch together, and Steve is prepared to continue walking to his car when Hop places a hand on his shoulder. He stops, and turns to find the man looking at him seriously.
“Son, I want you to promise me something,” he grumbles, and Steve begins to feel a strange sense of deja vu. While Joyce’s tone was soft, Hopper’s is deep and leaves no room for hesitation. He vaguely has a thought that this is what his father would have been like if things were different. If he were different. Steve nods.
“Promise me you’ll fix our shit, alright? I don’t wanna get in the middle of… whatever the hell this is but promise you’ll be better, okay?” He commands, and all the thoughts Steve had earlier about thinking things would be okay fly out the window.
“Y-yes, sir,” he stutters out. Hop claps his shoulder, mumbles a “get home safe”, before pulling a pack of smokes out his pocket and lighting one up. Steve turns, shoves his shaking hands in his pockets, and walks to his car.
Getting in his car is a blur of unconscious actions. He’s driving down a barely lit backroad when he registers that his eyes are stinging, and something warm and wet is dripping down his cheeks. He pulls over on the side of the road, shifting his car into park, and he sits there. He reaches up with a shaky hand and wipes his cheek, his hand coming back wet and shining in the faint glow of the moon. The sight breaks him, and an ugly sob rips its way out his throat. He chokes on an inhale as tears fight their way out, and he hugs his arms around himself as a sad semblance of comfort. His forehead finds purchase on the steering wheel, and his tears stain the leather before dripping on his lap.
He cries because he knows he’s the problem, that he’s the one fucking up. He cries because everyone thinks so, everyone knows. The kids know. Eddie knows. Joyce knows, but she’s just too kind to say it to his face. Hell, even Hopper knows. He cries because he doesn’t know what he did wrong. He cries because he doesn’t think anyone really wants him to fix it.
It’s the second time on a drive home from the Byers-Hopper house that he has to pull over and cry.
He struggles to inhale a deep breath and sits up, harshly wiping his tears away with his hand, uncaring that it rubs his skin raw and red. Sniffling, he puts his car in drive and goes home. Toeing his shoes off at the door is the only thing he thinks to do before he stumbles his way upstairs and collapses on his bed, snuggling into the thin comforter and falling into a fitful sleep.
After a slow shift at Family Video the next day, Steve returns to the darkness of his home with a plan. He can still be useful. They may not have to know, but he can still do something to help. To try and save them before they need to be saved. He can be a preventative measure for them, can stop them from getting hurt before they even know they’re in danger.
He shrugs off his work vest, throwing it on his desk chair as he searches his closet for an old sweatshirt. He finds one, the front adorned with white block letters that read ‘Tigers Swim Team’ and tugs it on. His nail bat finds purchase in his hand as he tucks a flashlight in his back pocket. The walkie Dustin gave him is hooked in his belt loop, just in case. He leaves all the lights on in the house and shuts the door, skirting around his house to begin his walk in the woods.
After four bouts with the Upside Down, he doubts that they’re in the clear, that it’s finally over. He thought it was the first time, then the second, and by the third he was skeptical. Now, though, he doesn’t know what to think. He wouldn’t be surprised if there was a round five, or six, or seven. Hell, he wouldn’t be surprised if it never stopped. But each and every time, they were unprepared. They were surprised, and it nearly cost them every time. But if Steve could prevent that surprise, give them all a heads up before it becomes a big problem, then maybe— just maybe— it’ll come in handy. He’ll come in handy. He’ll be useful again.
So, he walks the woods of Hawkins. His feet crunch the dead leaves piled underneath trees as he trudges through the woods. The flashlight shines long shadows on the ground in front of him, lighting up the pale gray bark of trees and making the eyes of rodents and raccoons shine amber and red.
A rustle sounds a few feet away and he jumps at the noise. He pauses and stands still, listening for the shrill chittering of demodogs or the heavy, thudding footsteps of a demogorgon. He waits, and his flashlight reveals a small fox walking out from behind a tree. He lets out a breath he didn’t know he was holding and continues walking.
His feet carry him to Lover’s Lake, the water lapping lazily at the shore with the warm summer breeze. Out here, the lights from town are distant, making the stars shine brightly and reflect in the water. Steve stands there, watches as the artificial light of his flashlight reveals the small ripples on the surface of the water, and waits.
He waits for a lumbering figure to emerge out of the murky depths, to claw its way onto the shore and stalk off into the woods. He waits for chirps muffled by water and splashing to sound in his ears as four-legged creatures swim to the beaches. He waits for the screeches of demonic bats to echo off the trees around him as they fly out of the water and take to the sky. He waits, but it never comes. The lake stays silent.
So he walks.
He follows the road leading to the lake out, letting it take him to the highway that leads out of town. His feet stop as they come across a crack in the road, the crack he took in the other world to get Eddie home safely. The crack that is closed over with black tar, leaving a dark line on the ashen gray asphalt. He remembers clawing his way out of that crack, Eddie’s lifeless body over his shoulders as he slowly bled out.
Nancy had driven her station wagon over, opening the back so he could lay Eddie down as they rode to the hospital. She had asked Steve to drive so she could patch him up, but he refused. He couldn’t leave Eddie, not when he finally got him out. Not when he was barely hanging on. So she threw the first aid kit she had stashed in her car at him and drove to the hospital. Steve had done his best to stop the bleeding, the stark white cloth immediately turning red when he pressed it to Eddie’s skin. They almost lost him. But they didn’t. He’s alive.
Eddie. Eddie.
His head swivels to the forest next to him, the one that leads straight to the trailer park, and he runs. He jumps over fallen trees, feet thudding against the dry earth and leaves as his breath picks up. Orange street lights shine through branches as he draws nearer, and he only slows his pace when he breaks out from the line of trees. His feet swiftly take him to the sight of Eddie’s old trailer, the vacant lot standing out against the fullness of the park. The wooden front steps are still there, partially broken and shifted. The grass has yet to grow in fully, bare spots of dirt showing through the green. His shoes crunch on the gravel as he takes a step closer, inspecting the ground and poking at it with his bat as if it would move. As if the gate would open up just by him being here.
It doesn’t. Steve steps back.
He turns to leave the park, eyes wandering and finding a familiar cream-colored van parked at a trailer a few rows away. Eddie and his Uncle were granted a new trailer for their trouble, really the bare minimum they deserve after all the shit they went through, but they took it in stride. Eddie and Wayne spent the first few weeks after spring break making it into their new home once Eddie was released from the hospital, and Steve had done his best to help them out. But he knew they needed time alone, time to heal, so he let them be. He hasn’t been back there since then.
He kicks a stray piece of gravel, watching as it tumbles a few feet away and disappears into the grass, as he makes his way out of Forest Hills. Houses blur by as he walks the residential streets, only stopping when his own comes into view. Steve sighs, and walks up the concrete driveway, through the large wooden doors, and into the silence of his house. He doesn’t bother taking off his shoes, reveling a little in the dirty footprints he leaves behind on his mothers’ ornate runner that covers the length of the hallway. The analog on the stove tells him it's a little past three in the morning, and he sighs. Grabbing a glass from the cabinet, he fills it up with water before shuffling out of the kitchen. He flops on the couch, sips his water, and waits.
He waits for the sun to peek over the trees in the backyard, casting long shadows on the curtains that cover the windows and glass doors. He waits for the warm rays to shine through the large window in the living room, the one that faces the road, and light up the rug that rests under the coffee table in soft hues of yellow. He sits his empty glass on the table. He waits. And he gets up.
He goes upstairs, changes his shirt, and grabs his vest. Steve slips the walkie off his belt loop and places it on his desk, the flashlight landing right beside it. He props the bat next to his chair, and Steve looks at it, looks at the bent nails sticking haphazardly out of the wood and how it splintered in places from too much force. How some of the nails are covered in dried, blackened goop and dirt. How it's sharp and dangerous, a weapon. How it’s chosen to protect.
At this moment, Steve feels like the bat. The rough wood is his exterior, the splinters through it are the cracks. The holes in his facade. The places where people got too close, where people hurt him. The nails are what makes him strong. They’re the kids, Joyce and Hop, Eddie and Robin. They’re his family. They mold him into a weapon meant to protect, to keep them safe.
But just like Steve, the bat isn’t needed until it’s necessary. Until the world is ending. But until that time comes, the bat is left out of sight. It’s hidden away, moved from place to place just in case, but never used. Never wanted.
Steve walks out the door.
His shift at Family Video passes by like every other day, slow and full of know-it-all customers that never seem to understand that he can’t magically summon movies out of his ass whenever they ask. Robin comes in around lunchtime, and they spend the rest of their joint shift making fun of the ridiculous movie covers that adorn various romcoms. He goes home alone, sheds his vest, and once again walks the town of Hawkins.
He does it again the next night. And the night after that. And the night after that. Until it’s been a week and Steve hasn’t slept for more than a couple hours a night. He doesn’t mind, just means there’s less nightmares to wake him up before sunrise.
Less nights where chittering and the thuds of heavy footsteps strike fear down to his core. Less nights where the chill of fog and night air pierce his skin, warring with his senses against the hot breath hitting the back of his neck from deadly flower-shaped mouths. Less nights where the harsh scraping of monstrous nails against rusted metal and the echoey bangs of heavy, meaty bodies against solid bus walls fill his ears. Less nights where he can feel the thick, choking air of the tunnels, can feel the wispy particles filling his lungs and coating the inside of his mouth.
Less nights filled with muffled Russian echoing in his ears, the harsh texture of rope around his wrists, arms, and chest. Less nights where the sickening crunch of fists against bone and the metallic taste of blood in his mouth linger for hours after he’s awoken, shallowly breathing and pleading to be let go. Less nights where he can feel the blood in his teeth, coating his tongue and dripping down the back of his throat, and he has to run to the bathroom to puke the phantom feeling away.
Less nights he wakes up alone, empty house hollow around him. Less nights he cries to himself in the silence of his room, wishing, hoping, yearning for something. For something to happen, to change. For something to get better. For him to get better.
On the eighth night, he finds his feet have taken him to the edge of Hawkins. The brown road sign reads ‘Leaving Hawkins! Come Again Soon!’, and it stares at him from a few feet away. He looks past the sign at the stretch of road that disappears around a curve, trees following the line of asphalt and distant street lights lighting up their leaves with an orange glow.
He thinks about what it would be like to leave Hawkins, to pack up his clothes in his car and leave town. To follow the road and go around that curve, to not worry about ever coming back. No one needs him here, not anymore, so what’s holding him back?
Maybe this will fix him.
Robin might miss him for a bit, probably curse him and his whole family when she figures it out, but she’ll move on. She’ll find someone better. Hell, she’ll probably go to Eddie too. They already have some sort of secret friendship thing going on between them anyway. Really, he wouldn’t blame her.
Eddie probably wouldn’t care. Shit, he might even throw a party celebrating the fact that he’s gone. Steve snorts at the thought, closing his eyes and taking a breath.
Would it really be so bad if he just disappeared?
But then there’s the kids, left behind with no one to protect them. Sure, Robin and Eddie and Nancy are here, but Nancy is off to Emerson in the fall, Robin surely bound to follow in similar footsteps, and Eddie has made it well-known that he’s getting the hell out of here. If everyone is gone, who will be here to protect them when it comes back?
He rakes a hand harshly through his hair, pulling a bit at the ends and hating how greasy it feels on his fingertips. He can’t think like that, he’ll just worry himself into a panic and that’s the last thing he needs right now; a panic attack on the side of the road. He turns around, walking back towards town as the sky fades into light. He gets home right when sunlight begins burning the tops of the trees and collapses on the couch, sleeping until his noon shift.
He’s exhausted when he gets home, having to close up Family Video after a ten hour shift by himself, but he knows he can’t sleep. Not now. So he does what he usually does now when he gets home and grabs his essentials for his rounds, something that’s become routine for him.
He shrugs off his work clothes, replacing it with what has become his patrol outfit; the old swim team sweatshirt and a faded, ripped pair of light blue jeans. The sweatshirt is filled with holes, the baggy sleeves having caught on briars and branches alike, that allow the white of his shirt to show through. The jeans share a similar fate, the knees scraped up and the denim fraying from the unhemmed edges.
His white Nikes are stained a gray-ish brown from the nightly treks through the woods, small bits of leaves and debris sticking to the laces and in the grooves of the tread. The flashlight finds its place in his back left pocket, an extra pair of batteries landing in his front pocket after an incident a few nights ago where his flashlight died on him out in the middle of nowhere— he was forced to stumble through the woods until the sun began to rise and he was able to find his way back home. He didn’t sleep that night.
The nail bat is crusted with dried bits of mud sticking to the slowly rusting metal, shredded bits of leaves and undergrowth tangled in a green and brown mass. Clumps of dirt litter the floor under the bat, and likely mark a line in the hallway from his room down to the front door. Steve hopes it's still there if his parents come home.
It’s dark outside, only the street light at the end of the driveway illuminates the concrete and stepping stone pathway to the front door. Steve steps out on the front stoop, taking a deep breath of cool summer night air, and starts walking.
He walks out onto the street, uncaring at this point if anyone sees him or not. What does he have to lose? Hopper would probably tell him he’s stupid— something he’s well aware of at this point— and tell him to go inside. Or maybe he would drive him home, take the bat, and leave.
A small, traitorous part of Steve wants Hop to find him. Wants him to ask what the hell he’s doing walking around at night alone in the dark. Wants him to coax him in his old beat up truck and take him back to the Byers’ house. Wants some of Joyce’s hot chocolate as he sits on the couch and explains what he’s been doing, what’s been going on. Ask, desperately, why everyone hates him. Wants them to tell him he’s wrong, that no one hates him. That it’s just a misunderstanding.
But it doesn’t happen. All of that is a lie.
It’s a lie Steve has secretly been telling himself under the cover of darkness alone in his bed, lying awake and exhausted but unable to sleep. It’s a lie he tells himself when he sees any of the kids so he can act normal, act okay. It’s a lie he tells himself when Eddie grins at him, wide and gleaming, eyes sparkling with the afternoon sun beaming in from the storefront windows.
It’s those grins, those looks Eddie gives him sometimes that almost convinces him the lie is fake. Like Eddie is sharing an inside joke with him, only Steve doesn’t know what it is. Eddie doesn’t come around often but when he does… god, it’s like he’s the only one in the room.
Eddie looks at him with his whole body, always focusing on him so wholly and touching in some way. A hand on his bicep, an arm slung around his shoulder, even his arms wrapped around his waist one time. He was friendly, they were friends, until he wasn’t. Until Steve did something stupid that he still can’t figure out and Eddie is avoiding him.
The crunch of gravel under his sole brings him back into his head a little. He looks up, finding the pale orange glow of a lamp through a trailer window, and curses. His feet have brought him to where his mind always seems to go these days: Eddie.
He stands outside of the trailer, watching the way the little bits of weeds around the base shift and sway in the wind. The sky is filled with patches of clouds, light gray ripples standing out against the black sky from the glow of the moon. Steve isn’t completely sure how he got here, only that he started walking and didn’t really… stop.
Wayne’s truck is gone, leaving only Eddie’s cream-colored van among the gravel and grass. Which means Eddie is home and, judging by the light in the window, awake. Steve has a fleeting thought that he should turn around, walk back home, and try to forget he ever came here. Try to forget that he didn’t mean to, that his head and his heart are traitorous beings that have conspired against him to bring his body to the one place— one person— where he isn’t welcome. He tries to move, to will his legs and his feet to catch up with his brain and the urge to run. But they don’t. They stay frozen to the ground, rooted in place as if they belong here. As if he belongs here.
A voice cuts his thoughts off, one that he could pick out in a crowd full of people. His eyes snap to the front door of the trailer, now open and spilling warm light onto the wooden steps that lead down to the gravel drive. A figure grows near, tall and lanky and Steve feels like he’s trapped. His thoughts get louder, yelling and screaming at him to run run ruN RUN RUN-
Hands on his shoulders. Eddie’s face in front of him.
Eddie looks panicked, his dark eyes wide and dancing around as if searching Steve's face for… something. He must not find it, because the two little lines between his brows appear and his mouth starts moving. It’s all muffled, like he’s trying to talk through glass. Steve blinks.
“-ington? Steve,” Eddie’s pleading voice finds his ears as he shakes his shoulders, the fog in his head dissipating as the strained way his name falls from his lips. Steve hums. He blinks again.
“Oh,” he breathes out, voice barely louder than a whisper. Eddie is here. He’s in front of him. He can see him. He’s here and he can see and Steve shouldn’t be here he needs to go-
“Stevie, are you okay?” The fear in Eddie’s voice cuts off his train of thought— something that seems to happen a lot nowadays— and Steve feels every sensation return to his body. The heavy hands on his shoulders, soft and warm and missing their signature rings. The distant chill of the night air on his exposed bits of skin seeping away at the small amount of space between them. The faint puff of air on his face from the man before him. The fact that all of those things are from Eddie.
Steve clears his throat, swallows. Tries to focus his eyes on Eddie’s face.
“I’m fine, Eddie. I um.. sorry,” he trails off. He tries to smile, at least give something to reassure him, to keep him from asking questions. Steve doesn’t think he could answer them.
To his surprise, Eddie lets out a breath of relief, the fear dissipating from his eyes as they clench shut and his head drops. His shoulders move with his lungs as he takes a breath before looking back up at him.
“Jesus H. Christ, you scared the shit outta me, Steve. Thought…” he trails off. His voice wavers. “Thought you were gone. Like… like her.”
Oh. Chrissy. Fuck.
“Shit- sorry, Eds, I didn’t even realize- fuck, I’m so sorry,” Steve pleads. He takes in his surroundings, realizes he’s been standing out here, alone, for who knows how long. He needs to leave. “I-I should go.”
Eddie’s brows furrow, and he tilts his head. “You don’t have to leave, Stevie, it’s fi-“ he cuts himself off.
Steve looks up at that, unsure of when he stopped looking at Eddie, and takes in his pinched expression. The one that’s trained to the ground. The one that’s trained towards-
“What the fuck is this?”
Shit.
“I-it’s not what it looks like, I swear!” He begs, voice sounding unfamiliar even to his own ears. It’s raspy and breaks after a few words. When was the last time he really spoke to anyone today?
“I don’t wanna hurt you, Eds, I really don’t- please, believe me,” he pleads. “It’s just for protection! I don’t-“
“Why are you covered in mud, Steve?” Eddie cuts him off, voice strange and cautious and his hands tighten their grip on his shoulders. Steve knows he doesn’t look the best, knows that his clothes are dirty, but he looks down at himself anyway. His eyes focus on a leaf stuck to his shoelace. He shrugs.
Eddie moves in front of him, a quick thing that Steve suspects is him shaking his head. He mumbles something he can’t hear, voice only a rumble in his throat but Steve knows enough to know that people only talk under their breath when they’re mad. When he’s done something wrong.
He pulls away. Eddie’s hands drop off his shoulders.
“I-I should go. Sorry for bothering you, an-… and keeping you awake,” Steve stutters out, clearing his throat when his voice breaks. He chances a look at him, finding concern written on Eddie’s face. It softens when they make eye contact, and Eddie shakes his head.
“I wasn’t asleep, Stevie. Don’t really, uh.. sleep much, these days. I usually just wait around for Wayne to get home to catch a couple hours. Doesn’t feel safe here by myself, you know?” Eddie confesses, mouth turned upwards in a small, sardonic smile. Steve nods. He does know, he’s never felt safe in his home. With or without people. He’s been going through it for years, long before the events of ‘83. He doesn’t say any of that though, doesn’t think he has the right to.
Eddie steps towards him, closing the bit of distance Steve made between the two, and rests his hand on the arm holding the bat.
“Come inside, Steve,” Eddie requests, voice low and soft. Eddie’s smiling at him. It’s that soft, small, Eddie smile. One that Steve has only seen a handful of times. It’s asking him to say yes, and Steve… he’s weak. So, so weak.
“Okay.”
Eddie’s smile grows.
His hand wraps further around his arm, tugging him towards the open trailer door and Steve feels betrayed that now is when his feet decide to move. He follows Eddie, watching the way he’s glancing at him the entire time. Eddie pauses at the doorway.
“Steve,” he whispers, and Steve looks at him. His hand travels down his arm, causing goosebumps in its wake despite the layer of fabric between their skin. It pauses over the hand still gripping the bat, thumb brushing along his knuckles. “Let it go.”
Steve looks at him, searches those dark brown eyes for fear or hate or anger but finds none. He only finds care. Concern. Love.
It’s terrifying.
He loosens his grip and Eddie takes it from him, the comforting weight of the bat replaced with the warmth of Eddie’s hand. He props it just inside the door to the trailer and leads him over the threshold by the grip on his hand. He’s led over to the couch where a hand on his back urges him to sit down. Steve does, and instantly sinks into the well-worn cushions.
“I’ll be right back, okay? Just gonna get you some water,” Eddie informs him, squeezing his hand briefly before releasing his grip and turning the corner to venture into the kitchen. Steve watches him go, the way the baggy and worn band shirt hangs off his frame. The way his sweatpants are bunched up at the ankle as if they’re too big for him. The way his hair is pulled into a messy bun at the back of his head that swings a little when he walks away. Even now, he’s beautiful.
Shit. He’s so gone for this man.
Eddie returns with a glass of water and flops down on the couch beside him, pressing the cool surface of the cup into his palm. He takes it with a shaky hand, his other joining it to help stabilize the glass. It doesn’t work.
He takes a small sip of water, the liquid feeling like heaven against his dry throat. They sit in silence until Steve finishes half the glass. Then, Eddie speaks.
“Why were you outside at two in the morning, Stevie?” His voice is gentle, and it makes Steve want to cry. He swallows.
“I- I don’t know,” he deflects, lies. Anything to not talk about it.
The harsh sound of a mock game show buzzer startles him, and he turns to find Eddie with his hands cupped around his mouth. Steve grins and lets his head drop, and Eddie nudges his shoulder. He takes a deep breath, focusing on the surface of the water in his hands.
“I have to keep them safe, Eddie,” he confesses. Eddie stays silent, hand gently rubbing his forearm. “It’s what I need to do. What I have to do.”
Silence stretches between them, then, “who, Steve? Who do you have to keep safe?”
‘You,’ he wants to say. ‘You almost died. It’s never been that close before, not in the four years this shit has been going on. You and Max almost died, and I wasn’t there to protect you. I wasn’t with you and Dustin to keep you both safe, to help fight off the bats and urge you through the gate. I wasn’t with Max and Lucas and Erica, wasn’t there to fight off Carver and save Max just a little bit earlier. I wasn’t there, but I should have been. Carver should have beat me to pieces, not Lucas. It should have been me the bats got to, not you. It should have been me, it should have been me, it should have been me.’
Hands fall over his as Eddie takes the glass from him. He didn’t realize his hands were shaking that bad in his revere, causing the water to spill over the sides and onto the brown carpet below them. The glass thunks on the coffee table before Eddie rests his hands over Steve’s, stills their shaking.
“Hey, talk to me, Stevie,” he practically begs. “What’s going on in that head of yours?”
Steve looks at him, sees the worry in his eyes, and wets his lips with his tongue. Doesn’t miss the way Eddie’s eyes flicker down at the movement. He clenches his fists.
“Please don’t tell Robin,” he pleads. If she found out about this, if she knew, he wouldn’t be allowed outside alone ever again. She would worry about him, keep him under lock and key to make sure he wouldn’t do anything stupid. She would stay with him during the night, insert herself firmly by his side until she was sure he was okay. She would make him sleep in his own bed, trapped between his own walls. Trapped in his own house. He can’t stand that place, can’t handle the echoey walls and empty rooms. Can’t stand not being able to do anything for anyone. Can’t stand to be useless.
He’s just wasting time right now. He shouldn’t be here, talking to Eddie, when he could be checking the gates. He should be out there trying to save people, not himself. He should be trying to save his family. He could already be too late. It might have already come back while he was distracted and they could all be gone. It could have been waiting until he was occupied, waiting for an opening to strike. They could be in danger right now. They could be dead.
“Alright, I can do that. I won’t tell her but… Steve, why-“ Steve cuts him off by standing up on shaky legs, hands clenching and unclenching at his sides. “Steve?”
“I need to go, Eddie, I need to- they could- I need to go,” the words tumble out of his mouth, words he isn’t quite sure even make sense but he doesn’t care. He just needs to get out.
Steve walks over to the door, eyes locking on the bat propped there, before he hears Eddie stand up behind him. He turns to find Eddie holding his hands out in front of him like he’s trying to placate a wild animal and, at this moment, he kinda feels like one. His heart is beating too fast and he can feel his breathing quicken. His throat closes up as panic claws its way upwards and clouds his vision, muffling his hearing. Eddie’s mouth moves but Steve can’t hear it through the cotton in his ears. He backs towards the door, hating the fear in Eddie’s eyes as he does so.
His back hits the wall next to the door and he turns, hand finding the rough wood of the bat almost instantly, before he runs out the door. The small “sorry” he lets out is an afterthought, thrown over his shoulder right before the trailer door slams shut behind him and his feet crunch on gravel as he runs towards town.
His blind panic takes him to Dustin’s house first, finding all the lights turned off save for the faint glow of the hall night light through sheer curtains. He stays there for a minute or two, waiting for the sign of flickering lights. Nothing comes.
A couple streets over, he stops in front of Lucas’s house, finds the same thing. Dark. He stands there and waits. No flickering. He runs.
The Wheelers. Dark. He waits, no flickering. He runs.
The Byers-Hoppers. Dark. Waits. No flickering. Runs.
Max. Dark. Waits. Dark. Runs.
Robin. Dark. Waits. Dark. Runs.
His house. Light.
They’re safe. He collapses.
He sits heavily on the front stoop, bat falling to the ground and knocking against the concrete with a thud. His knees come up to his chest and his arms wrap tightly around them as he rasps for breath, the air coming in short, quick bursts. His fingers dig into the soft flesh of his calves, hard enough to leave bruises. His forehead rests heavily on his knees and his eyes sting, welling with tears as the fear slowly fades away.
He sits outside, struggling for breath until the sun begins to rise, and waits. When the sun finds its way over the trees, he makes his way inside to get ready for his opening shift.
The bat finds a new home in his trunk.
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cyrusthedragon · 10 months
Text
Mother of his child
Explicit ‼️ MDNI ‼️ NSFW 18+
I promised and I did: Simon sucks his wife's titties while talking about a big happy family with her.
Relationship: Simon Ghost Riley / f!Reader
Tags: porn with plot, dominance, married couple, rough sex, established relationship, breastfeeding, creampie, LOTS of dirty talk, some of spit play, LOTS of milk, LOTS of breeding, LOTS of 'mama'-calling, nasty stuff, happy family fluff for aftercare, size kink, sex after some time, no "Ghost", babying Simon.
Simon Riley really loves his wife, like... possessively. Almost obsessively.
Notes:
f!Reader gained weight after giving birth, and she has too much milk. Greedy and perverted Simon can't think about her selling her milk to people who have feeding problems. He's jealous.
You and Simon serve(d) together.
(Kinda, cuz it's funny, but not actually) Bossy!Reader in the end.
You and Simon have a newborn child.
Trigger warning: English isn't my first language, so, please, write a comment if I did a good job, I need to know if it's good, cuz I'm not really sure. But i enjoyed writing it! You can subscribe to me, I'll write a lot more about him! And I take requests, hehehe, especially most dirty ones. So. Please, enjoy ♥️
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AO3
"You'll bore a hole in me..." you said under your breath, touching baby girl with just your fingertips and not taking your eyes off of her.
Simon immediately straightened his back, paying attention to the book in his hands again, and you chuckled softly:
"What's going on in your mind, baby?"
Silence in the room, only a soft melody from somewhere in the house, and the three of you sitting in your bedroom: you, feeding your precious baby girl, she, smacking from the delicious milk, and your husband, trying to pretend he's reading his book. Considering how he didn't touch a single page for the last fifteen minutes, he was either repeating that one spread or trying to memorize it all.
Or just being a pervert.
It's Simon we're talking about, no one on Earth would ever suspect him of thinking about something nasty, but... You were his wife. Mother of his child.
You knew there was something in those blue eyes of his - he looked at you exactly like that one day when you... When you decided to have a child.
You weren't, actually.
It was an accident.
But when you told him about your pregnancy and asked if you should take a Plan B, for one moment after that horrific word, he looked at you, almost shaking from nervousness, with something in his eyes that you recognized as a... Reluctance? "Yeah," he cleaned his throat, moved his gaze away because, obviously, the floor was way more interesting than a damn pregnancy test in your hands, "yes, you're right, Plan B... We shouldn't.. we should, uh...". Words have never been one of his strengths, if you were not in bed.
You looked at him trying very hard to say something, and one thing in him just matched you so perfectly, that for one second you thought maybe.. maybe...
"Can we keep-"
"What if we..."
You said it at the same time, and neither you nor he understood who was saying what, but the excitement was so loud, that you couldn't resist impulses to grab his hands. Neither could he help but stretch out his arms to you and hold you to give you a hug, even if he himself was just as terribly scared.
That shit was scary. No doubt.
It would not have been that horrifying if not for these thoughts of yours. Common.
"If we..." you heard Simon speaking, felt him swallowing loudly, "Maybe, if.. maybe we can..."
"Can keep it?" you helped, squeezing him with all your strength just to feel yourself safe. "You think we can?.."
"I think... I think I want to, but.."
"You want?"
And that was the moment when you moved away a little to look him straight in the eyes, seeking there for something you weren't sure exactly what.
"Yes?.." he answered under his breath. As freaked out as you were. Of course, he was. Both of you were soldiers, to the core. No one of you ever dares to dream about having a baby... It's a huge responsibility, and neither he nor you thought you could handle it, that's why you always used protection to minimalize your chances. It doesn't mean you didn't want to - hell yes you wanted, especially with Simon, and the more you got to know him, the better you understood he wanted this, too.
A family.
A real family, bonded with each other, someone you can hold in your hand and give all your love, all your affection, untapped awe for having something you and Simon created together. Holy hell, you married a dead man, did you think you had no strength for a little human? Just a baby? It took almost half of a year for you and Simon to finally get married, you took his last name and did it with all your patience, although the boys in one-four-one started calling you Mrs. Riley a long time before you became Mrs. Riley, and all these troubles, years of waiting for something with him, all this situationship, candy-bouquet period, all of it...for being afraid of having a child? It can't be that ha-
You were selfish.
Thinking about yourself, not your baby, who would most likely live alternately with one parent, then with the other - depending on which one of you would be called for a mission. You knew it. You knew you can have your parental leave, for twelve weeks, and, and, and...
"..ve. Love!" you shuddered - Simon rarely used to raise his voice at you, and often it was because of how easily you were distracted by thinking about something very important to you. You lose your patience when you were afraid of something. You blinked, looked up at him, and suddenly he was so calm that you were immediately infected by his calmness, without realizing it. "Breathe, love," he whispered, holding your face in his palms, so huge compared to your head. "Do you want to keep her?" and when he asked, looking you dead in the eyes, he already knew your answer, but...
You breathed out: "Her?"
Eyes to eyes, one very important dialogue without a single word between you, your shiny to his bright, deep ocean blue. "I want a girl," he whispered, not even blinking. "I want a boy", you said lowing your voice to match his, and he nodded, pulling you closer to touch your forehead with his. "Then... Let's see who it will be," Simon's lips were so close to yours, you half closed your eyes, pressed your lips into a tight line, and then closed them completely when he murmured in your mouth before kissing you full of his endless gratitude: "...shall we?"
And that was it.
You lost your little bet and were very happy about it.
The little one was happy, too, sucking milk, already ready for her beauty sleep, so beautiful, and a bit... sassy, biting your swollen nipple with per pink gums, making you hiss and chuckle softly. She had her father's shiny eyes. Your love. Your precious child.
"Simon, darling, you're staring." You finally moved your eyes from your daughter to your husband, smiled at him and he could no longer pretend he was reading his book. He wasn't. "Am I?" you heard him sighing, but his gaze started to be a little more... heavier than a second before you decided it was enough for baby girl and took her away from your chest. "Yes, darling, you are," your voice softened, small one whined, lying on the bed, twitching her hands and feet, and you giggled: "What a greedy creature... Never enough for her." But she quickly calmed down - the music changed to a comforting lullaby... You could finally get up and stretch your legs, fix your dressing gown, and move to Simon, sitting on the armchair.
"You didn't answered my question."
Baby monitor right behind your girl, and you allowed yourself to go straight to the kitchen - hungry as hell, while Simon simply followed your steps God knows why.
"What question?" He asked, watching you getting your snacks.
Bare feet, loose hair, mid-thigh gown, and the wet spots in it, right in front of your nipples. You're still leaking. And mouth-watering. And holy shit he just can't stop looking at your covered chest, how heavy your breasts are, how they freely jiggle when you're just moving. "Simon." he can't hear you, all his nature is focused there where your nipples touch your closes, these eyes are wild. You watched him, busy analyzing your chest or whatever, and didn't get yet the hell was wrong, but it's Simon, so... Whatever he was thinking about he would tell you, sooner or later.
But you didn't expect 'sooner' will be that...soon.
You turned your back to him to find something in the fridge and gasped when he suddenly lifted you, sitting you on the table, face to him. "Riley, the hell are you?!-" and then you met his eyes again.
Truly, wild.
"What? Eat your food, love." his voice was strange, he completely was strange, something just cracked in you, a blush appeared in your cheeks immediately, then he pulled back the gown and your hand trembled, accidentally dropping a snack on the floor.
He bared your chest with a face like nothing happened, and you swallowed your tongue like a proper coward, did not know how - did not want to - stop him and did not even try to interrupt whatever he was going to do. You felt the shivers down your spine - his hands on your ribs, fingertips almost tickling you, forcing you to smile, but there was nothing to smile about, just your husband being odd and making your legs shake with just his hands.
God, you didn't touch him for almost six months...
"I can't," you whispered, shutting your eyes while feeling his hand off you and somehow knowing for sure he was pulling his mask up to his nose.
"Why?" The hoarse voice of his just drove you crazy. Your brain was about to explode with this sudden satisfaction he brought to you by massaging your torso and jelly belly, and you couldn't answer properly: "Because you... What are you... Just take what you want already." You hissed, and maybe it would be fear for him to feel embarrassed by your tone and hands, hugging his head, but he did not care anymore or simply did not understand that, so he just... Did it.
You felt his wide tongue in front of your nipple.
And you inhaled.
"Simon... Simon, what are you doing, Simon..."
Your voice was less caring than you wanted it to be, and he didn't even look at you to answer: "Joining you to eat a snack."
"Oh I'm a snack now, wonderful..." words came out of your mouth before you shut it, "You little pervert, are you seriously going to su-... Oh, god."
Tongue swept all over your breast before Simon straightened up to his full height - and even though you were sitting on the table, he had to tilt his head to look at you. Giant. His gaze was much heavier than before, his pupils bigger, his brows furrowed to let you know, he was ashamed of you:
"That's how your talking to a baby, love?" Simon murmured and you did not even try to believe what you heard. He continued, seeing your confusion: "I see... I'm no longer your baby, am I?"
"Wha-.."
Oh.
'"What's going on in your mind, baby?"'
So that's what it was all about.
"You pervert," you said, watching him laying you down on the table and towering over you like he was some kind of mountain of muscles. This whole situation was quite crazy, and you swallowed, losing all your boldness just because of how dominant he became, taking your hands in his one so tightly that you couldn't move your fingers if you wanted to. Breath-taking Simon. First, you met on your first night together. A completely different person than what you usually see. His gaze was on you, examining you - how the fabric glided effortlessly over your body, showing up your ribs, tummy, chubby sides (you gained some weight after giving birth and were a little worried about it, but the way he cravingly looked at your fat...), your white panties, already wet for him. Of course, you were wet. He was between your legs, holding your hands, ready to eat you up.
"'Baby?..'" you whispered under him, trying to move your feet, but his other hand grabbed your knee abruptly and pushed it aside, leaving you completely open to him. "Don't try to hide, mama," you gasped at his words, heart started beating faster, and his head lowered to touch your belly with his lips. Soft and full. "It's nothing you need to be ashamed of.. if it's not me. Are you ashamed of me, mama?". Impossible, how he affected you with this damn 'mama' spoken by his powerful, quiet voice, "You don't need to be ashamed. Didn't you say today that your breasts are full? Don't you remember?".
You swallowed your saliva, chest up and down, and your voice cracked when Simon slightly touched underneath your filled breast, "I said we can sell it... There are many people with.. problems with.. with feeding. Simon, what are you-"
"Stop asking. You don't trust me?"
"I do, but-"
"No 'but'."
You should've said something, but when he grabbed your tit with his wide palm, compressed your nipple lightly between the index and middle fingers, everything that was in your head vanished immediately. Milk ran out over his fingers, to his wrist, and tangled in his short hair above the tattoo. "So easily, mama," he murmured, following the drop of your milk, "you're so full.. and you wanna give this to someone else? You wanna take it away from our daughter? Deprive her of that, mama? Is that what you want for her?"
You just said there's too much milk in you, useless milk, because your girl never starved, but the mere idea of giving part of you to someone who wasn't his child, just made him so, so jealous. You choked - Simon pulled your nipple with his fingers as if in punishment.
"No, no, of course not, I just wanted..."
And then the moon fell:
"You can give it to me." Your eyes widen in shock. And you saw him raise his milk-stained hand and watched his tongue follow the line from elbow to finger, licking your juice. "Sweet..." He murmured, "So sweet, so delicious..." And before you even realized, he sat you up at that table, wrapped his hand around you, and pressed his open, greedy mouth to your milking breast, moaning, like it was the best thing he ever tasted. A cry escaped your lips, you instantly grabbed his head, closed your eyes tightly - your nipples were so, so sensitive after feeding, and now he almost ate 'em. Shivers ran through your body, every cell was tense, trembling legs closed behind his back, as if locking him with a fuckin' padlock pressed against your body, yet still fully dressed. "Madman," you whined, squeezing the back of his balaclava, "you're a madman, Simon Riley, you're out of your mind...Teeth-!" Your sob forced him to let go of your chest with a loud smack, just like your baby did before, and the marks of his teeth were clearly visible on the soft, full flesh around your nipple.
"Watch your teeth- god, you-" you cried out, almost ready to hit him on the back, but then he, stooped, suddenly looked up at you, so innocent, so open, that something in your gut began to tighten. "Something wrong, mama?" He said, and you miraculously felt how his second hand was lost between your thighs. Breath didn't want to recover, he clung to you, pressing his cheek against your chest, and milk flowed out of you harder.
"No..." You answered, not sure if he's a pervert for calling you 'mama', or you for enjoying it so much, "Nothing wrong, baby... Just.. watch your teeth, okay?" Eyes to eyes, without a blink, you sucked air through your teeth and slowly put your trembling hand at his half-covered cheek, stroking until he closed his eyes, "You want to be good for mama, don't you, baby?"
"Mhm", he whispered, kissing your hand softly.
You didn't know your first sex with Simon after such a long time would be like that, but his finger, just one, was in your underwear and it pressed your clit so good, that you almost lost your mind, tilt you head back.
"I will be good for you, but I'm so mad at you..." Suddenly his voice softened and your hips tensed; his palm was fully in your panties, squeezing your cunt, pressing the middle finger to the entrance.
"Why mad, baby?.."
"I'm so mad you want to give yourself to someone else, mama," and when he opened his eyes, his finger entered you on the first finger phalanx, you hold your breath and bit your lip - you forget how big his fingers were, one of his like two of yours, and there was no lubricant, just your sloppy juices. Every tiny scar on his finger was fully felt, every callus, every cut. "You wanted to share yourself with hell knows who. That's how you feel about us, love? Is that it? Instead of giving everything to your, to my child, our child, you were going to.. what?" finger thrust further, you gasped, he pressed you into himself tighten. One small kiss to your neck and you already was useless, when he lifted you again and whispered in your ear while carrying you to the couch and putting you on his thighs so that you could lay down on him completely naked.
You don't need clothes, do you?
"You were going to waste it, love." He continued. "Instead of calling me, your husband, to help you."
"Help me with what?.. sucking this milk?.."
"Exactly, love."
You would've chuckled, but then there was a crack and your torn panties fell to the floor.
He tore them on you.
Animal.
"Beast..." You whispered, putting your head on his shoulder and feeling him squeezing your tits once more with both his hands.
"Me?" Simon's soft laughter was almost unbelievable, "No, no... I'm not. You are. A little cow, mama. Leaking your sweet milk. Just like a cow. Allowing me to drink it..." he pressed his face into your chest, threw you back, milk splashed from your nipples and hit him right on the balaclava, "What a mess you are. You're looking? Look carefully." fingers squeezed one nipple, twisted, pulled, milk splashed in all directions, flowed all over your chest and down to your torso, and his hands, warm, making you whine and mumble in pain in half with pleasure, just like a cow. "Oh love, and not just here. Don't take your eyes off, watch how wet you are, you ruined my clothes," his second hand went down to your groin, suddenly you wanted to cover yourself, but his middle and index fingers had already opened your vulva, revealing his hungry gaze your lower lips. "Look at you, you're soaking, mama... Do you hear it? That's your sound."
The sloshing of your juices as he circled around your entrance, the crackling of his clothes as you squeezed his shoulders, your whimpering as he purposely ignored your hard clit - all this cacophony was his symphony for your ears, and only yours.
"You sound so well, love..."
"Simon.. Simon, please, Simon..."
"What 'please'?"
"Simon, please, I want to kiss you..."
"Kiss me then."
"No! No! Please, Simon, I want to kiss you so bad... Please let me just-" and your shaking fingers touched the edges of his balaclava, throwing aside.
Scars.
Scars all over his face.
His bright eyes, his short blond hair, and all these scars made him look way older than he was. Breath-taking Simon.
You couldn't resist the impulse to praise him like he always secretly loved:
"You're so beautiful..." Fingers ran over his cheeks, cheekbones, brows, nose, lips, so kissable, you pressed your mouth to his with a hiss, feeling Simon again in you with his whole finger. "Damnit, baby..." You said, silencing him by taking his tongue with yours.
His hand on your ass, his finger fucking you, so tight girl, he loves feeling your walls around him, up and down - you got up on him, fucking yourself with his finger, and lowered to feel how he put his second finger to your entrance. Your breath hitched as he broadened your entrance, slowly pushing himself inside. Juices sloshing, his panting against your neck, his other hand gripping your ass so hard it threatened to bruise it, and his fingers fucking you like he was re-examining you - twisting the hand, pushing in, speeding up and massaging your inner lips and your clit, making you moan so loud, thank god rooms were soundproof. "I want to be inside you so bad, mama..." You heard him, hissing in your skin, biting it with his sharp teeth, you could've just hugged him tighten, "So wet, so delicious, look at you, how beautiful you are, ready to carry my second child...are you ready, mama?"
"Second child?.." you whispered barely audible, eyes watering from his aggressive pounding, and almost whining when the sound of unfastening the belt reached your ears and the cold steel of its plate touched your hot skin.
"Of course," and he didn't even stop pounding you, that dirty pervert; pulled his boxers down, letting the cool air touch the head of his cock. Red, wet head. Big. Thick. You didn't have to look at it to instantly lower your palms down and, howling like a wild dog, grab his cock with your both hands. "Fuck, love..." He cursed, clutching your ass, "You missed me, huh? Did you?"
"I did, I did, so much, baby, so much..." your trembling voice, your confident hands stroking his already hard fat dick, your cunt, shrinking from the memory of how sweetly he filled you that last time before your pregnancy... You, cock-drunk, beneath him, full with his thick hot sperm and covered by it all over your body - your ass, your vulva, your belly, your face; he came so much then, it was your first night together after you both returned from your mission. And now you can have it again... Finally.
"Pink on your cheeks suits you, love," he murmured, stroking your cheek like you did with his, "but I prefer your tears..." and before you even understood, his tongue already was on your face, licking off salty tears, mumbling, moving his hips to you while you jerked him off. "Everywhere... Wet everywhere... Did you always have been such a dirty fat slut?.. Crying, milking, soaking... I can eat you alive. Show me your mouth," he took his hand off your butt, roughly opened your mouth, looked, "Oh, I see... Would you mind, if I-"
And you felt his saliva on your tongue before Simon finished his sentence.
"There you go, such a good girl..."
But he didn't even think about letting you swallow his spit, and while you were trying to get back into rhythm, drunk on his saliva, he threw you onto the sofa, covering you from above, like a goddamn wall: "No, no, don't close your mouth." An animal, a real beast, twice your size, towered over you, mocked you, deprived you of his fingers and you could only helplessly scratch his hands near your head and push your pelvis in him, trying to somehow sit on his cock with your pathetic leaky pussy. "Don't close your mouth, you don't want me to fuck you, mama?" Sly bastard, so different, so cold, so soft for all of them, role model, best fighter, squad pride...Made fun of you, so turned on. You nearly hated him for this, but couldn't deny how you loved him above you.
"I want," trembled lips parted, saliva flowed slowly down your tongue to its root, your heavy breath was the only music for him.
"You want? Then be good for me, and I'll be good for you, mama, your good, good baby boy, mama... I would be anything for you, open your mouth, open it, let me fill you everywhere, will you, please?"
You barely had time to grab his short hair when he pressed his mouth to your mouth, but your tongues did not touch each other, you only shared your breath with him, as you always did, and when the tip of his fat cock touched your entrance, you held your breath, feeling how, along with his length, ripping you apart, widening you, inch by inch, he poured into you also his spit. Thick saliva - that's how hungry he was for you, his mouth was full of this viscous liquid.
"Good mama," words were hard for you, he closed his eyes, stopped at how tight you were, grabbed your leg, and slung it on his belt, thrusting deeper into you. Each vein on his long cock, each brought so much pleasure to extremely tight you... It was nearly impossible to move, but he always was stubborn and even when the drop of sweat ran over his neck, he continued entering you, sadistically slowly. "Relax for me," he almost begged, and you whispered:
"I've already..."
"So that's how tight you actually are, then, huh?" Seems Simon was starting to lose patience, fingers of one hand pressed on the upholstery of the sofa near your head, the second he squeezed your breast as if in revenge: "I almost forgot how it's like...when you're not in the shape of my cock." he sucked in air through clenched teeth, staring into the tears in your eyes, like he wanted to lick them again, "But it's okay..." He continued, thrusting you exactly to halfway of his cock, "We have plenty of time to make you perfect for me again, love. It's okay. I'll fuck you 'til you'll be open for me every time I want to fill you with my cum. You like my cum?" you cried, his heavy hand gave a slap on your ass, "Of course you do... Mama's such a slutty thing, she's always ready for me to cum in her, give her so much of my sperm, so she can give birth to our future big family."
"Big..." You whined about how he was ripping you with his dick, demonically slowly to the very core, to the root. You felt the warmth of his full, heavy balls, as he promised, filled with his cum just for you, and your back arched in an unthinkable angle, as soon as you felt the coarse hair on his groin.
"Yes, love, big family," and even his mumbling reached you with difficulty, you suffered on him, scratched him, beat, squeezed him with your legs, wriggled like a snake, and he hung over you, indestructible, like a rock, tried to take a breath from the pain in the cock. "Me, you, our children, so many children..."
And there was the first thrust.
Right on the nerves.
Until the pitiful cry and eyes rolled back.
Big, big, big-
So fucking big-
"What, you can't handle me anymore?" his hoarse rough voice came from above and your body shook as he thrust into you and slap your thigh, leaving the big red shape of his five fingers. "How you're going to have my children then? Be the mother of my babies, raise 'em, feed 'em with that delicious milk of yours-" Simon compressed one of your nipples again and you choked on a scream as the milk spurted freely up. "Dirty, dirty mama..." Was his only response.
And he fucked you.
To the cries, putting all his strength into you, moaning loud and clear, just like you love, forcing you to beg for his cock, but already fuckin' you, watching your tits jiggle and milk splash everywhere, spoil his clothes, get on your cheeks. To legs shaking, to an exhausted body, growling in your face how much he's going to cum in you so that you burst from his sperm, pregnant with his children, forever, for your whole life, so everyone, every fucking single one from everywhere could see whose are you, who you belong to. This belly, squishy and fatty, this face, these tits, hips, legs, feet, mouth, this milk, and other juices, these eyes, beautiful, beautiful eyes, these delicious lips, this heart and soul - all, all for him and his children, all for the Riley family, all of it for them and no one else, no one fuckin' else. You're trapped here, you're never gonna leave this man and his child, you belong to them with your whole being, you understand that? Do you, mama? Do you understand there's no escape, he would fight Death if that sucker would ever allow himself to at least think about taking you away from Simon; he would fight Death, and he would kill it because no one has the slightest right to take even a piece of you from him.
"Mine," he groaned, sinking his fangs into your neck, suddenly grabbing you by the waist and lifting so that you sat on his cock as tightly as physically possible, and kept fucking you, beating out from you every moan, every deep scratch your nails left on his shoulders as you bathed his neck with your tears. Pressed into each other, like two halves of a whole, crazy, lost in each other, interwoven, and you won’t understand where you begin and he ends. Your cunt hurts, but the pain is so sweet that you're not sure you want to cut it, you're not sure you want him to stop, to be more gentle, not pounding you like a fucking hammer, and the angle is so right - you can feel not just his dick deep inside you, but how your clit is stimulated by him, his rough movements. Oh, this beast, this madman, this insane man... So insane just for you. You cried out, moaned: "Simon... Simon! Simon!" as if it was the only thing you remembered in your life, and the rubbing of your bare nipples against his outer clothing forced you to snuggle closer to him and at the same time as if trying to get away from him.
He was no longer there, he was all inside you, thrusting you like it was his last day, angry, but carrying you so perfectly that you could've let yourself lay on him, and you knew he would never let you fall.
"Simon, Simon, listen, listen to me, please-" your trembling voice almost vanished in all these sex sounds, but he pushed you closer (there was no 'closer') and you simply whined: "Simon, I'm going to cum, I'm going to cum, I'm going to- I want to cum so bad- please, Simon, I wanna cum, I want you to cum, please, cum with me, please-" Your fingers pulled back his hair. You yourself pulled back, arched in your back, and instantly your muscles contracted on his cock, forcing him to fall, falling with you on the soft sofa. A little more and he would've crushed you with his weight, but with a desperate groan he managed to grab your hands and, lacing your fingers together, lean on them to hang over you, not for a second slowing down the speed of his deep, passionate thrusts.
Your useless legs struggled to stay on his lower back, your breasts were shaking painfully and you felt the blessing of heaven when he clung to you, pressed, as tightly as it was physically possible, and instantly squeezed you in both his hands. "Cum for me," he moaned in your ear, his veiny cock almost touched your uterus, but it seemed that if he wanted to, he would fuck your womb just to impregnate you. "Cum for me, mama, let me see how happy you are to be pregnant for me, just for me, showing people how you love me, scream, mama..."
Heavy breathing, deep unforgiving pounds, bursting cock, burning heart, nails scratching his strong broad back, ribs compressed with iron arms - and you, so tiny compared to him, you, so little, so fragile looking in his arms... were ready for anything for this man. "Cum for me," he ordered, grunted, and you tensed on him, squeezed him with all your might to his own loud moan, and tears gushed from your helplessly rolled eyes. His moans, low but beautiful, just for you, were the only thing you heard in your petite mort.
And his seed filling you, hot, thick, was the only thing you felt.
The maddening feeling of being filled with rich cum, his cum, your husband's, your man's, drove you to a silent scream, to open mouth from which no sound came out, and saliva flowing down from the edge of your mouth only to dry on your cheek when you tilted your head back. And as if boiling sperm in you, poured into your insides.
"Greedy mama..." you didn't even come to your senses when you focused your blurred vision on Simon overhanging you, cupping your wet cheek with his large hand. His quiet, purring voice settled in your head like a gooey honey. You could nearly discriminate his words. Not understanding what was happening around, hearing only his voice and feeling only him in you, you were like gutted and thrown into the light while his sweat dripped on you from above, and his heavy breathing only miraculously did not blow you away. "Just like that..." Even his voice cracked, this man couldn't resist the devil, and mumbled inaudibly: "So good for me... So good... Such a good girl..."
Hot seed in you, his weight on you, his warmth all over you, his loud breath and your inner muscles tightening and loosening around him while he, overstimulated, continued moving in you, also overstimulated, and the movements were so...gentle ... So soft... His soft pounds, his smooth swings, almost like trying to rock you, but that orgasm was so blinding, you couldn't breathe, you couldn't concentrate on the outer world, just him and his hands, his hips between your legs, his balls tightly pressed to you, his cock inside you completely... So... Soft... Hot... Your body temperature was almost past its peak... And that gentle touch Simon gave you on your belly, lying his head on your shoulder.
After what he did, you barely remember how carrying he was... This big softie...
"You..." your hoarse voice sounded like you hadn't spoken in at least ten years, there was fuckin' Sahara in your throat, and your eyes couldn't even close from the experienced orgasm, "What you just... What you... Wha-...."
Tied tongue refused to obey.
You literally could not utter a word, only mumbling something incomprehensible.
Boneless.
Dry out.
Dehydrated.
The son of a bitch literally sucked all the juice out of you.
"Si..bl... Bml... Ah......"
And when he, as exhausted as you, pulled away to kiss you on the pink hot cheek, after all, that he had done, you nearly could look at how calm he was.
"You alright, love?"
Blue eyes glanced at you in slight worry, he stroked your wet hair, raised himself with both hands to look at you, but you could not take your eyes off him. You stared at him in disbelief or shock - doesn't matter, you just experienced the nastiest sex in your life, and he was so calm, so confident, like nothing happened, like it was a daily basis for you - being fucked 'til semiconscious state while your husband was 'mama'-calling you and sucking your tits, and, holy shit, did that really-
"Do I..." You swallowed, looking him dead in the eyes, without a single blink. "Do I look like I'm alright?... Do I?... And what happened with 'mama', baby?.. what happened with 'mama'?" suddenly your voice became demanding, insistent, from somewhere you found the strength to weakly hit him in his rock-hard shoulder, and Simon's eyes flashed with shame for a second, then he moved them from you, almost trying to hide, while leaving your core and sitting on the edge of the sofa at your useless boneless legs still shaking from whatever the hell that just was.
He inhaled, "I..."
"Shut up." and he closed his mouth instantly, staring at the floor, even before he heard properly what you said. "You sucked my milk."
"Um..."
"I said shut the fuck up- You just- where are my pills?"
"What?"
The slight surprise in his voice almost pissed you off and it was funny how he almost trembled with fear and tried to shrink under your gaze: he, that behemoth of a man, two meters tall, mountain of muscles, Lieutenant, a brave soldier of the Queen, Chain Dog of Captain Price and Commander Lasswell, trembling under your gaze, your, women half his height, twice as weaker than he ever was, furthermore, unable now to even wake up on her own, move her limbs, he was fuckin' scared-
Indeed.
You did have power over him.
"My pills." You barely raised your voice and he already was on his feet, pulling on his pants and trousers, looking for your plan B.
You watched him, nervously seeking after them, making as much noise in the bathroom as he would never make on a battlefield, and you could almost see his shaking hands turning the whole room upside down.
"We're gonna have a nice long talk about all of it," you heard yourself surprisingly serious, when he came to you with a glass of water and your medicine, helping you, holding your head for you to drink, "we gonna..." you swallowed the pill from his hands, drank all the water from the glass without taking your eyes off him, and exhaled loudly as he kissed your cheek after.
"We're gonna?.." he echoed you and you saw him squatting down next to the couch, against your head, so you could lie down and look him straight in the eyes without getting tired.
"We're gonna clear up your... This. Simon."
"Mhm?"
"Eyes on me."
"They already are, ma'am."
You could've laughed, because he never called you that unless you were extremely serious about small things in your life, no one ever saw him mocking you, or smiling like this, widely and openly, but there were topics you wanted to discuss before admitting that both of you were total perverts, and nothing would even help you clean your conscience from it.
To be fair, you didn't actually want.
You knew he was more playful, more... Different when you were alone, there were demons inside his pretty blonde-haired head, that was true, you knew the man you married, and he never was such a jealous person without any reason, and... You didn't know how, but you were sure this talk about 'sharing with someone else' wasn't just... Dirty talk. There was something else deep inside.
"You're thinking too loud, love," you heard him hawed it out and then felt his strong hands on your aching legs. "Again."
"I'm just... You know what?"
"Mm?"
"We... We should..."
"We should?.."
"We should... Holy hell, Simon... You..."
"I was serious about what I said, love."
Boom.
You tilted your head, met his eyes, moving from your legs to your face.
His deep and at first sight as if almost naive eyes.
"About?..." You whispered, feeling something strange growing inside you with every second he was looking deep into your soul.
Nasty, nasty soul.
"About having a big family." you felt his gentle kiss on your ankle, his head relaxed near your feet, he mumbled, "We already have one pretty girl... I want more. I want... I want to come home... And see a hoard of children running to me... Meeting me... And you... And then I'll sit with them, and you will work, and, imagine... Coming home, where there'll be a bunch of kids, siblings, maybe playing with each other, or arguing, or... Else. Our little world."
"Our little world..."
Unbelievable.
Dreamy, absorbed in his fantasies, soft, affectionate Simon. Telling you about that.
"Even if we could... What if something goes wrong?.." you couldn't resist your fears, not for yourself, but for hypothetical children. "What if... We won't be able to give them what they deserve?.."
And suddenly he smirked:
"I'm not telling you making a second one right now, am I?" your eyes met, your uncertain, and his, surprisingly romantic. "I'm just... Maybe we shouldn't stop at just one. She needs a friend. We were able to do so many things. I will buy a big house somewhere in the middle of nowhere..."
"With a garden and greenhouse?"
"Yep. I will arrange the area. Maybe we can have cows?"
"And chicken."
"And chicken. And..."
And you completed his sentence without looking at him, just knowing what he would say:
"...and have a daydream house with white picket fence and a golden retriever..."
"I prefer Alsatian."
There was something wrong with this man. Who was without a drop of doubt thinking that you two, and now with the third little human, can have that unrealistic happy lovey-dovey life.
Scarred soldiers, hardly married, only a year ago trembling from fear because of the thought that you would have a child in your house, such an irresponsible thing to do- and- and- now-
Now he was saying you can have more, can take responsibility for more people, more little ones- where were the guarantees that he would not die in the field? where were the guarantees that you would not be killed? where there were guarantees that you could become good parents, raise good children, fulfill your duty to them, and remain happy, not break down, challenge life, who stubbornly told you over and over again that you weren't made for this, you simply cannot have this, this isn't for you, and-
There really was something wrong with him.
And maybe, only maybe, there was something wrong with you, too.
Because you believed him.
You believed him with all your being, you trusted him, you knew he would never betray your trust, he would do more than everything to keep his promises, you knew the word "family" wasn't just a sound for him, and you became his family, he did not just wanted kids and that shitty house, fuck it, that wasn't about the house.
All of that was only about you.
Making family with you.
Having kids with you.
Introducing you as his wife, being a father to your kids, calling you the mother of his kids, knew exactly that is your and his blood running in their veins, that's your common children playing in the garden.
And in his face, which for some reason everyone finds impenetrable and dispassionate, you read so much that your heart breaks, your breath hitches, your pulse skips a beat:
Simon Riley doesn't want this house without you. He doesn't want kids without you. He doesn't want any white picket fence, no garden, no greenhouse, nothing without you. It's all is just meaningless for him, if it's without you.
You are that one thing that makes him believe he's unstoppable. You're that one person for whom he wants to try, despite fully understanding how hard, almost impossible it will be. Definitely will.
The man will move mountains just for you.
He would fight Death, and he would kill it just for you.
That's truly crazy.
But once again, if he's crazy, then you are too.
"Okay..." your quiet voice sounded in the silent room, only the cozy melody accompanying your words. "Alsatian it is."
It took a second, stretching for years, for him to slowly, with the grace of a well-fed tamed predator, get up from the floor and lean towards you, giving you the most tender kiss you have ever felt.
Delicate as silk, sweet as chocolate, a touch of love.
All his feelings for you couldn't fit in one kiss. But he needed to try.
And as soon as you relaxed, trusting yourself to his strong, safe arms, loud baby cries came from the baby monitor.
Damn.
Simon pulled away from you with a quiet "Don't move, I'll go get the Princess" and you couldn't help but giggle when you heard him open the door to your bedroom and start talking like an idiot, cuz she just loved when he was goofy around her.
In one second, promises to make you perfect for his fat cock again, and in the second after that, rocks your common child while making hilarious noises to pacify her.
"Simon!" And when he, rocking your tiny Princess, looked out from behind your bedroom door, you said helplessly, unable to remove the silly smile from your face, "I love you, baby."
His gaze softened.
"I love you, too, mama."
Oh, this man...
Oh this man!
3K notes · View notes
everlastlady · 6 months
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Sins With Human S/O
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✘Posted: 11/8/2023
✘Story Contains: Human gn reader, Asmodeus, Beelzebub, Mammon, Fluff, Nsfw, heartbreak, sins just loving their human partner.
✘Word Count: None
✘Author's Note: This has been sitting in the back of my mind for a while so I decided to finally write for y'all. Remember to eat a meal or a snack, drink some water, get some fresh air, take your medicine, and remember that you are loved. If you loved this story remember to comment, click or tap that heart button, reblog with tags, and blaze if you can. Always remember to support your local writers. ♡♡♡
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Asmodeus:
You had met Asmodeus when you were trying to make a deal with a demon to get your ex back. You wanted a simple demon but you accidentally summoned the big man himself, Asmodeus, of course he was confused on how you summoned him. Because it’s usually a meeting thing but you summoned him upon command. He would have been mad because he’s a busy man; but when he locked eyes with you. He thought you were a sight for sore eyes so he asked you what you wanted and why you had summoned him. With teary eyes, you told him that you wanted your ex back, you told him how your ex cheated on you with your best friend. The reason he cheated and left you was because of your body, that you were boring, and annoying. Now Asmodeus didn’t know your ex but seeing that you were all teary eyed over some asshole made Asmodeus upset. The lust lord sat on your bed almost breaking it. But he patted a spot next to him. You tilted your head in confusion but sat down with him. Asmodeus took his time hitting you with harsh reality. “ You can’t force someone to be with you. Sometimes people will come into our life and stay while others leave. But it’s good when the bad people leave, and that guy you were dating is a real asshole; honey, you don’t need him at all. Let me be the one to show you what love actually is. Because I think you look beautiful just the way you are. “ Asmodeus offered his hand. You weren’t sure about this but you decided to give Asmodeus a chance - what started as a beautiful friendship and the king of lust showing you about what love really is soon turned into a relationship.
Asmodeus is no stranger or idiot when it comes to humans. So when he started dating you and visiting you. He would of course go up in his human form. The brown skin male with the long red and blue braids will always greet you with a smile. He’s still bigger than you, which you don’t mind. Though he does like going back into his actual form in the comfort of your home. Asmodeus loves your home, it’s cozy and quiet. He sometimes does his work here or reads a book there. He’ll bring you flowers everyday so now you have a little garden in the back of your home and a couple of flowers in your home, that don’t die. Asmodeus is always there to tell you good morning and goodnight. Sadly he can’t take you to Hell but he tells you all about Hell. “ Yeah, babe, it’s not really how movies depict it. “ He laughs at the questions or theories you have on Hell.
His guilt pleasure with you in the human world is when. It’s a cold day and raining, the two of you have the fireplace going and are snuggling on the couch in a large light blue heavy weighted blanket, drinking hot chocolate, and watching romantic comedies. Of course the two of you have the best snacks and foods on the table. Asmodeus loves to have you on his lap whether he’s in his human form or demon form. Moments like this make Asmodeus happy because he loves the rain and spending time with you. “ I gotta give it to you humans, you guys know how to make a good romantic comedy… sometimes. “ Asmodeus would place kisses on your head, neck, and cheek during the movie.
Your ex eventually shows up trying to get back with you. But when the door opened up, Asmodeus was standing there and he recognized your ex, when your ex asked who Asmdodeus was, the lust king grins. “ My name is Toby, I’m {Name}, boyfriend, you must be that shit ass ex they told me about. “ Asmodeus glared at your ex, who stood there looking up as Asmodeus who stood there in his human form. Your ex peeked in to see that you were wearing a long dark blue t-shirt that belonged to Asmodeus. “ {Name}! “ You ex called out for you, trying to get inside your home but Asmodeus blocked his way and pushed him outside. Closing the door behind them both; you stood there drinking from your mug hearing screaming that belonged to your ex. After a couple of minutes Asmodeus walked back inside. “ He shouldn’t bother you anymore. “ Asmodeus placed a kiss on your nose as you chuckled.
He eventually shows you pictures and videos of Hell. “ This is the ring of Hell. I owe the Lust ring, it always rains there. Here is a video of me and my friend Fizzarolli messing with some Imp because they were singing a love song at my place of business “Asmodeus laughed. But you looked at him and raised an eyebrow. “ I know I’m a hypocrite. “ Asmodeus crossed his arms. " But I had to keep a reputation cause Hell. " Asmodeus rolled his eyes. You kissed his cheek to let him know that you understand.
Sex with Asmodeus is fucking amazing. This man is the king of lust so he knows how to make your body scream and cream with pleasure. Sometimes you have to take a time out because you are a trembling mess. Asmodeus will cover you in hickies. But he's gentle with you when it comes to sex; he'll only be rough if you ask. He's also not afraid to test out any kinks yoi have. After sex, you'll receive the best aftercare. A bubble bath, while Asmodeus tells you how good you were during sex. He'll make you a nice snack and get you some water because liquids are very important after sex. He'll change the sheets and then place you in bed. After he cleans himself up, he'll cuddle with you in bed.
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Beelzebub:
Your friends invited you to a party. You weren't really a party person but you decided to go because you could use a fun night out. So as your friends were dancing, you walked over to the snack table. The host of the party. Trevor always threw amazing parties because he was rich, so the snack table always had such delightful goodies. So when you saw that there was one last slice of cheesecake you went for it, only for someone else to go for it. You looked up to see a tall woman with long blonde mess hair that had some blue and pink streaks. She was wearing a pink shirt with a tye dye heart on it and some matching shorts. She was tall woman with crazy black eyeliner and beautiful pink eyes. " Oh? Did you want this, you can have it. " She let go of the plate of cheesecake. Her smile could light up a room. She gave you one last smile before grabbing another snack and walking off. You stayed by the snack table eating the cheesecake, after a while the party became too much for you. The music was now blasting, the colorful flashing lights hurt your eyes, and loud chatter was making you feel overwhelmed. You couldn't even find your friends, you began to panic until you felt someone grab your hand and pull you outside, away from the loud party. The night sky looked more peaceful, you looked over to see the woman you met earlier at the snack table. " You okay, small fry? " She asked. While handing you a water bottle. You smiled and nodded not knowing that this moment soon became a friendship and soon a relationship.
Beelzebub is the sweetest girlfriend. Even when she revealed to you that she was the queen bee of Gluttony when showing off her demon form. She expected you to run off screaming, but no you love her even more. You find her lava lamp tummy, really cool. Beelzebub tells you that she only comes to the human world to party with humans, she is the reason such amazing parties happen. But now she always comes up to see you. She always brings you food or snacks when she comes to hell and these are things from Hell. Which you become fascinating with the meals in Hell. Beelzebub understands that you don't really like parties so if you ever want to leave a party early, she understands and will leave with you.
Her guilty pleasure is playing video games with you. So the two of you have a game night. With the best snacks, you two play all times of games. She loves playing fighting games with you like Mortal Kombat or Smash Bros. " Shit, honey, you always win but one day, I'll win. " She teases. She also loves to do tye dye with you, a fun peaceful activity for the two of you.
She doesn't let anyone hit on you at a party or make you feel uncomfortable. Last creep that tried some funny shit got punch into the table by bee. " Don't touch, my damn partner! " Bee would try her best not to shift out of her humanity form because she doesn't want to scare anyone at the party.
Bee shows you pictures and videos from her parties in Hell. She wishes that she could attend these parties but humans aren't allowed in Hell. But she let's you taste some of Beelzebub juice that she made and it taste good. That you have a bottle in your fridge. Good thing none of your friends touch it because you ask them not to do so. Beelzebub juice does nothing to humans but make them have party energy.
Sex with Beelzebub is sweet as honey. She puts the sweetness in her love, you also know it's time for sex when Beelzebub appears behind you with a can of whip cream or sometimes honey. Beelzebub is sucker for licking and sucking things off of you. She's a pro with her tongue and fingers. She loves to be on top, to be dominant. She could be a soft dom or a rough dom, it all depends on what you ask her. Aftercare is always something Bee never forgets. She'll sit in the tub with you and wash you up while talking about what plans you two could have tomorrow. After caring for you both; she will cuddle up with you in bed while watching some tv.
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Mammon:
You were having trouble with money, especially after leaving your parents home because you were sick of them controlling your life. The job you took wasn't really grand especially since your boss was horrible and a creep. So you ended up quitting so with bills piling up, you became desperate and decided to try and strike a deal with Mammon the demon of greed. After obtaining a book from a sketchy guy in a van. You went home and set everything up, after lighting the candles and doing the chant. You sat there for a couple of seconds and nothing. With a sigh of defeat you decided to heat up some leftovers; you walk into the kitchen but stopped when you saw a large jester like spider going through your fridge. You cleared your throat, and he turned around. " Oh! Hey there, you know your fridge looks pretty sad mate; probably why you summoned me, which I'm surprised that shit worked. " Mammon slammed the fridge close and walked up to you. When getting a closer look at you, his face felt hot. " You ain't so bad looking for a human. " He said. You weren't sure if you should be offended or not. " Well let's get this deal going, the more time I spend standing here, I loose money. " Mammon picked you up, not knowing this was the start of an interesting relationship.
Now you didn't expect to be dating Mammon and Mammon didn't expect to be dating you. But he didn't mind having you as a partner. You were quite sassy and took no shit from him. You knew all his bullshit and tricks. So he could never pull a fast one over. Mammon does spoil you a lot, to the point you don't really have to work. You always see that Mammon has some how put money into your bank account and that your bills have been paid. No tricks, just him being a sweet boyfriend with a shit eating grin. Anything you want he'll buy it so that you don't have to worry.
Has a human form like the others. The chubby Australian man loves holding your hand when you two are out in public. His black hair that had green streaks. He wore a long sleeve green shirt under neath his black jacket and had black pants. You thought he looked handsome, Mammon knows he's handsome. Cheeky asshole. But he takes you to any shops or food places you want or theme parks. " I should build a Disneyland in Hell. I'll call it Mammon world and charge $500 for a ticket. " He would go on about what it would have. You would playfully roll your eyes and listen to your boyfriend talk about his plans for this theme park and the outrageous prices.
His guilty pleasure with you, is doing absolutely nothing... Yup, Mammon is working man. But when he's with you, he gets a break so he loves to just lay in bed with you and cuddle. He'll rest in his face into the crook of your neck while sleeping. He holds onto you tight, but not to tight because he doesn't want to break you. But he enjoys these moments of naps and cuddles with you. Even if you are awake, he'll still be asleep by you.
No one should piss off Mammon, so when he hears about how your ex boss harassed you out of the store because you went to do some shopping. So that night when you fell asleep, Mammon paid your boss a visit. That morning when you were cooking breakfast for you and Mammon, you turned on the news and saw that your boss was murdered. You knew it was Mammon because he used your bosses blood to paint his symbol on your boss's office wall. You turned around as Mammon was whistling innocently. " .... He's in Hell in my ring, so he'll suffer more. " Mammon said and went back to whistling. You nodded your head went back to cooking not wanting to show Mammon your smirk.
Yes, Mammon is a greedy bastard but he's not greedy when it comes to sex. He loves to give you the best of the best. The highest quality of pleasure - he will use the four arms, because those four arms work wonders. Sorry but he can't control the honking during sex when he's pounding into you, so you'll have to deal with the honk when he's hitting it from the back or front. After sex, he'll give you after care and wash you up. " That was fun, we should do that again but next time on my web, I could tie ya up and maybe a blind fold. " Mammon could go on but eventually stops after you two end up in bed cuddling while Mammon places kisses on your head, telling you that you are the best thing that has ever happened to him and he wouldn't trade you for any amount of money.
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vivendraws · 12 days
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making an important announcement about some things i’ve noticed in the gwendoline christie fandom that really bug me.
disclaimer: read this at your own convenience and discretion. i am not responsible for any sort of hurt feelings and frankly… i don’t care. if you’re mad about this, you are probably the problem. /lh
to start with id like to begin on a positive note so that i’m not diving into negativity, i don’t want to be completely negative about my experiences because i’ve actually met some of the kindest people in the world through this fan base.
the gwen fandom, the gwandom, the gwendoline christie fandom , the lesbian cesspool, has been an incredible experience that i’m grateful i’ve had the pleasure of being apart of.
i went through a rough patch during november, and if i hadn’t found out about gwen, or met such wonderful people during my time here , i honestly wouldn’t be here right now. i owe my life to these people, gwen included. i will forever adore miss christie and what she stands for alongside the friends i’ve made along the way.
and while i know someday this hyperfix will end, it’s really disheartening to me when a fandom is what makes me grow distant from things i enjoy. it happened before, i feel as though it is happening all over again.
and no, i’m not taking issue with anything like the catrissa stuff or the brienne and larissa ship going around or anything like that. i like that we can all be weird together and enjoy aus like catrissa and crackships like bririssa (not sure the official name that was decided lol). my issue is the amount of content i’ve seen that either focuses on gwen herself, or the strange relationship with minors, or the odd artwork of gwen, and the absolute disgusting behaviour towards giles.
gwen would be absolutely appalled seeing fanfictions of herself that involve nsfw or just her in general, anyone would, it’s disgusting to make works of real people in that setting. it’s like you’re treating them as an original character you can mould and manipulate as you see fit and using someone who is real with thought and feeling and consciousness for smut fics is not okay, or any fic in general. i totally get the hype around her characters, i literally have “brienne’s princess” in my bio and i’ve had “jane murdstone’s bloodbag” (in reference to my vamp au) as a name in a discord server.
but i think the fandom has begun to blur the lines between fictional characters and reality settings when it comes to gwen and the personalities she portrays on the television screen. it’s not fair to her. it’s disgusting. i’ve seen a minor do it, i’ve seen a grown adult do it. it’s something i don’t see shamed and frowned upon often enough and it’s really not okay.
on that note i’d like to quickly mention the photos, we alllll know what photos i’m talking about. the bunny one, the nudes, the ones gwen has expressed regret towards and wishes to not have them spread. was there not a “fan” who brought her a book of her nudes and wanted her to sign it? that person who was blocked on instagram by gwen because they reposted her nudes on their story and tagged her???? how can you refer to yourself as a fan after behaving so abhorrently? absolutely disgusting behaviour. as a collective fandom we need to stop touching those photos (metaphorically speaking) and leave them in the past.
i’ve been told of numerous circumstances in which adults have shown their nsfw works to minors in this fandom and it has to fucking stop. it’s disgusting!! how can you do that knowingly? i constantly ponder terminating my account after a minor got ahold of my nsfw work, and upon realising they WERE a minor it was as simple as blocking and moving on. it’s truly not that hard, folks. and the minors on tiktok who fight with others saying silly things like “that’s my wife” or worse. i’ve seen it all, i feel like, and the more i see it the more sick i become. i cannot stand it.
i have seen and heard of fans who have fat shamed gwen for that one pink dress she wore to the met gala. she looked so happy in that dress, and the audacity one must have to fatshame that poor woman on twitter then turn around and continue to proclaim your ‘love for her’ as if you’d done no wrong? are you fucking serious? are you mental?
and the sexualisation over the porcelain doll look, gods some of you are sick. those were not real breasts, people. considering the fact she wholeheartedly regrets her nude photoshoots , what possesses you to believe she would actually flaunt her chest in that outfit?
the blatant mistreatment of poor giles is not fucking okay either. just because you’re jealous of someone who makes her immensely happy does not give you the right to post something so vile and cruel about him. shame on you. why do you believe this is okay to post:
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????????
are you serious? have any of you stopped to consider how HAPPY giles makes her? or is her happiness the last thing you ponder when you look at her? have you even noticed how unhappy she looks lately? have you truly paused to consider how she would feel about seeing this on your page, random twitter user, or the rest of you who think this is okay? bless your hearts.
and some of the absolutely horrific things i’ve seen about her online and the hurtful behaviour towards giles makes me question the difference between a fan and just the general paparazzi. because if you truly loved her and you truly loved giles then i would not be ranting into the fucking void about it for no reason.
i avoid interacting with pages i find problematic on here to keep from stirring the pot but tonight i chose violence and got reeeeeal pissy about how i felt about this place. it’s not okay what i see on here and it’s getting exhausting seeing the same cycle of content on a daily.
that’s everything i have to say, i think. i probably missed a lot that should be discussed in the comments but i’m done for now because i know if i go on i’ll probably cry.
before you post things about real people with real feelings , stop to consider how they will feel those real feelings towards the content you put out. chances are you’ll become less problematic and obnoxious that way. 💘
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thebibliosphere · 1 year
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Anyway, @brynwrites also reblogged a very good point on a post which I cannot reblog because I assume OP blocked me, presumably because I am the person they're bitching about because, uh, yeah, I literally can't think of any other book other than mine that has that exact rep, lol.
Not to mention someone specifically calling me out in the notes (:
But I'm feeling petty, so I'm just going to post my response here anyway. Specifically in response to the person in the notes who said they have no idea what my book is about despite seeing it posted everywhere, which tells me one certain thing.
They are not clicking my links.
Like friends, I cannot tell you the lengths I go to so that people can make an informed decision about buying my book and still ask me basic questions which tell me THEY'RE NOT CLICKING THE LINKS.
I provide a synopsis, themes, content tags, heat ratings, reps-- I even explain WHY there are two editions of the book and also how Hunger Pangs came to be. I link them in all my promo posts so people can click them, read more, and decide if Phangs is for them.
The fact that people are complaining they have no idea what my book is about is on them. I cannot spoon-feed you every detail in brief promo posts that I'm trying to design to be as non-annoying as possible because, haha, fun glimpse into what my life looks like; when I DO reblog the longer posts with all that info, I get people telling me to KMS for posting walls of text onto their dash, or people just straight up telling me, "I'm not reading all of that" or "is it gay, though?"
So like, what the fuck am I supposed to do?
Anyway, read Danny's take. And also, click on the link authors provide. I promise you, they are there for a reason.
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steveshairychest · 1 year
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Eddie gets Steve for the party's secret santa and instead of just going out and buying him a present, Eddie spends the whole month making something personal for him, something to remind Steve that he is absolutely adored by the people around him. He's seen the way Steve dismisses any and all comments from the kids about how awesome he is, he's seen the way Steve curls in on himself whenever he's complimented or praised and it hurts to see.
No matter what they say, Steve doesn't seem to get it through his thick skull that he is the party's centre of gravity. Everyone, including Eddie, finds themselves pulled in by Steve's overwhelming love and care. He is their sun. He drops anything and everything the second he's needed by anyone but if they offer the same to him, he shies away from it, brushes it off and says he can handle it. Eddie can't remember a time where Steve actually willingly accepted his help; he usually has to forcefully grab a grocery bag from Steve to stop him from trying to take them all inside himself.
So, for his present, Eddie decides to make him a book, a book filled with everything the party loves about him and everything they appreciate him doing. It's a big book of love and all that love is for Steve. Some of the kids fill pages and pages of things they love and appreciate about Steve, Dustin draws a whole coloured comic that spreads over 5 pages and some of them just fill one page but that's okay. Eddie and Robin write enough to fill the whole book; they actually have to add more pages to the book because there's no room for anyone else to write after Robin goes full sap mode.
Nancy writes one page but forbids anyone else to read it, says it's only for Steve to see and they respect that. They leave the page next to her's blank so that no one sees it. Eddie's only mildly surprised when Jonathan asks to write in the book. He doesn't write a lot but from his sneaky glances, Eddie can tell Jonathan is extremely grateful for everything Steve's done for the kids.
When it comes time to actually give the gift to Steve, Eddie is extremely nervous. He's scared he's overstepped, that it's going to make Steve uncomfortable. Maybe he should have just gotten him that cute sweater or made him a mixtape.
Eddie opens his gift, it's a custom hellfire guitar pick and new strings; stuff he'd only talked about around Robin. He smiles knowingly at her but she acts the fool, pretends she has no idea who his secret santa was but her giant smile gives her away.
And then Steve is reaching for his present and Eddie feels like he's going to pass out. Everyone's smiling and shoving each other excitedly as Steve tears the wrapping paper off but all Eddie can do is nervously look between the present and Steve, watching for the slightest hint that it's too much, that Steve doesn't like it.
The room is so silent, the only sound is pages turning and Eddie's almost panicked breathing as Steve reads through every single page without looking at anyone in the room. He can't get a read on him, can't figure out if he loves it or hates it and then Steve's crying, his chest heaving as he gently closes the book and covers his face with his hands, tries to hide himself away from everyone. Oh, God he made Steve cry on Christmas. He feels like absolute shit.
"Steve, I'm sorry -" He doesn't get to finish because Steve pulls him into a hug so tight he can barely breathe. He feels Steve's tears soak through his shirt as he cries into Eddie's chest and Eddie can do nothing but hold him and try to read Robin's lips as she tries to communicate something to him from across the room. "Spoiler alert, I was your secret santa, but I can't tell if you hate or like your present. Just tell me straight up, I don't mind." Eddie whispers into his hair as he gently rocks them side to side. The book he made for Steve sits discarded beside them and from this angle, Eddie can see that Steve dog tagged a few of the pages. He'd been too focused on watching Steve's reaction to notice him do it.
Steve sniffs and pulls back, his eyes red and puffy. "I loved it." He moves away from Eddie and sits back in his original spot so that he can see all his friends, see all the people that filled a book with words he never thought he deserved to hear. "I really loved it. Thank you. I especially love the comic where I fight 40 demodogs even though I'm pretty sure it was only like 4." He says this while smiling at Dustin, who puffs his chest out with pride and boasts about being Steve's favourite part of the book.
"I think I wrote a whole novel in there." Robin says while scooting closer to Steve so that she can rest her head on her best friend's shoulder. "Did you even read all of it?"
Steve rests his head against hers and points to the dog tagged page in the book. "I've saved it for later. I didn't want to get snot and tears all over the page."
"Ew, you're disgusting." She shoves at him playfully but Steve catches her arm and pulls her into a hug, a hug that they both relax into, a hug that says a million things no one but them will understand.
Eddie feels like a weight has been lifted off his shoulders now that he knows the present wasn't one big mistake. He doesn't know if Steve read the pages he wrote, doesn't know if Steve will feel the same, doesn't know if confessing his feelings in a secret santa present was the right way to go but he can't bring himself to regret it. Seeing the way Steve pulls all of his friends into a hug and whispers something to all of them, something only meant for that person to hear, brings a warmth to his chest.
He hopes that Steve understands now. He hopes that having all of their love for him in physical form helps him realise that he is more than just a babysitter, more than a human shield, more than a bad ex boyfriend.
And to Eddie, he's more than a friend. He poured his entire heart into that book and he hopes that Steve will handle the pages carefully and that when he's ready, he'll answer the question Eddie wrote on the last page of the book.
'Will you let me love you?'
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r6shippingdelivery · 2 years
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There’s been a lot of talk about AO3 and censorship lately, due to one of the candidates to the OTW board. And I realised I have very strong Opinions:tm: about censorship and the freedom AO3 stands for.
Censorship is not a solution. It doesn’t work and it’s not even easily agreed upon where the line should be drawn. What some people might deem as immoral or reprehensible is not the same others will consider so. For example, you and me can agree that sexual stories about minors turn our stomach, yet other people would also include LGBT+ content there, even the sfw ones, and others might decide that any sexual content at all is immoral. So, how do we agree about what to ban, when nothing of it is even illegal?
because let’s be honest, it’s all fiction. As in, not real. Things like incest, rape and pedophilia are illegal irl, but not in fiction. Cause they’re not harming anyone. Really. You can find it disgusting, I certainly do, but I also recognize no person, no actual human, is harmed in the making of those stories. Because they’re made up and about made up characters. I won’t seek it out, and if I see someone making that kind of content I will most probably avoid them/block them (without harassing them), but they have the right to create any kind of fiction they want.
It always baffles me how readily understood that is when it comes to murder and violence in fiction. Nobody thinks that someone who writers murder mysteries or procedural shows really wants to go out and kill people. However, as soon as it’s about sex, people are up in arms ready to believe that those make believe scenarios are an indicative of someone’s real desires. Why is that? And since we’re on the topic of double standards: why are people clutching their pearls about fanfic, but literature gets a free pass, more or less? You go into a library and you’ll find lots of books with shocking and distasteful topics, including those that contain pedophilic content (like Lolita, to put a famous example), incest (Game of Thrones, among many others), rape, murder, etc. But they want me to believe that fanfic, the medium with severely impaired social acceptance and magnitudes smaller reach, is the actual problem that will “normalize” those ideas? Nah fam, I smell a moral panic, and people finding fanfic writers easier to bully into submission. Because this is all about controlling what forms of creative expression are deemed acceptable. Fanfic IS a form of art, popular art if you will, but still art. And by virtue of how AO3 is designed, it’s ridiculously easy to never see the kind of stories that you find objectionable.
Tags are a wonderful thing. I can specify what I want and what I don’t want in my story results when searching! Tags are the author being responsible and giving due warning. Especially the “dead dove: do not eat” tag, it lets you know that the content of the story will have questionable content, proceed at your own risk or keep scrolling. Same as the “chose to not use archive warnings” that one is a warning in itself that the story might contain triggering/upsetting content, and it’s the prerogative of each reader to decide whether they’re comfortable continuing reading or not. Ultimately, it’s all about taking responsibility for one’s decisions. People who are in favor of censorship in AO3 either don’t know how to control and curate what materials they access, or feel entitled to everyone else taking their morals into account instead of taking responsibility for their own experience in the archive.
None of the stories on AO3 is illegal. Fictional stories are not illegal, not even those dealing with unsavory topics. The archive makes people agree to continue reading whenever you click on a story with a certain rating (or without any rating at all, just in case!), so the reader is giving their consent to continue reading, they’re making an informed choice. Same as with the tags. They’re there, they’re a warning. If someone reads the tags, finds them displeasing and still continues reading, that’s on them. If I find a story with tags about rape/non-con, for example, I keep scrolling. Cause I know I will find the story displeasing and upsetting. The people clutching their pearls and going “but think of the children!” are, mostly, people who refuse that responsibility and ask the world to accommodate them and their morality. And then throw around words like pedohilia and accusations of “kiddie porn” careleslly, watering down the seriousness of such accusations. No, an explicit fanfic of twin, underage siblings going at it is not CSA. Cause there’s no real children involved in it. It might be disgusting for a lot of people (me included), understandably, but you can 100% avoid reading it and interacting with the people who write those. 
Finally, let’s not forget the recent history of fandom spaces, shall we? LiveJournal and Fanfiction.net both had purges of content, after some campaigns for censorship gained traction and popularity. So now everything relating to certain topics is eliminated! Well, except that also includes communities of support for survivors of sexual abuse (it happened in LJ). Well, except that the people pressuring for censorship weren’t happy with the gay smut either, so a lot of LGBT related stuff is now also gone! (happened both in LJ and ff.net). Except, in some countries anything sexual at all, is frowned upon, so why not ban that too? Censorship supporters will always move the goalposts, forever shifting their aim whenever they accomplish something. Because it’s easier and more comfortable to make others conform to their standards than accepting some artistic expressions will be uncomfortable to some people. And trust me, none of them will care if the dark fic in question was written by a survivor of similar experiences trying to cope with their trauma or raise awareness, or if it was done simply for titillation or to safely explore different scenarios in fiction. And the topics that were banned in those websites didn’t disappear at all, they just weren’t properly warned for/detailed in the summaries, so anyone could stumblre upon them by accident. The complete opposite of what happens in AO3.
AO3 was created by people who lived through those censorship events in different fandom spaces, as a response to it. To seeing whole communities and swathes of fan content being unceremoniously deleted overnight. AO3 is an archive and an online library, not a social media platform. It’s a safe haven for anyone to host their fan creations, but that doesn’t mean it’s a safe space as people understand the term in other platforms. In AO3 you make your safe space by using the tags. Because that is the only real way we can have a safe haven for EVERYONE. 
The thing about freedom of speech is that sometimes, you have to defend things you dislike (that, I repeat, are legal in this case), because experience has shown time and time again that as soon as you give an inch to the censors, they take more and more. And today they’re up in arms about “pedophilic fanfics”, but once that is done? It might be all nsfw content, it might be trans related content, it might be something else. But it will happen. 
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irisintheafterglow · 7 months
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No Prey, No Pay (opla!zoro x you)
summary: after steering him to a successful bounty, zoro can't stop thinking about you. he decides to do something about it. (Part 2 to Parley)
wc: 1.67k
cw/tags: domestic zoro crumbs, idiots in love but they don't know how to express it, canon-typical violence, zoro is so himbo i love him
note: thank you for all the love on my first two zoro posts!!!! i'm so so so happy y'all liked them; this is one of the first times in a while i've actually been super giddy writing a character. i really hope he's not too ooc, i tried to keep his himbo-ness intact. hope you enjoy!!!
likes, comments, and reblogs are always appreciated <3
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“Here to try killing me again?”
“Oh,” is all he can sputter out, frozen on the doorstep of the Lady’s manor. The stout, shriveled old woman before him was not who he was looking for. To make matters worse, the flower he’d picked from the hillside on his way up the driveway suddenly seemed like a gargantuan beanstock in his fingers. His face was warming but, for the life of him, he could not figure out why. “You’re not–”
“Nope. They’re in the Farmers’ Market,” she deadpans without hesitation, eyeing him with all the amusement of a PhD candidate reading a children’s book. “The Farmers’ Market I created, by the way.” 
“Right,” he replies shortly, turning abruptly on his heel and letting his eyes widen in pure horror when she can’t see his face. He tosses the flower into a nearby planter, well aware that she can still see his every move. After several misguided attempts to navigate back to your isolated piece of land in the East Blue, he approached the ornately decorated door with a little more excitement than he expected. Having the Lady whom he’d tried to kill a few weeks prior be the one to open the door was another funny twist of irony that caused him an odd feeling of embarrassment, like he’d dropped you off after a date ten minutes past your curfew. “Thank you for your time.” 
“Tell me, pirate hunter,” she called to his back patronizingly. “Why grace us again with your oh-so-menacing presence?” 
“I’m wondering the exact same thing,” he mutters, irritated at his failed attempt to find you on the first try. 
“When you find them, tell them to pick up more sweet potatoes. I thought we had enough for dinner, but we could use a few more now that you’re here,” the Lady instructs him and her words take a few seconds to register in his mind. But, by the time he’s turned around to ask her what she meant, the door is already shut and he’s too proud to knock again. 
As if the mortification on your porch wasn’t enough, it’s nearly impossible to find you in the milling swarms of people in town. The people part naturally for him as he passes, sneaking anxious glances at the three swords on his hip. Whispers of his occupation and intentions float around his ears but he pays them no mind, determined to spot you. Again, he wasn’t sure what he was doing there in the first place; but, no matter what anyone else said, he did know one thing. By some unexpected turn of Fate, he missed you. 
“Shopping for produce while you hunt? I didn’t know you could multitask.” The teasing lilt of your voice appears behind him and he can’t help smirking. You’d found him before he found you, even though it was his job to find people. “Word to the wise: the vendors will upcharge you because they know you’re not from the island.” 
“What if you’re there with me?” When he finally turns to face you, his eyes flick to the canvas bag slung over your shoulder. It’s stuffed with fruits and vegetables, along with a jar of honey from the beekeeper just up the road from your house. 
“They’ll upcharge you more and insist you pay for my stuff,” you reply nonchalantly. “Now that I think of it, maybe we should walk around together.” You brush past him and re-enter the bustling square like he was the last thing on your mind, when really he was the only thing for the past week. You’re certain he’d follow behind you and your theory is confirmed when his voice comes from over your right shoulder. “It’s good to see you.”
“You’re wearing the bracelet,” he observes, easily slipping into place next to you as if it was natural to be by your side. With the sword-clad bounty hunter next to you, it was much easier to navigate the market without bumping every resident of the island. 
“Mhmm, I told you I liked it,” you say absentmindedly, stopping at a stand and picking up a vibrantly colored fruit from the stack. Observing it for bruises and finding none, you signal the seller that you’d like to buy the piece in your hand. His farm-worn hand stretches out to you and you fish around in your bag briefly for coins. But, before you can place the money in his hand, Zoro’s fingers are already dropping an unnecessarily large quantity into the shocked farmer’s palm. You gape at him and his unchangingly blank expression, shaking your head in disbelief when he glances at you, eyes shining arrogantly. “Where’d you get all that money and why did you do that?” 
“Bounties,” he answers plainly, “and ‘cause I wanted to. Next stand?” You’re still slightly frozen from pure surprise, but he shrugs carefreely and tilts his head toward the rest of the vendors.
“Feel like enlightening me on why you’re here again?” It’s the fourth or fifth stand he’s accompanied you to and, at this point, you were just window-shopping. Since he joined you on your errand, you hadn’t spent any more money; before you could pay any of the sellers, they were already thanking you profusely for your generosity with a pile of shining coins in their hands. Zoro proved to be a very patient companion, respectfully giving his opinions on which piece of produce looked bigger or more appetizing. With most of the required items on your shopping list successfully in your bag, you find yourself drifting over to the stalls of mundane things like pretty flowers and colorful crystals. 
“There’s a Marine defector turned intelligence smuggler hiding somewhere in the area. Thought I’d knock out two birds with one stone.” You turn over a piece of aventurine in your fingers, admiring it from different angles in the sunlight. Your breath hitches slightly when Zoro’s face dips down next to yours, watching the crystal from the same angle. 
“What’s the other bird?” You glance at him from the corner of your eye. 
“Visiting you,” he replies without hesitation, plucking the crystal from your fingers and tossing more coins at the vendor. You don’t stop the laugh that escapes your mouth and you swear his smirk gets more self-assured as he drops the rock into your bag. At a point when you aren’t looking, he swings your bag onto a broad shoulder as easily as if it was a piece of paper. “Also, we need sweet potatoes.” Your eyebrows raise in amusement at his slip. 
“We?” You have to fight down another giggle when his face becomes slightly pinker, imperceptible if you weren’t already staring at him. “Since when were we anything?”
“Your boss said she needed more sweet potatoes. Don’t shoot the messenger.” 
“I wasn’t aware that you went to go see her.”
“I wasn’t either, and then she opened the door instead of you,” he admits and you chuckle at his expression of distaste. “If it were up to me, I wouldn’t have–get behind me.” Before he can finish his thought, his arm shoots out in front of you, effectively halting you a split second before a knife darts across your vision, embedding itself into the wooden post next to you. The surrounding market-goers break into chaotic panic and you have no choice but to press your back against Zoro’s to prevent getting swept away. Emerging from the crowd, a lethal-looking group of fighters encircle you two and your hand finds the hilt of your saber. 
“Pirates?”
“No. Bounty hunters.”
“Friends of yours?” You eye the group warily as the marketplace empties, people running into the nearest building they could find to spectate the upcoming battle. 
“I’d call them ‘occupational competition’ on a good day.”
“Ah, great,” you huff sarcastically. “What’d you do to piss them off?”
“Exist,” he deadpans and you hum in assent. 
“Yeah, that’ll do it,” you mutter and you start to pull your blade from its sheath, anticipating the fight ahead of you.
“Don’t.” The single word halts your movements and your stomach drops in fear of what he’s sensing.
“What?”
“Let me handle this,” he says in a low tone that makes your skin break into goosebumps. “Can you hold the bag while I deal with them?”
“You sure?”
“Yep. This won’t take long,” he says irritatedly, scowling at the rival hunters that interrupted his day.
“Alright. I’m gonna go get sweet potatoes, then.”
“Third one down on the left. I’ll meet you over there,” he promises before moving faster than you can comprehend, whirling and downing the two attackers in front of you without even drawing his swords. They howl in pain when you stab your blade into their feet for good measure before leisurely making your way further down the street. As you walk, Zoro clears the path for you, mercilessly incapacitating every enemy with ease. By the time you find the sweet potato stall, there’s only one persistent fighter still giving the swordsman problems. You don’t feel any ounce of fear, however, as you pick through the salvageable gourds while the clashing of swords rings out behind you. Eventually, the street quiets and Zoro returns to your side as if nothing happened at all. “Good?”
“I’m fine,” you say truthfully, running your thumb over the bruise of an otherwise good potato. “You think this one’s still okay?” After peering at it and deeming it safe, he nods.  
“Yeah, it should be fine. If anything, you can just cut off the ugly spot.” There’s a splattering of red just under his eye when you meet his gaze. Your fingers unconsciously come up to wipe the speck of blood from his cheek and his skin feels just as electric as the first time you touched him. 
“Cool. I’m done shopping then, so we can go back home.”
“We?”
“You’re staying for dinner. It isn’t a request,” you command lightheartedly and smile when his steps fall into line next to yours. 
“Mmm, I can’t wait.”
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