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#added some more details post this picture also
pandakong · 7 months
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Botober day 14 - A kraken… but tiny
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Looking at some screenshots from accomplice vs golden ending (or bad vs good endings, in general) I noticed that in the first case Yosuke is the last element in the group to speak, while in the second case he is the first one (and he really does not have much to say cause he knows they’ll meet in the future):
In bad endings, Yosuke is the last person to speak. He thanks the main character for the help, yet the vibes are just depressing and sad. The fog wasn’t lifted, the real culprit wasn’t caught (or they believe they caught him but it wasn’t the right person. tbh it gets more disturbing in the accomplice ending case, because the main character found the truth, but he decides to hide it from the others and to reject it (by burning the piece of evidence), and, Yosuke’s words will hit harder “You really helped us out with lots of stuff. Thanks, partner.” <- Yosuke always there, making me feel bad every single time i try to reach Adachi - rightfully tbh), no Dojima nor Nanako nor Teddie there at the station. It’s all gloomy, everyone is sad...because of Nanako’s situation, because of their own actions (if they kill Namatame they kinda do the same he did, manipulated by the killer, and in the name of self proclaimed “Justice” <- Nanako’s arcana, which is just revenge and has severe consequences), and/or a feeling of uselessness because the mystery wasn’t solved. No one runs for the train (the mood is really heavy, and the fog also reduces the visibility).
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In the good endings, Yosuke is actually the first one to talk and... he does not even have much to say. He had previously said that he wouldn’t even saying goodbye, cause Yu/Souji would be probably come visit them soon. The mystery was solved, the sky is clean, Dojima Nanako and Teddie are there too, and even if saying goodbye is hard, they all feel like their bonds are strong and that their friendship is stronger than ever. It’s a sad moment but with happy tones, and they will surely meet again (the same won’t probably happen in the bad endings, because even if not revealed to them, the fog will spread and everyone will become shadows).
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Yosuke’s expression is kinda similar in both cases, but knowing what has happened in the bad endings gives another meaning to his expression in the bad ones (it also makes me think about the scene where he catches Yu/Souji coming from the TV at Junes, after visiting Adachi, because it begs the question of how much does Yu/Souji trusts the team).
Yu/Souji’s stare is a bit different in both cases, looking more relaxed and calm in the good scenario, although in the bad ending he seems to be staring with some kind of affection (like, appreciation for their friendship and for believing in him, even if, in the accomplice ending he basically fucked everything up).(well, truth be told, they decided to recycle this part for every bad ending, so Yu/Souji will always look like that, being it his belief that Namatame is the killer or his hidden secret about Adachi. And the team looks the same, be it because of the unfortunate circumstances, or because they may feel Yu/Souji might have been hiding something <- which also reminds me how in many game options Yosuke keeps reminding him that he should not be the one carrying all the weight of the investigation and he should trust the team too)The accomplice ending final scene even adds an Adachi roaming aimlessly (or purposely crossing the line when the train Yu/Souji’s in is passing), and it is terrifying, kinda creepy (tbh it felt like he had became a shadow at that point and that he had been able to cross the line without being caught by the train because of that...at least it was what i felt first time watching it).He is waiting for the world as they know to simply end, and even if Yu/Souji decided to burn the piece of evidence, he does not even care about him as a person.On the other hand, completing his social link in a good ending route rewards you with a letter from him (and he calls Izanami bitch in the final final final final battle <3 certified Adachi moment).You can take his words however you want, but it feels like he truly appreciated the times he spent with Dojima, Nanako and Yu/Souji, even if he would still rather see the world burn than try to improve as a person. It does not mean he becomes a better person afterwards, but i guess he understands the concern some people still had for him, which is something he does no feel with Yu/Souji betraying everything he fought for until that moment (also cause going accomplice route is giving up the world, basically).On a final note, I also love how Dojima’s dialogue at the end (before leaving the house) changes depending on which bad ending the player gets, and how his questions are so on point, as if he was acting like some kind of conductor for the player to reflect on their choices.
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xitsensunmoon · 2 months
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HOW TO GLAZE YOUR WORK WITHOUT A GOOD PC(or on mobile)/TIPS TO MAKE IT LESS VISIBLE
Glaze your work online on:
Cara app. It requires you to sign up but it is actually a good place for your portfolio. Glazing takes 3 minutes per image and doesn't require anything but an internet connection compared to 20-30 minutes if your pc doesn't have a good graphic card. There IS a daily limit of 9 pictures tho. Glazed art will be sent to you after it's done, by email. It took me 30 minutes to glaze 9 images on a default setting. Cara app is also a space SPECIFICALLY for human artists and the team does everything in their power to ensure it stays that way.
WebGlaze. This one is a little bit more complicated, as you will need to get approval from the Glaze team themselves, to ensure you're not another AI tech bro(which, go fuck yourself if you are). You can do it through their twitter, through the same Cara app(the easiest way) or send them an email(takes the longest). For more details read on their website.
Unfortunately there are no ways that I know of to use Nightshade YET, as it's quite new. Cara.app definitely works on implementing it into their posting system tho!
Now for the tips to make it less visible(the examples contain only nightshade's rendering, sorry for that!):
Heavy textures. My biggest tip by far. Noise, textured brushes or just an overlay layer, everything works well. Preferably, choose the ones that are "crispy" and aren't blurred. It won't really help to hide rough edges of glaze/nightshade if you blur it. You can use more traditional textures too, like watercolor, canvas, paper etc. Play with it.
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Colour variety. Some brushes and settings allow you to change the colour you use just slightly with every stroke you make(colour jitter I believe?). If you dislike the process of it while drawing, you can clip a new layer to your colour art and just add it on top. Saves from the "rainbow-y" texture that glaze/nightshade overlays.
Gradients(in combination with textures work very well). Glaze/nightshade is more visible on low contrast/very light/very dark artworks. Try implementing a simple routine of adding more contrast to your art, even to the doodles. Just adding a neutral-coloured bg with a darker textured gradient already is going to look better than just plain, sterile digital colour.
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And finally, if you dislike how glaze did the job, just try to glaze/shade it again. Sometimes it's more visible, sometimes it's more subtle, it's just luck. Try again, compare, and choose the one you like the most. REMEMBER TO GLAZE/SHADE AFTER YOU MADE ALL THE CHANGES, NOT BEFORE!!
If you have any more info feel free to add to this post!!
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celestialtarot11 · 28 days
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Astrology Observations 🧎‍♂️‼️
Hi friends! Today we’re just doing a general post for the astrological signs 🤭✨ Please enjoy and share! Your feedback is always appreciated.
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Earth sign energy is heavy and dark, not negative, but they are very connected to their roots, ancestors and past lives. They carry lots of baggage from the past to heal in this lifetime, and thus may feel they lived through many timelines and cycles. They can feel similarly to Scorpio that experienced tons of transformations.
Libra moons can be indecisive in relationships, not because they have a bad sign placement but because they care a lot about people’s feelings. Sometimes too much to their detriment. They’d rather keep the peace than to rock the boat, but that’s what causes tension. Libra moons just need more confidence and security in their choices, and focus on themselves 🧘
Cancer Venus from a young age experienced misunderstandings from the people around them. Cancer venus wants a close community and people who understand their emotions, but in an emotionally unavailable society they can feel neglected and lonely. Its why cancer venus develops walls to protect their heart. They still care, but it takes them a long time to open up.
Virgos remember little details of everyone and hope they can do the same for them. They essentially give what they need and Virgos need attention and someone who creates quality time.
Gemini venus crave communication and mental stimulation in their connections. They love to learn and interact with people. Gemini Venus can also experience lots of isolation or periods of alone time because they aren’t finding the right people to connect to. They’d rather be alone than to have surface level interaction and filler conversations.
Leo + Aquarius pairing in a chart can indicate the native is truly unique and unforgettable. They strive so much to be themselves that it inspires others to do so. Some may even idolize the native, and others can get jealous because the native has qualities they wish they had. The native basically inspires others to get a personality 💅🏻
Mercury 8h can be so funny. We can get picky about what personal info to leave in the outside world. Even the idea of leaving behind our birthday info can irk us 😭 why? I think being in the spotlight or being perceived can be difficult for us.
Adding onto that, mercury 8h can channel spirits, occult knowledge, spirit guides, etc. when they tap in, they TAP in. They did not come to play 😍 All they need is a good meditation sesh and they’re good to go 🧘 all powered up.
Jupiter 8h can go through so many endings and terrible situations and still somehow come out stronger and better. They take their healing and growth seriously, and I think Jupiter 8h people have big hearts, so they always reconnect with that energy which is what carries them 😤
Cancer + Leo in a chart makes someone mystical, ethereal, private, yet somehow well known. There will always be an aspect to these natives to hide to protect themselves, and yet their Leo side will try to guide them out their comfort zone.
Aries rising females always knew who they were since birth 🤭 they could’ve photographed a lot, dressed up a lot, and it’s iconic. Since birth they knew! Aries rising females can be human rights activists too, because they have strong opinions, perspectives and believe in empowerment. Aries rising females may also be into modeling, because since a young age they were surrounded by cameras and people who thought they were beautiful ❤️
Aquarius rising children always look upset in their pictures or they have that thousand mild yard stare 😭 help #me
Sagittarius rising children always had that mischievous look on their face in every picture, or they looked incredibly angry. They had no issue letting their true selves out 😤
Pisces women tend to move far from their home town or childhood home. Lots of them have dreams of living far away from their roots. I think its to discover who they are and rebuild themselves after going through a lot. They physically need to disconnect from toxic environments to heal.
Gemini sun women are like teachers in many ways. Especially when they’ve healed a lot. They can be a teacher to the siblings around them or people. Many turn out to be motivational speakers because they have so much wisdom to share.
Thank ya’ll so much for reading 💗☮️ feel free to like comment and reblog to support the blog 🧘✨ Have a great one!
Paid Readings ✨
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boxbug · 7 months
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A Canary’s Final Flight
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My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real
Process notes under the cut! (I struggled a lot so it's a bit of a novel)
So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.
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This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.
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So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)
At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)
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And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.
I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.
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(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)
So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!
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Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!
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fumifooms · 2 months
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The Nakamoto household - facts & theories masterpost
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Table of contents:
the hierarchy & general situation
The parents
The Maizuru situation
The siblings
The other retainers
Izutsumi
Toshiro
Conclusion
I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing bc that’s his actual name & Shuro isn’t even a nickname he likes, for accuracy’s sake. The servant girls have real names but are typically called by their code/given names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.
The general situation
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To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.
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The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.
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Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、 距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.
Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).
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From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "
Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.
Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.
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From what we see and with who we see, the hierarchy is:
Father (head of house, his word goes)
Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)
Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)
Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)
Benichidori (trained bought servant. Two dots)
Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)
I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.
The parents
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I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.
The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.
Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."
Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.
This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…
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We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.
Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.
It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.
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The Maizuru situation
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Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.
The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.
Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.
It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.
On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.
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With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.
Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.
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Time for the second elephant in the room!!
Maizuru’s magic
Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.
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If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"
From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar
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… MAIZURU WHAT THE HELL
As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.
This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.
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Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.
Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.
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The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.
Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.
Ok speaking of her name. Maizuru is the name of an existing japanese city (舞鶴), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released.
So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.
The siblings
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Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.
Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.
The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.
When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.
The other retainers
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Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:
Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up in the Nakamoto with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja.
Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.
Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.
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Their approval rating of their leader. The highest total score from all the parties.
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Izutsumi
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Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.
She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.
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This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.
Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.
Toshiro
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God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.
His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.
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Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.
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He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".
When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.
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Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.
And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles
Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.
But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.
Laios & Shuro and the whole mess coming to a head
I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.
Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.
Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.
And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.
Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.
It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.
And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.
Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.
Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.
Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.
Conclusion
The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.
Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.
As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread the first chapter with them to try and notice the hierarchy at play more, sigh, and Izutsumi’s end of the Toshiro-Izu dynamic as well.
Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Ah although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.
Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.
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gummilutt · 3 months
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250 followers Custom Memory Bonanza
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It's finally time! To thank all you lovely people for your support, I have been working hard to get this ready for upload and here we are. Today I am sharing my custom memory object, and my library of a whopping 201 custom memories. Based on the wonderful Tattered Diary by DiLight over on MTS, and the tutorial she shared of how to make your own custom memories.
I've always cared a lot about memories, to me they tell the story of the Sims life. Some of you from MTS may recall when I did the whole several year rebuild of my hood, replicating every last detail of the original. I'm memory crazy, okay? And when DiLight gave me the power to make my own, I may have gone a tad overboard. Or just the right amount, you get to decide :P DiLight taught me most of what I know about making custom memories, and the base BHAVs are from her, but as I've learned more I've added some bells and whistles that I hope you will enjoy. It's a new clone and separate GUID from the original tutorial object set up by DiLight, so if you have your own you can have mine too without issues :) Found in misc/misc, costs 1 simoleon.
Download on simfileshare
Features - Brand new form, created by me. Resized BV photo album with new mapping and new texture (seen above, in game pictures at the end of this post). I wanted something that was uniquely mine, and that you don't necessarily have to hide away in the attic or under the foundation. If you don't like it, you also have some additional model forms you can switch between through the pie menu. - Adaptable dynamic menu. Thanks to a really neat trick from @picknmixsims the menu reflects the memories you put in your downloads. If no file with the correct guid is found, the option for it won't show. Which means that although I am crazy enough to have 201, you can go ahead and only pick your favorite ones and the object will automatically detect and adapt the menu to that selection. - Memories all have a custom icon, that's made from game icons from TS2 or TS3. Some I am quite proud of, some are admittedly not great. Not everything is easy to convey through game icons, but I've tried my best, I hope the effort shows. 5 memories have icons that are not from the game, but I tried to match them to the aesthetic as best I could. - Memory subject menu shows only relevant age groups. For example, if the memory is about having a baby, only baby/toddler Sims will show as options. Goal being to keep menu as concise as possible. If you wish to assign memories retroactively, please see jonasn's excellent Memory Commander object, which has support to add my custom memories without age limitations. As well as a whole lot of other useful memory-related stuff. - Extensive documentation detailing everything you may need to know about the memories (text, icon, background, who can get it, who they can get it about, repeatability, where to find it on the object) to help you select the ones you want for your game, and familiarize yourself with them. - English and Swedish translations of memories, and object menu. If someone wants to add their language, that would be great but it's a lot of work so I don't expect it. You are welcome to share your translated versions directly if you wish, or you can send them to me for me to update files shared here :) If you want to learn how to translate the files directly, Episims has a great tutorial found here.
Examples of types of custom memories included - Extended family members memories (got cousin, got aunt/uncle, got sibling, got twin sibling, got great grandchild, got stepparent, got stepchild) - Birth related memories (pregnancy, becoming parent, late in life parent, had multiples birth, premature baby) - Marriage related memories (divorce, parental divorce, custody things, alimony) - Relationship related memories (fighting, breakups, additional love memories) - Woohoo related (memories for specific woohoo locations, repeatable generic woohoo/public woohoo) - University degree related (declared major memories, got a minor degree memories, got a major degree memories, for remembering having studied multiple things and being able to see what major your Sim chose without looking at their diploma) - Loan related, for remembering taking and paying off loans of different types - Moving memories (first apartment, child moves out, various memories for sims moving in with others) - Kids related (child's first day in school, got their own pet, nursery rhyme, giving up for adoption, living at orphanage)
Mods automating delivery of my CC memories (more to come) Learned nursery rhyme from - Found here, by me Wrote restaurant guide - Found here, part of jonasn "Novel Writing Improvements" mod
Credits: DiLight, @picknmixsims, @morepopcorn, @latmosims, @joplayingthesims, maxon, @keoni-chan. For detailed info on how they all impacted the creation of this, see readme :) Policy: Give credit to DiLight, beyond that, totally open. Enjoy!
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cherryfennec · 5 months
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Okay I love your most recent art work of Mario and Mr. L!!! I’m just curious how on earth did you draw their hats so well?? Especially the brim of their hats?! Hats are the one thing I struggle with when drawing them! I can’t make it look believable!
Hi! First of all thank you for the kind words, I'm glad you like the art! Now as for hats (more specifically Mario and Luigis type) there can be different ways you might go about drawing them.
(I should probably mention at the beginning that I am not an expert and sometimes struggle myself as well. Despite this I'll try my best to explain how I usually approach it.)
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Let's start with brims because they seem the most problematic (as I see it.)
What I'm going to talk about might already be intuitive for a lot of people, including myself, however I thought it'd be a good idea to break down the mindset so everyone is on the same page and those who have trouble seeing it can hopefully understand stuff better.
First it's obviously the idea. No real details, just the general idea. With it we'll be able to establish the basic rules for what you're drawing, most importantly the angle and perspective.
Now this is going to be pretty self explanatory but: if I'm drawing a character looking up I know that the bottom of the brim will be visible, if the characters looking down it won't and etc. An easy way to check which parts of the brim will be visible from a specific view point is to imagine it as a slab.
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Now this isn't anything mind blowing, I know, but saying this out loud can be handy and save you some overthinking.
Alright, let's talk about the hat itself now!
In most of the pictures I could find of the bros hats they're divided into two parts: the front, which is taller and slightly spiked up, and the back, which is noticeably shorter. Now this kinda goes back to the idea of simplifying shapes:
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At some point it unfortunately becomes rather difficult to explain why some stuff is drawn the way it is because it's kinda justified by: "that's how the real life counterparts act". Above everything I highly recommend references, both irl and ingame ones. It's not embarrassing to use them, trust me, no one will criticise you and they'll help!
Now that we got the brim and the hat, let's put the two together!
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There isn't really a strict order of how you should draw things, everyone has different preferences and processes which should be taken into consideration. For example, I personally like to draw the entire head before I touch on the cap:
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(I added the hair and colours for the sole purpose of this post, this process is usually done during rough sketching.)
This way I have a point of reference where the brim ends (right before the ear for me) and where I should place the middle line on the cap (it's a bit of a stylistic choice than anything but it also lets me know where the fold will be). You can find your own way and make your own rules and with time the process will get much easier! I hope this somewhat helps.
Just practice, have patience, experiment and most importantly: have fun!
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mauesartetc · 4 months
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A while back I got a comment that demonstrated a misconception as to what the character design process actually entails, and I thought it had real "teachable moment" potential. So let me make this perfectly clear:
Drawing a character is NOT the same as designing one.
Let's say I wanted to draw a guy. No backstory, no defined personality traits or preferences, no details about his current life, just doodling some random, generic guy who popped into my head.
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That's just a drawing.
But what if I decided to flesh him out more? What if I wanted his appearance to reflect his lifestyle and inner life as well? Here's where the note-taking comes in.
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And now for the visual research:
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I thought the bodybuilding angle would provide a fun contrast with this guy's profession. The mental image of a huge, burly dude working on a clock or watch with tiny, precise movements just makes me smile. Perhaps I could give him small, nimble hands that would suit his line of work.
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Now that I have a better idea of how Mikhail's face and body will look, it's time to establish a pose.
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Of course, I never expected to employ all the personality traits I started out with inside this single pose; those were just a jumping-off point. No one drawing will ever be able to encapsulate every single facet of a character, unless they're extraordinarily flat and generic (see also: random guy I doodled at the start of this post). If I wanted to write a story with this guy, I'd have to figure out how all the traits play off each other and how they'd cause him to react to different situations. There would be a lot more note-taking and development involved, but for the sake of keeping this post (somewhat) brief, let's just focus on visuals for now.
On to color!
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I decided to give Mikhail a carnation in his pocket (for its round shape), specifically a red one, which represents deep love and an aching heart. Thus, the flower needed to maintain its red color for the symbolism to come through.
For some reason I initially pictured this guy wearing a pink shirt (perhaps as an offshoot of the "romantic" angle), but I wanted to try some different colors inspired by the 70s catalog pages I found. I ended up really liking the contrast of the cool blue shirt with the warm red pants, and that option made it into my top three as a result. I lined them up next to each other to compare them, and in the end, blue won out over pink. I think it also reflects the "colder", more cerebral, less-emotional parts of his personality well (namely "systematic", "stern", and "callous"- one from each column!). Just goes to show that you shouldn't get too attached to your first draft, as better ideas are just around the corner.
I then lightened the blue of the shirt so it wouldn't compete so much with the rest of the outfit, and wouldn't be quite as loud and "in your face". Mikhail strikes me as a bit of an introvert, so the calmer, quieter blue is a better fit. I added a darker belt and watchband and de-saturated the flower just a bit to make the values feel more balanced, and I think we've got it!
Let's see the final result!
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Y'all, I was not expecting this process to make me emotional, but there's something special about fully realizing a little guy you've spent hours working on. All of a sudden you look at him and go, "Oh my god, there he is. That's him." This man wasn't even a twinkle in my eye a couple weeks ago and now I'd protect him with my life.
And the thing is, the only reason I'm calling this design "done" for now is that I basically just brought it into existence to make a point. But if this dude were attached to a larger story, he'd be nowhere near finished. I'd have to make a ton more iterations and go a lot more in depth with my research than I did (especially with the Armenian cultural stuff). Overall, though, I hope this quick project properly highlighted the difference between a single drawing and a more fleshed-out character.
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Later!
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rallamajoop · 1 month
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Portraits of Miranda's family: Image assets and renders
Have some assets and object renders of all those fancy portraits of Miranda, Donna and Lady D and her daughters! There are also many more portraits of Miranda herself to be found all over the village, of course, but I've posted those before. Not sure exactly why the Dimitrescu portrait is so much lower-res than the others (the actual picture is plenty big in-game), but this is the only version of it I could find in the game files.
The painting of the three daughters is (as you've probably heard before) based on a real painting by George Theodore Berthon called "The Three Robinson Sisters" ‒ and when I say "based on" what I mean of course is "it's the same picture, they've just tweaked the poses and added the Dimitrescu crest and a few extra details." But then, you can do that when a picture is over a hundred years out of copyright.
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Whether the portraits of Dimitrescu and Donna were similarly based on specific historical art I do not know, though their faces look far more game-accurate, at least. Meanwhile, the portrait of Miranda so perfectly apes a thousand different madonna-with-baby images that I wouldn't be at all surprised if that slightly-creepy-baby comes direct from some original art piece, but who knows?
On a related note, has anyone else ever noticed the weird gender/class divide in Miranda's family? All five female family members appear in these flattering portraits (all seven if you count Angie and Eva), and Donna lives in a stately home and Dimitrescu in a castle, both attended by staff and servants. Heisenberg and Moreau, meanwhile, live in an old, run-down factory and a lake. The men do get their photos displayed in the church with everyone else's, of course, but that's hardly comparable to an actual painting.
There's arguably something of a technology divide too: though everything in the village seems old, Heisenberg's factory and the reservoir control mechanisms at least mark those areas as post-industrial revolution, and both feature major puzzles to get power generators running. But very little in Donna or Dimitrescu's domains would seem out of place in pre-Victorian times.
I don't think there's much meaning to be read into the gender divide (except inasmuch as you know Heisenberg plays up his filthy, lower-class persona just to get under Dimitrescu's skin) and I doubt it was even intentional. There's not much to suggest Miranda actively favours her 'daughters' over her 'sons', given Heisenberg's favoured treatment at Ethan's trial, and you definitely don't see the same kind of split in the Baker family of RE7, which gave us the gloriously revolting Marguerite. But as soon as you start digging into these characters, it's hard not to notice it all the same.
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decaying-church · 8 months
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Slasher Nsfw Headcanons
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(a/n: pretend I've been posting constantly this year :))
Pairing : Herbert West x male!reader, Vincent Sinclair x male!reader
Requested by @unspeakableoftheoscarwildesorr : Will you do a nsfw headcannons with vincent sinclaire and herbert west? It’s alright if you don’t want to. Please have a good day :))
Warning: bottom!slashers, top!reader, hair pulling, public play, Vincent's conservative upbringing, Vincent writes smut for you, bondage, mentions of chemical burns, getting caught multiple times (slight exhibitionist Herbert) sorry dan, breeding, aftercare
Characters: Herbert West, Vincent Sinclair
Vincent Sinclair
He likes it when you watch him work, hovering over his shoulder, sometimes leaning on the table next to him. It makes him nervous, his hands fumbling a bit. If you tell him he was doing good and his brain would shut off.
He loves it when you praise him.
He also likes it when you run your hand over his back, whether you're giving him a massage or just feeling clingy he won't be able to focus on anything but you touching him.
Definitely a virgin when you met, but he knows about the general action of sex. Like the thing goes in the thing and then a baby comes out.
An utterly submissive bottom.
Before you met he figured that if he ever did end up having sex then he’d be the one doing all the work, as men do. (mmmh, conservative, yee-haw upbringing)
But then he met you, and he loved you, and you were both men, so his picture of what sex should be was completely shattered.
If you're generally smaller than him, he’ll try and be dominant. It won't work, the second you flirt with him or make a suggestive comment he goes weak in the knees.
He will make a single attempt at being on top before metaphorically throwing his hands up and going “well I tried”.
If your bigger, there is no attempt, there isn't even a thought of dominance, you were bigger- stronger, therefore you could do whatever you wanted to him and he would not complain (he will never tell you this because he knows you’d tell him otherwise but it honestly added an extra layer of excitement to everything)
The town is pretty empty so the two of you could essentially fuck anywhere.
You once joked about fucking in the middle of the road- and even though you were just joking, the thought of you holding him down on the old road, in front of all those houses, fucking him without a hint of modesty or secrecy genuinely plagued his dreams for several nights.
In reality, you’ve fucked in the gas station, in the movie theater, in the church, and in (or in more risky cases, against) the various houses around town.
Personally, I believe Vincent can talk, he’s just severely traumatized and doesn’t do it often, most days he communicates though groans, gestures, and forms of writing or drawing.
So, sometimes, when he wants you to try someone very specific with him, something too specific for him to say out loud, partially because of humiliation, but also because speaking was difficult for him, he will write it.
And not simple sentences either, he will go on and on about what he wants you to do to him, he’ll draw pictures, he’ll rant on for pages and pages.
The first time he did this you nearly read it out loud, you got about half a sentence in before realizing that no one else (especially Lester, who was just in the next room) needed to hear what he’d written for you.
Of course, with a set of quite specific instructions, you were able to make his every fantasy come true.
Vincent can genuinely go forever, round after round after round.
After years of being a recluse, he has a limit for how long he can go without some kind of stimulation.
Really, finally having someone who wants him and loves him above everybody else makes it a bit harder to continue the streak of celibacy he had before.
He can go about two weeks before he starts outright begging you to fuck him. Again, in great detail.
He doesn't have any prior experience so you'll have to teach him quite a few things.
The first time he asked you to tie him up he brought you some old ratty rope that would have torn his skin the moment things got too intense.
You have to ride out of tow a couple of times for supplies.
He is heartbroken every single time you leave, he always half expects you to just keep driving and never come back.
You always come back, much to Bo’s, who has to put up with Vincent being agiant baby whenever you leave, relief.
(if you ever actually leave Vincent, Bo will hunt you down. Despite everything he does love his brother)
He has a pretty average set of kinks, he likes being praised, tied up, and fucked within an inch of consciousness. He like it when you pull his hair and call him pretty, he likes getting fucked in places he shouldn’t, and he likes it when you leave marks on him.
Aftercare fiend, he’s not a pillow princess but you’d think he was with the way that he’d just lay there, fully fucked out, waiting for you to take care of him.
If you’re someplace where you can’t fully take care of him, (I.e. any other place you’ve fucked outside of your bedroom) he will become extremely flustered. Because that means he has to travel however far away you are from your bedroom in this state. And you could be several houses away or just a couple rooms away but he doesn’t consider either to be more or less embarrassing.
The state he’s in could varies depending on what you did, he could just have ruffled hair and messy clothes, or he could be walking around with a limp with every inch of visible skin covered in bruises.
Herbert West
A very busy man that doesn't like being interrupted while working.
That being said, he will sit on your cock while he's working.
He’ll tease you, act like he’s ready to get his back blown out against his desk, only for him to keep you inside while he works, shifting every so often, fully ignoring how hard he was in favor of chemicals and mildly unethical plans.
You might be able to fully pull him away from work if you give him an explicit rundown of all of the things you were going to do to him.
It'll distract him to the point that he just gives up, grabbing you by the shirt and pulling you in for a kiss.
Most of your “interactions” in his lab were just the two of you humping like animals on the nearest flat surface, which could be anything, a desk, the floor, the wall.
The two of you had so many chemical burns that could have been avoided simply by moving to his bedroom, you think the two off you would learn your lesson after the first time- you didn’t.
Herbert did not care what Dan heard or saw.
This was his house too after all. He could fuck wherever he wanted.
You’ve be caught by Dan an embarrassing amount of times.
Herbert from time to time will treat you like an experiment.
Don’t be surprised if he strips you down and asks to run some “test”
Herbert really, really likes oral.
He loves it when you guide him, one hand in his hair, slowly pulling him back and forth on your cock.
He is not immune to pet names.
Honey, baby, sweetheart, darling. The list goes on.
While he certainly likes those names, nothing captures his attention quite like you calling him “doctor”
This would be extremely inconvenience if you also worked at the hospital (the number of quickies had in closets/labs/bathrooms is downright disposable)
If you don't, you do it purely to tease him.
Leaning in close, telling him all the disgusting things you want to do to him, then just, “come on, Doctor West, don't you think you deserve a break?”
Herbert is definitely a switch with a preference for power bottoming.
He's in control while also getting fucked sideways, it's perfect for him.
When he is feeling fully submissive he will beg you to breed him.
He knows he can't necessarily be bred, but he likes the feeling of you cumming in him over and over.
Every position he likes, he likes for a very specific reason.
He likes missionary because he can leave marks all over your back, he likes being bent over the table so he has something to rest against when his legs inevitably gave out, he liked getting fucked on the wall because he liked how frantic and desperate it felt.
He will not flirt or try and sugarcoat what he wants, he doesn't care who hears, if he wants you to fuck him, he's going to tell you.
Herbert says he doesn’t like slow sex, but there’s been a couple of times when he hits a road block with his research and he’s frustrated and overwhelmed by everything and everyone and he just wants you to make it better.
You can’t necessarily help with the research but you could help him relax.
The way he reacts to aftercare changes drastically throughout your relationship.
When you first got together, he didn’t want you near him, don’t touch him, don’t talk to him, don’t look at him. Even though his legs were shaking violently and his body felt like it was on fire he insisted that he could handle everything himself.
There was somehow always water and food for him though, he figured it was a coincidence (leave him alone, his brain isn’t working at full capacity at the moment)
Further into you’re relationship he will definitely still be a brat about it, but less so. He’ll let you clean him, feed him, praise him. And on some of the more intense days, you’re gonna be carrying him around like a princess.
He “hates it”, but the moment you try and leave him to fend for himself, he gets even more irritated.
If it’s one of those days where you’re both bone tired afterwards then he’ll let you cuddle with him, he won’t initiate it, but he’ll enjoy it .
Kinktober 2023
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demiromanticmickey · 3 months
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On today's "I am SO not normal about Dead Friend Forever": Discussing Catholicism and Colonization in this gay Thai slasher series
Some background on me: I am from a Latine Catholic family. Raised as a non-practicing Catholic (we didn't go to church or pray). Then my parents enrolled me in a Catholic school that I attended from 5th grade to the end of 7th grade. Today, I am not Catholic and have never really considered myself as such.
Ok, so in the flashback episodes of DFF, I have been noticing a lot of things. My findings under the cut.
Let's start with this crucifix and photo of the Virgin Mary and a baby Jesus.
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Screenshot from ep. 5.
The camera lingers here a bit so we're obviously meant to pay attention to the phrase. I put the screenshot through Google translate's image translator and the translation it gave me was, "Think good, do good, be a good person." I didn't think much of it when I first watched the episode other than it was supposed to establish that the boys attend a Christian or Catholic school.
But then there was this image posted on Be On Cloud's Instagram (also from ep. 5): X
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Zooming in, we can see there's another picture of Mary in the background. Watching the classroom scenes, it's easy to miss because the series itself is more washed out than the official photos posted. But this emphasis on Mary led me to believe the school is a Catholic one. So out of curiosity, I looked up the schools the writers and directors attended because I felt I was onto something here. And boy, was I!
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Source: MDL
Ma-Deaw, if you didn't know, is one of the directors of Dead Friend Forever (he also directed Manner of Death and Inhuman Kiss , and lots of other things).
One Google search later (X) and I learned "Montfort College" is a Catholic school. It started out as a primary school that later added a secondary school as well.
Now let's take a closer look at some of the details of this school:
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First, the school's motto "Labor Conquers All Things". This reminded me of the phone conversation Tee had with his uncle:
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On my first watch, this sounded familiar to me but I couldn't really place why. It wasn't until I saw this other Tumblr post (X) that pointed out it's similar to a bible quote from the New Testament. The quote varies a bit depending on which version of the bible you're using but it's along the lines of, "He who does not work, neither shall he eat".
This is meant to discourage "laziness". Nevermind the fact that people deserve to eat simply because we get hungry and need food to survive. The idea that we only "deserve" things based on productivity is an extremely colonial one. — Reminder also that Tee is being forced into this "work" in the first place. He's just a high school kid. I don't need to like his character to understand how fucked up his situation is.
Then there's the patron of the school. St. Louis de Montfort was a French Catholic priest most known for his study in Mariology. What is Mariology (X)? The study of Mary, the mother of Jesus. I didn't know that was a thing but it's unsurprising considering how prominent images of Mary were in my own religious upbringing. And she's what started me down this rabbit hole in the first place. Mary is a big deal to the Catholics. I'm going to be paying even more attention now if more Mary imagery pops up.
The Garden of Eden and Original Sin
Now I want to draw attention to these images:
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Screenshots from ep. 7
Here we have Non and Phee biting into an apple as they leisure around this lush green field. We know they've visited this location more than once because they're wearing different outfits in the screenshots. And I think it's important to note that it's Phee holding the apple and offering it to Non.
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The use of the word "bait" in the bts of ep. 7 is quite interesting too. (X)
The Garden of Eden was the paradise in which Adam and Eve resided. In this garden, there were many trees to eat from. The one tree Adam and Eve were forbidden by God to eat from was the Tree of Knowledge. A serpent (Satan), first tempted Eve into taking from the tree to eat it's fruit. And then Eve gave the fruit to Adam. That is Original Sin. And because Adam and Eve ate from the Tree of Knowledge, all humans thereafter are born sinful and bad, and can only find salvation through God.
Of course in the scene between Phee and Non, the sin the apple represents is being gay. And it's after this, and after the bracelet scene, that Non becomes involved with Por's film and his tragedy begins.
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Zoomed in screenshot from ep. 5
And I wonder if the bracelet scene is the last time Phee and Non visit this forest location. It would parallel how Adam and Eve were cast out of the Garden of Eden once they sinned.
Final Thoughts
You give me a story that criticizes Western religion and how it's used as a tool for oppression and colonization, and I'm gonna eat that shit up. I am gonna eat it up. Every. Single. Time.
I really wasn't expecting anything like this from Dead Friend Forever. This level in attention to detail is unmatched. I don't think I've watched a more well planned out show. And no matter where DFF goes from here, these seven episodes will always hold a special place in my heart. 💗
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burntheedges · 2 months
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Notes on inclusivity in x reader fic
I’ve seen a lot of posts about this this week so I wanted to share the things I think about when I write and how I try to be more inclusive. I’m not saying I invented these – I definitely did not. This is also not an exhaustive list. I’m just good at organizing information (thanks, grad school) so I thought it might be helpful for others to list out what I'm thinking about while writing. I’m completely open to feedback on these! And I’ll add to the list as I learn and think of more. 
Notes on hair, skin tone, body type/size (and clothes), language, and gender below the cut.
Hair
The main thing to avoid here is having fingers run through reader’s hair. That’s not possible or desirable for a variety of hair types. Things I like to do instead:
Hand on the back of the neck
Hand on jaw, side of neck, or cheek (especially hand on side of neck with thumb caressing cheek)
Fingers tracing face, cheekbones, lips
Kisses at the hairline
Skin tone
I think we all know about avoiding blushing at this point. I like to use:
Cheeks heated
Felt heat rise in your cheeks
Face felt hot
Your cheeks were warm to the touch
You could feel the heat in your cheeks
But there’s also other considerations, like wind chafing (which can cause redness, but only on some skin) and effects of actions like clenching your fists or what happens when you’re feeling faint:
Windburn, raw skin, dryness, chafing, peeling instead of redness
Not using “white knuckles” to emphasize clenched fists or a tight grip on something
Not having the reader “turn white” or pale when they’re shocked, feeling faint, sick, etc.
Instead, try: looks sick, ill, shaky, weak, trembling
Body type & size
Clothing
I try to only specify clothing, footwear, and/or makeup when plot relevant:
Going out on a date? Try “your favorite outfit” or “the new outfit you bought” which allows the reader to fill in something they would want to wear in that situation.
If I need reader to have a pocket, I might specify jeans, but not what type.
If I need reader to be comfortable, I might say they’re wearing their most comfortable clothes, but not what they are.
If I need reader to be wearing a top and pants, I’ll just say that without adding details.
Another note here - it’s possible to add descriptors that can be relatable and add to the vibe without adding specifics. For example:
“You were wearing your favorite jeans that fit you just the way you liked.”
"You were already uncomfortable because your only clean pants were the ones you hated, with the broken fly."
“You slipped on your most comfortable clothes that you liked to wear around the house.”
“You found a top in your closet that you hadn’t worn in ages, and felt perfect for the moment.”
If needed, specify without over specifying:
In Maintenance Request, there’s an important, plot-relevant scene where reader spills coffee on her white blouse. So I said she was wearing a white blouse, but nothing else about her outfit. That allows you to picture whatever you want (and whatever type of blouse) with just that one detail.
You can say, for example, that reader is wearing lingerie and it has lace, without adding so much information that the reader can't picture themselves in it.
Body size and weight
In terms of reader’s size, one thing to think about is writing that the other person lifts the reader or carries them anywhere. That’s not inclusive of plus-size bodies (like mine). But it’s possible to include similar physicality without that particular detail:
Throwing a leg over a shoulder
Tugging on hips (on the bed)
Pushing into a wall and crowding in
Pulling someone down on top of you
Height
Not everyone is shorter than these love interests we’re writing about. Try:
Leaned in for a kiss (instead of up)
Brought your lips to theirs 
Angled your head for a kiss
Reached for them (instead of reached up)
Language
You don’t have to speak a language to imagine that your reader might. Instead of implying that dialogue in another language is “incomprehensible” or saying reader doesn’t understand, try:
You didn’t hear what he said (let’s the reader decide if they understood)
Include the dialogue but mark it as being in the other language (possibly in italics?)
Talk to one of the many fans on here who speak that language! 
Check out and bookmark helpful posts like this one about sexy talk in Spanish from ali @urmomsgnocchi
Gender
Label whether it’s f!reader, gn!reader, m!reader, nb!reader, etc.
Note about tagging
But like anything else, the most important thing to do is tag! If you want to have someone lift the reader, for example, you can do that – just tag for it, or specify that you’re not tagging for everything. That allows people to choose how to engage. ETA: It’s not possible to be inclusive of every reader’s experience in every fic, but tagging allows everyone to know what’s going on.
I like to add a note on the main fic post about any details I’ve added to reader’s backstory, see this one as an example.
Note about learning
Like anything else, we do better when we learn more. I learned a lot of this from reading fic and reading others’ helpful guidance and suggestions way before I ever started writing. But I also learned some from editing myself, which gets easier the more I practice. For example, I originally had a detail in to know the light about reader's skin turning red and irritated from cold wind – but I caught it, and changed it to be more inclusive. I caught it because I’ve been purposefully editing and monitoring my own writing for inclusivity. It gets easier with practice.
I hope this is helpful and I’m also happy to add any other suggestions or link to anyone’s posts. Also happy to have feedback. <3
Here are some posts that helped me learn and do better: About inclusivity and language from @flightlessangelwings
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k2ntoss · 3 months
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okay, so, adding onto your, as of this moment, most recent post, just picture it: you catch onto the fact that jason gets all smug seeing his handiwork on your nails when you jerk him off, and decide to surprise him by going out and testing literally every possible red nail polish available until you find the exact perfect shade that matches his helmet, and giving it to him as part of his gift for some occasion or another (personally I'm thinking either his birthday or Christmas, anniversary could work also)
but like, just imagine how thrilled he would be and how eager he would be to get that colour on your nails, and how impatient he would be for them to dry so he could see them in action, yknow? 👀👀
-🦊 (also omg i have my own tag now?🥹)
allow me to tell you that since you're the first "formal" anon with an emoji you are indeed my favorite, plus i'm always happy to see you around here bc you feed my delusions so thanks 🦊 ily, so yes you have your own tag
jason had to get used to his birthday being a little different since he started dating you, he had a reason to celebrate now and it was lovely, since he woke up you would shower him in details and little gifts and he loved to feel like a spoiled child because he felt all the love you had for him.
this year it wasn't different and his day was filled with things he liked a lot until he had to leave on patrol for a while so it was the perfect opportunity for you to prepare his last gift. it had been a while since he found out he liked painting your nails just to see artwork when you wrapped your hands around his dick, it simply made him grin proudly because it was his girl pleasing him and showing off her pretty nails, done by him so you decided to feed that little monster in jason's head. a whole week going into every store you saw to get the perfect shade of red that could match his helmet, carrying a pic on your phone just of the color to compare it until you found the one.
as soon as he slid into your apartment through the window he noticed the lights of the living room on which meant that you were there waiting for him so he made his way there. as soon as he saw you he took off the helmet, holding it under his arm and giving you a wide grin "isn't it past your bed time, princess?" jason asks teasingly as he walks towards the couch to sit next to you.
"no, it isn't because i have two last things for the birthday boy" you reply with a mischievous smile, handing him a small white box tied with a pretty red bow that he didn't wait to undo just to open the little box.
the smile that crept to his face was enough to know he was thinking about the reason behind the red nail polish bottle he was holding between his fingers, his eyes fixed on yours before he leaned in to kiss you but he stopped as soon as you tilted your head "are you gonna give me your pretty hands or do i have to ask?" jason's voice drops low and it makes a shiver run down your spine and even lower between your legs because you know what he wants.
"isn't it past my bed time? maybe we should wait until tomorrow morning so we can sleep" you reply, pushing jason a little just to build a little more of that pretty glint of need and desperation on his eyes and you let out a chuckle when he shakes his head, hair going messy and his white strand mixing a little with his jet black hair.
"you don't expect me to wait, right? give me your hands and let me see how they look when you use them on my cock, baby" jason's words make you swallow hard before you lay your hands on his thigh so he can start painting your nails and he's quick without messing it not even a little bit and you can't help but smiling when he's blowing on them to dry the nail polish.
"someone is getting a little impatient" you tease him which only earns you a low growl from his lips, he's impatient and needy because you can already see the outline of his half hard dick under his tactical pants and how his chest heaves under the chest plate so you blow a little too on your nails. jason stares at you, he even counts into his head how many minutes he has to wait until his trained eye sees the paint is dry.
"down on your knees. now" he almost barks the order as he spreads his legs to let you sit between them on the floor just to be met by his helmet placed between his thighs "put your pretty hands on the helmet, baby" jason says and you do so, his blood is boiling at the sight because the shade is exactly the same and his hands go a little clumsy when he decides to undo his belt and the buttons of his pants, taking away the helmet just so your hands can start to stroke him over his boxers.
there's soft grunts escaping his lips even if you're not touching him completely yet but he's so turned on by the color on your nails he can't really help it. leaning in he grabs your hips to move your body until you're sitting over his heavy boot, the rough material making you tremble ever so slightly "be a good girl and sit pretty there for me, yeah, love?" his voice is low and he smirks when you are the one sliding your hand under his boxers to wrap your fingers around his hard dick, nodding at his words.
for jason there's nothing hotter than his girl but seeing you like this, getting him you know he likes to use with you makes him feel so good, the way you always seem to guess what he would enjoy a lot is like touching heaven and having you know, kneeling in front of him while you jerk him off sitting on his boot feels like the perfect birthday gift. your hand going up and down his length with the right amount of pressure before your thumb slides up to play with his tip drives him crazy, he thrust his hips a little just to urge you to keep going at the same time his hand holds your chin slowly guiding two digits into your mouth "don't you have anything to say to me, baby?" he asks with a smirk as his thumb presses your tongue to mess up with your words.
"happy birthday, jay..."
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writeonwhiskey · 5 months
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the skz house: ch 1
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Summary: Welcome to Sigma Kappa Zeta, the most popular fraternity on campus. When you, down on your luck and looking for a place to live, see their ad for ‘IN-HOUSE STAY’, you decide to check it out. 
Chapter One: Of Breakups and New Housing
You’re sitting on the curb next to several suitcases and trash bags full of your belongings, feeling humiliated as cars pass by. You can’t fucking believe you thought it would be a good idea to rent an off campus apartment with your boyfriend—well, now ex-boyfriend, of three years. It’s not even a full two months into the semester and you both already decided to call it quits. Things had been rocky over the summer to begin with, but you hoped living together would fix it. 
You were wrong. And stupid for letting him put only his name on the lease.
So what are you gonna do now? You can’t call your parents, they told you this was a bad idea from the start. You can’t give them the satisfaction of knowing they were right. Your friends are all in the dorms and, sure, you can crash with them for a couple nights but you need to find something for the remainder of the year. 
You take out your phone, wiping the tears that fall from your eyes as you start looking for somewhere to live. A one bedroom apartment by yourself is completely out of the monthly budget your parents send. You’ll have to settle on a room or some sort of shared living environment. 
Your scrolling stops when you see a post that says ‘FREE IN-HOUSE STAY’. You click on it to read more. 
FREE IN-HOUSE STAY
It’s that time of year again. The members of Sigma Kappa Zeta (SKZ) have beds to fill. Stay will be free of charge, however there are stipulations. Further details will be provided in person. Send a direct message if you’re interested and we will provide the interview date.
You’ve heard of the SKZ fraternity in passing, but never participated much in Greek life on campus. The post feels a little sketchy, if you’re being honest with yourself, but you send the email anyways. If you can pocket the money your parents are sending and stay somewhere for free, maybe you can turn this shitty situation around in your favor. 
You receive an email the following day that advises you to fill out an NDA and an application complete with a picture of yourself. You also go to a nearby clinic to complete a drug test and various other checks. Your interest in the ad is piqued, but the night spent on the floor of your friends dorm encourages you to pursue it.   
Two days later you find yourself standing outside of the SKZ house with ten other women. The house is in a gated community and sits on a pretty large lot, enough room between it and the next that neighbors probably didn’t mind a bunch of college students staying there. It’s a three-story home and not too far from campus, maybe a thirty minute walk. 
At 1:00pm the door opens and a tall, kinda lanky boy with a slender face greets you all. His eyebrows and most of his eyes are hidden behind his bangs, but he dons a welcoming smile. He’s wearing jeans and a black shirt with ΣΚΖ written across the chest in green letters. 
“Please, come in,” he says, gesturing for you all to enter. 
You all huddle in the foyer and he closes the door when the last girl enters before leading you into the living room. There’s a large, navy blue sectional where you all sit. When he exits the room, you fold your hands in your lap and cross your legs, shaking your nerves out through your foot. as you wait for whatever is about to happen.
You hear footsteps coming down the hall and eight men enter the room. If your life were a movie (it most definitely isn’t, you’re sleeping on a floor, remember?), this scene would play out in slow motion. They exude an air of confidence and nonchalance all at the same time. They’re all of similar heights, with hair color ranging from black to blonde, some are lanky, some are muscular—one is flat-out buff, and they’re all Korean. They’re…handsome? The word doesn’t feel like it suffices, though. Each and every one of them are breathtaking in a way that feels completely unfair and makes you question why you’re even there. 
They spread out in a line in front of the TV mounted on the wall opposite the sectional. They’re all wearing the same thing—jeans and the black shirt with their fraternity initial across the front. 
“Thank you for coming here today, ladies,” one of them starts to speak with a light Australian accent. 
As your eyes focus on him, he looks familiar. He’s in one of your classes. He seemed rather quiet and reserved in class, but here he’s easily taking charge and leading the situation. His eyes meet yours for a brief moment and he offers a tight-lipped half-smile and nod. 
“I’m Chan,” he continues. “The is Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin and Jeongin.”
Each member waves as he gestures to them and says their name. Seungmin is the one who had opened the door. 
“We’re sure you’re curious as to what our post entails…let me explain.” Chan begins. “Here at Sigma Kappa Zeta, we strongly pursue the strongest version of ourselves. We work hard, study hard, and play hard. We want all of our members to be at their best at all times. We cannot achieve the goals and dreams we have if we are weak in any area. Which brings us to having you here today.”
Your eyes dart to the other men standing in the line, but it’s impossible to read their expressions. 
“We are looking for four women to reside in our home. Your duties will be cooking and cleaning for the household, and pleasing the members you are assigned to.” 
You can only blink as you stare at him. Assigned to? And did he say please the members? Does he mean fuck?
“We believe that with these essential needs met,” he continues without missing a beat. As if he hasn’t just uttered something completely scandalous. “Our members will be free to flourish and earn our spots next to our SKZ predecessors.” 
He stops for a moment and steps forward from the others.
 “I know how this sounds. Misogynistic. Throughout the many years of this tradition, it has proved to work in our Stays’ favor as well, though. You’ll have your needs met, less stress and many Stays have reported a boost in their overall happiness and confidence.” He says. “We know you are students, too, and we don’t want to impede on your education or your own personal goals. That being said, it’s not a position suitable for everyone, we know that. We also know, that should you choose to participate, you will have an invaluable sense of community throughout your time here. You will have free room and board, and be allowed time to focus on your own success. Any resources we have access to can be yours as well.”
He claps his hands together.
“Now that you know what this entails, please remain seated if you’re still interested. If not, kindly exit—but we would like to remind you of the NDA you signed.”
He pauses for a beat. Two girls stand and promptly exits the home. You stay rooted in your seat. You’re a decent cook. You can clean. You think you could be a good fit for the position. You’ve also been with the same guy since your freshman year, so the prospect of experiencing something new in any capacity intrigues you. And honestly, right now, a free bed sounds more tantalizing than the floor, doesn’t it? You subconsciously roll out the kink in your neck at the thought. 
“Eight of you still here,” he says with a nod. “We’ll call each of you up, you’ll introduce yourself, walk past each member, then take your seat. We will then leave to deliberate. When we come back, we’ll let you know which of you are staying and who you’re assigned to.”
You shift around in your seat and nod your head. Chan steps back in line and calls the first name. You watch as each girl walks in front of the men, wondering what’s going through their head—what are they looking for exactly? 
When you hear your name called, your heart begins to race. You stand and announce your name, your major, and year in school. You then walk towards Jeongin and slowly make your way to Chan. It’s quick, but not painless. It’s fucking nerve-racking as they each stand there, stone faced. 
When all the girls are seated on the couch again, the men exit the room. You’re all quiet as you wait for them to come back. It takes nearly half an hour. 
Chan announces the names. The first girl called is assigned to Jeongin and Han. The second is assigned to Felix and Lee Know. The third goes to Seungmin and Changbin. 
There are five of you left on the couch. You begin to feel nervous that you may not be chosen, but the next name that falls from Chan’s lips is yours. 
Your try your best to hide your surprise as you stand and step forward, hearing that you’re with Chan and Hyunjin. 
“Thank you, ladies, for coming today. If you haven’t graduated next year, we welcome you to come back again.” Chan says to the others on the couch before showing them to the door. 
When he returns, the eight of them shift around to stand in front of their assignee.
In front of you is Chan. You can’t help but notice the way the sleeves fit tightly around his biceps, and the veins protruding from his arms. Hyunjin is standing next to him—he’s taller than Chan, but a little more thin. His overall presence is softer. You try not to stare too much. 
“We’ll give you a tour of the place, show you where you’re staying and then you may retrieve your belongings and return by 5:00pm to prepare dinner. You will cook for whoever you’re assigned to, and get to know each other over dinner.” Chan continues to take charge. 
You’re then led on a tour of the house. The first floor has the living room, kitchen, and a bathroom. The kitchen has two separate stoves, a huge pantry and a ton of cabinet space. There’s even an island with bar stools along one side of it. They then take you all down to the basement where there’s a pool table, an old keg, a bar, TV, and beer pong table. 
On the second floor is four bedrooms. They tell you who resides on each floor, but do not allow you into the rooms unless it’s someone you’re assigned to. Hyunjin is on the second floor. 
He opens the door to the room and you peek inside. You see that there’s a Queen sized bed, dresser, and desk covered in art supplies. Next to his bed is a twin sized bed, bare of any sheets. Is that where you’ll sleep? You wonder. 
“The bathroom at the end of the hall on the second floor is strictly for you all to use,” Chan announces as you all make your way up to the next floor.
On the third floor, you’re allowed to see Chan’s room. It’s significantly larger than Hyunjin’s, with it’s own bathroom. He also has a queen bed, nightstands, a dresser and desk. However, the twin sized bed is further from his own, against the opposite wall. It, too, is bare of any sheets. 
After the tour, everyone breaks off into groups of whomever their paired with. You’re in the kitchen with Hyunjin and Chan standing on either side of you. You exchange numbers with both of them. 
“So you’re majoring in Biology?” Hyunjin speaks to you for the first time. 
You nod, unable to find your voice. Still somewhat in shock of what the hell is even happening.
“She’s nervous,” Chan says, easily able to read you.  
“Don’t be,” Hyunjin says with softened eyes. “It sounds more intimidating than it really is. This is a mutual thing, okay? We help each other.”
“Okay,” you reply quietly.
“Do something simple for dinner tonight,” Hyunjin continues. “Pasta? With shrimp?”
He looks over to Chan who shrugs and nods in response. 
“We’re not as demanding as the others—we won’t be expecting full course meals.”
“You got lucky,” Chan adds. 
Got lucky? Did you? Or did you just get yourself into an inexplicable situation? They didn’t mention anything about what should happen if you change your mind. Are you even allowed to? Perhaps you should have read through the NDA a little better. First the lease, now this…you’re not the best with contracts, are you? 
Chan produces a credit card from his wallet and hands it to you. 
“Return with your things by 5:00pm. You can get groceries and bedding with this. Two twin-sized sets.”
You take the card from him and put it in your pocket. 
“We’ll see you soon,” Hyunjin says in a sing-songy voice with a smile. 
“See you,” you say lightly and try to return the smile. 
You’re still feeling awkward about the entire ordeal, but you’re somewhat at ease at how respectful they all seem. You’re not sure if you’ll be forced to do anything you don’t want to…but as you think about how handsome every single man in the house is…will you eventually want to?
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After going to get groceries and bedding (two sets), you get your belongings from your friends dorm then take an Uber back to SKZ house. 
You’re a little early, but the door is open. You place your personal things to the side and go to the kitchen to start on dinner. You’re thankful they chose an easy meal, but go the extra mile to make the Alfredo sauce from scratch. It’s one of the few recipes you remember by heart from your mother. You season the shrimp and cook it up with butter and garlic. 
The other girls start to arrive and space in the kitchen becomes severely limited, even with two stoves for you all to use. You start to wonder if they’ll all have dinner at the same time every day because that may prove to be quite a challenge. You all move around each other easily enough, but you don’t really say much. 
When the food is done and plated, you send Hyunjin and Chan a text that dinner is ready. 
They come into the kitchen moments later, grab their plates, then lead you down to the basement for the second time today. 
It’s definitely not a fancy or romantic environment. Sitting at a beer pong table and seated on fold out chairs, but you’re not uncomfortable. Nervous as shit. But not uncomfortable. 
You wait for them to eat first. They both nod appreciatively after taking their fist bite. 
“You must have a lot of questions,” Chan says, twirling pasta around his fork. 
“Ask us anything,” Hyunjin prompts. 
You’re silent for a moment, chewing your food. You have what feels like a million questions, and want to get the most important one out of the way first.
“Am I gonna be fucking you both?”
Hyunjin coughs on the food he’s eating and Chan let’s out a soft chuckle. He hands Hyunjin his glass of water.
“Well…yes,” is Chan’s blatant reply. 
You expect him to say more, but he doesn’t. 
“Like…at the same time or is there some sort of schedule or…?” You trail off.
Hyunjin, finally recovered from his coughing fit replies, “It’s really up to the three of us to decide specifics. You’ll be in either of our rooms, on a rotating schedule. We could do every three nights. Monday-Wednesday and Thursday-Saturday? Sunday will be your choice.”
You nod slowly, more in understanding than agreement at this particular moment. 
“This tradition works best when it operates like a well oiled machine,” Chan says. “Always be honest with us. Let us know if you aren’t feeling well, if you have your period—anything.”
“There’s actually an app we can all access if you’re uncomfortable telling us, we can use that.” Hyunjin adds. 
“And when it comes to cooking and cleaning, you and the other girls can work out whatever kind of schedule works best for all of you.” Chan continues. 
The absurdity of the arrangement starts to feel less worrisome as they talk. The situation itself is still quite insane, but they speak about it so casually that it seems normal. 
They allow you to pester them with questions as you finish up the meal. They’re all business majors, Hyunjin’s minor is Art and Chan’s is music. They’re all legacies at Sigma Kappa Zeta—meaning their fathers, and grandfathers for some, had been members too. They have all been on a certain career track since they were born to father’s that are successful business owners in Korea and Australia. They each came to the states in high school, studied at a prestigious boarding school and now here they all are, in college, together. 
You can’t fathom having your entire life planned out that way. Perhaps it would take out some of the things you stress about regarding your future, though. Clearly, their parents all want what’s best for them. 
They explain a few other rules like—you’re not allowed to date or have sex with anyone outside of the members, and that’s a rule everyone in the house follows. Failure to adhere will result in immediate removal from the home. 
After you’ve asked all your questions, you all head back up stairs. The others are scattered throughout the house, some at the dinning room table, some in the living room. Through the sliding glass door leading to the backyard, you see a few of them out there too. 
“We’ll handle the dishes for tonight,” Hyunjin tells you, taking the plate and glass from your hands. 
“Take your things upstairs, make up your bed in each of our rooms. There’s some closet and drawer space in each for you.” Chan says. 
“Where am I sleeping tonight?” You ask. 
“It's Sunday. Your choice,” replies Hyunjin. “Don’t make a big deal out of it. It’s really just where you’ll sleep. It’s not like you won’t be able to interact with the other person or anyone else in the house based on where you sleep, okay?”
You nod. 
They take off towards the kitchen. You retrieve your belongings and head up stairs. In Hyunjin’s room you make the bed with the dark blue bedding set—it’s adorned with different flower types and feels fitting. You recalled seeing the flowers he was painting on his desk when you made this choice. You’re not sure how to divide up your clothing but decide to place a bit of everything in both rooms. 
When you make it up to Chan’s room, you put away the rest of your clothes then make up the bed here too. The set you chose for his room is black with teal and purple nebula on it. He has LED lights lining all four walls, near the ceiling. You thought it might look nice when they’re turned on. 
After making the bed, you sit down on and allow yourself a break to think.
You now have to decide who's room you’ll be sleeping in tonight. 
[ read chapter two here ]
a/n: yeah, this was a random idea that i'm just gonna roll with. no idea where its gonna go yet, but this will be fun to write. have to set the scene with this first chapter, the smut is coming, don't worry :)
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dailyhatsune · 2 months
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hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0
i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post
i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do
first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing
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after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!
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after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.
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now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.
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and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.
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and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.
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and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)
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as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something
and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!
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