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#actually... does his character have a name?
sepublic · 2 days
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Speaking of; The Owl House's pitch bible got leaked as well! So while I look for the rest of it, let’s examine some interesting tidbits I found on Proto-Belos, or 'Obron' as he was once known, and William AKA Proto-Hunter!
Can I just say, I'm quite smug to know that Belos resurrecting the Titan as his endgame was always the original plan? I called it from the start! It was also kinda obvious, but c'mon. The Bionicle fan in me was obsessed.
I'm not surprised about the mentions of Pupa, or the name Obron or even the appearance; We've actually seen all of this before! But what does make me curious is the mention of two other councilors... So there's supposed to be a trio? Again, I always bring up the three statue motif in my speculation about the original plans of the show, I wonder if there's any connection there. Would Kikimora have been one of the other councilors, and who would've been the third? And it seems the coven system was always a thing, early on at least.
Yeah, the mention of '500 years' and the connection to William, etc. Even as Obron he was supposed to have been a human witch hunter turned actual witch. Comparing this to the pilot we got, it may not be Obron that the characters are referring to, since he's not the Emperor. But maybe he declared himself Emperor since he was basically the only one in charge by that point.
Makes me wonder if he hates humans under the delusion of 'I hate modern humans'. He hates what humanity has become and he's taking out his anger on modern humans; We also know the main reason he wants Luz in the pilot, to awaken the Titan. I presume Obron preserved William in stasis and hid him away, only for Luz to wake him up earlier than intended. I can imagine the scene/episode where Obron realizes William has been awake and roaming about for a while now...
There's the confirmation that Prince William and Hunter are the same character, or were. As I guessed, his witch-hunting tendencies would've been established early on as a strange gag, a quirk, only to become so much more darkly significant. I wonder if in this draft, Obron's past as a witch hunter also has relevance; Does he think he's 'saving' humanity by using the Titan to conquer both worlds, wiping out the denizens of one? Also him being a feral kid subsisting off of food given to him by friends is such Labyrinth Runners vibes. Was William always going to have his dynamic with Willow, given Luz plays a bigger role in him opening his mind?
Given we had a 'proof of concept' animation leaked a while back, I wonder if that was an even earlier draft to the pitch bible, given William is PRINCE William. Maybe he's meant to be an actual European human, because European bigotry towards witches existed back then I think, even if it wasn't as pronounced. And Obron does bear a resemblance to one of the Proto-Belos designs, though I'm not sure which came first.
…Huh. Would William have been Obron’s nephew or. God. Would he have been his brother. And while William never grew up because magical stasis, Obron did and now sees his brother be the exact same but also change. Man. And William just has to reconcile, when he gets his memories back, the jump from his brother, a kid like him, to Obron. So we still got the desperate attempt to preserve his brother, only for his brother/Hunter to ‘betray’ him.
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aj-acent · 23 hours
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I think one of the most interesting thing about the use of “Ruthlessness” in The Underworld Saga is that in that song Poseidon is …. wrong. the line “you totally could’ve avoided all this if you’d just kill my son” is technically correct, but wasn’t Odysseus’ only option.
What actually lead to his death was his hubris - Gods in Greek Mythology aren’t omnipotent, so if Odysseus didn’t give him name, address and credit card info to the cyclops, then Poseidon wouldnt have been able to track him down and the rest wouldn’t have happened.
idk i think his character is so interesting and i think the musical does such a good just capturing it in the lyricism because like ,,,,, yeah idk this musical has been rotting my brain
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orionsangel86 · 2 days
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Dead Boy Detectives Spoilers for Episode 7 and that one amazing cameo
Now that I have calmed down from the excitement of earlier I have some thoughts about Despair of the Endless.
Neil admitted a while back that he thought they had "missed the mark" on Despair, and there were issues raised about her being the only plus sized character who was also portrayed as weak and frumpy.
As anyone familiar with the comics would tell you, Despair is so much more than anything the brief glimpse of her in the show would lead you to believe, and I was really hoping that when we saw her again, some of that inner strength and determination from the comics would start to shine through.
So words cannot express my utter DELIGHT at seeing our Queen of Despair appear in Dead Boy Detectives. Not only that, but to see her in her realm, clearly showing her power and wisdom and with an aura of confidence about her that wasn't present in the Sandman.
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First of all LOOK at her realm. We were SPOILED guys!!! We actually get to see the Gray Realm with all her mirrors and fog and ahhhh its just so SO exciting to be in another Endless realm! Also its GLORIOUS HELLO??? I love the lighting effects like halos - the rays of hope that make up her opposite - because Despair is also Hope in her own way.
I also just think she looks so GOOD like maybe its just the lighting but I think they have certainly improved on her look from Sandman
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Queen you are serving you are soaking in the despair of those boys you are exactly what I would expect from one of the Endless and I adore you.
"What am I? The answers are Endless Edwin Payne. Pretty name. Payne."
I love her I love her I love her.
"We're friends now. I'll call if ever I need you."
Oh Edwin you're in it now. Does this mean Edwin has his own mirror in Despairs realm? She'll be keeping an eye on him now. He's one of hers. That actually has some excellent implications for future stories. I bloody hope we get a season 2!
I guess I just love seeing her come across as strong, confident, a clear queen of her realm. This is Despair at her finest and I am so happy to see her again.
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marikosenwrites · 2 days
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karasuno boys - dating headcanons (pt. 1)!
a/n: sen here!! heyy obsessing over our haikyuu boys are we <3 yes i am i'm only on season two right now though, almost season three!! i'll be doing aoba jousai, nekoma, and fukuroudani gakuen! enjoy!
characters: hinata shouyou, kageyama tobio, tanaka ryuunosuke, sawamura daichi, sugawara koushi (suga-san🥹), tsukishima kei (TSUKKI🥹) [pt. 1], yamaguchi tadashi, takeda ittetsu (just me and one of my favorites), ukai keishin [and in that order] {pt.2}
pt. 1 || pt. 2
notes: in this au, kiyoko can't be married to tanaka...yeah. they're still in highschool, btw
gn!reader
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↳ ❝ [ 日向翔陽 HINATA SHOUYOU ] ¡! ❞
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-this cutie omg
-probably the first to confess
-gets all blushy when you're around at the start of the relationship
-you love ruffling his hair
-if you watch him practice until the end, he treats you to meat buns!! if he doesn't have enough money, he'll just share one with you
-kageyama is jealous omg and tsukishima is just like "the chibi got a girlfriend??"
-loves you so very much
-his love language HAS to be words of affirmation and physical affection
-you just can't help but return the affection
-if you don't know how to play volleyball, he's gonna teach you!!
-if you know- he's going to ask you to talk to him
-dates will be chaotic and affectionate
-often cooking dates!
-you love his family especially natsu
-also love them amusement park dates with him
-he's so fun loving and all
-kisses are very innocent, close to no spice at all except when he's feeling super annoyed or something
-loves cuddling with you when it's bedtime <33
-does NOT have a specific schedule rest assured
-calls you his dove (aww)
-you love calling him sunshine <333
-HE'S JUST SO BRIGHT
-I SWEAR
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↳ ❝ [ 影山飛雄 KAGEYAMA TOBIO ] ¡! ❞
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-a sweetheart actually
-he's so cold on the outside but lights up when you're there
-kisses have a little bit of spice
-he's too prideful to confess first ig so you make the move
-loves it when you come to his practice to support him
-at some point he has requested you to become a manager because sometimes ukai thinks you're a distraction for him so asks you to walk out for a bit to let kageyama concentrate
-you bet he has worried over it because he didn't know where you went
-ok onto the main shit
-dates are always somehow sport related (HOW DOES HE KEEP FINDING THEM)
-sometimes an outing or two when he's actually free and not busy with volleyball stuff
-you'd think he isn't clingy...WELL IT'S THE OPPOSITE ALRIGHT.
-he actually craves YOUR attention and YOURS ONLY
-i think you two would have a cat together (named it NOTHING after the other volleyball players you know :/)
-loves your cuddles too
-WAIT WAIT HEAR ME OUT
-YOU KNOW HE BUYS THEM DRINKS RIGHT
-HE WOULD BUY LIKE HUNDREDS FOR YOU IF YOU WANT
-aww the little (wait he's tall) guy
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↳ ❝ [ 田中龍之介 TANAKA RYUUNOSUKE ] ¡! ❞
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-the hot-headed guy just can't get enough of you
-you sometimes make fun of him for being almost bald-
-but he's okay with it because he loves you (as long as you dont do it that often)
-okay so firstly like kiyoko WHEN HE SEES YOU HE CONFESSES TO YOU ALMOST IMMEDIATELY
-one second he's dumbfounded by your beauty, the other he's confessing to you already
-like you reject him first few times
-AND THEN AND THEN YOU START TO FALL FOR HIM
-THEREFORE YOU ACCEPT WOOOOO
-it's uh "Y/N-SAN! I LIKE YOU CAN YOU GO OUT WITH ME?!!!" and then you're just like "ah- yeah. mhm."
-he's just like :o WHAT
-okay that's it for the confession
-dates are always what you want
-if it happens you want to make cake, go for an ice cream shop, an amusement park- whatever, you name it and he can afford it? YOU'RE GOING
-they're all so sweet...
-he's also needy at some point when you're dating
-so...MORE IN MY NSFW LATER
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↳ ❝ [ 菅原孝史 SUGAWARA KOUSHI ] ¡! ❞
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-i'm gonna bet 100 dollars that he's the one confessing
-STEP ONE: get you as his girlfriend
-firstly he's going to ask you to meet him during lunch in the morning
-second when you're both there he confesses
-to his surprise you accept to go out with him and one date turns into two, into three and ON
-STEP TWO: MORE DATES TO COMEEE
-always ice cream dates and baking dates
-always appears to get flour in his fluffy hair
-ALSO ALSO YOU LOVE PATTING HIS HAIR AT ALL TIMES IT'S LIKE COMFORTING YOURSELF
-sometimes picnics too <333
-STEP THREE: there is none for now but THERE WILL BE SOON. SOON ENOUGH.
-his way of giving you affection is by kissing you, cuddling, and giving you praises...
-do you have a praise kink (nvm forget i asked that)
-cuddling in bed is one of his favorite ways to go to sleep
-you stroking his back is too
-you guys are always the talk of the karasuno vb boys group when you guys get together for gatherings (the perfect couple?!?!?!?!)
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↳ ❝ [ 澤村大地 SAWAMURA DAICHI ] ¡! ❞
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-he's definitely the one to confess first being the big boy man he is <3
-literally will kiss you when you accept
-so taken aback you felt like you were going to faint
-his kisses are so gentle help
-ok maybe not sometimes but we all know when that is
-love playing with his ears mayybe?? i know there's nothing different with the rest, but i just feel like it's with daichi
-your first date is an amusement park one ✨✨
-p.s. you shared the cotton candy lmao-
-he literally walked you home and your parents invited him in for dinner
-they like him very much thank you
-relationship has been approved now your parents are urging him to marry you even though it's only one week into the relationship-
-now HE'S the one that pats your head every time he passes you in the hallway or whatsoever
-when you move in together LITERALLY EVERYTHING IS YOUR CHOICE NOW
-you can choose the flat, the decorations, the vibes, the furniture- EVERYTHING
-loves you that much yes
-the sweetest guy ever NO DEBATE
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↳ ❝ [ 月島蛍 TSUKISHIMA KEI ] ¡! ❞
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-SALTY SHIMA. THIS MAN IS SO SALTY
-i swear bro
-he has rizz though that's for sure
-he confesses to you first (it was during lunch you remember the day like it was yesterday)
-his kisses are half spicy (igg since tsukishima is that kinda person)
-the mean to the public and only kind to you kind of person <3
-dates are usually home dates (he's an introvert (i headcanon))
-perhaps if you can persuade him (it's a 50/50)
-first date was a movie date
-then you went home with him (you went to his house)
-and met his parents
-they liked you very much <33 now treat you like their daughter
-the next time you went on a date, you brought him to yours and he made a good impression but they don't love him as much as his parents do to you
-i will write the time skip arc for this because i am biased and you literally can't stop me (but tell me if you want more i'll reblog it with more hcs)
-you were so happy for him when he joined the sendai frogs
-cheered for him on every game (LIKE THE SHIRT AND THE SIGNS AND STUFF)
-facepalmed himself out of spite ya bet he got a scolding for that
-"KEI KEI KEI GANABTTE," that was you, screaming at the top of your lungs at your HUSBAND.
-"oi, tsukki, who's that?"
-tsukishima facepalmed himself, earning a glare from you, "my wife."
-"EHH?? TSUKKI HAS A WIFE??"
-lmao the most normal occurrence
-after that koganegawa would often come to you and ask for dirt on kei (screw him for facepalming)
-saltyshima (in the public) → sweetieshima (in front of you only)
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©marikosenwrites 2024-25 all banners, dividers, and work. please do not steal. i own none of the HAIKYUU!!/ハイキュー!! characters mentioned. reblogs, likes, and comments are welcomed. <3
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xxhexwolfxx · 2 days
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Don't worry about it! I'm glad you took your time! Did you get a request? It's dating headcanons for Horangi, Rodolfo, Alejandro, and König with gn s/o. Thanks!
𝓓𝓐𝓣𝓘𝓝𝓖 𝓗𝓒𝓢
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A/N: Thank you so much for requesting! I’m so sorry it took so long for me to get this done! I unfortunately had to cut out Horangi. I thought I knew more about his character than I actually did. I hope that’s alright!
DISCLAIMER: None of these are really connected!
WARNINGS: None
CHARACTERS: König, Alejandro, and Rodolfo
~~~~~~~~~~~~~~
König:
Loves the height difference between you two. It makes him feel like he can properly protect you.
I believe that he hates crowded places, but he forces through them for you. He doesn't even notice everyone else when you're with him.
Likes to work out with you there. He likes to show off his muscles and gets cocky when you compliment them.
He likes to call you nicknames that mean small. He thinks it's funny, but he also thinks it cute.
Loves to give bear hugs. He just scoops you up in his arms and holds you close. It always makes him happier afterwards.
Alejandro:
Loves to tease and flirt with you constantly. He especially likes it when it makes you blush.
Doesn't matter what insecurities you have. This man won't even let you think anything bad about yourself. He's always complimenting you.
He does call you sweet names in Spanish, he also loves calling you stupid things. This man will look you straight in your eyes, acting all sweet and then call you refrigerator or something.
He does get a bit jealous of people around you. He trusts you fully and he's not toxic about it. He just gets into his head too much and believes you can leave him just like that.
He loves to dance with you. Wether it's a slow dance or dancing in the kitchen while cooking, he loves it. He loves to do stupid dance moves to make you laugh.
Rudy:
Loves cuddling you. He can barely get out of bed because he loves cuddling you so much.
Just loves to tell you how much he loves you randomly. You can tell when he's going to do it because he gets this sweet look in his eyes as he looks at you.
I personally head canon that he loves to sing. If you can't sleep at night, then he will sing you soft songs. It's often you wake up to him singing while cooking your breakfast.
He loves to hold your hand when you guys go out. It's a simple way to show his love for you.
He loves to cook for you. He makes dishes from when his mother used to cook for him. It's another way he likes to show his love.
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steveharrington · 10 hours
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major hornets nest moment here but i must speak my truth. its so fascinating to me how will byers was clearly written with the driving motivation and intention of making him a beloved fan favorite character and instead he falls so flat that, if you asked the average casual viewer of the show who doesn't engage in the fandom like, say, your coworker, the odds of him even being in their top five of favorite characters is pretty low.
will's disappearance kicks off the plot, singlehandedly. the first episode is literally called the vanishing of will byers. his name is shouted so much in the first season that most people would recognize the reference if you used the right cadence and desperation that winona ryder does. after not being featured much in season one, you'd think season two would've just like launched will/noah schnapp into stardom with how much more screentime he's given and how dramatic his plot is that season. but instead the fan favorites of season 2 were by and large el, hopper, dustin, steve, max, even bob who's barely there. that's not to say that there AREN'T will fans out there (and online i understand there are like entire armies dedicated to him/byler, but i'm talking about the average opinion of viewers as a whole, not just in fandom spaces) but think about all the stranger things merch you see in stores, the halloween costumes, the characters that appear in promotional materials when the show has partnerships with brands....will is so rarely featured. idk if any of yall ever got the chance to visit the stranger things pop up shop in any of its various locations, but there was such little mention of will in the stores theming or merchandise that it was almost funny. actually it WAS funny, to me, someone who does not care for him
i think the flop can be attributed to many things. one, noah schnapp is just not a very good actor and he doesn't have the same appeal in his performances that millie, sadie, caleb, gaten, priah, or finn do (although finn i've noticed is also kinda falling out of favor from majority audiences). one could argue that noah schnapp intentionally isn't given much to do, which is true and i'll circle back to that, but the decline in his acting between seasons 2 and 3 is truly a sight to behold. when he's not like tied up and screaming, he reallllllly struggles on the smaller scale performances compared to the other cast members his age. he doesn't really have the charm that gaten does or the humor that priah does or the depth that caleb does. (i don’t feel bad about saying this, btw, given noah schnapp’s behavior)
back to the vanishing of will byer's screen time. my beloved prettymuchit's eric striffler commented on how diminished will and mike's roles in the story have become in s4. "noah schnapp is below the grips on the call sheet" is my fav line, but he also makes an observation on finn's role that i think is soooo accurate. when mike and will are kneeling down next to the pizza dough freezer and watching el just kinda twitch while she fights vecna in her mind, eric and his co-host miles say "this is so embarrassing! finn's like, 'oh so gaten's fighting the monster? and i'm kneeling next to a tub at a pizza place? i used to be this show" and i think the same exact sentiment can be superimposed onto will
but i think this happened naturally, as the nature of the show is to shift its focus from character to character. not to mention the duffer brothers' obsession with tweaking their story to give audiences what they want. i've always held the belief that there isn't one main character of stranger things, rather a rotating circle of characters depending on the season you're watching. season one is mike, season two is hopper, season three is el, season four is max imo. again that's a little subjective and arguments could be made to swap those a little, but overall i think those characters stories and point of views take center stage during each of their respective seasons. by season 3, the duffers wanted to kick things up to a larger scale. the UD is no longer targeting just will, it's targeting the entire town. this works because a THIRD season in a row where this one kid specifically gets possessed would just be bonkers, so they kinda had to let him take a backseat. i'm not sure why they didn't let will be more involved in the mystery-solving portion of season 3....to this day that decision baffles me, but what's done is done and the will that everyone watched in season 3 literally just kinda follows everyone around and gets a small little slice of a plotline about wanting things to go back to normal, but alas
it like totally worked, though. though there are MANY complaints commonly made about season 3, i've never heard anyone offline complain that there wasn't enough will byers. i think the group in s3 that had the most success like, commercially, would be scoops troop and then a bit farther back i think most audiences enjoyed hopper/joyce/murray's dynamic. i think if there had been a huge outcry in the minimizing of will's role, the duffers would've backpedaled immediately. they aim to please. they can't even commit to killing of a main character out of fear that audiences will lose interest if we permanently lose hopper or max, so they just do some creative writing that allows them to milk the emotional consequence of those characters deaths without actually writing them off. if audiences on a large scale demanded that will be center stage, he would be. but they dont!
final point: i think will gets fucked over by the duffers obsession with romance. in season one, two of will's strongest dynamics are with his mom and brother. which like, yeah. theyre his immediately family and he is 12. but in seasons 2 and 3, jonathan spent all his screen time with nancy and from 2-4, joyce has spent all her screen time either with hopper or in the pursuit of finding hopper. these characters are written together as a package deal, typically. it was refreshing and unexpected to see jonathan get a whole season with a friend of his very own and his siblings, but they barely took advantage of that. jonathan and will get ummmm one (1) scene to talk about their emotions in a fucking 20 hour season. it's hard for will to be a main character when he rarely gets to interact with the people that make up the other half of his main dynamics.
as for byler, im of the belief that it will not be endgame because i just don't think they're going to break up mike and el at this point. i could be completely wrong and stand corrected, but im like 90% sure lol. i do think that will's s4 storyline resonated with a lot of people. even eric striffler! i think the issue is that the vastttt majority of people who watch this show above the age of like 15 do not feel invested about the romantic relationships between any of the kids. because why would they!!! theyre literally in middle school for 3/4 of the show. you would be hard pressed to find a vocal will stan online who doesn't also dedicate 90% of their engagement with the show to byler. which makes sense, because most if not all of will's scenes revolve around mike to some degree. but according to neilsen, the majority of stranger things audience is consistently in the 18-49 age range season by season. its more likely for adult audiences to identify with adults (or characters who are narratively treated like adults, like steve and nancy) than with any of the kids. esp when the kid in question, despite being written as the focal point of the show, has less relevant plotlines, less interaction with other characters, and an actor who just doesn't deliver on charm the way his fellow younger costars do
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whencyclopedia · 15 hours
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Marie de France
Marie de France (wrote c. 1160-1215 CE) was a multilingual poet and translator, the first female poet of France, and a highly influential literary voice of 12th-century CE Europe. She is credited with establishing the literary genre of chivalric literature (though this is contested), contributing to the development of the Arthurian Legend, and developing the Breton lais (a short poem) as an art form. Marie's published works include:
Lais (including the Arthurian works Chevrefueil and Lanval)
Aesop's Fables (a translation from Middle English to French) and other fables
St. Patrick's Purgatory (also known as The Legend of the Purgatory of St. Patrick)
She was trilingual, writing in the Francien (Parisian) dialect with a command of Latin and Middle English. Her lais were developed from the earlier Breton lais poetic form and so she must have also known Celtic Breton and been acquainted with Brittany. Her works influenced later poets, notably Geoffrey Chaucer, and her imagery in St. Patrick's Purgatory would be used by later writers in depictions of the Christian afterlife.
Marie's works were popular in aristocratic circles but frequently featured lower-class characters as more worthy and noble than their supposed social superiors and always cast women as strong central characters. Her vision of female equality has led to her designation as a proto-feminist in the modern day, and her works remain as popular as they were in her lifetime.
Identity
Her actual name is unknown – `Marie de France' is a pen name given her only in the 16th century CE. All that is known of her comes from her work in which she identifies herself as Marie from France. Based on details in her work including knowledge of place names and geography, and the sources she drew from, scholars have determined that Marie spent a significant amount of time in England at the court of Henry II (r. 1154-1189 CE) and his wife Eleanor of Aquitaine (l. c. 1122-1204 CE).
Scholars suggest Marie may have been Henry's half-sister who perhaps followed him from Normandy to England when he was crowned king in 1154 CE. The Lais of Marie de France are dedicated to “a noble king” who is most likely Henry II but precisely how Marie meant this dedication is unclear. Marie's poetry often features women imprisoned or otherwise poorly treated by men and this theme mirrors Henry's relationship with Eleanor.
Throughout their marriage, Henry was unfaithful to his wife numerous times and carried on an open affair with the noblewoman Rosamund Clifford. When Henry's sons rebelled in 1173-1174 CE with Eleanor's support, the king had her imprisoned for the next 16 years. This same sort of relationship, often with similar details, appears in a number of Marie's works. Further, Henry does not seem to have been as fond of poetry and poets as his wife was and so an interpretation of Marie's dedication as sarcastic is probable.
In modern-day scholarship, Marie is almost always credited with establishing the genre of chivalric literature, but this seems unlikely as her works clearly draw on a pre-existing tradition of courtly love literature whose central motifs she inverts. In courtly love poetry, the knight is seen rescuing the damsel in distress; in Marie's works, the knight is often the one who has imprisoned her in the first place or, sometimes, the one in need of rescue.
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bibibbon · 3 days
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MHA CH 421 rambles
Ok so this was a chapter ok. Iam personally not a fan of what happend here but you do you.
I hated AFO's little monologue. introspection thingy and to be honest sukuna does it better. Look Iam critical of both jjk and MHA as they fail in their own aspects on certain things but dam I couldn't care less for AFO and his monologue I seriously couldn't. Yoichi as already dead and if AFO's goal was to be a supervillain from a comic and to reunite with yoichi then why not just idk get the doctor to do it for him or just die to reunite with AFO 🤷‍♀️. His whole thing about tragedy making people stronger or him not feeling anything didn't even hit well because his development sucks and him coming back feels repetitive anyway
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Sero getting to respond to the things about tragedy felt so underwhelming I didn't like it. Sero throughout the whole and entire series lacked any screentime and development for him to be getting a big moment that should be given to another character feels like a horrible move. We seriously don't know of anything that has affected sero aka hurt him directly in the manga (aka something just him) so it all feels underwhelming and disappointing. Unironically, I feel like sero should of been one of those characters who left the story or just stayed as a minor character because hori is trying to develop and give him importance way too late into the story.
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Where is inko?!?!?! So we see everyone heck we see the civilians, gran Torino, Kota and Eri all comment and hope for izuku to do something but inko his own mother isn't present. Now this probably means something bad is happening or will happen to inko but if nothing happens and she isn't present then dam classic neglectful inko strikes again ig or if they make it a gag that she fainted out of stress i will just hate it even more
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I hate that this is something out of the endgame and if hori was trying to be like gege by making everyone join it felt rubbish. Iam not a fan and I mean it I HATE the whole everyone joining in to fight AFO together type thing and I just do. To me it's Izuku's time to shine and people take down villains and do their jobs in other areas at this point everyone is doing more damage to AFO than Izuku who hasn't even landed a hit on izuku. Also why is it that character like Todorokis who have had their big moments here?!?!? It seems like this is a fight where hori is trying to make everyone have a moment before Izuku lands the final hit which doesn't sit right with me. Like there are characters here who have already had their moments like jirou, camie, yuuga, asui, mina and way more but they're here to ... Assist in the fight have another big moment and make AFO more of a potato character then a proper scary villain
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present mic is back which I love. One of the good things is that present mic is alive, it's good to have confirmation of that
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Even though I think erasers writing is heavily flawed at least someone is holding Izuku. At least izuku is getting something , some comfort out here at least someone is holding him but dam this seems like a disservice all of this seems like a disservice to izuku. Like I wonder do the civilians feel guilty does anyone feel sad or guilty for having this 16 year old child fight something way bigger than him in the name of peace and other peoples safety?
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I think the whole thing with Izuku getting that guy's shirt is rubbish and underwhelming. It just doesn't sit right with me, that guy's shirt would of probably been dirty as hell considering it's the only thing we have seen him wearing. Like @mikeellee told me it would of been more impactful if the shirt was given to izuku and that guy had a healing quirk or helped izuku more directly. Now I get that this is supposed to make the guy more likable and show that he ahs developed which we can see and dam hori can actually give some decent development when he wants to but it all falls flat and doesn't do much for me. Also I have seen someone say that izuku wearing this shirt and it covering his upper half is showing how he is losing his ability to be a hero and dam that breaks me.
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I can't with the Izuku running to the battlefield and the parallels kill me (we haven't really developed/moved on from chapter one considering the story just loops around itself). Izuku running towards danger quirkless thinking that it's his job because people who were supposed to help and protect him failed. Izuku now quirkless with only the tiny and fading embers of OFA thinning trying to defeat OFA with the damage of kudos quirk still effecting him. All of this to protect others to help them something he never got during the past. This fight will probably parallel all might but all of this happening and I feel nothing all of it falls flat and I feel bad for izuku that's it.
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It was a chapter and considering how I hated previous writing decisions I was also gonna hate on the developed/expanded writing decisions either way
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unseemingowl · 2 days
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Saga Anderson, and Nordic rep in Alan Wake 2
Early on in Saga Anderson’s exploration in Alan Wake 2, she runs into Ilmo Koskela. Fiercely proud of his Finnish heritage, Ilmo gregariously makes note of Saga’s Nordic sounding name and the familiar design of her knitted sweater. Perhaps a fellow Finn?
Alas no, Saga’s mom is Swedish she informs him. Immediately Ilmo’s face falls. I’m not sure if it’s actually just the animated character defaulting to his resting face, but either way the timing is too perfect. Cue uproarious laughter from me. People in the Nordics are on friendly terms of course, but we gotta have the tiniest bit of… scornfor each other. All in good fun of course. It’s traditional.
Now, I’m Danish, not Finnish, but still, I feel right at home in the towns of Bright Falls and Watery in Alan Wake 2. All of the little nods to Nordic culture and mindset feel so wonderfully familiar to me. The melancholia, the irreverent sense of humor, the affection for the Finnish and Swedish quirks of the characters. The game feels all the stronger in tone and narrative for Remedy embracing the Finnish roots of the studio.
Which is exactly why it sucks that I almost immediately saw the charm of those narrative decisions weaponised against Saga.
I first watched the scene between Ilmo and Saga on a lets play when I was trying to figure out if I should finally dip my toes into survival horror and buy the game. Delighted by the writing I took a look into the comments to see if people were vibing as hard with it as I was. They were. But I also saw a comment that made me frown.
Paraphrasing, it basically went, come on, like hell a guy like Ilmo would make the assumption that a black woman is Finnish. There are a multitude of reasons why I think that person was wrong, mainly that Nordic people love it when we run into each other in other countries, but it also just made me sad.
Saga being black does not negate her Swedish heritage. Formally, she is American, sure (I assume, not sure how that works in the US), but she’s raised by her single Swedish mom, of course she’s going to identify heavily with that part of her herself. It’s a profound and essential part of who she is.
But hey, I’m a white potato Dane, so I’m not gonna argue that I know much about the experience of being biracial. I’m gonna stick to what I know, which is that Saga is a very moving and beautiful example of something that I’m actually not used to seeing much of - a story about connecting with your Nordic heritage and roots. And it’s part of why I love her so much.
When Nordic people show up in big, international productions, it’s usually as Vikings, and sure, it’s fun to see our wild ancestors, but contemporary questions of Nordic identity and heritage is not something I often see explored. Not even in our own productions.
So much of Saga’s story is about family. Fighting for her current one, Logan and Casey (and sure, David too, lol), and rediscovering her first one. Tor and Odin.
Her discovering her ties to Tor and Odin is profoundly moving and made me teary-eyed several times over. And sure, a lot of those ties are fantastical in nature, but they still feel very much grounded - and what makes us Nordic if not the ties to our myths and legends that Tor and Odin have made themselves the living avatars of.
While Saga’s mom, Freya, had good reasons for leaving the Anderson seer magics behind, seeing them as part of what made her family fucked up, she also cut Saga off from the fullness of her capabilities. It is only through Saga reforming her family, healing its scars and fully embracing the Anderson heritage that she becomes as powerful a parautilitarian as she is at the end of the game. That’s beautiful.
And in fact I think Saga being black only deepens the richness of those themes rather than negate them or make them irrelevant. Because yes, Saga’s story would have been moving if she was a white character too, but I am very well aware that a lot of biracial people of Nordic ancestry can feel alienated from that part of themselves. Not least because questions of who gets to claim a Nordic heritage can get pretty ugly around here. There are most definitely people who share the racist mindset of that commentator. It adds an extra dimension. Which is why seeing Tor and Odin’s eagerness to claim Saga as part of the Anderson heritage is all the more moving. Through her magics, she’s just so obviously an Anderson, and they’re so damn proud to call her theirs and fight alongside her. Because they all got that wild Viking blood in them. They’re part of her and she’s part of them.
Roger Ebert, the film critic once called movies empathy machines. I think games, when they’re at their best, can be an even more intense variation of that. Which is exactly why it baffles me that some people can play through Alan Wake 2 and still think Saga is a stunt-woke character rather than someone fully and beautifully integrated in the narrative. A narrative which, at its most basic level – in my opinion – is about the mystical bonds we form with each other and the rest of the world through art and love and blood and family and heritage. All the great horror doesn’t negate that either, it amplifies it. Kind of like that clicker.
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aroaceleovaldez · 2 days
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That's fair. But, yeah, the movie addition of Grover's crutches were one of the best things that came out of them, and I love that it's a popular idea!
Also, I always thought of Chiron as someone with a disability (hc of mine I had since I started reading PJO), but I don't remember the show giving him one canonically in the show, if you don't mind me asking, what was their reasoning (for lack of a better word)?
I'd suspect the writers-side reasoning was in part due to an old criticism of the series, where the only character with a wheelchair wasn't disabled, it was just part of his disguise (which is part of why we got the random new camper in Tower of Nero mentioned in passing who uses a wheelchair - and why we get next to zero actual information on him besides his name and that he uses a wheelchair, because essentially all he exists as is a response to that criticism).
So in the show rather than just having the wheelchair, which a very iconic part of Chiron's character, just be a prop/part of his disguise or rather than trying to remove it entirely, they went the route of incorporating some of his mythology into an explanation as to why he uses it. Mythologically-speaking, Chiron is often written as either being killed or permanently injured by getting shot in the leg, or otherwise struck with an arrow (possibly poisoned) in the foot/leg/hoof/etc. In the show it's very subtle and they never acknowledge it explicitly, but when he's not in his wheelchair one of his horse legs has a splint on it and he's subtly limping, implying that he does genuinely require a mobility device and is disabled. It's been confirmed in behind-the-scenes stuff and on social media that this was intentional and a reference to those myths as one of the new additions in the show. I personally do like it as an addition and I think it was a good way to address that criticism, but I do wish we got some in-show acknowledgement of it, similarly to how the show is severely lacking in acknowledgement of disability in general (adhd/dyslexia, etc).
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altocat · 2 days
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Do you think Sephiroth knows Lucrecia is his mother now?
I'm currently holding onto the belief that he doesn't. At least, not in a detailed sense. Yes, he should technically be able to figure it out using the knowledge from the Lifestream. But he never makes mention of it at all, nor does his relationship with Jenova really seem to change in any way. Lucrecia is kind of an extremely important character throughout the Compilation. If they were going to connect the dots with her and Seph, they would have had him say something by now. Maybe they will do something of that nature in Part 3. But I don't think so. Sephiroth seems pretty unshaken in the belief he is Jenova's son, complete with conceptualizing himself as something inhuman and of Jenova's heritage, despite coming from two human parents. Again, someone with Sephiroth's massive ego would have openly refuted alternative claims out loud, especially during one of his monologues. The fact that he never refers to himself as anything other than Jenova's son leads me to believe that he really doesn't know about Lucrecia at all.
Plus, there's Opera Omnia to consider. Vincent pretty much outright TELLS Sephiroth about Lucrecia...only for Sephiroth to completely blow him off.
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Keep in mind that the full context of this exchange is framed with Sephiroth going on and on about Jenova, only for Vincent to refute him with claims about Lucrecia without actually mentioning Lucrecia's name. It's treated like a reveal to Sephiroth, only for Sephiroth to ignore what Vincent is saying. So Sephiroth's rejection isn't "hey I know about Lucrecia and I don't fucking care what you have to say about her she sucks" and more of "I have no idea what you're going on about, but it's annoying so shut up".
At this point, and idk if there's a Jenova-influenced mental block or if Seph is in denial or what--but Sephiroth is not aware of Lucrecia's existence. And honestly, I'd prefer that. Part of the tragedy is that they will never truly meet each other. And Sephiroth is so arrogant and insane that he clings to the delusion of Jenova without considering alternatives. Pretty messed up.
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How to Writing multiple characters in a scene!!
Writing tips w/ Sunny (part 1, because I ramble and im positive ill end up doing this again if people want or for my own satisfaction)
This is just my methodology put in a way I think makes sense, if this doesnt apply to you thats okay everyone has different stradegies that work for them <33
SO lets begin.
"Rules" of writing multi character scenes + arcs, (First half is how to add them into a scene, second half is maintaining and not letting them vanish)
AHEM- Well there are four ways to place a character in a scene
Narration POV Aka the protagonist, this is the perspective ever present unless you CLARIFY the story is now through the lens of another character (Take for example my fic, while I play with multiple perspectives- a bulk is from Tims POV)
Secondary POV This is the character that DIRECTLY interacts with the narrator aka their "first point of contact" so to speak, they ground the narrator in the scene as not alone and is actually interacting with other people. (This DOES NOT have to be a speaking role, it can be purely observational if need be- but its the character that gets the most attention via the narrators perspective SIDE NOTE- THIS CAN SWITCH AS WELL)
Interactive POV Now we get to the "filling"- since Secondary doesn't need a direct tie to the narrator, you can have another character interact with the secondary character. But since they are not the focus of the scene its good to have a REASON they "Enter" or else if you spend so long giving the narrators perspective on #2 then you risk having someone "Materialize" in thin air. (This isnt really a concern unless you wait too long into the scene to go "Oh this guy exists-" you have time as you paint the reader a picture of the new enviornment/scene)
Enviorment POV Last but most certainly not least (and the one i've seen people struggle with the most) is the character that is PRESENT A N D NAMED- But serves no plot importance/relevance (to the narrator) during the opening part of the scene.
To put in better perspective- think of being in a room, The Narrator is you observing your surroundings (depending on POV style how "into the mind" of the narrator we go)
Secondary is the person you focus on, you hear their conversation, see their body language, expression, clothing, etc. They are the personal "focus" (there can be multiple as well)
Interactive is people SURROUNDING the focus, those who still play a semi active and visible role. They can either be within your line of sight interacting with the enviorment or speaking to a secondary/narrator character.
Enviorment is the person in the back of class that you know, but don't really register unless they do/say something- but you are still AWARE of their presence. CAREFUL NOT TO INTRODUCE THEM TOO LATE, OR ELSE YOU HAVE THE "MATERIALIZE" PROBLEM AGAIN
Now into a scene(aka recycling an old one)
Tim starred ahead silently from his side of the couch, watching Jason fidget with the soda tab on his shitty off brand Doctor Pepper he always insisted on getting. Around and around over and over, it was giving him second hand anxiety.
Thankfully they weren't forced to stay in the moment as Dick leaned over and pressed his shoulder into Jasons with a beaming smile "Oh come on it'll be fun"!
"Says you golden boy" Steph teased, half hanging off her chair and a foot almost knocking over Cass chip bag, only stopped by the fact Duke snatched it and moved it further along the table.
Well at least Damian seemed to be reacting rationally, seeming intent on slouching in on himself the more Dick tried to pull him and Jason together into a "group hug". It was a wonder his arms could even reach that far- even more so that they were still intact.
But Jason, like the rest of them, was weak to Dicks puppy dog eyes. Tim saw the moment he gave up a losing battle and his shoulders slumped in defeat, though his scowl ever present. "If I say yes will you fuck off"
"Ah ah language, we have children here"! Dick gasped, placing his ears on Damians ears which only earned him a snarl in return.
"I don't think Damian counts as a kid- and I just turned 16 which is basically an adult" Duke tried to defend, but his 'fierce glare' had less effect with his hand stuck in a bag of gummy worms.
Tim huffed- if Dick kept it up, they would end up with "family night", and he doubted all of them would come back alive.
(END SCENE)
Now to break down- Tim was of course the "Narrator" perspective that was viewing the scene, we get his insight even while not directly interacting with the characters just by his description tone.
Jason was of course the main "Secondary"character (though Dick was a mix as well) where the scene introduced by Tims perpective and tone by someone else in the enviornment.
Then you have Dick who is a perfect mix of Interactive character (how he entered the scene via movement, placing himself in perspective to the established other two) while shifting to have the most "scene impact" whilst still not being Tims focus.
Finally you have everyone else serving as Enviornment characters, with either a simple Line-action (ex-Steph) or a name drop in general placement (Cass) or establishment through movement, and only relevent later in the scene (Duke).
Damian kind of floats between, he is introduced via a reaction + Narrator observation, but then is mostly just an eviornment character. He is THERE but not really awknowleged beyond that.
NEXT- If that doesn't help much you can rely on "Environment rule"
Aka everyone is always doing something in any space they occupy- apply that to your characters. It can be as simple as when you have one character speak loudly to the narrating POV, another character shifts away or laughs.
They didn't need to speak nor did you need to detract from the tension/pacing of a scene by describing in detail their expression, positon, etc.
BUT in that moment your reader just clues in to "Oh okay x is here-" that is established, and whether or not x plays a role in a future scene within that enviornment doesnt matter much.
This is also the PERFECT oppertunity to give characterization. If a tense moment is going on you can have the narrator notice another character stiffen/flinch (aka affected by the conflict, even if not an active participant)
FINAL PART- MAINTAINING
This is where shit can hit the fan f a s t- getting a bunch of characters in a scene is one thing but keeping them there?? Hell at times.
But once again this all relies on "Narrator perspective" and unless you are switching narrators, you need a "cone of vision" to determine what is or isn't important unless you might break the tension of a scene.
Methods include-
Reactions
Two+ background characters interact (verbal or not)
Interact with enviornment
Enter/Leave a space (of note)
A sound registered but not explored (a chair creaking back, a glass dropping, snack bag rustling, or even my favorite which is the sudden absense of sound implying an audience)
"Incidents" (Someone drops something, attention goes to them for a sec- apology/oneliners, then switch back)
Check ins from NON NARRATOR, (or narrator, but usually works better to keep track of who is focused on who)
Characters don't need to be "ever present" just remind your reader they exist somewhere generally in the scene (and keep them in your back pocket)
But The best possible tool at your disposal?? BANTER.
Let characters interact, feel out their dyanmics- If you dont know how they interact in non tense situations, how does that change when tension amps up. Have a background character throw in a one liner- or the narrator observe a conversation they aren't a part of.
LET PEOPLE BE PEOPLE- And they basically write themselves
Last but not least- if you feel stuck or lost?? Treat EVERYONE like a narrator.
Who are they paying attention to? What are they seeing? How do they REACT to that? Do they speak up, do they tense, do they try and slip away or stay strong?
You don't need to know this for EVERY scene- but sometimes it helps out of a rut moment
ANYWAYYSS- This is my rant and personal methodology of how I place/maintain multiple characters. I hope this helps for anyone interested, if not find what works for you!!
My Asks are open if anyone wants me to give any other advice, tips, or just general ramblings about writing.
Otherwise,
Happy writing!!
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nthspecialll · 6 hours
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I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories
Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?
Anyways here is a full explanation of all the Van Der Linde gang members backstories.
Sean MacQuire
Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.
He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in West Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and took the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.
Lenny Summers
Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.
After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.
Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however wehn Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.
Kieran Duffy
Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."
After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.
At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.
Leopold Strauss
Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.
When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.
Tilly Jackson
Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.
Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.
Micah Bell
Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.
Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.
Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.
Bill Williamson
Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.
Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.
Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).
In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.
Daniel "Dutch" Van Der Linde
Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.
Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.
When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.
Hosea Matthews
Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.
He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.
Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.
Molly O'Shea
Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.
Arthur Morgan
Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.
In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.
Uncle
Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.
After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.
Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.
Susan Grimsaw
Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.
Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.
John Marston
John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.
John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.
At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.
Orville Swanson
Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.
At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.
Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.
Mary-Beth Gaskill
Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.
It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.
Charles Smith
Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.
They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.
At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.
Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.
Simon Pearson
Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.
After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.
Abigail Marston
Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.
Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.
Josiah Trelawny
Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.
Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.
Karen Jones
Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.
Javier Escuella
Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.
Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.
Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.
It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.
At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.
Sadie Alder
Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.
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ystrike1 · 1 day
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Second Time's the Crime - By Nagare Ebi (7.5/10)
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This is an intense and gory horror story featuring two very different obsessive men, but it loses points because the romance isn't very believable. You know who the endgame love interest is right away, and it's the boring one. The "heroic" yandere doesn't get enough character development. The psychological pain and real violence on display makes the romance feel like background noise.
Shiki is a poor little victim in the beginning. A wealthy but abused wife. It LOOKS like her 35 year old husband pounced on her when she was 19 because he needed a convenient bride. It LOOKS like he married her to cover up his debauched lifestyle.
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It's...too much?
It's suspicious from chapter two. Kaoru is a handsome older man who didn't need to get married at all. He abuses his young wife. He cheats on her. He makes her eat a raw egg in one of his first scenes, but he's loving to her before he goes to work.
It's almost like he's performing for an audience, but there's nobody there. Just him and his terrified wife.
It's almost like....torturing her is his hobby?
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It was a fairytale romance. Her parents were over the moon. She didn’t have money. He's got lots. He was mature and romantic and he dated her seriously before they got hitched.
He started abusing her days after the wedding....with joy in his eyes???
Shiki doesn't bother with the details. She obviously assumes he's just a lying pervert that wanted a submissive wife.
That's what it LOOKS like.
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The pain she goes through changes her. She figures out that he's a cheater. Of course he is. He owns a fashion magazine. He works with models every day.
....when he sleeps with those models he calls them by her name...
Why would she know little details like that?
All she knows is the pain, and the desire for it to end.
She wants to die, but someone else has been watching her. She goes to the movie theater alone alot, and she has an admirer there.
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It's a man who thinks she should kill her husband. Saku comes from a broken family. His mother died after years of abuse, and his father was never prosecuted. He's also very in love with Shiki. He's willing to help her kill her husband, because she's beautiful and he wants to see her happy.
They actually have a pretty good relationship, because the story goes nuts.
Saku doesn't whisk Shiki away and protect her.
He can't. Shiki has to protect him too.
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Kaoru is willing to kill for Shiki too. There's a tracker in her phone. He removed all of her friends from her life too, so when Saku tries to run away with her Kaoru hunts them down. He's a little too prepared. He catches her every time like he's a one man military group.
It becomes clear that this isn't some average "abusive husband" story.
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Of course the main characters make it clear that Kaoru is an abuser. He doesn't deserve to be forgiven and Shiki should divorce him. She just can't, because Kaoru will kill her, her allies and possibly himself if she runs.
He's not a normal man.
He really does love her. Just not in a sane way. Shiki will never understand him, and she shouldn't. He absolutely hid his unstable side from her to lure her in, and he doesn’t deserve any pity.
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Shiki soon realizes her husband is serious. He almost kills Saku more than once.....so she returns to him because she's worried for Saku. Shiki starts to develop way more than Saku. By the end of the story Saku is just a hostage. A pawn in Kaoru and Shiki's psychological battle. It was unexpected, and very cool.
Shiki isn't nobly sacrificing herself. Oh no. She protects Saku and she decides to kill her husband on her own. She doesn't want to involve the innocent man she's falling for.
Kaoru shocks her when he installs security cameras inside. He brings out a leg restraint, and he says they will be happy together...forever.
She pulls a knife on him, and it ends up in her stomach.
Kaoru is unnaturally prepared, and experienced with violence. As a reader I started to question his family business. Kaoru can't be some spoiled model agency heir. He's just too good at fighting...
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Shiki doesn't stop trying, no matter how crazy the battle gets. If Kaoru won't divorce her she'll kill him. The issue is he doesn't care at all. If she doesn’t love him he'll earn her love back. Saku is just an obstacle that will fall before him, because he always gets his way. This is his love. He will spend the rest of his life showing his wife how much he loves her....through violence.
That's how his family raised him, so it has to be real love.
Right?
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Shiki and Saku get dragged into Kaoru's forest mansion. The apartment he owns with Shiki is just their love nest. His real playground is huge, and it's staffed by criminals. People who accept his orders because nobody else hires criminals.
Shiki convinces the butler and the head maid.
Violent love will never be enough.
Kaoru will kill her if they don't help her.
The butler seems to believe love will prevent her death, but Shiki convinces him to see reason. Eventually, all of the wounds will catch up to her. Head trauma. Infections. His torturous love will end her eventually, after years of total agony.
The butler sees sense first. Then the maid. Even still Kaoru is ridiculously strong, smart and scary. He's not easy to beat, even with allies.
There's a second wedding, and the mansion goes up in flames AND HE STILL DOESN'T DIE!
He starts to beg for Shiki's love, after he finally notices he lost her to Saku. Somehow the violence escalates even more.
Shiki starts to pity her broken husband.
I think he might end up in a mental hospital, with pictures of Shiki and occasional visits from her or something? Then we'll see her enjoying life with Saku.
I do want Kaoru to die, but like ten chapters were dedicated to his sad backstory sooooooo....
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eats-a-berry · 2 days
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i think another super important nuance of toshiro's character that people miss is how the commentary of his character is so effective because his flaws are not a personal moral failing on his part, that his problems are greater than simply being a "bad person", even beyond the already very reasonable parts of his character like the culture clash. in truth, everything about him and how he responds to things is extraordinarily ordinary. the name of the game here is conformity and the status quo, and not only is that not excerbated by a single person, but it's such a big highlight that this is hurting him too even when he thinks he's doing what's best, what's expected of him, and he starts to realize that over the course of the story. there's a lot of subtle bits of his character that show how he wishes things were different too, how a lot of what he does and says isn't even what he really believes, but his own inability to break free of things is what stifles him. kabru is actually really important to his arc as a Status Quo Challenger, in how he both gets him to admit he would've done the same with going to great lengths for falin and how he challenges the canaries.
none of what he does is fully unique to him, all of the ways that he thinks are present in so many of the other characters, and the issue i have with fan response is how he's singled out in conversations like this because it's not just about one person, it's about everyone, it's about the system. the way he acts and thinks is just as understandable as any other character, and singling him out as the bad party here instead of the overarching themes that are present in everyone... is what disappoints me the most. there's about a million different layers to this conversation because kui is a genius with this stuff.
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syntaxaero · 11 hours
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Would love to know more lore about Stratus and their lance weapon. Are they a soldier? What's their designation as an angel mean in your lore? Who of your other sonas can they beat?
YAY I GET TO INFODUMP ABOUT THE MOST LORE DENSE CHARACTER/SONA OF MINE (THEYRE SORT OF THE GLUE THAT HOLDS ALL MY CHARACTER LORE TOGETHER) So! Hmm wheres the best place to start?
What is an Angel?
Angels can be described as soldiers, or trained specialists who serve The Creator (I don't exactly have a permanent name for them currently, but I usually call them "Big Median". 'Normal' Median is actually one of Many Medians that are essentially just. Tiny Instances of The Creator.) Their primary objective is to combat and keep Entropy (The Creator's opposite, ultimate adversary) under control, ultimately preventing Entropy from destroying every single one of The Creator's universes.
Anyone can become an Angel, though that is up to The Creator's decision. As a part of this contract, Angels receive a portion of The Creator's power, typically in the form of a halo and weapon, and the ability to hop between universes, to do as The Creator commands!
What is Entropy?
Figured I should maybe include this, since they're sort of the driving force behind the creation of Angels.
Essentially, at the start of The Creator's Realm (or multiverse, whatever you wanna call it), The Creator had severed Entropy, one single being at the time, into countless pieces, limiting Entropy's power to the best of Its own ability. However, all these fragments have formed into souls and beings all of their own.
These beings, Fragments of Entropy- or Deities/Gods of Nihility as they're sometimes called-, can have GREAT power, though their power can only grow through the destruction of mana (through converting it into an anti-mana that only Entropy can wield.) Although each of these beings are essentially born from Entropy, and reincarnate once defeated, they are still independent beings, with their own unique bodies, thoughts, and desires. Aurex is one of these beings. He is capable of endless destruction. However, for no known reason, he doesn't appear to thirst for said destruction.
What can Angels do?
The typical Angel is generally capable of slaying one of these nihility gods all on their own, with relative ease. They receive a ton of training, and report back to The Creator during missions. In terms of power scale, they surpass mortals and gods (dragons capable of using elemental manas), and are on par with Demons (Dragons made by The Creator to maintain the afterlife of each universe. They're actually good guys!).
Some Angels do use elemental manas, if they were capable of doing so before becoming an Angel, but most are trained to use pure "divine" mana, and sheer physical force (hence the weapons!). They can travel at multiple times the speed of light, are protected from any and all poisons, illnesses, and most weak attacks. They can only really be hurt by particularly powerful gods, nihility gods, demons, other Angels, and of course The Creator Itself.
So, what about Stratus?
Well, the exact specifics about what led Stratus to becoming an Angel aren't exactly clear. The Creator doesn't speak Its motives. Though, Stratus does have an innately strong ability to detect manas of both divine/standard types and anti-mana, and even more peculiarly, the ability to directly influence mana itself- capable of borrowing it from other beings. As such, Stratus is one of the most powerful Angels, and popular among the Angels--
Despite their strengths, The Creator simply tasked Stratus with keeping Aurex alive- only because if Aurex is killed, his reincarnation would likely go on a destructive rampage like all the other Fragments.
Ultimately, Stratus is the most powerful of all my characters. Only The Creator or a fully powered up Aurex (/Entropy itself) would really be capable of defeating Stratus, at their theoretical strongest.
anyways all stratus really does, since they're chilling with aurex, is worldhop to try out tons of different foods-- cloudbeasts are naturally silly critters and stratus is a particularly food-obsessed one!!! once in a while stratus may be called in to assist other angels with handling a Fragment of Entropy, or universal anomalies, but most Angels can handle their assignments without much issue.
:3
Feel free to ask specifics, or if you'd like more clarification on something!!!
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