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#a personal piece.. after so many years..
fiovske · 1 year
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cosmic swimmer
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schlawa · 1 year
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It’s a (translated) quote from my favourite bands live banter, where the drummer asked if anyone still needs a guitarist and I just thought the vibe fits them so well
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headphonemouse · 1 year
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Nothing in my life has ever tasted as good as how I imagine cartoon meat that looks like this tastes
#talking tag#orv groundrat meat and yanaspleta stem#literally the only type of meat they eat in one piece#it's funny how in orv when kdj makes bbq skewers they all look like this but when yjh makes skeweres they look like normal ass skewers with#vegetables and everything#it's yjh the only person who has any culinary sense? the real answer is no. kdj is actually capable in the kitchen. the funnier answer is#that yjh was so fed up with being the only person in the universe to have taste buds and maybe a normal sized mouth that he spent an entire#regression turn learning how to perfect his cooking [this part at least is canon] just so he could convince at least one of his companions#to raise their standards and stop eating barely-chopped‚ unseasoned‚ straight off the bone monster meat#i think yjh would refuse to eat an apple unless it was peeled and sliced into cubes with little toothpicks#he wouldnt touch a sandwich until you passed it through a panini press#maybe it has something to do with diligence and intentionally putting effort into something often overlooked#its a lot of effort to cook delicious meals when the world is quite literally falling apart and reshaping itself but in a situation where#he doesnt even have control over his own death‚ he can only treat what he does have control over with the utmost diligence#cooking and eating good‚ healthy‚ SAFE food is something that is entirely his‚ i think#he doesnt need it to survive like fighting. its not a relic of his past that has lost its application like gaming. its a routine‚ a ritual#repeated daily#something that you do every day and by continuing to do it you create things that are more and more enjoyable. something that makes people#smile and feel satiated. something that gets everyone to sit close and share the joy of a single moment. a single meal#is it possible to get tired of that after repeating it so many times? every day? every day every month every year every turn#why doesnt he eat food made by other people?#because its not delicious#and the dumplings?#those were made by someone he loved. someone he loved put their time into mizing the filling and shaping the dough#someone he loves wants him to be safe and fed. and offered him dumplings that they made#was it delicious?
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ink-the-artist · 2 years
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Hey! I saw a post on Pinterest that shows an artwork that said "I will remove my teeth for I want to remain kind despite my anger." The post credits it to your page but I can't find it anywhere. Anyway, if it is yours please know that it's beautiful and I love it SOOOOOOOO much. I was wondering (if it is yours) if you came up with that poem on your own or got it somewhere. It's so beautiful.
thats my post yes! its this one
I did come up with the poem myself. I actually hadn't considered that it is in fact a poem until now lol
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fiendishartist2 · 30 days
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guys what if i want to make my own apollo justice game.
#i need to write a prequel to aa4 pls pls pls pls pls#okay get this: so phoenix isnt disbarred yet and he doesnt have trucy. hes still taking and winning cases#one day he gets a call from edgeworth and hes all like ''wright i need your assistance'' and hes like what for and edgeworth goes#''ive been given the most ridiculous case and i think youre the only man in law who can take care of it''#so phoenix bikes his ass to the detention center and boom. child behind bars#and phoenix is like ??? hey kid what are doing here. and this kid is the most surly mfer on the planet like you couldnt get-#-a word out of him if you tried. hes kinda giving phoenix the stink eye too but hes just the littlest guy on earth#and phoenix feels bad for him so he tries to get a rundown of the case (maybe edgeworth gave him an autopsy report or smth beforehand)#but get this. the kid still wont speak. he hasnt even moved a muscle. and after some prodding you find out this little dude-#-doesnt speak english (i dont love aa6 but i think apollos tragic backstory can be interesting so we're going w that but taking it seriousl#anyways so maya is like omg this kid is speaking khurainese but hers is kinda broken bc shes not from the mainland and only knows it-#-from like prayers#so you only get bits and pieces of the kids testimony. plus he still doesnt wanna talk bc ''dhurk told me not to talk to you''#so you start following the new lead but you ask too many questions and apollos like oh shit i said too much and wont talk to you anymore#but now you have two leads: khur'ain and a man named ''dhurk'' plus the fact that this is kid might be new to america since-#-he cant speak english but is smack dab in the middle of california. its all v curious and phoenix wants to get to the bottom of it#for the rest of the case i feel like it would go in the direction of ''we dont know exactly whats up w this dhurk guy or where this kid-#-came from but we do get him acquitted and phoenix is able to save him from the dark path he was heading towards'' thus steering apollo-#-in the direction of law and giving him a wayyyy better reason than aa6 gave him <3#i kind of like the interlinked nature of ace attorney's storytelling. like everything leads into smth else and everyone is impacted-#-by another person before they even become properly entangled w each other's lives#like how mia faced dahlia years before she met phoenix but dahlia was the one to connect them#or how trucy gave phoenix the diary paper but she's also the one who ropes apollo into the waa. even before they know they're siblings#or how lamoire left apollo and trucy as children and when they reunite as adults they cant recognise each other but they all find each-#-other anyways#i could go on but i think this could be cool yknow esp bc i think the most interesting thing about apollo's aa6 backstory is his life-#-post dhurk. like where did he stay? was he a foster kid? was he put into the system? how did that affect him? what kind of ppl took him in#i just wanna know how that whole thing would have effected him bc like when yiu think about it how did he even get to america?? his dad's#-considered a terrorist. idk man i think its interesting and apollo and dhurks interactions are one of the only good parts of aa6
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quickhacked · 6 months
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alana and andrew are the ones who hire cassidy for the job described in this fic <3 far from where the whole story starts but that's where everything starts falling into place
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fridayyy-13th · 1 year
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wow. just realized that about a year ago, i was wrapping up my first listen of The Magnus Archives. just as my 2021 winter break started i caught covid-19, and couldn't really do anything for the holidays. i was really upset about it, but after stumbling upon a piece of cute fanart and a cool animatic for the series i decided to give it a whirl; i really needed something to do and it sounded interesting. and what a whirl it turned out to be! i binged the entire series in about two weeks; i remember staying up late every night because i wanted to know what was going to happen next [insert obligatory listeners-are-the-Eye-bc-we-needed-to-Know comment here lol].
those two weeks went by in such a blur, really. i remember playing through Deltarune chapter 2 while listening to the later half of season 3, and making paper snowflakes & a ridiculously long paper chain while listening to MAG 159, but other than that, TMA was kinda the only thing i remember about those days. it was a wonderful story at a time that i really needed something new.
just. dang. idk what the point of this post is, TMA just means a lot to me and i can't wait for TMAGP next fall.
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ketchuppee · 6 months
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During the 2008 recession, my aunt lost her job. Her, her partner, and my three cousins moved across the country to stay with us while they got back on their feet. My house turned from a family of four to a family of nine overnight, complete with three dogs and five cats between us.
It took a few years for them to get a place of their own, but after a few rentals and apartments, they now own a split level ranch in a town nearby. I’ve lost track of how many coworkers and friends have stayed with them when they were in a tight spot. A mother and son getting out of an abusive relationship, a divorcee trying to stay local for his kids while they work out a custody agreement, you name it. My aunt and uncle knew first hand what that kindness meant, and always find space for someone who needed it, the way my parents had for them.
That same aunt and uncle visited me in [redacted] city last year. They are prolific drinkers, so we spent most of the day bar hopping. As we wandered the city, any time we passed a homeless person, my uncle would pull out a fresh cigarette and ask them if they had a light. Regardless of if they had a lighter on hand or not, he offered them a few bucks in exchange, which he explained to me after was because he felt it would be easier for them to accept in exchange for a service, no matter how small.
I work for a company that produces a lot of fabric waste. Every few weeks, I bring two big black trash bags full of discarded material over to a woman who works down the hall. She distributes them to local churches, quilting clubs, and teachers who can use them for crafts. She’s currently in the process of working with our building to set up a recycling program for the smaller pieces of fabric that are harder to find use for.
One of my best friends gives monthly donations to four or five local organizations. She’s fortunate enough to have a tech job that gives her a good salary, and she knows that a recurring donation is more valuable to a non-profit because they can rely on that money month after month, and can plan ways to stretch that dollar for maximum impact. One of those organizations is a native plant trust, and once she’s out of her apartment complex and in a home with a yard, she has plans to convert it into a haven of local flora.
My partner works for a company that is working to help regulate crypto and hold the current bad actors in the space accountable for their actions. We unfortunately live in a time where technology develops far too fast for bureaucracy to keep up with, but just because people use a technology for ill gain doesn’t mean the technology itself is bad. The blockchain is something that she finds fascinating and powerful, and she is using her degree and her expertise to turn it into a tool for good.
I knew someone who always had a bag of treats in their purse, on the odd chance they came across a stray cat or dog, they had something to offer them.
I follow artists who post about every local election they know of, because they know their platform gives them more reach than the average person, and that they can leverage that platform to encourage people to vote in elections that get less attention, but in many ways have more impact on the direction our country is going to go.
All of this to say, there’s more than one way to do good in the world. Social media leads us to believe that the loudest, the most vocal, the most prolific poster is the most virtuous, but they are only a piece of the puzzle. (And if virtue for virtues sake is your end goal, you’ve already lost, but that’s a different post). Community is built of people leveraging their privileges to help those without them. We need people doing all of those things and more, because no individual can or should do all of it. You would be stretched too thin, your efforts valiant, but less effective in your ambition.
None of this is to encourage inaction. Identify your unique strengths, skills, and privileges, and put them to use. Determine what causes are important to you, and commit to doing what you can to help them. Collective action is how change is made, but don’t forget that we need diversity in actions taken.
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azuremist · 10 months
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“Unfinished Painting” — Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
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“AIDS Memorial Quilt” — Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.
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“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
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The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
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“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.
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“Blue” — Derek Jarman
This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
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“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”
Please feel free to reblog with more additions
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thenineofus · 6 months
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My obsession with The Master and Margarita and my obsession with The Other Side of the Wind are so similar now that I am thinking about it.
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the-cimmerians · 3 months
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It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.
In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"
"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."
It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"
In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."
Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.
***
In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.
***
The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.
***
By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"
I blinked. "Is... that a problem?"
She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."
"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.
When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.
***
By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.
***
Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.
1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.
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satoruhour · 8 months
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geto reaction to you wearing only his shirt
OVERSIZED NEVER LOOKED THIS GOOD
a/n: lore. a lot of lore. i always cannot help but write backstories. ure gonna have to bear w/ me SORRY !!!! based off of this drawing that i wanted to write sum about but then i thought why not combine it w/ this prompt. i went a little insane on this mb / tagging @papersirens @crysugu @getousex @hyomagiri @slttygeto, who else r geto fuckers
wc: 2.9k
warnings: roommate!geto, soft dom!geto, mutual pining, reader steals one of geto’s shirts, geto is also a little bit of a pervert, mentions of panty sniffing but geto doesn’t do it, m! and f! masturbation, fingering, clit stimulation, oral / cunnilingus, slight nipple play, spitting (on ur pussy), finger sucking, p -> v sex, unprotected sex, creampie / breeding kink, n*sfw under the cut
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geto was a sweet roommate.
he’s always topping up on supplies when you needed things, pushing away your hand whenever you wanted to pay. where he got all his money, you weren’t even sure. geto cleaned the house, he cooked dinner, hell, it was like you two were married at this point. even gojo had asked if he would get together with someone who wasn’t you (and of course, in classic gojo way, he was skilled in asking it in a roundabout way), geto’s firm and abrupt “no” was enough to make gojo grin from ear to ear.
even he wasn’t sure when it all started — you were always friends with the three of them, gojo and shoko and himself, participating in their antics and getting in trouble in high school. there was hardly any dull times between the four, looking at you through the lens of a friend. but when those lens started to turn blurry and black, seeing you in a new light of tighter outfits and a sweet smile that looked like it contained something hidden, suguru genuinely hoped it would all go away.
it’s not like he thought he was unattractive, but you wouldn’t go for a guy like him, someone hidden behind gojo’s bright personality or shoko’s satirical, cool demeanour. he was oh so oblivious, however, turning an unintentional blind eye when you’re hanging with gojo for the day but only because you wanted to know what birthday present would be best for him, or having a movie night with shoko only to disregard cher horowitz on the television just to ask if geto would like your new nails and hair.
the two of you were so dense when either of you were hanging with them, going on for so long even after taking a gap year for shoko’s overseas med school attachment. they assumed the two of you would’ve done something then, but it was stagnant, dry, that gojo almost wants to take matters into his own hands; so when you’re begging geto if you could room with him, since he lived near the university you were all attending together,
“suguru, pleasee— i wouldn’t wanna travel for hours on end just for like a two hour lecture.”
shoko smiles, gojo laughs, slinging an arm around you, “help your poor friend out, suguru.”
gojo torments him to no end. he doesn’t regret it one bit when your arms are thrown around his neck in a bear hug in thanks, feeling himself get hard just from the way your breasts press against his chest.
“yeah,” it’s said breathily, softly, “it’s no problem.”
suguru thanked god you hadn’t wanted to move in that very same day, cause all that could be heard throughout the small apartment was him pumping his cock to a polaroid picture of you, calling out your name softly as he came all over the photo of your bright smile. he didn’t need the fan that night, the guilt was enough to burn him alive. and after, he acted like nothing happened, except the many, many times he’d think of taking you on every surface of the house, suffering silently for an entire year as the two of you fell into routine day by day.
today might change, however, when geto hangs the last piece of clothing, something that was hardly a difficult task, but it proved to be the hardest thing to date when he’d spot the bras and underwear lying at the bottom of the basket each time he prepared to do laundry. geto wills himself to wash, hang it, and get out but he cannot tear his eyes away from the unmistakable dark spot at the centre of your panties before it’s thrown in, taunting him to just pick it up to breathe in your scent, to do something to defile it, to let his desires take over. but he wasn’t gojo, no, he’d wait all the time in the world for the right time, even if it was at the expense of a throbbing cock and flushed cheeks.
“(y/n), ’m going to the store, you want…” his voice trails off when the drawer before him shows only one clean shirt left, sighing when his favourite shirt has gone missing, again. he knows it simply by the missing tag on the top, cut off terribly by your hands on a drunk movie night. he was thankful you missed his skin by an inch, but he cherishes that shirt and night dearly. geto simply brushes off the mishap, grabbing a sweatshirt instead.
there’s a rap on your door that quells all movement from your side, fabric clutched tightly between your fingers that it hurt just a little.
“(y/n)? love? you okay?”
“y— yeah, i’m fine sugu. what did you say earlier?”
“i’m going to the store. it’s grocery day so i’ll be there for a while — need to stock the fridge up for the week. you want anything?”
geto wishes so desperately to see your face now, asking if you could go and holding a reusable bag by your side, but strangely you don’t even make a move to open the door.
“no it’s fine, and okay! i’m— uh, busy with something,” you look towards the door and back to the article of clothing in your hand, “so i’m sorry i can’t help today.”
geto’s disappointment is brief, but he recovers as soon as he hears your apology, in that sweet, honeyed voice you love to use on him, as oblivious as you were of its effect.
“’s fine, see you later!” there’s a weird and panicky bout of feeling geto gets, but he’s satisfied with the hum you sound through the door. and once the door clicks behind him, you’re unlocking your own door softly, ensuring your surroundings are safe.
geto wasn’t the only one. between your fingers were his favourite shirt, straight from the dirty laundry of last week’s load; it’s been a reoccuring thing these few weeks after realising you maybe want geto to fuck you silly. you’re sneaking around undetected with it, holding it to your nose, breathing in his natural musk. it was the one shirt you liked on him — always put on when with you — it’s like your secret little joke from that night. and it was so sinful, the way your breath hitches from just his scent, the way your panties pool with arousal.
what would it be like to actually wear it?
the thought crosses your mind and leaves just as fast, heart pounding in your chest when you realise you’ve never tried that before.
peeling off your top, you slip it on carefully, swallowing from how much larger he is than you. the sleeves extend past your elbows by a little, so much cloth on you that you’re a little lightheaded by the possibility of being geto’s, belonging to geto.
“oh god…” you sigh, feeling your pussy throb at the thought, and your hands are shy when they creep in between your thighs. they rub at your clit gently, imagining geto was doing the work instead. he’d be so gentle with his hands, cupping your thighs, spreading your legs.
you’re whining when your fingers find your way into your cunt, nose filled with the scent of geto and head filling with the repeated runnings of his tongue on you, his cock in you, his whole person devoted to you. it’s cute how you don’t know that’s already the case. your fingers are lacklustre as you pump them in and out while your other hand is busy with your clit and you look like a goddess: spread out on your bed in nothing but your roommate’s shirt, a soft, slow melody playing from your phone.
you’re so entranced by the sensations you don’t hear the front door opening and the rustle of the plastic bags (he forgot the reusable bags) containing your groceries, distracted by the phone call he’s having with gojo who teases him through the line. his best friend says stupid crap like she’s definitely into you, too. what her panties smell like? have you guys fucked yet?
the last two was enough for geto to whisper a soft satoru!, clearly displeased with the way he was asking about you, about you both that he only rolls his eyes, muttering an annoyed “i’m hanging up, you pervert. i’ll talk to you later—”
setting down the bags, he frowns again upon seeing the closed door, although not as closed you thought you left it.
“suguru— f-fuck, right there—” geto chokes on his saliva at the moans coming from behind the door, careful not to step on the wrong floorboard below him as he lines up with your room door — a terrifying feat rewarded by your needy whines begging for him. he can hear the wetness of his roommate’s cunt, and he wants to take a peak so bad; so he does just that and stiflies a groan at the sight.
your hair is splayed out all around you, pussy facing the entrance of the door just perfectly and his shirt draped over your body. it sends him into a frenzy, head reeling at seeing his shirt so oversized and so perfect over your body that he swears he cums a little at the display. your cute face scrunched up in pure pleasure, your toes curling around the bedsheets he changed for you.
oh, shit.
and geto panics when your head shoots up, eyes meeting his and your hands halting.
fuck, did i say that out loud?
you’re speechless although your reflexes cause you to close your legs immediately, scooting up the bed like you’ve just got cornered by a predator. it was similar — geto with his big, brooding self, moving slowly into the room with both hands up and a dazed look behind his eyes, you, exposed in the eyes of a hungry man who’s craved you for so many months. you like it.
“you’re— you’re wearing my shirt,” geto gulps, causing you to let out a nervous laugh.
“yea— yeah…”
geto thinks that maybe this is it. this was the moment he’s been holding back on for so long, and so he crosses that boundary into your space, stopping right at the footboard of the bed. you follow suit, going onto your hands and knees and crawling to him that he tilts his head back. everything you do drives him crazy.
suguru’s words is heavy, “you think you’re cute, hm? stealing my shirt and then moaning out my name and fingering your pussy like that…”
your breath shakes, ascending to your knees so you’d reach his height, but not quite. he tugs you closer to him.
“yeah.” it’s so quiet he almost doesn’t hear it, “been wanting you for a long time.”
your roommate hums, lips hovering over yours just by an inch. you’d probably pass out if not for your racing heart and pulsating core.
“yeah?”
you’re finished with words, resorting only to a shy nod before geto crashes his lips onto yours, wrapping the other arm around you as yours go around his neck. it’s messy, filled with drool, devouring you on the spot for teasing him for so long, mouths moving in sync with each other. there’s a soft moan that escapes your mouth when you feel him manhandle you with ease, picking you off the bed to set you down on your back gently.
“c’mon, let’s see the mess you made,” you mewl at the words but your legs are stubborn, still in disbelief at the way suguru treats you, but you let him pry your legs apart after some gentle praises. you stifle a smile when you see how geto exhales at how beautiful your pussy is, leaking from your hole while your puffy clit is begging to be touched.
“oh, she’s so fuckin’ pretty…” your roommate mumbles, intoxicated on your scent as he bends down, giving your cunt one last loving look before he looks to you with a small grin. it’s clear he cannot wait, but he pauses for the words he wants to hear.
“wan’ you to eat me out, sugu,” you’re mumbling and suguru thinks it’s so cute, only responding by giving you a peck on your inner thigh, a soft yeah? before he goes down on you.
geto’s tongue on you is slow and cautious, drawing languid circles around your clit as he plays with your thighs, moaning softly into your core.
“s’damn sweet,” you can feel the stretch of a smile before he resumes, drawing you in slowly with each lick, each suck. geto doesn’t let your arousal go to waste, using a finger to scoop up your juices before he rubs the area around your hole and then the first push into your pussy makes you let out a loud, wanton moan.
“oh— your fingers, sugu, they’re—” they’re so much thicker and longer, everything that you couldn’t feel before now feels too much and yet your cunt gives him his answer by clenching around his longer finger.
“better than yours?” he asks with a lopsided smile.
you huff in indignance — not your fault you had shorter fingers, “yeah.”
“i’ll make full use of ’em, baby,” geto gasps softly when he pushes his finger right to the hilt, obsessed with the way your hand closes around his wrist. “too much?”
you shake your head, “n-no, just— feels too good.”
your roommate laughs softly, “princess is just too sensitive.”
he’s tempted to chuckle again when he sees how the pet names affect you, but soon he’s adding a second finger and pushes in, moving at a slow speed. and then when he adds his mouth into the mix, you’re begging for him to hurry; his eyes flutter close, getting lost in everything that you dish out.
geto’s pace is routine like his life, but it’s not any less pleasurable as he curls his fingers upwards, stretching you out and hitting your spot repeatedly. he continually flicks his tongue and sucks and slurps, tasting your essence once and needing a second, third, fourth, umpteenth taste, bringing out the most delicious moans to fall from your lips. it’s like hearing aphrodite sing, and yet you cross her by miles both in beauty and voice. surely, he shouldn’t mention that out loud, but eros can’t possibly help the arrow puncturing his heart, and looking at his psyche now, he thinks you look absolutely flawless.
“f-feel so good, mmh— so deep, suguru—!” his eyes snap open to look at you with hooded lids, sending you a cheeky wink before he starts to suck on your bundle of nerves, keeping his mouth latched around it as his fingers speed up. the noises of your cunt sucking him in paired with your whines just sound so good, and the scent of his shirt is dizzying, pulling it higher and higher till it pools around your chest. you watch as geto pulls away for a second, gathering saliva in his throat before he spits on your pussy, and the action is so lewd your jaw drops and your hips start to hump against him. 
“ya like that? filthy girl,” geto smiles, rubbing his thumb into your clit and there’s that distinctive build-up in your stomach, coiling and burning until lays his tongue flat onto your cunt, pressing it deep along with the fingers that curl up in your pussy.
“su—” you don’t even have time to tell him, cumming all over his fingers and soaking the sheets, flustered at the in-awe look geto has on his face at how the shirt had ridden up, at how your hands cup your tits and play with your nipples, at how your cunt gushes so sweetly for him. he continues to pump his fingers to let you ride out your orgasm, relishing in the whine you let out when he removes his fingers.
“patience, sweetheart,” geto moves up to reach you, fingers waiting inches away from your lips. you’re taking his fingers into your mouth, keeping eye contact as you wrap your tongue around them and sucking your cum off of him, swearing lowly when you grab his wrist and shove them deeper. “but then again, we’ve been dancing around each other for too long, now.”
you smile at his allusion to the many times that the what-ifs could’ve come true, and yet now you’re tangled up like this in his shirt.
once geto’s underwear comes off, you’re gaping at the cock that he pumps, clearly looking intimidating enough that geto has a hand to your knee and kisses it gently. “we’ll make it fit, alright?”
you nod a little timidly, taking his hand off and twining your fingers, “yeah, i trust you to take care of me.” you make a quick move to remove his shirt but he stops you, saying something embarrassing about wanting to see how cute and small you look in his shirt. you’re scoffing and pushing at him later, you’re just too tall.
he takes care of you perfectly fine — when geto fully sheathes himself in you, he can only focus on your gummy walls that wrap around him fully, his eyes are rolling to the back of his head and you’re grasping at his hands that grab your hips so hard. your roommate fucks you so well, your body limp and your pussy begging to milk him dry that it spills out so much — geto groans into your neck with reddened cheeks at that later.
you’re receiving a noise warning the very next day, alongside a QR code that takes you to a link for soundproof foam, and all you can do is laugh at each other. like routine, geto is already gathering the ingredients for an apology cake, beside him right in that little kitchen in another shirt of his that starts to smell more and more like you—
as his roommate and maybe now, something more.
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part two ♡
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mossy-rock-in-a-field · 4 months
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Several weeks ago, my retirement-age mother requested that I play Baldur’s Gate 3 for her because she has trouble with controllers/keyboards and wanted “to see what all the fuss is about with that cute wizard boy.” For context, my mother and I have done this sort of thing in the past with certain RPGs (dragon age, mass effect, etc.), but it’s been a few years since she’s personally requested a game like this. Basically, I control her Tav but let her make all the choices so she can determine how the story plays out without worrying about mechanics. She treats it like a choose-your-own-adventure book.
Anyway, here is a list of some of the things my mother has said and/or chosen to do throughout the course of BG3 in no particular order:
She is (obviously) romancing Gale. She is quite smitten with him and his passion for books and learning; she also thinks he’s polite and qualifies as “relationship material.” She also REALLY likes the things he’s said about his cat so far (my mom is a cat lady), so I know she’s gonna flip shit when we meet Tara in Act III.
She’s playing a normal druid Tav with a generally good alignment. Her favorite spell is Spike Growth because she thinks it’s hilarious whenever enemies walk into the AOE and die. I usually end up having to cast it at least once per battle per her request. Sometimes twice.
Contrary to her alignment, my mother tasks me with robbing every single chest, crate, barrel, and burlap sack we come across; this also includes people and their pockets. The party is always at max carrying capacity. ALWAYS. She doesn’t like selling things because “what if I need them.” The camp stash is in literal shambles. There is no hope of organizing it. She’s got like fifty seven sets of rags and a billion pieces of random silverware.
She MUST talk to every animal and corpse in the game. I think five hours of her total playtime so far (47ish) has been spent speaking to animals as many times as humanly possible. Like, I was thorough in my own playthroughs, but this is on a whole other level.
She did NOT get Volo’s lobotomy, but she did let Auntie Ethel take her eye in hopes of a cure for the tadpole. I did not understand the logic then. I still do not understand it now.
She is far more interested in fashion than equipment stats. Do you have any idea how much gold I’ve had to spend on dyes just to make things match? SO much. Same vibe as that “please someone help me balance my finances my family is starving” tweet but instead of candles it’s thirty thousand fucking bottles of black and furnace red dye.
We broke the prisoners out of Moonrise, but they got on the boat too early and bugged the fight by leaving Astarion and Karlach behind. Wulbren Bongle somehow got stuck in combat mode even after engaging the cutscene on the docks below Last Light; he he kept trying to run ALL THE WAY BACK TO MOONRISE nine fucking meters at a time while I frantically tried to finish the fight with the Warden, otherwise Wulbren would have run straight into the shadow curse. (I would’ve let him go; fuck Wulbren Bongle, all my homies hate Wulbren Bongle. But my mom didn’t know that, and she wanted to keep him safe. So.)
She had me reload a save like eighteen times to save the giant eagles on top of Rosymorn Monastery. Wouldn’t even let me do non-lethal damage just to get past things. I think getting that warhammer for the dawnmaster puzzle took us like an hour and a half alone. (Yes, I know you can use any warhammer, but SHE didn’t.)
She’s started keeping an irl notebook to keep track of her quests between play sessions. She writes down ideas and strategies when she thinks of them during the week, then brings them to her next game session at my house. I think she wrote about three pages on possible approaches to the goblin fortress alone.
She insists that I pet Scratch and the owlbear cub before every single long rest, no exceptions. Sometimes I have to do it multiple times until she is absolutely sure that the animals know exactly how much she loves and cherishes them. She has also commissioned a crocheted owlbear plush from a friend of hers and is very excited.
I’m sure there’s a bunch of stuff I’m forgetting, but those are some fun things I thought of. She’s enjoying the game and is telling all of her retired friends to get it and play it for themselves. She asked me “what is Discord” yesterday and I think my life flashed before my eyes.
anyway shout out to my mom for being neat
Part 2 — Part 3 — Part 4 — Part 5
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lamiaceae-doodles · 1 year
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oh the irony of wanting to the draw the blorbo who was abandoned for research. and i, a little cringe corner cretin being unable to draw said blorbo because i have research to do
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anonymouspuzzler · 9 months
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HAPPY UPDATE DAY!!! 🏠
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After all this time, all this hard work, I can finally tell you all more about my work on Welcome Home beyond "Dude Just Trust Me I Work On It I Swear" !!
I've been calling myself the "production manager" because a lot of what I've done has been in that realm - making checklists and spreadsheets, doing research, sending emails, and generally keeping our wonderful team on track to do the incredible things they do, with all the support they need! I'm very lucky and grateful to get to support Clown and all the incredible actors and artists we've brought on!!
that said, over the time I've been part of this project (I looked back and realized February 1st this year is when it all Officially Began, can you believe it), I've gotten to work on some more obvious, visible things you'll find on the site today as well! most prominently, I am very proud to say, I was the curator of the very real Welcome Home exhibition!! Clown was extremely generous and supportive in letting me bring his work into the world this way, and with their help it became bigger and better than I ever could have dreamed! Though this iteration was very small and private due to our venue, I hope the few of you I know who attended enjoyed it very much, and for the rest, know we hope to find ways to host the exhibition in other and more public venues in the future! (Where and when, I don't know, but I'll work hard to make it happen...!)
As part of the exhibition, I was able to create a lot of new props to help build the world of Welcome Home! Most excitingly, I was able to create a real working toy telephone, and help Clown to find our talented group of voice actors to provide the recordings! And of course, I was able to meet dear sweet Wally and Home themselves, who were the sweetest little peanuts and a true pair of professionals! Just delights to work with!!
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Though this was my most prominent contribution, somehow, that wasn't all! You will find bits and pieces of my art and writing all over the newest website update (some places more obvious than others...), and I was able to contribute to building many of the new and updated site pages as well! We've all worked so hard on everything you'll find there, so I hope you all enjoy the exciting new additions to the neighborhood!
My final little statement while I have my sweet little soapbox here... every last one of you who has provided support, even just one ko-fi tip, has Directly made this update Possible!! Not only do these tips allow us very literally to pay for supplies, art, voice work and the like, it very directly Supports and Improves the livelihoods of every single person involved!! so if you have the means, and would like to do so, please do consider tipping or subscribing to Clown and/or any of the other artists and actors involved!
And with all that... thank you, neighbors!! And Welcome Home!!
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