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#UNNATURALLY PRETTY
justasightseer · 2 months
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For the Uhtred girlies 🥰💓
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nerdpoe · 4 months
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So like...Sam's Liminal. Definitely Liminal. She's also very pretty. Constantine's a little tipsy, but he's very, very sure he just accidentally sat next to a Fae at the bar.
Heavily influenced by certain lines in Inferno, buttttt
Sam's a very pretty young woman. Beautiful smile (with too sharp teeth), lovely eyes (but they're a little too wide, a little too bright), fantastic skin (unnaturally pale, suspiciously cold), and a very pretty face (perfectly symmetrical)-first glance anyone who leans towards women would get instant butterflies in the stomach.
But Constantine's been around danger enough to recognize those aren't butterflies.
That's fear.
There's a deep, instinctual fear that is telling him he has to run.
Just as he's about to leave, though, her hand rests itself on his arm.
"Leaving so soon, Hellblazer? And here I thought you'd want to take a look at this...interesting contract I found."
Ah. Shit.
He sits back down, next to the Unseelie Fae who, apparently, owns part of his soul.
Sam, for her part, just wants to scare the idiot straight so he'll stop making work for Danny. (Danny's days are almost nothing but fielding complaints about Constantine and he's so fucking close to hunting the man down himself).
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aromantic-diaries · 10 months
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My favorite argument against literally anything like "it's not natural" or something along those lines is simply I Don't Care
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gummi-ships · 1 year
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frnkiebby · 2 months
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R is for Reaching
god that pretty profile~🎃
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junebugtwin · 7 months
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Undersider's eyes!
Just a fun little exercise with human eyes, plus I thought it would be fun to show off how I imagine their eyes to look. (If the color I gave them isn't canon, yes it is)
Close ups below the cut:
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stackthedeck · 8 months
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we don't get transgender enough with Frankenstein
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fairuthea · 4 months
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Drawings
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mari-lair · 6 months
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RAHHH ur honesty so cul like o ‘em geeeee how can someone be this cul, ur writing is FIRE🔥🔥🔥🔥 it’s so crunchy I could eat it all day.
and ur ur ur art o ‘em geeee it’s so crunchy and munchy every time I see it I eat it and ARGHHH I would stare at it all day (especially the Akane ones……I lub Akane….)
RAHHH UR JUST SO CUL AND NICE RAHHHH you make my online father insane in a good way btw they ranted abt you for like 10 mins
anyways i lub Akane and you bye baiiiii :3
ggYUGYgughyuguygyu thank you so much, I am happy you enjoy what I create!
Since I am still on a high of getting out of art block, and this was such a nice ask to get, you can have this Nursery Akane!
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intuitive-revelations · 4 months
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I need to rewatch that episode at some point to fully digest it, as I was watching with my family, but I have a bit of a theory coming out of it. Granted it might also be wishful thinking, since it's kind-of what I would do if I was in RTD's shoes, but hear me out:
Getting another mention of the Timeless Child arc feels very deliberate, despite (again) the new series obstensibly being a jumping on point for new viewers.
The episode is filled with themes regarding being a 'foundling' (that wording from Davina was a VERY deliberate choice - granted it's already floating around in pop-culture a bit with The Mandalorian, but it's also specifically the wording the Master used to describe the Timeless Child), not to mention fostering from the parent's point of view, and ambiguous family relationships (daughter / foster kid etc.).
There's clearly a coincidence parallel there. Indeed we hear as much from Fifteen himself.
"I'm adopted." "Are you?" "Yeah, yeah. I, uh, only found out recently."
Meanwhile we also get this element of the timeline changing, and it completely changing the life and personality of Carla.
And finally, there's the Doctor watching Ruby's birth mother (?) leave despite seemingly being tempted to confront her vs Ruby immediately running off when she realises the Doctor's a time traveller (RTD clearly influencing himself there, given the similarities with Rose's debut).
My guess (and hope, full disclaimer) is that we might get some development of the Doctor's origins to make them a bit more ambiguous beyond the Timeless Child mystery. Ideally via changing timelines as per Unnatural History IMHO, like I mentioned in a recent post.
We've got some hints of RTD thinking this way already, given his reasoning for sharing Doctor Who and the Time War during lockdown:
More importantly, the idea has come of age. This chapter only died because it became, continuity-wise, incorrect. But now, the Thirteenth Doctor has shown us Doctors galore, with infinite possibilities. All Doctors exist. All stories are true.
Tales of the TARDIS also seems to lean quite hard into this, with each past Doctor having aged beyond their regenerations due to the constantly changing time tracks. (This also feels kinda like what he was getting at with his 'all Doctors bigenerated' comment, even if it actually occuring in-universe as it did with Fourteen woud be a disaster.)
Do I think we will get too focused on timelines shifting? ...no not necessarily. But I do think we might see some key themes regarding having multiple families (biological, adopted, fostered, found etc.) and these might get applied directly to the Doctor, with him acknowledging having multiple pasts and multiple families. Like that line from Lungbarrow:
'Goodbye, Lungbarrovians,' he called. 'Don't worry. I don't ask for your forgiveness. Time runs in circles. I have other families!
Granted, a lot of this is pure speculation, but I do think there's clear setup for Ruby and Fifteen to be foils to each other going forward, which may indicate similar arcs, even if they don't necessarily unfold at the same time.
However there is one big thing that really might just link it together for me..
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The way the family changes as the timelines change. The way Carla's relationship with her foster children changes too. The difference in the number of photos.
This last bit is particulary interesting, because it has two possible subtextual meanings in my head. Let's assume the theory is right, everything involving Ruby is meant to foreshadow the Doctor's own multiple pasts and multiple families.
Does the number of photos represent the size of his family (eg. 45 cousins in a House vs a handful of siblings and stepsiblings)?
"You've got the biggest family in the world." "I have. What about you?" "Uh... I've got no one."
(Although it is worth noting that this is also exactly what Sarah Jane said to Ten about the companions in Journeys End. I'm not how, or if, this is meaningful, but I figured I'd note it.)
Or... and this is a stretch of a stretch... could it represent the number of incarnations the Doctor has had in each timetrack?
"All those lives... you fostered thirty-three." "How many? Not me, darling. Don't be so stupid."
There's not that much to go off yet, so a lot of this may be well off what actually happens, but on a thematic level at least, I do very much think Ruby and the Doctor will continue to be foils to eachother regarding their relationships with their families and trying to find their 'true origin'.
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danny phantom au where danny cries
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fortunaestalta · 1 month
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actualalienfauna · 7 months
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My hair does not look as green as it actually is here, but I felt really confident yesterday.
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swan2swan · 7 months
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<He is disabled. A cripple,> Ax answered coldly. <And his presence here will obviously be a problem.>
....we have GOT to get this kid a Tumblr account.
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cabincryptid51 · 8 months
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s7873 · 1 year
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Comrades
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