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angievores · 3 months

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PIT BABE, The hot mess.

I feel like the story was just adapted from novel on surface level and they didn't really creat much changes except giving some screentime to side characters. Way was the same friend as novel but they write flashbacks so people would feel little sympathetic about his death. But things got turned how they turned because Nut acted too fabulously out of his character. His eyes always expressed a sadness that it created a past story which wasn't written in script and made people feel for him more.

On the other hand ( don't hate me for this) ,Charlie actor didn't delivered his character on the same level. And so in the end people end up sympathizing with Way more. Like whenever Way looks at Babe, anyone can believe this man is sadly pining after his 10 year one sided love. Whenever Babe looks at Charlie, love droops from his face and it's in his sparkling eyes that says Charlie means world to him. Whereas, Charlie most of times he appears as.... yk reading the script.( swallow the bitter pill) . Even in supposedly emotionally charged scenes like in ep 7 confrontation or in ep 9 him saving Babe, his expression just doesn't appear as much compelling or convincing. At most he was just a prop while Pavel carried their whole love arc emotions. ( It might be different for novel readers as they had context but I as just series watcher felt so. Tbh, I see more chemistry in PavelPooh bts scenes or events and interviews than on screen. Their visual slays. ). That might be why I couldn't get into main cp scenes and was about to drop at ep 3, but then restaurant scene of Way and Babe in ep 4 caught my interest and the chemistry ( even as friends) was spotted there and I continued to see more of how Way character or his dynamic with Babe is gonna turn out. ( And AlanJeff happened and so saved the show for me. Sorry not sorry. )

But actors acting skills doesn't really make that much difference as most of the times script compensates for it by NOT writing any chemistrying scenes with any other character.

So, I don't understand where the directors were going with when they gave so many emotionally charged scenes to Babe and Way. These two were fabulous prettiest criers as ice on cake. And their toxic codependent homosexual friendship/relationship was very well fleshed out. Babe got a new boy, and we saw all of Way jealousy, pining, manipulation, loneliness. Babe going to him after Way is upset, their fight, his constant ' you're my best friend, I love u. ' Their slow falling apart, ugly betrayal, past betrayal relationship and apologies and end death.

Like after finale there might be something we felt we didn't got from fixed pairs , whether BabeCharlie, AlanJeff, NorthSonic. But there isn't anything that could be felt lacking from Babe Way relationship ( whatever more than friends less than lovers, toxic but wanting, torturous/ codependent / possesive friendship not friendship their relationship was ) . This relationship arc was fully delivered in all of it's gloriously doomed tragedy.

So it kinda felt like Way and Babe were main characters and their tragic story was main focus. But since tragedies doesn't attract people, they pretended Babe and his love for Charlie was main focus. ( yes, Change lied till the end).

Yeah, i also don't wanna believe this, but there wasn't any step we didn't see of their relationship. Way pinning after his friend for a decade, doing everything to separate him from other lovers but never confessing himself. Taking care of him, by his side always, waiting , snapping when finding himself at the edge and with one decision ruining everything, ignoring the love of another men, then dying saving his only love.. Like can you see MY LOVE MIGHT BE TOXIC BUT IT WAS TRUTH AND MAYBE WAS TOO MUCH FOR YOU And Babe crying, forgiving other of everything in instant, , saying I won't be angry at you anymore. Crying I love u three times at the end when Way was taking his last breadths, if that was what all Way wanted to hear Babe would say it, in desperation for other to not leave him anyhow. Even after receiving worst and most hurtful betrayal of his life, still not letting go of other. Wishing to meet in next life. Can you see this MY LOVE MAYBE WAS NOT ENOUGH FOR YOU BUT IT WAS TOO DEEP FOR ME AND TRUE TO ITS ENDS.

Did you see it? THE CINEMA. 💀

I mean i also get that sloppy writing mess, illogical death instead of good redemption arc, undigestable instant forgiveness from Babe, pointless Pete Kenta triangle. But if we take what show delivered, that's what ( Way Babe) they served us on gold platter. We just ignoring it bcz our fave ships. Trust me I was also too immersed in pete way myself but you see when Way got shot Pete didn't come running to him and was holding Charlie while Tony delivered that monologue. Pete ( the man who is supposed to have good body balance and never missing his targets) couldn't shoot Tony and was listening the blabbering while Way was bleeding on floor. Like 🙃💀 I'm sorry, His death scene was written so bad. 😭. They all cried but no one pressed on his wounds, neither anyone called ambulance. He was alive for like ten minutes to talk to Babe. Atleast they should have given him a good death scene 😭. Way deserved that much atleast.

#Pit babe fucking delivered fully on their toxic codependent manipulative possessive homesexual tragic love.#Even though most probably they didn't intended too )#but Pavel and Nut just took their roles too seriously #Lmao and the tragedy created itself #Change please let them meet in next life ( next series)#On a side note I want Supanut to choose a next role where he doesn't die #That's all I want from him #Like come on that man is too pretty to die twice #pit babe the series #babeway #pit babe #way pit babe #Ok except Way death I actually enjoyed this show a lot #It was a good trashy watch which never bored me and I enjoyed the bondings between other characters #This show was never meant for something deep so it delivered

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watchingwisteria · 6 months

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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

#seeing some discourse and im not saying lucy grey didnt know #im saying she never dropped the kind of hints that she knew like she did in the movie #or if she did snow isnt worried about them until he very suddenly is consumed by them #snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book #that i knew wouldn’t translate to screen yet still cant help but miss #the hunger games #coriolanus snow #tbosas #lucy gray baird #not a crime or anything just a note that i cannot stop thinking about #the ballad of songbirds and snakes #this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration #but i remember it happening VERY quickly and without much external cause #like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time #he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets #and he HATES more than anything that she makes him WANT to tell his secrets #he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved #but he does not let himself and it is everyone’s downfall #he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires

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loumands · 1 year

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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

#the way some people (usually lestat fans lol) talk about louis being an unreliable narrator has frustrated me #i still insist louis' unreliableness is mostly subtle (passing quickly over things he doesn't want to think about #presenting things that factually happened in a way he can build a story that makes sense to him #not knowing what lestat is thinking and feeling so interpreting him differently than lestat himself probably would)#rather than he's telling something that didn't really happen or is under armand's mind control or something #like for example i think it's been made very clear all the abuse really happened they're not gonna suddenly pull the rug from under it #if anything i feel lestat is going to turn out to be even worse than louis perceived him when we hear people who are not in love w him lol #keanu.txt

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inkskinned · 1 year

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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

#this is objectively bad advice #don't listen to it protect yourself and do real work on yourself find one of the good posts i've made about this #but also. u know. if u want to have fun while u do the work of setting boundaries #.... it IS fun #i will say that my fear of him went SO down after i just started. fucking with him.#bc i used to get SO fucking upset #i'd spend WEEKS arguing with him. tearing my hair out. sick with anxiety and dread and anger about all of it #and now i just LITERALLY do not engage #instead i'm like '' haha :) mole people" and get the HELL out of any tense conversation #i kind of think some of these people are literally addicted to drama as a form of connection #they like the rush they get from arguing #but those arguments are incredibly damaging for me #so like..... i am in the process of literally rehabilitating this person to figure out how to find connection thru #NORMAL CONVERSATION #he doesn't get it yet #i also do talk to them like they're preschool kids lmafo . ''are you using a safe and kind voice right now?''#'' do you need a snackie? you sound a little upset. let's have some hummus and come back to playtime when we feel ready''

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puppetmaster13u · 1 month

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Prompt 271

“Grandmother is visiting,” Damian suddenly said with no warning and with his usual not-quite demanding tone.

“Who?” Tim wasn’t the only one to startle, seeing as Bruce had practically froze, a downturn to his lips in a silent show of confusion.

Damian scowled. “Are you deaf Drake? Grandmother is coming to Gotham to, quote, make sure I am being properly cared for.” None of them had known that Ras was with anyone actually. At least Tim was pretty sure that would have been in the files.

“Oh?” Dick didn’t quite crouch to Damian’s height but it was a near thing. “She-” “He,” Damian corrected, interrupting him. They all exchanged a glance before Dick continued.

“Is he coming to the Manor or…”

Damian scoffed again, a tiny bit of a flush against his face. “No, Grandmother will most likely be staying with Akhi-”

Now wait one moment-

“YOU HAVE ANOTHER BROTHER?!”

#DCxDP #DPxDC #Prompts #Deadly Decisions #Danny & Ras are the homoerotic rivals that no one knows if they’re flirting or attempting a murder #It’s actually both they’re just also both Immortal #Danny to Jason: You can become a crime lord if you finish college- you’ve said you wanted to get a degree this is ur chance #Dusan (nodding): Mother has made all of us finish at least our basic education nephew #Why yes this does mean that RH has just made the heads in a duffel bag debut & the bats have no clue it’s Jason #Normally Danny wanders the universe but RAS (affectionately derogatory) HOW DARE U TRY TO HIDE THE GRANDCHILDREN #Morally Gray Danny #He’s well over 300 and that has an affect lol #Also has some fun fae vibes thx to his ghost half & human half finally balancing out #Let Jason & Damian be brothers #Tiny Damian: Akhi look I found a frog :>#Jason (newly not brain damaged & has no clue who this small child is): …. That’s great #Tiny Damian: *GASP* Akhi you can talk now :D #Fuck it- all the Al Ghuls deserve fangs from ecto contamination #Is Danny actually Dusan & Talia’s mother? No one knows and no one wants to ask the probably immortal fae being okay #Danny brought Damian a ghost hound puppy & Jason an original signed Pride & Prejudice book #How come Bruce wasn’t aware of Danyal? Talia forgot to inform him that the mother she was speaking of is in fact still alive #He disappears for a decade sometimes longer she was using past terms how was he supposed to know

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grimfantas · 3 months

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10 years in the future for Nanako-chan

#nanako dojima #persona 4 #yu narukami #ryotaro dojima #tohru adachi #a little sister... a LITTLw sister. you expect me to not fawn...? to not crumble? ok....#go on. look....... go on. GO ON!!!!! (crazed) (eye twitching) (i like these 4 and nana-chan especially)#hope you like my older design for her...#funfacts i said on twitter so i'll put on tags here:#adachi did his time in jail quick. yu's 27 and still looks the same. pretty bancho #i think nanakos signature color would change from pink to yellow. yu doesn't actually wear any yellow at all in p4g IIRC #but it is a color you associate him with the most. i want nanako to adopt that color. BUUUTTT #for self indulgent's sake she does wear pink to get yu to dote on her more. (reminds him fondly of baby nana-chan)#(AGHHHHHHHHHHHHHHHHHHHHHHH!)#oh yeah and adachi's a hag. i think his fashion is handpicked by yu probaably.#(thinking if i missed anything else) ahhhh........... nanako-chan... return for p6 or something. ok byeee!

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poorly-drawn-mdzs · 4 months

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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

#poorly drawn mdzs #mdzs #lan wangji #Yungmeng Jiang training arc AU #I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by #and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is #You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)

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confessedlyfannish · 1 month

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"