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#Tenille Campbell
gennsoup · 30 days
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I am the evergreen with fading needles roots deep in sandy soils slightly burned from ancient fires a home to only the survivors
Tenille K. Campbell, I am not a wild strawberry
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hibiscusbabyboy · 3 months
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- Tenille K. Campbell
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vgriffindor · 2 years
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Nedi Nezu (Good Medicine)
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April was National Poetry Month here in Canada, and I fell in love with this luscious collection by Indigenous poet Tenille K. Campbell. The poems were gorgeous, centering on love and loving through an Indigenous lens. Some were quite 🌶, too, in an evocative, wild, and defiant way. The natural world provides a strong base, and this collection pulses deep in the blood. I loved it; a strong antidote to the grim, overwhelming world right now. Good medicine indeed. 
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sanswstrk · 8 months
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jonsa week 2023 | day two: snowflakes.
Painting by Michael Garmash | George R.R. Martin, A Storm of Swords | Frank S. Burton, Green fields and whispering woods (1886) | Tenille K. Campbell, I want to taste your language | George R.R. Martin, A Dance With Dragons | Lorraine Christie, Loving you on London Bridge (1967) | Jennifer Estep, Spartan Frost | Anthony van Dyck, William II, Prince of Orange, and his Bride, Mary Stuart, (1641) | George R.R. Martin, A Dance With Dragons | painting.
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callivich · 3 months
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Gallavich Quotes Prompts 🗣️
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Prompts for fics, headcanons, or discussion, etc. Interpret these however you like and feel free to use them as just a jumping off point! Btw, if anything along these lines has been written, please do recommend them to me! Quotes are by various writers that I’ve come across on tumblr (so I’m trusting these are the accurate sources)
“When I go toward you it is with my whole life” - Rainer Maria Rilke, Rilke’s Book of Hours
“I still wake up with things to tell you” - Trista Mateer, I Still Forget We’re Not Even Friends
“You did something for me I couldn’t do for myself. You loved me for who I am” - William Chapman
“With my eyes in your eyes I am less vulnerable to the elements” - Oana Avasilichioaei, Momiji Garden
“The peril of love is not in loving too often, a single evening can leave its wound in the soul” - Meng Chiao, Impromptu
“All the years of wanting you have softened me up, have made me sensitive to the moments we are together so that I treat each one like a treasure” - Michael O'Leary, He waiatanui kia Aroha
“I want to watch your wrinkles deepen under the passing full moons, I want to see grey hairs appear and strong shoulders stoop as our families grow” - Tenille K. Campbell, we met in late spring
“I hadn't realized how much I'd been needing to meet someone I might be able to say everything to” - Elizabeth Berg, Talk Before Sleep
“Love, genuine passionate love, was his for the first time” - Jack London, The Call of the Wild
“There is never a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment” - Sarah Dessen, The Truth About Forever
“Right now I'd like all my troubles to stand in front of me in a straight line, and one by one I'd give each a black eye” - Shannon Hale, The Goose Girl
“If I could but know his heart, everything would become easy” - Jane Austen, Sense and Sensibility
“It is funny how you do not miss affection until it is given, but once it is, it can never be enough; you would drown in it if possible” - Libba Bray, The Sweet Far Thing
“Your first kiss is destiny knocking” - Alice Sebold, The Lovely Bones
“When someone is in your heart, they're never truly gone. They can come back to you, even at unlikely times” - Mitch Albom, For One More Day
“All roads lead to you even those I took to forget you” - Mahmoud Darwish
"I am in urgent need of having my lips sealed with kisses” - Franz Kafka
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hwy95eh · 5 months
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"The ʔasqanaki Podcast by Smokii Sumac honours connections between Indigenous storytellers through the Ktunaxa concept of ʔasqanaki: to tell two versions of the same story. Featuring Indigenous writers like Richard Van Camp and Tenille Campbell, and musicians including Secwepemc rocker Miesha Louie of Miesha and the Spanks, the first season of The ʔasqanaki Podcast explores themes of adoption, gender and sexual diversity, residential schools, reconciliation, and so much more!" - READ MORE + PODCAST LISTEN LINKS OVER HERE
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laresearchette · 1 year
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Monday, March 13, 2023 Canadian TV Listings (Times Eastern)
WHAT IS NOT PREMIERING IN CANADA TONIGHT?: STREET OUTLAWS: FASTEST IN AMERICA (Premiering on March 17 on Discovery Canada at 8:00pm)
NEW TO AMAZON PRIME CANADA/CBC GEM/CRAVE TV/DISNEY + STAR/NETFLIX CANADA:
CBC GEM FAMILY FEUD CANADA CELEBRITY SPECIAL NORWEGIAN-ISH THE 52nd JUNOS AWARDS
WBC BASEBALL (SN1) 6:00am: Korea vs. China (SN Now) 12:00pm: Dominican Republic vs. Nicaragua (SN1) 3:00pm: Colombia vs. Great Britain (SN Now) 7:00pm: Israel vs. Puerto Rico (SN1) 10:00pm: Canada vs. U.S.
MLB BASEBALL (SN) 1:00pm: Red Sox vs. Jays
TENNIS (TSN3/TSN5) 2:00pm: ATP 1000 Tennis: Indian Wells - Early Round Coverage Day #6
NBA BASKETBALL (TSN/TSN4) 7:30pm: Grizzlies vs. Mavericks (TSN4) 9:00pm: Suns vs. Warriors
NHL HOCKEY (SNEast) 7:30pm: Avalanche vs. Habs (SN) 7:30pm: Sabres vs. Leafs
THE JUNO AWARDS (CBC) 8:00pm: Simu Liu hosts Canada’s Biggest Night in Music, with performances by Alexisonfire, AP Dhillon, Aysanabee, Banx & Ranx, Jessie Reyez, Nickelback, Preston Pablo, Reve, Tate McRae, Tenille Townes, and more.
SHELVED (CTV) 9:30pm (NEW NIGHT):  Howard creates a list of improvements and invites a local contrarian podcaster to see how well the branch is doing, but the library goes viral when things fall apart; Wendy creates an awkward situation for herself.
HEAVY RESCUE: 401 (Discovery Canada) 10:00pm: When a transport rolls on a dangerous curve, John Campbell needs to master his new rotator in a hurry; Duncan Cooper and crew take on a full load of medical supplies dumped on the side of the highway.
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walrusmagazine · 4 years
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Thick Indigenous Women
thick indigenous women are spilled beads and tangled thread complicated but worth the effort
we are curves spilling stories against your lips our thighs are soft muskeg protecting good medicines our skin soft as tanned hide touch us with consent and you are touching our ancestor’s wildest dreams
Read more at thewalrus.ca.
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Tom Petty at SummerFest (Milwaukee, WI) in 2017
📸: Andy Tenille
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Recent country songs that have made me literally gay gasp as a gay woman, in order of how much they make me want to write an essay on gender and queerness
HONORARY MENTION BUT JUST BECAUSE I THINK THIS IS TECHNICALLY AMERICANA NOT COUNTRY (but genre is fake) AND THIS SONG ISN’T RECENT (2014 and I’ve been listening to it faithfully since then) BUT I ONLY RECENTLY LEARNED IT’S A COVER AND THAT’S MADE ME RECONTEXTUALIZE IT: “Murder in the City” by Brandi Carlile, a cover of The Avett Brothers where she changed the words “make sure my sister knows I loved her/make sure my mother knows the same” to “make sure my wife knows that I love her/make sure my daughter knows the same” which fucking. fucking gets me. Especially since the first time that I heard this song, I assumed it was from a man’s point of view because of that line, and then I learned that Brandi Carlile is a lesbian and I was caught up in my foolish heteronormitivity, and then I learned it was a cover and thought oh okay I guess the song is originally from a man’s pov and it’s cool she covered, and then I learned she changed those lines to make a song that already feels deeply personal to her to explicitly include her love for a woman and the family they’ve made together. And that’s just. It’s all just a lot. 
3) “Fooled Around and Fell in Love” by Miranda Lambert featuring Maren Morris, Elle King, Ashley McBryde, Tenille Townes and Caylee Hammack, because the first time it came up on my spotify, I saw the title and was like “hey dope I like this song” and then I heard the first line was still “I must have been through about a million girls” and I realized none of the words or pronouns were getting changed and I was getting the song I’ve always wanted and deserved: a high production value, high energy, big girl group tribute to being a lesbian fuckboy who Fooled Around And, oops can you believe it, Fell in Love. 
2) “If She Ever Leaves Me” by The Highwomen, sung by Brandi Carlile who is, as mentioned, lesbian, but since I’m apparently still chugging my comp het juice, I was still trying to figure out if this song--a classic “hey buddy keep walking, she’s my girl and she’s not interested” song with an interesting element of the singer being aware the relationship might not last anyway--was gonna be explicitly queer. And then there’s the line, “That's too much cologne, she likes perfume,” and I was like OH HOHOHOHOHOHOHO!!! 
This is immediately followed by the lines “I’ve loved her in secret/I’ve loved her out loud” which is also deliciously queer in this context, with this singer and that juxtaposition, but the line that really fucking got me is my favorite of the song: “If she ever leaves, it's gonna be for a woman with more time.” This is two women in a complicated relationship. This isn’t just a “keep walking, cowboy” song, it’s a song that uses that framework to suggest a whole ass “Finishing the Hat”** relationship, and that’s so interesting to me. Like a song that isn’t just explicitly about two women in love but one that conveys very quickly a rich history between the two of them. And in a genre where the line “Kiss lots of boys, kiss lots of girls if that’s something you’re into” was revolutionary representation.
(Fun fact, “Follow Your Arrow” was partially written by Brandy Clarke, another country lesbian! Another fun fact, so is basically every other good country song. Brandy Clark, please write a big lesbian country anthem, I know it will immediately kill me on impact.) 
To quote one youtube comment, “”lesbians how we feeling??” and to answer by quoting some others, “As a closeted baby gay in the 90s, who was into country, this song would have changed my life”, “I just teared up.  So many happy tears, as a gay woman raised on country music,  this is something that's definitely been needed.  Thank you Brandi. Thank you highwomen”, “This song means more than I can say in a youtube comment”, and “Lesbians needed this song :)”
It’s me. I’m lesbians. 
**ANOTHER HONORARY MENTION EXCEPT IT ISN’T RECENT AND IT ISN’T COUNTRY SO I GUESS THIS IS JUST A MENTION, BUT I AM INTERESTED IN THIS SONG--“Finishing the Hat” by Kelli O’Hara. A very good Sondheim joint, that’s about making art, the costs of its obsessive and exclusive nature and the incomparable pleasure of putting something into the world that wasn’t there before. It’s such a traditionally male narrative that I’m thrilled to find a wonderful female cover of it. I’m not even fussed about her changing the gender from the lover who won’t wait for the artist (except that the shift from “woman” to “one man” sounds so clunky) because there’s value turning this song into a lament of the men who won’t love artistic women. But I do also wish she’d also recorded a version that kept the original gender so it would be gay. OKAY BROADWAY TANGENT OVER, BACK TO COUNTRY. 
1) “Highwomen” by The Highwomen, ft. Yola and Sheryl Crow. I can’t even express the full body chills the first time I heard this. Like repeated, multiple chills renewed at every verse of the song. This really closely parallels my experience with “Fooled Around and Fell in Love” up there, because when I started it I was like “oh dope I know what this cover will be” and then the lyrics started and I was like “OH MY GOD I DIDN’T.” In the case of “Fooled Around” it’s because I was amazed that they kept the original words. In the case of “Highwomen” I fucking transcended because they changed them. 
So I grew up on Johnny Cash, obsessed with a couple of his albums but largely with a CD I had of his greatest hits. (Ask me how many times I listened to the shoeshine boy song. Hundreds. Johnny Cash told me to get rhythm and I got it.) And my FAVORITE was “Highwayman” from the country supergroup he was in, The Highwaymen. The concept of the song is that each of the four men sing a verse about a man from the past and how he died. It’s very good. The line “They buried me in that grey tomb that knows no sound” used to scare the shit out of me. I didn’t expect to have a song that targets so specifically my fear of being buried alive in wet concrete. 
(If you haven’t heard the song, by the way, listen to this version to properly appreciate it as a piece of music. If you have, watch the fucking music video holy shit this is a work of art oh my GOD.) 
So I was predisposed to love this cover before I even heard it. But then I heard it. And they rewrote the song to be about historical women. And it���s like. There’s layers here okay. 
Neither the Highwaymen nor the Highwomen are signing about famous people. This isn’t a Great Man tour of history, it’s about dam builders and sailors and preachers and mothers and Freedom Riders and also Johnny Cash who flies a starship across the universe, as you do. 
In the 1986 version, it’s a song about the continuity of life--the repeated idea is “I am still alive, I’m still here, I come back again and again in different forms.” The highwayman is all the men in the song. He reincarnates. The song is past, present, future. The title is singular, masculine. The same soul, expressed through multiple voices, multiple lives. 
In the 2019 version, the title is plural, feminine. Highwomen. This song is about women. Each verse asserts the same motif as the 1986 version--“I may not have survived but I am still alive”--but there is no implication of reincarnation. Each woman is her own woman. This version has a final verse that the previous versions lacks. The singers harmonize. It’s not a song where one voice replaces  another, the story of this One Man progressing through time. It ends in a chorus of women saying “We are still alive.” 
We are The Highwomen Singing stories still untold We carry the sons you can only hold We are the daughters of the silent generations You sent our hearts to die alone in foreign nations They may return to us as tiny drops of rain But we will still remain
And we'll come back again and again and again And again and again We'll come back again and again and again And again and again 
Another fun fact! The first time I heard them sing “We are the daughters of the silent generations” I died! But luckily I came back again and again and again.  
This is a song about the continuity of history. It asserts that women’s historical lives matter and that they continue to matter, long after they died. This is a song about legacy as well, the legacy of nameless women who worked to protect the ones they loved and make the world better. They don’t die by chance. They are all hunted down by political violence, by racism, by misogyny, for stepping outside their prescribed roles. But, as Yola (who btw fucking CRUSHES THE VOCALS ARE YOU KIDDING ME?????? HOLY SHIT MA’AM) sings as a murdered Freedom Rider, she’d take that ride again. And at the end of the song, she joins the chorus but does not disappear into it. Her voice rises up out of crowd. And the crowd calls itself “we”. These women are united but not subsumed into being One Woman. This is about Women. 
And then, outside the song itself, there’s the history of this song about history. It’s originally by Jimmy Webb and was covered by Glenn Campbell. This cover inspired the name of the supergroup that covered it, the group with Willie Nelson, Kris Kristofferson, Waylon Jennings, and my man Johnny Cash. And it’s like holy shit! What an amazing group to collaborate! Hot damn! 
Then, it’s 2019 and here’s The Highwomen with Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires. The name is obviously riffing on The Highwaymen. Shires set out to form the group in direct response to the lack of female country artists on the radio and at festivals. And they name themselves after a country supergroup, and they put out this song, a song connected to massive names in country music, and they center all of this on women and womanhood and the right of women to be counted in history and to make history and to talk about the ways we have mistreated and marginalized women, in a group that started because one woman was like hey! we’re mistreating and marginalizing women! 
I just think this is neat! I think there’s a lot here we could unpack! But this post is 100 times longer than I was planning and work starts in a bit so uh I’m gonna go get dressed and listen to The Highwomen on repeat for the next hour, “Heaven is a Honky Tonk” is another fucking bop that improves on the original, it would be dope if they’d collab with Rhiannon Giddens, okay byyyyyyyye 
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jubilee133 · 3 years
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Nedí nezų "Good Medicine" by Tenille Campbell.
Indian love poems.
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gennsoup · 1 year
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you make me wanna slow dance under moonlight and snowflakes hand tangled in your hair led down into heartbreak and hope
Tenille K. Campbell, I want to taste your language
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vgriffindor · 2 years
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Book Tag
Thanks for the tag @bbcfandomsuniverse. 🥰
Last book I bought: The City of Brass by S.A. Chakraborty, which people have been recommending to me for years. I’m (trying to be) on a book-buying ban until I read more of the books I have waiting on my shelf, but...
Last book I borrowed: Two library books. Currently reading Daughter of the Pirate King by Tricia Levenseller, and The Body is Not an Apology by Sonya Renee Taylor.
Last book I was gifted: A biography of Alexandre Dumas, pere, which I’m very much looking forward to reading!
Last book I gave to someone else: I bought a copy of The Blue Castle by L. M. Montgomery and pushed it into a friend’s hands because I need everyone to read that book. 😁
Last book I started: The House of Sky and Breath by Sarah J Maas; still reading it. 
Last book I finished: Written in the Stars by Alexandria Bellefleur. 
Last book I gave 5 stars to: nedí nezų (Good Medicine) by Tenille K Campbell, a lush, stunning poetry collection which I want to buy (to support the Indigenous author) but also because it was *gorgeous* and it won’t get enough love.
Last book I gave 2 stars to: Ariadne by Jennifer Saint. Madeline Miller ushered in an era of Greek mythology retellings and I’m here for it - but I have yet to find an author that lives up to her own excellent quality of writing. 
Tagging without obligation: @lulacat3, @hobbeshalftail3469, @highfunctioningflailgirl, @105nt, @hidetheteaspoons , @robinvenetiaa, @pools-of-venetianblue, @books-and-cookies, and anyone else who wants to play, and honestly, tag me back if you do, simply because I adore seeing what people are reading!
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bookclub4m · 2 years
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Episode 146 - Books and Food
This episode we’re talking about Books and Food! (Or Comestibles while Consuming Content!)
We discuss finding podcasts in the woods, reading in cafes, cheezos, why you should carry small rocks around with you, dropping food on books, which crustaceans are most likely to be anarchists, lists of cozy mystery novel titles, and how we’re (not really) influencers. Plus: Books that have spin-off foods!
You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Stitcher, Google Podcasts, or your favourite podcast delivery system.
In this episode
Anna Ferri | Meghan Whyte | Matthew Murray | RJ Edwards
Media We Mentioned
Delicious in Dungeon, Vol. 1 by Ryoko Kui,
Drifting Dragons, Vol. 1 by Taku Kuwabara
Otherworldly Izakaya Nobu, Vol 1 by Virginia Nitouhei and Natsuya Semikawa
The guy being really excited about eating spaghetti
Redwall by Brian Jacques (Wikipedia)
Dragonriders of Pern by Anne McCaffrey (Wikipedia)
Serve it Forth: Cooking With Anne McCaffrey
Tequila Mockingbird: Cocktails with a Literary Twist by Tim Federle
Nanny Ogg's Cookbook by Terry Pratchett, Stephen Briggs, Tina Hannan, and Paul Kidby
One Piece: Pirate Recipes by Sanji
 A Psalm for the Wild-Built by Becky Chambers
Links, Articles, and Things
Cafe Deux Soleils
(Apparently it’s for sale, someone buy it so RJ can keep going)
Zenaida's Cafe
Matthew’s pastry/tea picture on Instagram
Kamala Khan (Wikipedia)
Episode 143 - Amish Romance
Arthropods of Anarchy
Episode 059 - Food and Cooking
Uncommon Grounds: The History of Coffee and How It Transformed Our World by Mark Pendergrast
Thug Kitchen: The Official Cookbook: Eat Like You Give a F*ck by Matt Holloway and Michelle Davis
Episode 007 - Cozy Mysteries
Feta Attraction by Susannah Hardy
Killer Crullers by Jessica Beck
Floured Felonies by Jessica Beck
Illegally Iced by Jessica Beck
Chili Con Carnage by Kylie Logan
Chili con Carnage by Hillary Avis (yes, there are TWO books called this)
Sconed to Death by Lynn Cahoon (Matthew managed to pronounce this one in a way where the pun title is not obvious…)
Strangled Eggs and Ham by Maddie Day
Hot and Sour Suspects by Vivien Chien
Death by Dumpling by Vivien Chien
Fatal Fried Rice by Vivien Chien
Dim Sum of All Fears by Vivien Chien
Jack Reacher (Wikipedia)
Episode 006 - Books in Translation
The Dinner by Herman Koch, translated by Sam Garrett
Unpacking (video game) (Wikipedia)
Turkish delight (Wikipedia)
Apparently The Willy Wonka Candy Company no longer exists?
The Storm Crow
Phileas Fogg snacks (Wikipedia)
Sprouted bread (Wikipedia)
The Temptation of St. Anthony (Dalí) (Wikipedia)
15 Non-Fiction Relationships/Romance by BIPOC (Black, Indigenous, & People of Colour) Authors
Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.
I Can't Date Jesus: Love, Sex, Family, Race, and Other Reasons I've Put My Faith in Beyoncé by Michael Arceneaux
It's Complicated (But It Doesn't Have to Be): A Modern Guide to Finding and Keeping Love by Paul Carrick Brunson
Nedí Nezų (Good Medicine) by Tenille Campbell
Respect: Everything a Guy Needs to Know about Sex, Love, and Consent by Inti Chavez Perez
Single and Forced to Mingle: A Guide for (Nearly) Any Socially Awkward Situation by Melissa Croce
How To Get Over A Boy by Chidera Eggerue
That Can Be Arranged: A Muslim Love Story by Huda Fahmy
If Someone Says "You Complete Me," Run!: Whoopi's Big Book of Relationships by Whoopi Goldberg
All About Love: New Visions by bell hooks
Radical Friendship: Seven Ways to Love Yourself and Find Your People in an Unjust World by Kate Johnson
Love's Not Color Blind: Race and Representation in Polyamorous and Other Alternative Communities by Kevin A. Patterson
She's Just Not That Into You: The Fab Femme's Guide to Queer Love and Dating by Aryka Randall
It's Hard to Fight Naked by Niecy Nash
Big Friendship: How We Keep Each Other Close by Aminatou Sow & Ann Friedman
Set Boundaries, Find Peace: A Guide to Reclaiming Yourself by Nedra Glover Tawwab
Give us feedback!
Fill out the form to ask for a recommendation or suggest a genre or title for us to read!
Check out our Tumblr, follow us on Twitter or Instagram, join our Facebook Group, or send us an email!
Join us again on Tuesday, April 5th when we’ll be discussing the genre of Contemporary Fantasy!
Then on Tuesday, April 19th we’ll be doing our occasional Non-Bookclub Media Consumption episodes!
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June, The Final Frontier
Hmm, too sentimental? Perhaps so, but I am sad that this is my last month in Ottawa. Fortunately, I was able to keep it from the forefront of my mind for most of the month due to (once again!) many exciting events and lots of research writing! 
June is National Indigenous History Month! To start that off properly I took part in a summer school course called Carleton University Institute on the Ethics of Research with Indigenous Peoples, or CUIERIP for short. Essentially it was a week-long immersion program where we listened to Indigenous Elders, speakers, experienced researchers, and other (also non-indigenous) experienced scholars to learn about the ethics involved in doing research with Indigenous peoples. I learned a lot about how Canada is dealing with the issues that surround Indigenous Peoples and how Indigenous Peoples are dealing with Canadians who are not knowledgeable enough about said issues. The week was an amazing opportunity to learn about how to do research on Indigenous storytelling and working with communities. At the end of the week, all the participants who had completed it, received certificates and I am happy to note that I am one of those!
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I also visited another Indigenous Writers’ Gathering at the Library and Archives in downtown Ottawa! This time with Tomson Highway (!!), Tenille K. Campbell, and Napatsi Folger. Another great night listening to these people talking about what stories mean to them. 
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Side note: Tomson Highway and Tenille Campbell are incredibly funny!
The next weeks of June I spent writing and re-writing my research to get a proper draft that only needs some filling out once I return to Nijmegen. 
I also had a lot of fun with friends these past few weeks. We visited a festival called Latin Sparks (which ended rather abruptly at 2am with them turning on crazy bright lights! haha), went to the beach nearby on the Rideau River and enjoyed our time in the lovely hot weather outside!
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All in all, good times! 
As for the second to last blog’s final note; In three days’ time my little (technically not so little anymore, but you know how it is ;)) sister is coming over!! I can’t wait to see her again! 
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techmaqofficial · 4 years
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For Writer Arielle Twist, Eyeliner is a Source of Strength and Expression
For Writer Arielle Twist, Eyeliner is a Source of Strength and Expression
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Photograph by Tenille Campbell. Design by Danielle Campbell.
Welcome to My Story, our series dedicated to creatives of colour and their paths to success. By championing these diverse stories and backgrounds, we hope that our understanding of the cultural conversations around beauty and fashion will expand and that respect for our differences will flourish.
By Natasha Bruno
Date September…
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