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filmcourage · 2 months
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Why I Was Going To Quit After 10 Years - Charla Lauriston
Watch the video interview on Youtube here.
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hollyhousen · 8 months
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I am extremely proud to finally share that I got to write on MIGHTY MONSTERWHEELIES, coming 2024 to @netflix!
I can’t wait for you to see more. Thank you to @dreamworksanimation and our INCREDIBLE cast and crew for having me on as a freelance writer! What a joy! ✏️🎣🌙
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elrielbliss · 2 years
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that nytimes article with sjm was so weird it was like two little paragraphs with nothing being said. what was the point of the article? what was the journalist trying to accomplish?
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scotianostra · 2 years
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29th August 1999 saw the death of Lew Schwarz, the Scottish TV scriptwriter.
Lew was born in Glasgow on April 16th, 1926, the son of an optician, and educated at the St Aloysius Jesuit College, graduating to the Holyrood Secondary Modern School. 
On leaving school he took a job at the Clyde shipyards as a riveter. In 1944 he joined the RAF as a flight engineer and flew Lancaster bombers over Germany. After the war he returned to Scotland, furthering his education at Glasgow University before moving to London in the 1950s. There he took on a job as a taxi driver, married Margaret Glen of Airdrie, and in due time fathered three sons and two daughters.
It was while driving his taxi that Schwarz sold his first few comedy gags. Always a fan of radio-show comedy, he sent his samples to Richard Murdoch, then starring with Kenneth Horne in Much Binding In The Marsh, The Forces Show, and other prominent BBC series. Murdoch bought them, thus starting Schwarz on a career which would soon spread from spare time to full time.
It was through his taxi-driving that Schwarz encountered Spike Milligan, writer and star of The Goon Show. They got to chatting about comedy and Milligan invited Schwarz to come up to the office he and some writer friends used as a base. This was situated over a greengrocer's shop in Shepherd's Bush, not far from the BBC Television studios. Schwarz was delighted to meet Milligan's partners in laughter: Eric Sykes, Johnny Speight, Ray Galton, and Alan Simpson, all great names in comedy creation
Joining the group as a gag writer, Schwarz was taken on as a partner by another big name in comedy, Eric Merriman. Together they wrote their first TV series, Great Scott - It's Maynard! This starred two popular stand-up comedians, Terry Scott, who frequently played an overgrown schoolboy, and Bill Maynard, not yet the chunky character he would become. The show mixed short sketches with situation comedy, aThe Charlie Drake Shownd was a great success. In the 50′s he also wrote episodes of 
Lew went on to write a host of other shows, The Army Game, Mess Mates and The Dick Emery Show in the 60′s as well as scripting 3 episodes of The Andy Stewart Show.
In the 70′s he wrote scripts for Harry Secombe, Dave Allen and Norman Wisdom, as well as writing for Carry on Laughing and the popular sitcom The Liver Birds, which Schwarz originated with Carla Lane. Schwartz also penned some mainstream drama like Crown Court, Crossroads and an episode of Space;1999.
Closing his comedy career teaching creative writing at an adult educational college, Schwarz wrote a book, The Craft of Writing TV comedy. He summed up his career thus: ''Writing comedy for television is a very serious business.''
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Honestly, one of the reasons I love working on Deep Six so very much is because, like... where else am I going to get to write sluglines like this in the first few pages and keep going like it's not one of the coolest fucking things ever?
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hazellevessque · 4 months
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“I’LL BE RIGHT BY HIS SIDE” AND CUT TO PERCY LOOKING AT ARES APPROACHING WITH THE WATER BEHIND HIM BECAUSE POSEIDON HAS HIS BACK…VILE. DIABOLICAL. I WILL NEVER RECOVER.
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counting-stars-gayly · 5 months
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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biggayenergypod · 5 months
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We got to interview the incredible Ilana Wolpert! She was a writer on High School Musical: The Musical: The Series and wrote the new movie Anyone But You (in theaters now!). The interview will be released tomorrow on YouTube and all audio platforms!
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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mydairpercabeth · 4 months
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The scenes of Luke training Percy were so expertly written. He wasn’t just training Percy, he was actively recruiting Percy. He fuels Percy’s anger and mistrust of the gods. He didn’t even need to alter how Percy saw the gods because he could already see the resentment Percy had of his dad, mirroring his own. He was absolutely sure he had Percy on his side but he didn’t account for one thing, Percy’s fatal flaw. Percy’s loyalty to his family and friends supersedes all else. Luke can’t betray Annabeth, almost kill him, Grover and Annabeth, put his mother in a dangerous position, and then expect him to be on his side. That is where he fails.
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filmcourage · 2 months
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Beginners Guide To Story Development: Why Scripts Are Rejected - Shannan E Johnson [FULL INTERVIEW]
Watch the video interview on Youtube here.
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hollyhousen · 1 year
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It’s a very special feeling and a privilege to be able to hold TV episodes you wrote in your hand these days. Very grateful and thrilled that the first 6 episodes of #TheGarden are now also available on DVD (and streaming on Prime Video) on Amazon! Wrote 3 of these!
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botlabyrinth · 4 months
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percy saying “i need you to promise me something” and annabeth immediately, without hesitation, telling him that she’ll do everything she can to save his mom. when before the quest percy was worried that annabeth would be the one to get him off track from his real goal, to get his mom back, if it got in the way of the actual quest. and then she doesn’t even think twice about it. i can’t.
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spoopdeedoop · 7 months
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my favourite genre of human — artists that have won six awards, have their work in popular mainstream media, are described by the community as the best of their time and have something like “i draw i guess” in their bio
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writeouswriter · 2 years
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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counting-stars-gayly · 5 months
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I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.
He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.
Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.
Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)
100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG
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