not 100% happy with the design but I wanted to get it out of my system, I went for darker and more muted colors for Zoro while still utilizing the usual elemnts of his outfit like the sash and the haramaki. also the color palette for the full outfit turned out very tasty, like it makes me think of chocolate and sweets. not sure about the use of haramaki though, I feel like it makes the proportions a bit awkward when everything else is dark, but it does make the shirt fold nicely so I may keep it in the end
now that I'm further into WCI I think I should add a suit version as well for the wedding bit hmmm
My idea for this is after coming to Big Mom's territory and fighting her commanders they get to the Germa carriage just like in canon. Zoro watches Sanji fight Luffy, restraining himself from interfering. He respects Luffy's decision to not fight Sanji back, but the moment Luffy gets knocked down it's Zoro's turn to try and bring the cook around and he's not gonna hold back
I've been meaning to do some kind of comic based on the events of Farewell, My Turnabout since I played it last summer, so here's something a little bit amped up from Phoenix's canon reaction to Edgeworth's return mixed with my own reaction to it (I was so relieved to see him)
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
so. my laptop is Deceased, which means I don’t have half of my pdf library (because I wasn’t able to back it all up yet. weeping and wailing), and THAT means that I have a much smaller pool of texts to work off with and cite, so. this is a much more direct glimpse into my thoughts when I’m reading ancient sources and don’t have the poetry of scholars to direct my imagination
anyway, the tris homines alliance is also an informal club for people that had weird but formative relationships with sulla. like. a real Make Them Worse situation happened there. crassus becomes someone who is half shadowy rumor behind every dealing in the eyes of others, pompey and caesar drag rome back into civil war, sulla says that caesar resembles marius but it’s sulla’s playbook that caesar later runs. everyone dies in places where they do not expect to die.
Plutarch, Caesar
Plutarch, Pompey
Plutarch, Crassus
Rome, Blood & Power, Gareth C Sampson
Sulla: The Last Republican, Arthur Keaveney
The Defeat of Rome: Crassus, Carrhae and the Invasion of the East, Gareth C. Sampson
So I’m working on random panels for my Nanami comic. I can’t wait to get to this part! Our husband’s all healed up and getting the beach vacation he deserves.
Ignore the image quality, I took a picture of my screen with my phone. Don’t ask. I love him in sunnies.