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#PIANO ITS BRILLIANT I JUST—
bumblingbabooshka · 7 months
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[TUVOKTOBER: Day 9] Ballet with the Captain.
#Tuvok#bea art tag#tuvoktober#Janeway would love doing a ballet recital if there was significant lore in the holonovel about the stakes and so forth#Tuvok does not want to do a ballet recital. He does not see how this is enjoyable.#Janeway canonically took dance lessons as a kid and Tuvok just seems like he would have too.#They were both forced to take piano (or its equivalent) and dance - and they both hated it at the time#But Tuvok stuck with lute & Janeway quit both to go on to other hobbies (she had/has a lot)#<- gets bored a bit easily and likes the excitement of a new challenge#Janeway...ok. I think she would make her romantic interest in this holonovel be:#A brilliant but sort of dismissive reporter who's an amazing writer but gets stuck doing pieces he has no passion for. And she draws his ey#bc she's so good at dancing and they have flirty banter where she shows him how dancing isn't boring or dumb and you KNOW she's putting in#scene where she like makes him dance in the rain or something. And he's graying despite only being a few years older.#The holonovel ends with him appreciating dance and writing an amazing article about the performance which she reads after#some sort of misunderstanding only to realize gasp! He really DID love her! And she opens the door but he's already there (he came to#apologize) oh Kath will you ever forgive me? of course...[kissing]#camera pans over to Tuvok who's like “=_= ...”#st voyager#st voyager fanart#also Janeway is a rose & Tuvok is an orchid
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viir-tanadhal · 2 years
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so was no one going to tell me the jealousy 1982 demo is on youtube?? psb's first song demo is on youtube?? And has been for 3 months?? And I DIDNT KNOW?
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lightbluetown · 6 months
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i saw some people say ed and zheng are master strategists while stede is just some guy with ridiculous luck, but i think that's unfair. sure stede's ideas are insane, but they fit the looney tunes ass universe of ofmd perfectly. they're mostly well-thought-out, well-executed and they showcase stede's strengths and growth! so allow me to talk about them:
1- ghost of the forest - 1x02
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a fuckery™ before stede even knows what a fuckery™ is! this is amateurish and stupid in every way. he's not even threatening izzy with a real dagger-- that's a letter opener. does izzy actually believe that stede has a huge crew hiding behind the bushes? doubt it! but this weird little act is enough to establish stede as a (ridiculous) pirate figure to the legendary izzy hands and to accomplish his goal of taking a hostage back
2- lighthouse - 1x04
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imagine coming up with the exact same idea at the exact same time as the most brilliant tactician of the seven seas! we don't know who came up with which parts of the plan (honestly it was probably mostly ed) but this is still bloody impressive
3- stark revelations - 1x05
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stede's first big success! he uses his knowledge of the aristocratic world to get a shipful of rich assholes to destroy each other, but he's also showcasing what sets him apart from them: this plan only comes to fruition because stede talks to frenchie, olu and abshir as equals. as people he can learn from, as sources of inspiration
4- duel with izzy - 1x06
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this one was absolutely unhinged, but its success was far from dumb luck. only stede could think of using a brazillian cherry wood mast and ed's weird stabbing lesson to win a duel, and that's what makes this plan so undeniably stede and brilliant
5- faking his death - 1x10
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i love that he just had to "die" in the most dramatic way possible. a heroic fight (tiger), a realistic accident (carriage) and the most cartoony death in the book (piano)... not only is his triple-death able to convince everyone in barbados that he's dead for good, it also allows him to have closure with his family. it's filled with stede's ridiculous unique flair, but it's designed to be a fuckery™ through and through. ed would be SO proud
6- stealing jackie's indigo dye - 2x01
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quick little stealth mission. did ricky manipulate stede into trying this out? sure. did ricky also ruin it? absolutely. but it was working until then! the swede isn't part of stede's crew at this point, but his respect for stede is what gets him to cooperate and risk his relationship with his beautiful wife. also, it's thanks to his love for fine things that stede immediately recognizes the value of "blue dirt"
7- prison break - 2x03
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in my eyes no scene depicts stede's growth better than this one. knocking zheng's entire crew out with tea is the most stede thing out there, and this plan uses the cherry wood mast as well! this plan relies on stede's (unrealistic) tea knowledge, overly-fancy ship and ability to coordinate his crew. what makes it breathtaking is that he secretly sets this plan into motion while actively mourning the "death" of the love of his life. he's putting his life on the line to rescue ed's "killers" because he's emotionally mature enough to look at things from their perspective and forgive them
8- inciting a mutiny - 2x06
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yet another brilliant plan that could only be executed by stede. this entire episode revolves around his idea of "turning poison into positivity" and here he, well, fights poison with positivity. stede captains his pirates with respect and care (best he can) which just so happens to be the opposite of ned. he exploits this and gently gets ned's crew to turn on him. he singlehandedly saves himself and his entire crew from a notorious pirate! oh he also literally invents walking the plank right after this
9- "it's only suicide if we die" - 2x08
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okay, yes, this one didn't go that well (sorry iz). but it's not like ed, zheng or anyone else had any other ideas! stede's weird suicide mission, for the most part, worked. they needed to get through british soldiers to reach their ship and they did exactly that. if only they'd remembered to check if ricky had his gun... oh well, you live and you learn
sure, ed and zheng are legends and stede is a silly newbie with wild luck. but he's also quick-witted, creative, confident and brave! he's a damn good captain and he deserves to be recognized as a good strategist!
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wileys-russo · 5 months
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can we get a leah playing piano to reader fic?
3am serenades II l.williamson
"baby." you stirred a little thinking you heard something but settled back into the warm cocoon of your duvet.
"love, wake up." you opened your eyes at that and blinked a few times, but the overwhelming darkness of your bedroom and lack of sleep meant once again you settled right back into bed.
"hey baby, need you to wake up for me please." a gentle shake to your body had you waking up a little more, recognizing the lips which gently kissed your forehead.
"you okay?" you slurred out tiredly, reaching out blindly grab at her. "yeah love, need you to wake up please." she requested again, pressing another soft kiss to your cheek this time as you sighed and rubbed your eyes.
"whats wrong lee?" you exhaled pulling yourself into a sitting position and slumping against the headboard. "can you come downstairs please? i just need you to listen to me play and-" your girlfriend started as you groaned loudly.
"leah oh my god...its three in the morning." you tapped your phone and groaned again, dropping back into bed and rolling onto your side.
"babe please! the performance is next week and i'm so fucking nervous and stressed that i won't be ready." leah whined, laying down next to you and poking at your back.
"pleasee, just for like half an hour and then i promise i'll come to bed with you and i'll take you out for breakfast tomorrow." leah pleaded, continually poking at your back as she peppered your cheek with soft kisses.
"can we go to frankies for breakfast?" you bargained quietly with a sigh, leah agreeing right away. "yes! literally anywhere you want baby i promise, my treat. and we can go to the markets afterwards, i'll buy you those big cookies you like and flowers." leahs cold hands grabbed your face, attacking your face now with kisses.
"okay okay! give me five minutes to wake up properly please." you requested rolling onto your back with a stretch. "i love you so much. you know that right?" leahs hands stayed resting on your face, eyes twinkling down at you with adoration.
"i love you too baby, if i didn't i wouldn't be getting up at three in the morning to help you practice piano." you smiled sleepily, tapping your lips expectantly as leah grinned and pressed a tender kiss to them.
"do you want a tea love?" she pulled away and asked as you hummed with a nod, the blonde kissing you once more and disappearing from the bed, footsteps heard retreating back downstairs to make you one.
a few minutes later now a little more awake you joined her, tucked up in a hoodie and sweats you heard her before you saw her, hunched over the piano and tapping away at the keys, mumbling to herself as her finger scanned down the music sheets propped up in front of her.
"hello lover." you mumbled tiredly, wrapping your arms around her neck and resting your chin on her shoulder. "how are you feeling?" you asked quietly, pressing a kiss to her jaw as she sighed deeply.
"terrified. i don't think i've ever been this nervous, like ever." "you're going to be brilliant lee baby, you just need to get out of your pretty little head a bit more." you smiled, tilting her head back and kissing her forehead affectionately before moving to sit beside her on the piano bench.
"play it for me, top to bottom." you gestured for her to start, kissing her cheek in thanks for the cup of tea which sat waiting on the top of the piano, sighing in relief as the mug warmed your freezing cold hands.
"ah bollocks!" leah swore with an annoyed huff as she messed something up. "go again, what does charles say?" you reminded, taking a sip of tea. "not to let one mistake define a performance." leah sighed, rolling her shoulders and going again.
"fuck it's this bloody second verse its killing me!" she groaned as she struck the wrong note again, head bumping down onto the keys causing a shrill noise to echo through your dimly lit shared home.
"darling i feel i need to remind you it is also three in the morning. you have not slept since what maybe seven thirty yesterday? you're hardly in your most sane state of mind right now to be playing piano." you placed your half empty mug gently on the ground and lowered your head to also bump down on the keys, both of you staring one another in the eye.
"what if this was like the worst possible idea in the world and i embarrass myself in front of everyone and look an absolute tit on the bbc?" leah mumbled, eyebrows knit into a worried frown.
"well you make yourself look like a tit when you kick off on the pitch anyway and thats been in front of thousands of people before!" you smiled teasingly, the joke not having gone over well if anyone else might have said it but leah had far too large a soft spot for you to take it with any ill will, rolling her eyes as a smile hinted at her lips.
"shut up, little shit stirrer." she grumbled, flicking your forehead playfully as both of you raised your heads up. "go on, go again love." you nudged her encouragingly, grabbing your tea off the floor as she took a breath to steady herself and went again.
"see baby! you played through." you kissed her cheek with a grin. "i still made a few mistakes though, and i can't do that in the real thing." leah sighed, forever her own harshest critic. "you still have six whole days baby and you're seeing charles at least another four times, no?" you reminded the blonde, moving to rub circles into her back as she nodded.
"why don't you take a break and play something else? you're still practicing your chords then." you suggested, head falling to her shoulder as leah licked the tips of her fingers and flipped through to another song.
this was one she was much more comfortable with, a song she'd taught herself during lockdown and had perfected over the years since. to your delight and surprise the blonde began to softly sing the words, a proud smile on your lips as you sat quietly and soaked it in.
"do you want me to show you a few chords?" your girlfriend offered once she'd finished, pressing a light kiss into your hair. with a nod she gestured for you to move, standing up as you slid where she'd once been sat.
placing her hands over yours her chin rested on top of your head as she spoke you through which keys to press, maneuvering your hands where they needed to go as you frowned in concentration.
"good. show me what you learned!" leah removed her hands, slipping them into the pocket of your hoodie to keep warm, chin still resting on top of your head. still frowning you slowly tried to mirror the chords she'd shown you, wincing as you very obviously got each one wrong.
"show me again please." you requested, leahs hands again coming to rest on top of yours as she moved you through each chord. this time when you tried to do them yourself you succeeded, smiling happily as leah tilted your head back, placing a few lazy kisses against your lips.
"okay, one more time top to bottom and then bed." you shuffled over again as leah nodded, taking her seat beside you again and resting her hands in the opening position, your head again dropping tiredly to her shoulder.
"come on leah." the blonde mumbled to herself determined, inhaling deeply and exhaling before she began to play, your hand resting on her thigh giving it a light squeeze of encouragement.
you smiled as now a little more relaxed leah managed to get through the entire song without one single mistake. "see! you are fucking brilliant leah catherine." you grabbed her face and repeatedly kissed her cheek causing her to let out a laugh, half of amusement and half of relief.
"my beautiful good luck charm." leah turned her face so your lips now met hers, pulling away and offering you a hand up as she shut the lid on her piano and stretched. hurrying to flip the lights off leah was quick to follow you back up and into bed.
"thank you my girl, i needed that." leah whispered into the dark, her hands finding your body as she slid into bed, pulling you to lay on top of her.
"i am so proud of you leah. you know that right? you're the most wonderfully passionate person i've ever had the pleasure of knowing, and the most fiercely resilient and determined woman i've ever had the privilege of loving." you spoke softly and sincerely, carding your fingers through her hair and staring down at her with eyes filled with an immeasurable amount of love.
"i don't know what i ever did to deserve you but i'll never take it for granted baby girl. i couldn't have made it through the last few months without you by my side and i know at times i've been an absolutely miserable nightmare but you've never not loved me and i'll spend the rest of my life grateful to have you." leah whispered back, her hands clasping your cheeks as her own eyes swam with endless tender adoration.
"right enough of this soppiness then, time to sleep babe." leah smiled, bringing your mouth down to meet hers in a slow and loving kiss. "i was doing that before you woke me up!" you teased, rolling off of her and wiggling into her side as her front pressed into your back, lazy kisses scattered across the back of your neck.
"i love you." you brought your intertwined hands up to your mouth, kissing the back of her palm and pulling her arms to wrap even tighter around you. "i love you more my pretty girl."
with that your eyes drifted close again, the feeling of your girlfriends chest rising and falling against your back helping to lull you off into a dreamless sleep. well, almost.
"leah i can feel your fingers playing the piano against my hip please go to sleep!"
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cyberslvts · 6 months
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PAS DE DEUX || w.maximoff
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Summary you grapple with the intensity with your feelings for Wanda and through a powerful dance your love and longing for one another are vividly unveiled
Warnings: angst, brief arguing, happy endings, kissing, forbidden love, allusions to homophobia, secret romance, my fav sappic balerinas, they r so cute im gonna sob!!
Pairing: ballerinaWanda! x ballerina!reader
WC: 3.5k
Note: this was sm fun to write i am obsessed
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In the heart of the cold city, hidden behind a façade of faded grandeur, stood the enigmatic Thornfield School of Ballet. Within its dimly lit corridors and ornate ballrooms, the ethereal art of ballet was practiced with an intensity that mirrored the shadows that danced upon the walls. It was here that you found solace, your delicate movements and haunting grace resonating with the melancholic melodies that echoed through the grand hallways.
The Thornfield Opera House stood silent and grand, its vast expanse illuminated only by the silvery glow of the moon filtering through the tall, arched windows. The night felt like it swallowed you. The silence and loneliness of the dark gave you a heightened sense of focus. Dressed in a simple leotard and ballet skirt, you moved gracefully to the center of the stage. The empty red velvet seats, normally bustling with anticipation, now looked like slumbering sentinels in the darkness.
You were a brilliant and elegant dancer, the prima ballerina of the Thornfield Ballet School. Your every step seemed to weave magic, casting a spell over the audience with each performance. The years of training and dedication cultivated you so that you weren't just a dancer but a conduit for the very essence of the art form.
A sigh escaped your lips as you raised your arms, the opening strains of a haunting melody filled your ears. The music existed within the depths of your memory, each note etched into your soul. It was a melody only you could hear, a secret dance between you and the music of your heart.
With a deep breath, you began to move. Each step was deliberate, each extension of your limbs an expression of the emotions that swirled within you. The moonlight cast delicate shadows that danced along with you, a spectral audience that whispered its approval in the rustling of fabric
Your body twisted and turned across the stage and the opera house felt as if it came alive around you. The soft echos of your footfalls echoed throughout the grand hall, filling the space with a magical resonance.
The empty velvet red chairs surrounded you, blurring into a hue of gold and scarlet as you spun and twirled across the stage. The spotlight illuminated your form, casting long, enchanting shadows that stretched toward the edges of the grand hall. Your body seemed to merge with the haunting music, each note a whispered secret between you and the piano keys
You imagined thousands of eyes on you, each one locked in a mesmerizing trance that only you could break. You lost yourself in the dance, completely surrendering yourself to the music's embrace.
The final strains of the music echoed through the hall, and you froze in a final, breathtaking pose. The world felt like it held its breath for a moment before a figure emerged from the shadows of the audience.
“You know I don't like it when you come and watch me unannounced”
You spoke into the dark crowd. You didn't even need to see her to know who she was. A vibrant flash of red hair was illuminated by the spotlight as she stepped onto the stage.
“You’re glowing my love, How could I not stay and watch” she voiced, coming across the stage, wanting to be closer to you.
Wanda Maximoff, the embodiment of enigmatic allure, graced the Thornfield Opera House with a presence that demanded attention. With each step she took, the air seemed to shift around her, charged with an energy that was at once magnetic and captivating. A vibrant mane of crimson hair framed her face like a fiery halo, accentuating her aura of intensity.
As one of Thornfield's top dancers, Wanda's brilliance on stage was undeniable. Her movements bore the hallmark of a maestro, each gesture calculated and precise, cutting through the air like a sharpened blade. her performances left an indelible mark on the hearts of those who witnessed them.
The contrast between your styles was like a beautifully orchestrated duet: While you danced with the gentle grace of a waltz, guided by the melodies that flowed through your soul, Wanda's dance was a tempestuous tango, a dance with the shadows and the edge of passion. Her movements were sharper, her steps darker, and her presence engulfed the stage like a storm, leaving no corner untouched by her intensity.
Where your dance was a soothing balm, Wanda's was a consuming fire. Your elegance and grace resonated like a sonnet, whereas Wanda's movements told a story of calculated power. In your delicate pirouettes and fluid arabesques, there was a serenity that brought solace to the heart, like a gentle lullaby. But in Wanda's commanding leaps and controlled spins, there was a darkness that beckoned, a realm where passion and pain coexisted.
Wanda Maximoff, with her entrancing presence and mesmerizing dance, had woven her way into your heart in ways you never imagined. From the first time you saw her onstage, you were already hers. The secret romance that blossomed between you two was a delicate tapestry of stolen glances, secret rendezvous, and the softest of touches. Your attachment to her felt like poisonous vines, both intoxicating and dangerous. Squeezing around your heart until there was no escaping its grip.
As the days turned into weeks and the weeks into months, the intensity of your feelings for Wanda began to stir a twinge of fear deep within you. The opera house, was a haven for your love, a place where you and Wanda could share stolen moments in the shadows. Yet, the world outside those walls was a different story altogether.
The truth was, relationships like yours and Wanda's were not welcomed with open arms within the confines of Thornfield. The Society's rigid expectations and conservative norms casted a long shadow over any love that dared to deviate from the conventional path. If your feelings were exposed, you both knew that you would face the harsh reality of ostracization. Given your elevated position within the ballet company, the fallout could be even more devastating. You yearned to dance freely with Wanda, to hold her close without the weight of hidden affections, but the thought of the world discovering your love kept you trapped in a ruthless cycle of avoidance.
As she began to approach you, you instinctively turned away, a motion that caused a flicker of hurt to cross Wanda's expression. Her smile faltered, and you silently crossed the stage, heading toward the speaker in order to switch to a different song.
“I need to practice, Wanda,” you spoke without facing her, hoping she would take the hint to leave you.
"You've been avoiding me," she suddenly declared, her voice ringing out in the open space. She came to a halt at the center stage, her gaze fixed firmly on your form. The intensity of her eyes holding you in place.
The intimacy you shared with her had grown to such profound heights that the mere thought of it sent shivers down your spine. Each stolen kiss and every whispered promise felt like a thread connecting you to a love that was becoming too powerful to be contained. And so, you found yourself avoiding her, retreating into the shadows like a fragile creature seeking solace from the storm.
In your heart, you knew that Wanda sensed your distance, your absence from her side even in a crowded room. The weight of your unspoken emotions was presence, that casted a shadow over your every interaction. She, with her intuitive nature, surely understood that something was wrong, even if the words went unspoken.
"I don't know what you're talking about, Wanda," you deflected, your voice tinged with a hint of unease.
“Yes, you do.” Her strides toward you were purposeful, carrying an air of frustration and longing
“You've stopped meeting me in the garden. you leave your door locked at night. You won't even look at me during rehearsal.” The light in her eyes dimmed, mirroring the distance that had inadvertently arisen. She, no doubt, grappled with the same intensity of your connection, the love that had burgeoned between you.
The guilt gnawed at you, knowing that Wanda deserved more than your silence, more than your hesitation. She deserved the world, and yet here you were, your heart caught in a tug-of-war between your love for her and the fear that had taken root within you.
"I've just been busy," you offered, your voice lacking the conviction it needed. The truth was, you couldn't bring yourself to lie, especially not to Wanda. Without meeting her gaze, you brushed past her, your eyes fixed on the sea of empty chairs as you prepared for the next song.
"Just as I said, I need to practice. I don't have time for this," you continued, your words slightly rushed, a veil of anxiety underscoring them. The show was fast approaching, and the pressure weighed heavily on you. "The performance is on Friday, and I barely have my part of the pas de deux down, and—"
"Fine then, I'll stay and help you," she interrupted, her voice carrying an unwavering determination. Wanda understood you better than anyone else. She knew that ballet was your lifeblood, your very essence. If that was the avenue she had to take to reach you, then so be it.
As the music began to fade in, she moved closer, bridging the gap between you. You stared at her, a mixture of surprise and uncertainty in your eyes. Was she serious?
Although Wanda wasn't your official partner in the pas de deux, her innate talent and brilliance made it easy for her to memorize the choreography. She had watched the routine countless times, During rehearsals, you'd often catch her gaze fixed on you, burning ache evident in her eyes. You wished it was her presence by your side, her soft, delicate hands on you, instead of the rough masculine ones whisking you through the air.
She took your hand in hers, her touch a warm reassurance that sent a shiver down your spine. You glanced at her one last time before the dance commenced, your movements seeming almost too deliberate, lacking the usual fluidity that came so naturally to you. Every step felt calculated as if you were trying to maintain a distance that your heart was struggling to obey. Wanda's gaze, however, remained fixed on you, unwavering and intense.
With each movement, her eyes searched yours, probing for answers to the questions you hadn't voiced. The emotions that played across her face were a silent plea, a desperate attempt to understand the reason behind your avoidance. Yet, even as you tried to keep your focus on the dance, the intensity of her gaze was a distraction you couldn't escape.
“Relax,” Wanda's voice cut through the tension, her hands on your waist guiding your movements. Your arms extended gracefully on each side, and your toes pointed delicately against the smooth wooden stage
In that instant, Wanda's movements shifted, becoming more edged and intense. She led you through a series of intricate steps, each one a silent declaration of her love and devotion to you. As the music swelled, your bodies came alive, moving in perfect synchrony. You began with a series of intertwining pirouettes, your movements mirroring Wandas with an effortless harmony. With every rotation, your eyes met briefly, a fleeting connection that spoke volumes beyond words.
You battled with your own emotions, your heart warring with your mind. You were determined to maintain the distance you believed was necessary to protect yourself and Wanda from the intensity of your shared feelings. The love you felt for her was a tempestuous sea, and you feared being swept away by its currents.
Yet, As you moved as one there was an undeniable chemistry, an untamed force driving you towards her. Her eyes followed your every move, filled with a love that yearned to be free from constraints.
Wanda's touch was gentle yet firm, her hands on your waist guiding your movements with a confidence that only came from a deep understanding. As you twirled and spun, the world around you seemed to fade away, leaving only the two of you in a realm where the intensity of your love was matched only by the beauty of your dance.
When the music built to its crescendo, Wanda's grip on you tightened her touch a grounding force in the midst of your internal storm. And in that final, breathtaking pose, as the music lingered in the air, your eyes locked onto each other's, a world of unspoken words passing between you.
As your heavy breathing slowed, the moment was broken when you turned away, walking out of her embrace,
“Why won't you just let me love you,” her voice echoed in the space, a plea that hung in the air like an unanswered question.
"Because I can't, Wanda," You whispered, your voice tinged with a hint of sadness. The reality of the situation weighed heavily, the knowledge that your love existed in a world that did not understand.
“Yes, you can” she countered, coming closer to you.
“People will find out. And when they find out theyll talk.” you exasperated, The weight of the world's judgment pressed down on you, suffocating the love that burned within you.
Wanda turned to face you, her expression determined. "Then hide me. Lock me away from the world if you have to," She breathed out, her voice carrying a plea that mirrored the depth of her feelings. She was willing to sacrifice her visibility, her place in the world, if it meant keeping your love intact. “I just want to be with you Y/n. Why can't you see that?”
It was your deep affection for her that filled you with guilt, knowing that she deserved better than waht you were giving her. You believed she deserved someone who would cherish her openly, free from the shackles of secrecy that bound your love. Wanda's passion, her unwavering commitment, made your heart ache with love for her, but it also filled you with an overwhelming sense of guilt. You loved her so much that it hurt, and you wanted nothing more than to see her happy.
“I can't do that to you, Wanda.” Guilt welled up inside you, emotions spilling over like a river bursting its banks. “You deserve to be with someone different. Someone who can love you without fear.”
“But I don't want that!” Her breathing was heavy and her, eyes burned with anger. "I am yours, Y/n," she declared, her voice sharp with passion. "All I want in return is your love, And you can't even give me that.”
You noticed how her bottom lip pushed out ever so slightly, just like it always did when she was trying not to cry.
The pain of your recent avoidance cut deep into her heart, leaving a constant ache that refused to subside. All she wanted was you, all she ever wanted was you, and your unmistakable withdrawal over the past few months had left her feeling lost in a suffocating pit of self-doubt. Why were you so eager to get away from her? Why couldn't she make you stay, even when she had tried her hardest? Was she not good enough to hold your attention?
These questions ate away at her and she had never felt so small, like an insignificant fragment in a world that once felt whole.
“You ignore me and push me away without any explanation.” Her voice was loud as it echoed across the stage. The hurt and insecurity painted on her face. “You're always leaving me. It's like you don't even care about my feelings!”
“Of course I care about your feelings” You turned to her, your own anger begining to rise up inside you. “You’re all I think about, everything I do is for you!”
Every choice you had made was for Wanda, every step you had taken was to protect her from the storm that could come crashing down upon you both. Your love was genuine, but the fear was suffocating, threatening to eclipse everything
"You think this isn't hard for me?" your voice cracked with frustration, your eyes blazing with a mixture of emotions. "I am terrified, Wanda. Every time I see you or feel you, it's like I'm drowning in the fear of what could happen.”
"You make me feel things I never wanted to feel," your breath came out in rapid bursts, as your vision became clouded by tears. "And I'm afraid that those feelings will be written all over me,” Your emotions began to feel overwhelming, the room closing in around you, suffocating you with its walls and the weight of your fear. “So this is the only way I know how to keep us safe, to keep you safe." Your words were punctuated by a sob, choked and raw. The walls you had erected were crumbling, and you were left standing bare before Wanda.
“and It's hard Wanda, it's so fucking hard. I miss you, all the time.” the confession tumbled out, your voice breaking as tears cascaded down your cheeks, the floodgates finally opening.
At the sight of your panicked tears, Wanda immediately rushed to you, her steps were loud across the stage until she caught you in her embrace, wrapping her arms around you in a warm, comforting hold, Wishing she could take away all the pain and fear you felt at that moment.
“Im sorry, Im sorry sweetheart, I didn't mean to yell.” The tenderness in her voice was like a soothing balm, her arms holding you even tighter, as you fell into her body.
"I can’t-” You gasped, The fabric of her shirt absorbed the tears that fell from your eyes, “I cant loose you wanda”
The sobs that wracked your body were a release, a catharsis of emotions that had been pent up for far too long.
“You’re not. You are absolutely not losing me,” she reassured you, her words slightly muffled as she pressed kisses to your tear-stained cheeks. You instinctively clung onto her, worried she would disappear.
With her arms wrapped around you, Wanda's touch became your anchor. Her hands moved in tender circles on your back, a gesture of comfort that sent ripples of calm through your frazzled nerves. At that moment, the world seemed to blur and fade, leaving only the two of you cocooned in an intimate haven of solace
Your heartbeat slowed and your breathing relaxed against her. Her breath brushed against your ear, her voice was a gentle whisper, "I can't be without you, y/n" she admitted, spilling out the truths in her heart. “I know you're scared but please don't push me away.” The tenderness in her voice deepened as she continued, her words a balm to your fears. “I don't know what will happen in the future but I can swear to you that im not going anywhere.”
In those words, a sense of solace enveloped you, like a gentle embrace for your weary heart. With her by your side, the fear that had kept you captive began to lose its grip, replaced by a flicker of hope and the reassurance that you didn't have to carry the burden alone.
“Im sorry I avoided you” You whispered not bringing your gaze up to face Wanda as if you were hiding from your actions. “I was awful. I should have just talked to you.”
Wanda brought her hand to your chin tilting your face up until your eyes met hers.
"It's okay, I know you're trying to protect us both," she said softly, her voice carrying a weight of sincerity. "But you don't have to do it alone. Whatever happens, We can face it together."
You closed your eyes for a moment, letting Wanda's words melt into your skin. The attentiveness of her understanding touched you deeply, and You started to wonder how you could ever be away from her.
“I love you, so much,” you confessed hoping she could feel your sincerity “And i’m so sorry that I ever made you feel like I didnt.”
Her relief evident in her smile. She cupped your face, her touch grounding you in the present moment. Wanda leaned in, her lips meeting yours in a sweet kiss.
“I love you, more than you could ever know.”
In that stolen moment on the stage, beneath the watchful eyes of the empty velvet seats, your love was a dance in itself – a dance of vulnerability and strength, of passion and tenderness. And as you held each other close, you knew that the opera house, with all its secrets and faded grandeur, held a space where your love could flourish, defying the boundaries of time and circumstance.
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292pantone · 1 year
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Okay! Time for some Glass Onion analysis bc I'm already obsessed with this movie.
GLASS ONION SPOILERS AHEAD READ AT YOUR OWN RISK
I've seen people saying that it was unnecessary for the movie Glass Onion to be set in May 2020 during the height of the pandemic, and that it took away from the movie, but I disagree. The specific setting is relevant because of all the movie's subtext about the Black Lives Matter movement and its resurgence in May 2020. Hear me out- there are several parallels between Andi's death/Helen's avenging her death by wrecking the mansion, and the riots in 2020 following the unjust deaths of George Floyd, Breonna Taylor, and many others.
To begin with, there's the power dynamic between Andi and Miles. A mediocre, unexceptional white man stole the contributions of a brilliant black woman and got away with it because his influential friends closed ranks around him in a system designed to benefit him. He got the benefit of the doubt and weaponized the legal system to financially ruin her. Even though she was telling the truth, no one believed her, and Miles fully expected this pattern to continue once her sister Helen took up the cause.
Miles burns the incriminating evidence of his lies and flat-out tells Helen that no one will ever believe her with only circumstantial evidence. Even Benoit Blanc acknowledges that his skill as a detective can only go so far without the police and courts on his side.
In the case of police brutality, cops similarly weaponize the legal system and avoid accountability for their murders by closing ranks through police unions that invoke "qualified immunity" (aka shielding the cops from legal liability). The privilege of white men, compounded by their wealth and connections, makes it difficult for them to face actual consequences for the harm they do.
We see the concept of avoiding consequences again with Miles' crew of "disruptors", all of whom rely on his money to bail them out of trouble. Birdie was implied to have done blackface, made tone-deaf comments comparing herself to Harriet Tubman, completely ignored all COVID restrictions, and tweeted ethnic slurs to the point where her assistant had to take away her phone, but her line of loungewear still takes off thanks to Miles' financial backing. In response to the latest scandal, personal assistant Peg says "We will do what we always do! Deny, half-apologize, then go silent awhile." Despite her litany of offenses and half-assed attempts at accountability, no consequences stick to the privileged Birdie either.
However, Helen refuses to accept this unfair state of things. In a situation where she appears powerless, with her sister gone and the valuable napkin burned, Helen essentially goes "fuck that" and makes Miles pay for what he did anyway. If the law won't take her side, she has to take it into her own hands. This is where the parallels to the 2020 riots come in.
We see her smashing the symbols of Miles' wealth, starting with his glass sculptures, and at first the other characters don't mind. They cheer her on from the couches, even though they all just refused to testify for her in court. This parallels the performative activism seen in many celebrities, who would rather watch from the sidelines and say vaguely supportive things rather than do any meaningful action to change the system. The other guests are happy to break the glass sculptures alongside her, saying how cathartic it feels, but they get antsy when she moves on to breaking more valuable things instead of giving up after a short while like they did. The camera shots of Helen smashing things and lighting a fire linger uncomfortably long as it starts to sink in that this isn't just a momentary temper tantrum. The so-called "disruptors" wince and gasp and exclaim how a piano belonged to Liberace and so on, completely ignoring how THE DESTRUCTION IS THE POINT, because if Helen only broke safe, acceptable targets, then it wouldn't actually mean anything. Similarly, when people rioted in 2020, there was a huge amount of pearl-clutching by people saying rioting is going too far, and can't we all just be nonviolent and have unity and forgive each other? In both cases, there's a veneer of support from people who just want the victims of injustice to "get their anger out of their systems" and move on without any serious changes being made.
I find it very fitting that Helen burns the Mona Lisa with Miles' own unregulated hydrogen fuel cell, using the override switch that he carelessly installed. She exploits the natural consequences of his self-centeredness so they all catch up to him at once. In the end, Helen's acts of protest do disrupt things and lead to change, even as people tell her she is going too far. Once Helen does the actual work of tanking Miles' reputation for good, only then do the "disruptors" jump ship and promise to back her up in court. They're willing to take the side of justice only when things have shifted to the point where it's the better act of self-preservation. If there was any chance of still hanging onto Miles' golden titty and making his reputation their hill to die on, they would've done it.
Blanc, the protagonist of the movie, gives Helen tacit permission to burn everything down by handing her the chunk of hydrogen fuel. He stands by her the whole movie and takes her seriously, demonstrating a path to better (non-performative) allyship.
Glass Onion shows that lasting change has to be demanded, not wheedled, and that sometimes things have to reach an undeniable crisis point to do so. In other words: protest is necessary.
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eris-snow · 4 months
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8. 𝐒𝐞𝐚𝐫𝐜𝐡𝐢𝐧𝐠 𝐅𝐨𝐫 𝐀 𝐆𝐡𝐨𝐬𝐭
Tags:bakugou x fem!reader, juxtaposition, detective bakugou, hacker bakugou, fluff in the midst of angst
There’s a light at the end of the tunnel. One must grasp it before the tunnel caves in.
January 6 20XX
You have to give Katsuki credit, because the dude was dedicated. Not only that, but he could do things that you found difficult with ease. Such as, well, talking to someone.
"Aizawa-sensei says that the foolscap was outdated from 10 years ago. Apparently, it was the same ones he used when he was in U.A. It spanned a good ten years, so at the very least, they haven't walked off the fuckin' earth and died yet." The ash blond announces, flopping on the ground next to you. It was the first day officially back from winter break, but Katsuki was as unfazed as ever.
Back when people were still being potty-trained, Katsuki was practising hours a day on the piano in between kindergarten and card trading with the guys. That's what made him the best, and half of you was glad to see that part of him was still the same.
Focus, you tell yourself. Now isn't the time to get distracted!
"They could be anywhere in the country. With my luck, anywhere in the world." You counter. "Or maybe the one with my condition has poofed out of existence—"
"Stop it with that," Katsuki knocks his knuckles against your forehead, making you reel back at the contact. "People stop writing for all sorts of reasons. They could have cracked the code, or had a fallout, who knows? Shut up and be optimistic. I can't afford you spiralling."
You make a face at him. "You've changed."
"I'd be an asshole if I didn't." He replies, not missing a beat.
You're still an asshole, you want to point out, but you hold your tongue. He's trying to help you, after all.
"Any idea of what course they were in?" You ask instead. "It'd be easier if it was a hero, high profile is good."
"There's a phone number on the paper—"
"That has been changed and is unavailable." You finish. "It's a dead end."
Katsuki huffs, folding his arms. "It's a lead."
You snort loudly, holding back your laughter. "You've changed a lot—"
"And you're an idiot." He refutes. "You can track a phone even after its number is changed. I can get a hold of the IMEI number—"
"What are the chances of someone keeping a phone for over a decade?" You scoff.
"What other chances do we have of finding these pieces of shit?" Katsuki counters.
Biting the inside of your cheek harshly, you sigh. He has a point.
February 20XX
The plan, unfortunately, did not work. Either someone had used the phone beyond repair, or it had already been destroyed.
Brilliant.
Katsuki lets out a growl of frustration. It took him a month to find out how to track this guy. A month. And yet you were no closer to finding these grown-ass men.
It was around that time that you started to bring newspapers of that time to the hall, scourging for any clues relating to that incident.
"If only we just knew what course this guy was in..." You mutter, consuming yourself with the papers.
Katsuki stands by the curtains with an unamused expression, hands full of yearbooks as he watches your eyes scan the papers with an immense amount of focus. He's come to know you for months at this point, and has started taking note of little things about you because the more he looks at you, the more he finds.
Like how you bite your lip whenever you're nervous, bite the inside of your cheek when you're irritated and tuck your hair behind your shoulder when you lie.
Like how terrible your piano playing is but you still continue, like how even though what you've been through is more mentally taxing than anything on the battlefield, you still—
It takes Katsuki a second that he's been staring at you for way longer than normal before he unceremoniously drops all the yearbooks on the ground with a loud thud.
You jump like a startled cat, glaring daggers at him as you scramble to get your newspapers away from him. "What the fuck, Bakugou."
His mouth coils into a pleased smirk. "Jokes on you, I'm going deaf. What was that?"
You groan, and it makes Katsuki's confidence ignite. There we go. This version of you, he can handle.
"What's the yearbooks for?" You ask instead, nearing the dusty stacks of bounded paper before flipping through them.
"I managed to round up the yearbooks from the people who still used this piece of foolscap when they were in school." Bakugou plops down on the ground with you. "It's just ten years. If we can go through every class and see if anyone has photo fucked with—"
"Photo fuck?"
"Has the same photo issues as you."
You raise an eyebrow. "Not one of your best works, Nickname Wonder."
"Whatever. Find someone with consistent photo issues throughout their time in U.A and we might be able to narrow it down."
"..."
"..."
"Seriously, photo fuck—"
"Shut it."
"Hey man, where are you going?" Eijiro bounds up to him like he'd shitted rainbows, and as much as he appreciates the ball of sunshine cramped into every cell in his friend, he did not want to deal with him now.
Still, he replied. "Training."
"Sick! I was just thinking of—"
"Not today." Katsuki picks up his duffle, checking the clock. "Meeting the nerd at Ground Beta. All Might wants to try something. Gotta run—"
"You've been real busy lately." Eijiro cuts off, blocking his path. "Look, me and the squad don't want to push, but...don't overwork yourself, okay?"
Katsuki almost snorts. Yeah right. Overworking himself was Izuku's job, not his. A tight schedule didn't mean a messy schedule. He'd planned enough time for sleep, eating, internship, training and hunting down people who may or may not exist.
He was being productive, not stressed.
" 'm not overworking myself," Katsuki mutters, sidestepping his red-haired friend as he walks out of the common rooms.
"Well, I'm here if you wanna talk things out!" Eijiro calls.
Katsuki gives a grunt as a response as he pushes the door open.
It's not like Eijiro would remember anyway.
The list of possible victims is done by the end of the week, and Katsuki takes the liberty to go for a slow walk around the school to hunt down his teachers and interrogate them. He'd like to say that he's made a good amount of progress, but Katsuki doesn't lie.
The entire procedure is pretty much a coin flip. He can confidently eliminate one or two, but can't ever be sure for the remaining. Were they just forgotten with time? Did they drop out? What if they went undercover?
A handful were even in the General Course, and getting in touch with those alumni was even more difficult.
"Look," Aizawa stares at him tiredly. He looks like he's on his 5th cup of coffee and that his eyebags can carry weights of lead. "I see you from Monday to Friday non-stop. I wish to be alone on a Saturday morning so I can mark your papers and get them back to you on Monday next week. So for God's sake, get out of my face."
"I'm trying to save someone." Katsuki prevents the door from closing with his foot, staring up at his teacher with raised eyebrows. "And from what I heard, heroes don't get breaks. Let me in, Sensei."
Aizawa squints at Katsuki. He may have lost his leg, and pretty much his quirk, but Katsuki's still sure that Aizawa kicks ass. All Aizawa had to do was say the word, and he'd get booted out.
Wouldn't be the first time.
Even so, his teacher lets him into his lair of unwashed coffee cups and Post-it notes wonderland. Katsuki doesn't bat an eye.
"Doesn't ring a bell." Aizawa shrugs, crossing names off.
"Nothing? Cause this guy was in your class." Katsuki yanks out a yearbook and slams it on the table, flipping to the bookmarked page.
On it, is a class photo of 17-year-old Aizawa surrounded by his classmates all those years ago.
"It's been a decade and a war," His teacher snaps. "Give me a break."
As his teacher's eyes survey the picture of his youth, Aizawa's finger hovers over one person's face.
"Oh, I remember him."
Katsuki's breath catches.
Aizawa-sensei trails his finger down to the names, circling the name of the face he'd pointed out that was streaked with blotchy ink.
Imasu Saito.
"He was one of the top students in our year, until his third year. Kept disappearing after class and even ditched. Dropped out right before graduation."
A thin thread circles the name, bright red just like his eyes.
This isn't just a throw-away line.
This was a lead.
"Tell me about him."
Surprised by the sudden interest, Aizawa continues. "I don't know. Last I checked, he was still living with his parents. Could be anywhere by now."
Heat burned in his throat. This could mean something. "Kenji Tanaka," Katsuki urges, iterating the name carefully "Did Saito...know Tanaka?"
Aizawa gives him an unamused expression. "Flattered to think you expect me to remember my classmates' names. And to answer your question, I wasn't even aware that there was a Kenji in my class. Now looking back, I doubt I ever interacted with him at all."
Katsuki groans, slamming his head on the table and sending paper scattering everywhere.
"Fuck humanity. This is what I get when I try to be a little fuckin' nice."
Well, a lead's a lead. Best to take advantage of it, no matter how small.
Aizawa raises an eyebrow, slides a hand to the mini-fridge and cracks a can of Red Bull.
He offers it to the blond wordlessly.
Katsuki swipes it from Aizawa's hand.
Best fuckin' teacher ever.
Katsuki shares his findings with you when he plops down in the hall later that evening, and you take turns to share yours.
"There's this guy that made headlines for one news issue." You show him the newspaper, and on it, he reads it out loud.
"20-Year-Old Claims The Existence Of The Non-Existent: The Hottest Flat Earther Theory."
Katsuki almost crumples the sandy paper in his hands. His mouth feels just as dry.
"Bullseye."
"Despite the catchy opening, it didn't do well. The news didn't stick, and there are no follow-ups in the issues before or after it." You push the paper down, causing Katsuki to look into your eyes. "This guy was—"
"Imasu Saito." Katsuki finishes, watching you nod in agreement. "A name. We have a name."
Katsuki looks at the decomposing tabloid, seeing gold. "Alright, spit it out. How did you even manage to find this? There were so many companies and articles—this isn't even from a big-name company. This could have taken years to uncover."
You wriggle your fingers together, shrugging. "Let's just say being invisible has its perks. And the internet. No one bats an eye towards me when I went through their archive."
"Their?"
"It's a long story."
Shrugging it off, Katsuki refocuses on their task. They have bigger fish to fry.
"We need an address." You tell him. "Do you have an address?"
Snorting, Katsuki gives you his most 'are you crazy' look. "Who do you think I am? God?"
"No, you're Katsuki Bakugou," Your eyes sear with confidence. Katsuki's felt that look somewhere. The pure, raw, doubtless look of trust behind those eyes.
He's definitely seen it somewhere before.
"You've risen from death and beat someone twice as powerful as you. You've bounced back from setback after setback. You're the winner of the Sports Festival and the top in Battle Simulation, and you've hacked into systems with firewalls so strong people on the other side of the screen think you have a Tech Quirk. You can find one measly address."
Well, when you put it like that, what is Katsuki supposed to say? Deny?
Puffing up his chest, he levels your gaze.
He can do this.
He can do this, and he will.
A week to the end of February, there's a text from Bakugou captioned "Look, at what I've got, you little shit."
On it, is an address of a residential apartment.
25 February 20XX
Katsuki could only get a permit to leave school on Friday, so it's the tail end of February when you leave school. It was only at this moment, did you allow excitement to swell in your chest. You're making progress. Much more progress than you had in years.
It was enough for you to start believing that there was hope for you after all.
And Katsuki was helping you.
Plugging the address in the GPS leads you both to your destination 30 minutes of U.A., and as you stand in front of a door with a fist raised, you glance at Katsuki.
He gives you a subtle nod.
Closing your eyes, you knock.
Please let him be home, please let him be home, please—
The door creaks open, and the door chain clinks as a lean man with lengthy limps peeks out. His eyes are cobalt blue, and when he looks at Katsuki, he squints.
"What do you want, kid?"
Wordlessly, Katsuki points to you, as if it explained everything.
All the trouble it took to find this stupid goon's house, led to one too-tall man that looked like he had survived a trainwreck.
Sunken eyes hollow, eyebags prominent, and body far too thin.
The man's orbs widen as he blinks rapidly, only just noticing your presence, even though you're standing right in front of him.
"Are you Isamu Saito?" Your voice is small, as if any louder would cause the floor to fall out from beneath you. "If so, I'd like to talk to you about this."
Rifling through your bag, you pull out the decade-year-old foolscap encapsulated in a file.
He just stands there, blinking, unflinching, mouth falling agape.
The door slams in your face.
At first you think that he wasn't who you'd assumed he was and that you had somehow gotten the wrong house.
But before the panic can sink in completely, you hear the door chain jingle as the door opens wide. The man's gaze of you is pitying, and he speaks directly to you for the first time.
"I'm Isamu Saito. Please, come inside."
.
.
.
8 Months, 2 Weeks, And 2 Days Until Time Of Death.
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theoutcastrogue · 5 months
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What's your favorite sneaking around music (e.g., Pink Panther theme, Mission: Impossible theme)?
Great question!
I'd say Mission: Impossible is not sneaking around music, it's heist music, and mmmaybe taking itself a bit too seriously. Too much competence implied for my tastes, too much action and epicness, and way too much (and fully underserved, since this is some Cold War bullshit) self-righteousness. A great and iconic theme, just not for our purposes.
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Meanwhile, The Pink Panther Theme is 100% trickster music. I don't think there's even been another melody that captures so perfectly the concept of sneaking, but who's doing the sneaking? A trickster, for sure! So the music is all sleight, playful and light-footed and irreverent, and at no point is it remotely tempted to take itself seriously. And if you hear it and expect the graceful and precise balancing act of the most elegant jewel thief in the world to be immediately followed by a fucking piano falling on the hapless Inspector Clouseau's head like some Looney Tunes shit, well the theme did its job, because that's what it's supposed to evoke. 10/10, insurpassable.
I've always said that Henry Mancini was a genius (also notable for the Peter Gunn theme and Victor/Victoria). That said, Lalo Schifrin is also brilliant (he scored Cook Hand Luke! and Bullitt! and Enter the Dragon!), so yay for both of them.
Finally, I think we should give an honourable mention to The Pirates of Penzance where WITH CAT-LIKE TREAD UPON OUR PREY WE STEAL *keeps singing at the top of her lungs*
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With cat-like tread upon our prey we steal In silence dread our cautious way we feel No sound at all, we never speak a word A fly's foot-fall would be distinctly heard
So stealthily the pirate creeps While all the household soundly sleeps
Come friends who plough the sea Truce to navigation, take another station Let's vary piracy with a little burglary
Here's your crowbar and your centre bit Your life preserver, you may want to hit Your silent matches, your dark lantern seize Take your file and your skeletonic keys
With cat-like tread upon our prey we steal In silence dread our cautious way we feel No sound at all, we never speak a word A fly's foot-fall would be distinctly heard
Come friends who plough the sea Truce to navigation, take another station Let's vary piracy with a little burglary
WITH CAT-LIKE TREAD UPON OUR PREY WE STEAL IN SILENCE DREAD OUR CAUTIOUS WAY WE FEEL
COME FRIENDS WHO PLOUGH THE SEA TRUCE TO NAVIGATION, TAKE ANOTHER STATION LET'S VARY PIRACY WITH A LITTLE BURGLARY
WITH CAT-LIKE TREAD UPON OUR PREY WE STEAL IN SILENCE DREAD OUR CAUTIOUS WAY WE FEEL
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yesterdaysnewts · 6 months
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so i just finished the first season of house md and let me say
your attachment to wilson is understandable, that man has the biggest brownest eyes ive ever seen
house on the other hand has the scariest blue eyes known to man pls buy her brown contact lenses
i actually like cameron x house i would potentially like to see more of that she is a very nice contrast to house and i rlly want to see that dynamic explored even though the season 1 finale did make it pretty clear that hes still in love with stacey
speaking of which im looking forward to seeing how her presence in the hospital shakes things up
im very glad they got rid of vogler or whatever his name was i had vivid hallucinations of punching him in the face repeatedly everytime he was on screen
i want to find out what the deal with foreman is. he has matching shows with house. he hates homeless people. he committed a crime at 16. he broke into a patients house to figure out how to comfort her while she died. literally who is this man i need to knowwwww
that brings me to chase. i cant figure him out either, first hes a brown nose to house, then hes snitching on him every chance he gets, he doesnt need to money but he wants his job, he is somehow to coolest person in this show and the lamest, he wears a leather jecket and looks like he belongs in a pantene commerical. hes my favourite
also i want it to be actually brought up that house plays piano? like in the first season there are 4 seperate times he plays piano (tho he only mimes playing it one time so technically only three)
GOD this show i cant believe i didnt watch it sooner
wilson really does have the most wettest biggest brownest eyes i have ever seen and it makes him so scrunkly i need to put him in a bag and bash that bag into a brick wall
and yea houses eyes are fucking terrifying and the worse thing is that someone on a discord server once edited him to have brown eyes and somehow it was scarier
also you are like the first person ive seen express a like for cameron x house so honestly god speed for that but you do bring up some banging fucking points
live laugh love stacey that is really all i have to say to that her and house have such a good juicy relationship
fun fact vogler only exists because fox wanted someone to like oppose house and that so the writers threw him in and in process made chase a dickhead (still bbg tho)
also FOREMAN, god i love him so much like mans presents himself as like 'oh smart doctor, id want this man to be my doctor' but then as the show progresses you just end up looking at him like 'what happened here'. in s3 you do properly start to see how he parallels house and it is scrumptious top tier telly and, like chase, he is a fucking dickhead. and the car thing as well cos like he goes on about how he pulled himself out of that but then you watch and he clings to normalcy and making something of himself its brilliant
and the shit himself chase. i find it so fucking funny how his first name is robert like he does not fucking look like a robert. and his relationship with house like fucking hell, you can tell chase is desperately trying to separate himself from his actual dad and by doing that he clung onto his work and especially house in an attempt to do that.
also 'he wears a leather jacket and looks like he belongs in a pantene commercial. he is my favourite' speaks for itself cause yeag.
unfortunately i don't actually think its bought up that house can play piano later on but you do get to see him play other instruments which is fun cause hugh laurie is a really good musician and im so happy they gave house interests outside of just medicine
happy watching the show is gonna make you go just a bit insane
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jammechanics · 4 months
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Jam Mechanics Episode 7 baybeeee
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Episode 7 finds Matt and Bug writing some 4-chord pop songs and talking hedgehogs, Aliens, and Dr. Who. Bug disappoints Reginald Kenneth Dwight in a big way.
Jam Mechanics is a podcast hosted by Matt (The Narcissist Cookbook) and Bug (Bug Hunter) where we challenge each other to write a song demo from scratch every episode.
If you'd like downloadable files for this episode (and the demos we showed off), ⁠⁠you can go to our Bandcamp: website: https://www.jammechanics.com/ to pay-what-you-want to support us!
Our Music:⁠⁠ The Narcissist Cookbook⁠⁠⁠⁠⁠ Bug Hunter
-- SPOILERS FOR THIS EPISODE BELOW --
BUG'S SONG Matt's Challenge: BNE SZN (piano only!!) Title: Season Your Beanie Lyrics: I’ll eat my hat if you make it I’m not mad I’m just candid and someone just had to say it there’s no path where you’re headed and you can act all offended I’m a realist and I feel its best you never pretended that there’s a chance in a million you can be handsome or brilliant but you’ll crash like all the others so you can call me the villain one day we’ll look back and laugh, I’ll get a pat on the back but if you make it with your music I will eat my hat
Would like a salad on the side? we can sub it out for fries? We got a dad hat meal plan for 10.99 you can order a fedora that you’ll just adore we got a chef hat special, call it hat du jour Cuz I’ve got 30 milion reasons that can prove you wrong and 200 fans in london singing every damn song I’m rubbin salt in the wounds, just admit you’re defeated you can season your beanie, but you still gotta eat it
you’d eat your hat if I made it so I snapback with a menu when you throw all that shade if you took a bite of brim and didn’t like how it tasted you should’ve sampled the plastic long before you beret-ed
and hey, yeah, maybe you’re right a bit more often than not but you could choose to say nothing, it has no sticker or cost rubbin salt in the wounds to admit you’re defeated you can season your beanie but you still gotta eat it you can season your beanie but you still gotta eat it you can season your beanie but you still gotta eat it
MATT'S SONG Bug's Challenge: Cthulu (Radio-Friendly) Title: Get Deep Fried Lyrics: let's stay in bed all day we'll get away from here tomorrow if the monsters allow what did people ever talk about the television doesn't work right now sit with me beneath the nothing where the stars all used to be before they all went out
they're in the hallway at our door they're in the walls they're in the floor looks like it's all gonna end right as we begin
who called this son of a bitch half mile tall, man looks like a fish the deep one will swallow us all he can swallow my balls who spoke the summoning rite who's up for fresh calimari tonight the deep one? eat my ass more like get deep fried am i right
hentai tentacles gonna kick him right in the genitals he's gonna be like "this is terrible" i'm gonna be like "you look edible" elder god from the ocean floor I bet you wish you could sleep some more i'm your paralysis demon got hooked and you can't stop screamin
they're in the hallway at our door they're in the walls they're in the floor looks like their party's gonna end right as it begins
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hexotoner · 2 months
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So, I made a short story based in certain song.
I hope you enjoy!
Come Little children...
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Each kind of monster has a story to explain their origin, the wise have come to the conclusion that the great colossals brought their creativity to our creation, however, among the true and legends of others there are our own, ignored by others, for us a reality that remains after generations like bedtime stories for our monsterlings; like several stories it has changed, at this point we do not know how the real story was, even so the most popular and accurate version is always told. One thing is certain, in every story, in every legend something never changes, the song which it all began.
Before the great Dawn of fire, when the colossals gave life to a home for all. The celestials, the protectors of these elements, dedicated themselves to guiding and protecting the creations, however, among so much joy one of them made himself heard; The colossals had forgotten his element, they forgot to create life for the shadow and darkness. Even his pleas were not heard because the element was seen as useless and weak, especially in the face of the power of the fire, so powerful and brilliant. The jealousy was expected...
That celestial, immersed in humiliation and rejection, devised a plan
One night, peace reigned among the natural monsters; After a long time of incubation, the hatching season had begun, so many monsterlings had just hatched along with their brothers from years past. A night of calm between parents and children who sleep next to them.
Suddenly, as the moon rose high, Shadowed Glare shone; A sweet and deep voice began to sing along with the music of a piano, a song that we remember to this day:
ㅤㅤㅤㅤㅤㅤ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
"Come Little children
I'll Take Thee Away, Into A Land
Of Enchantment
Come Little Children
The Time's Come To Play
Here In My Garden
Of Shadows"
ㅤㅤㅤㅤㅤㅤ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
The memories are vague, hypnotized by the sweet sound of his song. Every monsterling, newborn and young, was called to follow that voice across the continent. Each monster of earth, cold, water, plant, air or fire; each little one was called. They were guided to the highest and nearest cliff, where the celestial awaited them.
One by one, under the light of the moon and the control of the shadows, they fell from the cliff. Fear covered some who feared a fatal destiny... Then, the celestial raising his hand called to the fallen, they began to fly. Young monsters as dark as the night opened their wings and took flight towards the moon, the other little ones then realized that under the protection of darkness nothing would happen to them. It continued like this all night.
His sweet song, so hypnotizing and beautiful, came to an end, on the other side of the sky the great and dazzling sun was present, its light woke up the unsuspecting parents giving them the news that their little ones have disappeared. Meanwhile, that celestial, giving his last verse, lowered the immense and elegant moon to its ancestral rest; The few monsterlings that remained were quick to fall and fly towards that beauty and brilliant.
A little tweedle did not want to fly, cursed with the lack of its wing at birth, it approached to the celestial, afraid of falling. When he saw it, he smiled, taking it in his hands and covering its wing. The sun approaches, the parents scream and run guided by the sun toward the dark end of their little ones. That celestial threw the tweedle off the cliff... And it flew, the last monster of the shadows took flight accompanied by the celestial who guided it to the Moon, which has already hidden.
ㅤㅤㅤㅤㅤㅤ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
"Come Little Children
The Time's Come To Play
Here In My Garden
Of Shadows"
ㅤㅤㅤㅤㅤㅤ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
It was the last thing that was heard in the echo of that cliff
The next day the continent was silent, an entire generation had disappeared into the darkness. For years the monsters refused to sing until the story was forgotten and ignored...
What happened to that celestial? Every day he smiled, looking at those who could not do anything, at the fire celestial that could not illuminate the night and now his people were in despair and silence.
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"This is a story that I like to remember, there is nothing physical to prove it, the original grumpyres have perished naturally, their descendants vaguely remember the story. However, I know what I once saw, the memory of what I lived. No matter how much time passes, my wing has never felt better. Still, I miss the purple of my old feathers."
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mooseyspooky · 2 months
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Moz Solo was already on it @lovely-lady-fox! FamousWhenDead posted the whole thing:
Johnny Marr: How could Meryl Streep agree to be in Mamma Mia?
The guitarist lets us into his cultural life, from his love of David Hockney to making his friends watch a Joan Didion documentary
My favourite piece of music For a long time now, it’s been My Goal’s Beyond by John McLaughlin. Like his work with the Mahavishnu Orchestra, it is in a genre entirely of its own. It’s unquantifiable and makes me feel a certain way, no matter what happens in the outside world.
The lyric I wish I’d written “You’re going to reap just what you sow”, from Perfect Day by Lou Reed.
The instrument I wish I’d learnt Piano. I can play it, but only in amateurish fashion. I should say though there are guitar players who play the piano nicely like Neil Young, Paul McCartney and David Bowie. They play it as a means to an end and do wonderful things with it. But I would like to be a few levels up from there.
The music that cheers me up Any good pop music, which by definition usually means contemporary. There are things from my past that of course make me feel good. But there’s something about hearing music that’s fresh, upbeat and represents the modern world — it makes you feel that everything is OK.
I’m having a fantasy dinner party, I’ll invite these artists and authors Gary Oldman, Muhammad Ali and certainly Marilyn Monroe.
And I’ll put on this music Spirit Power: The Best of Johnny Marr.
Overrated I don’t tend to like shitting on people, but Mamma Mia!, for God’s sake, or We Will Rock You or any of those sorts of musicals. How did it get to that? We’re supposed to go along with the idea that they’re good. What was Meryl Streep thinking she was doing starring in that film, and Julie Walters? What were they thinking? There are a lot of things culturally that we’ve just gone along with and they really must stop.
Underrated
Blindboy Boatclub, the artist and musician from Limerick, is best known as one half of the Irish comedy hip-hop group the Rubberbandits. He’s amazing, has such an interesting way of thinking and also hosts the brilliant series The Blindboy Podcast too. One of the best books I have ever read is his Topographia Hibernica. I can’t recommend him or it enough.
My favourite author
Aldous Huxley. People would assume I’m thinking about Brave New World orThe Doors of Perception, but I’m actually referring to his work after he moved to the United States in the second half of his life. His essays and lectures are even better than his earlier work. I rediscovered him in the Nineties and he is my actual hero. Everything you read of his is an education.
The book I’m reading
Autobiography of Red by Anne Carson. It’s a trip, moving around from style to style. The novel is loosely based on Greek mythology, but set in modern times. It’s relatable and super interesting. PJ Harvey introduced me to Carson, an intriguing cross between an essayist and a poet.
The book I couldn’t finish
The Perennial Philosophy by Aldous Huxley. Just couldn’t do it.
The book I’m ashamed I haven’t read Ulysses by James Joyce. It just sounds so hard going. I love the idea of it and feel genuinely bad that I haven’t read it, but I do also feel like I know so much about it already. I admire it enough, without feeling the need to put myself through the hassle of reading it.
My favourite film Sergio Leone’s film Once Upon a Time in America. When it was first released, I went to see it a few times and decided then it was the best thing I’d ever seen. I recently saw The End We Start From, starring Jodie Comer. It’s so good. Amazingly, I came away from it with this feeling of triumph of the human spirit. It says a lot about what it means to be human and what we fundamentally need, which is compassion, connection, love and understanding. And Comer is just so believable in the role.
The box set I’m hooked on I’m rewatching Nurse Jackie. There’s so much good stuff out there that whenever I occasionally revisit old, great stuff, you forget how much it stands up. I like anything Edie Falco is in. I also have just rewatched the documentary Joan Didion: The Center Will Not Hold. I’ve watched it at least three times and whenever someone comes to my place that hasn’t watched it, I watch it with them.
My favourite TV series It has to be Mad Men. One of my friends is eagle-eyed and noticed that when they put an album on a turntable, it has the correct label from the Sixties. That’s crazy.
The film I walked out on
There are loads, often stuff I take my kids to see and they don’t even notice I’d left. I didn’t enjoy Baby Driver — I didn’t like the music in that at all.
I wasted an evening watching Manchester City play in the Champions League final in 2021.
The last movie that made me cry These days I can cry at almost anything so I can’t remember.
The place I feel happiest Running around Brooklyn, over the Williamsburg Bridge. Or around Portland, Oregon. Whenever I’m at those places, I always run unless I’m injured. I’ve done a lot of things in my life, but nothing quite beats that.
My guiltiest cultural pleasure Cheese and onion pasty, chips and peas. Anybody who says that’s not a culture doesn’t know what they are talking about.
If I could own one painting it would be We Two Boys Together Clinging by David Hockney. Any of his work would be a dream to own. Even the iPad stuff is beautiful. I went to see David Hockney: Bigger and Closer at the Lightroom and it was great.
FamousWhenDead's post of the article
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gellertalbus · 1 year
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Hi! What’s your take on Gellert childhood and Durmstrang years?
❗ long post warning ❗
very VERY interesting question, thank you anon! Trying to guess Gellert's childhood is one of my fav hobbies. Let's get on with it!
Family: my headcanon is that he comes from a rich austrian pureblood family. Like his father probably worked for the austrian/german ministry or had a (boring) high position due to his family name. From his mother side, someone must've been a Seer in the past leading that part of the family to be slightly hung up on Divination while his father was more skeptical about it. They lived in Vienna but also had an old half-abandoned castle among the Alps, the future Nurmengard. Gellert absolutely loved to go there. He was an only child. Also my headcanon is that he played the violin. I read a lot of fics where Gellert plays some music instrument and it's mostly the piano, but i think the violin suits him more. I myself am a fan of violin music and the wide range of its sounds (gentle, enigmatic, elegant, epic, rough, romantic, sensual, tragic) is like Gellert's personality put into music. Also, Jamie playing the violin? That is a sight to behold!!
Looks: he has his mother's blonde curls and cherubic aura (she is a Bagshot from her mother's side, hence she's Bathilda's niece) while his chiseled features and overall facial structure come from his father.
Childhood: i imagine he was a very energic and impulsive kid, always moving, always doing something, learning, exploring, daring, spending a LOT of time on books but also outside. He often disobeyed his parents using his precocious powers whenever he wanted and not really caring about the consequences. This unsettled Herr and Frau Grindelwald, like i'm not saying they were scared of their son, but they knew Gellert was different, that he could do things other kids his age couldn't, that he was a prodigy (i just KNOW baby gellert was capable of intentional wandless magic and no one can change my mind). He received a strict education as it usually was in the 19th century, learned different languages such as english, french and russian and could dance a damn fine waltz.
The Sight: he had his first vision when he was about six/seven. They were just brief glimpses like flashes that left him very confused and shaken up. As the visions came more frequently and more unsettling he began to kinda isolate himself, being more silent and less lively. Like if you think about it, having the Sight is a very awful business, i'm not trying to justify his future actions whatsoever, just saying that waking up every day knowing that all kinds of horror and destruction might happen in the future SUCKS and that surely took a toll on his soul and personality.
Durmstrang: this is rather obvious but he was top of the class in pretty much everything, like from a certain point professors didn't know what else to teach him so he just sat at the end of the class bored as fuck. Students either feared him due to his Sight and the common knowledge he delved in Dark Magic more than the usual durmstrang policy allowed or they idolised him because of his charisma and idealism. He had friends but I'm not sure if he ever considered them as such, more like "people i happen to spend the time with". Some of them might've ended up as pawns in his grand scheme of things. Like this is one of the many factors that drew him to Albus. Being both brilliant, outstanding and always way ahead of the people around them, they surely must have felt constantly out of place, isolated, alone.
Possible trauma: Mads actually hinted at the possibility he went through some traumatic experience involving his family and the muggles hence his hate for them and i quite agree with him. Maybe his mother was killed? Both his parents? Again, give us some crumbs...
He saw Albus in his visions: this is a common headcanon and i couldn't not mention it. I think that yes he saw Albus in his visions way before he went to Godric's Hollow but did not necessarily act on it. Like he just kept Seeing him and felt a powerful connection to those blue eyes framed by gorgeous auburn hair ❤
Also, and i think we can all agree on this, Gellert is definitely a cat person right?
Thanks for your question, anon, and apologies for the rant! 🖤
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thefringespod · 3 months
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We're gonna do something a little different this #AudioDramaSunday! This week was one where music was my go-to rather than podcasts so instead of episode reviews, I'm gonna do a track-by-track breakdown of all of the music released so far for The Grotto as I had it on repeat
Starting off with Hush which is the first song on the album and also the show's theme. It's got a brilliant beat to it accompanied by these bursts of vocals that crescendo into a harshness that's excellent. The HUSH gives me chill every time. I'm fully obsessed with this song
The next track is the first instrumental. Dejected feels like the music you would find in a cave. It's creeping and wet and a little haunting before the softness of the piano and the beat hit. This song has a heartbeat to it that feels tangible in the best way
Buried Alive has some of my favorite lyrics Athan has written. There's just something about the way he sings "Maybe I would be happier buried alive" that chills me to the core. Also something you'll notice is Athan likes vocal modulation a lot and it always works so well
Matt's (Usually) Confused is very aptly titled. It starts soft and slowly builds to become more all encompassing, feeling like Matt's racing thoughts as it does so
I Will Follow You Into the Dark fucks me up (positive) "Love of mine, you will die, and I'll be close behind" like Athan how am I meant to recover from that? This song as a depth to it that can be felt, like it's carving its way into a deep cave and submerging itself in the dark
I absolutely adore Emily's Theme! There's something about it that brings the word "fleeting" to mind, like Emily is running through the music and making her way out through the song itself
Which leads us to Stumble Into You and holy fuck yall Lyssa Jay has a lovely voice. Yes I'm biased because I love Lyssa but I'm also RIGHT! This song makes me a little feral, especially where Lyssa and Athan meet in the song its beautifully done
We're at the first cover on the album! This is literally the only version of Ghost of You I will listen to, Athan brings a life to this song that punches to the lyrics way more effectively than the original version does
It's Cryptic in the Grotto is another very well named song because it sure can be cryptic in this godsdamned Grotto. The whispering of it all leaves me unsettled in the best way before opening into this plucky instrumental I'm obsessed with
Looking for Answers is so Orpheus and Eurydice coded that it drives me insane. "I still feel you behind me. Your breath is slow. I'm terrified I'll end up alone." Athan you can't do this to me. There's also a lovely fast bit in this with lyrics ricocheting through the verse
Athan's cover of Hurt might actually be my favorite version of this song I'm sorry except I'm not. It suits Athan's range so well and has this almost gravely texture to it that makes me feel like I'm going feral. Everything about it is deep and dark and wonderful
Coping is NOT aptly named. You know what Matt ISNT doing? Coping. He's not coping AT ALL. It's a beautiful song and it also has some of my favorite Athan lyrics but it's from an episode called Coping and let me tell yall Matt is not making good choices in this show
If You Could See Me Now breaks my heart in the best way. The idea of trying to make someone proud while knowing that you're disappointing yourself so you're not making them proud kills me. The instrumental/electronic portions of this song are incredible
Hush (Acoustic) is wonderful and light and I cannot hear it without thinking of the episode 4 credits which make me want to shake Athan (affectionate)
There is a cover of Chasing Cars (one of my favorite songs of all time) performed by the Fringes' very own @taytayheyhey (one of my favorite people) and it became my most played song of the year *so fast* Its a wonderful and almost haunting cover of one of the songs of all time
Last song! Waiting Room also breaks my heart open in my chest because Athan did lyrics too good. "If you were a waiting room, I'd never see a doctor I'd just sit there with my first aid kit and bleed" circles through my brain at all times and I'll never forgive Athan for it
Everyone should listen to The Grotto because it kicks ass And you can check out the whole album on bandcamp https://thegrottopod.bandcamp.com/album/the-grotto-season-1-part-1. Athan said it should be on Spotify soon as well
In terms of shows I actually listened to this week, I listened to the new eps of @tellnotalespod , @woebegonepod , and @camlannpod which were all incredible as always
Here on the Fringes you can access episode 21 right now by visiting patreon.com/PineTreePods! This episode is very dear to my heart and I can't wait to share it with y'all
Thats all for this week! Please check out The Grotto if you haven't already (and not just because my friends are there it really does kick ass) Should be back in the swing of podcasts this week so expect a regular ADS post next week :)
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quicksilversnails · 2 hours
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I only got to join about halfway through the clown princess drawing stream yesterday, so I was listening back to the beginning of the VOD, and um? They played a new track from the Pristine Cut? Can we talk about this??
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(Discussion on the track begins at 20:08, track starts at 21:06)
It's got a great orchestral sound with lots of woodwinds, which reminds me a lot of the Damsel's themes. There's also a sense of warmth to it that makes me think of A Kiss from a Thorn, and even of The Unknown Together. It's a really pretty track.
What really fascinates me about it though is how it inverts the main Princess motif in a pretty unique way. Instead of the usual rising arpeggios in the piano, there's falling arpeggios, which are heard throughout the track. The four-note tune in the flute is a variant of the main Princess motif played in reverse.
It took me a while to figure out what the melody played on the cello(?) is based on, but it's actually the second half of the Princess theme, reversed and played in equal measure. When combined with the flute, they play the nearly the full Princess theme in reverse, which is so incredibly cool!
This concept of inversion makes me think of another preview where the "stairs down to the basement" instead appears to be an ascending staircase:
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This seems fairly likely to be a Damsel Chapter 3 considering the instrumentation and design of the cabin, but this comes with another layer of thematic implications... In a Chapter 2 about archetypal ideas of the hero and damsel, what does it mean to have a Chapter 3 where the game's own musical and structural archetypes are subverted?
I really adore how Slay the Princess' OST supports the ideas and themes of the game through musical devices. The whole game has 3 leitmotifs (The Princess, The World-Ender, The Shifting Mound), but even just within their respective tracks, there's so many connections. For example, the bass arpeggios in the Princess become the melody of the World-Ender, and both motifs appear in the piano of the Shifting Mound. (This post by @tvlandofficiall goes into more detail)
With the way these themes meld into each other, are they even separate themes, or the same theme, just seen through another perspective?
Meanwhile, every other track in the game is built off of just these initial themes. Besides being a musical feat, it's also significant that no matter how far the story strays and the environment changes, it is always represented by the same themes, all of which represent the Princess in some form. Everything, apart from the silence of The Long Quiet and the fading murmurs of the Echo, is Her.
All this is to say that the music in this game absolutely says something about the characters and its story, and I think that this new track is no exception (and also that Brandon Boone does brilliant work and I respect the hell out of this entire dev team).
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pep-the-artemis · 1 month
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Can we talk about how brilliant Dolls theme is!
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It's very much comprised of two parts, the lone piano and the eerie (almost monstrous) background music which advances into the foreground.
The lone piano very much represents Doll and how she isolates herself both mentally and physically from others. The tune is solemn as she's in constant grief over her parents but also has this sharpness to each note very much encapsulating her rage.
The background tune very much represents the Absolute Solver, at first it is quite but slowly grows inside her becoming more powerful.
The song also mirrors Dolls life.
in the beginning its just Doll, she feels alone and isolated after the death of her parents. The notes are also isolated with long gaps heightening this silent emotion of grief.
Then the Absolute Solver arrives, quiet currently compared to Dolls piano as the AS still weak. The two talk back and forth, with Dolls piano taking a high seemingly curious pitch, the tempo has also increased mirroring spoken words.
The next part of the song they're both playing in tandem with the piano still taking lead, this very much is Dolls acceptance of the power we see in episode 2 and 3.
Then the AS makes a grotesque sound emanating the unnatural nature of its power, i think this very much is referencing how at the end of episode 3 Doll survived death but ended up permanently mutilated and also a turning point for the AS and there relationship.
The next part of the song is the longest and very much comprises of a transition. At this point the piano and AS music are no longer differentiable, they're together as one melody; as the tune progresses the piano becomes harder to hear as the AS music envelopes. This very much references episodes 4-7 in how the distinction between Doll and the Absolute Solver is decreasing.
Near the end both tunes increases in sound reflecting the internal battle heating up as Doll tries to escape her curse.
Then the song drops to silence, representing Dolls death.
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