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#My st talks
kocch · 6 months
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lmao i love watching italian movies and finding a random guy who is perfect for older will hc (again)
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(btw is a gay movie i just found on netflix so maybe it's gonna be good too, i mean it's ferzan ozpetek)
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mroddmod · 1 year
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the party visits Hawkins for the holidays, circa December 1991.
i was lucky enough to get to participate in a secret santa gift exchange along with my friends, some of the most talented people in the stranger things fandom! my recipient was @halosketches, one of the coolest people i know. it was a pleasure to be able to work on this and i'm happy to able to share it now! happy holidays, boys 🫶
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hensel-x · 1 year
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finally finished my Vaguely 80s Zombie Boy 
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kaiminluu · 1 year
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no wonder his calls to cali never went through
happy late birthday to my favorite character in the world michael wheeler
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thefreakandthehair · 1 year
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not inspired by my fiance for once, but by a friend! this is the meme referenced. just a little funny sorta-crack future ficlet. enjoy!
"Steve... what the fuck is this?" Eddie doesn't even let Steve set his work bags down before he's shoving his phone in his face, the meme Steve sent him earlier glaring up at him.
“A meme? Was that not clear?" Steve smirks and drops his bags, his shoulder brushing Eddie's as he scoots past him.
One of his students had managed to work the class into such an uproar over that exact meme, shouting various band names and excitedly discussing their choices, that Steve had given up and joined them. It’s the end of the school year anyways, and even his administration understands that the last week of school is all about survival. That’s how he ended up with a photo of a Create Your Dream Concert Lineup For $100 meme, and that’s how Eddie ended up spiraling into an existential crisis about it.
“But the numbers don’t add up!” Eddie complains, following Steve into the kitchen with his phone still open, the offending screenshot still unchanged despite how many times he’s looked at it. “With the price of each band, I’d have to choose between Metallica, Ozzy, and Iron Maiden.”
Steve scoffs and shakes his head as he grabs a water bottle from the fridge, shutting it with his hip and leaning back against the counter. “That’s right. $100 budget, so one has to go.”
Eddie stares at him, insulted and slack-jawed at the suggestion. “That’s not possible. I’ll just steal from you to round out the cost.”
“No can do, Munson. I already spent mine.” He winks and sips his water, watching Eddie’s eyebrows furrow.
“The fuck you did, these are all metal and hard rock. I don’t see Springsteen anywhere on this list, and I’ve stared at it a lot.” He waves his phone for emphasis.
Steve has, in fact, chosen his line up, probed and prodded by his students last period. Some of the bands he recognizes from his decades of partnership with Eddie, others he’s come to know on his own or from students. So sure, he has a line up, and if he spent a bit too much time thinking about how to get Eddie worked up about it, well, that’s between him and his phone.
He holds up three fingers on the hand not covered in condensation and ticks them off one by one.
“Ozzy, $40”
Eddie gasps.
“Slayer, $20.”
“Steve, what—”
“Queen, $40.”
Eddie blinks once, twice, before he sets his phone down and closes the distance, holds Steve’s face with both hands on either side, and tugs him in for a ridiculous, dramatic kiss. Steve laughs against his lips and pulls back, letting go with a loud mwah.
“I have to say, Harrington,” Eddie starts, his hands still firmly in place. “Other than our wedding, and maybe that one pick up basketball game I went to, this is the hottest you’ve been.”
Steve can’t help but to preen a bit, proud that his plan has worked— that Eddie’s proud, that Eddie’s looking at him with that fond smile and warm eyes over something so silly after all of these years.
“Oh really?”
“Hell yeah, sweetheart. I mean, Ozzy? Queen? Slayer? Talk metal to me.”
Eddie tugs him closer, wrapping both arms tightly around Steve’s waist and pressing their lips together again, this time with more heat, more urgency. Steve lets himself sink into it for a moment or two before he breaks the kiss, his own lips red and shiny.
“Metallica.”
“Steve, you’re killing me.”
“Megadeath.”
“How do you—”
Steve grins and leans closer, whispering into his ear. “Pantera. But only if it’s before Dimebag’a death.”
Eddie laughs and pulls his bottom lip in between his teeth. “You little shit, all these years I thought you were tuning me out and here you are, weaponizing it against me.” If they were still just dating, still in those early stages of their relationship, he’d be embarrassed at the way his pants tighten. But it’s not, and he’s not. “Wanna?” He nods towards the stairs, the ones that lead to the privacy of thier bedroom.
“Oh, not yet. No.” Steve almost laughs at Eddie’s confused head tilt. “You’ve gotta make your line up first.”
Eddie steps back, his hand over his heart and mouth ajar. “You— oh, for fucks sake. Alright, give me a few minutes.”
Turns out, Eddie can choose between Metallica, Iron Maiden, and Ozzy pretty quickly when the stakes include sex with his husband.
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bidoofenergy · 2 months
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i can't feed him anymore
"Beef Jerky That Makes People Sad" - Mari Casey | "Silver Springs" - Fleetwood Mac | "Bite" - Mattias Beechey (@studiomattias) | "grief painting 1" - Karis Upton | unknown | "HOPE YOU'RE WELL, PLEASE DON'T READ THIS." - Lev St. Valentine (@dogrotpdf)
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lunabug2004 · 2 months
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There really is no straight explanation for this look.
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or this whole range of expressions (the eyebrow raise?!)...
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Or... y'know... any time this boy looks at Will Byers at all...
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Okay this could go on forever so I'll stop here but... Mike Wheeler, the closet is glass.
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swearingcactus · 1 month
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can we talk about how V gives other people second chances to live when he was only granted a second chance to die, and how little v is kind of a dying sunflower because he, too, is something cheerful that’s wasting away..?
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creaturecannibal · 8 months
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orange album art through the years
talking heads - speaking in tongues (1983) // the smiths - louder than bombs (1987) // broadcast - work and non work (1997) // jeff buckley - sketches for my sweetheart the drunk (1998) // blur - 13 (1999) // st. vincent - actor (2009) // frank ocean - channel orange (2012) // tyler the creator - flower boy (2017) // fka twigs - magdalene (2019)
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kocch · 2 years
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when I say that Will being canonically gay in stranger things is the biggest proof we need for byler it’s not simply because we know he is gay and that’s it - there is context that comes from being in fandoms for something like 12 yrs or more. 
first of all, I’ve started watching ST because of people talking about will and byler on twitter (in july), as a person who barely knew anything about it (I didn’t even know mike and el were a couple, so I was super surprised they decided to make it romantic in s1 when I didn’t really feel like it would happen). 
i was a sherlock fan who shipped sherlock/john. i’ve shipped non-canon couples for a long time (fandom spaces are queer spaces a lot of times). i know what it feels like to read things from a text that could imply things - a text that could be queercoded, depending on interpretation. i know what it feels like to have fun with fanon and ship things that are potentially there, but not textually canon (like steddie or ronance, imo). it’s fun and it’s mostly harmless, until the writers decide to use it as queerbait to make their fandom stay with them for a long time because they’re rooting for their queer ship (i think supernatural is the worst example of this, as they confirmed the one-sided love and then killed the queer character and sent him to hell LMAOOO). those are milking the fandoms, knowing the strongest core of a fandom is the hardcore ones (many queers) and not the casual public.
i’m a big fan of hannibal, yuuri!! on ice and she-ra, three shows that are mostly queercoded until they aren’t (and they confirm the queer ship to be canon). i swear, people CAN tell. you can see when there is a creator and writer and team who truly wants to tell a queer story/relationship, even when they can’t show it openly (like hannibal or yoi). as a person of the community myself, i’ve been able to tell it was canon. it’s different from fans just shipping things, or queerbaiting, there is care and intention and writing and parallels and romantic framing and so many things that make you see that it is there.
(now, for byler i hope it’s different. every straight couple in ST has at least one kiss and i think byler HAS to have at least one (dramatic, passionate, show-stopping) kiss because it would be totally unfair if they don’t. they have to be totally and utterly canon)
what is different about byler and stranger things, compared to sherlock or other shows for the straights? 
it’s will being canonically gay. bbc sherlock would never do that. bbc sherlock would mock feelings. he would laugh about love. he would probably be even a bit homophobic, just for the sake of it.
and it’s not just will being canonically gay, it’s his love for mike being canon. i’m sure other people have said it, but will’s love for mike is NOT JUST A CRUSH. it’s not ridiculed. sure, it’s used to forward a straight ship (that is sinking), but the story is not finished yet and i want to believe that byler is endgame and the writing in s4 was meant to 1) leave things uncomplete and unseattled between mike and will, between lies and non-confessed feelings; and will being in the middle of a relationship that is sinking. 2) mike responding to will’s feelings of love and to no one else, not even el begging for him to say he loves her. 3) making EVERYONE AND THEIR MOTHERS feel sorry for will. cry for will. pity will. root for will. root for GAY WILL. (people who think he is straight and he loves el don’t count, those are morons) 
will’s love for mike is LOVE in capital letters. it is not a crush. it’s never treated as something to laugh about, or something like a one-sided crush like Dustin’s crush for Max or Steve’s crush for Robin, those feelings are clearly more superficial and you can see that they’re not gonna happen from miles away. will’s love is A LOVE THAT MOVES MOUNTAINS. it’s totally romantic. deeply rooted. it’s like those loves you can see between jancy or lumax or even more jopper in s4, a love that saves one another, that makes people do crazy things, a love that is inherently part of the character, that makes them FEEL and DO and LIVE and you can’t imagine them not being in love with that person. 
these writers know how to write that type of love. each canon ship they made (even s1/2 milkvan in some ways), i’ve loved it. they know what they’re doing, how to make it feel like it’s true love even without writing grand love confessions or making them kiss every other episode. it’s in THE NARRATIVE, the things the characters do and say and imply.
and even more, about byler... something i wrote in a fic i’ll never finish but imo it’s the biggest point we can take away from will’s love and confession in s4. WILL SEES MIKE. will sees mike for who he is and loves him anyways. he sees the best and worst in him and still loves him and knows him and grounds him to reality and tells Mike how he could be the best version of himself, pushing him to fight for it (you are the heart). will’s love is ancient and deep, it’s a love that we don’t even know when it started, it’s always been there, it’s always been part of will (and part of mike, because it IS MUTUAL). it’s like breathing. like the sun every morning, it’s just there. it’s not going away. it’s not even a choice, at this point, there is an helplessness in the love will feels - it’s too big and too much for him he would love to run away from it, but still he can’t deny his heart. 
and that’s why i think byler is endgame. because will is canonically gay, and he is in love, and no one is making fun of him for that. his love for mike is serious, profound, romantic, genuine. it makes you cry and root for him. it’s LOVE. the strongest of forces. and every byler scene is made with care. it’s never taken lightly, not even their fights, they always matter. there is no mocking in there. no sneer. it’s treated genuinely. almost like the creators are telling you: “look here, look at them, it matters. it matters to them and it should matter to you. there is something serious brewing here, and it is romantic love”
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suntails · 11 months
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oh i forgot. happy pride month
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robynrocksforbrains · 8 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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sharkysherbetz · 7 months
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Let him infodump
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This is what Zelda gets for getting help from a random train obsessed kid
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kenobihater · 2 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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miramelindamusings · 1 year
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I’ve been drawing Eddie and Chrissy lately :)! The first one is a sketch for an idea I have where its a hellcheer version of Francis Tipton Hunter’s “Helping with Homework,” and the last one is a bit of a continuation of Eddie and Chrissy exchanging mixtapes--Chrissy is listening to ZZ Top’s “Pearl Necklace.” Also, I’m not sure if anyone else remembers Schoolhouse Rock! (it was already old when I was a kid), but it was an American educational program from the 70s and I thought it might be cute for them to bond over it - “3 is a magic number” is a personal favorite (x)!
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