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carriagelamp · 4 years

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~ Queer Lit 30 Day Book Challenge ~

I decided to do this challenge I came across for June! Originally it was designed as a “day-by-day” thing, but my June was way too hectic to do a write up every single day… so I decided to make a nice compilation for the end of the month instead!

This is perhaps not the “purest” form of the challenge but I wanted it to be personal for me. Growing up when I did and where I did, I had very little exposure to queer books, especially age-appropriate queer books. That being said, there’s some books on this list that are really only “queer” by technically, or through a secondary character rather than the main character. I debated whether to include these but finally decided that, yes, I would. I owe it to myself. Even though some of these books that aren’t “as queer” as other, they were (or are) really important to me as a queer person and my journey is understanding that, so I wanted to acknowledge them!

More info about the books and the challenge under the cut!

Day One: First Queer Book You Remember Reading

Color by Taishi Zaou and Eiki Eiki

Remember how I mentioned a lack of available, age-appropriate queer books? I was one of those kids who was definitely exposed (probably too young) to queer manga/yaoi. It wasn’t necessarily what I wanted, especially as a wee ace teen, but it was the best I had at the time and it meant the world to me at the time, to see same-sex relationships even if looking back on them is very “YIKES”.

I’m sure I read others before this, but Color is one of the first that I really remember and which I a) actually owned and which b) wasn’t completely repellent in hindsight! I haven’t reread it in probably over a decade so I have no idea how it stands up, but at the time it read like a much more “realistic” account of two teenagers developing a crush and starting a relationship and as a questioning teenager it really helped me realize that this was a real, viable option.

Day Two: Queer Book That Reminds You Of Home

The Witch Boy by Molly Knox Ostertag

I hummed and hawed about this one for a long time because honestly I tend to read books that make me feel far from home. I decided to go with The Witch Boy though because it’s a story that challenges gender norms and stars a large family out in the woods, running wild and exploring magic, and honestly it gives me vibes that remind me of vacationing with my extended family. We’re also partially ginger and inclined to run wild in the woods. If we knew magic we’d have used it for sure.

This book is about 13 year old Aster, who lives in a family where the women all become witches and the men all become shifters. Aster, however, has no interest in shapeshifting and instead finds ways to study magic and learn the arts of witchcraft while constantly being pushed out by his female relatives… though everything might change when a new danger, that may or may not be connected to Aster studying magic, begins to appear.

Day Three: Queer Book That Has Been On Your TBR Too Long

Beneath The Citadel by Destiny Soria

That was an easy choice, this has been sitting on my bookshelf for months, staring at me accusingly every time I enter my room. I’m really excited to read it (Magical heist? Rebellion? With an asexual protagonist? Yes please) but for some reason I have not gotten around to it. Some day, baby, some day.

Day Four: Queer Book With A Name Or Number In The Title

George by Alex Gino

George is an absolutely charming middle grade novel about a child named George who the world perceives as male… but who knows she’s definitely a girl. The novel begins when her class decided to put on a play about the novel they had just read: Charlotte’s Web. George is desperate to play Charlotte, her favourite character, but isn’t even allowed to try out because it’s a “girl’s role”. George and her best friend struggle with how to handle this problem and manage George’s secret amid elementary school and home drama.

This book is really adorable – it was a nice, easy, cozy read for an adult, and would also make a great read aloud to elementary-age children if you want to introduce them to transgender characters.

Day Five: Queer Book Where The Protag Has A Fun Job

The Magic Misfits by Neil Patrick Harris

Not actually a queer protagnoist, but a queer side character who plays a major role in the series. Mister Vernon, one of Leila’s fathers, has arguable the coolest job: he’s a retired stage magician turn magic shop owner, which is complete with large rabbit, hidden room, and tons of fascinating gadgets to help a young practical magician learn their trade. He is hands down one of the neatest character in the series and is a major catalyst throughout the series.

The first book follows Carter, a runaway orphan who practices street magic to get by, as he runs away from his horrible uncle and winds up meeting a gang of magic-loving friends in a small town. Hiding from his uncle is only the beginning though, and the mysteries surrounding the town and Mister Vernon become thicker and thicker as the series goes on.

Day Six: Favourite Queer Graphic Novel

Check, Please! by Ngozi Ukazu

There’s lots of fantastic queer graphic novels out there, but I have to name Check, Please! as my favourite (and not just because I’m Canadian and am legally obligated to at least show interest in a hockey story). Check, Please! is the friggin cutest story about Eric “Bitty” Bittle, former figure skater and avid baker, who joins the Samwell University hockey team. The story is told in the form of Bitty’s vlog as he recounts the bizarre quirks of the Samwell hockey team, his struggle to overcome his fear of checking, and his growing crush on the team captain, Jack. Seriously guys, this is cavity-inducing sweetness and you can read it all online for free, here on tumblr @omgcheckplease or at its own website, checkpleasecomic.

Day Seven: Queer Book You Often Reread

Boy Meets Boy by David Levithan

Another book I haven’t reread in years, but this was the first queer novel I ever read (and owned!) so I read it obsessively, first the copy from the high school library and then my own copy (which is, let us say, well-thumbed by this point). It was pure fluff, in an aggressively diverse, relentlessly accepting, rainbow-coloured high school and it was exactly what I wanted in high school, and it still makes me happy whenever I remember it. It’s a straight-up high school romance, pretty traditional to the genre, but it has the most delightful supporting cast you could ever ask for. Maybe I should reread it again this summer…

Day Eight: Queer Book With A Happy Ending

Of Fire and Stars by Audrey Coulthurst

This was a bit more of a “yeah it was fine” book for me, but honestly… queer people deserve some average, run-of-the-mill YA fantasies. As far as my normal reading preferences go, run-of-the-mill YA fantasies are my bread and butter. And this one has a cute sapphic romance to go with it. It’s about Denna, a princess with a dangerous secret: she has a magical Affinity for fire, despite being betrothed to the prince of a kingdom that aggressively prosecutes and fears magic-users. So now Denna is in a strange land, trying to hide her increasingly volatile magic, solve an assassination that rocked the kingdom, and deal with the growing connection between her and the prince’s wild sister, Mare. It has court intrigue, a murder mystery, horses, and lots of confused sapphic pining so it’s totally worth picking up if you want a light summer fantasy adventure.

Day Nine: Queer Book With (Over) 100 Pages

River of Teeth by Sarah Gailey

I decided to try to get as close to 100 pages as possible! River of Teeth is a 114-page novella that I haven’t quite finished (work and covid stress happened) but which I am fucking losing my mind for. I can’t recommend it enough. It’s peak alternative history, about queer hippopotamus-riding cowboys in Louisiana during the early 20th (late 19th?) century. Like… I don’t know how to emphasize how unbelievably cool this book is. Genderqueer demolition expert with a giant crush and a penance for making things blow up and attempting to poison guests when they’re bored?? Check. Gay gunslinging hippo-riding cowboy with an angsty backstory (and also a giant crush)? Check. Sexy, fat, badass lady con artist with an albino hippo that she spoils? Check. Like damn guys. I’m not done the book and I’ve already bought the sequel because I know the second I pick it back up I’m not gonna stop until I’ve ploughed through it all. This book is the epitome of “refuge in audacity” and “rule of cool”. Is it over the fucking top? Absolutely but that’s the point.

Day Ten: Favourite Queer Genre Novel

The Red Scrolls of Magic by Cassandra Clare

I’ll be honest, I’m a little shaky on what counts as a genre novel (isn’t… everything… a genre??) so I decided to interpret it as “slightly trashy YA supernatural fantasy” because that sure is a hella specific genre I’m weak for.

I really thought I was done with the Shadowhunter novels, I thought they were a goofy series I left behind in teenagerhood that I could look back on with amused indulgence. And then I found out that there was a novel specifically about Alec and Magnus and! Oh no! Ding dong I was wrong. I fell back in hard because listen… I love them. They were one of the first canonical same-sex relationships I ever read about in an actual novel, they meant a lot to me then and still mean a lot to me now. I have nothing to say to defend myself here except that this book wrecked me and I can’t wait for the sequel.

Day Eleven: Queer Book You Love In A Genre You Don’t Read

Laura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-O’Connel

I am very rarely a slice-of-life / romance genre sort of person. I like my stories cut with a heavy dose of fantasy, scifi, action-adventure… something. So a graphic novel that’s not only a romance, but one about an unhealthy relationship and infidelity is like… super outside my usual range of reading material. But it was very much worth the read! The art was stunning, and the complicated emotions it tapped into really touched me. I’m very happy to have read it, and was so damn satisfied by the end.

Day Twelve: Queer Book With A Strong Sense Of Place

Belle Révolte by Linsey Miller

Linsey Miller is one author I very actively follow, I love her works and they always have very distinct, complicated worlds with unique societies and magic systems. Belle Révolte was her latest book and followed a prince-and-the-pauper type of story, in which wealthy Emilie des Marais is determined to learn noonday (magical) arts in order to become a physician, someone who can actually work to make her home a better place… but this is not something a proper lady would ever be allowed to do. So she flees her finishing school and meets poor, but magically gifted, Annette Boucher and offers her the chance to switch places. Annette goes back to school as “Emilie” and gets to hone her skills at the midnight arts while Emilie will use her name to sneak into medical school and fight her way up the ranks to physician. This is a challenging enough task, with rebellion roiling just beneath the surface and the country about to slip into a arrogant war that threatens the lives of hundreds…

Day Thirteen: Queer Book That Really Made You Think

Our Dreams At Dusk by Yuhki Kamatani

This is a four book manga series that is completely breath-taking. It’s touched by magical-realism and completely drowned in visually stunning metaphors and symbolism. Seriously, I’ve reread these books multiples times trying to digest how the wide variety of symbols overlap and contradict and compliment and challenge each other. I still haven’t really gotten a solid handle on it, it’s very fluid, so yeah… definitely makes me think.

The story starts with Tasuku Kaname who believes he may have just been outed as gay by a high school friend, and feels like he’s watching his entire world crumble around him. He is seriously considering taking his own life, when he runs into the mysterious woman “Someone-san” and winds up leading him to a drop-in center that’s run by a local non-profit, and is also a hub for a number of queer people in the community. The books follow Tasuku as he grows, learns, makes mistakes, and confronts his feelings, along with a number of other members at the drop-in center. It is completely beautiful, optimistic, but also quite stark and harsh at its look at homophobia and transphobia in modern Japanese society and how it can effect people in different ways. I just bought book four and can’t wait to read it and see how everything ends.

Day Fourteen: Queer Book That Made You Cry

The Marrow Thieves by Cherie Dimaline

Holy shit guys. Listen. Listen. If you don’t read any other book on this list, please consider reading The Marrow Thieves. It is hands down the best book I’ve read so far this year. Another book that doesn’t have a queer character as the protag, but as one of the main supporting characters and listen, his story fucking destroyed me as a person. That romance just… aaaaaaah. AAAAAAAAH.

Anyway. The Marrow Thieves is a Canadian dystopian novel. It takes place in a post-climate change world in which society has been ravaged – partially due to the wildly different and extreme weather patterns, but also through a strange disease that has spread through the population that has left people completely incapable of dreaming. Now unable to rest, process their lives, and dream of a future, people are being driven insane and only one group appears to be immune: North America’s First Nations people appear to be unaffected. And so they begin to be harvested, rounded up and collected in “school” in order for people to suck the marrow out of them to give to white people afflicted by this disease. The Marrow Thieves follows a First Nations boy named Frenchie as he flees the recruiters and tries his best to survive in this post-apocalyptic like wilderness, banding together with other First Nations people who are heading north, where they hope to find communities of their own people with whom they can shelter and start to rebuild their lives.

It’s a YA level novel, not very long, and such an insanely good read. I cannot emphasize enough PLEASE GO READ THIS BOOK.

Day Fifteen: Queer Book That Made You LOL

Mostly Void, Partially Stars by Joseph Fink and Jeffrey Cranor

Welcome to Nightvale always makes me laugh and it was a lot of fun to get to read the transcripts of the episodes. I’m a sucker for novelizations/transcripts of shows. It was a nice nostalgia trip and gave me an excuse to go back and relisten to some of my favourite episodes too! If you’ve never gotten into Nightvale… hey, it’s a classic! Podcast is fucking stunning if you’re into podcasts, and if you’re not but would enjoy a weird, queer, eldritch horror comedy then try the book! It’s the first “season” compiled in text form, exactly how it’s heard in the show.

Day Sixteen: Queer Book That Is Really Personal To You

Jughead volume 1 by Chip Zdarsky et al

Including this one because gee golly it sure did make me want to fight a lot of people for quite a while. It was one of the first stories I ever found/read that had an explicitly asexual main character… (and a character I already really loved! Which I now got to feel an even stronger connection to! It was so fun and validating!) so it was super awesome how like half of tumblr decided for a year there that this was apparently a cardinal sin. Imagine… one single version of old, long standing comic series deciding to retcon a character to represent a heavily under-represented community… imagine being so fucking angry about that that you decide to start a hate campaign on the internet. So much fun to live through that as an ace person. Anyway, these comics were nothing amazing but I sure do love them aggressively out of pure spite, even now that the aphobia on tumblr has died back down I will hold this to my chest and adore it.

Day Seventeen: Favourite Queer Book Sequel or Spin Off

The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

Honestly do I even need to say anything here? Is there any queer person who hasn’t read Mackenzi Lee’s The Gentleman’s Guide to Vice and Virtue series? If you are someone who hasn’t read it yet… go do that?? Absolutely stunning, one of my all-time favourite book series. It’s the perfect combination of hilarious and goofy, intense action, heartfelt character development, and a dash of “wait was that supernatural or??” This sequel was fantastic, this time focusing on Felicity, Monty’s sister, and her quest to become a physician despite being a woman in the 18th century. Awesome look at femininity, feminism, asexuality, and race. (Also… OT3? OT3.)

Day Eighteen: Favourite Queer Book By A Favourite Author

Monstrous Regiment by Terry Pratchett

One of those “ehh is this technically queer? Not really but close enough, it is in my heart” books. It was one of the books I read as a teenager when I was still beginning to seek out and try to explore queer lit in so much as I could.

Terry Pratchett is, hands down, my favourite author, and though he doesn’t tend to write explicitly queer literature, his exploration of gender through allegory is top fucking tier. Everything to do with the dwarves in his series is fascinating, and a really great challenge/critique/exploration of gender, and this is the book that takes it to the next level (and brings in at least implicitly queer characters). It’s about Polly Perks, who lives in a small, war torn nation, choosing to join the army in order to find out what happened to her brother. However, as tradition dictates, she can’t join as a girl… so she disguises herself as Ozzer, a young man. There’s a lot of twists and turns, and as always Pratchett delivers fantastic humour and just absolutely delicious satire.

Day Nineteen: Queer Book That Changed Your Life

And Tango Makes Three by Justin Richardson

This was the book that made me realize that I, as a queer teacher, could have queer kid lit in my future classroom. Maybe a comparatively small revelation, but a really important one to me. It made me realize that this didn’t need to be something I kept a secret in my professional life and which could really positively influence children, especially queer children. It was the first queer children’s book I ever bought.

Day Twenty: Favourite Queer Book Series

Candy Color Paradox by Isaku Natsume

Alright… I’ll admit it, this isn’t actually my favourite series, but I’ve used my favourites in other spots. And this is a good one! Definitely more of an actual “yaoi” than the other manga I’ve included (here there be sex) but it has a very different vibe that what I’m used to from that type of manga. The main pair are actually both capable, mature adults, with careers they actively care about, and who get together in the first volume!

The rest of the series is less about them angst-ily toeing around their relationship, and much more about them learning to grow as a couple and balance their work and relationship and society. It’s funny and sweet, and I really enjoy these two losers. It’s a very low-stakes enemy-to-friends-to-lovers story, in which Onoe (a reporter) and Kaburagi (a photographer) are paired up on a news story they’re supposed to dig into together. What starts as a bickering rivalry gradually becomes respect, friendship, and love~ Onoe is a gremlin of a protag, so he’s a treat to follow.

Day Twenty-One: Queer Book That You Recommend A Lot

Mask of Shadows by Linsey Miller

To repeat myself: Linsey Miller is awesome! This is my favourite book of hers, the first of a duology. It’s kind of like an intense, edgy Tamora Pierce novel with murder. In this world, the Queen has a team of assassins known as the Left Hand. They’re an elite group that keeps the Queen safe and does the dirty work that needs to be done to protect the kingdom and keep the encroaching nations at bay. When the assassin Opal is killed, a contest is announced to find the new Opal. People from all over come to complete for the honour of being one of the Queen’s royal assassins, including gender-fluid thief Sallot Leon. Sal has some deep motivations to become Opal that go beyond a loyalty to their kingdom, but they’re going to have to survive their competitors if they even wants a chance at it… (Sal generally goes by either she or he in the books, but I’m using they in this instance since it’s in a more general sense.)

Day Twenty-Two: Queer Book That Made You Take Action

The Deep by Rivers Solomon

Uhh, I don’t really have any books that made me take action per se, but this one sure gave me a lot to think about. It’s about deep sea mermaids who originated from the pregnant slave women tossed into the ocean to drown during passage to North America. From those dying women, this race was born and were taken in by whales, raised and protected until they could descend into the deep ocean waters, to form their own safe society. Their collective past is so painful though that as a species they’ve developed a very short term memory. But a people can’t live without any ties to their roots and so one of them, the Historian, holds all the memories for their entire species and shares it with everyone once a year so that the community can be connected to their ancestors before once again returning the memories to the Historian for safe keeping. Yetu, the current Historian, is so overwhelmed by these memories, that she can no longer take it – she flees her people, her responsibilities, and her pain and escapes to the surface instead...

Day Twenty-Three: Queer Book By An Author Who I Killed Is Dead

Cybersix by Carlos Trillo

I cannot emphasize enough, this is not actually a queer comic, it is in fact a very homophobic, transphobic and sexist comic written by a horrible person.

That being said, he’s dead and I own it now the TV series was essentially about a genderqueer superhero and a very confused bi biology professor who has a crush on both personas. I had a passionate crush on both personas as a child, and I will cherrypick this comic until I die in order to enjoy the only kickass genderqueer/genderfluid noir antihero I’ve come across. I am valid and I am not open to debate or discussion. Do not read this comic it’s horrible (but consider watching the show).

Day Twenty-Four: Queer Book You Wish You’d Read When Younger

The Prince and the Dressmaker by Jen Wang

This is such an incredibly soft story with the nicest art. There’s so much understanding and compassion in it and its exploration of gender and self-confidence and being true to yourself would have been very reassuring to me as a child, especially by late elementary/middle school.

Day Twenty-Five: Queer Book In A Historical Setting

The Song of Achilles by Madeline Miller

A retelling of Achilles’ and Patroclus’ relationship from childhood to the Trojan war. So yeah, you can imagine that this was also a candidate for Day 14 :’) I haven’t read this one in years but god it was lovely and emotionally destroyed me as a person.

Day Twenty-Six: Queer Superhero Book or Comic

Overwatch: Reflections by Michael Chu and Miki Montillo

I don’t really read superhero stories very often (the comics have always driven me a little bonkers, trying to find a way to enter the totally unapproachable Marvel/DC canons, and the MCU burnt me out years ago for every other sort of superhero story) so this is the closest I can get. Tracer’s a superhero yeah? Anyway, I, like every other queer person in the Overwatch fandom, lost my fucking mind when this dropped for Christmas a few years back and officially declared Lena Oxton not only the face of the entire franchise but also a lesbian. It’s an adorable little comic and Tracer’s girlfriend is a sweetheart.

Day Twenty-Seven: Favourite Queer Children’s Picture Book

Prince & Knight by Daniel Haack

There’s a number of sweet queer children’s books that are popping up these days, but this is my favourite just because it’s less about “explaining the gays to children” (though those books also have their place) and more of a cute little fantasy adventure in which the actual protagonist is gay. It’s about a prince who sets out to find himself a bride who can help rule by his side, but it quickly becomes clear that he isn’t interested in any of the girls. Instead, when a fire breathing dragon threatens his kingdom, he meets a brave knight who fights along side him. It’s very supportive and the art is lovely.

Day Twenty-Eight: Queer Book That Made You Feel Uncomfortable

Let’s Talk About Love by Claire Kann

This is a book with an asexual protagonist that I was originally really excited for. I know there are a lot of people out there who really enjoy this book and connected with it, but it didn’t do it for me. Maybe because my expectations were too high, but the protagonist’s experience with asexuality was vastly different than my own and the narrative voice ended up rubbing me wrong (and let’s be honest, slice-of-life romance is NOT my usual genre at all). So it’s not “made me uncomfortable because it’s Bad And Wrong” more just… totally vibed wrong with me. Maybe the perfect book for other people but definitely not for me, I had to return this one unfinished because it’s portrayal of asexuality just made me so deeply uncomfortable.

Day Twenty-Nine: Queer Book That Made You Want To Fall In Love

The Gentleman’s Guide To Vice And Virtue by Mackenzi Lee

This book had to make it on here somewhere, and honestly it could have gone in a lot of different spots, but I chose to put it here because the relationship between Monty and Percy is so incredibly sweet and authentic it really does make you want something like that. TGGTVAV (for anyone who has somehow not heard of it) takes place in the 18th century, and is about Monty, his best friend (and crush) Percy, and his sister Felicity going on a final “hurrah” tour of Europe before Monty's father finally tries to pin him down in England and force every part of Monty that’s deemed “unacceptable” out of him. So Monty intends to live this summer up… until everything goes off the rail and the three of them are suddenly fleeing across the continent with assassins at their heels and a strange, stolen artifact in their possession.

Monty has a lot of growing to do in this novel, and that’s one of my favourite things about it. For his and Percy’s relationship to ever have a chance, Monty needs to learn and change and actually communicate with other people, and it makes the relationship feel strong. Not a fluffy, surface level romance that often happens in YA but something built from the ground up by two friends who really want to make it work. Ahh, it’s lovely. One of my favourite novels.

Day Thirty: Queer Book With Your Favourite Ending

My Brother’s Husband by Gengoroh Tagame

A two-book manga series that was completely stunning. It deals with queer relationships and homophobia in a very stark, real-world manner that you don’t often get in manga, while still being incredibly loving and sympathetic. The book is about Yaichi, a single father whose estranged brother (Ryoji) recently died. One day, a Canadian named Mike arrives, introducing himself as Ryoji’s widower. Mike had come hoping to visit his late husband’s homeland to try to get some closure, and Yaichi ends up inviting Mike to stay. The whole story looks Japan’s societal biases, through Mike’s experiences, Yaichi’s thoughts, feelings and prejudices, and those of his daughter who adores Mike.

Seriously, this is one of the kindest, most earnest looks I’ve ever seen to internal prejudices that critiques them without demonizing the person who feels them. Instead it lovingly embraces grief, growth, and love. This series made me cry multiple times, was good enough that even my straight brother practically ordered me to go out and buy the second book when he finished the first, and the ending was just *chef’s kiss*

Honourable Mentions

A few books I really wanted to fit on my list somehow but couldn’t quite manage it, so here: All Out an anthology of historical fiction short stories about queer teens. The Tea Dragon Society series and Princess Princess Ever After, graphic novels by the amazingly talented Katie O’Neill. Heartstopper a webcomic turn graphic novel by Alice Oseman about a pair of rugby players. The Different Dragon a cute picture book in which the boy has two moms and which is about accepting different ways of being. And Lady Knight a part of Tamora Pierce’s Protector of the Small series because because Kel is word-of-god aro(and/or ace) and I’ve adored that series and Kel since I was about thirteen so by god I’ll take it.

Now for those that wanted to do their own challenge, I found it on @gailcarriger’s blog.

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thejakeformerlyknownasprince · 5 years

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Hell is For Children: Animorphs as Children’s Lit

[Guest post from Cates!]

So a couple of months ago Bug asked me to write a post about why Animorphs is Middle Grade/Children’s Fiction, not Young Adult. Since she asked, I’ve read several wonderful posts from other people questioning or explaining what the difference is between Middle Grade and Young Adult, where Animorphs fits, and why it matters. Here’s my two cents as a children’s literature scholar.

To start, Animorphs’ 20,000-30,000 word count per book is a big hint it’s not YA fiction. Obviously, a book with a low word count is not automatically a children’s book, and a book with a high word count is not automatically a book for adults. But if Animorphs was aimed at teens, Applegate would likely have been expected to make the books longer. While there are a lot of great YA novels that are as short as or shorter than your average Animorphs book (check out BookRiot’s list of 100 YA novels under 250 pages,) most YA series, and especially fantasy or scifi YA series, are expected to top 100,000 words. (The three books in the Diviners series by Libba Bray have a total wordcount of 520,000 words; Laini Taylor’s Daughter of Smoke and Bone trilogy tops 400,000 words, for example.)

Animorphs’ word count isn’t enough on its own to exclude the series from YA classification, but Animorphs’ short word count also fits the trend of children’s—not YA—series fiction in the 1990s. In order to understand this trend, and why it produced books specifically for children, not teens, we need to jump back in time to WWII. Because so many American men were drafted into the military, women took over jobs that had been almost exclusively done by men, like mechanics, sales, electricians, etc. When WWII ended, thousands of men returned home, but women didn’t leave the workforce. Realizing they had an excess of young men and not enough jobs, the US government created the GI Bill, allowing soldiers to attend college for free or at a steeply reduced cost, thus stemming the influx of workers and giving the economy and industry room to grow.

At the same time, families were having children (and those children were surviving) at an unprecedented rate. Thanks to the GI Bill, college was no longer something reserved for wealthy white men, but something available to the middle and even lower class. A college education offered social and economic mobility, and the Baby Boomers, children of the GI Bill recipients, became the first generation to grow up with the idea that college was something that could and should be pursued by all.

Then, the Baby Boomers began having children in the late 1970s through early 1990s, meaning a large chunk of those children (including Bug and I) were in elementary school in mid 1990s to early 2000s. Thanks to their parents, a higher percentage of American adults than ever before had attended college. Thanks to advancements in women’s medicine, psychology, sociology, and education, among other fields, people understood as never before the importance of instilling a love of reading in children at a young age. The huge middle class was willing to invest lots of time and money in their children’s educations, because at this point not having a college education was seen as a barrier to success.

I’m sure you can see where this is going. (Kidding).

Children’s publishing exploded in the 1990s because children—or, more accurately, their parents—were seen as a huge, untapped market. Previously, children’s publishing didn’t receive as much money or attention because, the logic went, children did not have money and therefore couldn’t buy books. But then the publishing industry realized that there were literally millions of parents willing to spend money on their children’s education, and publishers like Scholastic, Dutton, Dial, Penguin, Random House, and others rushed to take advantage of this new customer demographic.

Of the ten books featured on this Scholastic bookfair poster from 2000, seven are series fiction.

Serialized fiction—ie, stories that took place over the course of several books about the same characters and/or in the same setting—was the perfect way for publishing houses to capitalize on this new market. And hoo boy was it successful. From 1993 to 1995, Goosebumps books were being sold at a rate of approximately 4 million books a month. That means roughly 130,000 books were sold every day.

Here’s a few names to bring you back: Bailey School Kids, The Magic Treehouse, Babysitter’s Club, Junie B. Jones, Encyclopedia Brown, Cam Jansen, Horrible Harry, Secrets of Droon, The Magic Attic Club, A Series of Unfortunate Events, Bunnicula, The Boxcar Children, The American Girls, Amelia’s Notebook, Dear America, Wayside School, Choose Your Own Adventure…we could keep going for days. All of those series have two things in common: one, they were either published between 1985 and 2005 and/or experienced a huge resurgence in the 90s, and two, they’re all middle grade novels. Some are aimed at younger children, like Junie B. Jones and The Magic Treehouse, and some are aimed at older children, like the Dear America series and A Series of Unfortunate Events.

The point is, Animorphs is so clearly a product of its time (and not just because of the Hansen Brothers references,) it slots perfectly into the trend of series fiction for children. If you want to claim Animorphs is YA, you also need to claim all of the series I just listed above.

Now, let’s talk about the main argument I see in favor Animorphs being YA: the dark content.

This is my personal wheelhouse. I’m planning on someday doing my PhD dissertation on trauma, violence, war, and trauma recovery in Middle Grade—not YA—fiction. I always find it funny when people use descriptors like cute, sweet, innocent, silly, light, and simple to describe children’s books. While there are certainly plenty of children’s books that are one or more of those things, there are also dozens that are the polar opposite—dark, complex, serious, violent, and deep. I once read a review of The Golden Compass which said “it’s not like other children’s books with a clear cut good guy and bad guy and a simple message.” I don’t know how many children’s books the author of the article had read, but I’m guessing not a lot. Let’s just do a blunt reality check with a few of my favorites—including some picture books which are typically for an even younger audience than Middle Grade. Spoilers for all of the books I’m about to mention.

Baseball Saved Us by Ken Mochizuki This book follows a little boy who is sent to a Japanese interment camp during WWII. He and his family deal with abuse, starvation, and sickness. Suggested reading age*? Kindergarten and up.

*(For this and all subsequent books I used reviews from Kirkus, the Horn Book, and School Library Journal to determine suggested reading age.)

Check out this picture of Shorty playing baseball while an armed soldier watches him from a guard tower. Isn’t it cute, sweet, and innocent?

Pink and Say by Patricia Polacco Pink and Say are 15-year-old boys serving as Union Soldiers during the Civil War. Confederate Soldiers kill Pink’s mother, Pink and Say become POWs, and Pink is hanged because he is African American. Suggested reading age? First grade and up.

Fox by Margaret Wild This book starts grim and just gets grimmer. Dog and Magpie have been burned in a wildfire. Dog loses an eye, Magpie a wing. Magpie rides on Dog’s head—she is his eyes, he is her wings. Fox comes and convinces Magpie to leave Dog and come with him. There are definite sexual undertones. The book ends with the possibility that Dog and Magpie will be reunited, but no certainty. Suggested reading age? Six and up.

[The text says “He stops, scarcely panting./ There is silence between them/ Neither moves, neither speaks./ Then Fox shakes Magpie off his back/ as he would a flea,/ and pads away./ He turns and looks at Magpie, and he says,/ ‘Now you and Dog will know what it is like/ to be truly alone.’/ Then he is gone./ In the stillness, Magpie hears a faraway scream./ She cannot tell if it is a scream of triumph/ or despair.”]

Tell me this isn’t a total punch in the gut.

The Rabbits by Shaun Tan The introduction of rabbits to Australia is used as an allegory for European colonization and the casual destruction of the Aboriginals’ lives and cultures. Suggested reading age? Six and up.

The Scarlet Stockings Spy by Trinka Hakes Noble A girl spies on the British during the Revolutionary War while her brother fights. He’s killed and there’s actually a description of her finding the “bloodstained hole” in his coat where the bullet struck him. How cute and silly! Suggested reading age? Second grade and up.

Meet Addy: An American Girl by Connie Rose Porter I think this works as a nice comparison to Animorphs because it’s another long-running, popular series aimed at kids just starting to read chapter books. Among other incidents, there’s a graphic description of Addy watching her brother get whipped by an overseer and a passage where another overseer forces Addy to eat worms. I actually give American Girls a lot of points for not shying away from the uglier parts of history. They don’t always get it right (*cough* Kaya *cough*) but those books are more complex than I think most people realize. Suggested reading age? Second grade and up.

My Teacher Flunked the Planet by Bruce Coville From the sight of a child starving to death to homeless children freezing in the streets, Coville certainly doesn’t avoid the darker side of human nature. Pretty sure most adults only noticed the funny green alien on the cover. Suggested reading age? Fourth grade and up.

“That was the day we crept, invisible, into a prison where men and women were being tortured for disagreeing with their government. What had already been done to those people was so ugly I cannot bring myself to describe it, even though the memory of it remains like a scar burned into my brain with a hot iron.

“Even worse was the moment when it was about to start again. When I saw what the uniformed man was going to do to the woman strapped to the table, I pressed myself against the wall and closed my eyes. But even with my hands clamped over my ears I couldn’t shut out her scream.”

Inside Out and Back Again by Thanhha Lai The Vietnam War, migrants drowning in the ocean, refugee camps, racism…this book is a bit like Animorphs in that it’s got a surprisingly dry sense of humor even as awful events take place. Suggested reading age? Fourth grade and up.

The Great Gilly Hopkins by Katherine Patterson A pretty harsh look at the realities of America’s foster care system as told by a girl who could give Rachel Berenson a run for her money. It’s not afraid to show that parents aren’t automatically good people. Suggested reading age? Third grade and up.

Stepping on the Cracks and Wait Til Helen Comes by Mary Downing Hahn If WWII, bullying, dead siblings, draft dodging, and parental abuse are too light and fluffy for you, you can always read about a child consumed with survivor’s guilt because she started the fire that killed her mother. Suggested reading age? Fifth grade and up.

“‘How do you think Jimmy would feel if he knew his own sister was helping a deserter while he lay dying in Belgium?’

‘It wasn’t like that!’ I said, stung by the unfairness of her question. ‘Stuart was sick, he needed me! I wish Jimmy had been down there in the woods, too! Then he’d be alive, not dead!’

Mother slapped me then, hard as she could, right in the face. ‘Never say anything like that again!’ she cried. ‘Never!’”

I could go on (and on and on and on) about trauma narratives for children, but suffice to say while I think Animorphs is probably the most brilliant one I’ve ever read, it’s far from the only one. Kids’ books can be dark, which is good, because if we only tell stories about white, able-bodied children living in big houses with two loving parents then we’re excluding the majority of real children’s lived experiences from our narratives.

There’s one more point I’d like to address: without sounding overly accusatory, I think a lot of the compulsion to consider Animorphs YA instead of children’s fiction is born of the adult bias against children. I’ve mentioned this before on the podcast, but Children’s Literature scholar Maria Nikolajeva created the term aetonormativity to describe society’s tendency to value the adult over the child. Like I discussed above, we have this idea that children’s books are somehow sweet and innocent, while YA fiction is darker and grittier because it addresses so-called ‘adult’ topics like sex, drugs, suicide, violence, and death.

As I hope I’ve established above, just because a book addresses these topics that doesn’t automatically mean it’s for teens. Books about heavy subjects can, are, and should be written for children. I think most of us are fans of Animorphs because it’s a series that sticks with us long after we close the neon-cloud covers. It’s a series that strongly disputes the notion of a clear right and wrong, and doesn’t shy away from the atrocities of war. And it was written for children. It was sold to children. It was read by children.

Some of us adults are just cool enough to read children’s books that treat child readers with the respect they deserve.

— Cates

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thisuserhasoriginalideas · 4 years

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(Still nameless project) Character and Species master post

Soo how some might have noticed I am working on an original Idea for a comic and this will be my Character master post which I will add to whenever I got a new addition for the cast.

The premise of the story basically some aliens going on an adventure to find earth and join a supposed interplanetary peaceful conglomeration because they caught a transmission of an old cheesy and corny scifi series (ala star trek or well early Perry Rhodan when you actually know that novel series you get a free smooch from me)

The Lophorel and the Narlaha

Those are the first Species to be introduced and well the ones where the original three crew members will start off .

For demonstration purposes I include a pic of the parents of the first three bc I still need to make a general species guide for them lol

(From left to right: Shejeren, Noroph'a, Uruphija'l, Charalah I will give some short specific info about them later lol)

Both species share one planet which is the second in their solar system and has three moons orbiting around it.

The Lophorel are native to surface of the planet and usually have a skin color ranging from very light blues to dark purples. They have gem like growths on their heads which is surrounded by a skin covered bone structure which either is build like an ark or a row of lill spikes. They have pointy ears and their bigger eyes have octagonal pupils which form a cross when constricted. Usually their Iris has the same color as their gem and their Sclera is black, in rare cases there can be mutations of color tho. With their eyes they can perceive a wide array of colors and even some elektro magnetic phenomena in their environment but they are pretty much blind in low light situations. They usually wear longer hair (short hair is seen as obscene in their culture) in different braided styles. While white hair is the most common hair color in their species there are also variants of reddish browns that can occur. They aren't very strong however but do to their legs agile and good at jumping. Height wise they can get from 1,60 m (5' 2'')up to 1,90 m (6' 2'') They are generally hermaphrodites and don't have naval due to laying eggs. They use the terms Eren (Seedgiver) and Ophat (shellcarrier) to adresse their parents and it occurs that siblings from the same parent pair use diffrent terms for addressing the same parent. They also number their children with the last sibille of their name so for example having 'rel' at the end of a name means that it is the first hatched child YEP I gonne write a language guid later someday lol . While being omnivore they have developed a distaste to eating meat and as a culture live mostly vegetarian.

The Narlaha are used to live mostly under the surface of the planet and are often called Nipht by the Lophorel which is similar to calling someone and earthworm. In turn the Narlaha call the Lophorel Kar'alarf which literally means stone-head. They are significantly smaller than their surface dwelling neighbors and only get around 1,50 m (4' 9''). They have four arms and are significantly physically stronger. Due to their carnivore nature and history of hunting they have sharp claws and teeth and usually a very dark grey skin completion mixed with red markings which makes them blend in with their stone surroundings. Their four eyes are one tones and most of the time their eye colors range from white grayish to red. They may only see the world in reddish and green tones but they have excellent vision in dark areas. The bone structure on their head helps them sensing vibrations from their surroundings. They are more like us humans when it comes to their genders and sexualities soo no big explanation here. But they don't really have their own names instead a family name is given from the chosen parent to the child with either a 'lah'(born female), 'ren'(born male), 'len' (born intersex) at the end depending on the biological sex they are born with. Also they tend to have brown to black hair only sometimes they mutate blond hair. Also there are albinos I'm the Species

In the history of their species they obviously didn't get along very well most of the time so after a view wars the Lophorel sadly established a trend of enslaving the Narlaha bc the Lophorel (having the advantage of not limited airspace) were technology more advanced than the Narlaha, who due to limited space couldn't build respected deferenses against the most of the time vibration based attacks of the Lophorel. While the violent ages of this planet are now gone both their cultures got so accustomed to the practice of slavery that there are barely any objectors on both sides of the coin. Still during the events of the story there some thing about to be changed lol.

And now off to a few words to the named characters above. They are as stated the Parents to the first three crew members of the story. Noroph'a is a rich space miner that makes his living with deploying mining ships to other planets of their solar system. They married the way less fortunate Uruphija'l due to practicality and the wish to produce taller offspring (They are a little insecure about their height). Both of them are rather strict and caught up in outdated social rules. After they conceived their first egg they bought Shejeren and Charalah bc they also were expecting a child and Noroph'a wanted their offspring to grow up with an always present play buddy bc he also grew up with a Narlaha play mate. After Charalah gave birth to a little baby daughter (Shejelah) She and her husband were kept as bodyguards for the two Lophorels while a third Narlaha took care of Shejelah and the now also hatched Ala'phrel.(Charalah and Shejeren already had a older child Chararen who at this point already worked in a diffrent household [Narlaha children get independent pretty quickly]). In general where the two Narlahas pretty happy to have landed in Noroph'a's household because their new daughter now had the privilege to get the basics of a good high tier education together with Noroph'a's offsprings which would mean that she could later find a home as a home preschool teacher which is considered a honorable position for a Narlaha. Noroph'a and Uruphija’l had one more child (Nirlaph) and even tho Shejeren and Charalah tried to also conceive again Shejelah stayed the only young Narlaha in the household.

On to the important peeps

(From left to right Nirlaph, Ala’phrel, Shejelah)

Growing up together the three established a strong bond and even tho it was planed to send Shejelah away as she got old enough to be sold off again Ala’phrel and Nirlaph both protested against their parents wishes and kept Shejelah around. This is partially because when they were younger and first got to have tech based toys the three of them build a simple signal receiver which accidentally lead them to catch an old transmission of a show called "Captain Jacks search through the stars" which depicted a utopian society without racism and slavery. They didn't understand a word of what was said in the show but the depiction of different races (even tho they were suspiciously similar in general looks) working together seemingly without race hierarchy fascinated the three kids to such an extend that they from there on strived to one-day be able to meet Captain Jack and his Crew and join their ranks. They over time established a translation of the alien language and made it their own. Learned all principles which Captain Jack resided as foundation of the peaceful planets conglomeration and started studying all skills need to actually fly a space ship.

Even tho the three kids treated each other as equals the older they got the more Shejelah had to oblige to the house rules, meaning she had to adapt to the servant clothing, had to learn formal speaking rules and wasn't allowed to speak without spoken to in general. While she did conform to those rules to some degree the suppressed aggression against them lead to her having a very strange relationship with human swear words. She really likes to sprinkling them in when she has the opportunity to speak freely. In general she seem to be a rather reserved individual (despite the swearword occasionally slipping out) but that's just as long as she doesn't trusts you. At times she seems to be just a tad sassy which is a way for her to handel her insecurities about her social status and her struggle to actually come forward with requests regarding herself, bringing her ideas forward or just simply saying ‘no’ to a request. It is very important to her to be able to choose her own clothing and she often will change her outfits as she sees fit just because being forced to wear a unified and dull outfit for most of her life evoked a desire of outward expression of herself in her. So even tho she dawns a version of the uniform they have seen the crew members of captain Jack wear she will take her own spin on them and proudly wears her own creations. She wears an open nose ring to honer her upbringing as slave and symbolize her now found freedom. Shejelah is often called just Jelah by her two friend after seeing the crew members of Jack using Nicknames for each other, while this is a shorter version of her name it also means ‘brain’ in an ancient language of the Lophorel. And indeed a brain she is, not just having the strength of her species Shejelah is quite smart and has a high interests in quantum physics and chemistry. She will often work together with Nirlaph, who has a interests into engineering to invent and upgrade all sorts of gadgets and knickknacks. Speaking of Nirlaph (Nick: Nor translatable with ‘fluffy chicken’) they are non a less brilliant but suffer a severe case of being skittish and uncertain. As the younger sibling they often had to live to the standards the older one leid down first and while they are in many aspects superior to their sibling the stress of being held up to already high standards got to them at a young age. So while they are capable of being brilliant and an absolute genius their anxiety and stage fright often hold them back. So more often then not they tend to overthink decisions and either screw something up in the execution do to the anxiety or just not doing it at all even tho deep down they know they should have. They still don’t hold a grudge against their older sibling to the contrary they heavily rely on the fare more outgoing and intuitive Ala’phrel to pull them for Support and to just pull them against through it. But other than Ala’phrel and Shejelah they prefer to keep to them selves often working in the dead of the night and in secret on their projects to avoid the awkwardness that brings working under the public eye. But also he refuses to give their and Shejelah’s brilliant invention to a society that wouldn’t even acknowledge Shejelah’s part in them which they think is way greater than their part in them. So even if both of their work could have revolutionized the space travel of their society they keep their inventions a secret which will later be to their advantage. But well without Ala’phrel the trio wouldn’t get to the point where they will find them selves. Ala’phrel is bold, charismatic and understands how to get their way. They are the driving force behind the whole story dragging the other two further into the right direction. While lacking the brilliant and deep understanding of the scientific backgrounds their bordering on delusional positive attitude and admiration of the concepts they have seen in the show keeps them all moving forward. Ala’phrel isn’t shy of justifying controversial actions ( like stealing a ship from their parents) with the greater intention behind them which sometimes leads to further trouble they need to deal with together with their friends which more often than not build the perfect contra weight to Ala’phrel ‘s at times insane schemes. They definitely are a bit too much obsessed with captain Jack and his crew and them being real so you could say they are a super fan. But in the end they have good intentions even tho they lack the experience they always try to do the best for their friend and for themselves.

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musings-on-bucky-barnes · 5 years

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Q&A Part 3 with Owlet about The Infinite Coffee & Protection Detail series

Here is Part the Third of Owlet answering questions about The Infinite Coffee & Protection Detail series and also about her other writing. Some of the questions are from readers of the first Q&A, and some come from a Tumblr post of suggested questions for writers.

Warning for discussion of rape.

OWLET'S NOTE:

Thanks for all the cheers and good wishes on part 2! I'm glad people think the behind-the-scenes stuff is interesting and not just me being a windbag.

I was delighted that so many of you seem interested in my novel! It's not available anywhere yet: I still have to find an agent, and who knows how the heck long that's going to take? (I am NOT cut out for self-publishing.) But I certainly hope it'll find a home. If you want to keep up with me on tumblr (vmohlere) or twitter (virginiamohlere), I assure you that when such time comes, I will scream about it a LOT.

Pink floaty hearts, y'all.

Reader questions:

From EssayOfThoughts:

I know that you say that you like to imagine AOU doesn't exist, but I will admit (because I find Wanda deeply compelling and the twins story as a whole very interesting) that I've wondered a lot about how your Bucky would deal with the Maximoff twins? Like, on the one hand there's Wanda's ability to mess with minds, which he'd hate, but simultaneously (at least according to the AOU prelude comic) the twins was effectively radicalised by HYDRA while they were pretending to be SHIELD and expected to be their weapons which is not wholly dissimilar to Nat or Bucky. So if you're willing to acknowledge AOU just enough to ponder this I'd really like to know your thoughts! If not, of course, I understand.

Wanda’s not a character I’ve given much thought to. You’re right that her abilities would freak Barnes out. But he has a strict policy of observation before reaction, so he would give them a chance. And they’re so young (and so broken) that his protective instincts would kick in. I think they could probably count on some wary kindness, along with a dose of irritation at Pietro’s shenanigans.

From Ev42:

Thing I can't stop thinking about today: babies. Specifically, Bucky + baby = ???

I personally am a sucker for "Steve knows nothing, Bucky's a pro" thing re: babies. Mix that up with the Mission and the Briefing and what would we get? I keep think about, idk, maybe Sam has a niece or nephew, or one of the Olds has a grandchild or grandniece or something, and I just really want your thoughts on Bucky + baby... Please?

Barnes would be too worried about inadvertently hurting an infant to be willing to touch one, though he likes the directness of slightly older kids.

If in the presence of Steve trying to deal with an infant, the Briefing would definitely have a lot of commentary about everything he was doing wrong.

From Fred1085:

I guess if I had one question though it would be: Do you always see Bucky existing as Barnes, the Briefing, and the Mission, or do you see a time in his future in which those aspects of him would be more integrated. Not through the magical Asgaridan science, but through his own force of will/healing?

He definitely does become more integrated over time. The Mission is a protective identity, and as he needs it less, it recedes. The Briefing is literally his memories, which he does recover many of over time, though that’s a long and painful process. There’s a lot of regression throughout the long-term forward progress. But he keeps some of the habits, like “confirm” and “deny.”

MusingsOnBuckyBarnes:

After “This, You Protect”, the Mission went to ground so to speak for a bit and Bucky was distressed at its loss, at it not communicating with him. But over time as he heals and it recedes, he wouldn’t be so upset?

Exactly. When the Mission’s going quiet is part of the organic process of healing, he misses it but isn’t upset by its loss.

From stentorian_lore_n:

Did Bucky and Steve ever make a donation to Sam's VA?? :)

Yes, of course! But Sam had to be bullied into buying a better chair for himself, because he wanted all the money to go to programs.

There’s a lot of red tape involved with how much money the center can receive in donations, so Steve & Bucky give that much each year, even much later, when Sam does in fact move to NYC to become an Avenger.

From englishghosts:

Also, since you're taking questions, I'd like to ask you something. (TW RAPE)

Although Bucky suffering sexual abuse and torture "for fun" during his time with HYDRA makes perfect sense in my head (70 years in the hands of powerful white men who had complete control over him, it's difficult to imagine nobody got ideas), especially with the imagery of the bank scene, it's something we don't see that often in fics outside certain areas of fandom. I'm really glad you included this, because for me it not only makes it more realistic, but also it brings an extra layer into Bucky reclaiming himself and being comfortable with touching and his feelings for Steve. So the question is what made you decide to include it in this fic?

Like you say, powerful men with a powerful man under their complete control, over the course of 70 years – to me, it’s a given that among the many abuses he suffered was sexual abuse. It was always part of the character, for me, one of the many layers that he needed to work through to reclaim both his body and his self.

I started to think that the romantic-physical relationship with Steve was an inevitable part of Barnes’s healing process, because he and Steve really just do love each other SO much. The more I thought about it, the more I could see that given the style that I’d set up, writing Barnes’s reactions to things kind of obliquely, would be SUPER FUN for writing about bodies and sex. I cackled my whole way through writing that section.

And, you know, there were a lot of commenters who were like “hey man where’s the smut?” – a few of them NOT SO NICELY. I’m glad I stuck it in its own section, though, because I know there are also a lot of people who like to only read the gen parts.

From Selkieinthesea:

How did you come up with the curses? My favorite is “Lenin’s pickled scrotum.” It makes me laugh every time I think of it. I’d use it, but I have toddlers so then I’d have to explain what pickling is, what a scrotum is and why you’d pickle one.

That is a mystery and a blessing from the part of my brain from which jokes arise. Every one of them delighted me. “Lenin’s pickled scrotum” hearkens back to college jokes in Russian History class about how they embalmed Lenin with a mixture of Twinkie filling and maraschino cherry juice, and of course scrotums are always hilarious, I don’t know how people who have them even deal.

from Ev42 (about the fic “Love Is for Children”):

Nicholas. Anything to do with Nick Fury? Bc I think that'd make his faking-my-death-without-telling-Natasha sting that much more. Ouch.

I'm trying to imagine how Nicholas meeting the gang would go. I... have no idea? Barnes would bake, of course, but what? The Olds would be happy. Barton already knows. I guess I'm just trying to figure out what the hurt/happy ratio for the rest would be

I actually have a tiny bit of this written out – it was originally going to be another piece of ICaPD, but I couldn’t get it to have any kind of arc to it, and the pacing was just BALLS.

Anyhow, yes, Nicholas is named after Nick Fury. His sperm donor is no one of import, and the only one of the Avengers who knows about him is Clint.

The snippet I never wrote involved Bad Guys kidnapping Nicholas & Steve/Barnes/Nat/Clint/Sam going on a rescue mission.

In this universe, Nat & Clint have a couple of Barton-Romanoffs, of whom Nicholas is the first (Clint adopts him). Tony & Pepper likewise have several kids in this universe.

The remaining questions are from a “Fanfiction Writer Asks” Tumblr post by criminal-minds-fanfiction:

Do you prefer writing OC’s or reader inserts? Explain your answer.

I haven’t written a reader-insertish kind of thing since I wrote a Duran Duran scifi AU when I was 14 years old. Original characters are where it’s at.

What is your favourite genre to write for?

Fantasy, for sure. Tho romance tends to worm its way into most of my stuff.

If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why?

I think This, You Protect has better pacing than The Long Road Begins at Home, and writing it helped me fall back in love with writing.

If you had to delete one of your stories and never speak of it again, which would it be and why?

Um. Maybe my Loki poem? Tho I don’t think it’s necessarily bad.

When is your preferred time to write?

First thing in the morning, tho I’m grateful to be able to write almost any time. In the past couple of years, I've gotten into writing into the notepad on my phone, so I literally write any- and everywhere.

Where do you take your inspiration from?

Absolutely everywhere.

In your xxx fic, what’s your favourite scene that you wrote? [Any of your Bucky fics]

The chapter of Team-Building Exercises where Barnes & Pepper go to France is something I’m so proud of. I think I did pretty well with the action and the pacing in that one, and I love writing Pepper.

Their first Thanksgiving, with the Sandwich of Suffering, is also a favorite.

In your xxx fic, why did you decide to end it like that? Did you have an alternative ending in mind? [The Long Road Begins at Home]

It was always going to go Thanksgiving to Thanksgiving.

If you write OC’s, how do you decide on their names?

ARGH NAMES. What a pain. Second only to titles in terms of terribleness. I try to roll a few names around and chew on them until I find the one that feels right.

Do you have any abandoned WIP’s? What made you abandon them?

I have notes for 3 more sections of Infinite Coffee and Protection Detail – one that’s pure fluff, one that’s an action scene, and one at the very end of their lives. But I dunno. For one thing, the last one is unbearably sad. And I don’t really have Barnes’s voice in my head anymore. I think it’s time to be done.

More about the action scene is answered in response to a reader question in the previous section. The Sad Ending is just too far off in tone that it doesn’t fit the series at all, so let’s leave it in a dark drawer. But Barnes & Steve live for a very long time and remain faithful to the successive generations of their Avengers family. And when they go, they reach the end of the line together.

The fluff scene is CAT JACK and will post on Friday, June 7. (it's not a full story, just a snippet)

Are there any stories that you wished you’d ended differently?

The epilogue chapter of This, You Protect has some cute jokes, but it’s pretty weird, and I kind of wish I’d left it off.

Do you prefer listening to music when you’re writing or do you need silence?

Depends on the day. I definitely like music when I’m Pondering, though.

How do you feel about writing smutty scenes?

LOVE IT

Do people know you write fanfiction?

People know about my MCU fic, yes.

What’s your favourite minor character you’ve written?

That’s like asking about my favorite child!! Hill is definitely up there on the list, though. Hair Club in general was fun to have around.

Has anyone ever guessed the plot twist of one of your fics before you posted it?

I wish I could remember what it was, but yes. That was really fun.

If you could write only angst, fluff or smut for the rest of your writing life, which would it be and why?

Smut, because I think the best smut is also really emotional, so it’s not like cutting out angst, fluff, or anything else.

xXx

The link to the full list of questions for fanfic writer is here:

http://criminal-minds-fanfiction.tumblr.com/post/172926526725/fanfiction-writer-asks

(EDIT: link appears to be maybe-broken?)

#infinite coffee and protection detail #ic&pd #q&a #warning for discussion of rape #bucky barnes #owlet #reader questions

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shark-myths · 5 years

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Writing Reflection: 2018

I was tagged by @horsegirlharry, who i will smooch in person in ONE WEEK!

1. Number of stories (including drabbles) posted to AO3: 15. I'm trying not to feel critical about my output this year: I was distracted by ~boy problems and emotional turmoil for a lot of 2018, so I absolutely slayed some journals but neglected my fic. but I also tackled some difficult projects, some of which I'm really proud of, and translated a lot of those big emotions back into writing, so there's a lot to give myself credit for.

2. Word count posted for the year: 224,001

3. List of works published this year (in order of posting)

Roman Candle Hearts

I'm A Wing, I'm A Prayer

The Five Point Palm Exploding Heart Technique

your hips, your lips, are mine

in space, no one can hear you misgender me

Girl Firsts

halfway to your heart (starting from your knees)

Boys Next Door/Assholes

Vices & Vices

Early Morning Company

Jaws of Death

Baby You're A Haunted House

The Fixed Stars of Heaven

Sell Out Girl

Think of All The Fellas I Haven't Kissed

4. Fandoms I wrote for: Fall Out Boy, Battlestar Galactica, Panic! at the Disco, My Chemical Romance

5. Pairings: Pete/Patrick, Starbuck/Apollo, Pete/Brendon, Brendon/Ryan, Patrick/Michael Day, Frank Iero/Gerard Way, Joe/Andy

6. Story with the most:

Boys Next Door/Assholes, aka the peterick SUMMER BOYFRIENDS au, aka the fic I wrote about falling in love with my ex that captures the sweetness and suffering of new summer love in a very specific and tactile way. It has the most hits, kudos, and comments of anything I wrote in 2018. I'm so glad you guys loved it so much!

9. Work I’m most proud of (and why):

Sell Out Girl, the sequel to girl out boy, is incredibly important to me and I'm so fucking proud of how it turned out. emotionally, i am prouder of the girl out boy stories than anything else i've ever done. girlfic is how I am cleaning my wounds and healing my heart, and it is an honor to be doing that with you walking alongside me, and being touched and changed too. this fic was incredibly emotionally demanding but also, on a technical level, easy: there was lots of rambly internal monologues and angst, glitter-sharp language and poetical pain, which is my comfort zone as a writer for sure.

on a technical and writerly level, the one I'm most proud of is Baby You're A Haunted House, because i wrote it *fast*, in a fandom I'm not comfortable or familiar in, in a style I don't usually use, and to achieve a very specific artistic effect with the unreliable narrator and shifting sands of reality, while heartbroken. so I'm pleased as fuck with how it came out. it's one of my favorite things I've written in the past several years, and the perfect kind of challenge for me.

10. Work I’m least proud of (and why):

ugh, The Fixed Stars of Heaven . I usually love everything I write, but my experience of writing this fic was terrible. I was never inspired (except when researching the ISS and zero-g botany!) and the epistolary format meant I didn’t know how to develop the kind of tension I *live* for. the whole time I was writing, I didn’t go back and reread (a typical part of my process for matching tone) because I loathed it so much! I kept saying “well, something has to be my worst story” about it... and I still feel that way.

11. A favorite excerpt of your writing:

It's impossible to choose--I like my writing a lot, that's why I write the way i do. all of Baby You're A Haunted House and I'm A Wing, I'm A Prayer are beautiful to me; the love letter Pete writes in Boys Next Door/Assholes; and the whole bathtub scene from chapter 5 of Sell Out Girl, of which this is the very best part:

“Pete is safe and warm and submerged, an egg in a mermaid’s purse, waiting to swim out as a shark whenever she’s ready. She holds her breath and feels her baby beat within her. She looks up at Pat and fears nothing, nothing but love.”

12. Share or describe a favorite review you received:

every review I get makes impact on my heart. I take screenshots and save my favorites; you guys bolster me and keep me going. The best and most important reactions are the ones I get on Girl Out Boy stuff, and the outpouring of fanworks and support means the world to me. especially the way you guys showed up for and stood with me during my difficult breakup this year—wow. I love you so much.

my favorite reviews I’ve gotten this year have been a few different people who told me I was skilled at capturing the feeling of falling in love. as a feelings-and-process oriented romance writer, that means the world to me! I never know what plots my stories are going to have (my characters always surprise me), but I always know how I want a fic to feel. I’m never more honored than when you feel it too.

13. A time when writing was really, really hard:

during the slow-motion process of one of my romantic relationships coming apart in September and October! I was so anxious and keyed up and self-obsessed and miserable during that time, I literally couldn’t bear to write, and when I tried I just kept wrecking the Girl Out Boys’ lives. you guys carried me through.

14. A scene or character you wrote that surprised you:

I don’t want to spoil Sell Out Girl, but a ship I don’t typically ship popped up and I went with it, and I was exactly as surprised as everyone reading that it happened and that it felt so right and good!

15. How did you grow as a writer this year:

i tried new types of projects, like the fucking epistolary scifi fic, a flash fiction exercise, the unreliable narrator trope, and sequels. i wrote in a couple fandoms I'm less comfortable in, fairly often off of other people's prompts. I am trying to hone a cleaner writing style: I spend so much time lost and rambly in describing how characters feel, my stories lose a lot of chances for action and motion. i like my writing best when it is spare and vivid, able to actually evoke emotions rather than just tell you what they feel like. i think some of my fic this year really showcases that (like Vices & Vices ). i still grow so much as a writer, and learn so much about the craft, with each work.

i used an editing and revision process for Fixed Stars of Heaven, thanks to my dear friend JM, that i don't usually subject my work to. i also wrote through a project i was not enjoying, rather than dropping it as soon as my interest waned. my discipline as a wild, reckless writer is, slowly but surely, improving.

i wrote through my own shitty emotionally abusive relationship with a parent through the character of Andy in sell out girl, and got better at naming trauma and abuse and setting my own boundaries as a result of that.

i started reading (and a little bit writing) poetry again.

16. How do you hope to grow next year:

oh, i can't see that road! i hope i grow in ways i never expected cuz i'm faced with challenges in my work i could never have anticipated. generically, i hope i keep tightening my style and improving my discipline, and getting better at defending regular writing time.

17. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc):

- i read only works by women for the entire year of 2018, and the nourishing impact of that on my entire inner life cannot be overstated. i didn't even read a comic book or a work book if it was written by a man. i kept myself entirely pure of the labor of perspective-taking for men, or subjecting myself to men's conception of anybody else's experiential reality.

- @leyley09 my official Fic Enabler, who is SINGULARLY AND SOLEY to blame for at least two fics this year, and has encouraged my very worst ideas about a hundred more

- my unofficial cheerleading squad family on tumblr, who lifted me up and made sure i was healthy, supported, and well through my whole shitty relationship ending debacle. @glitterandrocketfuel, @secretstudentdragonblog, @allkindsofplatinumandpercocet, and @laudanumcafe -- not to mention every other beauty who commented on my sad-ass selfies or my fic. thank you, my loves.

18. Anything from your real life show up in your writing this year:

EVERYTHING IS REAL

most notable and egregious examples:

- the letter pete writes for patrick in boys next door/assholes is a real love letter i gave someone

- the fight brendon and ryan have in vices & vices is a real fight i had with a partner

- the climactic kiss on the streets of new york at the end of sell out girl is my real first kiss with my new boo

the worst thing is that i don't generally farm my *past* life for my fic--everything that shows up is really recent and fresh, because i'm most interested in writing things i'm currently dealing with and experiencing. and yes, i especially steal the sex scenes.

19. Any new wisdom you can share with other writers:

be curious about yourself and your characters. if you've never written / published in a serial format, where you're only writing a week or so ahead of posting, you must try it at least once! listen to what your readers are noticing about your themes and characters! i learn so much about my the emotional resonance and direction of my stories from the people who read them and comment. my writing is so much stronger as a result of writing the majority of my work this way, and i have much more fun with it than when i write a long piece in an echo chamber with no input from you guys!

20. Any projects you’re looking forward to starting (or finishing) in the new year:

- i'm working on a Rent-A-Family trope + law firm AU + kidfic thing i started messing with last year

- Pete Wentz's Bisexual Realizations, a fic dreamed up and playlist-empowered by @nikadd

- a Venom AU for my beloved @immoral-crow

- Girl Out Boy hiatus fic

- and a MANIA anniversary surprise <3

21. Tag some writers whose answers you’d like to read.

all of my Peterick creator pals! @leyley09 @shatteredmirrors-and-lace23 @allkindsofplatinumandpercocet @laudanumcafe @glitterandrocketfuel and everyone/anyone else!

#writing #peterick #scarredsodeep

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rinovarka · 6 years

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some little known scifi books i have read and what i think of them

(Scifi in regards to like, aliens and robots. Not dystopias such as 451 or 1984, or oddballs like SH5, or medicine/biology like Frankenstein, though I certainly COULD do short reviews on them, tho those are well known…This list will be expanded the more I read lol)

The Wild Robot by Peter Brown

The story of this one revolves around a ROZZUM (ha, love the archaic R.U.R reference there) robot named Ros, who emerges from a crate lost at sea. She learns how to survive in the wild and understand animals and live among them, gaining a son and friends along the way. Pacewise, the story goes by somewhat slowly. Some themes briefly encountered are technology vs nature and “the circle of life”. The simplistic art implies that the robots in this world are high tech, but designed in a retro fashion, which I think is a cute choice! If you are looking for action, this book, and The Wild Robot Escapes, is NOT for you. If you are looking for heavy scifi, this and the second book are NOT for you.

The Wild Robot Escapes by Peter Brown

This is a sequel to The Wild Robot, which deals with Ros in human society. She goes through different facets, from rural to urban, and has some thoughts of morality along he way. Pacewise, this goes very quickly. Very. All the thoughts of Ros that could have some deep thought into it do not get expanded upon. Themes briefly encountered are technology vs humanity, do robots have feelings/morality, should robots have rights, and etc. Personally, I would have been fine had the story taken a darker tone with these themes, but given this book duo was written for young audiences, I am not surprised.

(Not spoilery, but Ros encounters robot workers in a sewer and acknowledges that they may never go to the surface, only working in the sewage until they basically broke down. As well, she learns that odd robots such as herself are melted for “public safety”, and even notes that all she wants to do is go home and isn’t a threat. For me, this leaves me wanting to write my own thoughts on this, but through my own plans…)The ending is sweet hearted, but does leave for room for more story in he future.

Robot in the Garden by Deborah Install

This story is kind of an oddball. Our main character is Ben who is on the verge of a divorce with his wife because of his lack of resolve to do anything, and he eventually sets out on a journey to help a dilapidated retro robot named Tang that showed up in his garden and caused the wife to leave. There is some domestic squabbling and some minor adult humor, and settings and events that just kind of happen by random chance. However, Tang’s origin is discovered, the human relational problem gets solved, and its all light hearted and kind of cute.

Not to vague any characters but, a lot of times when there is a quirky, sort of annoying yet endearing character in stories, the character is really just there to be a “cute” factor to get the attention of a general audience. Tang here actually is his own character, and is annoying in a childlike way, but serves a plot purpose, and goes through their own personal growth.

If you are looking for action or heavy sci fi, this is NOT for you. The sci fi aspect of the world itself is not expanded upon beyond the fact that there are androids and robots. Many themes found in robot and human stories are not really developed here. A few are noted, but even less so that in The Wild Robot Escapes, in my opinion.

The Rapture Effect by Jeffrey A Carver

The setting in this story is incredibly interesting, what appears to be a country in futuristic South America, with all kinds of lights and technology. Our main cast is diverse in nature, and include a Brazilian architect/dancer, a Hawaiian art director, a Native American undercover overthrow-the-government agent, and etc. We also have an AI who turns from their moraless “destroy all alien” manufactured default to a very young-minded, very anxiety-riddled, naive AI system who yearns to learn about the world.

The story itself is interesting, as we have a human vs alien war that humanity doesn’t know about until it’s almost too late, and we even get some insight into the alien’s way of life. We get perspectives into the alien’s lives, our main character’s lives, space traveler lives, and our world wide long AI’s perspectives. Such scenes include including running away from the government into a guerilla camp out, attack by rabid monsters, space warfare, and technological tinkerings.

HOWEVER, this story has a lot of issues. As much as I love the details about machines and aliens, it is somewhat confusing, and drags on for pages. Flat, stereotyped characterization is here, from basically all the women characters, to “sensual Brazilian man” and “black mammy” to “women’s goals revolving around attracting men and babies”. ALSO the incredibly cheesy resolution and ending. I can’t say what it is without spoiling it, but its just so cheesy.

This story can work well if it had like a huge modern update. Maybe Mr. Carver got better in this as time went on, as this book was written in the 80’s, and he has written more stories, I can’t say for sure.

If you like moderate sci fi and action, this IS the book for you, though the action happens towards the last half of the book, and some tension is dragged out too long.

Dragon’s Egg by Robert L. Forward

The author of this book is a scientist and you can tell. There is a bunch of science lingo that I was only able to decipher having taken two astronomy courses. There is also a lack of casual writing, (which is something I want to explain but I don’t have the book. A lot of the dialogue between humans is just written weirdly). If you know what all of the lingo means, then you have to get through the story. The story tells of a tiny sized groups of lifeforms called Cheela who live on a neutron star, and their development from mere molecules to complex society, alongside humanity, and first (and final) contact.

We meet lots of different Cheela from many backgrounds, from the one who discovered numbers to a outcasted religious fanatic, these characters written more fleshed out than the humans. We also follow the line of humans who first spot the neutron star to the ones who visit it, and through them we see how time differences and planet differences would realistically affect human to alien communication.

It is explained scientifically how the Cheela are different than humanity is various ways, such as their environment and appearance, such as being the size of a sesame seed and having various eyeballs. Most scifi stories design aliens that just “look cool”, or humanoid, but are not based on a logical reason, or a planet that vastly differs from humanity. There is even a manual in the back full of info goodies!

HOWEVER, among the issues already pointed out, there is one major dealbreaker here, and that is the amount of human influence that drives the story. I mean this in two ways. One, I find it quite lame that such a different life form would have some male and female gender division. Why this division exists is not really explained and I don’t know I feel like this category wasn’t explored so well. Also, lack of cultural info. Two, the major one, is how the development of Cheela was sped up by humanity. As in, when Cheela and humanity made communication, the Cheela basically was sent all kinds of human information, and went and based their scientific discoveries and culture around what was given. After this section of the book, there is less speculation on Cheela life, which wasn’t super fun. The author also lacked a lot of details in general as to basic things, such as how buildings would look like for paper flat Cheela, or how other lifeforms on the planet looked like.

Overall, I really liked Dragon’s Egg, and stands out to me as the most unique book I have read. If you like heavy scifi, this IS THE BOOK FOR YOU. Not so much for action, to be honest. Drama, yes tho.

AAAAaaand that’s all I have for now! I hope to find some other scifi books to review.

One book that I really want to read is a book called Solaris, about a living planet that basically messes with human explorer minds in order to try to discover them, and they are so different its a weird experience for all involved. Its an interesting concept, but my library does not have it and I don’t want to watch the movie :(

If you want to recommend something, I am cool with that!

#books #book #scifi #book review #robots #aliens #alien #robot #sci fi #reviews #long post #text post #not tf

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ginnyzero · 4 years

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A Retrospective Look at My Self Publishing Journey

I was asked again lately about why I chose to be an indie author. And I’ve discussed my self-publishing journey before, mostly in the moment when I put out my first book. But the true answer to why I ended up self-publishing came a lot in hindsight and some examination of the very uncomfortable truths of the publishing industry. Especially the part that I am into, the speculative fiction section.

So, while I’m going to say that this is true in general that it will not hold true in all cases and that if an agent really loves your story and your voice, you will still get picked up. It is all very subjective. The fact I have to make this disclaimer feels ludicrous but here we are.

It’s been over three years since I first published the Lone Prospect. My sales have not been great and my dad is my biggest fan along with a girl in France. And I love both of them and am grateful to them. And as time has gone by, I have learned that there are bigger problems in the publishing sphere than “my book is too long.”

Now, that’s not to say that the Lone Prospect isn’t too long for a traditional publishing debut. It is! For traditional publishing, the Lone Prospect (and Rodeo’s Run) are twice as long as they should be. Supposedly.

There were also other factors at play. Factors that I wasn’t aware of as a hopeful baby novelist who wanted a traditional contract with some money to go into the bank. And most of them are simply outside of my control.

Big issue number one is that series are no longer highly sought after. Things have done a radical one eighty in the past decade, decade and a half, when it comes to series versus stand alones. Series are no longer being sought after by agents. Agents want stand alone novels that if they do well can be turned into series. Oh, they want the next big thing to make them big money. They just don’t want the next big thing to submit a first in a series novel.

This is a nice thought. A lot of times though, a lot of crucial long term arc building is started in the first book of a series. The first book of the series is like your foundation corner stone for your entire work. And if you don’t put that work in at the beginning of the series, the later books are going to fall flat on their face. Especially if your contract goes from three, to seven, to thirteen and so on.

And the reason that series are no longer being sought after is that several big name authors aren’t fulfilling their contractual obligations to finish their series. Publishers no longer want to take the risk of giving out an advance and a contract and not getting product in return. So, saying you’re writing a series is almost like a death nail in the coffin.

I write series. There is no sugar coating this fact. Yes. The Lone Prospect, Rodeo’s Run and Serpent’s Smile are all written as stand alone adventures. They are also part of a series. So, this was really factor number one and it’s a pretty big one. Most of my ideas are for series! Not stand alone novels. I’m a big arc, character interaction type of writer.

Publishers aren’t big on risks. They are a business. Risks must be managed to as little as possible.

There is a major risk factor especially with the Heathen’s series. (Dawn Warrior just might have been a bit too much of a retread idea.) Heathens is squarely in speculative fiction. It’s not straight out Science Fantasy like Star Wars. It’s not true blue science fiction like Star Trek. It’s not kitchen sink urban fantasy they solve crime like half a dozen series I could name. And it’s not textbook dystopian/post apocalyptic like Mad Max. It’s also not a Western or a Military or an Action Adventure.

It’s Speculative Fiction.

I hate that term. I really do. But to be fair, agents might not know how to sell the books. Now, I can understand this. I can! I have a hard time selling the books. I mean it takes more than three words and some people don’t like that. I want to say “it is biker werewolf adventures.” And be done with it, but that doesn’t really say if it’s urban fantasy or science fiction or what. I can say it’s Sons of Anarchy/Expendables for Urban Fantasy and possibly be closer. But that still doesn’t include the post WW3, advanced technology setting.

(And I have my reasons for that so assume another post is coming.)

Yeah. You could call it Speculative Fiction and put it in the science fiction/fantasy shelves, but in reality, it’s a mix of several genres and it’s just too risky. If no one knows what it is, why will they buy it?

I don’t know. Bikers and Werewolves and Explosions? A touch of romance. Family style humor? Put Savannah on the cover with her floating motorcycle in biker leathers and do you think anyone is really going to care what genre it is?

It’s reasonable that if I was a writer don’t know how to sell it outside of the very generic “speculative fiction” label, then why should an agent know how to sell it. Especially when I’m not rigidly following genre tropes and rules when it comes to urban fantasy, werewolves, dystopian or post-apocalyptic fiction. (Though how they could tell that from the first five pages is beyond me.)

I call it science fantasy primarily because werewolves are fantasy lore, I have science fiction style technology and a scientific explanation for lycanthropy (like the first Universal movie before they went full out curse mode) and I use action/adventure tropes which are a huge deal in science fantasy aka Star Wars. I’m not using the Heroes Journey as my framework, because I’m writing adult and for adult audiences that has been done to death. (At least, I’m not doing it consciously, maybe subconsciously but I’m not planning it that way!)

But here is where the disclaimer comes in. If an agent loves your concept and your voice, even if you aren’t following genre tropes. They will pick you up anyways.

It’s a crapshoot. That’s why I recommend even if you don’t want a traditional publishing contract to try querying because, you never know and it’s good experience for summarizing, blurbs and other such things.

All right, so, the Lone Prospect was too long, it was the first in a series and it didn’t fit into a clear little non-risky box.

There are several other things going on in the industry right now. Own Voices is big. I’m not a minority and my sexual identity isn’t a huge facet in my life that I’m going to write a whole book around it. Another large issue is that speculative fiction aka science fiction/fantasy isn’t a huge seller. Not like romance, so they tend to pick up less new authors in that genre per year, if any.

So, let’s talk the elephant in the room. Gender.

I’m a woman. And in a post Pern, Harry Potter, Twilight and Hunger Games world, I see absolutely no reason to hide this fact. In fact, I’m not 100% sure that one could hide this in today’s social media age. It’s not worth my time and energy to pretend to be a guy. Because as a reader, and most readers I know, the name on the cover doesn’t matter. It is what is between those covers that matters.

Now, if you go and look at science fiction and fantasy shelves, you’re going to find a rather huge dichotomy represented on those shelves. Science Fiction is almost exclusively written by men. Urban Fantasy leans strongly towards female authors. And fantasy I want to say is about fifty-fifty because women cornered the market on “romantic fantasy’ and “paranormal romance” ages ago back in the 80s.

And a lot of science fiction on the shelves is still stuff written back in the 1960s and 1970s during the end of the Cold War and Vietnam. They are science fiction “classics” and nothing I’d recommend to a newcomer to scifi. Entire shelves filled with Bova and Sanderson and Asimov and Heinlein and Herbert (and the licensed fanfiction of Dune) is not a great look for modern science fiction. I’m not even sure I’d recommend Weber at this point. Adams and Phillip K. Dick are great, but I’d steer a newcomer towards Robert Asprin’s satirical stuff before stuff written fifty years ago!

When reading the old Expanded Universe of Star Wars, I could count on one hand the amount of female writers that were allowed to play in the universe in comparison to the amount of male writers. Thus, why most of the books were exclusively about Luke, or Han Solo, or Boba Fett and Leia got shuffled off pretty early on to do her diplomatic thing and be “mom.” The book between Episodes V and VI where she courted Black Sun to get the contacts to actually get into Jabba’s palace was a pretty rare exception and that was written by a man.

And you’d think, being it was 2015/2016 and that I was submitting to female agents that me being a woman pushing into the realm of science fantasy wouldn’t matter. (There are strong Starship Trooper’s vibes to the opening chapter of the Lone Prospect on purpose!) But apparently it does, especially if you look at the shelves and turn the books around that are written by older white men.

With the first chapter giving off the Starship Troopers vibes, it is pretty clear that I was writing an action adventure type of story. Action adventure stories are once again considered the playground of men.

So, even if they could get past the length, past the fact it’s book one of a series, past the pushing the boundaries of genres (look, I can comp Dredd and Minority Report here, don’t tell me that Heathen’s is totally out of left field,) and I’m not a minority and not someone writing about the LGBTA+ journey, I’m still a woman in science fantasy action adventure.

Despite the fact women founded science fiction, that women made science fiction popular and that in the past some of the celebrated authors like McCaffery, Norton and Cherryh were women. Men have come to love the science fiction, science fantasy, fantasy genre and we now must all cater to them and their wants and needs ignoring the market that got us to this point originally and still exists.

Now, I didn’t know most of this when I queried. Or, I was hopeful and chose to ignore it. I had hopes that The Lone Prospect had enough Urban Fantasy trappings to slide under the radar of risk. And while I may have a growing pile of ideas to write now, I had to get the Lone Prospect out there in order for those ideas to appear. I’m indie. I’m happy with it because it means I have a few people reading my books and loving them.

And I can hope that someday the industry will change enough where risk isn’t as much of a factor, pushing boundaries is embraced and women are welcomed back to a genre they created and popularized.

#self publishing #self-publishing #personal #personal story

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