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#IS IT TRUE DO I GET TO PLAY HORSES NOW
niymue · 8 months
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yee—haw
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fuckyeahgoodomens · 3 months
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Terry Pratchett about fantasy ❤
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Terry Pratchett interview in The Onion, 1995 (x)
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.
Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
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celaenaeiln · 9 months
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One of Dick's greatest strengths is his ability to manipulate every single person in existence.
Genuinely I think this makes him the smartest person in the room. Not only is he a brilliant detective, but the fact that he's able to outmaneuver and control virtually everyone including other geniuses and masterminds makes him the most terrifying. There's a reason why his enemies have give up using intelligence against him and simply resorting to brute force.
Now hold your horses before you bring your crowbars and let me explain.
Dick once said, "On an even playing field, I always win."
And it's true. But how do you even the field if your enemies are geniuses, detectives, or metas?
"Well, if you don't like how the table is it, turn over the table."
And that's exactly what Dick does.
Let's begin from his younger years. Dick is 19, newly out of Batman's wing and in no position to take on a skilled mercenary on by himself. But the mercenary isn't going to stop just because he says please. So.
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DEATHSTROKE WAS CLEARLY NOT EXPECTING TO GET OUTPLAYED BY A 19 YEAR OLD.
"You're right Slade, he's not a fool so choose a dumber kidnapping victim next time."
Ofcourse this is the least of his abilities.
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This cover is perfect because it shows how two of them are literally in a constant game of chess. And evidence of Dick's tactical expertise was never more obvious than the bombing of Bludhaven.
By all means Dick had won.
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And he's right. Dick is incredibly intelligent, and he has to be given how he maneuvered the entirety of the world to save him city. Not just the heroes and villains, but everyone - the heroes, the villains, the government, the civilians, the organized crime - everyone. He ruled the freaking world at that moment.
@haroldhighballjordan actually made a post about this that explains this scene so well
But yeah Slade knew he lost so in his petty vengeance what he basically did was set the whole fucking chessboard on fire.
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The perfection to which Dick had calculated and moved millions of people to force Slade into abandoning their game and leave him shrieking and seething in rage over his loss. Another reminder that this game only happened because Dick manipulated Rose away from her father, away from his control to a better life.
Spyral is one of my favorite comics because it shows just how good of a manipulator Dick Grayson is.
One of Dick's coldest traits is his ability to manipulate a situation to fit his needs.
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In the beginning Dick wanted to calm the meta down and take him in but the second his opponent let out the slightest hint of weakness, look how fast he flips his words. This man is brilliant.
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And his planning came to fruition as the meta wore himself out, allowing Dick to take control of the situation and the opponent with no harm to himself-a quick, two second exit. He can manipulate emotions, thoughts, and people to get what he wants like he's playing chess with a child.
But it's not just other people- he can completely change himself to become a whole new person. In the earlier chapters, Dick is learning how to shoot a gun for the agency.
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Dick's a terrible shot. Not a single bullet lands in the center of the target-there's no way he's ever going to shoot well....or atleast that's what he wants you to think-
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"Yeah, well, that's what spies do."
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"We lie."
He's a puppet master and the final boss.
part 2
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delfiore · 2 months
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—I'LL NEVER WIN YOUR HEART.
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pairing: alexia putellas x reader
synopsis: aside from endless hatred and devastating love, you don’t know anything else when it comes to alexia.
word count: 2k
tw: aNGST, spicy stuff, enemies to lovers to ……….?
a/n: wow has it really been a month since i last posted that's insane (i'm not being sarcastic i'm actually so shook at how fast time passes).
now playing:
Her eyebrows narrowed. Her jaw clenched. Her eyes lasered in like a hawk.
Even from across the club, several of your teammates knew to get the hell out of her way when she made a beeline towards you.
Alexia was scary when she was angry. There was an untouchable force to her that made one cower under her steely gaze. You used to feel the effect of it, once upon a time, but recently it was almost a weekly occurrence that she would direct her hardened gaze at you.
And now, as she fixed that deathly glare onto you, you felt your arm being yanked just as you were about to kiss the beautiful stranger you met mere minutes ago.
“What the fuck, Alexia!” Admittedly, you were buzzed, and any obstruction to your enjoyment would irritate you.
“Come with me,” she gritted her teeth.
“No! Let me go!”
She tugged on your arm and dragged you away despite your protests. The bathroom at the back of this club was filthy, and the door barely did anything to block out the thumping music outside, but Alexia pushed you into one of the stalls anyway, caging you in between her arms on either side of your head.
You had half a heart to slap her across the face when she shoved you against the divider and kissed you like a barbarian, lips and teeth clashing against one another in a heated mess. She had no right to do this, but her entitlement made it so you were trapped in her grasp again.
The worst part was that you enjoyed it, very much, especially when she went on her knees to do what she always did best.
It happened not too dissimilar to how it started. Your frustration mixed with her only ensured you both collided in the most spectacular way. You remembered arguing with her after a horrible game, both of you throwing blame at each other. It happened so quickly, that before you knew it, your hatred had turned to lust. Hatefucking, as one might call it. Suddenly, all you could think about each day was how much you hated Alexia and couldn't wait to fall into bed with her.
“You can’t just do that and pretend like nothing happened.”
Your words came out rushed as you were still trying to catch your breath. Alexia exited the stall and went to wash her hands, doing so with a frustrating nonchalance.
She met your gaze in the mirror. “Can’t I?”
You scoffed. “Why do I bother? La Reina never gets off her high horse, does she? You’ve never respected me, ever.”
“That’s not true.” Her eyes flickered, and you thought you could see unspoken words behind them.
“Then what was that earlier?” You asked, irritated.
“I should ask you the same question,” she said firmly. “I thought we were fine. And now I see you grinding on some girl at the club? I mean—what is this, Y/N?”
It was always like that with Alexia, and if she didn’t say what she wanted to say, then you couldn’t help her.
“It’s not like you care,” you gritted your teeth. “I hope you had fun with Olga, by the way.”
Now it was her turn to scoff. “She’s my friend.”
“She was also your ex.”
“Can’t I be friends with my ex? And who are you to tell me who I should and shouldn’t hang out with?”
She was right. You had no place in her life to be telling her that. It was purely your desire, or a lack thereof, to hold a special place in her heart, but maybe you were foolish to wish for it when there has been so much history between you.
You chewed on your bottom lip, a habit you had since you were young. You suddenly felt the bathroom walls closing in on you—you needed to get out of there quickly.
Wordlessly, you shoved past her and returned to the club, the music once again deafening and pumping in your chest. You expelled a breath; the cute stranger was nowhere to be seen, and neither were Patri and Pina, with whom you came. That’s fine, there was an entire nightclub’s worth of people. You would find at least one person who would make you forget how much you despised Alexia and—maybe for the night—how much you loved her.
The story could have gone so differently. You two were similar in age, grew within the ranks of the Spanish youth teams together, then played at Barcelona together. You both played in midfield and younger players looked to you for guidance and leadership. Yet, it was known among your teammates that the two of you couldn’t stand to be in the same room. Ever since you were young, your similar play styles and clashing personalities ensured that you always butt heads on the field, and eventually, off it too. You grew up with this hatred of Alexia, as she did of you, but you could barely remember why. You were brazen and Alexia was cold, and that never worked for either of you.
It seemed she had had enough of your attitude one day, and shoved you so hard in training you thought you might have sprained an ankle. Some of the other girls noticed her distaste for you and started to distance themselves to gain favor with her. Then, Alexia became the best player in Spain, and you were always in her shadow. The media called you her ‘healthy rivalry’, even when you played for the same club. If you didn’t hate her as much as you did, they all ensured that you would never be able to get along ever again.
There was a memory that you buried deep inside, but it would easily surface again on nights like this. It made you question everything you’ve felt for Alexia, this thorn in your side that has never let you know peace
It was the summer of 2012 at a Spain U-19 camp. You had barely gotten any sleep the night before you came because it was your first call-up to represent your country. Alexia, of course, had become a familiar face in the team by the time you arrived. She wasn’t seen at breakfast one morning, and a coach said that she was dealing with personal matters. What you didn’t anticipate was finding her sitting alone by the steps of an entrance bawling her eyes out. You had tried to retreat, but Alexia had looked up before you could go.
“S-Sorry, I’ll just—”
“Mi papá . . .” Her voice was quiet like she didn’t want you to hear. Then, she burst into tears again. You had never seen Alexia like this, so distraught and vulnerable. The friends she liked to keep around were nowhere to be seen either. She never liked to appear weak in front of others.
Against your better judgment, you approached and sat next to her. “What happened?”
Exhaling shakily, she answered. “He was very sick. I just got the call from my mom.”
Your mouth hung open, unable to form words. As Alexia smeared her tears away with the back of her sleeve, she suddenly appeared younger and unlike the captain that you’ve come to know her. She was just a girl, who’d had something terrible happen to her, and you would be the biggest jerk not to push whatever you had between you aside.
“I’m sorry,” you only managed to say.
She said nothing and rested her face on the inside of her elbows.
“I’m sure he was very proud of you.”
“Please don’t say anything,” she breathed out, making you wince.
“Okay.”
Alexia sniffled. “I just don’t want to be alone right now.”
“Okay,” you nodded slightly. You didn’t like talking about your feelings either. It was the first thing you found Alexia and you had in common.
You started to feel sick. Your head spun like you had just stepped out of a washing machine, but still, you reached for the passing bartender who looked at you with patronizing eyes.
“Another.”
“Y/N, that’s enough.”
You pushed her hand away, mentally cursing at her interruption.
“Fuck off.”
“I’m gonna have to explain to Jona why you’re still shitfaced at training tomorrow.”
“Fuck. Off. I don’t fucking care.”
Then, you heard her say something she had never said to you before. “Please. Let’s go home.”
The truth was, you never wanted to protest her. Maybe the years have softened you, but you didn’t want to admit how much you craved her affection. There were times when you despised her and thought her the lowest form of a human being.
“Please don’t do this,” you pleaded. You felt your heart hammering in your chest, as you watched her frantically spring out of bed.
“I—uh, have to go. I’m meeting someone for lunch.” She replied, reaching for her pants strewn across the floor.
“Ale, I’m sorry . . .” You managed a pathetic whimper, tears threatening to fall. “Can we just pretend I never said anything?”
How is it that she had made you feel so euphoric merely moments later, and now you felt like you had hit rock bottom? Only because those stupid words slipped out of your mouth.
. . . But was it such a crime to tell her that you loved her, when it was your truth?
You learned the hard way that Alexia didn’t want what you wanted. Maybe it was just her, or maybe it was you, and she didn’t want anything to do with you. If that were true, you were foolish to think for even a second that she would. You never gave her much to like anyway.
But still, you would be lying to yourself if you said you didn’t have any feelings for her. But aside from endless hatred and devastating love, you don’t know anything else when it comes to Alexia.
She had brought you back to your apartment, supporting you by holding you close and guiding you inside gradually.
The moment you hit the mattress, you groaned at the snugness of your own bed. Your eyes were barely open, but you saw the way she pulled your shoes off your feet and coaxed you to sit up so she could shed your outer coat.
But that was it. She was afraid to help you further, as it would resurface emotions Alexia thought should be buried, emotions that reminded her of sleepless nights and passion.
“Why are you so quick to get away from me?” You mumbled into your pillow.
You heard her sigh. “I brought you home, didn’t I?”
“Am I really that detestable that you wouldn’t even look at me?”
Her eyes met yours, but unlike earlier in the night, they now held a softness. “You know I don’t hate you. I never did.”
“Then stay.” You whispered, your head still spinning, but all you could focus on was her. “Stay with me. Please, we won’t do anything. I just don’t want to be alone.”
You didn’t care that you were begging her. You were tired of being pulled from end to end, and it was so much easier to love than to hate her.
You thought she would laugh in your face, pack her things and leave. Yet, when you opened your eyes again, she was lying in bed next to you, under the cover and all. She had changed into your clothes, so much more time had passed than you had thought.
“Go to sleep. We have training tomorrow,” Alexia whispered, her lips brushing your forehead softly.
You obliged, nuzzling your head into her chest as you let the comfort of her embrace lull you to sleep. You were too tired to fight it, to tell her no, that you would talk to her seriously about the two of you, even if you were drunk. It wasn’t the first time you had fallen for Alexia’s lies; all the other times, she left you in the dirt after giving you her everything for you to pick up the pieces yourself.
You hated her because you loved her. But maybe this is enough, you thought before sleep took over, just for tonight.
Maybe tomorrow will be different.
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stevieschrodinger · 2 months
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Link to Part One
Link to Part Two
TW mentions of human trafficking, rescue, injury, trauma
Steve locks Eddie in the car which, yeah, okay, it makes Eddie jump a little reflexively at the quiet click of the lock. And it might just be habit, or whatever, because it’s a really nice car.
Or maybe he’s even doing it for Eddie’s safety.
It still feels like he’s been locked in, though, and Eddie finds he’s...really not a fan of how this feels.
Either way, when Steve comes back less than ten minutes later and opens Eddie’s side of the car, Eddie’s still not sure how to feel about it. Suspicion is hard to shake.
Steve kneels right there on the floor of the lot, “swing around,” Eddie does, watching as Steve pulls antiseptic wipes out of the bottom of the bag, opening a packet and lifting Eddie’s foot. Eddie hisses when the wipe makes contact, it’s cold and, even though surely most of the wounds have scabbed by now, it still stings quite a bit, “sorry.” Steve looks up at Eddie earnestly, big eyes and floppy hair and, well, the moles are cute.
And having an Alpha kneel on the floor for him, that’s kind of nice too. Maybe Steve really is that good looking.
He wraps Eddie’s feet in a bandage, some tube bandage over the top, Eddie still slurping on his peanut butter chocolate shake. He’s going to have the absolute worst shit later, he knows it, too much rich food all at once, after a really long time of non at all, but honestly, so worth it.
“When we get home, I’ll set you up in one of the spare rooms, and maybe we can order you some clothes?” Steve pulls the bandage comfortably tight around Eddie’s foot, a nice gauze pad wrapped around the sole for cushioning.
“Errr, I mean, I, before, I was usually a good will kind of shopper, you know? Maybe Target on a good day?”
Steve just blinks at him for a second, before that clearly sinks in, “don’t...don’t think about the money, if that’s what you mean, we can get you some clothes, really, I don’t mind.”
And Eddie’s sure as fuck not going to look a gift horse in the mouth, Steve’s already broke the bank on Eddie, what’s a little more, right?”
Eddie whistles, he can’t help it. Objectively, obviously, he knew Steve was loaded. There’s a difference between knowing that and…seeing it. This is like a fucking mansion. Well, it’s not like a mansion, obviously. It is a mansion.
Automatic electric gates, a drive that’s got to be a half mile long...and lawns. Trees. Land stretching off into the distance.
The house is fucking nice. It’s kind of sprawling...just the garage looks fucking massive on it’s own.
Steve sort of hovers around Eddie as he limps over the threshold, and, yeap, just as nice inside as it is outside. Very sleek and modern, big open spaces, lots of glass. Dark wood and bookcases filled with leather books and big paintings that look impressive but aren’t...well. Eddie’s not a fan, really. Eddie spies a building out the back, also lots of glass...Eddie’s money is on indoor pool.
“Something smells good,” Eddie says, as he limps further into the house, “smells kind of homey.” Which is true, something here smells vaguely relaxing. Kind of...comforting. Safe.
Eddie looks around as he gets further in, and the place is so big it is kind of a walk, it’s...really nice, but also kind of soulless. It doesn’t look lived in at all. And, Eddie frowns, something occurring to him for the very first time. Steve’s a good looking Alpha, and he’s fucking loaded, “will your, erm,” Eddie flounders, “partner, mind me being here?”
Steve laughs, seeing Eddie through to the lounge to sit on the couch, “don’t think I would have been able to play my part today if I were in any kind of serious relationship. Hagan would have known if I was seeing anyone, the press loves that shit.”
And yeah, all of that makes total sense, and Eddie feels kind of stupid for not putting that together. But it...doesn’t really make sense, considering Steve is, still, clearly, very hot and very loaded.
“Okay,” Steve plops a laptop into Eddie’s lap, open to a clothing website. “just open tabs on some stuff you’d like, and then give it back to me when you’re done. You’re going to need some clothes while Hopper tracks down your uncle, okay? I’m going to go and set up a room.”
Eddie’s just sort of rolling with it at this point, so he nods and smiles and then blinks down at a Tom Ford Slim-Fit Button-Down Collar Checked Cotton shirt...that’s nearly seven hundred dollars.
And Eddie would never, in a million fucking years, be caught dead in it. Honestly, he thinks he actually prefers the white nightdress.
Eddie looks at the drop down menu, clicks on ‘cashmere’ for shits and giggles, and then laughs to himself when the very first listing is a black turtle-neck...for over a thousand odd dollars. Fucking rich people are batshit.
Eddie manages to find a drop down that lets him filter out everything over two hundred and fifty dollars, and then he searches by lowest price first. He starts opening tabs, mostly inoffensive lounge wear – a large portion of which is very, very unfortunately beige.
Eddie hears Steve coming before he sees him, “just do it please Carol,” and he sounds...exasperated by whoever Carol is. Steve comes back and takes the laptop. He very very briefly frowns at Eddie over the top of the screen, but it’s over so fast Eddie’s not entirely sure he saw it, “you think you’ll want something more to eat later?”
Eddie did eat his weight in McDonalds a couple of hours ago...but he hasn’t been really full for years, “uhm, yeah, in a bit, maybe?”
“Sure, I’ll see what we have.”
And then Eddie just...sits there. He can’t actually remember the last time he just...sat on a couch. The only place the Omega at the ranch are allowed to sit is either the floor, when they’ve been told to, the table, but only when eating...and probably their beds in the dorm.
Sitting here feels kind of naughty, actually, sitting here, relaxing, comfortable and warm. Eddie touches the lush, velvety feel of the couch, it’s really nice, really soft-“chicken and pasta?” Eddie nearly jumps out of his fucking skin. Like he’s just been caught doing something he shouldn’t. Logically, he knows that isn’t the case, but his feet are tingling regardless.
Steve can actually cook, who knew? Well, it might only be a simple dish, browned off chicken chunks in something creamy and mushroomy, sitting on some pasta, but it’s absolutely delicious.
“We should probably get someone to look at your feet tomorrow.”
Eddie shrugs, nearly vibrating with excitement at the sight of garlic bread and trying his best to hide it, “always been fine before.”
“Still, I wouldn’t want them getting infected. Do you want me to tell Hopper anything about your uncle? I presume he will be busy for a little bit but…?”
Eddie swallows but...nods, Steve getting his phone and Hoppers card, “he’s called Wayne Munson, he’s my dads brother. He lives in a trailer park in, uhm, Hawkins. Indiana.”
Steve taps at his phone, “that’s not actually that far, we could...probably drive that, maybe in a day, once you feel up to it. I’ll see what Hopper says, see if he gets back to us tomorrow, I figure we've both had a long day.”
And that sounds...well. Eddie's running out of reasons to be suspicious, to question this, to question Steve. He has a little kernel of hope, real, genuine hope, growing inside him now...that this is true. That he's going to be free. That he's going to see Wayne.
Eddie nods, keeps eating, is thrilled when Steve offers him a beer, nodding happily. Steve withdraws it at the last second, “wait, just how old are you?”
“Errr…twenty one?”
Steve laughs, “try again,” but he does hand over the beer.
“Eighteen. I was there for a couple of years, maybe a bit longer, they got me walking home from school. Pretty sure my parents wouldn’t have, you know, noticed, probably best I don’t go back there, anyway. Quite a few Omega came through in the time that I was, you know, there...”
Steve’s staring off into space though, looking somewhere over Eddie’s shoulder, clearly not listening.“-oh.”
“Errr...Steve, you okay?” Steve looks like his brain has just stalled. Like completely shut down, “Steve, man, you’re freaking me out a bit here.”
Steve frowns, finally showing some life, his fork still literally hanging in air, half way to his mouth, “Tommy Hagan is probably being arrested.”
“I, err...I mean, yeah? I fucking hope he is?”
As Eddie watches, a bit of chicken falls off Steve’s fork and splats onto his plate, “right now, other than me, you, and the FBI...no one knows that. That Tommy’s being arrested, arrested for something fucking terrible.”
“Riiight…”
“He’s being arrested for something he can’t come back from. It’ll got public. His names about to be mud. His stocks are going to tank. Every part of everything Tommy owns is about to go up in flames.” Steve’s fork clangs onto the plate, “I’m so sorry, I have to go to work.”
“I...what?”
Steve’s already picking up his phone, his keys, sliding on his jacket, “help yourself to anything you need, I’ll be back...at some point.” Steve’s already calling someone, “I need you in the office, right now. I want Wheeler, from legal, make sure finance is there, actually, make sure Henderson has availability tomorrow,” Steve comes back from the front door, sliding a business card in front of Eddie, “no, right now, I’m on my way, twenty minutes.”
Eddie looks at the card; it’s Steve’s, has his email, office number and mobile on it, presumably so Eddie can get hold of him. Eddie’s pretty sure he just witnessed the first steps of a hostile take over, or something.
And now he’s in this massive house, all alone.
Link to Part Four
@stylelovechild @steddieonthen @marklee-blackmore @sticknpokelightningbolt @resident-gay-bitch @somegirlsomewhere @mugloversonly @weekend-dreamer7 @lololol-1234 @anne-bennett-cosplayer
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luveline · 13 days
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Maybe colt comforting reader when things for her film aren’t going right 🫶🏽🫶🏽
Colt comes to your rescue (clumsily) when you have a hard day. fem!reader, 1k words
Very minor plot spoilers for The Fall Guy (2024) if any
“I think he’s mad at you.” 
You pause where you’d been scrubbing your eyes with your hands, though you don’t look at him. Colt Seavers seems to follow you everywhere you go, and consequently plays witness to your many breakdowns. “Thanks, Colt. That’s astute.” 
“Are you mad at me? Why are you mad at me? It’s been ten seconds,” he complains. He has a unique talent for sounding flirty and needy at once. 
“No, Colt. I’m tired, it’s been a long day.” 
Colt is grinning when you meet his eyes. He has blood, fake or real undetermined, drying in the scruff of his facial hair. You gesture to yourself in a slow circle in the approximate area, to which Colt smiles again. 
“You look perfect,” he says confidently. 
“You have blood in your beard.” 
“Oh, right.” 
You sigh heavily, taking the few paces back to a stack of safety mattresses for a quick break. You’ll get up and help whoever needs helping as soon as you can feel your toes. Colt stays where he is, squinting against the sun, strands of blonde ends kissing his tan forehead. The summer shoots are good for him, he always looks so beachy. You’re exhausted all the time. 
As he notices. “Are you getting enough sleep?” he asks. 
“Yeah.” 
“‘Cos I was sleeping badly and then I got this new mattress that has four hybrid layers, there’s a foam layer, and then there’s titanium springs,” —he sees your distant expression and his own flickers— “anyways, you could try it if you want. Test it out with me. Or– Not with me. With me if you want. We’d have fun. But not with me if you don’t want to.” 
You’d laugh if you had the energy. “Do you wanna sit down?” you ask. 
“God, yes, please.” 
He has another talent for being insanely handsome no matter the day. You look like you’ve been badly rewarmed before serving, where he looks like he rolled out of bed with a smile. He’s smiling at you now, the foolish kind that’ll fluster you if you let him do it for too long. “Stop,” you say quietly. 
“You’re doing amazing.” 
“Thank you. You’re the only person who thinks so, unfortunately.” 
You smile at him weakly. Worried you look pathetic, you turn your face to your lap and clasp your fingers together. 
“That’s not true. Mayview is old-fashioned, that’s all, he was around when they were still killing horses on TV.” 
You grimace. “Yikes.”
“But it’s the modern era. He doesn’t get to make you feel like shit, or I’ll make him feel like shit.” He pretends to charge a sucker punch. 
You lean forward a touch, not quite hugging your knees but tempted to fold in on yourself nonetheless, the heat of the sun a memory on your neck as the evening begins and cloud cover floods in. 
The safety mattresses beneath you squeak and shush against each other. Your weight and Colt’s slides together slowly. He might be pushing himself a little with his boot, but you pretend not to notice as his hand comes to rest between your shoulders. 
“I just can’t do anything right,” you mumble. 
As soon as you’ve said it you’re hoping he can’t hear you, but he does. He might have injured pretty much anything that can be fractured, sprained, or just plain broken, but he has stellar hearing. “You do everything right. You do!” he says, quietly and passionately at once, “They don’t realise it, but you’re the glue keeping this whole thing together.” 
“What are you?” you ask, bemused.
His hand is warm on your shoulder, unafraid where he hesitates to answer, “I don’t know. The test dummy? The guy who gets set on fire a lot?” 
“How is that?” 
“Warm,” he says, beaming, his face so unexpectedly close that you can see the glucose shining in the blood on his cheek. Fake blood. “You wanna try it? I’m sure I could convince the guys.” 
“No, I’m okay.” 
His voice turns silky. “Good, I wasn’t gonna let you anyway.” 
“Let me?” 
“You could get hurt.”
You give in, melted maybe by his warm tones, or exhausted by a day of playing mom for a director who can barely tell his left from his right. Your face presses to his shoulder and your spine sags under his hand, prompting Colt to pull you flush against his side. He always waits for your signals for stuff like this, no matter how desperate he might confess to being. “Can you make them all leave me alone?” you mumble into his jacket, the fabric rough against your nose. 
“Obviously I can, but… We could run away.” 
“Where would we go?” 
“I don’t know. Somewhere sunny. You can rub sunblock on my back, I can hold the umbrella over your head while you read.” 
“They have stands for that sort of stuff. Or you can shove it in the sand, you know.”
“I wanna do something nice for you,” he interrupts, the sound of a smile in his voice as he gives you a friendly jostle. “That’s the point.” 
“You’re plenty nice, Colt.” 
And he is. He saw you were upset and he came jogging upto you valiantly, and your side-armed cuddle is really pushing the pep back into your life. You take a few deep breaths under the weight of his arm before turning to him, brave, ready to go back to work if it means he’s gonna drive you home tonight. “Thank you for caring.” You kiss his cheek, careful of the fake blood. “You’re super nice.” 
You miss the heat of him the second you stand, but there really is work to do. 
“I’m super nice?” he calls. “How nice is super? Nice enough to get another one of those, or what? Are they by the metre?” 
You bite back a smile. 
“Hello? Can you hear me?” He must catch someone’s eye. “She can’t hear me. It’s cool. We like each other.” 
Nobody saves face quite like Colt. 
220 notes · View notes
mommypieck · 7 months
Text
𑄽୧ stripping with levi 𔓘 ᰍ
kinktober day 27: you pervert!!!
✿ levi ackerman x reader
✿ warnings: stripping, mention of body hair
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"Captain, are you there?" you knock on the door of Captain Levi's office. You don't even wait for an answer before bursting in the door. Levi shoots you a dirty look, you're not one of his favorite trainees. You're rude and naughty, always flashing your classmates.
"What do you want?" he asks you, clearly wanting you to get the fuck out of his office. You have other plans though. he has been treating you like shit since the start of your training. You thought about why that might be, and you got only one answer from your brain.
He's probably a virgin who needs to get laid.
"I'm here to show you some good time," you tell him with a smile, your hands coming to rest on your shirt buttons. His eyes shoot wide, he knows what you're trying to do.
"Stop what you're doing right now," he orders, but his voice wavers. You know he wants it as much as you do. You have seen him any time checking you out. You know he watches your ass when you get up on a horse.
"But I have already taken off my harness." you pout, your fingers coming to slowly unbutton your shirt. Levi watches your every move, focused on how a new piece of your bare skin is revealed.
Shrugging your shirt off your body and finally revealing your lacy bra, Levi sucks in a breath. His eyes shut close. This isn't happening. He can't let his trainee take off her clothes in front of him. Levi thinks about what might happen after all your clothes are off and…
"You're happy to see me." you giggle when a bulge appears in front of his pants. You're happy that you got him hard so fast.
You have wanted to fuck him for so long, and you're going to get what you want, now!!
"Do you like them?" he thinks he might faint when you jiggle your breasts in front of his face. Your hands are on the cups of your bra, just rubbing them together. They look so inviting to him, and he just wants to stick his head in between them.
Finally, your fingers reach behind your body to unlock the bra clips. It falls on the ground, revealing your boobs in all of their beauty. A quiet breathy moan rips out of his mouth.
They're perfect. The way how your nipples stand erect right in front of his eyes, makes him want to latch his mouth on them. You pinch them in front of him, looking seductively into his eyes.
Your body turns around, and you bend in front of him, caressing your ass cheeks with your hands. You pull your pants down a bit, giggling when you accidentally take your underwear down with it. He catches a full sight of your ass and your hole, but you pull your panties up before he can look better.
"You're a pervert." you smile at him, turning around so he can take a good look at you only with your panties on. Finally, now you realize your bad pick, the panties are softly pink with a little white bow in the front. You could have worn something sexier.
But he thinks this is sexy enough. He knows you're a slut, but these panties make you look like the most innocent angel. You have the face of an angel, that's true, but the body of a satan. He doesn't even wanna think about how many people have been inside of you. How many people shot their cum on your angelic face.
Just the thought of costing your face with his cum makes his cock twitch. There's no doubt you wouldn't lick it off.
He watches in anticipation as you take your panties off. He inhales deeply. He watches you spin before him, showing him every part of your body. He's painfully hard, your pussy is just so pretty. He thinks the patch of hair right above your pussy lips is so cute, natural girls are the prettiest.
You drop down on your knees in front of him, running your hands on his hard cock. He doesn't have time to think before you pull him out of the slacks, tongue teasing his tip. He never had anyone do this to him before.
"Im gonna play with your cock now, captain. Let's see how long you last."
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534 notes · View notes
daisynik7 · 7 months
Note
Hi are you still doing song requests? If so can you do Make You Feel My Love by Adele for Toji? 🥹 please and thank you ☺️
Make You Feel My Love
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Part Two to Photograph
Pairing: Toji Fushiguro x f!reader
Word Count: ~2.3k
cw: fluff, explicit language, basically all fluff lol
Summary: Toji Fushiguro is nothing like his previous self. He’s become hardened, almost completely desensitized through the years, being used and abused by his own family, the Zenin clan. After the loss of his first wife, Toji takes his son and decides to finally run away to the only place where he can feel like his true self again: home. There, he reunites with a familiar face. 
Author’s Notes: Thank you for this request for the y2k karaoke party! I thought it’d be perfect as a continuation to this story. I hope you enjoy! Thank you for reading. Divider credits to @/cafekitsune.
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“Zenin?”
Your voice is soft, almost breathless, when you utter his name as he stands between the door frame of your classroom, hands in his pockets, a shy expression on his face. “Uh, yeah. It’s me. I go by Fushiguro now.” 
You look between him and Megumi, spotting the similarities instantly. The jet-black hair, the same-colored eyes, almost identical facial structure. A spitting image of his father, who stands before you, much bigger than when you last saw him, but certainly the same boy who’s grown into a man. There isn’t time to catch up as your students file in, greeting their new classmate politely at his desk. Toji clears his throat, stepping aside to make room for the kids to walk in. “I’ll be back later to pick up the kid, if you want to catch up.”
The kid. You hide your giggles, pleased to hear that he still sounds like the same Toji you knew many years ago. His eyes light up at your laughter; he doesn’t remember the last time he heard a genuine one like yours. Sweet, pure, and music to his ears. 
The bell rings, and that’s his cue to leave. There isn’t much to do throughout the day, considering he is now unemployed. He’s tempted to resort to old habits and head to the racetrack to gamble on horses, but instead, he goes to the public library to use a computer, searching for job openings around the area. The day passes quickly and it’s time for him to pick up Megumi. He waits outside, watching as all the other children run towards their parents, most of whom eye him with wary expressions. He’s gotten used to lingering glances like this, aware of his intimidating presence. It doesn’t bother him anymore; he’s used to being seen as some sort of monster. And with what he’s done during his life as a Zenin, maybe he is. 
Megumi is the last outside, hand-in-hand with you, his teacher. You both give him a wave, your eyes twinkling with kindness and a bright smile. You’re the only one who looks at Toji like this. The only one who sees him as human. When you approach him, he places his hand on Megumi’s head, ruffling his hair. “How was it?” 
His son grins, giving his father a thumbs up. 
“You made some new friends, right Megumi?” you say, squeezing his hand. “What are their names?”
In his squeaky voice, he replies, “Yuji and Nobara.”
Toji smirks. “Friends already? That’s great, bud. I knew you’d like it here.” 
Megumi lets go of you, holding onto his dad’s wrist. “Yuji said he’s getting ice cream down the street with his grandpa. Can we go too?”
“Of course,” Toji responds. He looks to you, tipping his head to the side. “Want to join us?”
~~~
You’re sitting in a booth across from the Fushiguros, who share the biggest chocolate fudge sundae they could order off the menu. Eventually, Megumi spots his new pink-haired friend and asks if they can play at the mini arcade together in the back of the shop, to which Toji agrees, passing him money. Now, you’re alone with him, hundreds of questions you want to ask, but are too nervous to. You sip on your milkshake, unsure where to begin. 
Fortunately, he speaks first. “Did you stay in Tokyo this entire time?” 
You shake your head. “I went to university overseas, then I moved back.”
“Overseas, huh? Sounds fun,” he muses, scooping a big bite into his mouth. 
“How about you? Where did you go?” The last memory you have of him is the distraught look on his face, after you shared a kiss together. The next day, he was gone. 
He licks the back of his spoon, collecting all the chocolate off. “Here and there. But mostly there.”
“You were still in Tokyo?” You try not to sound outraged. Deep down, you’re hurt by the way the two of you parted. And if he was truly here all along, you’re even more upset, knowing he had all this time to apologize. Years and years, you wondered if all the little moments you shared together were just that, or something more. Even now, finally meeting him in the flesh, you’re uncertain where you stand with him. 
He senses your uneasiness, sitting up straight to explain. “The Zenins relocated to a more remote location up in the mountains in order to carry out their dirty deeds. I dropped out of school and started working full time as their lackey. I was often sent to Tokyo for duties.” He spreads his fingers, presenting his hands towards you, calloused and scarred from overwork and guilt. “I’ve done things that I am not proud of. Hurt people that didn’t deserve it. I didn’t want to do it, but at the time, I had no other choice.”
You listen to him intently, sipping on your milkshake slowly, giving him your undivided attention as he continues his story. 
“Me and Megumi’s mom had an arranged marriage. The Zenins wanted me to produce an heir once my father’s health started to decline. She was a kind woman, the closest thing I had to an escape. But still, the both of us were trapped. It didn’t matter that we had each other; we were both under the wills of our families.”
“After a few months of trying, she got pregnant. Our lives felt normal during this time. Like we were a regular family. Me, her, Megumi in her belly. My father left us alone. He wanted to make sure I was taking good care of her so that our son would come out strong and healthy. And he did. He was the most beautiful thing I’ve ever seen.” 
Toji takes a deep breath, the both of you anticipating this next part. “It was a home birth, per my father’s request. I should have said something from the start, but I didn’t think anything would go wrong. After Megumi was delivered, the bleeding wouldn’t stop.” He swallows hard, throat tight with emotion. “And by the time the ambulance arrived, she was gone.”
He avoids your gaze, staring hard at the metal container filled with napkins on the side of the table. You’re tempted to reach for his hand, to offer comfort, but you decide against it, deeming it inappropriate. 
“My family couldn’t care less. All that mattered to them is that they had their new heir. They didn’t even cry when she passed away.” His jaw is clenched tight, hands in fists, trembling against the table’s surface. “Heartless bastards, all of them. I should have left with Megumi then, but I didn’t. I was a fucking coward, too scared to face the world alone. And with a little baby at that.”
“Why did you decide to finally leave?” you ask.
“They were going to start training Megumi how to fight. He’s only five-years-old, for fuck’s sake. He’s the gentlest, sweetest kid, and they want him to become like me. I didn’t want that. I don’t want Megumi to have the life I did, not if I can help it.” He unclenches his fists, relaxing into his seat, spooning whatever melted ice cream remains into his mouth. 
You lean forward, resting your elbows on the table. “Why did you decide to come back here?”
He doesn’t respond right away, pretending to be preoccupied with the swirly mess of sweet cream in front of him. He contemplates how best to explain himself. If he admits the truth, it may come off too strong. The reason he’s returned home is because of you. The photo of you and him smiling on the beach a decade ago is in his pocket, wrinkled and faded from years of yearning. He had dreamt of this day ever since he left, hoping the next time you reunite, he’ll be free of the Zenin name. Free to do as he pleases, free to love who he wants. And now that day has come, he’s just as nervous as he expected he'd be. 
Not wanting to make a fool of himself, he says, “I know this area well. Figured it’d be a good place for us to start fresh.” 
You smile at him. “If you and Megumi ever need anything, please don’t hesitate to ask. I’d like to help you in any way I can.”
“Megumi is a good kid. Quiet, but good. He doesn’t give me any trouble, so he makes it easy.”
“So nothing like his father, then?” you tease, raising a brow at him.
He chuckles. “Like I said, I’ll make sure of that.”
You reach for him, resting your hand on top of his. “You’re not all bad. You’re pretty great, remember?”
Instantly, you’re taken back ten years ago, moments before that kiss. Electricity sparks between you; his hand shifts beneath yours, his palm turned up now, fingertips brushing lightly against the delicate skin of your wrist. He gazes at you, smiling. The prominent scar across his lips more titillating than it’s ever been before. “Yeah, I remember.”
Before either of you can do anything more, Megumi returns to the table, head drenched in sweat, breathing heavily. He grabs the water cup on the table, chugging it aggressively, wiping his mouth with the hem of his t-shirt, fresh from a rousing game of Dance Dance Revolution against his new best friend.
~~~
Toji picks up Megumi every single day after school. He’s adamant about it, claiming it’s important for him to spend as much time with his son as possible, something he never experienced growing up. He accepts a job in construction, working early morning shifts in order to be outside the school steps promptly. 
A few nights a week, he invites you to their apartment for dinner, where you help him cook simple recipes like fried rice or noodles, even little treats like rice balls for Megumi’s school snack. This Thursday night, you stay until bedtime, watching from the doorway as Toji tucks in his son, a small grin on his face, studying the way his eyelashes flutter into a deep slumber. Sound asleep, he sneaks out, closing the door quietly.
You check the time on your phone, disappointed that it’s getting late. “I should head home.”
He walks you to the exit. “Megumi is going to Yuji’s house for a sleepover tomorrow night.”
So far, Toji has kept his distance from you, though you’ve notice subtle glances here and there. You haven’t exactly been forward yourself, too nervous to make the first move or misunderstand what could be friendship and nothing more. Toji feels the same way, unsure if his feelings are reciprocated or if you’re simply this nice of a person. Hopefully, it’s both.  
Your heart beats faster, not sure what you’re supposed to do with this information, waiting for him to elaborate. He clears his throat. “I want to take you out to dinner, to thank you for all that you’ve done for us.”
“You really don’t have to.”
“I want to,” he insists, smiling. 
The following night, he arrives at your house, dressed in a flattering button-up and slacks, greeting your parents formally for the first time in over a decade. They remember him fondly, excited to see him all grown-up. He takes you to a restaurant downtown, ordering the most popular items on the menu to share between you, enjoying each other’s company as you always do. After dessert, he invites you to his house for a nightcap, and you’re a little too keen when you agree. While you wait for the water to boil in the tea kettle, you sit beside him on the couch, looking through pictures of him and Megumi on his phone. 
“We went to the beach the first weekend we moved in,” he says, showing a selfie of the two of them sitting on the sand. 
You nudge him in the arm with your elbow. “Remember that school project?”
He grins, leaning into you. “How could I forget?” He glances at your lips, then into your eyes, inching even closer. You gravitate towards him, holding your breath, ready to kiss. Then, the tea kettle whistles, ruining the moment. 
Chuckling, he stands up to remove it from the stove. You sit back into the couch, sighing, body tingling and flustered. He returns shortly with a hot mug of tea in his hands, setting it on the coffee table. “You should let it cool. It’s too hot right now.” He sinks into the cushion beside you, knee brushing yours. 
“Did you like me back? When we first kissed?” It’s one of the many questions still unanswered, and you decide that now is the best time to find out the truth. 
He smiles, grasping your hand gently. “Yes.”
You lock your fingers with his, filling in the spaces seamlessly. “Then why did you lie to me?”
“I didn’t think it’d be safe for you to be associated with me. Not while I was still a Zenin.” He pulls you forward, wrapping your arms around his broad shoulders, noses nearly touching now. 
“And where’s the picture of us?” you whisper, nuzzling your nose to his, wanting so badly to close the distance. 
“I took it. I’ve had it this whole time,” he admits, brushing his lips to yours. You kiss him fully, his grip around your waist, no signs of letting you go anytime soon. You make love to each other right there on his couch, your hot tea forgotten on the coffee table, cold by the time you remember it the next morning. 
For the first time in his life, Toji doesn’t feel dangerous. He doesn’t feel like a monster or a threat. As he marvels at your peaceful form cradled delicately in his arms, Toji Fushiguro feels normal. He feels loved.
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522 notes · View notes
dearmantis · 11 months
Text
Golden Crown of Sorrow
Pairing: Aleksander Morozova/The Darkling x fem!Princess!Reader
Summary: After sending dozens of letters begging your father to help you flee from your betrothed and his family, someone finally comes to save you
Warnings: domestic abuse, neglectful/abusive parents, sexism/violence against women, mentions of suicide, murder, mentions of child murder, mentions of getting attacked by an animal (if you get bitten by something, even a human, get checked by a medical professional), Fjerda slander, mention of pregnancy
Word Count: 4k words
Authors Note: This was originally part of A little loss of Innocence but it works way better as it's own one shot. Also, please pay attention to the warnings. English is not my native language and I didn't edit this
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"Did my father send you?" You ask as you settle in the carriage, voice timid and quiet in a way that is so unlike the version of you that he knows that it throws him off for a second.
You haven't spoken at all during the ride here, contempt in burying your fingers in the mane of his horse or sleeping as he led it away from the house of the family you were promised to, and starring at the forest or the small fires he lit to cook food during the breaks.
His gaze wanders over you, taking in the way your shoulders are pulled together to make you appear smaller, the small, almost invisible cut on your left cheek, the way you keep wincing when the carriage shakes a bit, and how your eyes keep jumping around, gaze always flickering between the window and the position of his hands.
He can't lie to you, he realises. You're suspicious and filled to the brim with fear and paranoia. Whatever happened in Fjerda has shaken you to the core and thrown you right into survival mode. If he lies to you and you find out, you will never trust him with anything ever again.
Because even if you recover from this, you will always remember the fact that he lied to you when you were in your most vulnerable state. And Aleksander needs the trust of the royal family, as much as he might despise that fact.
"No"
You bite your lip harshly, teeth digging into the chapped, dry flesh before you nod, eyes finding his. The suspicion in them is stronger now, accompanied by a bit of confusion.
"Then why did you come? What's in it for you?"
Aleksander frowns. "Excuse me, your highness?"
"Why are you saving me? Why did you decide to come here instead of letting me die in Djerholm? My own family was ready to watch me perish there after all."
There is no anger in your voice, no sadness, nothing. Just this monotone, quiet, submissive voice that doesn't fit someone born into the status of royalty.
But your gaze is scrutinizing, clarifying that every question you ask is a test designed to make him trip in hopes of revealing his true motivations. You're expecting him to lie to you. In the back of your mind you're probably already planning how to weasel the truth out of him, so all he can really do to take control over the situation and reassure you into trusting him is to reveal the truth and in turn his playing cards for this specific game.
You want him to lie, and he has never enjoyed doing what the royal family wants.
"Glory"
Your surprise is like a shooting star: Visible for a singular heartbeat, then gone forever.
"Glory?" Your eyes look back down to your knees, your hands playing with the fabric of the skirt of your dress while the volume of your voice drops into a whisper. "You won't achieve glory like this. You will most likely be punished for saving me, and I'll be sent back."
Your behaviour is starting to bother him. It was a welcome change when he first got you out and traveled through Fjerda with you on the saddle in front of him, but now all he wants to do is shake you until the words start falling out of your mouth.
He thought you were just quiet because you were scared of being caught, but evidently, nothing has changed for you after he led you across the border to Ravka.
Maybe it would've been better to lie? To tell you that he was some kind of chivalrous knight in shining armour who had come to Fjerda out of the goodness of his own heart to save his struggling princess?
"I doubt that you'll be send back, your highness," he responds carefully. He never thought about the fact that your family might be upset about him saving you. They did give you away after all, and he simply acted on the assumption that they love you and want you to be safe, like all parents should. He should know by now that many parents don't love their children.
"I hope you're right," you mumble, averting your gaze to look at the scenery of Ravka rushing past the window, "For the sake of both of us."
You sink back into silence after that, and the letter still stuck in a pocket of his kefta is suddenly heavy as a bag of bricks. It's a short one, written on a scrap of paper that you must've somehow smuggled out of the house of your betrothed. It had ended up in his mail one day, either through an accident or through a servant who couldn't continue to watch the king ignore your cries for help.
Please father. I don't know how much longer I can survive this. I dream of taking a knife to my throat every day. I'm not strong enough for this.
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The next time you speak, you're less than ten minutes away from the town where he planned to take a break, your quiet voice piercing through the air like an arrow.
"Do you have to bring me to my father?"
Aleksander looks up from the documents he had been reading, a deep frown on his face. "Where else would I bring you, your highness?"
You mirror his facial expression. "You could hide me at the Little Palace."
"No, I can't. What if someone catches you?"
"Nobody would catch me, I promise. I would be so quiet, I would never leave my rooms I would-"
"No. End of the discussion, or I'll tell the coachman to turn around and bring you back to your betrothed."
His voice is sharp and cold, the stress from the last few days finally boiling over, and you flinch back from him so harshly that your head hits the wood behind you. Fear burns like a small fire in your gaze, your frame curling in on itself even further.
You don't talk at all for two days straight after that. The only time he hears your voice is when you scream and cry at night, probably due to nightmares.
Looking back, he probably overreacted a bit.
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The next time you talk, it's only because he asks you a question.
You're both sitting in a tavern, quietly eating together, and while your gaze keeps jumping from the three other people around you to the door and the windows, his is glued to you.
He has collected a thousand questions on his tongue in the last few days, and his mind works overtime trying to discern the differences between you now and you before all of this. Before the betrothal, before your travels to Fjerda.
"What exactly happened to you in Fjerda?"
Your attention shifts to him, brows furrowed.
"The same thing that always happens when a woman of Ravka gets betrothed to a man of Fjerda."
In the back of his mind, he remembers the death of Princess Fruzsina. How her brother, crown prince Konstantin, didn't let anyone see her or her newborn daughters corpse when they were transported back to Ravka, not even her own parents.
"Nobody needs to see this. It's better to remember her the way she was when she was still here."
He feels acid rising in his throat.
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You talk again a few hours later, attention flickering from the window of the carriage to him and back a few times before you finally manage to find your voice again.
"Why did no one ever betroth you to someone?" You ask carefully.
Aleksander looks up from the book he has been reading, a small spark of annoyance visible in his eyes at the interruption.
He regrets it as soon as he sees you flinch again, his mind immediately travelling back to that young woman completely wrapped in shroud, her small babe right next to her. Just bundles of linen, not a milimetre of skin visible.
"Excuse me, your highness?"
"Why did no one ever betroth you to someone?" You repeat, "Or one of your ancestors at least. Wouldn't that make sense? Tie you and the Darkling line to the royal family through marriage and kids, force allegiance that way?"
Closing the book slowly, he lets your words roll over in his head.
"The Darklings have been loyal to the Royal Family since the Black Heretic died."
"Yes, but wouldn't it be better to tie the families together forever? It would also help to smooth over past animosities, I think. Suddenly, the king isn't just a stranger. He's the current Darklings father in law or uncle. And the Darkling is no longer a random stranger to the Princes and Princesses either. He's their cousin."
The idea is simple and logical, he has to give you that, but he has also spent the last two centuries making sure he wouldn't be betrothed to anyone. It kind of ruins his whole "faking his death and pretending to be his own son" ruse, after all. But he can't explain that to you, can he?
"No ravkan king would ever betroth their child to a Grisha, your Highness. Not when all over the country highborn children are still drowned in lakes and bathtubs as soon as they show their abilities." The words come out harsher than originally planned, but he doesn't correct himself. "Why are you thinking about this? You've never shown interest in Grisha, me, or the politics surrounding us."
He has to wait almost thirty minutes for an answer to that question. He's gone back to reading, carefully annotating his thoughts and questions, when your voice rings through the carriage once more, almost getting swallowed by the noise of the horses outside.
"At night, when I couldn't sleep, I often asked myself if I had other options. If I could've gotten betrothed to someone else. One of the only men I could think of that were still eligible is... you. And as soon as I realised that, I also noticed that the Darklings have never married someone highborn."
There's something else, he can tell by the way you speak, slow and careful like you're holding something back, but before he can even think to push you the carriage shakes and your face contorts into a pained grimace.
He doesn't have to see the skin hidden by your clothes to know that you're probably covered in bruises and cuts, maybe even some animal bite marks.
You should rest, and he can still interrogate you later, so he slowly nods and returns to his book, his eyes gliding over the paper without absorbing a single word. His mind stays with you.
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You start having an easier time moving and walking a week after escaping your betrothed and his family, but you're still visibly keyed up and stressed. Everything scares you, everything wakes your suspicion, everything worries you.
He hears you mutter under your breath sometimes, especially during the late hours of the night and the hours before sunrise, convinced that he must be asleep. He can never quite understand what you're saying, only catching a few words at a time when it happens. You whisper about wolves following your scent, of someone sending you back into the north, of shoving a knife into your neck, deep enough that not even a well trained healer would be able to save you in time.
Your lack of sleep worries him as well. The only times he has seen you truly sleep well were at the beginning of your travels. You almost slept for two days straight, sitting in front of him on his horse, his arms keeping you stable in the saddle, only waking up after he made camp for the night and forced you to drink and eat. Now, the only sleep you get is through small involuntary naps in the carriage, when the exhaustion claims you like it did in those first two days.
The nightmares that wake you as soon as you fall asleep don't help either.
You're petting and brushing the horses while the other Grisha accompanying you fill the water bottles at a nearby river, your only guard being the General himself sitting a few metres away, eyes on the forest surrounding you.
"I was surprised how much I missed you," you say after a while, your attention still fully on the beautiful horses in front of you, carefully brushing the dust and dirt out of their fur in hopes of making them a bit more comfortable, "I missed my brothers, of course, and my friends and servants as well. I missed the gardens of the Grand Palace, the beauty of Os Alta, my own bed. I missed being home and not being scared for my life. But I also missed you a lot more than I thought I would."
You don't look at him, your voice light as if you were talking about the weather.
"I kept thinking about how much time I spend bothering you, how much my own parents brainwashed me into disliking you, and how much you must've suffered because of that. I was a brat before I was sent north, I know that now, and I want to apologize for my behaviour. I can't thank you enough for coming to save me despite everything."
Aleksander is speechless for longer than he would like to admit, starring at you with visible shock on his face. It takes him a while to shake it off, to find the right words to respond to you.
"You were a child for most of it, Your Highness. It would be stupid of me to hold a grudge because of that."
He has held grudges because of less, but you don't need to know that. You're the first member of the Royal Family to actually apologize to him. Sure, you're probably only doing it because he saved you from your betrothed, but he can tell that you genuinely feel bad.
"It wouldn't be. I was a terror as a child and grew up to be a brat."
The Darkling frowns weakly, watching you carefully as you move onto the second horse to brush it.
"I was a brat, and stupid too. I heard the story of Princess Fruzsina a thousand times. I even dug through the archive to read the reports from the Healers. I know everything they did to her. I'm probably the only person alive that actually still knows, since no one ever bothers to read through those documents... and I went north anyway. I betrayed her memory. She begged in her last letter before she was murdered that they could never send another ravkan girl north, and I went anyway."
He shakes his head, responding to your words before he even realises that he opened his mouth. "You did what your parents wanted from you. They were the ones suggesting the betrothal, and they encouraged you to go through with it. If anyone betrayed Fruzsinas' memory, it's them, just like they betrayed you when they suggested the betrothal without educating you on the sensitive political climate in Fjerda and their exact traditions and rules."
"I'm a woman grown, General, and I did research on Fruzsinas murder on my own. I should've done the same with the treatment of women in Fjerda instead of blindly believing my mother when she assured me that the men in the north don't hit their wives anymore. That they wouldn't dare to hurt a girl from a royal family. I'm a stupid little girl, nothing more."
"You believed that your parents would keep you safe instead of selling your life away for a political alliance. You assumed that your family would do what they're supposed to do. That's not a sin, your highness."
"Oh, but it is!" You bite back, eyes finally meeting his. There's anger and hate flickering in your irises, but he knows it's not directed towards him. It's directed towards yourself. A weapon pointed at your own heart and soul instead of his head. "I'm old enough to think for myself, to make my own decisions. People expect it of me, but instead of using my head I follow my mother and father around and copy them in everything, playing the obedient little princess instead of developing a personality and beliefs of my own. It took a man beating me half to death in front of his men to change that, to free me of the shackles I put onto my own wrists and ankles."
Your voice is sharper than a knife, colder than the permafrost up north, and your breathing is getting harsher. Gone is the sumbissive, quiet thing he pulled out of that house in the middle of the night. "I did everything to apease my parents, to be the perfect princess in their eyes, in everyones eyes. I loved what they loved, hated what they hated, and did what they did. And for what? To be sold off like an animal to a slaughterhouse?"
A scoff escapes your lips, an unladylike sound that you would've never let yourself make before. He guesses you stopped caring. There are many unladylike noises that you've probably made while laying in your own blood, cowering from the man who was supposed to protect and cherish you.
"That's what I meant when I said that they will send me back. I had the help of two of the servant girls. They smuggled letters out for me and sent them off to my parents, but no answer ever came. The only reason why I got out is because you somehow knew that something was wrong and wrongfully assumed it was an opportunity for you to gain glory."
He doesn't mention that he knew of your predicament because one of your letters ended up with him on accident, nor does he disrupt you for any other reasons. This is the most you've spoken since he dragged you out of that forsaken house in Djelholm and smuggled you out of the city. It would be insane to cut you off now and risk never hearing of your thoughts and opinions ever again.
"It's ridiculous. Even if a miracle happens and I don't get sent back immediately, they will simply betroth me to someone else from Fjerda, like that's somehow going to fix the years of tension between our countries. I will never be safe again. I will never be allowed to stay here. I will never be free the way I was before all this. I didn't even realise how privileged I was."
There is a way to save you from that fate. Several, actually, but one of them would play right into his hands if he simply played his cards right.
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Aleksander suggests it two days before they reach Os Alta while they sit in the carriage.
He doesn't do anything special, doesn't prepare anything or bothers to give a speech. It would be filled with lies and manipulation anyways, and you would probably be able to tell. He hasn't officially accepted your apology for your past behaviours, after all. He just says what he wants you to do, nothing more.
"Marry me."
Your head whips up, attention dragged away from the book you had been reading.
"What?"
He smiles. "Marry me."
The carriage is currently driving through a town, the noise of children playing and people talking filling the silence between you two.
"Why?" You finally ask, suspicion barely hidden in your body language.
He has many reasons to make a suggestion like this, of course. Tying himself to someone, an otkazat'sya no less, is incredibly risky for him, after all. It needs to be thought through carefully, which he has.
Aleksander feels like he has done nothing else other than think since your rescue.
You're popular with the people, ravkas beautiful rose, kind and sweet and obedient. If the commoners found out what happened to you, what your parents knowingly put you through with this betrothal, they would riot in the streets. It would only get worse if they found out that they sent you away from your lover.
The story basically writes itself. It would be easy to plant rumours amongst the merchants and peasants, make them believe that you were in love with him and planned to run off with him, knowing that the king and queen would never allow for your love to flourish. That your parents found out and sent you away for a betrothal to a harsh and violent man as a punishment. That he saved you because he loved you so deeply, marrying you on the road back to the Grand Palace in a small chapel, hoping that the marriage will tie your souls together forever even if he gets killed for disobeying the wishes of the king and queen.
If he does it right he can claim that your father attacked you and that he killed him and the rest of the royal family to defend you, or that Fjerdans assassinated the royal family in revenge for the failed betrothal and that Aleksander somehow managed to save you, placing you on the throne, him right next to you.
He would no longer be General, then, but king consort. Your reputation should be high enough with the otkazat'sya to balance the hatred they have for him out as well. The rose of ravka would never fall for an evil man, after all.
Of course, this plan could backfire horribly. What if you hate him after he slaughters your family? What if you don't want to be queen? What if one of your relatives manages to kill you before he can kill them? He would have to claim the throne through right of conquest, and the people would hate him for it, would turn your family into martyrs and put his Grisha at even more risk.
But the risks might be worth it. He just has to be smart.
And he'd be saving you from an awful marriage. He could be a god husband to you. He could make you happy.
Probably.
Of course, he can't confess these things to you. The best way to force you to participate in his plans is if you don't know that he's planning anything at all.
"They can't send you back if you're married. You'll be mine. I'd be able to hide you away in the Little Palace, just like you wanted."
You make a face, clearly not convinced.
"They'll just order a priest to annul it or kill you to make me a widow and renew the betrothal," you warn.
"Your highness, as much as I respect the swordsmanship of the guards, I sincerely doubt that they would be able to kill me. Besides, I don't think that they would be able to betroth you to a fjerdan man after we consummate the marriage."
The book you've been reading drops to the floor of the carriage with a quiet thump, but you don't even notice that it has left your grasp, your full, undivided attention on him.
You're probably trying to discern if he's serious, and if you should slap him for even suggesting something like this.
"There's a chapel in this town, and a small tavern right next to it," he murmurs after a while, offering his hand to you, "It wouldn't be like the royal wedding you probably dreamed of, but you would be safe. I swear it. I protect what is mine."
He watches you swallow, traces the movement with his gaze, gleeful at the visible effect his proposal has on you. He can see the temptation in your eyes, the battle you're fighting in your head.
Are you willing to go behind your parents' backs to marry him? Are you willing to become the Darklings wife, to carry his children?
You grab his hand slowly, the look in your eyes vulnerable.
His smile widens when his fingers wrap around yours, his hand moving to knock against the wood of the carriage to get it to stop.
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thechekhov · 3 months
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Chekhov Reads Dungeon Meshi: CH46
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D....dark Laios?
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I mean, you DID consent!
The fact that ghosts can pass through walls and take other things with them... it kind of elicits another type of organism. Like, what can pass through cell walls? What other parts of the body can just yoink stuff from one place and bring it to another?
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Congrats! It's all just been a dream!
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I'm sorry what the SHIT?!?!?
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Well, I-- .... yeah, I GUESS.
Though it looks more like one of those carousel horses.
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I think this is probably still inside the dungeon. Very... DEEP. Inside the dungeon.
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What? WHAT?! These things are like regular animals down here???
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Oh, I--hm. I see.
Ordered by WHOMST?
Is this just an entire society of (humans??? ghosts?) that lives here in the dungeon deep? Is there still a king under the mountain? Are the rumors of the king dying not true at all?
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........or are these people and descendants of adventurers who came in but were never able to leave? And the fact that Senshi points out that none of them are old.... are they ageing?
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Laios, Senshi n--...... welp. There they go.
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Bless this man and his absolutely non sexual obsession with monsters. But.
Izutsumi, who is a human-level intellect beastkin (though she's low on wisdom and patience....) is being very.... beast-ly and soft here. She's being magically compelled, presumably, to chill the fuck out.
Which means all these monsters are also under the same effect? Isn't that a little fucked up? They're basically under a permanent drugged effect.
Also. Hm. 'short lifespan' is....relative. Short lifespan compared to what? Immortality?
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Orcs know this place exists....?
These people planting things for fun means they're absolutely trapped here like spirits.
Keeping up appearances for. Whom.
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These poor people have no new incomers to talk to, huh.
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Oh, I uh---- ................ hm. THat's not at all what I was imagining either.
Fashion is cyclical after all I guess....
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Mmmmm. Mmmm-hmmmMMM.
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WHEEEEZXE
Knowing I've finally hit these two absolutely iconic panels... amazing.
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......I guess it can only do so much to make her docile...... she still doesn't like Laios.
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Why does he look familiar...?
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....so Derghal had a son. And a grandson. So then why is there a bid for the throne...?
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Laios. Laios, is milking the minotaur the ONLY thing you did? Or was there more to it? Laios.
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It's interesting. That bartender said he was 600 when he started his now-400 year old ale. So. That means they're 1000 years old.
That means that they're about as long lived as elves? Haven't gone mad yet. But that's still a long time.
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That's kinda worse, yeah, but a loss of the self is a type of death, in a way...? So....
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The most throwback of all time.
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Actually, I feel like that's been there for a while, although it didn't always look EXACTLY like a lion's head. I feel like the little living armor he keeps in there made it that design? But how would it do that on purpose?
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this is what it looked like some chapters back. Yeah, it's been sculpting into a lion's mane for a while now.... Ohohohoh playing the long game are we? 👀
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Ah, it's not a wolf. How tragic for you, Laios. It'll never work out.
Also, damn, those wings sure be lookin like Falin's very non-dragon wings. What a wild coincidence. I'm sure that doesn't mean anything. :)
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laughing hysterically. This poor guy can't get a break. He's been running from responsibility and inheritance for his entire life and it still catches up and trips him purposefully.
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There is definitely a certain amount of tragedy there, yeah. These people aren't asking Laios for help because it's easier. They're legitimately stuck in a nightmare scenario. Unless you're someone who can get pleasure from other avenues, living all that time without the basic needs will drive a person mad. Elves live just as long, presumably, but they're still able to eat, I assume.
I'm honestly more surprised they're all as sane as they are.
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.......King of Forgor.
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ystrike1 · 1 month
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For a Fairytale Ending - By Joowinter (7/10)
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I can only recommend this one for otome isekai fans. It won't appeal to anyone else. Its a very slow wish fulfillment fantasy with a "simpleminded" protagonist and enough cliches to fill a book. It's cute, and horrible, and the best characters are the villains. If you like the creepy/cute vibe it's passable.
Alice Estevan is a reincarnated....nope! She has The Eyes of Wisdom! She remembers her previous lives, and she can kinda see the future. The problem is her ability is too overpowered, and it takes a massive toll on her health. Alice Estevan thinks she's a twentysomething BL fan trapped inside a novel, but her brain just isn't big enough to handle her godly blessing.
She's secretly an Imperial Princess.
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Her mother is a nut tho. Karina is a former maid who managed to marry a Duke after his wife cheated on him. Alice Estevan isn't even his daughter. Karina just brought her in from a "previous relationship".
Karina is absolutely evil and a child abuser to boot. The Duke married her after his wife's betrayal because he is a thousand times worse. They are a fitting "couple" who think of power and nothing else.
Alice Estevan has to navigate around completely crazy adults to survive.
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Her doctor, Evan, is her solace. Evan eventually introduces her to his younger brother, Micheal. Both brothers have divine powers, and they help Alice Estevan heal. Without them she would have become a very bitter and illness ridden child.
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Edwin actually is the Duke's son. The previous Duchess did not cheat. He was born with black hair because Karina used expensive dark magic power to change his appearance. The Duchess also died during childbirth, because Karina was her handmaiden at the time. She was being fed multiple poisons during her pregnancy.
Edwin is locked away in a tower, and Karina abuses him with a whip.
Why is he there?
Why would the cruel Duke keep some unknown bastard from his dead wife?? Plus some unknown bastard from his second wife???
Karina thinks she's smart, and a true villainess. However, she's just a pawn.
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Karina tries to poison Alice, her own daughter, because she's a sick freak.
Micheal gets hurt instead, so Alice decides to expose the black hair trick.
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Karina is banished.
Edwin is released from his prison tower thanks to Alice, who he is now obsessed with.
The thing is...Alice isn't a genius.
How did this work out so well?
Is Alice really heading towards a happy ending, or is it all a trap?
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First things first we should establish that Edwin isn't a nice guy. He tries to kill Michael multiple times....by rotting him from the inside out with dark magic. Micheal doesn't notice though. Michael has alot of Divine Power. In another future Edwin and Michael would have been toxic lovers, but now of course Edwin loves his bastard non-blood sister.
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There's a time skip and reality starts to crack for Alice Garnet, who retook her maiden name after her mother was banished. She starts to see multiple "plots". She's supposed to be in a BL book, but nothing of the sort has happened. Reality feels organically real now that she's an adult. She starts seeing glimpses of the future that have nothing to do with the "plot" she thought she knew.
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She experiences terrifying visions about Edwin, her closest friend. He's no longer crazy in love with Micheal. He never was, and he's so gentle on the surface. She doesn't understand why she keeps seeing the castle covered in blood.
Edwin is barely holding it together.
He's pretending to be sane so Alice will play with him.
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The Duke reveals himself. He is a formidable enemy. Karina was tasked with watching over her because....you guessed it! Alice is secretly the Emperors daughter! What a shocking twist! She's a princess how original! Every member of the Imperial Family has special holy powers....that can kill them or drive them insane. The Duke has been raising Alice as a breeding horse, so he can take over the country. It's already in motion. He's currently controlling the Emperor with magic drugs.
Edwin won't move to kill his father as long as Alice is happily playing with him, but what will happen when she finds out the truth?
Her entire life has been a lie, and her powers are too much for her body. The Eyes of Wisdom made her extremely ill. She thought she was inside a book because she saw many visions while she slept. Her body is weak and frail. She's only happy because she has a few trusted friends. She doesn't even really want to be a Princess, but is she willing to use Edwin to get more freedom?
Not really.
She doesn't want to take advantage of her friends.
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One thing I’ve grown to appreciate about the “Red Dead Redemption” series now that I’m older is that you can tell Rockstar approached this project as an anti-western. It lures you in with the promise of Wild West, yeehaw goodness, but when you actually play the games, you get hit with the brutal reality of this world.
Examples of what I mean:
1) The Mexican Revolution arc isn’t romanticized. At first, you think it’s a simple tale of the evil fascist government fighting against the heroic rebellion. But then you meet the rebel leader and he turns out to be just as bad as the government. It’s a true “both sides are in the wrong” situation and, unfortunately, the ones who truly suffer are the peasants (such as Luisa Fortuna).
2) Frontier life isn’t just shooting and action. It was also watching over animals, building farms and ranches, and trading with towns. The games really make you feel the monotony of doing chores and yard work, especially when John was in his Jim Milton phase.
3) Outlaw life isn’t romanticized either. Although you start off as a happy family, it eventually devolved into backstabbing, despair, and self-destruction. Even before then, your group aren’t the greatest of people, especially with the whole robbing people at gunpoint and shooting up towns.
4) Good guys don’t always get a happy ending. Also, every action has a consequence. John Marston had to learn that the hard way.
5) The racism. I feel like a lot of Western-themed media tries to skirt around this issue, or even avoid the topic (such as the 2016 remake of Magnificent Seven, which had a diverse group of fighters). Red Dead doesn’t pull back its punches. You have the Ivy League professor who treated Native Americans as subjects for his racist research. Abraham Reyes straight up calls Chinese people an inferior race. Then there’s the Blackwater short film playfully talking about the massacre of Native American tribes.
6) Along the same lines as point 5, the sexism. For example, there was the propaganda short film about opposing the women’s suffrage movement. And, of course, Sadie Adler not wanting to be relegated to cooking for the group since she can shoot.
7) This is more for RDR2. You actually have to pay attention to the maintenance of the horses and the guns. I’ve never seen this in a Wild West movie/TV show, and yet it’s integral to someone whose life revolves around horseback riding and shooting people!
8) Not skirting around the issue of disease, especially when healthcare wasn’t as advanced as it is nowadays. You can see that especially with Arthur and Abigail.
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luimagines · 5 months
Text
You Reunite After Not Confessing Part 2
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Masterlist
Part 1
Part two will include Hyrule, Wild and Legend.
Content under the cut!
Hyrule
Hyrule has been despondent. 
Granted, he didn’t think there would be anything to come from his feelings to begin with. He was always moving around and there was little he cold offer in return for their companionship.
His home, while beautiful, was deadly and lonesome. He didn’t think it would be an easy, or even fair, trade to ask them to come along and be with him. 
But maybe that wouldn’t have had to be the case? A small voice tells him that he could have just as well gone with them. He could live in their world. He could still be with them. They wouldn’t have to give up everything. But is he willing to leave behind everything he knew? Everything he fought for? Everything he loved?
He’s not so sure.
Not that it matters. Since you didn’t bother to look back, he wonders if you’re happy where you are. He hopes so. He had seen your home once or twice. It’s just as beautiful as his own home. Your house was small and quaint but lovely in its own right. It suited you.
He doubts it would suit him.
A normal life would simply have to be beyond his reach for as long as he lives, he supposes. Which isn’t anything new either. He had that idea long before he met you and it’s only been proven true now that you’re gone.
He sighs, picking up a stone and skipping over the dirt path. He used to do it with Wild and Twilight but he knows better than to get near water now that he’s back. It’s best to just keep inland.
He hears some stumbling and grabs the hilt of his sword out of instinct. The forest seemed quieter than usual, but he wasn’t going to look a gift horse in the mouth. Maybe he shouldn’t have tossed that stone.
“Hello?” You call out and Hyrule’s heart sinks.
Is it a mirage? Is someone playing a cruel trick? Hyrule takes out his sword anyway and moves toward the sound. He’s not sure if could hurt someone he cares about, but there was always that possibility. Warrior drilled it into his head more than once that it was possible and that should it come to a head, there should be no hesitation on his part.
He sees you and you looks scared. Then you turn and spot him and scream.
Hyrule lowers his sword. That’s not exactly the reaction he was expecting under either circumstance- whether you missed him or wanted him dead. He calls out your name inquisitively. “Is it really you?”
You gulp and run to him, throwing yourself into his arms and crying. “I can’t believe it! You’re here! I had no idea where I was!”
Hyrule hesitantly wraps his arms around you. “This is my home... How did you even get here?”
You gulp and pull back. You somehow manage to look guilty even through your tears. “...I walked through another portal.”
Hyrule gives you a deadpanned look. “Didn’t you learn from the last time?”
You sniffle. “But it brought me back to you.”
Have mercy on his heart- don’t torture him like this. Hyrule frowns and tries to not get his hopes up. “It’s dangerous here. We can’t stay.”
You nod and take his hand. He stops again and watches you. You seem more interested in his hand all of a sudden. “I missed you.”
“...I missed you too.” Hyrule takes your hand in his, lacing your fingers together. 
“...”
“...”
“...I think I fell for you on that adventure.”
Hyrule trips over thin air and looks back to you. Shock couldn’t have been written more plainly on his face. You suddenly remember yourself and look away. “I’m sorry... I don’t....Well, I do- But I didn’t mean... I mean, I did mean- Oh dear... What’s wrong with me right now?”
Hyrule bite his lip, taking a chance by kissing your cheek. “It’s ok. I understand.”
You shut up instantly and look at him with wide eyes. 
“Come on.” Hyrule pulls you along gently. “We can catch up once we’re not out in the open, yeah?”
“...Ok...”
Wild
Wild was sure that he was going to be in trouble after this one. It was one thing to run off and explore like he was used to at this point- but now he was thoroughly- to put it nicely- screwed. He’s not even sure if the world shifted or if he fell through a portal he couldn’t see in time but Zelda was going to be pissed to say the least.
He had no signal, he couldn’t recognize where he was and to top it all off, he could see something interesting in the distance. He could hear the voice of many telling him to leave it alone already. There are bigger and more important things to worry about right now.
But he was so close. And it was right there.
He heads towards it. If anything, he can say that he’s simply incredible lost and deal with the consequences afterwards... again.
It felt nice to be doing something different though. Or rather, to travel again. After the adventure ended and he got over never telling you how he felt, there was so little to do. It was strange. He had gotten used to do one thing after the there, doing little things here and there with a bigger goal on the horizon, working towards that goal day after day- and now? Nothing.
He could relax, take it easy. His bones itched to do something exciting.
So a little peak at the mysterious form in the distance wouldn’t hurt anyone. Right?
He wished you were next to him right now. You would have joined him without a second thought. Zelda is nice enough to indulge him from time to time but she’s much rather to research in a study than climb the mountain for the hell of it.
As the form gets closer, he can see that it’s a camp site. Which is.. less exciting but doable. Maybe there’s people nearby and he can learn something about his predicament.
He looks around. There’s a hammock, a small tent and a fire going. There’s food cooking over it. It smells like it’s lacking something but then again, he doubts that everyone knows the ins and outs of scavenger feasting like he does.
“Excuse me! I spent a long time hunting that so if you would be so k...” You storm back into the camp, no doubt aware that’s he’s arrived. But once you actually see him you stop dead in your tracks, staring at him as if you’ve seen a ghost.
And he knows that he’s no better off.
You’re just as- no. You’re even prettier than he remembered you to be. He can feel his jaw hang open slightly and he gulps. “...H-hey...”
“...Link?” You whisper his name, unable to move forwards or backwards.
He smiles. His heart suddenly feels like bursting. He could cry. He might already be crying. “I missed you.”
You cover your mouth and run to him.
He catches you.
“I missed you too.”
“I have something...” Wild bites his tongue. It’s too early and much too late, but he’s already started. What the hell, he thinks, he might as well keep going. “I have something to tell you.”
“...What is it?” You sniffle, just as emotional as he is. You pull back slightly, loosening your hold on him just enough for you to look him in the eye.
Wild gulps and tucks your hair behind your ear. “...After traveling with you for all those months.... I fell in love with you...”
You gape at him before your lip wobbles and you hug him again. “I wish you said so earlier.”
“...Why?”
“Because I love you too.”
Legend
You think he would be used to heartbreak by now.
After you left and he found his way home again, he seemed to fool himself into thinking it was all a dream. If it wasn’t (and in his heart, he knew it wasn’t) then he might as well swallow the bitter pill of never seeing any one of them again.
Strangely, he might be able to live with never seeing any of the other heroes again. It’s just you that hurts him the most.
As before, he got used to being home again. He got used to feeling a dull ache in his heart and he got used to the silence of his house once more. Legend tried to keep the smile on his face. He really did. And some days were admittedly easier than others.
At the same time, Legend was also preparing the moment where his normality would be taken right from under him... again.
He had no reason to believe that the goddesses would consider his work to be done. If there was work to be done then it would have to be completed one way or another. Who better than the Hero of Legend to get the job done.
As luck would have it, he was correct in every facet. 
Legend was walking home one day when he felt, or rather saw, a rather familiar mode of transportation. He sighed and collected his things before he went through it, not even bothering to write a letter explaining his absence this time around. That might come around to bite him in the future, but he wasn’t about to let this moment pass by when he could do something about it.
Once he reached the other side, Legend put down his bag and start to take out his immediate items. His sword, his shield, magic dust and his amulets.
He started to walk along a beaten dirt path. This was a good sign... to a degree. People were here. So there should be an ending to this one way or another. 
He started whistling to himself to pass the time. It was something he found himself doing more and more often now that he was alone. He thought back to you because of it. You whistled all the time. How did that little song of yours go again?
He kept up your song, going over some parts over and over again because he couldn’t remember how to continue it. It wasn’t until something whistled back to him the correct notes that he felt his heart sink.
Legend reached behind him, putting his hand on the hilt of his sword and whistled again. 
It whistled back the next part of the song.
He continued on, walking towards the sound. Whoever was doing this was nearby. They had to be.
The thing is, they don’t reply with a whistle. Instead there was a beat of silence before they call out. “Legend?”
His heart stops in his chest. It’s you That’s your voice. He calls back to you in a similar manner, not wanting to get his hopes up.
You come out of your hiding place, slowly and hesitantly before you see him. You beam and charge, tackling him onto the ground in a hug. Before he can even reorient himself properly, you take his face in your hands and kiss him.
Legend’s eyes go wide and you pull back almost as quickly as you went in. “I’m sorry.”
“Don’t be!” He shouts and dives to capture your lips in another kiss. He pulls back with a grin stretching from ear to ear. “I’ve been wanting to do that for so long now!.... Why can’t all my welcomes be like this?”
You laugh and kiss his once more. “I’d hope to be one to do it though.”
“I’d hope you’d be my only.”
Part 3
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inbarfink · 9 months
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So when discussing the ending of ‘Over the Garden Wall’ and the nature of the Unknown in general, I think it is important to remember that it’s left deliberately up for interpretation. You know, it’s not a Quiz with one concrete answer we must uncover, but it’s more about our interpretations and personal feelings. Each and every one of us experiences that journey with Wirt and Greg into the Unknown in a slightly different way. 
So what I want to do here is not present a Correct Interpretation that will dispute all the others and prove them all wrong and prove myself right, I just want to share my own outlook on the nature of the Unknown. In the hopes that others will like it and it’ll inspire more cool readings and interpretations
So on some level I do agree with the popular theory that the Unknown is some sort of Afterlife - but I don’t see it as a regular Afterlife for human souls, I think it is an afterlife for Stories. This place is where fictional characters and stories end up once they’ve been totally forgotten by the living, ‘lost in the clouded annals of history’. and become.... unknown It is quite literally a place where ‘long forgotten stories are revealed to those who travel through the wood’.
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That’s why the Unknown is a mishmash of different time periods and primarily visually and narratively influenced by stuff like fairy tales, ghost stories, children’s books and old cartoons - these stories have a high-tendency to be forgotten and thus get lost in the Unknown (whatever it’s because they rely on oral traditions or because they suffered from very poor preservation historically). 
And that is what the theme song, ‘Into the Unknown’ is talking about…
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Where can we pretend that dreams do come true? In Stories.
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And what are ‘the loveliest lies of all’? Now that would be Fiction. 
The entire concept of stories is a huge theme of this song, I think.
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Beatrice and her family, Adelaide of the Pasture, Auntie Whispers and Lorna were all originally fairy tales. Maybe the same fairy tale, or maybe they were originally separated before being ‘melded’ together. (If, for example, the last child to Remember them before they were forgotten just assumed the Bad Witch in both the Auntie Whispers and Beatrice stories was Adelaide)
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Pottsfield was an old urban legend about a haunted ghost town, Wirt and Greg basically played through its ‘plot’ directly. 
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Miss Langtree, the schoolhouse and the other associated characters come from a long-forgotten and out-of-print children’s book. That’s why those characters tend to talk in comically-stilted expository dialogue. 
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The Tavern was the setting for a series of 20’s animated cartoons.  (Although obviously set long before that era). The Tavern Keeper was created as a Betty Boop clone and was the main character. The Tavern setting was probably a mere framing device for all sort of musical animations. The reason why none of them can comprehend the idea of not having some sort of Title or Label is because that’s how they were written - all given job-related titles but not named.
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Fred the Talking Horse was a main character from a forgotten tradition of humorous oral stories where he was sometimes a trickstery anti-hero and sometimes a straight-up comedic villain protagonist.
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Quincy Endicott and Margueritte Grey were characters from a satiric limerick about the greedy rich and their wacky habits. (Quincy was at least inspired by a real-life person since his name appears on a tombstone in the real world)
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Possibly the same limerick where the punchline was the status-quo at the beginning of their OTGW ep, that both rivals’ mansions have become connected and they assume the other is a ghost haunting their house. Or maybe they were each from different regional variations of the same limerick about a greedy rich weirdo being lost in their own house and going mad. 
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Frogland and their little boat might be from a children’s book as well, but I also think that maybe… from the vignettes shown at the opening of the series…
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That one might take place outside the Unknown, and shows the real inception of Frogland. Two brothers making up stories with their toy boat by the river. Since they never shared these stories with anyone else, when these two brothers died or maybe just grew up and forgot their boyhood misadventures by the stream - these stories also ended up in the Unknown. 
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The Fishing Fish we see briefly in ‘Babes in the Woods’ might be a small comedic illustration from a children’s book, or another piece of limerick, or just someone’s random notebook doodle that gained a life of its own first in the creator’s mind and then in the Unknown. 
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Cloud City, the North Wind and the Queen of the Clouds were also, much like the Tavern, from a very old cartoon.
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The Beast was once just a mere Boogie Man to keep young children from wandering off into the woods. Ending up forgotten in the Unknown just ended up giving him a whole world of lost souls to harvest. 
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Maybe the Woodsman and his daughter were always a part of the story of the Beast. But since it seems that the Woodsman being a lantern-bearer is a fairly recent development - they might have had their own separate story. Some sort of pastoral novel about a family moving near the woods? But their narrative has been ‘hijacked’ by the Beast. 
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Wirt and Greg ended up lost within the Unknown cause had they actually died in the lake that night - they would have become a Story in their town. I mean we have a moody lonely teenager and his adorable little brother disappearing/dying - on the night of Halloween - after last being seen in a graveyard - with the older brother’s last act on this earth being to hand his crush a cassette of his love poetry. Can you imagine what sort of Urban Legenda you can grow from those seeds?
But as they were not yet dead, and not a Story yet… so they were technically an Unknown story. Between the borders of life and death from a human perspective because they were about to die, and from a Story perspective because they were just about to be born.
And the ending sequence, with the little vignettes showing where all the characters from all the episodes ended up. I think that’s almost like Wirt and Greg back in the world of the living and the real - being able to create happy endings for all of those stories they've met. That’s how the Woodsman’s daughter ended up being alive all along - it was less that the Woodsman's whole tragedy was a wacky misunderstanding all along. But it became so as a gift of thanks by their new storytellers - Wirt and Greg.
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Because if dreams can't come true, than why not pretend?
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theresattrpgforthat · 5 months
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Do you have any recommendations for games in the western genre? Or western fantasy/sci-fi? Absolutely can’t get enough of the combination of cowboys and six shooters, steampunk, and magic fantasy. I’m considering writing my own setting for DnD5E that combines these elements.
Theme: Fantastic Westerns
Friend, I think I've collected a real tight bunch of winners here, so I'm confident you'll find something that really scratches that itch you've got!
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Wicked West, by Finch Edmund.
Wicked West is a PbtA game by Finch Edmund (they/them) about paranormal cowboys. It combines classic monsters with the backdrop of the old west and is meant to be played with at least two players with one player taking the role of Game Master. Wicked West is made to tell stories similar to the westerns of the 1940s-1960s about small towns and the struggles of life with a horror twist.
If you like combining monsters with your westerns, this is the game for you. It looks like you combine a couple of different options to make your character playbook, which is something I’m personally pretty jazzed about when it comes to creating characters. One interesting thing about Wicked West is the relationship your cowboy has with their horse: a vampire might feed off of their steed, while a witch can cast spells on their horse to run faster. If you don't mind a bit of a horror flavor to your Western, this might be the game for you.
Wizards of the Wild West, by ckellyrpg.
Wizards of the Wild West is an action-oriented TTRPG that combines fantasy magic with classic Wild West themes. It is powered by the LUMEN system, and takes heavy inspiration from looter-shooter games such as Destiny.
LUMEN is still a game that I’m excited to try out, so seeing it tagged onto a western game about wizards made me take a second look. This is a game for a raucous good time; you’ll be pulling off sweet character combos, with easy-to-understand breakdowns of each character class. Right now the game is still in development, but it’s still considered playable, so if you get it now it might have more content for you down the road!
We Deal in Lead, by Odin’s Beard.
You look to those closest to you, fellow gunslingers of the Order of the King. The arduous trek across the bleached desert is over and now you stand before a slip door. Though tested, the fellowship of your Order stands true.
You grasp the worn sandalwood grip of your artefact gun and twist open the door. You gasp as the sharp sea air hits your lungs. Gulls caw and the foam sprays your face like a baptism. You step through to another reality.
After all, there are other worlds than these.
We Deal In Lead comes highly recommended to me by folks who like the OSR scene. It’s based off of Cairn, a well-beloved fantasy system, and if you got the TTRPGs for Trans Rights in Florida bundle, you already have a copy!
The setting is meant to be somewhat post-apocalyptic, but the barriers between your world and others are thin, causing threats (and allies) from other dimension to have a chance to enter your world. The game focuses on combat, exploration and survival, and it’s almost completely compatible with anything released for Cairn.
If you like what you see so far with this game, you might also want to check out Omega City, a weird west city setting, still in ashcan form.
Vampire Cowboys, by Maddy Searle.
You are a gang of outlaws in the Wild West. You have a lot to contend with: enemy gangs, law enforcement, wild animals, and… did I mention? You’re also vampires. You must figure out how to survive in this harsh land, where “justice” is often swift and violent. Will you blend in with the crowd, and hide your vampiric side in an attempt to live as a gun-toting cowboy? Or will you give in to your monstrous urges and use your supernatural powers, making yourself known as a vampire? It’s entirely up to you. 
This game premise is simple and easy to describe: you are vampires who are also cowboys. You live in a world where everything wants you dead, and you’re constantly fighting the parts of you that make you monstrous. The mechanics are very familiar if you’ve every come across a Lasers & Feelings game: a couple pages to read and you’re off to the races, ready to play.
Reboot Hill, by Groovy Dad Games.
REBOOT HILL is a sci-fi Western TTRPG set in the "Future West" of the far flung Hill-Ceballos System. When a war back on Earth results in a cyber-attack that frees all of the bots in the Hill-Ceballos, things go bad for the humans right quick. In the aftermath, bots have got to rely on their shooting irons and their processors to make their way in this new, post-human frontier. 
REBOOT HILL is a card-driven tabletop role-playing game in which players portray "Aces"--bots with advanced AI that find themselves on the right or wrong side of the law. 
Finally, a space western! Here’s a card-based game with a plethora of character options, including mechanical upgrades, as well as weapons and vehicles. You’re mainly going to be bounty hunters, chasing after varmints and villains so that you can scrape together a living. If you want a game whose game mechanics make you feel liked you’re sitting at a poker table, you should check out Reboot Hill.
Clink, by Technical Grimoire.
Clink is a tabletop RPG about drifters, the creeds that bring them together, and the history that drives them apart. This game uses coins to tell a story inspired by spaghetti westerns, ronin tales, and shows like Firefly or Supernatural.
Characters begin as rough sketches of the shifty sort you’d see in an old Western or Noir film. They all start as blank slates, their histories unknown. Tell stories about their past and create your character as you play.
I’m a big fan of Technical Grimoire, especially their expertly-designed Troika setting, Bones Deep. Clink isn’t Troika - it uses coins as a storytelling mechanic - but it’s very setting-flexible, as seen in the variety of the starting scenarios provided.
The game is also non-linear: throughout play your characters will experience flashbacks, which will help flesh out who they are as you play, and tell us something about who they used to be. You’ll start the game with two coins, which you can spend to gain a flashback, but you can also flip them to try and succeed at various tasks. As you play, you’ll also gain coins using a mechanic called a Trigger - bad habits that get them into trouble.
If you want a fresh set of rules to play around with in a flexible setting that stays true to the woes of outlaws and other Western tropes, I heavily recommend Clink.
Boondock Cartomancy, by Hookline & Sinker.
The consequences of westward expansion rear their head. Desolate, inhospitable, and unpredictable - the Outbacks are a ravaged desert, a wild tundra, an ancient tomb. Host to a plethora of unknown variables and formed from the corpses of failure, it’s a hotbed for the lawless, the corrupt, and the lost. Conditions for growing a corporate empire couldn’t be more ideal.
BOONDOCK CARTOMANCY is a tabletop roleplaying game about personal growth in a cruel and inhospitable wasteland, backlit with Western cowboys wielding powerful and unpredictable magic. It’s a game about reflecting upon the world and systems of exploitation we live in, and using ancient spells to blow up a caravan of criminals in a climactic shootout. It’s a game about interfacing with the human condition, and feeling cool as shit while doing it.
This game looks so cool! You are brokers, going on dangerous jobs in a hostile frontier, giving your characters objectives to complete while also exploring the way colonialism forces so many folks to act as simply cogs in a larger, uncaring machine. The game also gives you a fantasy to explore, by granting your characters card-based magic skills, and replacing their hit points with a luck meter. The game itself also has a really clever layout, presenting itself like an old-fashioned newspaper, with pieces of advertisements sprinkled throughout to give you bits of lore about the world. All in all, definitely worth checking out.
Former Rec Posts to Check Out
Rootin’, Tootin’ and Shootin.
Space Westerns.
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moonah-rose · 5 months
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The ideal Ghosts Ending Montage.
If all the ghosts get sucked off in the final episode, I want a super sweet glimpse of how they're all getting on in the after-afterlife, cut between images of Alison and Mike raising their family.
- We see Julian at a party seemingly back to his old ways, drinking and living it up, but then his daughter appears and he leaves it to be with her (time is irrelevant here so this happens after Rachel has died years later). Yes, he now has trousers.
- We see Thomas reading his poetry to a crowd of adoring fans who are hanging off his every word. He catches the eye of one particular person; Isabel Higham.
- We see Pat catching up with his son and going on a family camping trip. He has an unlimited supply of tea and biscuits.
- We see Kitty reunited with Eleanor who tearfully begs for her forgiveness but Kitty is just thrilled to play with her again.
- We see Fanny doing a true Lady Godiva, riding her horse Montague across a field, naked, hair unbound hair flowing behind her as Dante and her other pets follow.
- Robin is reunited with his tribe, his sister, his thirty children all hanging off him. He spots two figures waving at him and we see Annie and Mary together, hand in hand.
- Humphrey is just...whole again. He's just running around being a happy little guy whose head is no longer falling off. Maybe Sophie is watching and laughing with him.
- The most emotional shot; Captain being reunited with Havers, true Titanic-ending style, kissing him as their old troop breaks into applause.
- We go back to Button House in time to see Alison on her death bed, an old grandmother, surrounded by family and friends with Mike holding her hand. She slips away, camera zooms in on her face as she's bathed in heavenly light, transporting her. She opens her eyes and grins; "Hi guys...Thanks for waiting."
Bonus
After-credits scene shows the Plague Ghosts still in the basement. But they're fine, as usual.
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