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yourlocalxbox · 1 month

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Totality - Undertronic

Seth and Sine spend time admiring the eclipse. Written in one hour, 832 words.

“Do you know how beautiful your art is?”

Seth stared at the sky with clasped hands. A gentle breeze blew past - Zephyros’ sigh, he supposed. He couldn’t help but wonder who held that God Soul now. Seth had always wanted to meet the wind god; perhaps the two could make a good pair.

What a silly thought.

Golden hair fell into his eyes, yet he never moved. Never took his gaze off of his work. Not a second could be missed. He heard laughter behind him.

“What are you doing?” Sine reached from behind and brushed Seth’s hair out of his face. He couldn’t help but notice how his touch lingered longer than it had to. He couldn’t help but notice how he didn’t mind. “You can hardly see through all of that.”

“Like you would know,” Seth quipped. The skeleton behind him snorted.

“Hey, I can make some guesses.”

Sine crept into the corner of Seth’s vision. He pulled off his hood and craned his neck to match Seth. One hand rested in the pocket of his cloak; the other nearly startled Seth out of his trance when it grazed his fingers.

“I could get us something. Tea. Whiskey. Coffee, extra-strong. On the house. Off the rocks. I could go on.”

Seth grinned. “No, thank you. This is enough.”

“But you don’t have anything?”

Seth held his tongue. This was more than enough.

“Won’t it be too dark?”

Seth paused. The thought did cross his mind, but he was not one to be afraid of the dark. A bit of daytime nightfall wouldn’t bother him - he didn’t know what it would take to make him fear the dark, but this was not it. “Not with you around.” He made a vague gesture to the skeleton’s ears. Their calming light was sufficient to keep the growing shadows at bay. Sine gently scratched at one of Seth’s clasped hands, and he let it fall open. The two looked upwards to Seth’s work of art.

The eclipse neared its totality.

“Do you think,” Sine started, “Do you think…”

Seth cocked his head to the side.

“Nevermind.”

The remaining sunlight faded around them.

“No no, what were you saying? Please.”

The shadows cut deeper.

“It’s silly. It’s just a silly thought.”

Sine’s light danced across his face.

“You know those are my favourite.”

“Do you think we could stay like this forever?”

And the world fell yet darker.

“I don’t want this to end. It’s beautiful. Look at it,” Sine mused.

“There’s nothing to look at.”

“Exactly. You did this. You did this, Seth. Look at what you can do.”

Sine’s grip tightened around his hand. He felt dizzy from how his heart beat so unusually. They both knew it was a silly thought. The planets would pass, life would go on. Every couple decades or so, Seth would sit down and repeat the process, as this soul had done for hundreds of thousands of years. This was nothing special. This was just as the last ten thousand had been. It was the same one, the same sun that had people worshipped long before these souls reached their hosts. This couldn’t last forever. Their tails curled around each other. Maybe not forever.

“...I can make you a compromise.”

Seth couldn’t make it last forever. Not even a minute. The others would notice; planets were not something to be trifled with. The Death Well flashed in his mind. Yes, that was a fate he would prefer to avoid.

But a moment wouldn’t hurt.

He squeezed Sine’s hand back, flesh caressing bone. “I think…”

Sine smiled. “You sure about that one?”

“You- Come on, I lost my train of thought.”

“It’s alright,” said Sine. Seth tore his eyes away from his art to meet his. “I think that I think so too.”

The light began to fade back in around them. Seth quickly turned to hide the flush of his face. If anything, it only made Sine look at him more. “You’re kinda cute when you think you’re being slick, y’know.”

Seth exhaled sharply and turned away. “Come on. These always tire me out,” he lied. As much as he hoped Sine wouldn’t catch on, he knew it was a losing battle.

“Aah, so Mister Destruction needs a nap?”

“Shut-” His words were cut short by his own stammering. Sine cackled behind him. He sighed and made his way back inside.

“C’mon, you know you love me.”

They both stopped mid-step. The daytime betrayed both of their expressions. They simply stared at each other in silence.

“I…” The words caught in Seth’s throat. He knew what he wanted to say. He knew what he needed to say.

I think…

No.

I know…

He put his hand back into Sine’s. His gaze softened. Perhaps not everything had to be said.

It didn’t matter how dark it had gotten; Seth could still see one thing clearly. His work could never compare to the art that had stood beside him.

#undertronic #undertronic fic #fanfiction #Disclaimer: Do NOT stare at solar eclipses lol. One is the god of eclipses so I figure he'd have some sort of immunity #(I didn't want to completely logic this entire fic because if I did it simply would not have been written)#And I don't think the other has retinas. So. Unless you are a god or a skeleton. Use proper eclipse glasses or otherwise safe methods.#solar eclipse #Edit: More disclaimers because I feel like it!#I. I don't know how to write these characters very well. Most of the sources I can find for manner of speech and behaviour are quite old #And extrapolating from newer comments or implications is a touch difficult #Or in other words. This could be wildly out of character and I would have no idea.#AND while I'm already yapping here. I genuinely just picked up this ship from sifting through old archives and found there was an interest #I have no idea what their dynamic would be. I think the only source I have is a comment in a Discord about them both being ancient beings #And therefore could make good crackship material. Take that with a grain of salt.#This was also spurred on by one (1) comment in the Discord that threw me into a writing frenzy in which I stood up and suffered every-#Minecraft status effect all at once. It was worth it #I also almost posted this to my dragon blog lol. Yes this is PEAK dragon content right here.#Okay I'm done rambling. Thank you. Obligatory Reblogs > Likes because this hellsite is a hellsite #Not my best fic but not my worst fic. I am relatively content with this existing

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trashfangirlsworld · 2 months

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Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.

they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.

we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.

the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.

quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.

quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.

At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.

#I have anons turned off btw #qsmp #qsmp discourse #qsmp admins #qadmin situation #qsmp critical #qsmp fandom critical

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americankimchi · 2 months

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Do you have any tips for writing Obi Wan or any meta in mind with his characterizarion?

hmmm sure why not! i'll give a few tips on how i'd write obi-wan. mind you this is how i interpret the character, so ymmv.

i truly do not like it when fics have obi-wan voluntarily leaving the order. like it's so out-of-character for me in my head that the premise of the story + the writing would have to work triple-time to get me to stick around. now if he's been removed from it by an EXTERNAL SOURCE (not the order. i cannot stress this enough: the jedi kicking obi-wan out is so jarring to me i'll leave the fic in an instant) or somehow unable to return to the order for whatever reason, all is well.

not a prodigy, but a genius. obi-wan is an incredibly intelligent person with an absolutely staggering knowledge base in a wide variety of topics, but all that knowledge was earned through blood, sweat, tears, and time. he sat down with his game face on and put in the work. that's also why he makes an excellent teacher: he knows what most students will struggle with because he struggled too, and knows through experience how best to overcome them. i headcanon that it contributes to why he's such a good negotiator: he's really good at stripping down information to the essentials and communicating that information effectively and efficiently to others because of his intense study habits.

humble, but not ignorant of his skills. it's pretty impossible to fully divorce yourself from pride in your achievements, and i don't think it's healthy to not feel any pride at all, so i think obi-wan has a very clear understanding of his skillset and how best to use it. i don't think he'd be ignorant of how good he is at something, especially since the direct consequence of his aptitude led him to being a member of the jedi council. pretty hard to be blind to your strengths when you're being asked for your input on topics that directly draw from that knowledge.

averse to healthcare. listen i enjoy obi-wan whump just as much as the next obi-wan stan (the desire to put him in the cosmic salad spinner comes with the territory, i fear) but as a character who grew up in an environment that deeply cares for the well-being of all, and knowing that you cannot help others unless you yourself first have the ability to do so, i can't really see him ignoring injuries outside of combat scenarios. like on the battlefield he's got more pressing concerns than a pesky little shrapnel wound or five, but once the battle's over?? he might not be first in line to the medics but i can't see him avoiding them entirely. an army without a general is working at a sharp disadvantage and i don't think he'd risk his men by neglecting his physical health in that manner. note that i said 'physical'. make of that what you will :)

duty. obi-wan is the definition of a paladin. he takes an oath and by the force he's going to keep it. train the boy? absolutely, qui-gon. whether or not anakin chooses to respect that training is another matter, but he did definitively get knighted! refuse to kill anakin? listen he's handed vader his own ass to him twice post order 66 and each time he did it he did it nonlethally. that takes skill. that takes dedication. exile yourself to tatooine for 19 years and then decide fuck it, we ball, and die after Once Again Deciding Not To Kill Anakin Skywalker? step aside casper, there's a new friendly ghost in town. every time obi-wan commits to something the man COMMITS. you GOTTA respect that grind.

flirty but in the sense that he's going to match the energy someone brings to the table. like he's a negotiator. he knows how to read people and figure out the Vibes. if he thinks the other person will be 1) 100% receptive and 2) will respond with a delightful wit, why the hell not? obi-wan's highest stat is charisma and he's got expertise in persuasion. whether they're allies or not does not factor into this equation. he can have a little flirtation with morally dubious and potentially hostile characters. as a treat.

this has nothing to do with his character but i firmly believe that he and quinlan vos had at LEAST a fling when they were padawans. there is zero evidence to back this up aside from a few comics where they were being goofy teenagers together but i stand by this. it is an unshakeable aspect of obi-wan to me that has only gotten worse with the kenobi show.

no matter what, no matter how terrible or devastating or downright apocalyptic it gets, obi-wan kenobi will never fall to the dark side. never. it won't be easy, but that is a line he has never, and will never cross. i will not hear any "obi-wan touched the dark side during the theed generator fight" slander. if that was true tell me why the force theme was playing during his moment of triumph!!! Would John Williams Lie To Us Like That?? to our face?????

anyways i could go on forever about obi-wan because he is My Ultimate Blorbo but this post is getting super long so i'll leave it there. hope this helped even a little or at the very least was entertaining for you to read <3

#anon #ask #star wars #obi wan kenobi #long post #THIS TOOK. SO LONG TO ANSWER IM SO SORRY LMAO;;;;;;;

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fiendishfables · 3 months

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hii i just saw ur request page and thought i'd give it a try! soo, can i please have an nsfw oneshot w/dom! lucifer x reader ? i've just been thirsting after him sm...

anyways can it be about like him going down on reader, or just being talented with his fingers, cus we know what he can do with em 🫣

thanks so much!!

a/n: ahh, yes, thank you so much, my lovely, for sending in this request! This is my first attempt at responding to a request, so I hope its to your liking and doesn't disappoint. We love Luci!

warnings: nsfw, sex, cursing, use of pet names, first time as a couple, Luci being a complete dork

word count: 1.2k+

characters: 6646

notes: This is my first fic on here, as well as my first attempt at writing smut, so I apologize if its not any good. But nevertheless, enjoy!

Dom! Lucifer Morningstar x GN! Reader

Oneshot

Going down on you was something Lucifer had wanted to do the day he first laid eyes on you.

Don't get him wrong, he was a gentleman at heart and would continue to be until the day someone replaced him as King (which you both knew would never happen), but by the fiery skies of Hell- he wanted you. You. No other soul.

Lucifer had met you through Charlie, his own daughter and Princess of Hell. Your kindness had lead you to offer your services with helping his daughter with her whole idea of a rehabilitation hotel, meant for the sinners who wanted a second chance at life; wanting to fix their mistakes and be evolved into a better version of themselves. He had met you there when she had invited him to visit and see her progress. Its safe to say you two hit it off perfectly fine.

Now, exactly how you two hit it off doesn't really matter- all that mattered to you right now was the fact that his cock was buried so deep inside of you, that you could barley form a coherent sentence, let alone a singular word.

The room was dark, making the moonlight that filtered through the curtains the only source of light; the only thing that allowed for you to see the beautiful fallen angel hovering over you, both of your bodies sweaty and hearts pounding rapidly against your ribcages, as if trying to silently connect with one another through rapid pumps of blood. To express your emotions to one another through anything other than what he was doing now, which was stuffing you to the brim with his cock.

When you first saw it, staying quiet had become a big concern to you in your mind, what with the other residents of the hotel potentially being able to hear you both.

But that fear had quickly flown the coop as soon as he entered you for the first time.

Fuck, it was absolute heaven.

You were convinced that somehow, Lucifer had managed to descend the heavens down upon you in that exact moment; your most intimate moment. That any second, angels would be surrounding the pair of you and begin serenading you with a specific love song just for the two of you, or pointing angelic spears at your throats. Now, that thought did cause some momentary fear to shoot through your body, because the last thing you wanted was for some random angels (especially if they were exorcists, or Adam) to randomly appear in the room, just to be greeted with the sight of you, a moaning mess underneath Lucifer, drunk off of his length as it stretched you so wide you were afraid he might break you. But when you opened your eyes after the so slow, yet so delicious insertion of his cock...the room was still pitch black. No holy light. No angles. No song. Just you and him. You and Lucifer.

And that was the way it was supposed to be. No other soul, no matter angelic or demonic, could compete with what you two had. It was special; a connection that had to reach from the deepest pits of Hell, to the brightest place in all of Heaven.

For being one of the most powerful beings, Lucifer was being very careful with you; his fingers gripped your sides and hips, holding you in place securely as he rutted into you. Those fingers were sure to leave marks tomorrow. Neither of you minded.

"Oh...you're the best choice I've ever made, lovely- fuck..~"

Lucifers words only helped to fuel the fire that burned within your heart; the fire that represented your eternal, undying love for him. The tightening in your abdomen became much more noticeable too, coiling and constricting like a snake fighting to escape its confinements, or the talons of a predatory bird.

Except in this scenario, Lucifer was the bird, who held you oh so tightly in his sharp talons, and the last thing you wanted to do was escape. You'd allow him to devour you to his hearts content; until you passed out, fainted, or hell, till your heart stopped. He had you right where he wanted you and the smug little smirk on his lips whilst he turned you into this blabbering mess, was enough proof to show he knew it too. And he enjoyed it. Every. Single. Second.

His hands stayed perched seriously on your hips, as if you might just disappear if he so much as dared to loosen his hold. Not that you minded. You could hardly think straight.

"L-Luci..-"

Your attempt at saying his name fell flat, his next thrust replacing the messy words with a desperate moan from you, making your eyes roll back into your skull and a tremor of pleasure trailing its way through your body. He could reach places inside you that no one else had ever even dared to try. He was special in that way. Although he did lessen his movements after your butchered attempt at speaking. He looked genuinely worried and the sight did just enough to melt your heart.

"Are you alright, love? I didn't hurt you did I? Do you need anything? Do I need to stop? I can get you-"

He started to ramble, which he often did. His worst nightmare was hurting you; even just thinking about it made him shudder, as if he had just been doused with cold water.

But all it took was a weak smile from you and a kiss on his cheek to calm him and get him back in the movement again. You assured him that you were feeling the best you've ever felt in your entire life, both in living and in death, that all the pleasure you were feeling was making it hard for you to speak properly.

"I'm okay, Luci. You're just making me feel so many things-"

A finger then found its way onto your plush lips, slightly moisturized by your saliva having been produced by your fucked out state.

"Shhh, spare your breath, darling. I'm just glade you're holding up so well. Such a good beloved, you are."

Then: "You'll want it for when I make you scream."

Seeing you an absolute wreck because of him- because of his actions- his cock- it was almost better than the orgasm that ripped through him shortly after you came undone due to his words and continuation of his previous actions.

Ropes of his seed shot into you, stuffing you like you've never experienced before. His pale blonde hair stuck to his forehead, both your bodies damp with a light sheen of sweat. Your heavy breaths mixed together, as did the small chuckles that came from both of your lips. Thankfully, he kept his promise about making you scream.

Hell, meeting you had to have been the best thing to ever happen to him. To both of you.

No one would ever find themselves as to be so lucky, to know that the King of Hell found the taste of them the most enchanting out of all the souls both above and below.

Just try and doubt his love for you. He will be sure to give you a night that you won't ever forget, as many times as he needs to, until you're begging him to stop.

You are his, and he refuses to ever let you forget it.

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cripplecharacters · 9 months

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How should you write/draw burn survivors? I know this isn't a drawing blog but I don't know of one that I could ask this question to.

Hello!

I'm not a burn survivor myself, so I'll mostly talk about facial differences/visible disability in general and link some stuff made by burn survivors.

First thing, I think it's important to remember that being a burn survivor changes a lot of things - not only appearance. Very important part is the psychological one, but I'm not a burn survivor so I will just let the resources linked below speak.

From the physical aspect, burns can also come with: chronic pain, limited range of motion due to scarring, tightened skin, problems with regulating temperature, itching, skin irritation, and even different nutritional needs during the initial healing process.

There is also specific everyday care associated with burns - something you basically never see in fiction. That could be things like occupational therapy, physical therapy, skincare (like heavy moisturizing and scar massaging), wearing sunblock, wearing splints, or stretching to prevent contractures or tightness.

There are also different types of burns and they (unsurprisingly) differ from each other - for example, electrical burns have a much higher rate of amputation than any other type. Chemical burns can cause eye issues. A burn caused by a fire in a closed space might result in a brain injury due to the lack of oxygen. A much larger portion of people than you (probably) assume have survived burn injuries as small children, and if they were young enough they might not even remember the event at all, unlike older people who might be very affected by the trauma.

Experiences of a person with 80% body surface burns, a person with quadruple amputations from an electrical burn, a person with a facial burn, and a person burnt very recently will be different from someone who has a 5% body surface 2nd degree burn in a spot that’s usually hidden, who has lived with their burn for a decade - despite them all being burn survivors.

When it comes to more thorough research, I recommend going through Phoenix Society’s and Face Equality International’s websites to learn more about both real burn survivor’s perspectives, and face equality as a social justice topic. I think the 3rd link (see below) puts it very well when talking about burn survivors being represented in fiction:

“Most likely, these characters were not created by someone with lived experience. The result is an increasingly garbled game of telephone [...] To avoid contributing to this false narrative, embrace research as part of the process. Explore interviews, first-person accounts, and articles from reliable sources.”

I personally think that the links below should be mandatory reading for writing not only burn survivors, not only people with facial differences, but visibly disabled people in general - because the treatment we get is often so similar the advice still holds up just fine. And if you don't plan on writing any of these, you should still read them to see how prevalent of a problem ableism in media is.

Lise Deguire's Hey Hollywood - scars don't make you evil.

Face Equality International's International Media Standard on Disfigurement.

Niki Averton's Tips for Writing about Burn Survivors.

The main sentiment that you will read from basically any first-hand source is that if you're writing the burn survivor to be either:

evil (just throw the whole character away. please.)

a guy with the "World's Saddest Most Tragic Backstory Ever and It's So Sad and Tragic" (because he revealed he has a scar.)

a helpless victim who is there to be The Helpless Victim

...then you're already doing it wrong and need to make some major changes.

From our blog's reblogs and posts, you might want to look at tips for writing a visibly different/disabled character and tips on drawing people with facial differences. Neither are specific to burn survivors but cover the topic of visible disability and facial differences.

Now for tips on drawing burn survivors (that weren't included in the last link);

Reference real people. 99.9% drawings of burn survivors seem to go through the same "increasingly garbled game of telephone" that Niki Averton mentions with how burn survivors are written, in that the newer the drawing, the less in common it has with how real people with burns look like because people reference from each other and none of them ever think to actually check if their depiction is accurate. If you just google "burn survivor" you will very quickly notice that burn survivors don't have that damn red overlay layer put on top of their skin. It just doesn't look like that, and basic research (aka Google Images search) will tell you that - and still, people color a hand with bright red and think that's how it looks like (it doesn't).

In the same vein, maybe don't just draw an able-bodied person and then put some scarring on top (or maybe do exactly that. No burn scar and no burn survivor is the same, and there are people that fit what I just described... but hear me out for a second). Think about how scars interact with their features - do they have both of their ears? Do they still have all of their hair? Do they only have parts of their eyebrow? Do they have all of their fingers? Can they move the same as before their burn, or are their scars limiting their joints? How did their body react to the post-burn hypermetabolism? Lots to think about. Take into account what type and thickness of burns your character has.

Ditch the mask trope. Just ditch it. There's no need to cover your character's scar from the world unless you as the author think it requires to be hidden, is too scary to show, or other ableist trope that seems to always come up with drawings of visibly disabled people, especially burn survivors. The one exception I will mention is a transparent face orthosis/mask (TFO) that facial burn survivors might wear while awaiting a skin graft early after their injury. But as the name suggests, it's transparent and doesn't work for the awful "ohh scary facial difference better cover it up and only reveal it in some hyper dramatic scene!!" trope because you can see right through it. (I will also mention that TFOs are a very modern thing. Your medieval burn survivor wouldn't be wearing one.)

No "body horror", no "gore" tags or trigger warnings or whatever. That's a human being. If you feel the need to warn your followers before they see a disabled person existing, you're better off not drawing them.

Some last notes;

Throughout this ask I used the term "burn survivor" rather than "burn victim" because that is, to my knowledge, the general community preferred phrase. Individual opinions will differ (because no group is a monolith) but "burn survivor" is generally the safest term to use and probably the best if talking about a fictional character.

Similarly, I used "facial difference" rather than "disfigurement". Just as the above, opinions will differ on what is the best to use but I personally, as someone with facial asymmetry and a cranial nerve disorder, heavily prefer the term "facial difference" over "disfigurement". (I am in this case The Individual Opinion Differing because you can notice that in the links above, facial difference and disfigurement are used interchangeably. The general community uses both, some people have specific preferences. I'm some people.) When talking about a fictional character, "facial difference", "visible difference" and "disfigurement" are all probably fine. Just stay away from calling a person "deformed".

mod Sasza

#anonymous #mod sasza #face difference #writing advice #writeblr #writing disabled characters #writing tips #writing resources #writing guide #art reference #burn survivor representation

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ushiromiya · 8 months

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(madoka magica / rebellion spoilers below. TW: suicide and controlling behavior)

I don't know the direction in which walpurgisnacht rising will take homura's character but I can say with confidence that from at least where rebellion left off that I truly believe that homura made the decision that she felt was the most correct one even if it meant she had to become a monster in the eyes of every person that loved her. she felt that if things were left in the way the law of the cycle was currently running things that it was inevitable that kyubey would eventually capture madoka in her goddess form, study her, and use her to as a source for mass amounts of energy at the suffering of herself, the others within the law of the cycle, and magical girls at large again. this is something he explains very clearly when talking to homura before her transformation into homulilly.

I get so exhausted when I see people try characterize homura as an actually evil person with completely selfish desires and no regard for others. all of her actions, while not explicitly explained outright, when looked at closely always indicate that she does things out of her care for the other girls but feels like she bears the burden of having to do it alone because she believes she's the only one who doesn't let her emotions get in the way of protecting madoka and the others from kyubey and sometimes each other.

I will always use the scenes of her interactions with mami and sayaka in rebellion as huge examples of this. she has no reason not to kill them if she's a completely selfish and unemphatic person that only cares about madoka and no one else when given many opportunities to do so. I also don't personally think she keeps them around JUST because of madoka's happiness either. she very easily could have suppressed their roles in madoka's life with the world rewrite and clearly choose not to. I believe her mocking sayaka and acting in a clearly "evil" manner is deliberate acting on her part to frame herself as a villain. she might believe this would her actions more palatable and will create distance between herself and everyone else to protect them as well as allow her to assert more control in this situation. it is further emphasized how she truly feels with imagery displayed in homura's new world around herself (shoes abandoned on the side of a building to potentially indicate suicidal ideation, a half moon alluding to homura feeling unfulfilled and unhappy with this decision, her dancing around happily before stopping and slowly falling off the cliff side with a similar implication as the shoes).

homura's relationship with the others is incredibly complicated but she cares for them deeply too as they are also people she considers friends, she just had a particularly strong attachment to madoka. we don't get to see as many instances of her interacting with them as we do them interacting with each other as we are unfortunately only really privy to homura's life after she began looping for the most part but we can see it in the way she has expresses concern and distress for them in moments where she believes they are in real, tangible danger of being hurt (she's winces and tries to turn away when aiming for mami's leg and screams out when she believes mami is about to be truly harmed after their gun fight, which neither ever had the real intention of hitting one another with any of those bullets in the first place). her entire witch's labyrinth is one where everyone is happy and gets the lives they desire. why would her labyrinth, which is meant to reflect in-part her inner feelings and desires, appear that way if she didn't truly want that for everyone?

rebellion is so compelling to me for all of this and so much more!! (I could write a whole other post on the way it presents it's freedom with danger vs control with safety question at the end of the film) she is a girl who has repeatedly suffered incredibly traumatizing events and longs for a world where the person she loves and the friends she considers dear are safe. homura is not really the devil, but she wants to appear to be because being the devil would be easier than being a human being in these circumstances.

#I “joke” that i'm a homura apologist but like for real I am LOL #homura's actions aren't holy and good #but I don't believe they are evil either and that's kind of the point #anyway can you tell i've watched this movie like 10+ times #madoka magica #homura akemi #madoka magica rebellion #walpurgisnacht rising #homu #letters from rokkenjima

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the-modern-typewriter · 5 months

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Hey! Asking for some writing advice here.

How does one write a villain exactly. In a very simple world with no superpowers and stuff how do you give them motivation. How do you make them slowly descent into villainy. Somehow when the villain actually thinks they're doing the right thing until the very end?

Thx love

There are a few different questions here that I'm going to try to to unpick.

I'll start with a brief overview of the connections between protagonist + antagonist, just because recognising them can be really useful in shaping your own ideas. Then I'll dive into motivation. So.

Antagonist + Protagonist = CONFLICT

If you know your protagonist well, then you have all the ingredients you need to write a great villain/antagonist for them too. Here is why.

Your villain/antagonist is, at the most basic fundamental starting point, something that is between your protagonist and what the protagonist wants/needs. As a very simple example, if your protagonist wants to make sure that everyone is free, then your antagonist is going to in some way be involved with making sure they are not free. Once you know what your antagonist needs to do in a story, then it's a lot easier to pose the question to yourself of 'okay, why would someone do that?'

Villains often reflect an opposite or warped view of the values and motivations that your protagonist has. They mirror or foil your main character. So, your antagonist's motivation will often be either opposite to the protagonist (e.g, your protagonist is motivated by selflessness, so your antagonist is motivated by selfishness in some way) or they will be the same motivation or value gone twisted (e.g. we both have people we love who we would do anything to protect...it's the villains way of acting on that motivation that makes them the villain, not the motivation.)

Of course, you can not have your antagonist + protagonist connected in this way. This is often the case if the source of conflict in your story is not another actual character or if you have a more generic villain. Lots of great stories have generic villains. It typically just means the villain is not a focus. It might be, like, about the friendships made in the journey instead.

Motivations:

I find it helpful to think of all my characters having two motivations.

The external story-specific motivation. This is whatever the antagonist is trying to achieve in your particular story and where things like genre and superpowers etc come into play.

The internal motivation that is more universal. The internal motivation is, while still specific to the character, the driving emotions and values. With a villain, that is often hatred or fear or lust for power because they're villains, but as noted earlier it can be a twisted form of love, or a strong sense of an injustice committed against them. This shapes the external motivation (e.g. 'lust for power = I want the throne, 'fear' = I'm going to kill or belittle or control what scares me so I don't have to feel scared anymore', justice might equal revenge or gaining power to ensure that a wrong is corrected. ) It could also be a bias or a prejudice that they're raised on driving them, that they genuinely believe in. Lots of possibilities!

I think this is true of people as well. We have our foundational core beliefs and desires (to be loved, to succeed, to be accepted whatever) and then we have the things we try to get in the real world to meet those needs (whether they really will or not).

Either way, it's the second one that comes into play with the slow descent into villainy and the villain thinking that they're doing the right thing until the end. Because, initially, their heart genuinely is not in a villainous place. They may actually be doing the right thing at the start. And then bad things happen. They are changed by the journey. They are a protagonist gone tragic.

We all experience emotions that can drive us to behave poorly; the desire for revenge or recognition, to ensure that the people we care about are safe, to get money so that we can provide for ourselves and others etc. None of us are without prejudice or privilege. Those things do not make you a villain, but they can be an excellent starting place for one.

Think about times when you've messed up. A villain is often an exaggerated version of that. You start pushing your own boundaries because there is something you really want/need and, depending on how far you push that...do you feel like you can still go back? Or do you feel like you might as well finish it after everything. At what point do you breathe for air, look up at what you've done, and go shit.

That's the villain who realises way too late that they're the villain.

Final note: I've been using antagonist and villain pretty interchangeably here...but they have slightly different connotations. Your antagonist does not have to be a villain to be effective. They just have to be an obstacle to the protagonist. E.g. if two people are going for the same dream job or trying to win a competition, the other competitors are antagonists to a certain extent, but that doesn't mean they're villainous or bad people. Whether you have an outright villain will depend on your story.

I hope this helps!

Some going further questions to take with you.

Is your villain trying to stop your protagonist from reaching their goal? Or is your protagonist trying to stop the antagonist from reaching their goal?

How does the villain's external goal in the story reflect the inner need? Note. They are aware of their external goal. Most people are not aware of the inner goal in the same way.

Do you know what you want your stories themes to be? (This doesn't have to be complicated and it's fine if you don't, that's what editing is for). Your protagonist and antagonist often weigh in on these themes. For example, your antagonist might be a path the protagonist could have gone down, if they made a different choice or something happened differently in their past.

#villains #antagonist #writing advice #writing tips #writing talk #writing villains #writing tip #writing help #character creation #character building

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bethanydelleman · 20 days

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If the Austen heroines lived today (and had to work outside of the home), what jobs do you think they would have?

If we look at the heroine's relative incomes, it's likely that Catherine Morland, Fanny Price, and the Dashwoods would require professions, as clergyman and naval marine don't pay that well today and the Dashwoods lost their inheritance. Elizabeth Bennet, Emma Woodhouse, and Anne Elliot are all trust fund babies, though Elizabeth and Anne would likely get jobs since their families are blowing all their money and they're not idiots. Emma is the only one who genuinely would not need to work, even in a modern context. I am not going to assign her a profession, I suspect if she existed in a similar context today she would manage her father's affairs, run the family company, and a charity, much like she does in the novel.

Catherine Morland - in university, is in a very general program and has no idea what to do with her life. Ends up in some sort of childcare career because she knows she's good at it but still scrolls through job pages imagining what else she could do. Writes very bad novels on the side.

Elinor Dashwood - public school art teacher, secure career path with a solid pay cheque, never even considered becoming an artist

Marianne Dashwood - concert pianist/piano instructor reluctantly, because piano playing doesn't pay well, failed lyricist. Has a very popular YouTube channel

Elizabeth Bennet - I see lawyer SO OFTEN in fan fiction, but I disagree. This observer of human nature is getting sucked into psychology and becoming a researcher. She'll realize how bad of a judge of character she can be pre-Darcy because now she has evidence. May become a therapist as well.

Anne Elliot - Anne is so intelligent, she can be whatever she wants. She's so good with kids too, maybe a pediatrician? She threw herself into education after the Wentworth thing.

Fanny Price - the Bertrams paid for her university education and she chose the most guaranteed source of income: accounting. Companies will always need accountants and she can help support her family.

Jane Bennet - I can see her also choosing a very practical career but then dropping out of the workforce to be a stay-at-home mom. Charles has enough money to make that work.

#jane austen #question response #modern careers #elizabeth bennet #marianne dashwood #elinor dashwood #catherine morland #fanny price #anne elliot #jane bennet

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red-hot-kick · 5 months

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Theory: Ryuji was popular, before.

I'm not entirely sure if anyone has really talked about this but I maintain my interpretation that, in the canon of Persona 5, Ryuji used to be very (or at least moderately) popular prior to the events of the story.

This is something I've gotten into before when talking to friends who like the game and the character, but I haven't really considered writing it down until now. The main argument I have is based on three things:

Things Ryuji alluded to in canon (but no one believed him on)

The deliberate choice of making him a track athlete

Typecasting for voice actors

1: "There were girls all over me!"

I don't really have the time to go on a deep dive through all the instances in which he hints at his reputation before the Kamoshida incident, but I think the most clear-cut representation of this was during the scene where he and Ann spend the day with Futaba during her post-palace social rehabilitation:

So here's the thing...I don't think he's lying about this. Nobody in the room would be that impressed to find out whether Ryuji was popular since they are already friends (or in Mona's case, he really just doesn't care), so it wouldn't make sense for him to lie.

Regarding everyone's reactions though, here's my impression: Ann was simply not aware of what was going on with the track team, being predominantly focused on dealing with rumors, her friendship with Shiho, and her modeling career (and eventually Kamoshida's advances once he started doing that shit) and she mentions a few times that she and Ryuji weren't actually close before joining the PT; they were just in the same class in middle school. Futaba hasn't interacted with anyone her age in years and isn't the most reliable source when it comes to what people generally find attractive; just because she doesn't have any interest in Ryuji doesn't mean that nobody her age would. And Morgana is a cat that brags constantly about how cool he is, so he shouldn't be throwing rocks.

There are many other times in the game when you get little glimpses of his social savvy, and from my understanding of Royal (I'm an OG vanilla P5 player and haven't done 3rd-semester yet, so don't kill me) when the track team returns to "how it was", he is getting along extremely well with everyone. Not only was he the team's ace: this kid was also expected to become the captain by his senior year (as briefly mentioned when he bumps into his former senpai at the gym, iirc). That's huge! If his team held him in such high regard, then the general student body of Shujin surely had a similar opinion. This brings me to my next point:

2: Girls like boys that run fast(???)

This is honestly something that baffles me. It's also really difficult for me to substantiate; any source material on this is obviously in Japanese and if I could find any of it, I sure as hell can't read it. The only English-language source I know of I cannot find anymore; I think it was an old Tofugu article? However. If you've watched any romance anime set in a high school during the last 20 years, you might have seen this trope at some point: the school sports festival is happening, and the relay race is kind of a huge deal (it's the final event! a make-or-break moment for the class!). The boy thinks to himself "If I win this race, I'll be able to win her heart/ask her out/etc." Low-stakes drama ensues. Maybe a confession happens.

This is (from what I've been told) based on a long-standing trend of girls and women self-reporting in surveys about how, oftentimes, their crushes in junior or senior high school were simply "the boy who ran the fastest in the races". I have no idea what this means in a broader cultural context. It makes no goddamn sense to me at all. Do not cite me on this. But I think it's worth keeping in mind, even if it's almost entirely speculative (and possibly outdated) information. And even if it's just based on rumors, don't you think it's pretty in-character for Ryuji to go for a track scholarship—despite being adept at other sports like baseball and football/soccer, as mentioned in P5 and P5D—because he was aware of the potential of being more popular with girls? Of course, his priority would be getting the scholarship and paying his way through school to lighten his mother's burden, but hey, getting a girlfriend on the way up wouldn't be half bad!

I think this could also inform us as to why Kamoshida (as a predator who wanted attention from high school girls) felt so threatened by the track team in particular, and why he felt a need to specifically knock Ryuji down a peg and sought out a weakness to do so (as opposed to targeting any of the probably just-as-popular boys on the many other athletic teams and clubs in the school). Just some food for thought on this one! Also, if anyone can find a source or has any insight on the relay race thing, please share. I am so confused about it.

3: Typecasting

So this is something that you really only notice if you are very into keeping up with seiyuu in Japan. I am not one of those people. But I do have some favorite voice actors! One of these being Mamoru Miyano.

So I freakin' love this dude. He's voiced a lot of my favorite characters, sings incredibly well, and has an unreal sense of comedy. He's stated in interviews that his acting inspiration is Jim Carrey, and let me tell you: it shows. He is also quite consistently typecast into certain roles, predominantly as princely pretty-boy types, Coolguys, or complete fucking nutcases. Sometimes all three at the same time (shoutout to my boy Ling FMA!)

ATLUS definitely cast him for P5 because of his comedic chops. But I think they also cast him because having him voice someone like Ryuji is a great way to subvert expectations for the player. I think it's supposed to give you whiplash—"what do you mean the voice of LIGHT FUCKING YAGAMI is coming out of this guy's mouth?" "why does the delinquent character sound like king of the host club Tamaki Suou?" "isn't that Rin Matsuoka's voice?" etc. etc. etc.

(here's a quick list, just to really get the idea across. maybe you recognize a few.)

This is obviously a non-comprehensive list, but something that a lot of the characters he's voiced over the years have in common is that they were considered cool, handsome, or popular. Not just for fans, but within the canon of their stories! So...what does that mean? What does that say about how we should see Ryuji?

I think players are supposed to expect that he will fall into one of those categories too, and then be surprised to find that it's not the case—that he's been isolated and made bitter and resigned by what happened to him the year before.

Speaking of his tone, I think it's very telling that Ryuji actually forgets to keep up the delinquent act a lot in the original JP audio, which unfortunately doesn't really carry over in the ENG translation. The delivery of his JP lines sounds a bit more subdued in comparison too—yeah he's got a lot of energy and is very hotheaded, but when he gets to talking about serious shit, he sounds a lot more regretful and melancholy as opposed to the EN delivery which depicts him as more resentful and outwardly angry. I think before Shit Went Down, he probably had the Coolguy vibe. Still a bit of a rowdy idiot and a showoff, but I think he probably came across to most people as a very friendly, sincere, and popular guy.

So yeah, the girls probably were all over him, at least for a short while.

#persona 5 #ryuji sakamoto #character analysis #LONGASS POST SORRY #I JUST REALLY LIKE HIM AND WANTED TO THINK MY THOUGHTS FOR A WHILE #pita.txt

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longing-for-rain · 23 days

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regarding aang becoming offended bc of his portrayal as a woman in ember island players, i think his anger was justified on that specific occassion? I mean, the fire nation was mocking his gentle nature and pacifism by portraying him as a blithering naive idiot who never took things seriously and the belittling of his culture and beliefs. This is one of the worst episodes for him, dont get me wrong, but in this case, femininity was utilized as a source of derision and weakness imo. I dont say this with bad intentions, just thought i would write this bc i also condemned aang for the same thing before

If that was what Aang was upset about I might be inclined to agree, but everything he says and does throughout that episode points to the contrary. Aang doesn’t say anything about the incorrect portrayal of his culture and personal values. Here is what he does say:

[Note: the above expression is before the actress hardly says anything so he’s clearly just mad about the fact that she’s female]

Aang: [angrily] Is that a woman playing me?

Aang: I don't do that! That's not what I'm like! And I'm not a woman!

[Note: the official script includes the emphasis; again, it’s very obvious that he’s most bothered by being played by a woman]

Then this exchange:

Toph: I don't know, you are more in touch with your feminine side than most guys.

Aang: [Standing up, angrily] Argh!

Katara: Relax, Aang. They're not accurate portrayals. It's not like I'm a preachy crybaby who can't resist giving overemotional speeches about hope all the time. [Everyone looks at her] What?

Aang: [Turns around and sits down. Sarcastically.] Yeah, that's not you at all.

You know what I love about this conversation is that is proves two things at once. Firstly, yet again, it’s clear that being portrayed by a woman is what is most upsetting to Aang. Secondly, his reaction (and, honestly, insult) to Katara’s values here shows that he’s not thinking that deeply about this. It has nothing to do with values. Aang is offended at the idea that he is being portrayed by a woman and with more “feminine” qualities, which honestly plays well with his creepy, possessive behavior with Katara later this same episode.

And I actually do like the fact that you brought up femininity being used as “a source of derision and weakness” because guess what! That’s the definition of femininity itself. Femininity doesn’t mean simply being a woman; femininity is the social behaviors and roles that women are expected to fulfill. Which is why I don’t have any sympathy for a man who is offended by being called feminine or compared to a woman because it’s reflective of a deeply misogynistic attitude on his part. If Aang thinks femininity is so degrading and weak, what does that say about the fact he expects his crush to behave that way? I mean, this is what he thinks of Katara, through his own perspective:

So yeah, that’s my question. If being compared to a woman is so insulting and humiliating to Aang, what does that say about how he intuitively views actual women? Why does he think he’s above that treatment but women aren’t? People act like I’m crazy for saying that he exhibits toxic masculinity this episode but this only furthers that point.

Oh and before someone jumps in here and acts like this goes both ways, let me point you to this:

Toph’s reaction to finding out she’s being played by a big, buff, stereotypically-masculine man. She’s thrilled! Why? Because we are products of a misogynistic society and therefore intuitively view being compared to a man as a compliment and a woman as an insult. The respective roles assigned to each are not equal. Masculinity and femininity were never equal and the system was deliberately created that way. You can see this idea ingrained in the writing of this episode because it’s a bias we all hold to some degree, including the writing and creative team here.

So I’m sorry, but considering the bias clearly present within the writing team and the way the characters behave this episode, it’s clear to me that Aang’s reaction has nothing to do with his culture and everything to do with his misogyny.

#besides if we’re talking culture #supposedly he’s also meant to avoid earthly attachment and possession #which is not in line at all with his treatment of katara #anti kataang #canon critical #aang critical #atla #avatar the last airbender #ember island players #meta #zutara #katara #toph #fandom salt

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estro-gem · 7 months

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Jax x Ragatha: The snake and the water spring

The Amazing Digital Circus AU: Oasis.

Author's note: I found this show by chance and I took a great liking to it! So now I did a thing, instead of studying for upcoming exams, because I love making things difficult for myself, apparently.

I have no idea what the fandom is like, but I'm playing it safe just to be... well... safe. I just loved the concept of this show so much that I couldn't help but be inspired by it! It got me thinking and I let it all out in this... thing.

I want to write more one-shot fics about the other characters and how they fit into this au too, but I don't know when I'll be able to.

WARNING! None of these characters are mine and everything mentioned and described is purely made-up fiction; inspired by works that are not my own. Nothing should be considered canon or taken seriously - we are all here to have some harmless fun! No age restrictions. I think this might be appropriate for all ages...?

Please show some love and support for Gooseworx; the creator of The Amazing Digital Circus!

I definitely butchered Gooseworx's characters by adding unnecessary 'relationship dynamics' and deviating from their original personalities. I promise that the actual show and characters are so much better than they are in my false portrayal of them.

SUMMARY:

A fanmade take on the events following Pomni's arrival and after the crew had dinner together. This is focused on Jax's point of view, but still written in the third person.

Jax confronts Ragatha after the pilot episode's 'dinner' and does his best to comfort her in a way that works for them. That's it.

Please enjoy!

THE SNAKE AND THE WATER SPRING

Jax was a desert snake.

Nothing but a cold-blooded pest that lived to find his next meal.

When one is left to die under the scorching sun, you can’t stomp on the sun for creating a desert, but you could stomp on the desert snake if it added to the pain of surviving in said desert. The Digital Realm was nothing but a desert sun – a cage with no exit and an evil with no target.

It was no secret why so many had lost their minds here.

Jax took on the role of being the snake. It was never announced or planned, but it was deemed necessary by all who came to know the realm. The inhabitants of The Amazing Digital Circus craved any sense of control; something they could hold accountable for their torment – something they could punish. A menace, parasite.

Evil with a target: Jax.

It was fun to act out while everybody went about their lives. He could unapologetically be the worst being known to man and thrive on the rage and hatred of all he had affected. If they hated him, he was fulfilling his role perfectly… and that meant they could stay sane and do their parts as he did his. Less people would be lost to insanity… and the group would grow stronger.

Everyone had a role in their system – an oasis was established, with Ragatha as the heart of the oasis; their very own water spring.

But when a new invading creature bursts into the oasis with no knowledge of this system, their system would be doomed. Pomni happened to be that invader. Everyone could collectively, yet silently agree that she was acting by her own careless devices since she arrived a few hours ago. She greedily soaked up their water source and left it barren, dry, and suffering.

Granted, Pomni didn’t know how their oasis worked, but it didn’t change the fact that she disrupted everything by showing up. She would have to catch on quickly and prove herself useful, before anyone else loses their minds.

They lost one of their own already… and they almost lost their beloved Ragatha; Jax’s equal and opposite.

Their precious water source.

Snakes offered venom, while water springs offered hope of life. They all desperately needed Ragatha to survive. While most would assume her to be fine after being fixed by Caine, Jax knew better than that. He saw her reluctantly stand aside Pomni to support her – beautifully acting within her role as she always would, but it was clear that Pomni still didn’t understand how scarce the water was by then. Rags was spread thin enough by handling the extra stress and enduring the continuous pain of being corrupted by the abstraction, but that didn’t stop Pomni from practically having a mental breakdown at the dinner table.

Jax saw that coming from a mile away. Thank goodness he silently took the open seat next to Pomni, silent in his insistence that the ragdoll should keep her distance for the time being. He’d give anything to destroy the little jester for abusing his doll. Ragatha was acting perfectly normal at the time – her masked smile perfectly set on her face – until it was time for them all to retire to their respective bedrooms.

Jax wished that he would’ve just dragged her after him when he booked it from the abstraction earlier today. Pomni would have been the perfect distraction for them to escape and get Caine.

He stood at Ragatha’s door after dinner.

Jax made a point to ring the doorbell this time. Usually, he’d just pluck out a key and saunter in like he owns the place, but with what happened today, he’d make an exception. Everyone has their limit – and someone has already reached their limit today. They couldn’t risk losing another one. Especially not Raggs. They all really needed her.

When she didn’t open, he tried the bell again. Nothing.

Well, time for the key, then.

He shoved his hand down his front pocket and fished out the doll’s room key. The bunny didn’t waste time opening the door. He wanted to see what state the girl was in, despite dreading the possibility of finding an abstracted amalgamation on the other side.

Silence.

Not even a creak was heard from the hallway. The room was lit up as it usually was, so that was a good sign, at least. Jax couldn’t see an obvious black body of eyes – another win. But where was Ragatha? He did see her walk into her room, so she had to be here.

He walked around, keeping his cool, casual composure fixed, despite no one being around. It was effortless at this point. It became a way for him to focus on what he could control in this crazy digital prison; himself.

He couldn’t, however, control his ability to spot a blasted ragdoll, it would seem. He scanned the room again, until his eyes fell on her ¾ bed. Could she-?

The bunny rolled his eyes at himself as he lowered himself onto his knees – maybe he could convince himself that he was not phased by the situation. Bending down, he peered beneath the bed frame.

Jax sighed in exasperation. Or was it relief? Both?

Ragatha was in the state she was in before retiring to her room. No gliching, no extra eyes.

Just Raggs.

She didn’t look good, though. The doll was curled up beneath her bed and blindly staring ahead of her. It didn’t look like she was breathing – not that they needed to anyway, but it was uncanny to see Rags like this. She was their voice of reason. She was a water spring in this desert.

If she dried up, their desert would be doomed.

Jax silently stood up and walked back to the open door again. No need to make a fuss over this. He took hold of the door handle and shut it from the inside. Key in hand, he locked the door and nodded to himself. Ragatha needed a raincloud… and he’d have to fill that role now. It’s the least he could do after leaving her to fend for herself when they found the abstraction today.

Why didn’t she run with him? Why did think she could fix someone whose mind was broken beyond repair? Why didn’t she just leave the rookie as bait?

Because that just wasn’t her role, was it?

If it weren’t for her nature – her role – none of them would have made it this far. It dawned on Jax, once again, how close they were to losing their beloved doll. How close they were to being stuck with an invader who knew nothing about what it took to survive in this hell hole.

Enough.

Back to the bed, crouched down and silent Jax positioned himself to lay down and simply look over the red head from a relative distance. There was enough space for the doll to crawl out of hiding without having to touch him. The bunny still hadn’t said a word. It’d be stupid to talk, and he didn’t feel like making the effort. He just wanted things back to normal again – well… as normal as it could have been.

Now Kaufmo is gone, a new creature was invading their home, tearing it up from the roots and tipping the delicate scales of the balance they worked very hard on creating. All because of a lunatic ringmaster having the bright idea of creating a fake exit-door. Someone better get that jester on a tight leash to get her to fall in line, like the rest of them were forced to.

He knew he, for one, wouldn’t mind roughing her up a bit. It was his specialty – his role. The parasite. The menace. The instigator.

Evil with an actual target.

The sound of shifting and movement had Jax blink out of his own head. Ragatha was slowly and dumbly making her way out from under her bed. Her eyes were still fogged over and her face still eerily blank, but at least she came out of hiding out of her own will. In a matter of seconds, the doll was out from her hiding place and settled on the floor beside Jax. She was staring him in the eyes now, waiting for the bunny, silently pleading.

Jax hadn’t had his aloof-douchebag persona engaged since he locked Ragatha’s door. She didn’t need a menace now – she needed to be grounded; revitalized. She needed a dark raincloud to fill up the water spring they all needed.

He didn’t look forward to what needed to be done, but he wouldn’t allow anyone else to do it.

He moved to stand up and held out a hand to help her up. He took note of the way her hand was shaking when she took his and gently guided her to the bed. The red head was the first to sit, then moved to lay down on her back and numbly stare at the ceiling. With a deep breath, Jax gathered himself mentally and cautiously crept onto the bed and positioned himself to briefly hover over her, before lowering his full weight onto Ragatha.

He had his head in the crook of her neck, on the left shoulder with his ears folding back to floppily droop to his upper back… with his left hand resting on the opposite shoulder. His body, although slim, enveloped hers and caused her to sink slightly into the mattress. His legs just loosely laid over and aside the ragdoll’s. It was more important to have his weight resting on her torso anyway.

For a long moment, they just motionlessly laid on the bed like this. To an outsider, it would look like they fell asleep atop each other or simply cuddled together very closely.

An outsider wouldn’t see that Jax was focused on the slow process of Ragatha’s body relaxing under his weight and her breathing slowing to a regular rhythm. An outsider wouldn’t have known that this was hardly the first time they’d done this – how long it took Jax to learn that this make-shift deep-pressure therapy was the most effective grounding technique for Ragatha to collect herself again.

They wouldn’t understand that Jax didn’t do this out of wanting to, but rather out of necessity.

Jax didn’t like to be touched. If anything, he was very capable of merely tolerating it. Everyone in the circus knew that he was touch-averse; some even used that as leverage to mess with him if the situation called for it. It was a necessity that he endured to keep his doll sane – to keep anyone of importance here in the circus, sane. Their whole lives revolved around mental strength. It was all just a matter of staying sane.

The laid there for what felt like a lifetime.

Slight shifting beside Jax alerted him that the doll was moving her arms – previously stiffly pinned to her sides. This was good, she felt comfortable enough to move around now!

Her left hand gently snaked up to the bunny’s head and slowly, softly petted his ears in a longitude motion. Her right hand wrapped loosely around his middle-to-lower back – motionless. This was bad, Jax did not like being touched like that!

While he was fine with the rhythmic touches of Ragatha’s left hand, he despised the idle position of the right hand resting on his back. He couldn’t prevent himself from tensing up in discomfort.

Bad touch, bad touch, bad-

This caused the ragdoll to tense up and rip her hands off him as if he burned her.

Oh no you don’t! We are not starting all over again.

He slowly pulls away and propped up unto his elbows, hearing Ragatha’s breathing pick up as she presumably spirals into her own thoughts on how he was going to leave her like this. Jax cast down a disapproving look. He broke his gaze to unceremoniously take her right hand – now clutched close to her chest – and intertwined their fingers, before resting his head on her left shoulder once again. He close eyes as he use his free hand to put her left hand on his head again, waiting for her to resume her petting.

Good touch; this was a good touch. Please understand.

Thankfully, Ragatha relaxed… and continued her previous slow, rhythmic motions. Slowly, Jax felt her relax once again and he indulged into her need for touch by stroking his thumb over hers occasionally.

Soon they fell into a rhythm; Ragatha would pet Jax’s ears 3 times, then it was his turn to stroke his thumb over hers. Then they would repeat the routine. This also helped Jax cope with the touching; the routine. The rhythm.

It felt like hours ticked by as the two just practiced their little unspoken routine. Jax grew used to it after a while, almost forgetting that his new mattress was now a sentient ragdoll and completely tuned into their rhythm of touches.

Pet… pet… pet… thumb. Pet… pet… pet… thumb.

Jax didn’t like touch, but he loved routine.

The doll and the bunny’s time together, once nothing but grounding techniques, grew to become an intimate exchange of touches and caresses – all wrapped in a routine, like a dance. Jax felt warm and fuzzy inside; for once he basked in the moment of enjoying his dolly. He lazily wondered if Ragatha felt the same. He shifted his head to look at her.

The doll looked down to meet his eyes when she felt him move. He could swear that she looked at peace, basking in the bliss of their closeness. For some reason, she looked like an angel. They all saw her as their angel. Had he successfully pinned a heavenly body beneath him?

Her gentle, longing gaze made a kaleidoscope of butterflies erupt from his core.

This wasn’t the first time this feeling invaded his being when they did this – as rare as these moments were. He wasn’t sure when he started experiencing such feelings during these rare encounters, but as months crawled by, he felt drawn to his dolly more and more. Based on how she looked at him, he could only assume that she felt it too.

Something so foreign, yet so familiar.

He didn’t fail to spot the warmth rushing to her cheeks when their eyes met. She looked so ethereal beneath him, especially when her breathing picked up under his firm gaze. Her lips were parted, and her eyes were lidded. This time, it wasn’t fear or overstimulation. It was anticipation. It was desire.

Jax internally flinched at the tingly sensation when he smoothly burrowed his face into Ragatha’s neck. She shivered at the breath he let out against her skin. He could tolerate the touching a little longer, as long as he could see her crumble again. He wanted to see her walls crumble again.

“Jax- ”

Oh… he had to hear her again. More clearly, next time. This was torture, but she made him into her own personal masochist. His skin crawled at the sensation of her skin shivering against him, but he needed more. He could take it. Just a little longer – he just had to stand these sensations a little longer. He looked at her again.

Ragatha was reverting to a helpless puddle. The doll’s arms were gripping at the covers beneath her, successfully eliminating the bother of excessive contact that he despised. Jax didn’t know if she did it with that intension or without thinking, but either way, he was thankful. He really wanted more.

Why couldn’t he just be normal?

He lifted onto his elbows again and – dare one say – lovingly looked at her face. She could only peek back at him, breathing slightly faster than usual. Out of the corner of his eye, he saw her shaky hand rise from the covers and hover next to his cheek, while her eyes pleaded for his mercy. He hesitated but bit the bullet to comply; leaning into her touch while desperately trying to ignore the odd tingles. Jax convinced himself to kiss her wrist and drowned himself in the pleasure of hearing her softly call his name.

He only heard it because he was listening so closely for it.

Yes.

DING DONG

In a flash, Jax braced himself up into a crouch and slammed his foot down with a mighty THUMP upon hearing Ragatha startle into a fit when the doorbell chimed. His hair on his back stood on end and his claws ripped through his gloves, leaving gouges in the covers beside the doll’s head.

His precious doll was disturbed again!

He heard her soft cry of fear and his blood boiled with a thirst for vengeance. Only he can make her cry out. He’ll skin the soul that dared to-

“Ragatha…? Can we talk?”

That DAMN jester!

“Jax?” a quiet voice trembled in his ear from beneath him. Jax stopped glaring at the door to softly glance down and see what his little doll wanted.

“Don’t…” Raggs sounded like she was begging while being held at gunpoint, whispering despite their rooms being enchanted to not hear anything from the outside when the door is shut.

Jax wouldn’t dare let that thing inside. Raggs was upset enough as it is.

“Look, I know it probably wouldn’t make a difference…” Pomni’s voice came from the other side door again, “…but I’m so sorry for running off… Again… I saw that exit and I had to see if it was real. No one else believed me and I started to think that I was losing my mind. You understand that, right?”

Jax placed both his hands down on the mattress, blocking the doll’s view of the door as if it could block the sound of the voice from reaching the Raggs’s ears, still hovering over her. He knew that his dolly didn’t want to hear anything the harlequin had to say now – he had half the mind to get up and bash the newbie’s head in.

“I hope we can talk about this some time. You are probably tired after such a long, crazy day.” Pomni’s voice died down near the end, “It feels like you’re the only good person here.”

She really is, but she’s too good for you. Selfish leech.

Jax looks down to the girl, still stiff as a board beneath him. Her eye was shiny with the swell of tears. He melted at the sight – anger simmering down. She was just a sweet little rag dolly, she didn’t deserve any of this, but oh, he was so happy to see Ragatha finally emote something again. She was OK again. Their water source was filled once again, now threatening to spill over. He’d happily welcome the flood.

He needed her.

The sound of fading footsteps causes Jax to rip his eyes to the direction of the door. His hearing was better than the dolls, probably thanks to being a rabbit.

Good riddance.

Ragatha seemed to relax at the sight of Jax deflating his stance, reading that Pomni probably left her door. She hesitantly reached up to cup Jax’s cheek. Jax followed her hand’s motion and scoffed, cringing at the invasion. He’s had enough touching for a week. It sucked to leave his doll so soon after being distressed again, but he couldn’t bring himself stand any more of this. He quickly got up and smoothed out his clothes, but not without missing the flash of hurt in the doll’s eyes. He felt bad, but he had to be strong with the new girl around, so straining himself now would only make matters worse and mess up the whole system.

Still, seemingly bored, Jax stood in his spot while rocking on his heels and looking off to the side, only sparing her a glance. Raggs sat up by then. She looked a little worse for wear, but it’s an improvement from hiding under her bed. She rested her elbows on her knees with her chin in her hands. The hurt in her eyes was long gone, but she looked tired. Poor thing, Jax shared the sentiment.

He felt her eye bore into the side of his face and the bunny couldn’t stop himself before he rolled his eyes and looked to her again. He could’ve choked on air when he saw her face, but the years of steeling his demeanor left no trace of his inner turmoil.

Raggs sported that longing look in her eyes again.

They were so close this time – closer than they’ve ever been before. Each time they spent together on nights like this, although few and far between, they grew closer… and hungrier. Neither understood what it was, but they never had the chance to just collapse into it, tonight being the closest to that.

But there was always something, right?

Jax allowed gaze to soften. His doll offered a small smile that almost ripped his heart out if his chest. It was drenched with melancholy of something she knew they could never have.

Because their roles in their little ecosystem didn’t allow for it to ever be theirs. It would never work.

This was survival.

The rabbit steeled his demeanor once again, but this time, his doll’s face didn’t fall.

Good, as it should be.

Jax walked to the door and fished out the key from his front pocket. He didn’t bother looking back. If he did, he wouldn’t have the will to leave anymore. When he opened the door, though, he couldn’t help but mumble out teasingly.

“See yah later, Doll~!”

He wished that he could shout his affections for her out into the void instead.

“I’m not your doll.” Ragatha responded, voice still wobbly and tired, but perky regardless. She knew just how to indulge him.

Yes, she is… she always will be.

Fanart: Evil with a target

Oasis: TADC AU list

Masterlist

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manicpixiefelix · 5 months

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is reader rich? how rich are we talking, like what their family heritage or something?

idk im sorry i just like exploring lore

Don't apologise I love thinking too much about the lore for my stories (also this will probably develop into something far more concrete as the story progresses)

this is regarding head, heart, hand if you wanna read the fic 🥰

Also, warnings of parental emotional neglect and distance regarding the reader's backstory.

So I'm thinking the reader is from Old Money, long-time generational wealth, like the Cattons. While I assume their grandparents were more occupied with the family business, I think on their mother's side, both their father and their mother are image-obsessed "philanthropists" who make a big show of their charity fundraisers and feel-good endeavours, despite their family money almost definitely being sourced unethically.

The reader and Felix are childhood friends, since their parents are old friends, as the Catton's used to attend many of the reader's family publicity events, usually just Elspeth and Sir James, but several times they brought Felix and Venetia when encouraged.

Most people don't actually know the reader is even their parents' child. They were born to satisfy their grandparents wishes for a grandchild, but neither of their parents were particularly interested in raising a child. After Felix and Venetia took a liking to them, and Elspeth too, their parents were more than happy to let them spend breaks with the Cattons after they were finally old enough to send to boarding school.

The reader is a legacy student at Oxford (I think that's the term when one or more parents have graduated from the institute). While their mother comes from old money, she, like Felix, was attending more as something to do. She met the reader's father there, and he is well off, but from much newer money. Both sets of grandparents have approved of the marriage, and while the reader's mother finished a BA in Art History (that she uses to determine the value of various paintings across the world to then auction them for charity), their father studied law. While he completed his degree, he never attended the exam to allow him to officially become a lawyer, as soon after they were married, the reader's father fell ill, and he elected his new son in law to become head of the business. These days it's more of a symbolic title, they simply use the money while the company's board of directors actually runs the company.

They're very distant with the reader, even more so than Sir James and Elspeth are with Venetia and Felix. reader's parents just seem to be glad that they became so quickly independent, without realising how emotionally neglectful they were, which is another reason the reader clings so strongly to Felix. That independence their parents see is also why they believe the reader is capable of making important decisions so young, hence why they were allowed to attend the same schools as Felix and Farleigh and Venetia in their youth.

😅😅 maybe I actually have thought about this a lot haha I love this stuff, is there anything else you'd like to know?? I'd love to dive into this world, it helps me figure out how to write it and these characters going forward 🥰🥰🥰

#felix catton imagine #felix catton x reader #felix catton x reader x oliver quick #felix catton x y/n #felix catton x you #saltburn imagine #saltburn x reader #venetia catton imagine #venetia catton x you #venetia catton x reader #it shouts back #manic writer

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illumalux · 1 month

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Life Series Victors as Tarot Cards

A presentation on why we’ve got it all wrong when it comes to grouping life series victors.

This post will continue on with the implication that ZombieCleo is a Victor, simply because she is. She won real life, therefore she's a victor. Argue with the wall.

Now, I see your celestial trio of the first three winners. This should never change. This feels the most apt, it centers perfectly, and each of the things it represents are present in multiple different categories. Obviously in space, as everyone has adapted to, but also in a Minecraft world, and what I see as more important: in a tarot deck.

Think about it this way.

The Watchers, in whatever form you think they (or we) take, are collecting these Victors. Each one means a different thing, survived a different landscape. While I understand the celestial motif of the first three Victors, and how it fits into their characters, I would argue that many others are far too grounded for that.

It’s a collection, remember? What is better for assembling a set than a deck of cards? Especially ones that meddle in Fate, something the Watchers seem to adore.

So here are the cards each Victor represents, with card meaning and my defense as well. This will go in chronological order of the seasons.

Before I continue, I just want to give a disclaimer. Every tarot deck has a slightly different explanation for what each card means. The definitions I use are a mix of three of my decks and the official Rider-Waite-Smith deck's explanation, so if there are inconsistencies with what your deck says or what you know, please don't come for me.

Grian, Third Life:

XIX. The Sun

Beyond the obvious desert motifs (a whole extra post in and of itself), the Sun is representative of not only Grian's gameplay, but also how the Watchers (those collecting this deck) feel about him. Grian is one of them, so he naturally starts out in their good graces, with a greater level of respect.

Rider-Waite-Smith defines the card as one of success. Of course the Watchers will gloat when their baby wins. Even if he wasn't meant to, it did inevitably mean that throughout his game, Grian was inarguably one of the largest sources of negative emotions, second only to the Red Army. Again. Extra post on its own. When he won, it saved anyone the satisfaction that might negate their negativity, alongside the delicious outpouring of grief that was the final duel of Third Life.

Reversed, the Sun is a card of depression. As I just touched on, one of the most defining moments of Grian's game was his final victory. When the ending came down to himself or his greatest ally, he went about it in the way that caused probably the most pain to both parties involved. It pushed him to the very brink, ending in him defining his own ending just moments after winning.

Scott, Last Life:

XVII. The Star

Even ignoring the starborne origins and headcanons, as well as the crown of stars included in his skin (Void below, these posts write themselves) this one looks like a super simple explanation, but actually requires me pointing out something that may not be obvious to some Watchers: Scott, in every game and Iteration has made it a point to rebel against the rules in whatever way he can. I could go into full detail, but thats a lot of words and I don't need anyoen to get bored. (Void, this series and side tangents that require other posts)

In third life, a game about death and destruction, and the originator of factions, Scott took a very different route: he got married and built a house in a flower field. When grief finally found him, he refused to give the Watchers any satisfaction, literally crystalizing his grief into a part of his character design (and one that would remain for two to three more seasons, depending on your thoughts on the coral pieces). In Last Life, he is the singular person in all five seasons (technically two, but shhh this is more dramatic) to withstand the Boogeyman curse, something the Watchers installed purposefully to make people kill allies. Double Life, obviously, as Scott rejecting the soulmate the Watchers gave him. Limited life, in which kills gave more time, Scott did not die a single time without giving life freely, either to an ally or a temporary ally.

That got long. Anyways. Scott's game has always been one of hope, spreading positivity and refusing to be pushed around by the Watchers. And that's exactly what the Star means. Upright, this is a card about hope and perseverence, pushing through challenges, which is exactly what Scott does. He refuses to let the Watchers' actions upset him and continues to play the game for his friends and for the future and nothing else.

Even reversed it still fits. Reversed, the Star means loss or abandonment. I've already used up too much time on Scott here, so I'll let you pick your favorite instance of that.

Pearl, Double Life:

XVIII. The Moon

This one is far and away the easiest. Like the previous two Victors, Pearl's story connected her with her symbol even before she won. But blood moons and wolf packs aside (as that's a whole different post for a whole different day) when you take a look at the definitions provided, it becomes even clearer.

The Moon is a card of transformation and change, as well as revealing one's inner self. Rider-Waite-Smith attributes hidden enemies, darkness, and terror with The Moon. While I'll happily analyze every single one of Pearl's actions as the Scarlet Pearl, I think this one is plenty self explanatory. After her rejection early on in the game, she immediately isolates herself and latches onto the night motifs, leaning in to what everyone expects her to be.

The reversed meanings also explain Pearl's arc in Double Life perfectly: confusion, mixed messages, and disbelief. This perfectly encapsulates Pearl's feelings at the very beginning of the game via her rejection by Scott and subsequent abandonment by Martyn in an attempt to get back into Cleo's good graces. Her instinctual reaction is one of shock, not understanding why Scott would choose to pick a soulmate when she was right in front of him.

Martyn, Limited Life:

XVI. The Tower

One of my favorite cards, the Tower is instantly recognizable. While most of my analyses aren't about how the card looks, I feel like it's important to share this time around. The most common image consists of a tower and one or both of two elements: lightning, and people falling. As a card, it represents sudden change, destruction, and chaos.

If anyone here is not yet convinced that I'm correct, please go rewatch Martyn's last LimLife episode, then come back and argue.

You're back? Great. We agree? No? Fine, I'll explain.

This fixates mainly on his winning game, but I'll touch on the rest of his games as well. LimLife ended with a huge betrayal on Martyn's part, one characterized by being so insanely sudden. (Of course it's the Watchers meddling. But the Tower isn't always about your own choices being your downfall.) He quite literally snapped as if hit by lightning (see description of the card), and this spells the beginning of the end for him.

Similarly, in all of his other games, Martyn finds himself with one pivotal moment that spells his downfall. The Red King, Betrayal at the Southlands (and honestly his worst move in DL was abandoning Pearl to try and beg for Cleo's forgiveness).

Funny enough, the reversed meaning of this card is almost a perfect match. I don't think this needs too much more explaining.

Scar, Secret Life:

X. The Wheel of Fortune

I adore Scar in these games. Every single season seems absolutely plagued by chaos. The worst season, obviously, was the one in which he gained his crown. Poor guy was just trying to make friends, and it seemed like every new secret was the exact opposite of what he wanted.

The Wheel is just what it sounds like: it's the card of luck, destiny, and fate. I won't add a new paragraph for the reversed meaning here either, as it means the exact same thing as upright, but with negative connotations in the form of bad luck and misfortune.

Scar is plagued by the whims of luck left and right. It seems like, more than any other player, Scar is unable (whether by others, fate, Watchers, what have you) to take full control of his own story and take actions that he wants to take, instead limited to where the current takes him.

But in the end, that chaos is what gives him his win. The lack of alliances and freedom that the game forced on him was what eventually lead him to be unmoored and able to volley his pain wherever he wanted, leading to a mostly painless win.

Cleo, Real Life:

XIII. Death

A little on the nose, I know, but which of these choices aren't? For a series entirely based on improv, there are a stupid amount of coincidences present.

Now, I know this is far and away the shortest series, so I'm going to analyse Cleo as a player across all of her seasons, not just her winning game. Sorry Real Life. You should have been longer.

While the meaning of the Death card may seem obvious, it's twofold in actuality. In some historical decks, even, the card is instead named Rebirth. I know how ironic that is that the zombie is the one who stands for death and rebirth, but again. Blame the stupid narrative, not the poor me trying to make sense of it.

In what my lovely mutual Honor called "phoenix behavior", I'm going to focus specifically on her deaths and rebirths, specifically BigB's betrayal in LastLife. Cleo takes her death hard, as anyone might. But her rebirth comes with change. The minute she respawns, it's with a different understanding of the world around her. She immediately embraces the change that has been given to her, burning down the Fairy Fort and ditching her alliance for a new one.

The reverse captures Cleo as a character over her seasons better than anyone on this list. While the upright meaning of the card is change, reversed it signifies stagnancy, obsession, and immobility. This can be seen almost perfectly with her thoughts on alliances. Scott remains forever in her good books, even over the course fo multiple seasons, simply because he has never wronged her. Even when they aren't direct allies,she still cooperates with him whenever, simply because she retains her previous feelings about him. The same can be said for BigB, but in the opposite direction. From the moment of the betrayal onwards, she refuses to trust him, going so far as to warn Pearl away from allying with him in LimLife.

Bonus: Jimmy Solidarity, the Canary

XII. The Hanged Man

But Moon! you shout, throwing your complimentary bucket of popcorn at me. Jimmy isn't a Victor! He's the exact opposite!

Yep.

That's why he's so soggy and why he goes on this list. You wanna argue that he doesn't have the same lore impact as a Victor? Too bad. Can't hear you. Jimmy gets his own card.

Initially, I was kinda sad that I already used the Tower, because that's the portent of doom and gloom or whatever, perfect for a canary. But then I spied an even better, even more Jimmy card.

The Hanged Man is the card of sacrifice. While I could go on a whole rant about the Fool's journey and how it is represented in the Life Series, that is Extra Tumblr Post Number IDK Anymore. Instead, today I'm going to stick to the basics. To specify sacrifice, the card doesn't just mean giving up. It signifies self sacrifice specifically. And what is Jimmy if not a semi-willing first sacrifice to get the chaos rolling?

How many times has he gone out to stop his friends from being the one who has to herald the change? The canary knows that he will sing the final notes, but so long as he can ensure the miners don't have to, he will descend once more.

Conclusion:

Now. Did I spend more time on this post than I ever did on an English Lit essay? Maybe. But as much as I love the space motifs this fandom has, I fundamentally disagree when we get to the latter winners. Come on, guys. Tarot decks are right here.

If I missed anything, or I misrepresented a player's game, please tell me. I can't be everywhere at once, and I'm always happy to learn more about some of the players I don't watch as regularly.

Anyways, this was way more fun to write than I expected. If anyone wants to see me give cards to the rest of the players who have yet to win, or an analysis of anything a mentioned in my tangents, please let me know.

Special thanks to @honorsongs who kept me company through this whole process and gave me many a suggestion when I lost my train of thought.

#moon rambles into the void #life smp winners #life series #traffic smp #trafficblr #scott smajor #zombiecleo #grian #inthelittlewood #goodtimeswithscar #jimmy solidarity #tarot card organization supremacy #why wouldn't the watchers want to collect them to keep in a box lets be real #what else are we doing by organizing them?#pearlescentmoon

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rye-bread-soda-iceberg · 3 months

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discussion and a little theory about black swan and sparkle's companion mission under the cut (+ spoilers) aka listen to me yap about the blue thing until I go insane

the First sampo we meet in penacony, specifically the one that follows us as we're hanging out with firefly, is nothing like how sampo himself is

his personality is a poor attempt from sparkle to try and convince us that it's him, but perhaps she's not familiar enough with him anymore to know exactly how he acts. "he" is acting weird and a little bit mean towards firefly for not knowing things about penacony even though she should

I don't think sampo would do that, at least the one we met on jarilo-VI wouldn't

the second (and third) time sampo appears, and this time it's actually him, is during the girls' companion mission

during the entire quest him and black swan play this little detective game orchestrated by sparkle where she writes herself in as a murder victim and has the two find her murderer. it's fun and silly and very chaotic

the entire story unfolds inside a dream bubble created by black swan, and when it's over the giant eyeball guy tells us that even though we recognized the people in the dream, it is still a dream. it doesn't represent reality and could have been tampered with

I don't believe that

anyways so. in this sampo acts a little bit more like the one we know, maybe slightly over the top at times but I think he was putting on a performance to spice things up. he was helping out sparkle with the whole thing in exchange for his mask that she probably stole from him (that we sadly don't get to see) so I bet he really put some effort into that, even begging black swan to not skip the last murder case

But. the MOST important part of this entire quest is.. the end. and the end is definitely not a dream

after the trio finishes talking, the dream stops and we briefly return to the real world before going into a memory. and boy there's some stuff to unpack in here

first of all the way they talk to each other? they almost seem like friends. of course, their views on the pursuit of elation are still different

he is still very polite about it

sparkle doesn't mention anything except muttering "why so serious" to herself

but they do talk like old friends and it's clear that in a sense they may be

after he asks for his mask back, sparkle remarks that it is not like the sampo she knows and then this little exchange happens

it is now canon, as in acknowledged out loud by a character (in this case himself) that sampo Really did orchestrate almost every thing that happened in jarilo-VI

how did he know this was going to happen? how can sparkle guess the reason why he wants his mask back? has he done this before? well clearly, thinking back to all the chaos he unleashes on that planet, maybe some kind of catastrophe has already came to it that we don't know about?

also slightly unrelated but I think he likes living there. he genuinely enjoys living in belobog because if he didn't, he'd find a way to leave

so anyways what we can deduct from this sequence is that:

- this entire quest is most likely a memory, not a dream. black swan deals with memories and it could be possible that she had some slight changes done to it and passed it off as a dream. maybe. and this would mean that it's a real event, that happened before the jarilo-VI story

- consequently, before that sampo and sparkle were on friendly enough terms that he was willing to help her put on a show for black swan in exchange for his mask (of course, he's always willing to do something to get something in return)

so I did say I have a theory

sparkle is the reason for That One sampo eidolon, "the deeper the love the stronger the hate"

she's the only character so far that we are SURE he dislikes, and that's something knowing he doesn't admit that stuff so openly. source: listen to his lines about other characters, he always masks any kind of negative emotion about other people yet tells giovanni that if it were for him, he'd never see her again (still said in a polite way)

so the "hate" he feels, that he still masks by smiling even though his eyes are devoid of any light, as of right now can only be towards sparkle

I believe she betrayed him somehow and maybe doesn't fully realize that

she's childish, really mean, DEFINITELY cannot "read the room" in any way and I doubt she cares about other people's feelings enough, so if sampo who by nature almost does everything to hide how he truly feels about people ever felt betrayed by her, there'd be miscommunication and possibly confusion on her side and feelings of hate towards her on his side

in the main quest, before sparkle reveals herself, she mentions hearing about his deeds on jarilo-VI but doesn't seem to hold a grudge against him. she probably dislikes him as well but perhaps not as much as he does, which also leads me to think she wouldn't understand if she did anything wrong

them not talking anymore would explain why sparkle's rendition of sampo feels off and kind of out of character

this is a theory I had actually already saw circularing on here, around the time sampo and giovanni's conversation in the memory bubble got leaked. but if I'm correct it's not as discussed

sad cause it's very interesting and you know what this also means?

penacony might not be the last we see of sampo

he has so much going on behind him and this just adds to it. he doesn't speak much about his past himself, he is clearly hiding so so many things and hoyoverse wouldn't keep leaving these little crumbs of information behind if it wasn't for a greater purpose

I feel like I say this every time I talk about him and maybe I'm slowly going insane but I'm also very happy cause I want to see what my beautiful man will do in the future

thanks for reading this far if you did and sorry if this is really messy

I just wanted to let some thoughts out!

#i think i said everything i wanted to say yes!#feel free to add to this #star rail #hsr sampo #sampo koski #honkai star rail #hsr spoilers #hsr #hsr theory #hsr sparkle

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maniculum · 1 month

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Do you have any books or sources for learning Olde English? I want to write a medieval-based story but I don't know how to write the characters speak the language.

That depends -- when you say "Olde English" do you mean Old English, like pre-1066 English? That's pretty far from modern English and it's unlikely that readers will be able to understand it easily. If that's what you're looking for, the texts I was taught with are:

Bright's Anglo-Saxon Reader

Quirk's Old English Grammar

Sweet's Anglo-Saxon Reader

They're all from a while back -- and, as you can see, some use the now-deprecated term "Anglo-Saxon" -- so you can find older editions free in the public domain. More recent revised editions can generally be found in cheap paperback form. I believe there are some more modern textbooks that are quite good, but I haven't looked at them, and I don't know how affordable they are.

I have also consulted with Zoe (@meanderingmedievalist) on this, and she recommends Baker's Introduction to Old English, as well as the related resource Old English Aerobics:

The reason there are textbooks for this, though, is because you genuinely have to treat it as a foreign language. It's very different from modern English. As a sample, here's the beginning of Beowulf:

Hwæt! We Gardena in geardagum þeodcyninga þrym gefrunon hu ða æþelingas ellen fremedon. Oft Scyld Scefing sceaþena þreatum monegum maegþum meodosetla ofteah egsode eorle syððan aerest wearð feasceaft funden he þæs frofre gebad weox under wolcnum weorðmyndum þah oð þæt him aeghwylc þara ymbsittendra ofer hronrade hyran scolde, gomban gyldan þæt wæs god cyning.

So if you put a lot of it into a story for a modern audience, most of them will be a bit lost.

If when you say "Olde English" you mean "English that sounds archaic and medieval, but is comprehensible to a modern audience", you're probably looking for Middle English.

I don't have any direct references for learning the language there, as I was mostly taught through immersion (i.e., here's a Middle English text, read and translate it, now do another until you get a feel for it), but Zoe recommends Fulk's Introduction to Middle English, so that's a good bet if you don't want to go through that process.

However, I do think the "just read the texts" method also works fine -- especially since, if you're writing a medieval story, you'll want to read some of the literature anyway for inspiration. Here's what you can do to use that method outside of a classroom setting:

Step One: Get a Middle English text with a facing-page translation. Armitage's edition of Sir Gawain and the Green Knight is good for this. Read the Middle English text, referring to the Modern English translation on the facing page whenever you don't understand it. Do this with a pencil in hand, so you can annotate the text with definitions, translations, and notes about how the sentences work.

Step Two: Get a Middle English text for which modern translations exist. Don't get the modern translation. The Canterbury Tales works for this: it's a classic and you should be able to pick up a copy anywhere. The version on my shelves is Baugh's Chaucer's Major Poetry -- which is heavily footnoted with definitions, potentially saving some time with the dictionary -- but it doesn't really matter as long as it's in the original. Read it. Every time you don't know a word, look it up in the Middle English Dictionary (available free online, in searchable form, here) and write it down. Again, best to annotate directly on the page with a pencil. Trust me, it helps to do it that way. Once you're done, get a modern translation and check your work.

At this point, you'll probably have picked up enough of the language that you should be able to write in it to some degree, though you'll want to continue making reference to the Middle English Dictionary to make sure you're employing period-appropriate usage and spelling. If you have access to the Oxford English Dictionary (if you're at a university, you almost certainly do, otherwise check with your local library), use that to check when the words you're using originated -- the OED has that listed, and that'll keep you from accidentally dropping an 18th-century term into medieval dialogue. You can also use their Historical Thesaurus to find period-appropriate equivalents for terminology.

Optional Step Three: Keep reading more Middle English literature with the dictionary open, annotating as you go, to get additional practice. If you can get through Le Morte Darthur in the original (get the P.J.C. Field edition), I think you'll be set in terms of "writing convincing medieval prose". Not because it's particularly difficult -- it's late medieval, so the language is actually more modern than either of the texts mentioned in steps one and two -- but just because it's long, so you'll get a lot of practice working through it. As a bonus, reading Malory will familiarize you with lots of good knightly vocabulary in case that's the kind of story you want to write.

Optional Step Four: Read scholarly articles on Middle English language and literature to get a more in-depth understanding. Again, check with your local library, or if you're at a university, a university library will have a vast amount of resources on this subject you can browse through.

#ask #old english #middle english

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