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#I'M A TEACHER!!!!!!!!!!!
yasmeensh · 7 months
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This is what I have been working on this week. A4 paper in gouache. It's a rather difficult medium to work with. I do like the consistency, and the matte finish. But I found it hard to make the colours come out bright (I suppose gouache is like that?). I used coloured pencils and what is supposed to be oil pastels (it was straight up chalk lol). I think it could still use more work, but I fear I would just ruin it if I work any further. Overall, I'm happy with the result! Next up will be acrylics! Progress shots under the cut:
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lotus-pear · 2 months
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soukoku as one of my dearest renaissance paintings
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bixels · 2 months
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I watched Starship Troopers tonight.
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jjks-dodo · 7 months
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teacher AU + vampire AU (gojo got cursed from Romania when he was supposed to get the cursed tool used for exorcising a vampire. but it's more like gojo let it happen for fun lol)
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hairmetal666 · 2 months
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Steve doesn't date, not anymore. He goes to bars, clubs, picks people up and makes it clear it's just for the night; that it can't, won't, be for anything more.
He falls too fast and too hard; wants so badly to be loved that he loses himself to it. So, he doesn't date and he's fine. More than fine, actually. Not worrying about finding someone, about falling in love, lets him truly enjoy his life; maybe for the first time since childhood.
He goes with Robin to visit her parents in Hawkins, wakes up at the ass crack of dawn to go for a run. With the sun barely up, he doesn't expect to come face-to-face with Eddie Munson, smoking on a park bench.
They startle each other in the early Hawkins quiet, Eddie jumping hard enough that he drops his cigarette into the dirt at his feet.
"Christ, Harrington!" He snarls a little.
"Fuck, Eddie." Steve fights to catch his breath. "What are you doing out this early?"
He glances up, finds Eddie's eyes raking over this body in a way that makes him go hot all over.
"Haven't been home yet." Eddie smirks. And he can see that's true, Eddie is fully dressed, faint lines of mascara trail across his cheeks.
"Had a show?"
"Something like that." Eddie's cheeks pink, and he pulls a chunk of hair over his face.
Understanding dawns, and Steve points at him, delighted laugh bubbling in his throat.
"Don't--"
"You had an all night Hellfire meeting?" Steve cackles.
"Shut--Harrington, shut-up." But he's smiling too. "I'm in town this weekend. Dustin insisted!"
"You can tell him no, you know?" Steve giggles.
"Like you ever could."
Eddie stands then, and they hug, quick and tight. He practically crumbles into his friend's body, but then, that's nothing new. Steve breathes him in, immediately comforted by the familiarity of tobacco and leather and sweat and weed.
"I'm at Rob's. Come say hi?"
Eddie nods and they trek back together. They kept in touch, after Vecna, and their chatting is easy, like it's not been six months since the last time.
Eddie stays for breakfast tells them with a smile, "I was gonna call but--I'm moving to Chicago. That's why I'm crashing at Wayne's for now, stopped on the way--"
The rest of his words are smothered by the force of Steve and Robin's hug, Steve's heart beating an elated rhythm he doesn't bother investigating.
--
When Eddie makes it to town, they hang out as constantly as an adult with a day job and a touring musician can. It's nice, good, to see Eddie sitting on their couch. To watch him smoke a joint on the balcony. To hangout in his bed as he works on new music. It's just like the summer of '86, before they all went off to find their futures.
They're closer than they've ever been. Crashing at each other's apartments, sharing clothes, meeting for coffee and drinks and meals. There's not a day or night when they're free that they don't spend together.
Steve knows he's falling for Eddie; was halfway there already, and now--well, Eddie's beautiful and funny and smart and talented. He doesn't make a move, though. Because Eddie'll leave, like they all do, and losing Eddie will crush him more than anyone else ever has.
--
In June, Eddie's gone for a month, touring across the midwest. The day he's expected back, Steve's in the kitchen, rolling up fresh pasta, simmering sauce on the stove.
Robin stomps in, eyes flashing. "What are you doing?"
"Making dinner?" Steve raises an eyebrow.
"Steve."
"Robin."
They glare at each other across the kitchen. Steve breaks first. "What's wrong with making our friend dinner?"
"I don't want either of you to get hurt."
Steve freezes, swallows. "I'm not--I'm--I wouldn't."
"Just. Promise you'll be careful?"
He nods, squeezes his hands into fists. "Course, Rob."
And he means it, he really does, but when Eddie lets himself in, Steve runs to the doorway to pull his friend into a tight hug.
Eddie huffs out a burst of air on impact, laughing lightly. "Miss me, sweetheart?"
"So much," Steve whispers. He presses his nose into Eddie's neck, breathing him in, and he doesn't miss the way a kiss is pressed into his hair, the way Eddie's breathing him in too.
They fall into their natural rhythm immediately, Eddie following him to the kitchen, cooing and posturing that Steve made him dinner.
As Steve serves up the food, Eddie wraps his arms around his waist, leaning against his back. God help him, but Steve can't help relax into the hold, turning his head until their eyes meet.
Desire bleeds from Eddie's gaze, and Steve's breath hitches. He wants this so badly, knows he shouldn't, but he lets himself lean in until they share air.
But--he can't lose Eddie. He can't.
He turns away, lets the moment die. Eddie doesn't stay over that night, and Steve pretends like it doesn't make his stomach hurt.
--
They aren't as close after that.
Steve keeps telling himself it's because they're busy. The school year's starting up, Steve's got lesson plans to write; Eddie made an EP, it got interest, he's taking meetings in New York and LA. It's okay that they're spending less time together.
Until Eddie stops returning his calls.
He tries not to worry. But one call becomes two, becomes three, and he can't help it. He goes over, dread a knot in his stomach. Eddie opens the door, and he's shirtless with sweatpants slung low on his hips, hair loose and streaming around his shoulders. He looks happy.
"Steve? What are you--"
"You weren't answering my calls, and--can I come in?"
Eddie winces. "It's not a good time, Harrington."
He stands there for a second, stung, not sure what to say.
"Eddie, I--"
"Babe?" A voice calls from inside the apartment. "Who's at the door?"
Steve freezes. Can't think, can't move. He hopes it isn't obvious that his heart is shattering, but Eddie's blinking at him, panic written in the lines gathering on his forehead.
"Steve, Stevie, please," Eddie is saying, but he can't do this. He can't do this.
He walks away, all the way home, numb to everything around him.
The phone's ringing when he gets to the apartment. He ignores it. Goes to his room, locks himself in, crawls into bed.
The phone keeps ringing. He keeps ignoring it.
It isn't supposed to be like this. They weren't dating, weren't trying for a relationship; Eddie's supposed to be his. He curls into himself, sobs until his ribs hurt, until his eyes are as heavy as his heart, and he falls asleep.
--
Steve startles awake, disoriented, to someone knocking on his bedroom door. He has no idea what time it is, how long he slept, but he expects Robin to be waiting in the hall.
It's Eddie. Hair in a messy bun, face flushed, eyes too bright.
"I'm sorry," falls out of Steve's mouth before he can think of anything else.
"Steve, I--I don't--" Eddie shakes his head. "Do you want to be in a relationship with me?"
"Yes," Steve whispers. "But I can't lose you, Eddie."
Eddie reaches out, slender hand, cupping Steve's jaw. "I need you to really listen when I say this, sweetheart. You will never, ever lose me. Not a chance."
"You can't know that," Steve says. Tears break free, cascade down his cheeks. "I used to think who could ever leave me? You know, back before Nancy. But I realized that actually no one would stay. And I can't--with you I can't--"
"Sweetheart," Eddie chokes on a sob. "I'm yours. Have been for years. I will never, ever leave you, no matter what we are to each other. But I can't be in some of a relationship with you. You have me wrapped around your finger, and I--I need it all, Steve."
"I want you to have it, Eddie." He presses his hand to his heart. "This belongs to you, but I--I couldn't survive you leaving."
"I would stay, Steve. I will. I promise on everything I have, everything I am, that you would never, ever lose me."
Steve stumbles into Eddie's arms, totally gone, and their mouths meet in a clumsy kiss. It wrecks Steve, tears him apart, renders him down to his smallest parts only to build him back together. He knows now for certain that there is no one else in the world for him.
They break apart, but don't move out of each other's orbit. "I love you," Steve whispers.
"Stevie, sweetheart, I love you more than anything." His fingers wind their way into Steve's hair, gentle, holding him. "I promise you'll have me for forever--fuck, longer than forever. My soul will find yours wherever we end up. I swear it."
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inkskinned · 11 months
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one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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jq37 · 3 months
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OK Brennan, if you aren't gonna let me have Aelwyn posted up in the manor at all times, having her use her dramatic villain skills to protect Adaine before going off to teach middle schoolers is the next best thing I could have hoped for. What a mental image--Ms. "I Came Here To Fuck" teaching cantrips to eleven-year-olds. Wild.
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bastart13 · 1 year
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Thoughts after watching a lot of American media with blackboards in classrooms...
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themisterhip · 6 months
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"Let me worship you..."
Fanart inspired by this fanfic (NSFW) made by @theomnicode (READ IT, IS AMAZING ( ⸝⸝´꒳`⸝⸝)) Also hey, I'm not dead :D (read the notes for info) Have a hot sneak peak:
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foldingfittedsheets · 2 months
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Hands down one of my worst experiences in high school was when the seniors decided to extort the entire school by using tactics that were banned by the UN to get them to pay for the senior party! If that sounds like a wild sentiment stay tuned because this shit got crazy.
I was living in Arizona at the time and I was a freshman. Our campus was largely open air, with walks between class room buildings and some covered outdoor tables. Our event began with a morning announcement. The seniors were collecting donations for the senior party, and when they reached their goal, their fundraising method would stop.
Their fundraising method:
To pipe the entire schools speakers with "If You're Happy and You Know It" on loop. To this day, I cannot hear this song without experiencing a degree of rage and madness that is frankly alarming. One of the worst parts of the entire thing was that the recording they chose had the female singer do a little clap and say "Yay-ha-hey," at the end. So it wasn't just the song, it was this awful little cooldown stinger at the end.
If this sounds a lot like psychological torture you'd be extremely correct! This practice has been banned in some countries, but the good old US hasn't ruled it a human rights violation, and what a fun silly way to raise money, that definitely wasn't damaging to adolescent psyches!
Every morning for 15 minutes before school began, every passing period, every lunch, and after school for another 15 minutes they blasted that fucking song on unceasing repeat through every speaker in the school. Everyone found different ways of coping with this and mine was to observe my classmates descent into madness and categorize the stages.
The first stage was almost completely consistent, and it was a smug almost exasperated eye rolling phase. Often accompanied by derisive comments about the song or the tactic, this phase was extremely mildly annoyed. Most people figured it would blow over soon, and no one anticipated this continuing for a week and a half, creating a miasma of fraught tension.
The second phase was elevated annoyance, starting to snap and be less amused characterized this level of irritation. People would try to cover their ears or put on headphones, humming aggressively to block out the syrupy repulsive children's performer with her loathsome little clap. This phase had people picking their absolute least favorite part of the song. Her inflection on certain words, her timing between verses. I think it's pretty clear already which part I hated most.
The next phase was a bounce back out to absurdity. It became funny how annoying it was and people would sing along as if to challenge the song's authority over their psyche. This paired exceptionally poorly with people in phase two as they'd often lash out at the people giving more voice to their hell.
The fourth phase was a dead-eyed madness. People would stare straight ahead and their lips would silently mouth the familiar words. The song had pounded its way into their very soul and was inextricably linked to auditory output. They often didn't even realize if they began chanting along.
The fifth and final phase was pure uncut pubescent rage. Kids would scream, attack each other, and in a truly epic end to the event hurl a cafeteria chair with such force at the speaker in the cafeteria to irreparably damage the sound system.
The seniors got funding for a party, but some of it had to go to repair the damages, which were substantial.
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marvelsmostwanted · 4 months
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This is sad but unfortunately I think this is just going to be the norm for the next few years as streaming services die a slow death.
HBO Max should in theory be able to make money from a show that was at one point the top new series in the US. At the time, David Jenkins said "This is what happens when a major media company invests in inclusive mainstream stories" (agree!) but unfortunately that major media company, like all streaming services, has a terrible business model that can't support that investment.
This is an interesting article about how streaming services are losing money and scrambling to make it back by trying to convince people to buy cheaper, ad-supported options or bundling with other streaming services. Unfortunately for them, I think that's like... all of the options? At some point they're just going to continue to lose money. Making shows is expensive and very few consumers are willing to pay more when they could just cancel and use a cheaper service (or, you know. 🏴‍☠️)
This is also a good article that was written after Shadow and Bone was cancelled by Netflix about whether it could be saved:
"The problem is that while saving shows used to be plausible, at times, the cost of Shadow and Bone combined with the fact that streaming services are really, really starting to cut back on spending means that this would be an extremely tough sell. WB Discovery’s Max is being lambasted for killing finished projects for tax breaks to chip into its massive debt. Disney Plus has done the same thing and has said they will cut back on things like expensive Marvel shows. Amazon Prime is mired in expensive creator deals going nowhere and throwing insane amounts of money at projects they are realizing are not panning out. Paramount Plus losing $500 million a year. NBC’s Peacock is losing $650 million a quarter."
TLDR; Streaming services have reached such a dire point financially that they have to cancel some of their most popular content (Marvel shows on Disney+???? These have seemingly been very successful; it's wild to read that they're "cutting back") in the desperate hope that a new season of something that's cheaper to make will get more attention.
What I gathered from these articles is that steaming services are dying a slow death and sadly, a lot of good shows are going to go with them.
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egophiliac · 1 year
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With the best of your writing or drawing ability, how do you sum up Twisted Wonderland Book 1 till Book 6?
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I'm so sorry to make you wait so long for such a stupid joke
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crippledanarchy · 1 year
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If you're in the US and you're concerned about Palestine, leave US Jews alone, and start asking your local evangelist how much money their christian church sends annually to support the genocide being committed by the state of israel.
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mandatorybear · 4 months
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I'm so glad Opera is a teacher now, so many opportunities to tease an old kouhai ><
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einaudis · 11 months
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THE MITCHELLS vs THE MACHINES (2021) dir. MIKE RIANDA & JEFF ROWE
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