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#I wish I could write how I thought
stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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svtskneecaps · 5 months
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lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.
save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3
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SAN
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san.
san and his presence. san and the fierceness in his gaze, the emotions on his face when he expresses himself on stage. san and his princely outfits and manners. san and his sharp eyes that curve beautifully when he smiles. san and his smile that changes everything about him. san and his voice- the honey that drips from his voice that is music to our ears. san and his cute laugh. san and his hair! san and his damned abs btw (i miss his twink era ngl lmao). choi san. the performer. the artist.
also just san being the most photogenic person i've ever seen man literally exists and is automatically the most handsome person i've ever laid eyes on. truly beautiful, and i think everyone's first love :')
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cluescorner · 2 months
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I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
#uhhh what am I calling this??#randomizedrobinsau#stephanie brown#oh my god I am so excited to figure out how tf to write this.#because she's my favorite of these characters and having HER be the first sidekick + the one who has a mentor/older sister relationship#with the others?? kickass. though I'll probably keep her and Tim's relationship as 'dating-then-exes' because I think it's funny#and then SHE can be the Robin who Tim got fixated on + figured out her identity?? holy fuck and then the angst of Tim later dying#Tim Drake#tbh I kinda wish he'd gotten a different position because 'sidekick who dies' Tim has kinda been done a lot with the standard#reverse robin aus. But it'll still be fun to write. Definitely going the Joker Junior route with this because Batman Beyond kicks ass#Dick Grayson#He'll honestly probably be the easiest. Like...his role has not changed much outside of being younger/not the one who defines this#But I still think it'll be good to see how well I know Dick beyond his eldest brother thing (which is my best way of relating to him)#Damian al ghul#damian wayne#oh this is gonna kick ass#Bruce does not want his son to be a sidekick but Damian just kinda forces his way into that role#and everybody doubts him because of his history with the league but he later proves himself more than capable#to the point that he can set out mostly on his own and still thrive#Jason Todd#Jason being the baby of the family is also something I have never thought about but holy shit it could kick ass#I really hope that I don't roll 'Jason must die' or 'Robin 5 must die' on the randomizer. I just kinda want Jason to live this time#But unfortunately I double-screwed him because he's on the 'must happen' wheel twice now. I did not think these prompts through#TBH I am so happy that none of them rolled their OG roles. because that would have been so fucking boring
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daz4i · 1 year
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wait so chuuya has angel imagery about him in stormbringer. and dazai is referred to as a demon on more than one occasion. and. hold on. wait. I'm going insane. hold on.
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theriverbeyond · 2 years
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something re: the Gideon -> Kiriona evolution that is perhaps not the most important (esp on the scale of other things) but that i keep feeling fairly fixated on is that Gideon hated the Lyctor Aesthetic (”like Silas Oktakisseron threw up in the glitter drawer”) and she is so valid for that but now she’s dressed like “the military wing of disco”. and on a personal level i think her new look is incredibly sexy BUT i cannot help but fixate on how this is now the third outfit she has worn that is not really something she would have chosen for herself (cavalier skull paint, harrow’s body, military disco). and she only gets three outfits in the whole series anyway!! 
something something abt being butch and How We Dress being so related to Who We Are, and having that choice taken away is always some sort of thing. something something abt body autonomy and how she continues to have none despite her proclamations otherwise. she says ”nobody locks me up anywhere” but Kiriona Gaia is arguably locked up everywhere she goes, on account of her body having the fun feature of being able to be turned off by someone else. Gideon started her escape attempts at age four. four!!!!! something something abt how the one thing she has always fought for is her own freedom, and everything she has done and everything she has been through since then has only served to render her more and more under others’ control. on the Ninth she had an ankle cuff and at Canaan House she had the cavalier’s sword and as a prince the leash and collar is her own dead body, which is once again (as always) dressed by someone else. 
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shadowed-dancer · 6 months
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My hottest take
People like to say that "Aether makes more sense as the traveler" or "Aether makes a better traveler than Lumine" and while this is stupid because they are practically the same, I'd argue that Lumine-playthroughs actually offer a much better narrative and much better moments including:
It’s arguably cuter if Aether put a flower in Lumine’s hair (which is what happens if Lumine is the traveler) rather than if she put it there herself (which is what happens if she’s the abyss twin). It's also a better reveal to be like "woah! That flower we were wearing all this time was actually from Khaenri'ah?!" As opposed to "oh yeah, I guess my sister did have a flower in her hair last time I saw her"
Jeht has a crush on us (and unlike other characters, she does not have this crush if Aether is the traveler. Characters like Lisa treat us the same no matter who we are, but Jeht's little crush is unique to Lumine players)
Childe says “hey girlie” (too iconic to miss)
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cream-and-tea · 27 days
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LAY ME DOWN. chapter seven excerpt. unedited. featuring: agnes’s attempt to understand a new and troubling situation through understanding a new and troubling person. light body horror. self-harm adjacent behaviour. general freaky magic stuff.
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[transcript under the cut]
oh brother. these guys again.
TAGLIST (ask to be +/-). @vellichor-virgo @transmasc-wizard​ @houndmouthed @muddshadow @just-wublrful @corkywantstowrite @shrunkupthejams @andromedaexists @caninemotiff @lungs-and-gills @lychniscitrus @phantomnations @onomatopiya @deer-in-headlights-stare @arctic-oceans @redbloodprose @definitelynotclayface @cannivalisms @atthenian
“Show me then,” the words are out of her mouth before she has time to think. Animal instinct. Too distracted to remember to bite her tongue.
Pallas blinks at her once, slowly. “What?”
She can walk it back, that would be safest, the nothing already crouched expectantly in the back of her throat. Instead she uncrosses her legs and swings them over the edge of the bed to better face them. Having feet on the ground makes her feel more solid, more certain.
“I want you to show me. Vita. I want to see it.”
Pallas raises an eyebrow. “Show you?”
She scoots forward slightly and nods, made a bit braver by the fact that they don’t seem to be angry or condescending, just confused. Probably really confused because Agnes is awful at telling what people feel by their faces and even she can see it clear as day.
“You’ve already seen it,” Pallas says, setting down the pen and shrugging back into their jacket. “You know what it does.”
And that’s true isn’t it? In the Haithwood and in the library. Pallas winding every bit of her body around their fingers and holding her frozen to the ground, Pallas making Calliopes nose break and bleed in a burst of icy rage, Judge reaching under her skin to pull her injured flesh back into shape. Vita. Blood and flesh and living bone. Honestly she’s seen enough for a lifetime. There’s still that sick feeling in her gut whenever she thinks about any of it.
So maybe it has less to do with the magic and more to do with Pallas, who’s spent every hour of every day since she got here pushing her to reach for the dead in a way she never has before. Pallas has had everything to do with her ghosts and her gravespeaking but every time they’ve used their power she’s had absolutely nothing to do with it, a bystander at best and a victim at worst. It's not that she’s upset, or ungrateful, just that she wants to see them the same way they’ve seen her. That isn’t so much to ask? Right?
“Yeah.” Agnes moves to rest her chin in her hands. “But I haven’t seen you use it when you’re not…”
Scaring me? Attacking people?
“...y’know,” she finishes lamely.
Pallas has gone still in the chair and she can’t help but feel the same hot embarrassment as before at the expression on their face, nakedly baffled in a way that feels too intimate for her to be seeing. It’s like something about what she’s asking has managed to fully shock the danger out of them, leaving just a person who doesn’t understand what’s happening. Agnes hadn’t thought that was even possible to do, and the revelation that it is fills her with a kind of mad, giddy joy. You’re just like me. You don’t know what’s going on right now.
All this time she’s been tiptoeing around Pallas, but now she’s knocked them off balance and hasn’t been reduced to a pile of blood and guts. So there are some things she can do. She is not totally helpless and they are human after all and they are being awkward! Being awkward in front of her!
“I don’t exactly have a broad scope,” Pallas says dryly. “I doubt you’ll like anything I have to share.”
Agnes doubts it as well, but that’s not really the point. And nothing they said just now was no.
“Maybe it’ll be nice. Maybe I’ll think it’s nice.”
Pallas stares at her like a chicken confronted with a bicycle. Then they look away. Then they let out a long, quiet breath and close their eyes before shifting to face her properly, both feet on the ground as well.
“Sit back,” it’s closer to their normal voice but with a faintness to it. Not quite trembling, but definitely not steady either. Agnes straightens up and tilts back onto her palms as Pallas shifts forward. It feels like too long before they open their eyes, which are just as grey and bad as ever.
“I won’t do anything to you,” Pallas says, as if that’s an option they were considering. Agnes can’t help but feel a twist of relief, the memories of that first meeting in the woods are never far from her mind and no matter how much she wants this, any chance to avoid something like that happening again is a welcome one.
“Right.” She nods.
“If you start screaming, or vomit, or pass out, I will cease interacting with you alltogether. That is a promise.”
“I’ll be okay.”
Pallas’s brows furrow with what could be concentration or could be concern. Their mouth opens, floundering for half a second, like they were about to say something else before closing back into a tightly pressed line. They hold their left hand out in front of them, like they’re waiting for a high five, and somehow Agnes knows that, whatever it is, it’s about to start and her anxiety feels like victory in the face of that.
At first it is nothing much, just a thin red line slicing down their middle finger. So straight and clean it could’ve been made with a scalpel. Not even that much blood. Then, simultaneously, the line begins to creep down their palm and out to each of their other fingers, dripping beads of crimson down the clammy pale of their skin. Somehow it doesn’t seem real, like Agnes is looking at a diagram in a book that’s mysteriously been animated in front of her. If Pallas feels any pain at all they don’t show it, face unchanged as the skin starts to peel back from their hand.
That does make Agnes draw in a sharp breath, even though she’s been very good at staying quiet and still up until now, fearful like she was in the classroom with Judge that any sudden action will throw the magic off-balance. But she doesn’t look away, because she asked for this, and Pallas doesn’t pause in their unfurling even if their brows furrow slightly at the sound. It happens in one smooth motion, practiced, effortless, performed with all the ceremony of taking off a glove. Agnes does not start screaming, or vomit, or pass out. She’s dressed animals before and, apart from how Pallas is not dead and the effect is contained to just the one hand, this isn’t really different. There's the careful separation of skin from muscle, the delicate definition that separates the parts underneath, the red and pinkness of it all.
Of course it’s not really the same either, because the parts of Pallas being stripped away are not set aside for later use; instead they stay floating in the air around the hand, held frozen in the same way her body had been back in the forest when they first met. Warm, wet flaps of skin, fresh as the blackgreen bark stripped from trees back home, hover drowsily like something pickled in a jar. It is also not separated, not really, everything still intertwined and beating with red and alive, muscle and artery and nerve working together, just lifted up and away. Agnes never paid her own hands much mind beyond the work they could do and how cold they got in the winter, but now she imagines her skin split apart and away the way Pallas’s is, wonders if all of that really exists inside her too. It feels wrong somehow, what’s in front of her now is just meat. A person should be made up of more than that. There are so many small parts to a hand, parts she cannot name but Pallas probably can or else they would not be able to do any of this. They don’t stop until the muddy white of their fingerbones begin to show, then the entire thing spasms with an uneven spurt of blood, a pulse that Agnes feels in her own chest, and goes totally still.
In the silence she can’t help but lean forward, marvelling at the web of flesh in front of her, and even as her scalp prickles and her stomach turns over and the air around her seems to hum with the urge to run a part of her itches to reach out a finger and touch. That really would just be the same as fiddling around with the guts of an animal, but also it would be different. Somehow she knows it would be different. Different in a way she’ll never be able to understand unless she does it. Which she won’t. Because Pallas is terrifying and this has only proved that a hundred times over.
Though maybe not as terrifying as she thought before. They did listen to her, or humour her, or whatever this is. It’s something for sure. Agnes can always make do with something. It’s how she stays alive.
Her breath ghosts across the bloody strand of a muscle, and that is what breaks the spell, that or Pallas is just done or some other condition she doesn’t know has been met. The coming back together seems to take a good deal longer than the taking apart, sweat glueing dark strands of hair to Pallas’s cheeks and the grinding of their teeth made audible despite the damp, slithering sounds of their hand seaming itself back together until the only trace of what just happened is a rusty crusting of blood packed around their nails and in their palm lines.
They pull the hand away while Agnes can’t help but keep watching, transfixed as they flex it in and out of a fist with a disinterested glare, impatient while a few stray cracks and pops fill the newfound silence. Once that’s done they hold it out one more time, as if proving to Agnes just how inconsequential vivisecting a part of them in front of her really was.
“There. Happy?” Pallas slumps slightly, tipping their head back enough that she can see their pulse fluttering frantically just beneath the skin of their neck. Again she resists the urge to touch it. She likes all of her flesh right where it is. Thank you very much.
Palla shifts to look at her and Agnes remembers that she’s been staring, not answering them, and internally kicks herself for being such an idiot.
“I am,” She breathes out, makes the monumental effort to meet their eyes. “I actually really am.”
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vamprisms · 5 days
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i love the temporary knockout mechanic in bg3 wish every rpg had that as an option forever
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maybe-itsforthebest · 2 months
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anyone else finding out they now have an interest in things they totally ignored in school when those things were actually being taught
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wataksampingan · 2 months
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The seventh day of the new year in Chinese mythology is celebrated as the day humans were created.
So for you on your birthday, a wish:
O Rat, be shrewd, be light, may you find the way forward
O Ox, be resilient, be patient, may you remain kind to all
O Tiger, be bold, be strong, may you run fast to bring courage
O Rabbit, be graceful, be nimble, may you jump over each obstacle
O Dragon, be powerful, be generous, may you fly free to give life
O Snake, be wily, be flexible, may you move in ways unexpected
O Horse, be swift, be undaunted, may you rise up every time
O Goat, be gracious, be merciful, may you make all warm and welcome
O Monkey, be clever, be resourceful, may you find everything needed
O Rooster, be bright, be alert, may you herald each new beginning
O Dog, be spirited, be playful, may your joy multiply and overflow
O Pig, be full, be peaceful, may you show all how life should be
Happy birthday, everyone.
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howdoyousleep3 · 1 year
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because i can't write while drunk 😭 and because i've been sad about not being able to share my current (and hefty) wip 😭😭 here is a thread of things i've been thinking about recently, starting with...
Baby Bucky's ass cheeks being so red and so hot because Daddy Steve can't stop grabbing, smacking, and squeezing at that fat little thing as he eats him out vigorously
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superbellsubways · 5 months
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Wat do u love most about each splatoon story mode……..
Hmmmm well lemme think
Splat 1: It Has been almost a decade since I've played this one so I can't recall every little thing, but I do have some fun memories related to the bosses! My fav boss is definitely Octonozzle.. pretty easy fight but i love it's design very much ^__^
Also it took around a week for me to beat octavio 😭 cuz i was like idk 12? with major skill issue lmao It was a fun hero mode tho. love all the music in it
Splat 2: Oh i remember playing this one for the first time vividly :) I was in love with the glittery ink AUGHH ITS SO PRETTY this one had alot of bangers when it came to the levels as well.. trying out different weapons for most of them was a fun surprise!! i remember falling in love with the brella when getting introduced to it there. OH YEA THE BOSSES octostomp coming back made me giggle fhsjdj and octoshower is my fav octoweapon 🫶 it's neat
and ofc the final boss, while not as difficult as splat 1's, was amazing aesthetic wise The whole bomb rush blush remix and everything is So good 😁😁 callie and marie reuniting made me smile
OE: not a hero mode but I'm going to include it anyways. Even tho i was Extremely late to the party I love it dearly and i still think about it So much.. the music. the environments. the final boss. the LORE. everything is Peak. i love Octo Expansion!!!!! ❤️ oh and Tartar is there too i guess. 🙄
Splat 3: i noticed the devs had taken alot of inspo from oe when it came to this one but honestly i loved it bc of that. this was definitely the wildest one when it came to the plot LOL Not complaining tho. I loved deep cut's involvement in it they are so silly ❤️ Big Man's fight made me smile so so wide (i Heart mario references) that's definitely one of my favorite aspects of it. Good music. Good level designs. Mr Grizz showing up made my jaw drop to the floor. ORCA is there!!!!! Alterna!!!!! 😁😁😁it was so fun lalala
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pineappical · 1 year
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I always thought is very tricky to draw that wrinkle that goes from the nose and around the mouth and still male it look good, but gosh you nail it in every art, super expressive and pretty. Looking at all your drawings 🔍🕵‍♀️ to properly appreciate and study it. But wow really in love with your art style is so expressive and pleasing to look at, and the colors are so pretty 👌👌👌👌
i LOVEEE drawing wrinkles!!! it makes faces soso so expressive and i try to add wrinkles to every character i draw whenever i can. and the fact i also love drawing characters smiling (they make me happy, so i want to be able to share my joy to other people by drawing them smiling too!) which of course makes that wrinkle around the nose and mouth more prominent :-)
im not a person that can draw well from memory, i use references excessively even if it doesnt turn out the same way from the reference im copying from in the end 😊
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i drew these out real quick but i have no clue how to explain any of these so i just thought about sharing it with you anyways!
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call it "cheating" or whatever, but most of the time i even trace over the reference just to have a base i can copy the expression im trying to draw from. i do art for fun and if it makes my process that much easier then. well!
anyhoo, ignore the fact these are all mr lassos... i just love him a whole bunch 💛
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crescentfool · 1 year
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i love ryomina
no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.
it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.
ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.
minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.
the two of them complement each other and tell a beautiful story from start to finish.
minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.
it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.
november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.
it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.
how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.
ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.
he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.
SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.
and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!
so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.
messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!
even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.
march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.
and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.
p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.
ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!
i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙
#lizzy speaks#persona 3#ryomina#ryoji mochizuki#minato arisato#meta#long post#(literally)#HI SO UM YESTERDAY I COULDN'T FUCKING SLEEP so to cope i was like 'i will talk out loud about anything and everything'#and somehow that turned into me talking about ryomina out loud and something about verbalizing my thoughts made me feel crazy about these-#two again. i mean for the record i continue to love them always very dearly but like my p3 braincells sometimes go into hibernation bc-#ive been on a really huge splatoon kick. but anyway my voice was like cracking at 3am because i was tearing up#i was like 'THE!! IM! SO NORMAL ABT WHAT ORPHEUS AND THANATOS AND MESSIAH SYMBOLIZE' etc etc etc#so i kinda just went to sleep like 'ok well you GOTTA type it out. everyone needs to know about this.'#and um i didnt mean to make 1069 words! sorry! not really! but i love them!!! even if im very quiet these days!#ohhh how lucky i am to have had the chance to experience ryomina they are such a gem. they make me so goddamn emotional#they really mean a lot to me because of well. (gestures at the entire post) but also they came at a really good point of my life and FUCK!!#im so so grateful to them!!! i love them!!!! the themes that their relationship and characters convey just !! IM SO NORMAL ABOUT IT!!!#they've affected me so profoundly and deeply and i wish i could make better art to get this across. but its ok. one day i can. one day#they make me so fucking talkative like actually but um. i had a lot of fun writing this! i dont think ive had like. a proper appreciation-#post for them that articulates why i like them so much (unless you count the essays i write in my art tags) so it was nice to make this.#admittedly theres a lot abt p3 that im rusty on since its been a goodwhile since ive interacted with the source material#and in a way you could say that like. i need to renew my p3 license LMAOOO but god some parts of p3 still have such a huge death grip on me#and what i mean by that is that the big Fucking Events have such!! clarity!! in my mind!! i recall them and i wilt on the spot!!#oh god i cant fucking shut up. the tags are probably 500 words long. enjoy my ramble. i wish every ryomina enjoyer a Good Life <3#actually no. i hope that EVERYONE on the dash today has something that sparks joy for them the way ryomina does for me.#everyone deserves 2 have something that makes their brain do a little excited dance that makes them blow up and explode. its good for u!#BYE FOR REAL this is why i have to post my thoughts very spread out otherwise yall would have so many WORDS on ur dash pls help i have so#many emotions and i am so tiny i cannot possibly fit all the feelings i have about ryomina and other things inside my tiny little body
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asexualcloud · 7 months
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HAPPY BIRTHDAY KAIDOU OMG
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made this while listening to "i write sins not tragedies"(on repeat like 5 times) to channel my inner emo
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