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#I thought of the title first
bluehairedspidey · 1 year
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koiihpon · 2 months
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Don’t wait up…
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colored this panel from @thegunnsara's Back to the Past comic (part 6) :]
the bottom panel was so striking when I first saw it that I just needed to color it heheh sorry it took a while to finish ><
orig under cut vvvv
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bixels · 3 months
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Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.
Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.
Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.
Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.
There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.
What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.
Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.
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theminecraftbee · 3 months
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[image ID: iskall's latest hermitcraft episode. the thumbnail shows mumbo and iskall standing in front of the void. there is text between them reading "do you even...", and mumbo has an interrobang above his head. the video is titled "Hermitcraft 10 - Episode 7: I finally asked him" /end ID]
congrats on finally proposing iskall! we're all so proud of you it's been a long time coming,
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iaminatree · 4 months
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idc if he killed all those people he was swag as hell while doing it
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pencap · 2 months
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the coward's way out
if the fates conspire that only one of us may live, then lover, it must be you.
i will save you the grand speeches about how you are good and deserving. you are. you are. you are, but in the end, that is not the reason why.
the world may call me brave or strong or selfless but lover, you know the truth don't you?
in the end, i am only more afraid of facing a world without you than i am of facing death of facing anything.
in the end, i am only too weak to be the one left behind to pick up the pieces of a broken life a broken promise a broken heart and keep on bleeding when the blood in your heart is already dry.
i'm sorry. i'm sorry. but will you let me be selfish one last time?
can i ask you to live for me? to face what i feared most so that i might find peace in my eternal sleep with a smile upon my face?
if it is cruel of me to ask, then i beg you to forgive me. or curse my name and hate me if you must, only live.
only live, my lover so that my life and my death and all that came in between may mean something. may mean everything.
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raiiny-bay · 2 months
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the kids released a new album
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m1d-45 · 1 year
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any chance of a part 2 of opportunities arisen? perhaps tighnari finds out who we are? or someone else comes after us? 👉👈 i love him sm and ur characterization of him is perfect, that fic is 100% canon in my mind for every imposter au now
prime fortune
a/n: hope this one didn’t absolutely destroy your expectations anon. it took a hard left turn halfway through and i couldn’t bring it back—
word count: 3.1k oh wow-
-> warnings: minor spoilers for sumeru archon quest (3.0-3.2), dubious medical facts that you should not follow, likely ooc cyno, excessive use of the word ‘something’ with little reasoning to show for it, cyno’s excellent humor
taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie
<< part 1 || < masterlist >
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adapting to life in the forest was easier said than done.
you’re often paired with collei, who’s in the middle of a bad eleazar flare that keeps her confined to the village, and though she teaches you the different salves and plants, a lot of it goes over your head.
you’re interested, you are! the liveliness with which she speaks, and the animated gestures from tighnari as he explains proper safety when preparing medicine easily capture your attention, but when she hands you two mushrooms and asks her to tell you which one is morchella….
by some strange luck, you often guess correctly, your intuition knowing more than you do, but when she nods with a smile and asks you to repeat the differences…
your mind falls blank.
something about the density of the fibers inside the mushroom floats through your mind, but you can’t remember whether the true or false mushroom is heavier.
collei’s smile falters, and yours turns sheepish. when she takes you out on walks, slowly walking up the paths so you don’t strain your ankle, you can point at the differences between portobello and death caps, you can pick out holly and honeysuckle and marigold, but here…
you pass the field practice with flying colors, but your basic by-the-books forest ranger tests always end in failure.
tighnari picks out two plants from a small case, holding them up in front of you.
“you come across amir sitting just off the side of a path, clutching his stomach. after some questioning, you determine he has a stomach cramp from dehydration, and spot these two plants nearby. you’re about a 15 minute walk from the village; what do you do?”
one of the plants has many flat white flowers blooming from the top, with yellow centers, while the other has orange petals that form a ball shape on top. you know one of them is yarrow, but not which one…
you pick the latter on a whim, spinning it between two fingers as you think. “pick the petals and crush them into a paste, taking care not to overwork them. give him about a spoonful, which should be most of it, then help him up. report to shirin once we return.”
the blank mask on his face falls into confusion. “how do you even mix up marigold and yarrow?” he asks, picking the flower—marigold, you now recognize—from your hand. “you got the procedure correct, at least, but marigold is bitter and will only worsen his aches. oh, and additionally, the leaves of yarrow—however small they-“
the door to the cottage slams open, jars rattling on their shelves, and tighnari whips around to face whoever it is, one hand steadying a stack of reports.
“and just what do you think you’re- w- collei? is everything alright?”
collei’s violet eyes were wide, her shoulders heaving with breath, when she spoke, exhaustion was evident. “m-master tighnari! the matra are here on behalf of the akademiya! i tried to tell them to wait so i could get you but they just-..”
emotions flashed over tighnari’s face faster than you could catch, eventually setting on a sharp determination. “alright collei, calm down. go find amir and do your best to delay them, but don’t seem too suspiscious, okay? just remember what we planned, i’ll take care of things here.”
her eyes flicked to you, worry evident, but she quickly turned away.
the moment the door closed, you and tighnari sprung into action. he collected the plants from your test and tucked them into their proper places, you standing to help return a mint plant back to its place.
he caught your wrist, taking the pot. “don’t. take your bag and go, don’t worry about this.”
you hesitate for longer than you should, then nod. he lets you go and returns to his case, and you move to crouch by the bed. feeling under it, your hand eventually brushes against a cloth handle, which you grab. you take a step to unlatch the window with one hand and sling the pack over your shoulder with the other, leaving with your good leg first. as you carefully close the window behind you, you can see tighnari moving to hide all the notes you’d taken, the only sign of his worry being his tail lashing behind him and the slightest flick of his ears.
with a soft smile, you turn away.
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tighnari checked over his room once more, ensuring that every trace of your presence was scrubbed clean. your laundry was out and mixed with the rest of the rangers’, but your notes and records were carefully hidden under patrol logs and his own personal binders. he knew everything was tucked away, he had explanations lined up and answers to every conceivable question the akademiya could have, but his heart still beat frantically against his ribs. even as he pulled apart and neatened up a stack of patrol logs, repeating the action to look like he was doing something whenever the matra came to his hut, he couldn’t shake the feeling that he missed something crucial.
he had to fight to keep his tail from betraying his emotions, the energy not going into mussing up and then fixing the papers spent on hiding the symptoms of his distress. he knew he didn’t miss anything. the moment you told them the sages were on active lookout for you and he knew you weren’t a threat, he had memorized the plan. he was foolish to worry.
he hasn’t known you for long, barely over half a year, yet his mind is clouded with the same worry as when collei collapses out on patrol. the same numbing sort of adrenaline, the icy feeling in his bones even as his skin starts to burn up, the apprehension in every movement, as if at any moment-
somebody knocks on the door.
tighnari takes a steadying breath and fusses with the papers a final time. “come in!”
the door creaks open and he taps the papers on the table, turning slightly to speak over his shoulder. “sorry, you caught me in the middle of something.”
“no matter,” a familiar voice says, and he can’t stop the way his body freezes at the speaker.
he carefully tucked the papers into a folder, finally turning around. “general mahamatra. to what do i owe the honor?”
cyno crossed his arms, red eyes surveying the room. “oh, nothing at all. just somebody from vimara village reporting somebody that looked suspiciously like the primo fortuna walking around with collei when they’re supposed to be in liyue.”
tighnari stares. the primo fortuna…? he thought they were after you, but you couldn’t be…
“are… are you suggesting somebody is attempting to imitate the creator?”
sure, he wouldn’t deny you shared some features—you had the same shape of nose, you were around the same height and build—but for you to be the creator? no, it wasn’t possible. your eyes were much kinder, you stopped and helped nasrin when she couldn’t find the proper forms, you directed shirin to the area of the forest where you and collei found nilotpala lotuses, you were nothing like the creator he saw at pardis dhyai. you didn’t stare with glazed eyes as padisarahs and sumeru roses were brought forth, you listened in earnest when he spoke about the differences between the various kinds of ferns.
if anybody were to meet you, they’d know in an instant you were not the creator.
his heart itched within his chest. he ignored it as worry.
“that’s exactly what i’m implying. as i’m certain you know, their identity is hallowed, and anybody attempting to infringe upon it needs to meet justice.” the golden eye on his headpiece flashed, the sides beginning to narrow into eyes before he shook his head and it passed. “but in truth, that is not why i am here.”
tighnari stared. despite having a fondness for jokes, cyno was never one to laugh about his duties. “what do you mean? collei told me you were here on behalf of the akademiya.”
“the matra are here on behalf of the sages,” he clarified. “i… i am here for other reasons. personal ones.”
his eyes flicked around the room again, and tighnari’s narrowed. “well, don’t hide behind double meanings, then. what is it?”
cyno’s jaw flexed as he chewed at nothing, his arms uncrossing. his eyes focused somewhere around the bed, and he seemed lost in thought. whatever it was, it had to be a big deal, but for him to hijack the matra’s arrival instead of coming on his own time…
“the one on the throne is not our god.”
he said it with such conviction that tighnari found himself agreeing, waiting for whatever had gotten him worked up, and it was only when cyno’s eyes closed as he braced himself that it registered what he said.
“what?”
“i have gathered evidence across many sources, both academic and religious, common and exclusive, and i can’t bring myself to kneel at their feet any longer. i have been ignoring my own mind for too long for the sake of my conscience, and i am confiding in you now what has been brewing in my mind for months.”
in the silence that stretched, tighnari almost wished he hadn’t spoken.
the way he spoke, from his words to his tone, reminded tighnari of when he reported to the sages, like he wasn’t tighnari to him and was instead an authority.
“cyno, i don’t.. is this why you didn’t go when they were at pardis dhyai or sumeru city?”
he nodded. “i can’t be in a place where they’re being worshipped when i’m so conflicted. i thought about pulling you aside in the city, but…”
tighnari didn’t think he’d ever seen cyno so meek in his words, none of his normal power behind it. he’s… tired, a quality he knows he’s felt but has never seen on him, the almost nervous way he keeps glancing around the room edging on alarming.
“alright.. uh, moving past that for a moment, what does that have to do with why you’re in gandharva ville? wouldn’t you want to not be involved?”
cyno’s eyes dragged from where they were locked behind him with uncharacteristic slowness. “the person you’re hiding may be the real creator.”
the simplicity to his words had tighnari believing it, even as it didn’t fully register in his mind. he knew cyno attached a religious aspect to his work, to the point the people in sumeru city sometimes calling him an extension of their judgement—even as it was more like the akademiya’s, most time—so he knew that whatever he said on the topic was both well thought out and reliable.
which is why he was silent even after it clicked.
“what are you saying, cyno?”
“they’ve been staying here, haven’t they? in this room?”
“this is my and collei’s-“
“don’t tell me you haven’t been able to feel the difference in the air? the way it seems to flow slowly, lingering, like it has something to wait for? there’s no heavy blankets on the bed, and yet everybody else is talking of how cold the weather’s been lately.”
“that’s because this is an insulated room, and we’re right up against a cliff.”
the quick pace to his heart was back, this time less of worry and more of confusion. you couldn’t be the creator, not when you bore so little resemblance to the one on the throne. you were good at what you did, plants thriving under your care even if you forget to water them. call him selfish, but tighnari almost wished the creator could go back to wherever they’d been, since they’d been much kinder there, both to their vessels and the world.
you weren’t them. they weren’t even close to being you.
“you’re considering it.”
he crossed his arms, forcing himself to still. “i’ll admit—not that you didn’t already know it—that we have taken a refugee into the village, one the sages might call a criminal-“
“that’s not what i mean, tighnari, and you know it.”
“can you give me a minute? you can’t just drop a massive load of information on me like that and expect me to continue like it didn’t happen!”
“you’re reacting oddly.”
“well of course i am, you’re telling me the same person i took in and sheltered from your bosses is somebody you want to take away back to them, and that’s not even covering their injuries- they’ve barely been able to walk outside of the village, and you want to take them to the city?”
“when did i say anything about the sages?”
tighnari stopped, his chest heaving. his hands froze mid-air, his tail still flicking in a mix of irritation and stress, thoughts moving quicker than he could understand them.
“what?”
“i never said anything about the sages. i never said i would take them.”
“w- well it’s implied, if not in your words then-“
“i don’t deal in implications. you know this.”
he did.
he knew cyno. he knew how he spoke and acted, he knew that the small emotion in his eyes was indicative of empathy and not ruthless justice. he knew he held reasoning in high standards, he knew that if he stopped and thought about the words coming from his mouth then he would agree.
but he couldn’t think.
all of his usual composure had faltered and faded, leaving him grasping for a hold as his thoughts swam like a raging river around him, even standing a struggle amidst the tide. all he could do was watch, his head racing and hands shaking, as cyno stood on the bank of rationality, with his crossed arms and cool eyes that dared him to step forward and sink beneath the waves.
he had no real reason to fear so much for you. by now you were gone, by now you were safe and far past the statue of the seven by the chasm, hidden in a place where even cyno would struggle to find you. you were crafty, clever, and you had more than enough supplies to last until he could go to find you.
he had no reason to be afraid.
yet his heart still raced a rhythm he couldn’t follow, his mind tripping and skipping with worry.
why?
his tail wrapped around his side and he picked out a cluster of petals from it, mostly just to give his hands something to do.
as he did, he noticed it was a full flower, likely knocked off one of the samples on the desk. it was small, blue, with smooth petals, and he recognized it after a moment’s pause.
“this is a hydrangea. what is it used for?”
the flower quivered in your shaking hands. “root and stem are for… for medicine. petals are tea.”
collei nodded, smiling brightly. “exactly! you’re a quick learner, aren’t you?”
you smiled sheepishly, trying to hand her back the flower, but collei held up a hand, closing her pack with her other hand.
“no, you keep it. take it as a congratulations for all your progress!”
you were hesitant to accept it, that much was clear, and tighnari tied off the small parcel in his hands before speaking.
“you really have done well. you’ve only been here for a few weeks, but you’ve learned a lot.” he set down the packed herbs beside where he was leaning on the table, directing all of his attention to you. “i know it’s mostly for safety, and you’re not going to be a ranger-“ too much paperwork was required, he couldn’t risk it “-but still. i’m proud of you.”
you smiled.
it likely wasn’t the same flower—that ‘class’ was months ago, now—but it dragged a realization to the surface of his mind.
in the short, fleeting time he’d known you, he had come to care for you as he did collei.
even then, only after a week or two of you being there, a certain fondness had taken root in his chest. something bright, something that bloomed like a rose yet without any of the thorns. something that he watered every time you winced when you walked, something you fostered when you helped treat collei’s eleazar when he was out clearing a withering zone.
something that grew as he realized the poultice you had made had helped clear the pain faster than anything he’d made, even as you both used the same recipe, something that lashed out when kamran questioned your place in the village. something that spurred him to action when he thought you were in trouble, even if it was only cyno.
something that burned bright, something hot that blurred his reasoning even when he knew it was wrong, something that made him want to bare his teeth and keep you safe by his side.
something that should be impossible for him to feel towards you, as it was a golden and warm feeling that did not exist in teyvat, only ever glimpsed at altars.
tighnari looked up from the flower and into cyno’s knowing eyes.
“alright.”
relief washed onto his face, a small nod the only other sign that he’d heard.
“i’ll report nothing to the team—i trust you’ve gone over this, given your reaction?”
he let the comment slide. “yes, everybody here knows what to do in the case of the akademiya or the millelith coming here. it was collei’s idea, actually, and she took care to make sure that everybody had it memorized.”
cyno nodded, taking a step towards the door. “good. and if you ever need to collei matra, just get me instead.”
“…”
“do you get-?”
“i got it, cyno.”
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dizzybizz · 1 year
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incoherent mumbling and whimpering and sobbing and-
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nanoa1foryou · 7 months
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Hey, Nace girlies, quick question. How do you feel about the fact that Nace's hands look that big around Bojan?
(x)
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camellcat · 2 months
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some doctor who cyanotypes I made for my photography class that I just realized I never shared
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spitblaze · 4 months
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You ever see something that is meant to be like...an overgeneralized statement for the sake of entertainment or comedy and not at all serious but it's about YOUR special interest and you are just sitting there trying not to explode with an entire explanation of why it's such an overgeneralized statement and the depth of the topic
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thresholdbb · 6 months
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan. JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
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First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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vimbry · 3 months
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it's sad how many reviews and stuff around tmbg seem to centre linnell as the sole dark and creepy writer of the band, never really crediting flansburgh too. do "hide away folk family," "dirt bike," "rabid child," "black ops," "cloisonné" mean nothing to them, smh.
#tmbg#this rigid dichotomy they tend to get forced into even tho linnell has written some happier songs and flansburgh plenty horrific ones#I'll be honest tho. I fully went into tmbw-interp-tab conspiracy when I first heard ''sleeping in the flowers'' lmao#I thought that song was about somebody getting murdered#the title seemed like a euphemism to me#it's actually. according to flansburgh. just about getting high in central park#and it's inspired by itchycoo park by the small faces which I knew and loved before and it's GREAT go listen to that. it's '60s psychedelia#so the lyrics are prob fantasising about spending time with the crush and essentially playfully talking sweet nothings together#bc they're stoned and in love#but honestly I thought ''you proclaim that you're an island. I proclaim that I'm one too''#''I declare that I am england. you declare that I have drowned''#sounded to me like someone trying to get away and be alone but the other person not getting the hint#esp bc the narrator introduces themself as not wanting to be ''known as the creep''#the part about getting a ride home with a drunk guy ''who showed me how to spin my head round and round''#sounded like the driver helping them get their story straight/take their mind off it#and the narrator feels they came across as ungrateful about their advice in their shocked state#plus the way the instrumental between the verses and chorus changes from fuzzy and gritty to lighthearted brass#like it's catching you off-guard#but it's not about any of that it's about being high#anyway none of that is an example of a genuinely creepy flansburgh song but
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astranauticus · 4 months
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Link Click single "Prometheus" Fan Translation
youtube
translation under cut!
让黑夜吞噬最后一点光
Let night swallow the last bit of light
就当是一场梦
Pretend this is all a dream
如果无法挣脱索性就让一切都失控吧
If I can't escape, then let everything go out of control
尝尝我的痛
If you have a taste of my pain
或许才会明白哭到失声根本没有用吧
Maybe you'll understand that there is no point to crying
倒数着三二一零
Count down, three two one zero
卖弄可笑的六欲七情
You're still playing up your laughable emotions and desires
这世界已经天翻地覆
This world has already been turned upside down
不如和我一起跳到深渊感受这失重吧 Why don't you jump into the abyss to feel this weightlessness with me
叫他们的幻想蒸发
Let their dreams evaporate
像是面无表情撕碎玩具那般从容
As simple as coldly tearing apart a stuffed toy
谁叫他们学不会听话
It's their fault they keep falling into my hands again and again
还是一次又一次地落入我的手中
Because they can't learn to stay in line
早听腻了烦人的叽叽喳喳
I've long grown tired of this annoying chattering
用绝望在墙上染个碎花
Use despair to paint a splatter on the wall
请他们永远永远闭上嘴吧
Invite them to never, never speak again
[(LTX:) piano solo]
隐秘的血色的黑夜童话
The hidden, blood-soaked midnight fairytale
刹那间将所有光芒抹杀
Smothers all light in an instant
偷走那神的火把
Steal the torch of the gods
坠落下万丈悬崖
Fall down the bottomless abyss
没有归处的人等待世界崩塌
The ones with no home await the world's collapse
(最后的 狂欢吧
(The final carnival
最后的 狂欢吧)
The final carnival)
偷走那神的火把
Steal the torch of the gods
坠落下万丈悬崖
Fall down the bottomless abyss
没有归处的人啊
The ones with no home
静静沉睡吧
Sleep peacefully now
暂时藏起了利爪和鳞片
I'll conceal my claws and scales for now
魔鬼躲进她黑白的琴键
The demon hides in her black and white keys
收起你那套因果循环
Keep your talk of causality and repetition to yourself
我会遭报应吗?反正还没应验
Will I receive retribution? We don't know that yet
都是我的消耗品
(LX:) They're all expendables to me
被我牵着鼻子走还抓不着要领
I'm dragging you along by the nose and you still can't figure it out
一个 两个 三个 四个
(LX:) one, two, three, four
心跳加速只是我的白噪音
The sound of a racing heart is just white noise to me
撬开一层层的保险
Prying away the layers of safeguards
像茶余饭后的消遣
Just to pass the time after a fine meal
对黑夜缺了点敬畏
You people who get hurt needlessly
白白受伤的人
Because you lack respect for the night
看着我千万别眨眼
When you look at me, never blink
下一秒骇人的画面
Lest you miss the scenes of carnage
命运她由我来加减
I am the one who will alter fate herself
我是那灭灯的神
I am the god that extinguishes the light
隐秘的血色的黑夜童话
The hidden, blood-soaked midnight fairytale
刹那间将所有光芒抹杀
Smothers all light in an instant
偷走那神的火把
Steal the torch of the gods
坠落下万丈悬崖
Fall down the bottomless abyss
没有归处的人等待世界崩塌
The ones with no home await the world's collapse
没有归处的人啊
The ones with no home
静静沉睡吧
Sleep peacefully now
(bonus: my translation of 321!)
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captainsparklefingers · 6 months
Text
The spirit of Quincey P Morris, a cowboy and a gentleman, as he ascends this earthly plane to his great reward:
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