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#I don't think anything supernatural was at play
night-market-if · 2 days
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The ask about Belladonna and the comment about how she basically plays therapist was something that got me thinking about a therapist in Night Market.
Because Night Market is a or the connections between all worlds (or could be, they just need to connect) so a god to honest therapist, sensible shoes and all could just...be there.
That must be hell.
I can't imagine Belladonna seeking therapy, or any of the others at current moment (given...you know, all that's happening in Book 2, fair, some things higher priority) but that must be really odd.
Imagine one of any of them sitting before you, and you having to deal with the immense power and anything else, and learning of all that happened in book one or two.
Belladonna just informing the doc about how much she is going to kill Milo for what he did (if night market romances Belladonna) and doc remembers a Milo Next was their client the hour previous and just hits an internal thousand yard stare.
Just having to deal with the relative mess of Milo and Malcolm.
A lost and disorientated night market just floating to doc through walls and talking and doc is just like (the one that DIED?)
Doc trying not to break or flinch when Hazel talks and gives background as Doc realizes what happened.
Gabriel being a fallen angel and Elias...Elias.
Pen popping in just to mess with therapist because now they just gotta with everything else.
Meeting another doctor, Doctor Victor Frankenstein who's like "Oh I talk with the dead and kinda helped bring the night market back"
Meeting Odin because he's curious about this random person in the night market some people are talking about and the therapist is like "Wait, that Odin?" And Odin just does a Maginificent Bastard smile and goes "Oh, your world knew of me? Yes, that Odin."
Poor therapists in night market. That must be a wild ride. It is here, too. But at least the rules of reality aren't liable to being violated by supernatural reality left and right.
This ask alone has made me decide that I don't think therapist of the Night Market stay in their profession for long. LOL!
Or if they do, they have a really good partner at home who pours them some wine because I can only imagine what kind of conversation happens over dinner that evening.
"How was your day, honey?"
"This world is going to hell."
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grimoniasworld · 2 months
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Okay, I have gathered my thoughts about the Dead Friend Forever ending:
I loved how it ended. Classic for a thriller
I have no problem with White just being a plot device.
The way I see it, they all died and are now in a purgatory. Bound to the house forever re-living their guilt and fear.
This series was so fun. A lot of the show is open-ended, I don't think anyone is wrong. I love seeing the different interpretations.
Bonus - My husbands thoughts on the finale:
He is still convinced that White is somehow Non.
He thinks Janta has trapped them in the house.
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sciderman · 6 days
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(Idk if someone asked this already) since we’re on the topic of gender
sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)
i 'unno ¯\_(ツ)_/¯
#gender is soup#sci speaks#i'm so sorry i know you might hope for something profound but... i think when i'm put on the spot like this i can't say anything really#i think whatever i am is definitely pervasive in everything i write#but like.. gender means something different to wade than it does for peter.#just like it'll be different for everybody. we make different associations based on our experiences and our trauma.#like.. wade associates femininity with love. because of his mother. associates masculinity with violence. because of his father.#peter associates masculinity with responsibility. because of uncle ben. associates femininity with confidence. because of aunt may.#i think there's all kinds of reasons why we choose to present the way we do. and what gender means to us.#just like we'll associate a colour with something. or a smell with a memory. it's complicated.#i don't think i'm some kind of expert on gender things but... i just find it interesting to explore. the psychology of it.#i don't think it's supernatural. it doesn't come from nowhere. but it should be a playground.#i don't think anyone in this world should be restricted to a certain role to play. i want to try all the roles and see how it fits.#see how well i can play them.#maybe because i haven't found one that quite fits. so i want the opportunity to try whatever i can. see what feels right.#i think it would be fun to be a wife. i think it would be fun to be a husband. i think it would be fun to be a firefighter. i think it wo#shrugs. different outfits for every day. different roles to play.#today i'd like to try...#i think it's like kids learning how to be adults by playing pretend. by playing roles.#i'm learning more about myself and other people and fitting into the world by trying on different roles.#kids playing house. you be the mom. i'll be the dad. yadda yadda.#i still feel like a bit of a kid who hasn't figured out how to be an adult yet. so i'm still trying out roles to see what fits.
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clotpolesonly · 2 months
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Dream Thieves ch 42 // Dream Thieves ch 42 // Blue Lily, Lily Blue ch 38
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ishipgenfics · 8 months
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Outsider POV on Somewhere Else Jonathan Sims must be just. so much.
Like imagine. You're part of a support group, and a new guy decides to join. You ask him his name and he says, "Jonathan," and then after a long pause, "Blackwood. Jonathan Blackwood. But call me Jon."
He doesn't like tape recorders. You only know this because the person who hosts the support group is into retro things, and tries to keep a couple around. She turned one on once when someone asked about it, and you noticed Jon clutching his nails into his hands so tight he's nearly breaking the skin. You lean over and whisper, "Do you want me to ask her to stop?" He says, "It's fine," and you nod, but you still try and change the subject whenever people bring up tape recorders from that point on.
He full-body flinches one day when someone says Hello, Jon. Nearly slams into a wall and everything. He tries to play it off, but after that people say Hi Jon, or Nice to see you, or things like that. Anything but Hello.
He says he used to work at a 'non-profit for studying the supernatural'. Someone asks where it was and he says London. You tell your wife about it, and two days later she emails you an article. Magnus Institute Burns Down In 1999. It was in Manchester. You tell her not to bring it up again.
The guy is snarky and blunt and downright rude at times, but when a woman comes in and tells them about being trapped in a empty warehouse for a week, he comforts her in a way none of the rest of them know how. "I believe you," he says, repeats it like a mantra, like a prayer. "I believe you." He says 'I'm sorry' less like he's sorry this happened to her, and more like he's taking the blame onto himself.
He talks about Martin, sometimes. His reason, he calls him. Normally you'd point out that while it's of course good to love your partner, you should have other reasons to live, but you stay quiet. This guy needs all the happiness he can get.
You leave a little late that day, and when you do you hear him on the phone talking to someone. "She'd been touched by the Lonely, Martin!" he says. "Which is bad, of course, but--" he seems to choke up, "Martin, I didn't feel any compulsion for a Statement. A-at all. I think it's really gone."
You just walk by.
You don't know what's going on with Jon, but it really isn't any of your business. You're an anxious queer lesbian and he's a traumatized ace guy, and you aren't going to make his life any harder than you have to.
Just. Jonathan Sims in a support group.
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a-hazbin-reader · 3 months
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Alastor X Reader Headcanons
✅️Romantic
❌️Platonic
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TW: Violence, Kidnapping, Alastor eating bitches
Description: Alastor's X Wife!Reader who gets kidnapped and how he deals with that
Alastor's relationship with you is a strong one, the two of of you drawn to each other in an almost supernatural way
But you also trust each other's strengths and aren't prone to stepping in each other's fights
Regardless of how powerful you are
I got your pinkie fingers bby go kick his ass
Holds your shopping bags for you while you go kick ass
Unless of course you ask him to
He likes it when you fix his hair afterwards, preening like a giant rooster as you do
THE POINT IS-
It's not like Alastor spends all his time glued to your hip or sending you out with bodyguards
You can take a damn walk by yourself
You do have a target on back though, if not because of your own strength/actions, then because of your husband
So it's not unusual when someone tries to pick a fight with you
But when you're suddenly ambushed and kidnapped, against the fact that you fought hard to avoid it
Fucking holy weapons
That's new
Well I suppose you'll just have to wait for your husband to come and get you out of this mess
*spits out blood*
Not you bragging about how fucked your kidnappers are once Alastor gets there
He's already going to be mad that they kidnapped his wife, but the fact that they've now put hands on you??? Made you bleed???
Oh they're so fucked
So just sit back and look pretty while you wait for your boo to come and rescue you
And you do look pretty
Keep your damn hands off
Alastor knows something is up when you don't come home, knows that someone must've gotten to you
If the old geezer watched tv maybe he would've known a little sooner
Maybe he would've known that your little fight made the news
Tf was he gonna do?? Wait for it to show up in the papers??
BREAKING NEWS!! RADIO DEMON'S BABE WIFE GETS KIDNAPPED AFTER EPIC BATTLE!
But when Angel shows him that you've been kidnapped Alastor literally just-
Makes this face:
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Oh he's getting his wife back
RIP Angel's phone 😭
He's visibly very calm about the whole thing though, which makes the others even more worried
"Well then! I suppose I'll have to get Y/N back myself, won't I? You all wait here, I won't be long now~"
Alastor does give them a chance to give you back before he comes and hunts them down
It's one of the most terrifying radio broadcasts people have listened to but this is his WIFE we're talking about
On the inside he is VERY ANGRY
Even if they do bring you back he still eats them
Fuck them he never promised them anything
They took and HURT HIS WIFE
If they don't bring you back then they're going to be subjected to slaughter like they've never known before being eaten
Not him using his massive demonic form to rip apart their safe house
Anyone who doesn't know Alastor like you do will think he's being surprisingly playful about it all
But as his wifers you know he's raging by the look in his eyes 👀 not merely playing with his food
Not wifey just sitting back and admiring Alastor while he works 💅✨️
Damn this is really doing it for me
Admires how elegantly you stretch and rub your wrists after your bindings are undone, so graceful even after taking a beating
"Thank you, Alastor~ Right on time as always~"
He begs to differ
"Anything for you, my dear."
Won't really look at you until you grab his chin and force him to, Alastor giving you a guilty smile
Le kiss
Leans in to touch foreheads with you, the two of relaxing in each other's arms amongst the carnage
Casually licks the blood off your face to ruin the moment before taking your arm
"Now let's get you home, my darling~"
Doesn't leave you alone for the rest of the night, trying to hide the fact that he's fretting over you
You want to take a bath and get cleaned up? He'll help you!
You want to lay down and rest after a stressful day? He's actually pretty tired too so you two should go to bed together
Will 100% broadcast their screaming souls as a warning to anyone else who wants to try that little stunt again
Falls asleep to it actually, one arm wrapped around you as he drifts off so that when he wakes up, he'll know you're right there with him
He doesn't think any less of you, he's been beat before too
Don't remind him
Will absolutely call himself your hero for like a week straight and land himself in the doghouse by the end of it
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cannedinternets · 1 month
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Yanno, a thing i see a LOT in fics is that the Batfam think Danny is a meta, b/c ghosts don't exist. Which is valid, i mean they ARE a team of detectives with a shitton of wacky themed rogues and, at least on batman's part, a noted distaste for and disbelief in magic and the supernatural.
But bruce and tim have both worked with ghosts directly. (Maybe the others too? fuck there's a LOT of comics and animated series and-) So i think it would be much funnier if they think he's not a ghost, b/c Ghosts Don't Work That Way.
In fact, b/c Communication Is Not The Batman's Strong Suit, I think it's funny if all of them are wrong but for different reasons.
Bruce - has worked with Deadman. You can't see or interact with ghosts without magical outside intervention. Thinks Danny is a magic user who transforms a la Shazam/Captain Marvel.
Dick - Clown trauma? Mind control Trauma? One of your rogues tried to brainwash you to be his son/weapon? Damn kid you're like me if i had it even worse. Thinks Danny is a "regular" kid vigilante with a schtick.
Babs - Well the video evidence she can find deffo lines up with him being a super, but there's a hardcore blackout around his town, he doesn't legally exist, AND any outside info she runs into is usually cutoff by someone (tucker or technus depending), AND he's mentioned cloning. So he's probably a designer "cloned" (ugh dc that's not how cloning works) meta kid that's being taken advantage of by the government and/or cadmus.
Cass - Thinks Danny is a terrible liar (true) who is counting on the refuge in audacity to keep people from realizing what he is (also true). Thinks he's someone who got themed meta powers in a lab accident and is playing up the ghost thing b/c he fights ghosts constantly.
Jason - Glowing green eyes? Ability to manifest green constructs that look like they're made of goo? Constant death jokes? Aww, this dude is just another me but he is also a meta/somehow got anime girl powers out of getting dunked in the lazarus pits.
Tim - worked with Secret. Ghosts can fly, shapeshift, go intangible, teleport, posses people. Thinks phantom is an actual ghost that is possessing/overshadowing Danny, possibly consensually? He's looking into it. Ironically, is the closest to the truth.
Steph - Hasn't seen Danny do anything that the other bats can't do, and HAS seen him work on an engineering project for 16 hours straight. Thinks Danny is something like the bats, either under-powered or completely non-powered and makes up for it with tech and mystique. Also thinks Danny is a great ally in gremlinship.
Duke - his Ghost Sight does NOT play well with ghosts, ironically. Thinks Danny is some sort of eldritch horror with a human guise. He seems cool tho, Duke isn't gonna judge someone based on looks even if they do give him migraines.
Damian - thinks that Danny is a Pit Demon and you are all insane.
Jarro - thinks Danny is a Green Martian. Also thinks Danny is awesome.
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l13 · 9 months
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hmm idk this is fluffy but i feel like ghost would secretly melt every time his gf would call him ‘angel’
wdym i love fluffff, send me fluffy asks i love emm:(
cw: pure fluff, f!reader
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imagine you and ghost are cuddling, nd you're laying on your back with his hands wrapped around your middle, his head resting against your chest while you're talking about random stuff. And suddenly, nicknames come up, and you realize that you always call him either Simon or Ghost, despite him using 'lovie/love, baby, sweeatheart' regularly on you. Well... most of them were spoken in private, away from prying eyes, but STILL.
You were in shock that you'd never chosen anything for him, and kinda offended on behalf of him, too. He chuckled at your behavior, saying he really didn't care, but you insisted that he needed something. So you started to list off potential nicknames for him,
"Ghostie-"
"Absolutely not."
"Yeah that's bad, umm oh!! You can be my pookie bear,"
he nudged your side softly, the corner of his lips quirking up in amusement "Stop it."
"I'm just playing. I can call you love, too, yknow. You're my love."
You run your fingers through his hair, smiling dumbly at the way you feel his breath hitch, but then he's huffing "That's your nickname, love, you can't have it."
"But I do have it-"
"I have it, and it's for you,"
you purse your lips to stop yourself from laughing, rolling your eyes "Fine." he hums in reply, and you're both quiet for a while, so much so that you think he's fallen asleep.
But then an idea pops into your head and your eyebrows shoot up, "What about angel?"
Ghost doesn't say anything but you can hear the sharp inhale of his nose, his hands tightening the slightest bit around you "Nah,"
you pout down at him, tilting your head to try and get a glimpse of his face, "Why not?"
"Just doesn't fit me, 's all." and you would have let it go if his reply had been different, but your gut told you that he was 100% serious,
"Simon.. Look at me," he refused to do so, so you tugged at his hair the slightest bit, and he groaned lowly, turning over so his chest is flush against your own, supporting his weight on his forearms on either side of your head, his nose nudging your own.
your fingers fall from in between his hair, down to his cheeks, to cradle them in your palms as you look at him "You're an angel."
Ghost huffs, "An angel that kills people, sure,"
"Well... in Supernatural that's the norm-"
"Fuckin' hell.." he's rolling his eyes, a grin tugging at his lips nonetheless.
You narrow your eyes at him playfully, "Rule's changed, you don't get a say in this. I'm gonna call you angel, and that's final."
"Great." a snort escapes you at his dryness, and you giggle when he nuzzles his face against your cheek, planting a soft kiss on your cheekbone.
"I want more enthusiasm or else it's gonna change to pookie bear-"
Simon leans back to fully look at you, his eyebrows shot up, eyes seemingly glinting with mock interest "Changed my mind, angel's growin' on me."
"Thought so,"
<3
The next day when you walk in the mission brief room (idk wtf to call it, meeting room??) you mumble a small "Hey, angel," and maybe your brain is still foggy from sleep or maybe you genuinely didn't think much of it, but Soap's cackle is immediate, "Hey bon, listen I'm lovin' the new name but take me out to dinner first, yeah?"
Ghost's dumb grin fades in a millisecond at soap's comment and before he's realizing what he's doing he lets his hand brush your own as you pass by him, and then he's meeting Soap's stunned eyes, "She's talking to me,"
Soap still doesn't know what the fuck is going on when Ghost turns to you, muttering a small "Hi, lovie," your way,
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lilahisntsadanymore · 4 months
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Blood status seems to become less important when you acknowledge the actual feeling of love. What will Theo do when Y/n comes to the terms with the differences between them being impossible to ignore?
Pairing: Theo Nott x granger!reader
Words count: 1.9k
Author's note: My apologies for keeping you waiting so long, but I finally got some time off at uni!! Wishing you all a good year!!
Kind of a 2nd part of this fic, but you can read it without the previous one
≫ ──── ««•◦ ✪ ◦•»» ──── ≪
Keep you safe
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One evening, Theo was waiting in the library. Waiting for a person he never expected to talk to. Y/n Granger. He found himself feeling a bit nervous, even though there was no reason.
Thinking about Y/n made him feel something. A feeling he never felt before. Slughorn said it's love, the muggle kind of love, the purest form, not induced by anything supernatural.
Theo decided to read about it. Hoping to find some book about it, he asked the librarian. She gave him a book specifically about love potions and spells. One of the first chapters was just what Theo was looking for.
"How to tell the difference between love and infatuation caused by magic." He whispered the first sentence to himself.
He started reading, his mind realizing what he got himself into as his gaze brushed over the text. Well, technically it wasn't his own fault and apparently also not the girl's fault.
But there must've been a reason. If love was a part of biology, brain chemistry, there had to be some logical factor.
"What are you reading?"
When Theo heard Y/n's voice right next to him, he immediately closed the book, causing it to make a loud sound.
"You took such a long time I got bored." He replied.
"Don't be so shy," the girl shifted her eyes to the title of the book, "oh, love potions and spells? But we're doing something completely different."
"Really? I couldn't care less, forgot what we were supposed to do." Surely one thing he'd love to do was making out with her on that table.
Y/n put her homework on the table.
"Read it and tell me what's wrong."
"Nothing is wrong, I just-"
"What's wrong with my text, Nott. I didn't ask how you were doing."
"Right."
Theo took the papers and started reading. The text was written with the most beautiful handwriting he's ever seen. So elegant, so precise.
"How long did it take you to write?" He asked.
"One evening. It was easier than you'd think."
"I think it's extremely easy." He bragged. "Anyway, is that all? Or do you wanna add something?"
"Well, Slughorn thought it's necessary for you to help me. Is there anything you think should be added?"
"Uh, no, it looks fine," he mumbled, avoiding eye contact.
"Fine? Theodore Nott, the perfectionist Slytherin, settles for 'fine'? I expected more from you."
"Look, it's not my homework, it's yours. I don't know why I agreed to help you, but it was pointless."
"You got yourself into this, could've said no."
"What the fuck am I even doing?" Theo asked rather himself than the girl. "I don't need to be helping a mudblood, who cares what grade you'll get." With these words, he stood up.
"Because-" Y/n stuttered. "Because... I've heard your conversation with Slughorn. And you said... that you liked me."
"Me? Liking you?" He snorted with laughter. "What the hell, Granger?"
Tears formed in Y/n's eyes as she watched Theo walk away. Sure, he was mean to her before, this wasn't the first time. But this time was somehow different.
Y/n could swear she heard Theo confessing to Slughorn that he's actually in love with her. It's not possible her brain played tricks on her. Plus Hermione said Theo told her about his feelings for Y/n.
≫ ──── ««•◦ ✪ ◦•»» ──── ≪
Harry walked onto the astronomy tower. Y/n was supposed to be back a long time ago. Ron and Hermione also wanted to go there, but Harry asked to let him go alone.
Harry knew where Y/n was thanks to the Map. He felt such relief not seeing Nott's name next to hers. She was standing alone, leaning on the banister. There was something in her hand, Harry couldn't see well in the dark, but from the smell he realized it was a cigarette.
"I didn't know you smoke." He spoke.
Y/n expected this to happen, she was aware of Harry's feelings towards her. She took one last drag from her cigarette then dropped it on the ground, put it out with her shoe and kicked off the tower.
"Why do you keep doing this?" Y/n asked, smoke leaving through her mouth. "I knew you're gonna look at your silly little map to see where I am."
"We were starting to get worried. Theo is... you know, dangerous. We got scared he would hurt you."
And he did. Theo did hurt Y/n, just not physically.
"Hermione should be here instead. But, let me guess, you told her you'll check up on me."
"Maybe," Harry admitted finally, "do you know why? Because I actually care about you. I've had feelings for you for years. I deserve you, not Nott. I deserve you, because-"
"Because you're the chosen one?" She mocked and paused. "Look, Harry, I like you as a friend. I've never felt anything more than this. I can't change how I see you and I won't pretend otherwise."
He nodded, acceptance settling in. "I get it. I just... I thought if I cared enough, it would make a difference."
"Caring is important, Harry, but it doesn't always lead to the feelings we hope for."
"Whoever you date, just don't date Nott, please."
"I promise I won't. Not after today, I'm over him."
"Care to share what happened?"
"I'll tell you, Hermione and Ron in the common room. Let's go, I've been here too long."
≫ ──── ««•◦ ✪ ◦•»» ──── ≪
Y/n didn't even know how wrong she was that night on the astronomy tower, but she forgot about it. Weeks went by, Christmas had passed, everyone were back from the break. Classes started again and Y/n found herself hoping to catch a glimpse of Theo.
They kept exchanging glances on the corridors, accidentally bumping into each other in the crowds. Y/n wanted to believe Theo liked her, but even if he did, they could never work.
"Y/n, listen to me," he said, catching her when she was alone in the library one time. "I know how things have been between us, but during the break I... I realized I don't wanna keep being enemies."
"Theo, you know it could never work. You said what you said and maybe it's better to leave it this way."
"I contemplated a lot," it was true, he spent the break mostly in his room, drowning in thoughts. About her, about them, coming to terms with what he was feeling. "I decided to accept my feelings."
"That's great for you, but we could never work. I've always 'fancied' you, I guess, despite what you were doing, ironically, but the time we worked on my project together, I accepted we could never work."
"And why's that?"
Y/n took a deep breath, wondering if he was stupid or just pretending. Maybe it was a bet he had with someone. Maybe Draco dared him to do this.
"You don't see how different we are? What do you expect is gonna happen? Would you introduce me to your father? Wouldn't you care that I'd get you disowned?"
Theo looked at her, Y/n could see sadness in his eyes. She realized her words made him realize the differences between them, because he walked away. Theo walked away without a word.
Y/n pierced her own heart with an invisible knife. She was really hoping they could work, but it just wasn't possible in this universe. Maybe there was a universe where none of this purity bullshit didn't exist. Y/n wished she would've been born there.
Y/n couldn't predict what Theo was going to do. She thought her words made him give up on her. It was for the best, of course, she should've focused on her studies firstly, and then on a realistic relationship.
It was a Friday. Y/n was sitting next to Ginny by the Gryffindor table. It was dinner time, all the students gathered in the Great Hall. All the students besides one Slytherin, the one that Y/n hoped to see. Maybe it was weird, but she enjoyed the sad looks they'd pass to each other.
"Hey, Y/n, are you listening?" Hermione asked from across the table.
"Sure," Y/n quickly shifted her eyes to her sister. "You were talking about Defence Against the Dark Arts."
"You've got divided attention. Stop looking at the Slytherin table."
"Ugh," Ginny groaned, "were you doing this again? Merlin, you stare at this Slytherin git 90% of the time."
"Well, he isn't here today. I wonder where he could be. Everyone else is here."
"There he is," Ron pointed out, rolling his eyes.
The golden trio and two younger Gryffindors looked at the doors' direction. Theo had just walked into the Great Hall, but surprisingly he didn't walk towards his table. He walked towards Y/n.
"Y/n," he spoke, catching everyone's attention. People were reading to witness another argument. "I can't help this, I love you."
Shocked noises came from all the tables, but Slytherins kept whispering between each other also when Theo continued talking.
"I don't care what anyone says, anyone thinks. Love is not meant to be controlled, it kills me to fight it."
Y/n stood up from the table, ready to leave the room.
"Theo, stop," she begged, "you're embarrassing us both. Your friends will-"
"I don't care what they do. If they don't accept it, they're not my friends. If anyone wants to fight me for having feelings for a muggleborn, I can fight, I've never lost a duel."
The whole Great Hall fell silent, even the teachers didn't try to intervene, when they saw Theo pulling out a small, black velvet box.
"I want you to wear this ring," he opened the box, "as my promise to always protect you from whoever tries to harm you or our relationship."
"It's beautiful, but..." Y/n was speechless by the sight of the ring. It was silver with two gemstones forming a subtle heart - half emerald and half ruby.
"It was custom made and if you accept it, I'll once get you a matching engagement ring. Also, there are thorns which will hurt you when you try taking it off. I want you forever, Y/n Granger."
The ring in the black velvet box sparkled under the enchanted ceiling. The Great Hall remained in silence as Theo poured his heart out, confessing his love. The unexpected turn of events had everyone on edge.
Slytherins exchanged intrigued glances, Gryffindors shared confused looks and even the teachers seemed to not know how to react. Y/n could feel the weight of everyone's eyes on her, and for a moment, she considered the potential consequences of accepting Theo's proposal.
"Theo," she began, her voice breaking, "it's not that simple."
"I know it is. But I can't keep hiding my feelings, Y/n. I've tried, and it's tearing me apart. I'll protect you from whatever comes our way."
Y/n looked at the ring, then back at him. "I believe in second chances. And I appreciate your sincerity. I accept the ring, Theo."
Theo carefully took the ring from the box and gently slid it onto Y/n's finger. The Great Hall burst with cheering and applause, only the Slytherin table didn't seem so enthusiastic about this.
Theo placed his hands on Y/n's waist, pulling her in for a kiss. She didn't hesitate to kiss him back, her hands sinking in his dense her yet the ring on her finger still visible, reflecting the light from the ceiling.
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astaroth1357 · 4 months
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Oh God, What Have We Done??: Father!Solomon Headcanons
You know what? I'm a Solomon love-hater but I'll go to bat for him too. You could pick worse.
Contents: Unhinged Ms. Frizzle-style parenting, the horrors of human biology, possible pregnancy implications, fluff
~♡♡♡~
So. I can see this happening intentionally. Solomon craves a happy family, so I absolutely see the thought of rasing a kid with MC coming up once or twice.
That said, I think zero planning actually went into making it happen. This is a spur-of-the-moment decision made by two lovesick dolts. Not a damn thought was spared for the consequences, and it shows.
For starters, MC and Solomon both agreed to raise a child together while they were in the human world and told NOBODY ELSE. So from the outside looking in, they just left the Devildom for “training purposes” and returned with a random infant!
No call ahead. No fanfare. They both stepped out of the portal with a flying stroller and bottomless diaper bag, grinning from ear to ear like it all was just souvenirs from Disney World!
Naturally, all hell broke loose. The brothers were collectively hyperventilating, Simeon almost fainted, and Diavolo noticed that Barbatos wasn't moving or blinking, so the Little Ds had to carry him away like a malfunctioning android...
Does Solomon having a kid make him a grandfather…? He is not ready to ponder that thought. No one is.
Despite Mammon and Belphegor’s insistence they had to “Put it back!” after MC made it clear that raising a baby was what they wanted and that Solomon was there to stay, the brothers made peace with it… to varying degrees.
Asmo was the only one thrilled that his favorite humans now have an even cuter mini-human to take around because he'd get to try his hand at baby fashion design! The least happy was probably Belphegor because a baby means that MC is going to be way too busy to nap now. Plus, he had to deal with a lot more Solomon in his life, which very few people ever ask for...
The crew's reaction to the baby's development is actually pretty funny to see. Humans age much, much faster than their supernatural counterparts so, from their perspective, the new baby is growing at lightning speed!
Mammon was with them when they were teaching the baby to crawl and he started freaking out because, “How’re they movin' already!?” The first day their child came running, physically running, into the HoL without any help actually made Levi scream in fright.
The House had a complete meltdown when Beel was watching the child one day and they lost a tooth while eating some hard candy. They all thought that MC and Solomon were going to burn the place down, so imagine their surprise when the overjoyed parents kept congratulating their kid for losing a baby tooth...
And don't get any of them started on the growth spurts...
The one to take to the kid the most as they grew was, funnily enough, Lucifer. Most likely because their various milestones reminded him of when his brothers were doing the same things.
The child is more than happy to tell “Uncle Luci” anything, which he acts like he only tolerates, but in reality he loves being their favorite brother.
Barbatos is EXTREMELY protective of them. Nearly as protective as he is with Diavolo.
Their kid, of course, has no clue. He's just nice Uncle Barbie (he refused to be called Grandpa) who makes them sweets and watches over them in the Castle. But anyone who get too close while they're playing gets a stare down worse than all of Cerberus’ heads combined...
Mammon swore in front of them once and Barbatos strung him up so tightly that even Lucifer thought it was overkill.
Luke seems to enjoy having a baby sibling of sorts to look after, but he is going to be so upset when they get taller than him in the blink of an eye. He’s going to be their guardian angel for sure, btw.
As a father, Solomon is… spirited. Anyone can see that he’s ecstatic to be a parent, it’s just…
Well, years of isolation on top of being a once-in-a-lifetime prodigy may not have made him the most “in touch” with children these days, you know? MC has absolutely come home to find Solomon has propped up their 6-month-old with a stack of books to start teach them how to play chess.
Daddy-Baby adventure always end in spectacular fashion. Solomon is a very “hands-on science teacher” kind of guy with unwavering confidence in his abilities to keep his child safe. This, to be fair, isn’t unwarranted, however...
Does that mean you should make a plans to take your child to forbidden places for some sightseeing? Or let your child touch, paw at, and gnaw on any magic item that suits their fancy in the name of a making a new teaching experience...? Probably not, but it’s also how he learned so…
It must be assumed that whatever kid these two have, biological or not, will be a magic powerhouse of destructive proportions. All that training from Solomon himself since infancy? They'll have a wand in their hand before they can even work a fork!
I like to imagine that Solomon's kid would have a very, very hard time controlling their magic and it would get uncontrollable at times. Like, a sneeze could knock over a bookshelf or getting angry makes things go flying. But Solomon would never ever scold them for it like it’s they're fault.
He'd never make them feel the same isolation and shame that he did at their age.
It would be very, very sweet. But it also means that MC could come home to a flooded house and, instead of cleaning out the water, Solomon would teaching their child how to snorkel in the living room.
Pure chaos, but MC could never find a prouder father. Solomon would devote his entire being to giving their child all of the love and happiness they deserve. Their kid almost never sees him without a grin on his face, just ready to just wrap them a bear hug for no reason.
On quiet nights, he'd cradle them or rock them to sleep while holding back tears. MC has found him over their crib like he’s still trying to convince himself that they're real, that he's gotten this lucky.
He's not a conventional father. Hell, he's not a conventional human either. But he’s grateful for day he gets to be a parent... Every. Single. One.
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hellkeepers-if · 6 months
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DEMO (prologue out) UPDATES
Set in an alternate version of Singapore, you're a fresh university graduate bumbling through life as you desperately look for a job.
...Or that's what your mother thinks. In a world where occult ceremonies are as common as an existential crisis, there's no way you were ever going to be a perfectly average office worker. Just like your twin brother, you work for the International Society Of Exorcists (ISOE) which deals with supernatural occurrences, demonic rituals, and the like.
When a tragic event befalls your older sister, it uproots your entire life and everything you ever knew about the supernatural. With it, comes a forced need to come to terms with a family history straight out of the movies. 
After all, how the hell did it take twenty years to find out that you're descended from the freaking king of the underworld?
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"I have a duty to myself, but more importantly, my family."
——————
Inspired by Supernatural, Fullmetal Alchemist, Noragami, and the Percy Jackson series, Hellkeepers is a +18 urban fantasy/paranormal interactive fiction, involving elements of Chinese and Southeast-Asian mythology. In every playthrough, you will...
• Play as a female, male, or non-binary Chinese demigod/ess.
• Determine the relationships between you and your family members. After all, they will play a big part in your story...
• Peel apart the full truth behind you and your siblings' birthright. Your parents can't hide it forever.
• Learn more about Chinese and Southeast Asian mythology as you warp into different dimensions, unlike anything you've seen before.
• Learn more about who you were in your past life.
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| Nishimura Kazuo (he/him)
Age: 26
Ethnicity: Japanese
With a penchant for mischief and a charm that woos even the most stubborn of grandmas, Kazu is the wildcard of your organization. You think he's an anarchist, and the only reason he's tied down to the ISOE is so that he has an excuse for whatever havoc he wreaks on the supernatural. 
The A-ranked exorcist is your colleague and your brother's mentor, though you rarely ever see him in his office. But if you ever need him for demon fighting, he'll be there. Most of the time.
"Mind taking that pesky thing out for me while I take a quick nap?"
| Quentin Khanh (Quan) (he/him)
Age: 25
Ethnicity: Vietnamese
Quentin, more affectionately known as Quan, was your childhood friend. After he moved overseas, the weekly texts you sent him fizzled into nothing but a lost friendship.
Since then, he's returned to Singapore as a forensics pathologist and researcher under your organisation. Whether you like it or not, you have to no choice but to work with him for most of your investigations.
"If your bribe doesn't involve a penthouse worth of money, don't talk to me."
| Reyna Aliyah Santos (she/her)
Age: 23
Ethnicity: Mixed (Filipino-Chinese)
You've never quite met someone like Reyna. A halfling with a demon mother and a human father. Being raised in Singapore all her life with little knowledge of her parents, it's natural that Reyna would come to the ISOE for help at the mere instance of a fox tail and white fur.
You've been tasked to help her mask and get comfortable with her supernatural powers, but she won't make it easy for you. After all, foxes do bite. 
"Technically, I'm not stealing anything if they don't notice."
| Song Huayun (she/her)
Age: ????
Ethnicity: "Uhh...from Hell?" Chinese
| You don't know too much about Huayun, except for the fact that she lives in Diyu, the Chinese Underworld. As Diyu's gatekeeper, Huayun has seen countless depravities committed by humans before their deaths. That alone has made it hard for her to like them, and the contempt she shows you is no different than what she shows everyone else.
But with time, maybe she'll finally learn what it is like to feel human…and what a smile is.
"If it isn't the star of tonight's show. Welcome to Diyu."
| The Arbiter of Fate (m/f)
Theyre a stranger, or so you say. But this deity knows everyone...especially you.
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luveline · 6 months
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hey jade! i loved your vampire!sirius fic it was so cute!! i know it’s not halloween anymore but could you write another one of vampire!sirius with that unphased reader please?
hi lovie!! for u
Sirius pushes you down by the throat, his eyes narrowed and his weight heavy on your stomach. You squirm beneath him, trying to push him off. 
"Ow…" You cover his hand. "Not so rough." 
"Sorry," he says, hand moving to your shoulder. His apology is genuine, soft as silk, as are his hands where they wander. "I just missed you." He tucks his arm behind your neck and leans in for a hug. 
You giggle. "Yeah? Me or my circulatory system?" 
"Don't say stuff like that!" He kisses you atop your pulse, the place he so often nibbles. "I missed you." 
You grab handfuls of inky hair and hug him back. You can't say you weren't expecting to be taken to bed the moment you got back, but you absolutely thought it would be for a feeding or some weird bloody fun. This is unexpected, but still nice. "You smell nice," you mumble, closing your eyes. 
He kisses your neck. His lips travel upward, nothing seductive or smooth about it —this is all clumsy, chaste sweetness, and it's knocking you off kilter. "I don't think you should go away again." 
"It was four days." 
"Have we been apart four days? Since we met?" 
No. You and Sirius have become that irritating weirdo couple that met and immediately fell in love, so to speak. You live in the other's lap, and you have no regrets thus far. It's odd how well you get along, but he's an odd creature, and you're worse if he's to be believed. My little freak never sounded so saccharine. 
Even when he pulls up to tower over you and that strange alarm bell in your head begins to ring, your adrenaline spikes, the glint of his sharp fangs and the predatory thinning of his irises activates an innate fight of flight, but in your head? You have no urge to move. It doesn't make any sense. "No," you answer, having almost forgotten. "We haven't." 
His cheek is scratchy in your hand. "And look at the consequences. I've been forced to drink from other people and you've taken up a barrage of exciting new boyfriends–" 
"Well, I haven't," you say, grinning at him. "You're the only boyfriend for me. I tried, but the supernatural find me so very off-putting. I can't imagine why." 
"Oh, you tried?" he asks, dropping his face to dig his nose under your jaw. He kisses you, but you know he's doing that as an afterthought, the nose jabbing his main prerogative. 
"Not really." You cup the back of his head. "Are you hungry?" 
"Would you stop it? I'm trying to express my love for you and you're desperate to play victim." 
"I'm just wondering." 
His fang scratches your skin, a graze. The blood it produces wouldn't so much as wet his fingernail, but he licks the wound to seal it and kisses straight up your cheek to the corner of your eye. "Please," he says, relaxing into your hold, "don't go on holiday again. At least for the next century." 
"So for the rest of my life?"
Sirius scoffs. "If you think I'd let you die an old crone, you're stupid. You're stuck with me forever." He doesn't sound quite as sweet when he says it like that, a solidness to his declaration that should give you goosebumps. "You belong with me." 
It should freak you out. What a strange thing to say. What a weird thing to picture. 
"You really don't want me around for my endless buffet?" you ask. 
"Don't be stupid. If blood were your most valuable trait I would've drained you the night we met. It's a little bonus for now, and in a few years when you're ready you'll drink some of my blood and be my wife for the rest of time." 
You lean back to look at him. "What if I'm ready now?" 
He moves to mouth kisses into your soft jaw. "Darling, why rush? You can only get more perfect." He laughs into his kisses, speaks smushed and warm into your skin, "What if I'm ready now?" he repeats, kiss-kiss-kissing. "You aren't scared of anything, are you, my love?" 
"I'm certainly not scared of you." 
"You might be scared of never eating crisps again though, hmm?" 
You think about it. "Alright. In a few years." 
"That's my girl." 
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tobi-smp · 6 months
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you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
youtube
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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nostalgebraist · 2 months
Text
the light, and the glass
So there's this particular quality I have, as a fiction writer, and I have very little sense of how common or rare it is.
The quality is closely related to that famous Michaelangelo quip, about his sculptures being "already complete within the marble block":
The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.
This is how I feel, too, about my works of fiction. They feel like "real things" that "already exist," in some important sense, before I write them down -- or, indeed, before I even fully know what they contain.
So, for instance, if I haven't yet thought of an ending for a story I'm playing with in my mind, I nonetheless have a vivid sense that this particular story has an ending, and that this ending already is whatever it happens to be. It's only that I haven't managed to "see" it yet.
To clarify the point, consider the contrast between this thing, and two relatively familiar ways of thinking about how fiction gets made:
Conscious, goal-directed craft/artifice. Intending to write a Satisfying Plot in which each character has an Arc, the Story Beats follow logically from one another and are arranged with what is called Good Pacing, the proverbial Cat is Saved, etc., and "solving for" these desiderata in a conscious manner. Or, intending to create something much more outré and unsettling than all that -- but having some specific set of (outre, unsettling) intentions in mind, at the outset, and concocting/arranging the elements of your work in a conscious way guided by these intentions.
Free-wheeling, self-expressive "creativity." Just do whatever, man! Follow your bliss. The canvas is blank and anything is possible. Whatever you feel like putting into that empty space, go ahead and put it there. (The key thing being that, after "putting something there," you'll look and recognize something with origins in you, and your own whims and feelings at a particular moment.)
For me, though, the process of writing, and even of "ideating" (plotting, etc.), feels like a kind of transcription or channeling, as opposed to either of the above.
When I say "channeling," here, I don't mean that I have some actual, mystical belief in a supernatural object revealing itself through me. Not in the woo-woo sense anyway; whatever is really going on here, I am sure it "merely" involves the mechanics of the human mind, as implemented in the physical human brain and body.
But I do mean that it feels a lot like that. Like the story -- and not just the story part of the stories, but the whole thing, the "art object" -- has some real prior existence outside of me, first.
Like I am merely doing my best to "get it right," to be a perfect transmitter for the radio signal. To "do justice" to the "real thing," in the secondary act of writing words onto a page.
To be a courier who transports a valuable object from some originary otherworld into a place which happens to be called "existence" -- and to ensure, as much as possible, that it suffers no disfiguring scrapes during the journey.
----
I should say, though, that there's a lot of the "#1" above in my process too, the conscious-artifice thing.
Except... when I do that kind of thing, the intentions all come from the "real object," and my goal is to fill in whatever I can't see of that object so that everything I can see is preserved.
So: I will come to know, surely and indefeasibly, that the story must have some particular feature. (An event, a little moment, a character feeling a certain way at a certain time, even a specific turn of phrase.) Better to say: I know the story does have this feature. I see it in the marble.
But I can't see everything that's there, already, in the marble. And sometimes these glimpses-from-the-beyond are strange, inconvenient, difficult to "fit" into the current story (or perhaps into any story) in a natural-seeming manner.
And that's my task, when I'm doing the conscious-artifice thing: to take this collection of axiomatically-present glimpses, and build a structure around them into which they can "fit," naturally and even logically, just as if they were ordinary story-building-blocks like their neighbors, being placed here and there for ordinary story-reasons.
----
This has various implications. For one, it determines which kinds of writerly anxieties I suffer from, and which types leave me alone.
Like, I have virtually no self-doubt about my "ideas." About the overall, large-scale goodness-or-badness of the thing I'm creating. At least, not when considered "in principle," in an idealized sense that abstracts away from my actual capabilities as a guy who puts words on pages.
"Was this story, as a whole, a good idea?" is a question I find difficult to ask myself. Even when applied to smaller units, like specific plot points, this kind of question simply goes nowhere when I attempt to think about it. Insofar as my mind can cough up any answer, that answer looks like:
Yes
(after a moment, with mounting bewilderment) Yes, obviously -- how strange even to ask!
(after another moment, and as an afterthought) ...but if it weren't any good, is that really my business? It's not like I came up with it. I was asked to keep it safe and bring it into reality, and I take that duty seriously, but once it has reached its destination I wipe my hands of the matter. Don't shoot the messenger!
It's not, just, that I feel like the "real thing" "already exists." I also feel, always, that the real thing is... really good.
I deeply, thoroughly trust the Muse / Higher Power responsible for originally "making" this stuff. (To speak in relatively woo-woo terms, for ease and clarity.)
The Muse / Higher Power is a seriously skilled artist, much more so than little-old-me; if She makes any errors at all, they are not really mistakes, but "are volitional and are the portals of discovery."
And what's more, there is a sacred, unearthly gleam to the artifacts She makes, perhaps having something to do with that Fairyland, that place-other-than-"existence," in which they are originally made.
It feels like an honor to be designated as a courier for these enchanted things. Perhaps not a deserved honor -- on which more below -- but it's never the nature and value of the transported goods that I doubt.
(There is a definite sense of ritual to the thing that I do, here; a sense of connecting with some other place, definitively apart from our mundane here-and-now, and likewise more important/primary/etc. than the latter. Hence, perhaps, my tendency to not-write for long stretches, and then write in long sustained bursts for many hours at a time, which need a good deal of preliminary building-up-steam before they fully get going; it takes time to pierce, and then fully cross, the veil between worlds. And the various imprints of this stuff on the works themselves are not hard to see, once you're looking for them; they are of course especially transparent in TNC.)
All that being said, I do suffer persistently from a different anxiety.
When Michaelangelo said the thing about the sculpture "already complete within the marble block," he said it as... Michaelangelo.
As a famous, incontrovertibly masterful craftsman. Not a guy likely to suffer from doubts about his ability to put the chisel to the marble block, and reveal precisely that shape which was already there, inside.
But I'm not Michaelangelo. I'm not even sure I'm a good craftsman, much less a great one.
Certainly I've never conceived of myself in this way, even aspirationally. (Well, maybe I did in childhood and adolescence, but that was a very different thing from what I'm talking about now.)
I don't do what a person would do, if they wanted to be a Writer, and strove to be the best one they could. I don't, for the most part, practice my craft. I write because there's a Real Thing that only I can see, and it's not going to make into Existence any other way.
And since I don't write by habit or as practice -- since I only write at times when a Real Thing is in need of some incarnating-work, and I'm the only one around to do it -- I'm not exactly an ideal candidate for the job.
I am like a man who never especially wanted to be a sculptor, never practiced the trade, and was never more-than-ordinarily good with his hands, even... who is then, suddenly, struck with a very literal version of the experience Michaelangelo described.
Who, suddenly and inexplicably, begins to actually see a sculptural masterpiece lurking inside, whenever he looks at a faceless marble block.
What is our protagonist to do? Naturally, he will find a chisel, and begin chipping away. He will feel that these things need to be freed from their prisons, released and revealed to all the world, so that all the world can delight in them as he already does.
But he will be very aware of the unfamiliar way the chisel sits in his hand; of the way that hand trembles, and fails to meet the mark, and sometimes shaves off precious bits of what was really and originally a beautifully formed hand -- so that the hand, in the realized artwork, forever bears some oddity of shape which was not a part of what he saw inside the block, but only a consequence of his own shameful incompetence.
He will feel that his works, such as they are, are an odd mixture of amateurish craft and direct, divine inspiration. Insofar as he is Great, it will be because he has had Greatness thrust upon him, from without. He will feel, sometimes, that his successes have been obtained through a kind of cheating, not won fair-and-square.
And he will feel, always, a particular kind of (justified) impostor syndrome: an awareness that what he is doing, when he sits down before the marble block with the chisel in hand, is a very different sort of thing than what is usually called "sculpting," and what is being practiced by careful, hard-working aspirants just down the road, at the local workshop. The students there call themselves "sculptors," and our protagonist supposes he must call himself a "sculptor" too -- but he knows that behind this coincidence of language, a vast and strange chasm is hidden.
(I worry that this metaphor sounds flattering to me -- I am divinely inspired, they are merely toiling away and following the rules -- when I don't mean it that way at all.
In particular, note that there is nothing in our story to rule out some of the "real" sculptors down the road from also being visionaries who see the finished work in the block. Indeed, I got the metaphor from Michaelangelo, who was precisely this way.
I am only saying that all the conceivable configurations of craft/inspiration are in fact possible: just as it is possible to be skilled but uninspired, it's possible for inspiration to strike someone who lacks the capacity to fully realize its content. And that is how I feel, about my own attempts to create.)
----
When I was getting near the end of Almost Nowhere, and struggling with this kind of feeling, Esther would often reassure me by saying: "you are the light, and you are the glass it shines through."
In other words: you are a transmitter, and you are the source of the transmitted signal. Remember that in actual fact, the "real thing in the marble" came from your own little brain, just as much as the rest of it did. In actual fact, if there is a Muse and a Higher Power, it is really just an additional part of the same creature that holds the chisel, and worries over its trembling hand.
I did, indeed, find this very reassuring. And that's a funny thought, in a way! I imagine that for some people -- and indeed for me, in many other endeavours -- the same sentiment could easily have the opposite effect.
"It's all on you. It's all your responsibility. If any of it is bad, there's no one else to blame. If there is any 'Higher Power' at all, it is only the one inside you at all times, and not able to save you through unexpected intervention, from some true outside."
But I already believed, thoroughly, in the magical potency of the goods I was charged with transporting. If I was (somehow!) their maker, too, then (somehow!) the root of that glimpsed, alien magic was in me.
And so, perhaps, I could trust myself to ferry them into Existence without ruining, without even much dimming, the fairy-gleam from elsewhere that made them what they were.
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dawnbreakersgaze · 1 month
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NOPE
NO
NO THANK YOU
I don't like the way those are lining up AT ALL.
"Broken free of the shackles of natural law"
We've heard/seen Zayne be referenced as "shackled" at least 3 times before at this point. By Raymond, by the 'Narrator' ("remains shackled to time"), and in reference to the Foreseer myth. This makes the 4th. I genuinely hurt every single time the story so heavy handidly reminds me that Zayne really is a dog on a chain. The Foreseer robes even have a LITERAL collar of thorns over the neck of it ffs. It's painful to watch at this point and it breaks my heart.
"Why persuade Zayne? What he really needs is a pair of hands. Ones that can carry out God's mission and allow for God's descent."
Between this, and the one below of-
"At least he has another option. His last one"
I'm torn on which one is referencing Astra. On one hand, Astra really could be a modern made "God". An elevated man of great power, someone Zayne turned to in his 11th hour to try and save MC (though we all know how that turned out, unfortunately). It would seem that Xander Sciences is playing at God, and if we know anything about the sci-fi scene, it's that human experimentation ALWAYS ends up going ~soooo well~ and nothing ever goes wrong there 👀
On the other hand, the "last option" really gets my gut feeling going. My theorist brain is telling me Zayne is gonna go full Warlock pact and make a deal with an entity in exchange for MC's life. Only it's gonna go tits up and be a Fey pact, and because we all know how MC and he end up, clearly Zayne did NOT read the fine print (or more likely, Zayne thought he could out maneuver the rules). Ever since I read the Mt Eternal anecdote and realized the Tower and Mt Eternal are in the same location, I could not shake the feeling that Zayne already has made contact with whatever "Astra" is. Be it a very powerful person, an actual God, or someone else entirely different (like another time traveler, such as Xavier and the backtrackers). We know he's traveling back there multiple times by himself, conducting research of an unknown variety, that only he and Dr. Noah are privy to. I'm just saying if ever there was a cover up for having contact with a supernatural being/aliens/a God, that's a really fucking good one.
Whatever it is, this new lore drop has really really spelled out in big bold letters, that Zayne is thought of as a tool by a LOT of people. Xander Sciences, Astra, even the Dean of the medical academy had a moment there. My poor man even thinks of himself as a tool, one that is meant to save MC (from himself he even says at one point 😭😭😭 like oh my God Zayne stoppppp). He literally considers himself expendable so long as he saves her. Once he's done his job and secured her future, even if that means passing on the ability to save her to someone else, he's fine laying down his life for that.
And that's seriously the saddest part of this whole fucking game imo.
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Tumblr won't let me share the audio clip of Misha answering the last question from Crossroads, so here's a transcript.
[Fan] Um, it's kind of about Destiel so - [Misha] Perfect last question really
[Fan]So there's a show called 911 and - It's about firefighters and it's been going on for about seven seasons now. And recently in seven seasons it moved networks from Fox to ABC. And um, one of the main characters, he's a man named Buck and- he kissed another man and it's been said that by the actor who plays Buck on the previous network Fox, they wouldn't have been able to do that. So when they moved, they thought, okay, we can do it now because it's on a different network. So my question is, do you think if Supernatural had a new networks earlier on, or if the show was made later something like this could have happened between Dean and Cas? [Misha] If think that if the CW- [Fan 2] Fuck them! [Misha] had not been- Had not been so homophobic- [Audience cheers] [Misha] Dean and Cas would have been balls deep. [Audience cheers] [Rob] I think you just made a headline. [Audience cheers and laughs]
[Misha] I will tell you- I will answer that question um- in- in part earnest. I, I think that there's been a sea change in culture um broadly. When I joined Supernatural and- and- Destiel became this very like hush-hush thing on the internet that we weren't even supposed to talk about. Um, there was no way on God's green earth that anything like it, uh, a consummation of that kind of relationship would make it to the screen on our show. And by the end of the series, we had lasted for so long that the culture had changed and there had become an acceptance of the possibility that that kind of, like, Declaration of Love could happen. Um, I- I- I mean... When I was growing up, um, we used the word f*g as a filler all the time. It was like, just want to insult one another, and f*g, homo, like, that's what everyone was saying in elementary school. My kids see two dads or two moms dropping their peers off at school and it does not faze them at all. And there's none of that language in their schools. Now, I know that [Audience claps and I can't understand a few words due to clapping] we're decades away from eliminating homophobia in our society. But we've come so far and so I think the answer to your question is, yes, like had to show happened later on and had another 10 years to evolve who- who knows what could've happened. Um, I think that there would have been a lot more representation on the show, in general. We would have had more female directors. We would have had more female leads on the show. We would have had more people of color. A lot of things would have been different on the show, um, if it had just been 10 years later. Um, and there- and of course, like you know, the pendulum always swings. There's always a reaction to Evolution and, you know, in our country, we have the far right emerging and Neo-Nazis like, honestly taking, you know, like, seats of power and potentially, you know, for a second time, the presidency. It's- It's a pretty scary time.
[Rob] Book burning happening, you know? [Misha] What's that? [Rob] And book burning happening. [Misha] Yeah [Rob] You know, watching the show too- watching the rewatch podcast that I do with Rich, like- [Cheers] You see how much things have changed. There are certain things in the show where like, oh, then you wouldn't do that now. You know? [Rob] Like they use the word bitch all the time in the show and it's like- eugh- a little cringy, right? You know. [Misha] Yeah. Um, a lot of- there were a lot of things that we did that I don't think would stand the test of time at all now. But, um, we try to be better. [Rob] Also, I would just say, like, one thing I love about these rooms that this- this, um, family that we're here, in the Supernatural family, is like everybody is welcome and everybody's okay whoever you are, whatever you are, however you are- like, it's this is a safe space.
ETA: so it turns out that the enforcement at Starfury is different than the rules at jibcon or CE and I will not be sharing the audio clip. Jibcon officially has a no recording rule, which almost everyone in fandom ignores. Starfury is different.
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