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#I do also appreciate the existence of a series of 3 books with like four main character couples with fat Black ace-spec/queer people!
aroaessidhe · 10 months
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2023 reads // twitter thread
A Song of Salvation
YA space fantasy adventure
a reborn god in the body of a girl on an isolated planet, a grumpy space pirate, and a famous space-radio podcaster end up together on the run in the middle of an intergalactic war - and they might have the key to end it
m/m and pre f/m, demi MCs
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playcaroplay · 6 months
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I just finished A Fire in the Flesh and have spoily thoughts
I really wanted to like this book. I want to like this series so badly, but the last four books in this universe have felt so rushed and poorly edited. It has felt like Sera’s story exists solely to retcon plot points to buttress Poppy’s plot inconsistencies. And Sera’s mirror image personality is explained away because of Sotorias soul, and family lineage. They’re the same personality type with different hair.
1) Dialogue - I find the same dialogue being recycled has fallen flat for me. Sera and Poppy’s “tempers” and “stubbornness” feel like an easy way to introduce conflict or tension but it doesn’t often advance the plot or character arc. There are so many stagnant beats where Sera/Poppy and any character have this type of conversation:
Character A: slightly controversial but logical opinion
Sera: NO that is Wrong.
Character A: Rationalizes point
Sera: Do you want me to stab you?
Character A: oh shit
Sera: I’m known for my temper
Character A: I’m impressed/insulted.
(And if it’s Nyktos then you follow up with)
Nyktos: Your anger makes me horny
Sera: Ew, but also same.
Nektas: you two are so funny with your arguing/mean girls mom beat - you guys ok? Want condoms?
Sera: *walks away feeling empowered because she spoke her mind*
I would hope an editor would catch on to these repetitive beats and try to either pare them back or vary them enough that there’s purpose behind it.
2) Secondary characters are just there to watch the scene. You’ll notice in many instances, Sera and Ash have a blow up, and the side characters are there purely to comment on what’s happening and narrate Sera’s character arc. If you took them all away the scene would remain the same.
Ex. Sera fighting Ash in the courtyard in book 2. The secondary characters provide nothing but audience commentary.
Or in FTIF when Rhain is speaking to Sera about her deal and freeing him, and then Ash wanders up and they have another “you don’t know the meaning of the word argue” argument and the side characters literally step away from them and they repeat the age old conversation beat I listed above.
What’s the point in introducing a huge cast of secondary characters if their only purpose is to bear witness alongside the reader. Instead you could have them take an active role in the plot, and have impactful relationships, opinions and action that drive the plot home. They’re just padding.
This entire series could take place in Ash’s bed and you wouldn’t notice the difference.
3) Weak conflict- Using Kolis as the example. We understand from book 2 that he’s a monster. But the stakes are significantly lowered when his and Sera’s opinions stay the same the whole way through FITF.
Consider what the story would have been like if he and Sera found moments of genuine empathy and understanding. What if they shared moments of humour or appreciation for each other? Think of how conflicted Sera would be about destroying him.
Is his kindness just manipulation? Or is there a deeper reason behind his actions that she doesn’t know yet? The fact that Sera is always aware of his tactics makes it hard to invest in her goal of becoming his weakness.
I care less about Kolis seducing Sera or vice versa because I know it won’t actually happen. We already know Sera is devoted to Ash and she’s revolted by Kolis. So her conflict about “becoming nothing” and fulfilling her duty is a nonissue.
4) Show, don’t tell. Seras discoveries while in captivity are quite passive. Either Kolis or Callum just straight up tell her the secrets. She’s in a cage so she has to rely on characters telling her what’s happened. It feels like the plot of the book happened outside the room, and we are just getting reports about it.
Consider Sera manipulating Kolis into giving her time out of the cage where she has opportunity to wheel and deal with other gods and discover secrets in more active ways. (Ex hunting down a revenant and having them talk through their transformation. Or talking to an Ascended about their blood lust and their fight for humanity.)
Even in the final chapters. Ash confesses to Sera that he had visions of her and removed his Kardia after he met her. He tells her that removing the Kardia was irrelevant in the end. Yet again another plot point that’s rendered useless and discussed in a passive manner. Such a let down after all that conflict in book 2. It almost felt like these scenes were drafts of the dream walking beats and JLA added in at the end because she liked them.
Consider those revelations happening at the lake as she’s trying to say goodbye to Ash. The anguish and betrayal she would feel about his decisions, but still clinging to their last moments together.
All in all, I feel like JLA was done dirty in the sense that pumping out these books every year hasn’t given her the time to dig into her own universe.
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moondust-bard · 1 year
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⚠️DO NOT INTERACT⚠️
• anyone who believes ace/aro people don’t exist
• anyone who thinks ace/aro people don’t belong in the LGBT+ community
• Autism Speaks and ABA supporters
• transphobes & TERFs
• white supremacists
• “alpha male” dudes
~Some facts about me~
• My pronouns are she/they
• You may call me either by my pen name, Moira Bard, or by my chosen name, Luna. I will answer to both.
• I have… four indoor cats. Yes, I know that’s a lot of cats. Taming and caring for the feral gremlins in my neighborhood has become a hobby
• I’m autistic
• I’m also a visually impaired person with albinism
• chronic illnesses? Got those, too. I’m a party, truly.
• I enjoy mythology, folklore, fairytales, and world history
• I identify as queer
• Aside from writing, I enjoy editing fiction, studying herbalism, singing, stage-acting, studying astrology, graphic design, interior design, crafting with modeling clay, sketching, watercolors, practicing tarot, and baking
• Is my goal to traditionally publish? Not sure. Currently, the plan is to do those things which bring me the most joy— and that includes storytelling
• I’m In my mid-20s, but I’m secretly an ancient hermit hidden in a stone cottage, nestled in a dark wood untouched by sunlight and civilization. Through some arcane magic I shan’t divulge there is indeed an internet connection.
I am open to:
character voice-act ✅
Beta-read ✅
Proofread ✅
(Amateur) developmental edit ✅
(Amateur) line edit ✅
Sensitivity read ✅
Positivity pass ✅
Critique swap ✅
Create book and character playlists ✅ (search the tag “songs for playlists” for examples)
Design book banners, covers, and other graphics ✅ (search the tag “my art” for examples)
My asks and inbox are both open!
About My Writing & Related Topics
• I’m a plotter, though I’ve recently been straying from adhering to a strict outline and allowing the characters and my own whims to dictate the story
• I write mostly fantasy and sci fi for adults and young adults
• I would like to indie publish at some point— though I’m in no rush. For now, I write because I can’t not tell stories
• I’m also adapting some public domain works into scripts, mostly because my friends and I need fresh audition pieces
• I draft with scrivener and speech-to-text software
• my pen name is Moira Bard. I chose it because it evokes a sense of ethereal whimsy— two words I feel encompass my energy quite nicely
• I prefer comments and reblogs over likes— but don’t let me tell you how to writeblr. All interactions are appreciated!
Here are my 2024 writing goals
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~My WiPs~
Lost Souls’ Night Series
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Genres: mythic fantasy, YA
Current Stage: draft of book 1 shelved for later edits; plotting books 3-5
WiP Tags: wip: lsn
Read the wip intro!
Character Masterpost
Cultures Masterpost
Locations Masterpost
Religions Masterpost
Excerpt 1
Potent Poison, Treasured Tonic (Her Enchanted Garden Series, Book One)
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Genres: new adult, urban portal fantasy
Current Stage: world-building, plotting, and character development in progress
WiP Tags: wip: pptt
Character Masterpost
Faerie Courts Masterpost
Faerie Religion Masterpost
Read the wip intro!
The Bloody Divine (Unholy Covenant Duology, Book One)
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Genres: gothic fantasy, horror, adult, romance
Current stage: 2/3 of the first draft written; book 2 is 20% outlined
WiP Tags: wip: tbd
Read the wip intro!
Character Masterpost
Religions Masterpost
Locations Masterpost
Shadefyre (Lost in the Witherwoods Series, Book One)
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Genres: new adult, fantasy
Current stage: character development and world building; first 4 books 50% outlined
WiP Tags: wip: ww
Read the wip intro!
Character Masterpost
Religions Masterpost
Locations Masterpost
Species Mastetpost
Learn about the covens
Zenith Code (City of Crystal and Chrome Duology, Book One)
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Genres: sci fi, dystopia, YA
Current stage: worlsbuilding, character development; detailed outline 75% done. Two books set in this world are 50% outlined.
WiP Tags: wip: zc
Read the wip intro!
Character Masterpost
Hunting Ground (a Noble Dragons novel)
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Genres: romantasy, adult
Current stage: draft 1 is done
WiP Tags: wip: hg
Read the wip intro!
Character Masterpost
Clans Masterpost
Creatures of Fate Series
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Genre: romantasy, adult
Current Stage: drafting book 1
Wip Tags: Wip: CoF
Intro to Book One coming soon!
Meet Book One’s MC!
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~ My socials ~
Find me on Spotify
Find m on Pinterest
Find me on tiktok
Find me on ig under the_moondust_bard
Here’s my “writing playlist resources” Spotify account
Feel free to tag me in ask games and interactive posts!
~Resources I’ve Made~
Songs for playlists masterpost
Blurb Writing Tips
Writer’s Guide to Conquering Executive Dysfunction
I co-run moon+seraph — a blog dedicated to encouraging and supporting the writing community here on tumblr
PLEASE KEEP IN MIND that my blindness makes me reliant on screen readers— you might also know this as text-to-speexh software. I use this tech to make tumblr more accessible to ne. One of the limits of the tech I use is that hashtags aren’t picked up and read to me. Please be aware that any messages left for me to read in the tags of a post… well, won’t be. I can’t see them and my tech won’t read them. I prefer feedback be left in comments and the text area on posts and revblogs for this reason.
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chaos-monkeyy · 6 months
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20 Questions for fanfic writers
Tagged by @trainofcommand and @cordeliaperry , thank you 😁
1. How many works do you have on AO3?
351
2. What's your total AO3 word count?
969,232 !
(I had a soft goal of trying to break a million this year, but I probably won't quite make it. Ah well, next year!)
3. What fandoms do you write for?
Literally anything I see or read that happens to hit squirrel-brain in the right spot: Stargate, Star Wars, Cosmere / Stormlight Archive / Sanderson's books generally, Loki series & other MCU media, OFMD, Good Omens, Dresden Files, Star Trek (and one-offs for random-ass shows like the Mentalist, 1899, tLoVM, Echoes, etc). Honorable mentions to past beloved fandoms that I'm not super likely to really get back to again include Midsomer Murders, the Witcher, Assassin's Creed, and the Expanse 💕
4. What are your top 5 fics by kudos?
Top spot is A wonderful thing (OFMD); the next four in order are all Witcher - A Tight Fit, Stolen Moments, Keep it up, and Undignified.
5. Do you respond to comments? Why or why not?
I do! I love seeing people's reactions, and letting them know how much I appreciate that they took the time and energy to comment (because fuck knows, I don't always have the spoons to comment on stuff myself). And it's so nice to get that connection with people and get excited about stuff together!
(I have missed some replies here and there just because of over-stressing about what to respond, and subsequently feeling guilty that I left them unanswered so long 🙈 ahh, anxiety-brain, you sure are special)
6. What's the fic you wrote with the angstiest ending?
This is one is easy, it's definitely Zombie / what's in your head. One of only two times I've written Major Character Death, and the only time I've used the Angst and Tragedy tag.
It's fucking brutal, honestly. Damn good, but ouch. Dark. Sometimes I reread it when I just want to cry hopelessly for awhile. It's like an... emotional reset or something.
7. What's the fic you wrote with the happiest ending?
Most of my fics have happy endings in the happy-sexy-sated vein, but most of my fics are also happy-sexy-oneshots so there isn't any real conflict or worry to come back from that makes the happy ending something that wasn't a given, if that makes sense. My first thought for something more involved was Inflection Point, but it's not exactly a happy ending for everyone. So I think I'll go with Curious Creatures, because even though I know how it ends and I wrote the damn thing, I still somehow get worried it will have a sad ending every time I go back and reread it, and then I'm relieved all over again at the end.
(Honorable mention to the Adventures of Admiral Prawn and Yee-Claw, because how can we not be happy that he found his lost hat with the help of a new friend 😂)
8. Do you get hate on fics?
Honestly nowhere near as much as I'd kind of expect to? 😆
I had some rando dickhead giving me grief in comments on a couple Assassin's Creed fics, and I've seen people griping in fandom social media spaces about a couple of my works and the fact they (gasp) existed in the tags at all, but mostly people have been decent and kept it to themselves when they don't like me or my writing 💖
9. Do you write smut? If so what kind?
Yes. All of it. All the smut.
10. Do you write crossovers? What's the craziest one you've written?
Not really! Never published one to AO3. Closest I've got is that Witcher-Assassins Creed WIP languishing in my google docs, and a silly fun little SGA-Original SW thing on tumblr from probably a couple years ago now.
11. Have you ever had a fic stolen?
Pretty sure, yeah. Not to the point of really being able to do anything about it but it kinda sucked. Shit happens.
12. Have you ever had a fic translated?
Yes! A couple of them that I know of 😁
13. Have you ever cowritten a fic before?
Oh hell yeah. Many times 💕
14. What's your all-time favourite ship?
Cock/Hole.
15. What's a WIP you want to finish, but doubt you ever will?
Mmm I have two published WIPs that fall into that category exactly, Ill-advised encounters and The skills of Assassins. They were really fun, I'd have really liked to finish them, annnd I probably never will 😅
16. What are your writing strengths?
I think I'm pretty damn good at pacing a story, whether it's a oneshot or a longer fic, and at getting ~feelings~ across (whether it's horny feelings, smushy soft feelings, angsty feelings, whatever). And I've been told that I'm good at like... developing a setting and characters in a way that flows or unfolds naturally with the story while you read? Or something like that? (they said it better and it made me very happy)
17. What are your writing weaknesses?
That would be not getting things actually started and just keeping the ideas in my head because What If this time I can't make the words do the thing good enough. Especially whenever I have ideas for something potentially longer or more involved, I do tend to kinda shoot myself in the foot by going "eehhhhh that would be a LOT of work though.... I don't want that kind of commitment....... Maybe I'll write down the idea later............"
Also being constantly distracted by shiny new things. But that part's fun 😆
18. Thoughts on writing dialogue in another language for a fic?
I use italics, try to limit it to single words or short phrases, and where possible I make the meaning clear or translated somehow within the fic itself. Last resort, I'll add a little glossary to the start or end notes if it's important to the story.
19. First fandom you wrote for?
Midsomer Murders 💖
20. Favourite fic you've ever written?
I genuinely don't have a favourite! There's a few I'm extra proud of myself for accomplishing, but I really like most of what I've ever written for one reason or another.
Or another answer would be, my current favourite changes like every week and is usually one of my recent fics 😂 Right now it's probably The Taste of My Blade; it'll be something else in a month.
No pressure tags: @dewdropreader , @mirilyawrites , @starport-seven-five , @loki-is-my-kink-awakening , @dedkake , @wantonwhale , and I won't spam tag all the same people as I did in yesterday's tag game in case you're not feeling it right now, but as always - if you see this and want to be tagged, you are! 💙
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veliseraptor · 10 months
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June Reading Recap
Heaven Official's Blessing: vol. 6 by Mo Xiang Tong Xiu. BOOK FOUR OF TGCF BABY, WE LOVE A DOWNWARD SPIRAL
I'm not saying that book four and all of the continuous trauma and misery that comes with it is my favorite part of TGCF as a whole, but I am saying it's very good for me personally and has some of my favorite moments.
Urban Jungle: The History and Future of Nature in the City by Ben Wilson. I read Darwin Comes to Town some years ago and was very struck by it (drove people around me crazy by referencing it constantly in conversation), so when I saw this book on a new releases table I immediately put it on my to-read list. I ended up being...not dissatisfied with it, but not really satisfied, either. A solid 3-star read, for some interesting stuff around how cities have and are dealing with the question of nature in an urban environment. Read interestingly paired with Fuzz by Mary Roach, which I also read recently.
I felt like in some places the author veered a little more into apologetics for why cities are good for nature, actually, than I found strictly convincing. But I'd say if you've got some spare time and any interest in urban infrastructure and the natural world, it's worth a read.
Clytemnestra by Costanza Casati. A second book in recent memory that was a retelling of a Greek myth and didn't make me actively angry! I don't know that I'd say I recommend it either, though. There were things I liked about it, and it was certainly interesting to see an iteration of the story of Clytemnestra that makes use of the version where Agamemnon was her second marriage and she had a previous husband and child. I think what I lost with that version, though, was that it ended up with an Agamemnon who was never anything but nasty and brutish, which, while I don't necessarily mind that as a version, I think makes for a slightly less compelling story. A genuine betrayal is always more fun than vindication of existing hatred, don't you know.
If you're as obsessed with Clytemnestra specifically as I am then I'd say to read this even though it's not the best work of Clytemnestra lit I've read, but otherwise I don't think I'd recommend it more broadly.
Superior: The Return of Race Science by Angela Saini. I checked this one out from the library and was deeply self conscious as the librarian was looking at the title, because boy could that go a lot of directions. Ultimately, I appreciated a lot of what this book was doing, and learned a great deal, but I don't think I'd say I enjoyed it, even in the sense that one can enjoy a book like this. I felt like it dwelt a lot more on the history of race science than I was expecting it to, and didn't dig as much into the current (as in, past 10 years) resurgence as I would've liked. She got into some of it, but it felt like most of the book was more about the 20th century than the 21st. Still, though, a compelling and thorough overview of the history of race science in Europe and North America.
The Gathering Storm / Towers of Midnight / A Memory of Light by Robert Jordan. I feel like I have no way of objectively assessing Wheel of Time as a series because it is so intensely intertwined with a whole bunch of really strong emotions and I recognize that. That being said, I did cry during A Memory of Light so I was obligated to give it five stars by my own rule, even if overall I don't think it's one of my favorites. I spent too much time during this readthrough thinking about Brandon Sanderson-isms and I would have appreciated if I hadn't been doing that, but I wouldn't have been doing it if it didn't feel so obvious to me.
I think of these three The Gathering Storm is my personal favorite. Reading Rand in it got really rough, though, and I think I'm sort of in the minority in not hating the catharsis on Dragonmount at the end. I can see peoples' points with it, but for me personally I don't think the tension could've gone on any longer and I don't know that I have a tone-consistent way of releasing it that I would've written.
That's all for June, which was a pretty slow reading month...probably going into another one for July. Currently I'm reading Bloodlands: Europe Between Hitler and Stalin by Timothy Snyder (a historian I've read before and really liked); I'm not sure what I'm going to read next but leaning toward one of the SFF new releases waiting for me on my shelf. Maybe Witch King by Martha Wells. I do want to try to finish QJJ this month, also - I'm very close to the end, just need to sit down and read the rest in ~an hour or so.
Also: taking horror novel recommendations, I've been feeling a hankering lately.
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mediaevalmusereads · 1 month
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Mistress of the Art of Death. By Ariana Franklin. Penguin, 2007.
Rating: 3/5 stars
Genre: historical fiction, mystery
Series: Mistress of the Art of Death #1
Summary: A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction. In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again .
***Full review below.***
CONTENT WARNINGS: child murder, Islamophobia, antisemitism, Orientalism, attempted rape, suggestion of sexual assault of a child, allusion to bestiality, violence, blood, animal torture and death
OVERVIEW: As a former medievalist, I feel somewhat obligated to pick up books set in the Middle Ages. This one intrigued me because it promised to focus on characters who usually exist on the periphery: a female doctor, a Jew, and a Muslim. While I did appreciate the attempt at constructing a multi-cultural world, I don't think I can give this book more than 3 stars for a few reasons: in addition to some pacing and flow problems, the protagonist didn't feel at home in her world. However, I do think this book was better than some historical fiction I've read, so I'm glad I picked it up.
WRITING: Franklin's prose is fairly descriptive and is pretty good at creating atmosphere. I felt immersed in the setting and I appreciated the view of the town that was sketched out for me.
I do think, however, that there were some flow and pacing problems. There was some head-hopping within the same chapter or section, for example, which interrupted the ease with which I moved through the text. The narrarive also tended to wander, moving to and from things that had little to do with the murder. I also thought some moments tended to lag and focus was diverted from the mystery itself. Part of the lag might have been due to some repetition; I noticed that some ideas had to be restated more than once, and some scenes were drawn out a little longer than necessary.
Also, there seemed to be an odd interest in several characters' fatness. I can't decide if it's fatphobia - Adelia comments on people's sizes and advises them to lose weight, but it's somewhat clinical in tone. I don't know - maybe someone else can speak to this better than I can. I just found it odd.
PLOT: The plot of this book follows Adelia, a female doctor of the dead ("mortician," perhaps) from Salerno who is sent to England to investigate a string of child murders. The Jewish population is being blamed for the violence, so with the help of investigator Simon of Naples (a Jew) and Mansur (a Moorish bodyguard), Adelia seeks out the perpetrator while also trying to negotiate peaceful co-existence.
I appreciated Franklin's attempt to portray a diverse medieval world. Not only was Silerno portrayed as cosmopolitan, but even England is described as having contact with Arab traders and having a significant Jewish population. Of course, not everyone gets along and some of the animosity against Jewish and POC characters can get tiring, but I liked the moments when Christians, Jews, and Arab Muslims appeared to get along and co-habitate.
I also think the scenes where Adelia is doing her analyses or investigating are fairly strong. Whenever she examines a body or tracks down a lead, I was always invested in the outcome and what kind of information would be revealed.
However, there were some things I didn't like. One thing I found irritating was the portrayal of England as a backwards, superstitious country. Adelia complains about everything - their lack of vegetables (English people had them - they weren't toddlers), their manners, their lack of splendid architecture, their ignorance and the Church's mandate not to practice any medicine (and rely only on prayer). It made Adelia feel elitist, but more than that, it made medieval England out to be a kind of shithole. We have herbals and leechbooks from the time period that showed that people did use some forms of medicine, so Franklin's portrayal seemed to be reveling in barbarism to make Adelia seem more enlightened. Maybe I'm more sensitive because my specialty was medieval England, but I'm just a little sick of most medieval people being portrayed as primitive or barbaric.
CHARACTERS: Adelia, our protagonist, is admirable due to her medical competence, but almost everything else about her got on my nerves. I enjoyed watching her examine bodies and treat the sick, but her attitude towards the world came across as elitist. She complained about the lack of salads, blasted people for their ignorance and superstition, highlighted how Jews and Arabs are "just like us" and how women should be equal to men. While I didn't want Adelia to be antisemitic or sexist, her characterization made her feel like she was a modern woman dropped in the medieval past, and I wish her ideas were expressed in terms that would have been familiar to people of the time.
Simon and Mansur, Adelia's companions, could have used more attention, especially since they are the most prominent non-Christian and non-White characters. Simon has a little bit of "screen time," but Mansur barely feels like he's there at all. I would have liked to see the relationship between the three of them developed more, so that their bond felt more personal even if it originally began as professional.
Sir Rowley was perhaps the most interesting character because he motivations started out as unclear, and over time, his relationship with Adelia changes. His actions are fairly admirable, and I think his background makes sense. I do think their romance is a little annoying and could have been supported better, but oh well.
I probably adored the relationship between Adelia and Ulf the most. Ulf is a kid who proves to be useful in the investigation, and I liked how attached he became to Adelia.
TL;DR: Mistress of the Art of Death is an uneven medieval mystery that is redeemed by its investigation scenes and attempt to create a diverse medieval world. While the protagonist felt like a modern woman dropped into the past and the narrative flow was uneven, the mystery itself was compelling, as was the scenes where Adelia made use of her medical knowledge.
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rodolfoparras · 3 months
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No you're too sweet I can't handle it 🥺🥺 both for the little poem and encouragement!
My friends (and teachers and people in general) have been telling me for so long that I really need to publish my stories and books because I have so many good ideas and so much written (even if I have been writing less for the past year or two). But I have always been so insecure and so painfully shy about it. Even publishing my fanfics is something I'm hesitant about let alone full blown books 😭
Also yes my main oc is constantly suffering ™ and I know he'd be everyone's favourite pathetic little meow meow. He has a lot of my traits cause he's one of coping mechanisms and I just dump all my trauma on him (as I do with all of my fandom ocs let's be honest). He's originally main character from what is supposed to be like four part fantasy/horror series but I like creating different AUs and stories with characters from that series. They're essentially fanfics I'm writing for my stories. And since some of them are really interesting, I wanna to write fandom fanfics based on them.
(werewolf!Price taking in newly turned werewolf reader and helping him navigate lycanthropy idea...you will be freed from notes app limbo one day)
-🔮
I 100% get you!! Before I started writing here I was on ao3 and I’d post every few months bc I’d be like “oh this isn’t good enough” “this could be better” and so on and so forth and then I started writing here and I was like ok if I’m gonna do this I want to post frequently i think my first two fics are a month apart and then after that it’s 2-3 weeks apart and now it’s like 3 days and what helped me is 1. If I enjoyed writing something and if I enjoyed the plot then it was good enough grammar etc wasn’t so important 2, we in the mlm reader community have such few fics it would be a shame to keep all the ideas in my head sure my fics aren’t 100% squeaky clean but at least Igave life to a trope or plot that didn’t exist before in the m reader community and that’s enough for me
Pls give this man someone who loves and appreciates him I can’t have him be this sad 😔 but also the guy he’s in love with…is he single ? asking for a friend (I will turn myself into pixels to meet him)
Also I love that idea 🧎🏻‍♂️ but also what about price who’s dreamt all his life of meeting his mate only to see it’s practically a snobby kid who doesn’t know shit about lycanthropy
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maiji · 4 months
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Something I'm excited about with regards to finishing fight / flight is that now I can finally post a new batch of images to Pixiv! Not just fight / flight, but also other illustrations I finished over the period of time and/or forgot to previously post to the North Bound series there. I really wanted to do one last illustration of these three to close it off. 
I usually wait a day, several days before posting art/comics to other platforms. Partly to spread out the update spam, partly to try to increase visibility, but mostly because 9 times out of 10 if I post things too fast I almost immediately discover some silly mistakes and then I'm crying inside because I'm repeatedly editing, reposting, finding another mistake, repeat etc... and/or I can't edit a post on some platforms and have to delete it all and start over. So I try to pace myself a bit, giving myself a little distance and opportunity to be more aware and mindful. (Sometimes it works. Sometimes I'm like, who cares, no one will notice except me, and move on with my life.)
It's always hard to assess your own work objectively. Projects like North Bound are particularly interesting because of the funny elasticity of time that you have with all the different pieces of it. That some ideas are so old and you're finally getting to them after all these months/years or other people are finally seeing them when you've already long moved on to something else. That different things are at varying stages of conception and sketching and refining and finishing, and so on. Webcomic creators are very familiar with the concept of "webcomic time". I think anyone who works in a field where there's a lag between the initial conceptualization of something and the actual publishing/launching it out into the world know what I mean. Webcomic time maybe even more so because the barriers to entry for webcomics can be wonderfully low and webcomic creators often do SO MUCH in the production so lots of people get to commiserate in this funny space/feeling together. To be honest I think I feel it with North Bound even more than I ever felt it with Now Recharging. The latter I worked on in a relatively regular fashion to hit specific posting schedules, while North Bound really is whenever I can squeeze in the time and motivation and also problem-solve narrative issues.
Looking back, Mirror Most Dark (completed 2017), I Heard A Cicada Cry (completed 2020), Survive (2021) and fight / flight (2024) (see them all here) form a four story set as "this is North Bound Hokushin's formative time before he meets Raizen". But what I really like is that they feel pretty self-contained - more like "this is an interesting little supernatural historical fiction-y series of stories". (Enough so that I actually woke up one night thinking, "Hey, this set of stories would actually make a pretty robust printed book! The 3 comic stories alone come to 108 pages! I wonder how many pages Mirror Most Dark would come to if I re-laid it out as a printed illustrated story... I'd have to redraw the illustrations in black and white to be able to print it more cost-effectively and match the style of the comic stories..." and then I was like no, you already have enough things to work on, and you don't need another box of books sitting in your closet for the next 10+ years.)
Working on these helps me really appreciate the art and craft of storytelling and building out/fleshing out a character, and also pushes me to try so many things I otherwise wouldn't have the opportunity to. Mirror Most Dark, the oldest work in this group, still holds up not too badly (though there are a lot of errors and issues, and many things I would change if I were attempting it today...), and some panels and sequences I've been very proud of throughout the stories. When I reread them I do always see little things I'd like to fix, but overall... I made them, I learned from them, they exist, and it was all a very worthwhile experience!
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scheharazade · 4 months
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3, 16, and 25 my love!!!
❣️
3. What were your top five books of the year?
NOT ORDERED HIERARCHICALLY
The Book of Delights by Ross Gay
The Painted Drum by Louise Erdrich
City of Last Chances by Adrian Tchaikovsky
Play It as It Lays by Joan Didion
Strangers on a Pier by Tash Aw
special shout-out to Ada Palmer’s Terra Ignota series which kind of exists as one book in my head since i borrowed the first from my library in april and then ordered the whole lot online but had to wait ages for delivery and then between sept 15 and sept 30 i spent every spare moment reading the 1300 pages that make up the remainder of the quartet. overall the series is one of my favourite works from the year but i still wouldn’t put any individual book in my top five because i found Palmer’s narrative strength more compelling and her theodical analysis better appreciated analepticslly and proleptically across the connection unit of the four novels, as opposed to each book being a discrete ‘story’ in isolation from the broader context
16. What is the most over-hyped book you read this year?
i tend to read exactly what i want when i want, and often hold onto new releases for years until it feels like ‘the right moment’ to read them which makes me terrible at keeping up with book trends. if i go off the book i read that was ‘most shelved’ by other goodreads users, A Gentleman in Moscow by Amor Towles was recommended to me by a customer, but took me two months to read because it never really hooked me. i found it a bit trite, in particular the wistful nostalgia for imperial russia by an american author set during the inter-war years of the revolution was kind of bizarre. like if Eloise at The Plaza was a middle aged aristocrat and therefore far less charming for his antics and shenanigans. the only book i read this year that i associate with the booktok zeitgeist was Bunny by Mona Awad and i found that also underwhelming but a friend lent it to me after she’d tried to have a crack multiple times and couldn’t get into it, so i was determined to finish it and give her my full review and save her the trouble of yet again trying to read it.
25. What reading goals do you have for next year?
the same as 2023! the goal is to read 52 books which is less about finishing a book per week and more about nurturing intentional reading and consciously dedicating time to practice the habit as one element of improving my broader sense of well-being and maintaining rigorous connection to new ideas and people and stories.
also want to get back into reading more non-fiction books because i’ve got so many that have sat unread on shelf for the past year.
my third goal is to continue to barrage you and mads with texts about books i enjoy so that i can talk to you about them ad nauseam!-/& ,,
😌
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sonwar · 11 months
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Hellooo! I’ve binge read The Mystery of the Pears for the third time lol and I just wanna say ❤️Remus❤️my beloved, this fic portrays him exactly as I imagine so I was wondering if you could give a bit more information about him in your fic? Like we know he’s a 20 year old but what does he do for a living? What’s his favorite book genre? His favorite color? Just whatever :P anyways hope you have a nice week :)
This is kind of a hard one because Remus is a hard character for me point blank, but also because I feel like I don't necessarily portray him true to canon, but rather a warped version of him sort of skewed by my own perception? Or something, but I'll try my best for you anon <3
Something I did sort of appreciate about canon (if appreciate is the right word) was the fact that it was hard for Remus to find a job, partly because I think it makes sense for the character, and partly because I think it helps reinforce the metaphor of the character, so that's definitely something I carried over to tmotp! It's hard for him to find work, which means he sort of ends up with a lot of time on his hands that he didn't ask for, which is why Dumbledore takes advantage of him and sends him to all sorts of different places as his ear on the underground for the war, or to recruit people or whatever. That's how Sirius ends up in Dartmoor with him at the beginning of the fic (conveniently for me, since I didn't know how James was gonna slip that one by Sirius otherwise..)
But, eventually, after the end of tmotp, I sort of imagined Remus picking up work editing other people's writing, or something akin to that! Something bookish that he could do from home, not only because anything else probably takes up too much energy for him but also because that way he doesn't have to make up excuses about time off and can instead work around deadlines, and something that, because it's Remus, probably wouldn't take up all of his time.
(also, surprise surprise, spoiler spoiler, but I also imagined that, once Harry comes along, James and Regulus enlist Remus to take care of him while the two of them are at work. For Reasons, they don't feel comfortable leaving Harry at a daycare until he's a little older, but Regulus wouldn't trust some random nanny to take care of his baby, and both him and James work. Regulus suggests Narcissa first, but James doesn't budge on that one, so they decide on Remus, since he works from home and he and Sirius are across the street anyway...that's just how I think that would go, but personally I think James should have let Reggie have Narcissa...this is all part of the last instalment in this series, by the by, if I ever get around to finishing it...anyway.)
More miscellaneous(?) tidbits: I always imagine Remus as very tall, definitely the tallest out of the four of them, but also to have terrible posture, because he's tired and achy and his bones pop and creak whenever he stands up, which is why I'm always describing him as "crooked."
I think if he'd had to interact with Regulus under any other circumstances, Remus wouldn't actually care for him very much, but because of James and Sirius, he makes his peace with him. I think the same can be said about Regulus, despite what James' perception of the situation may be. Regulus and Remus sort of end up liking each other eventually. Like, friends by forced proximity, or something. In a way, they're sort of in laws, so, you know.
I also think Remus is snotty about tea. Like, he thinks the tea bags don't taste as well or even the same as loose leaf tea or whatever, and he thinks it's weird that Sirius takes his tea so sweet.
I've seen a lot of people mention him in the comments of tmotp, but I'm not sure that Teddy exists in my version of things...I don't know that I see Remus as a parent, necessarily, and I do resent his canon version for the way he handled things with Tonks. I think he's good with kids as long as he can give them back and doesn't have to be held completely accountable for their upbringing. I don't know if that sounds like a blemish on his character, but I don't mean it that way. Raising kids is hard! It's a huge responsibility and I don't think everyone should be making that choice! That's fine!
I don't know what his favorite book genre is, but I imagine he reads whatever he can get his hands on. Muggle books, magic books, history books, classics, poetry, very suggestive poetry that he hides from Sirius because he thinks Sirius will tease him about it but that Sirius always finds anyway...
I also think he and Sirius are constantly writing to each other. Like, even if Sirius is just at work, they send short notes to each other, when Remus would travel for Order stuff they'd write long letters to each other, they leave scraps of papers with notes or reminders scattered across their home, and they both keep all of them in their own ways, like Remus probably has a shoebox hidden under a bunch of sweaters or something, and Sirius probably has a proper box he keeps tucked away on the highest shelf of their closet. Something like that.
I feel like half of these are my own headcanons and half of this is spoilers for a fic I haven't sat down to write yet, so I'm not sure if it's the sort of thing you wanted, but I hope this is enough for you anon! I'm glad you enjoyed tmotp so much (enough to re read, wow, thank you<3) and that you liked my version of Remus, as far away from canon Remus as he may be. Also, sorry I went on for ages, that warning on my inbox is very real! I hope you’re also having a nice week <3<3<3<3<3
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themovieblogonline · 2 years
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Top 100 Movies Based On Books
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Well, today is the official opening day of "Twilight". A very highly anticipated movie... not because of the marketing campaign (which has been average at best), but because of the rabid and loyal following that the book series has. With that in mind, I thought it would be an appropriate time to put together a top 100 movies list of movies that were based on books. Whenever I hear of a new movie coming out based on a popular book or comic book or a sequel, I instantly hear naysayers complaining about a "lack of creativity in hollywood". "Why not write something original" some will say. But I say thank goodness gifted screenwriters adapt novels into movies! As you can see from my list, some of the greatest movies in the history of film were adapted from books... films that I can't even imagine what the world of film would look like today if they never came to be. A world without any of these classics or Hallmark movies is a world I'd rather not experience. So I spent a couple of weeks putting together this list with three purposes in mind: 1) To highlight the important role books have played in the movie world 2) To draw attention to some fantastic movies that some of you may have never taken the time to watch before 3) To draw attention to the fact that these movies are indeed based on books, which may encourage you to try reading them (which I confess is a little hypocritical of me since I've only read a fraction of the books here.) Now let me emphasize this next point very explicitly. THIS LIST IS NOT A LIST OF THE BEST BOOKS OR WHICH MOVIES DID THE BEST JOB ADAPTING FROM THE BOOK. It is a list of the best movies which happen to be BASED on books. Also, while I did not include Graphic Novels or Comic Books in this list, I do include short stories or novellas since they are usually a part of a single issue collection. Like all movie lists, this one is subjective and in no way authoritative. The main purpose of which is to spark discussion and maybe interest in seeing some of these fantastic films again, or for the first time. So now I present to you The Movie Blog's Top 100 Movies Based On Books:
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#100 - THE JOY LUCK CLUB Rottem Tomatoes Rating - 90% Synopsis: Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past. This search will help them understand their difficult mother/daughter relationship. John's Thought: Yes, I am a heterosexual male... and I loved this movie.
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#99 - THE MAMBO KINGS Rotten Tomatoes Rating - 78% Synopsis: Musician brothers Cesar and Nestor leave Cuba for America in the 1950s, hoping to hit the top of the Latin music scene. Cesar is the older brother, the business manager, and the ladies' man. Nestor is the brooding songwriter, who cannot forget the woman in Cuba who broke his heart. John's Thought: No Antonio! Too sexy! Too Sexy!
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#98 - STARDUST Rotten Tomatoes Rating - 76% Synopsis: "Stardust," based on the best-selling graphic novel by Neil Gaiman and Charles Vess, takes audiences on an adventure that begins in a village in England and ends up in places that exist in an imaginary world. A young man named Tristan (Charlie Cox) tries to win the heart of Victoria (Sienna Miller), the beautiful but cold object of his desire, by going on a quest to retrieve a fallen star. His journey takes him to a mysterious and forbidden land beyond the walls of his village. On his odyssey, Tristan finds the star, which has transformed into a striking girl named Yvaine (Claire Danes). John's Thought: Easily the single most underrated and under appreciated film of 2007
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#97 - FRIED GREEN TOMATOES Rotten Tomatoes Rating - 82% Synopsis: A heartwarming tale of family, friendship and murder in rural Georgia. In a Southern nursing home, a feisty resident and old local fixture named Ninny Threadgoode (Tandy) befriends Evelyn Couch (Kathy Bates) a depressed housewife and stirs her to action with an inspirational tale. She tells the story of a transcendent friendship between two young women living in Georgia in the 1930s, Idgie Threadgoode (Mary Stuart Masterson) and Ruth (Mary Louise Parker), who forge a powerful bond after witnessing a terrible tragedy together. The two women open a cafe (where fried green tomatoes are a house specialty) together in their small Southern town of Whistle Stop and manage to survive the hardships of life, despite racism, prejudice and the pressures of trying to live their lives as individuals in a strict and close-minded Southern society. John's Thought: Powerful cast, powerful story. An honestly moving film.
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#96 - THE SHINING Rotten Tomatoes Rating - 86% Synopsis: A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future John's Thought: Iconic film with some of the most quoted one liners from a horror film in history.
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#95 - PATRIOT GAMES Rotten Tomatoes Rating - 80% Synopsis: Jack Ryan, the hero of Tom Clancy's techno-thriller series, returns in the sequel to _The Hunt for Red October_. Ryan is on vacation in England when he spoils an assassination attempt on an important member of the Royal Family. Ryan gets drawn back into the CIA when the same splinter faction of the IRA targets him and his family. John's Thought: Once again proving you CAN change actors and still make the franchise work. Ford in his prime and my introduction to the brilliance of Sean Bean.
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#94 - WAG THE DOG Rotten Tomatoes Rating - 84% Synopsis: When a Firefly Girl accuses the president of sexual misconduct in the Oval Office less than two weeks before the upcoming election, White House official Winifred Ames (Anne Heche) is told to bring in Conrad Bream (Robert De Niro) to fix the situation and save the president's chances for reelection. This mysterious "fixer" fabricates a conflict with Albania in an effort to detract attention from the sex scandal, bringing in legendary Hollywood producer Stanley Motss (Dustin Hoffman) to "produce" the war. When the CIA foils the initial plot, the creative team turns to a new story line, creating the saga of a U.S. soldier left behind enemy lines whom the president vows to find and return to American soil. John's Thought: Especially funny watching this movie now after the events of the last 8 years. Hard to go wrong with Hoffman and DiNero before he started sucking.
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#93 - CHARLOTTE'S WEB Rotten Tomatoes Rating - 74% Synopsis: Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen. John's Thought: Loved this as a kid, still love it today and will leave it on whenever I stumble across it channel surfing. Much better than the Julia Roberts voiced one from a couple of years ago.
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#92 - PRIDE AND PREJUDICE (1940) Rotten Tomatoes Rating - 88% Synopsis: From the classic novel by Jane Austen about the morals and mores of the class system in early Georgian England. The intelligent and spirited Elizabeth Bennet is one of 5 daughters -- which, during that era, meant trouble: because women cannot inherit, upon her father's death her family's home will become the property of their nearest male relative. Only marriage, preferably to someone wealthy, can ensure her security. But the proud young lady instantly takes offense when Mr. Darcy, a promising newcomer in town, doesn't seem quite admiring enough, and she spurns his advances. Slowly and painfully, Elizabeth realizes her error, but not before it seems she has lost him forever. John's Thought: Easily the best adaptation of this book ever done. Not taking away from any of the other ones... but Olivier rules.
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#91 - THE NOTEBOOK Rotten Tomatoes Rating - 51% Synopsis: The movie focuses on an old man reading a story to an old woman in a nursing home. The story he reads follows two young lovers named Allie Hamilton and Noah Calhoun, who meet one evening at a carnival. But they are separated by Allie's parents who dissaprove of Noah's unwealthy family, and move Allie away. After waiting for Noah to write her for several years, Allie meets and gets engaged to a handsome young soldier named Lon. Allie, then, with her love for Noah still alive, stops by Noah's 200-year-old home that he restored for her, "to see if he's okay". It is evident that they still have feelings for each other, and Allie has to choose between her fiancé and her first love. John's Thought: I avoided seeing this for a couple of years because it had "chick flick" written all over it. My loss... turned out it's an exceptional film.
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#90 - FRIDAY NIGHT LIGHTS Rotten Tomatoes Rating - 82% Synopsis: A straight arrow coach leads his team to the 1988 Texas state semifinals in the west Texas city of Odessa, where high school football is king. Expectations of classmates, coaches, family, and community members exact a toll on the athletes central to the story. Economic and racial undertones pervade this adaptation of H.G. Bissinger's book by the same name. John's Thought: My first thought is that we've seen this movie 100 times already. Wrong. This is a special film, and a reminder that despite taking a lot of junk roles, Billy Bob Thornton can act his ass off sometimes.
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#89 - BRIDGET JONES' DIARY Rotten Tomatoes Rating - 80% Synopsis: Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance who Bridget cannot seem to stop running into or help finding quietly attractive. John's Thought: I've yet to meet a woman who hasn't seen this flick... and there's a reason for that.
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#88 - THE COLOR OF MONEY Rotten Tomatoes Rating - 91% Synopsis: Eddie "Fast Eddy" Felson, a former pool player forced into retirement by gangsters (as seen in "The Hustler",) finds himself, self-respect, and finally, redemption when he enters a relationship with young pool player Tom Cruise very similar to his own early career. As they travel together, Fast Eddy realizes how much he had lost, and can see the inevitable finale of their relationship as history begins to repeat itself. In an effort to avert tragedy, Eddy severs their relationship, and returns to his first love, pool. Finally, in a big Atlantic City tournament, Cruise returns the favor, and teaches Eddy the final lesson that allows him to finish his quest of re-discovery. John's Thought: Hey, remember back when Tom Cruise wasn't a raving lunatic? Yeah, those were good days.
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#87 - MINORITY REPORT Rotten Tomatoes Rating - 92% Synopsis: Based on a Philip K. Dick short story, Minority Report is about a cop in the future working in a division of the police department that arrests killers before they commit the crimes courtesy of some future viewing technology. John Anderton has the tables turned on him when he is accused of a future crime and must find out what brought it about and stop it before it can happen. John's Thought: Spielberg and Curise are an unlikely couple, but man it worked well for this flick.
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#86 - APOLLO 13 Rotten Tomatoes Rating - 95% Synopsis: A movie based on what was to be the third lunar-landing mission. This film shows the trials and tribulations of the Apollo 13 crew, mission control, and families after a near-fatal accident cripples the space vehicle. A mission that couldn't get TV airtime because space flights had become routine to the American public suddenly grabbed the national spotlight. This is a tale of averted tragedy, heroism and shows a testament to the creativity of the scientists who ran the early space missions. John's Thought: A solid cast highlighting yet another brilliant performance by Tom Hanks.
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#85 - CAPOTE Rotten Tomatoes Rating - 91% Synopsis: In 1959, Truman Capote, a popular writer for The New Yorker, learns about the horrific and senseless murder of a family of four in Holcomb, Kansas. Inspired by the story material, Capote and his partner, Harper Lee, travel to the town to research for an article. However, as Capote digs deeper into the story, he is inspired to expand the project into what would be his greatest work, In Cold Blood. To that end, he arranges extensive interviews with the prisoners, especially with Perry Smith, a quiet and articulate man with a troubled history. As he works on his book, Capote feels some compassion for Perry which in part prompts him to help the prisoners to some degree. However, that feeling deeply conflicts with his need for closure for his book which only an execution can provide. That conflict and the mixed motives for both interviewer and subject make for a troubling experience that would produce an literary account that would redefine modern non-fiction. John's Thought: Most avid film fans already knew Philip Seymour Hoffman was stupidly gifted... this film just sort of introduced him as an "A" lister to the rest of the world.
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#84 - ACCIDENTAL TOURIST Rotten Tomatoes Rating - 84% Synopsis: After the death of his son, Macon Leary, a travel writer, seems to be sleep walking through life. Macon's wife, seems to be having trouble too, and thinks it would be best if the two would just split up. After the break up, Macon meets a strange outgoing woman, who seems to bring him back down to earth. After starting a relationship with the outgoing woman, Macon's wife seems to think that their marriage is still worth a try. Macon is then forced to deal many decisions. John's Thought: Nominated for best picture and best screenplay. Geena Davis actually won best supporting actress for this one.
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#83 - TRAINSPOTTING Rotten Tomatoes Rating - 88% Synopsis: A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them. John's Thought: I still think this is Danny Boyle's best film
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#82 - THE VERDICT Rotten Tomatoes Rating - 96% Synopsis: Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Read the full article
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fijiangecko · 3 years
Text
The End of It All
Vampire!Katsuki Bakugou x Witch!Reader
WC: 6k+
Warnings: Cussing
Angst - breakups and makeups
A/N: I wrote this over two years ago and just found it. If I decide to edit it I’ll post that one on my AO3, or if people ask me to post it here I can <3
~~~~~~
The idea of a calamity had never even crossed their minds until a couple of days ago. Everything seemed to be harmonious between the humans and the supernaturals, but never in a thousand years could they guess just how wrong they were. In a matter of days, war had broken loose between the few humans who knew of the other world, and the extremists of the supernatural that wanted only bloodshed. The Negotiator was notified immediately, and brought a group of friends onto the scene. It only spiraled from there.
Mina and Uraraka sobbed into one another as it dawned on them that very soon everything they loved could be eviscerated, while Kaminari and Kirishima attempted to soothe them as the night went on. Midoriya and Iida ran around searching for books that could possibly lead to a solution, but there was no manual on how to fix the destabilization between the supernatural world and the human one. Todoroki sits in a chair by him lonesome, contemplating if he should leave, while Katsuki has the same thought on the opposite side of the room as he leans against the doorframe.
“Do you think we should try (Y/N) again? She might pick up this time,” Iida flips through a tome as he speaks, eyes glancing at Midoriya.
“I don’t think we should. Last I heard from her she was going to visit the harpies, and if her phone went off during that meeting then we could be royally screwed. They could have a solution, so I think it’s better if we just have faith and-” “Have faith?! That’s your shitty advice?!” Katsuki growls from across the room, a deep scowl decorating his features. “We all know damn well that (Y/N) could have ditched us and left the world for dead! She’s a fucking witch and doesn’t give a shit what happens to the rest of us as long as it doesn’t fucking bother her!” His fangs started to grow as he spoke. During his little outburst he had walked over to the table and slammed his hands down, putting more emphasis on the cuss words than anything. “She. Doesn’t. Give. A. Shit. About. Us.”
“You shouldn’t say that about her, Bakugou. We know you have a past with her, but that doesn’t mean she’s going to forget about the rest of the world. She’s not that petty.” Iida is calm as he speaks, making sure not to make eye contact with the vampire, as it could set him off even further.
“You see her as a friend, and I see her as a lover. She’s a completely different person, I can promise you that.” A low growl had escaped Katsuki’s lips after he spoke, but his ear twitched as he sensed movement outside. Looking out the window, he saw no branches move, but a bright light shone through it.
Todoroki gets up and inspects the outside of the estate, careful to not move the curtains too much. He didn’t want any uninvited guests knowing what room they were in. As he stared outside the glass, he could see an alchemy circle burned into the grass with your figure lying in the middle of it. Your body is in a fetal position, as if trying to protect something. Upon seeing this, Todoroki bolts out of the library without saying a word and goes out into the cold night. Katsuki runs after him to see what was going on with the rest of the party in tow.
The stream of people watched as Todoroki made no hesitation to pick you up bridal style from the ground and carry you back to the house. In your hands is an old book; its sides were ripped apart and there was a lock preventing it from being opened. The bind had decorative gold inlays, but no title. As of now, Todoroki did not care for the book, but the girl he carried in his arms.
“She’s breathing,” he looked to Uraraka, “and will most likely need medical attention.” With nothing left to be said, he walks briskly into the house and finds the nearest couch. Uraraka follows him and starts to check on you and perform a series of healing spells.
Kirishima, Mina and Kaminari walk back inside and sit near the other three, but make no move towards them.
“Is there anything we can do?” Mina’s quiet voice pierces the thick coat of silence around them.
“Right now I don’t need anything, but stay put just in case there is an emergency,” Ochako’s eyesight don’t leave your figure once. The party of four sits behind nod silently and watch as she works..
Outside, Iida and Midoriya are trying to figure out what the alchemy circle means. Not everyday does someone use such powerful magic to teleport, let alone a witch who prefers not to use alchemy at all. They carefully examined the etchings in the ground, the symbols older than anything they’ve had the chance to work with. Katsuki stood a couple of feet away, also trying to figure out where the fuck (Y/N) teleported from.
“Well this symbol means ‘ancient’ and this one over here means ‘creature’, but there’s one in between…” Midoriya pulls out his notebook and starts to sketch the symbols down.
“This is definitely from a different plane of existence, but I’ve never seen it. Is this from her personal dimension?” Iida spoke.
“No, it’s not. Her sigil phrase would be ‘nisi rogatus non transient’ and her keyphrase is ‘fiducia’. Plus there aren’t enough swirls in the alchemic circle to fit her personal taste,” the blonde grumbled. His eyes fixed over the old text, but this language was way before he turned into a creature of the night.
“Did (Y/N) use alchemy way back? I haven’t seen her use it in decades,” Iida ponders out loud.
“Doesn’t matter. Shouldn’t you be fucking figuring out what this shit means?” The two nerds nod and walk quickly back into the library where they begin a whole new search. The vampire slowly approached the living area where his once lover was lying on the couch with a fairy over her form. A glow erupts from Ochako’s hands as she tries to wake you up. Again, Katsuki leans against the door frame, eyes carefully watching what was happening.
He couldn’t help but feel concerned; he never truly got over you, no matter how poorly he acted. Remembering everything you had, everything you lost and the times he wished he had spent with you only caused his cold heart to clench in pain. What if I had been there when she asked? Would things be different? Does she still care? His mind raced with a thousand different thoughts. This was, afterall, the first time he had seen you in almost a century after one of the worst breakups to ever exist. 
Long story short, he was more focused on hunting rather than your relationship, so you decided to give a dangerous alchemic spell a shot after having no one to talk sense into you. Bakugou doesn’t know what kind of spell you were trying to cast, but he does know that it caused some sort of damage to your magical force. He wasn’t there during the ritual, but showed up at your hut months after the disaster. You had looked sick, as if death’s grip was starting to drag you down into hell, and before letting him speak you told him to leave, and never come back. After hours of screaming and bickering, he left. Not once did either of you try to speak to the other, but you both knew you were in the wrong. Katsuki wasn’t there for you, but you blamed him for your dangerous actions, which was in no way his fault. 
Nothing brought him joy after that; not the hunt, not the warmth of another. Nothing. For almost a century he felt empty. Katsuki wanted nothing more than to embrace you in his arms once again. Take you away from everyone and keep you to himself, but he knew that it simply wasn’t going to happen. He knew he had fucked up and is now trying to find a way to fix it. Not in a century had he been this close to you, and it was slowly taking away his life force. For all he knows, you’re in a coma caused by the harpies and have no way to save the world - or you found a way to save the world and sacrificed yourself. Either way, someone has hell to pay.
“Bakugou!” Ochako breaks his train of thought, her eyes screaming concern. “I need ice, her ribs are broken.” Standing up straight, he swiftly walks to the kitchen and retrieves the ice, taking a plastic bag and some paper towels.
“Thank you,” the round faced girl was sweating at this point, tired from healing but knowing that she couldn’t stop anytime soon.
“Guys! We found out what (Y/N) was doing!” Midoriya races into the lounge, holding several books within his arms. “She was trying to make contact with the Great Ones!” He flipped open some of the books, showing different languages and sigils.
“Why the fuck would she do that?! Wasn’t she going to see the harpies?” No one needed to look to understand who was speaking.
“I contacted the harpies, and they said she did speak to them, but only for a short time. They didn’t have anything that could help, so she left in a hurry.” The green haired male put his books down on the nearest surface and flipped through a particular book. “They did say that she bought some mandrake liver, which is odd considering it’s very expensive and very hard to come by, but I guess if she made contact with the Great Ones it makes sense. No one has been able to talk to them in years, not after they cut themselves out of the supernatural. If (Y/N) actually talked to them, then she is the first person in a millenium to ever see or speak to them. It’s a miracle she’s even alive.”
“Yeah, they almost fucking killed me.” You start to rise from the couch, rubbing your temples as you do so. “Think I could get a glass of water, my throat is fucking killing me.”
“You’re up! And so quickly!” Izuku stared in amazement at the girl who not only escaped death, but talked to some of the oldest beings in the universe.
“Yay, lucky me.. Can I just get some fucking water? Don’t mean to be rude, but I can feel my broken ribs and my dry ass throat so a little help would be appreciated.” Dry as ever, you spoke to no one in particular as you lean back into the couch and press the ice bag into the ribs that are broken. “Could someone grab me some rat tails, lavender powder and milk from the toad? Should fix these ribs real quick…”
“On it,” Mina hops up from her seat and runs off to gather what you asked.
“How are you feeling? Besides the ribs and headache.” Ochako reaches for your hand, taking it into her own.
“Pretty good, actually. Great Ones offered some knowledge, albeit for a price.” Peeking an eye open, you gaze at your peers. 
“Did you find the answer?”
“What ‘price’?” The negotiator and the vampire spoke at the same time, both asking valid questions but concerned about different matters.
“Cool your jets, besties,” fangs bared, Katuski growled at the thought of being “besties” with a fucking nerd, “I need to heal up before I start spilling the details.” Just then, Mina runs back into the room, all three ingredients in hand along with a mortar and pestle. 
“I got the stuff! What do I do now?”
“Now, you hand it all over and watch a witch work her magic.” Your greedy hands swipe the contents of a healing elixir and begin to mash everything together. Tediously, your fingers throw components into the mortar, then pressing them together with the pestle makes a liquid in which you drink in one big gulp. The group watches as your ribs emanate a sickly light, making the room glow in a mysterious manner. After about five seconds, it stopped and you stood up to stretch.
“Much better, now how about we go into the library so we can examine this,” you wave the torn book, “and figure out how to save the world.” Moving forward, you give them no time to answer. It gave them no choice but to follow you.
“Would you at least answer my damn question?” Katsuki remains in the doorframe, unmoving from his comfy position..
“How about you move out of my fucking way, and go to the library like I said? Maybe you’ll get your answer there, huh?” You shoulder check your way out of the lounge and into the library.
After everyone takes their places in various spots around the library, you begin to speak.
“I want to apologize for being so late, after I said I was only going to the harpies. Turns out, they don’t have much more information than mine and Midoriya’s libraries combined. Right as I was about to leave, Tokoyami said there might be one more group I should go see. He pulled me into his private room and gave me the liver of a mandrake as well as a page from his personal grimoire. I couldn’t believe what I was seeing, but it was the alchemic way to reach the Great Ones. We talked for a short time after it about how to approach them and what would happen if they did or did not decide to help. Knowing we’re getting short on time, I did the ritual right there in his room, and low and behold I was taken to a dimension far outside our normal planes of existence. It was cold, dark and dank with a stench that rivaled the odors of giants. My senses were being attacked in the most foul of ways, but that was the least of my concerns as I was met with the eyes of not one, but three of the Greats.” You shudder at the memory. “When they spoke it was deafening. I felt like I was going mad, or at the very least I was losing all sense of control. They knew why I was there, and decided that it would be more beneficial to help me, as what is going on now also affects them.” You cast your gaze downward, whispering the next sentence. “They agreed to tell me what to do only if they were given a sacrifice-”
“EXCUSE ME?!” Bakugou roared from the other end of the room. “YOU TOLD THEM YOU WOULD SACRIFICE SOMEONE?!”
“Kacchan-”
“YOU DON’T GET TO SPEAK, DEKU. SHE IS GOING TO SACRIFICE SOMEONE! SHE DECIDED TO TRADE ONE OF US OFF FOR THE ‘GREATER GOOD’! THIS IS WHAT YOU GET WHEN YOU ASK A GOOD FOR NOTHING WITCH FOR HELP! I TOLD YOU IT WAS A MISTAKE TO ASK HER FOR HELP!”
“I NEVER SAID IT WAS GONNA BE ONE OF YOU.” The commotion stops. All eyes are now on you. “I never fucking said it was going to be one of you, I didn’t even finish what I was saying…” Your eyes look down at the shaking in your hands. 
Todoroki reaches forward and takes your hands in his own, stopping the tremble that has overcome you. “Go on.”
You take a deep breath in, “Like I was saying, they asked for a sacrifice of a magical being, but one of great power so the balance in the cosmos would be right. I tried to ask them what the requirements were for ‘great power’, but I received no answer. Instead, this book,” you put it down on the table, “appeared in my hands. Next thing I knew, I was on the couch…”
“So you don’t know how to unlock the latch on the front?” The green haired boy slides the book to himself, examining it with a sense of importance.
“No, but I have a feeling I’m the only one that’s going to be able to open it.”
“Why is that?”
“I mean, I’m the first person in forever to even see one of the Greats, let alone live from an encounter with them. If I’m not able to open it, then no one can.”
“Okay, well are there any keys that you have on you now? Maybe it’s the same one as your house key or lab key?” You shrugged and pulled out a set of keys from your pocket. Immediately you noticed one that hadn’t been there previously.
“Or the one that just happened to appear…” Inserting the key, and twisting it releases the metal strap on the bind of the book. It makes a soft clicking noise as it opens. Greedily, you opened up the pages to see what they held, only to find them blank. “What the fuck?” Aggressively, you flip through the whole thing until you find one page where a plethora of information was held.
“Is that it?” Iida was peaking over your shoulder. In fact, the rest of the party had gathered around the table to see what was going on. Well, everyone except the blonde haired, red eyed vampire.
“It has to be. This is the only marked page.”
“Well, it seems to be in celestial. Can you decipher it?” You cock your eyebrow and turn to Iida.
“Is that a question?”
“Hey, less flirting, more reading,” Kaminari spoke.
“That wasn’t flirting, but not like you would know.” He jolts back at the sudden attack, feigning a hurt look. Small chuckles could be heard around the room, but they died down as everyone anticipated your analysis.
“It’s a ritual with both alchemic and abjuration magic,” your eyes continue down the page, trying to make sense of all the scribbles, “but it looks like there’s only one ingredient.”
“Let me guess, a sacrifice.” Red eyes bore deep into your figure as Katsuki spoke.
“...yeah.”
“And where the fuck are you going to find some ‘great magical being’?” His teeth are showing as he scowls once more. It may have been years since he’s seen you, but he knows what you’re thinking.
The knuckles on your hands start to turn white from the frustration that was building in your chest. You weren’t intending on telling everyone how you were going to let yourself be sacrificed in the name of Great Ones. You wanted to keep it a secret from them, but Katsuki could see right through you.
“I don’t know.”
“FUCKING LIAR!” He crosses the room with lightning speed and wraps his hands around your neck, crushing you into a nearby bookcase. Your vision is white for a split second, but returns to see a face with nothing but disgust across its features. Gasping for air, you attempt to pry his hands off of you, but it wasn’t worth trying as you knew the kind of strength Katsuki possesses. “I know what you’re planning to do! You want to kill yourself because some old ass supernaturals want you to, but I’m not gonna let that fucking happen.” He slams you into the bookcase once more after seeing your eyes start to drift off. “Do you hear me?!”
“Bakugou, get your hands off her now!” Iida, Todoroki, Kaminari, Kirishima and Midoriya run over to the scene and start to restrain Katsuki. They struggle to pull him back, but after a few seconds of letting you go, your whole body drops to the floor and your lungs start to gasp for oxygen. While you are coughing, Mina and Uraraka latch onto your sides and help you up. Now sitting down, you cough trying to catch your breath.
“What the hell were you thinking dude?! You didn’t even let (Y/N) fucking speak?!” Kirishima’s speech was a low growl, his eyes turning from the normal black color into a more yellow, dog-like eye.
“I’m not going to let her fucking die because she thinks she is self righteous. She’s not more important than any of us, and if she thinks so I’ll kill her myself.”
“How do you know that?! How do you know that she wants to sacrifice herself?! How do you know that she thinks she’s better?!” Kiri stops, waiting for an answer. When none presents itself, he continues his rant. “You don’t know what is going in her head! So stop assuming you know stuff that we don’t!”
“Kiri, stop before you make a fool of yourself.” Gently, you put your hand on the shoulder of the raging werewolf. His eyes fade into the black abyss they once were. All eyes were now on you, “Katsuki’s right. I was going to sacrifice myself…” several gasps were audible in the thick silence, “but not because I think I’m better than anyone here. We all are powerful in our own regard, but I’ve been alive for twelve hundred years. If anyone of us is going down, it’s going to be me.” Scoffing, Katsuki barges out of the room, unable to deal with the level of bullshit he just heard. It wasn’t that he didn’t believe he was powerful, or anyone else in the room (he wouldn’t say it outloud), but he couldn’t believe that you were willing to give up on yourself to save the world. Did you not see how important you are? Whether you knew it or not, he cared about you and he didn’t plan on letting you die anytime soon.
The tension built itself around the room as the still airwaves remained unchanged. Not even breathing could be heard. Standing up from the table, you put the chair back into place and made a grab for the book, but someone stopped you. 
“No,” green eyes bore into your own, “you’re not taking it. We’re locking it up. There has to be a different solution.”
“There isn’t! We’ve talked to everyone we possibly could have and no one else thought of anything! For fucks sake Midoriya, I had to talk to some ancient beings to get a hold of this spell and almost died because of it! I’m taking what’s mine!” With both hands, you yank it from his grasp.
“I said no (Y/N). We’ll find another way. There has to be another way-”
“There’s not! What is so hard to understand! The clock is ticking and it’s only a matter of time before it all turns to shit, might as well fix it now and get it over with!”
“(Y/N), just give me the grimoire. Don’t make this any more difficult than it needs to be. No one here wants you to die, and we’re not going to let you! Just pass it over.” Conflicted, your white knuckles loosen on the rough leather and place it down on the table. Without looking at anyone, you make your way to a spare room and sit on a bed, thinking about what else there was to do.
Hours passed as you thought about the end of it all. There is no other way for this to end. The fucking Old Ones said that this way the only way possible, so it has to be right? We exhausted all other resources: the scripts from Alexandria, my personal collection, Izuku’s personal collection and the harpies. None of us had anything. Your foot was tapping against the floor anxiously. If I could just get the pages from the book and get back to my place then it could all be over. None of them would have to worry anymore. It’s been a couple of hours… maybe they’re asleep. If I take it now and make a run for it, I’d have at least a couple hour head start. Then I wouldn’t have to worry about someone trying to stop me…
With a gameplan in mind, you stealthily make your way out of the room, creeping around as silently as possible. Passing a few other rooms, the snores of several companions reassure your suspicion. Now was the time to strike. Trying your damnedest not to make the floor creak, you tiptoe through the house to the library. You’re assuming it’s still there, but they could’ve removed it. Too busy focusing on trying to make a sound, you didn’t realize the pair of blood red eyes that closely follow.
Upon reaching the library, your eyes land on the old leather cover that lies exactly where you last remember. Swiftly taking it from its place and reaching for its key, you took the latch off and ripped the single page from its binding. As you did so, a knocking noise was heard from the entrance, but looking at it didn’t give you an answer. Everything was where you left it, but the uneasy feeling of eyes on you causes a thought to cross your mind. Am I being followed? Shoving the spell into your pocket, you glanced around one more time to make sure no one was there. 
“O custos revelare,” voice barely above a whisper and clutching the necklace of the triple goddess, the knowledge of Katsuki’s watchful eyes on you entered your consciousness. Great, just what I needed. How the fuck am I supposed to leave now? Maybe if I trapped him somewhere that he can’t be heard, or if I place a silencing spell? No, he’ll still be able to get someone’s attention. Best shot I got is to lure him out of earshot from the others and place a trapping spell, but that requires time… Fuck! What the hell am I supposed to do?!
Quickly trying to recover from the stream of thoughts, you make your way to the attic. This should be far enough from the others. If he screams up here they shouldn’t hear him, especially with all the fabric. Now how do I get the circle in place? ...goddamnit why the hell can’t my brain think of something? Abjuration? No, that’s later. Conjuration? No. Divination? No. Evocation? No. Necromancy? What the hell, no! Transmutation is a no go as well. That leaves alchemy, enchantments and illusions. Alchemy takes too long, so that’s out of the question, and Katsuki can easily overpower my enchantments. So illusions it is.
Katsuki watches as you stumble your way up a couple flights of stairs, trying so hard not to alarm anyone of your presence. He couldn’t help but feel amused at your little act. You just look so cute acting like a rogue trying to steal their first jewels. On the other hand, he couldn’t believe that after the outburst he had and Deku’s own freakout you still were going through with your plan. Do you not care about him? Do you seriously not realize just how important you are? Of course he’s gonna stop you; the minute you stormed off he knew there was a plan being formulated.
Shattering glass littered the stairwell as the nearest window blew inward. Immediately, Katsuki checks for intruders and looks down the stairwell to see that the other windows have been broken in as well. Peering up, he doesn’t see your figure any more and begins to panic. With his enhanced speed he runs downstairs and starts to sniff out anything suspicious.
Leaving the crystals in their place to keep the illusion going as long as possible, you could care less about making much noise. Bolting up to the attic, you shut the door behind you and took out a pocket knife, working on a trap, or abjuration, spell. The intricate carvings were taking longer than you thought, and the panic of being caught was causing you to slip up.
“Shit! Fuck!” There’s no time left! Once again grabbing the necklace of the goddess, you start reciting a simple fire spell and start to burn the lines into the wood floor, being careful not to burn the house down.
“Adolebitque imperium.” A small flame danced around the floor, as if following a line of gasoline. It wasn’t even a flame, but looked like the end of a stick of incense. The small embers made their way around the room, carving out sigils and words. Trapping a vampire was tough enough, but with Katsuki’s strength and will it was going to be even worse.
Back downstairs, Katsuki stalks the main floor, careful not to alarm something that could be in the house. His nose isn’t picking up on anything out of the ordinary, but he got the feeling that it was all a ruse. Looking around more only confirms his suspicion as he noticed no other windows were broken, and when he got back to the stairs those windows were put back.
“That sneaky little-” his feet pound on the ground as he makes his way to your location. “I can’t believe she- what a little- UGH!” He fells dumb. He knows your magic, but he couldn’t even figure it out on first glance - not like he used too, that is.
Reaching the top of the stairs and closing the door, he tries the doorknob, but to no avail. 
“(Y/N) open the door.” No response. He waits a few seconds until he tries again. “I swear to fucking God (Y/N), open the goddamn door or I will break it down.” Pressing an ear to the door, he listened to double check he was in the right area. After hearing some shuffling on the other side, his fists pound against the door. “I can fucking hear you, you know!” When no response came, again, he grabbed the door knob and snapped it off like it was a candy cane. “I’m coming in so don’t fucking attack me!”
You stand by an opened window, wind softly blowing through your hair and the moonlight highlighting your face in all the right ways. If only someone had a camera, this shot could make “Time” magazine. Katsuki’s breath was taken away at the scene; you looked so serene and just as beautiful as the day he met you. Although his heart wasn’t supposed to be beating, he felt as though it might leap out of his chest and run into your arms. You turn slowly, to face him with the ripped pages gently folded between your fingers.
“Hand it over. We both know I’m not letting this happen.” He inches closer in the room, about a foot away from the carvings on the floor. You just need to provoke him further, but the look in his eyes was killing you. They weren’t like anything you’d ever seen come out of Katsuki; even in the most intimate of moments. They screamed desperation but remain firm.
“It’s the only way, and you know it.” Eye contact hasn’t broken once since he bust the door open, but it only intensified as you speak.
“I don’t fucking care if it’s the only way. You are not dying for this, for these people! We both know what kind of shit the world puts us through and you want to put your life on the line for them. For those BASTARDS!” Screaming, he moves another few inches forward, eyes pleading for you to give in. “WHAT HAS THE WORLD EVER DONE FOR YOU?! BESIDES PUT YOU DOWN AND BEAT YOU TO THE CURB?!”
“It showed me you. Didn’t it?” The question startles him. You were the calm to his storm, the yin to his yang and yet… he didn’t want to admit that the world actually did him good.
“No. I gave myself to you. I wanted to be with you. I loved you. I still love you. Can’t you see this is fucking killing me?! Can’t you see that I just want to be with you?! CAN’T YOU SEE THAT I WANT YOU BACK?! THAT I WANT TO WAKE UP TO YOU WITH ME EVERYDAY?! WHY THE FUCK CAN’T YOU-” He didn’t realize he had closed his eyes with rage, and that you had made your way across the room to him. In the middle of his rant, you placed your soft hand on his cheek, caressing his face. Instinctually, he presses his cheek further into your touch, opening his eyes to meet yours. It felt like he had just had a sip of water after a centuries-long drought; this was something he didn’t acknowledge that he needed so badly, but now that it was happening he only wanted more.
“That day that you left, I was broken. For years I was only half the person I once was, and it was because I didn’t have you. I thought that you hated me, and never wanted to see me again…” 
“I could never hate you,” he grabbed your wrist, “not after everything we’ve been through. Not after our sleepless nights of talking, the years of moving around and the fact that you’re the only person I’ve ever been myself around.” He sighs, the whole ordeal becoming emotionally taxing. Not once did he ever open himself up to anyone; not after you. It was hard enough for you to crack him, but once you two were through, he built up walls of steel. “I never stopped loving you. You are the only one for me. You’re the only person willing to put up with my bullshit and able to control my temper. Even if you are a damn witch, you’re my damn witch.”
Tears start to haze both of your visions, but you give in, letting them cascade down your cheek. Heart clenched, ready to burst, you enveloped yourself in his scent, embracing him like your life depended on it. He quickly returns the gesture and places his head in the crook of your neck. The two of you stayed like this for a moment before gently rocking back and forth. Slowly, you inch him closer to the abjuration spell.
Goddess, what have I done to deserve this? Why do I have to be the one fucking person he loves but also the one person that can save everyone from certain doom? Why am I just getting him back now, right before the end? Crying harder, you push yourself further into his chest. He didn’t take this as “out of the normal” because he thought you were still crying over him; that’s not saying you weren’t, but other thoughts were on your mind. Your body still moves closer to the circle, pulling Katsuki with you. What the fuck (Y/N). You could’ve just placed the circle and left, but no. You had to stick around and make everything 1000 times harder.
The sound of wood burning turns Katsuki’s attention to the ground, where he sees the sigils recarve themselves into the floor. He was flabbergasted, the breath knocked right out of him.
“(Y/N)...?” His voice was weak as he spoke, as if pleading for this to be a dream and not the hell he was about to go through.
“I’m so sorry. I wish there was another way but there isn’t and I just-” He releases your hug, his body going rigid as he starts to piece it together.
“You tricked me… after everything I said and did, you trapped me. You’re gonna fucking kill yourself and you trapped me here so I can’t stop you.”
“There’s no other way. The Greats said that it had to be a powerful magic user, and we both know Izuku, Iida, Todoroki and Uraraka don’t make the cut. The harpies don’t have anyone as powerful as me either and it doesn’t look like we’ll be finding anyone powerful within the next couple of days. I can end this now. The panic, the worry; it could all be over with tonight.” You step out of the circle, grabbing the instructions from your pocket and holding them to your chest.
“You decided that instead of staying with me, you’d rather die. Am I hearing this correctly? YOU WOULD RATHER NOT EXIST THAN BE WITH ME?!” He ran up to you, but the invisible barrier holds him from reaching your body.
“Don’t. Don’t make this about you. This is about more than just us and it is definitely about more than what we had forever ago. I’m fucking sorry neither of us got our acts together in time, but the balance of nature needs to be set anew. If I had known that you still loved me, that you still cared for me, then yeah, this whole situation might’ve turned out differently. But the fact that it took us almost 1000 years to get our shit together and talk to each other says a little something. Maybe we’re both too headstrong to be in a relationship. Hell, that’s how the last one ended! So don’t you dare make this about you, because there are so many other people that I love and want to look out for than just you. The world is counting on me because if I don’t do this, then the world as we know it won’t be in existence within the next few days.” You turn to the window, taking a deep breath and slowing your rapid heart rate.
As you approach the window, you mutter “revertetur in terram suam” and the forest around the house transforms into the inside of your bedroom. Once more, you took a deep breath to ease the pain of leaving everyone behind.
“Tell them I love them, and I did it for the best.” You walk over to Katsuki and rip off your triple goddess necklace, offering it to him. “I know you’re not religious, but it’s a piece of me. So you don’t forget.” Reluctantly, he reaches out and takes it, examining it with a furrowed brow.
“I would never fucking forget…” it was barely audible, but it made your heart flutter.
“I love you, Katsuki. Even if it seems like I’m betraying you, I want you to know that I hope you find someone who loves you and can crack that barrier over your heart.” Walking over to the portal, you utter one last sentence, “Please take care of yourself,” and then you’re gone.
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zediina · 3 years
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hi! sorry if this comes off as rude, but i’m learning german and was wondering if you have any german tv show/film recommendations? i’d really appreciate it if u do, thanks so much!
Hello!! Don't worry, this isn't rude at all :) I haven't seen many of these in a long time but here are a few I really enjoyed (I linked the trailers to the movies/the first seasons of the shows too):
MOVIES
Die Feuerzangenbowle (1944)
Yes, this movie is very old; it's black and white. But it's still shown on German tv and it's pretty funny. A famous writer goes undercover in a school, pretending to be a student since he never got the classic school experience (he was home-schooled). He and the other students play a bunch of pranks on the teachers, and other shenanigans happen.
Das Boot (1981)
This is a classic and was nominated for several academy awards, including best director and best cinematography. It takes place on a German submarine during ww2, so it's a war movie. Usually not my favorite genre but this one really kept me on the edge of my seat. There's also a series that came out recently, but I haven't seen that. I can't imagine that it's better than this though.
Good Bye Lenin! (2003)
Takes place shortly after the fall of the Berlin wall and tells the story of a young man from East Berlin. His mother just woke up from a coma, and the doctors say she shouldn't get any big surprises (like, you know, the of the fall Berlin wall) so he tries to fool his mom by pretending the GDR still exists; which is harder than it sounds. The premise sounds a bit ridiculous but it's a really great and funny movie.
Das fliegende Klassenzimmer (2003)
Based on a very popular children's book, this movie tells the story of a boy who's new in a boarding school. He and his new friends find the book for a musical and decide to practice and perform it. (There's a bunch of other stuff happening like a rivalry with another group of students. I haven't seen this movie in forever but it's good and the story is very well known).
Die Welle (2008)
This is based on a true story about a social experiment a history teacher did with his class; maybe you've heard of it before. They create a mock-nazi party to try and understand how they became so popular and how people could buy into their rhetoric. Things go sideways pretty quickly. A great movie and a reminder that none of us are immune to indoctrination and radicalization. There's a tv show with the same name, but I don't think they're connected.
Fack Ju Göthe (2013)
I feel like everyone in Germany has seen this comedy at this point. Objectively it isn't a very good one but I'm going to recommend it simply because every German person I know can quote at least one line from this movie. A criminal takes a job as a teacher for the owrst class in that school, because his accomplice buried the money they stole underneath the school and he needs to get to it. Let's just say his teaching methods are a bit... unconventional.
Labyrinth des Schweigens (2014)
Another movie based on a true story, and one of my favorites. This one really stuck with me. It's about a young state attorney in 1950's Germany, who starts interviewing holocaust victims and prosecuting nazi officers who served in Auschwitz. This movie really shows that many people in Germany would have preferred forgetting the holocaust ever happened and pretend everything is fine rather than confront it.
Tschick (2016)
We actually read the book to this in school. It's a bout two 14 year old boys who steal an old car and go on a road trip together, and all the crazy stuff they experience. To be honest I don't remember that much about it since it's been so long since I've seen it, but I do remember really liking it!
Kästner und der kleine Dienstag (2017)
Remember that really popular children's book I mentioned? Well, this movie is about the author of that book. He's one of the authors who stayed in Germany during the Nazi regime, even though his works were banned and burned. It's about his friendship with a young boy that inspired a character in another famous book of his.
Die unheimliche Leichtigkeit der Revolution (2021)
This movie is about the east german environmentalist movement that started the peaceful revolution, which lead to the fall of the Berlin wall. It's about a teenage girl whose younger brother died due to pollution, and the state is trying to cover it up. Also shows how the GDR was trying to suppress any criticism of the state. It's definitely not the best movie on this list, but I really enjoyed it.
TV SHOWS
Ku'Damm 56, Ku'Damm 59, and Ku'Damm 63
The three mini series tell the stories of three sisters, whose mother runs a dancing school on Kurfürstendamm in Berlin. They take place in 1956, 1959 and 1963 respectively. It touches on a lot of topics, including domestic abuse, antisemitism, homosexuality, rape and more. I particularly loved the first season, where the youngest daughter who doesn't really fit into her mother's plans discovers her love for rock n' roll dancing.
Charité
The Charité is a prestiguous university hospital in Berlin with a long history, which this series exlpores. Season 1 takes place in the 19th century, where Robert Koch is lookig for a cure to tuberculosis. Season 2 takes place in Nazi Germany and among other things talks about the euthanasia practices at the time. Season 3 takes place right when the wall is being built (which passed right by the hospital). The show includes charcters based on real people as well as fictional ones.
Deutschland 83, Deutschland 86, Deutschland 89
An East German soldier has to go and work undercover for the GDR in West Germany, at a time where cold war tensions run high. I never got around to watching the last two seasons, but I remeber that the first one was really good.
Club der roten Bänder
This is based on a true story, and there are other versions of this show for example in the US. It's about a bunch of kids with different conditions who become friends in a hospital; two of them have cancer and got their legs amputated, one has an issue with his heart, one crashed a motorcycle, the youngest is in a coma, the girl has an eating disorder. There are other characters who show up as well. The show can get pretty sad, but their friendship is really touching.
Türkisch für Anfänger
This show was wildly popular back when it came out in the early 2000s. A german woman marries a turqish man, and create a patchwork family with four kids; who are absolutely not excited about it. But they have to figure out how to live with each other.
Oof, this escalated a bit, but I didn't want to exclude anything :) I hope you find something you like on this list!
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oldbay-on-apples · 3 years
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Dystopian Larry Fic Rec
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Inspired by some of the lovely people and fic recers on here, I’ve decided to start making my own fic recs.  If you’d like, you can request recs in my inbox and I’ll see what I can do <3!
Please read the ratings and tags to these fics (because some of them are dark or have dark themes) and enjoy!
You Try To Be Everything (I Need) by lululawrence - @lululawrence​  (NR, 36k)
Wars, and rumours of wars, were nothing new for the world in the twenty-fourth century. The fighting had evolved over the years, and rarely did it involve traditional weapons. A group most widely known as the Southern Powers gained strength amongst portions of the western European continent and spread quickly. There was a fight the Southern Powers didn’t expect coming from the north of England, though. Resistance came in the form of an organised underground; a group comprised of people with the Touch that did the best they could to enforce a line that would not be crossed. Slowly, that line was moved from the Channel to boundaries further and further north. It seemed only a matter of time before the Southern Powers took over everywhere. Until that time, people did the best they could to live their lives in some semblance of normality. For Louis Tomlinson, that sense of normality was about to change when his best friend, Harry Styles, goes missing. Louis embarks on the journey of a lifetime where he uses his newly developed abilities to search for his friend, even when it takes him to places he never thought he would see while surmounting trials he never could have imagined. -
I loved the way the magic and technology in this fic intersected in such a unique way and the way the world was built was extraordinary!
red hands by reveries_passions - @dystopianharry​ (T, 132k)
I’ve never told anyone,” Harry murmurs, voice so soft no one else would be able to hear, if it wasn’t just the two of them. “But you’ve told someone,” Louis says firmly. “And that’s not gonna fucking happen around here. You don’t speak a word of it, or someone’s going to kill you, and we can’t let that happen.” * a dystopian au in which harry, an ex-soldier who’s escaped from his government run camp, accidentally stumbles across the biggest rebel movement in the country, and louis, one of the rebellion’s mysterious leaders who appears to hate him, seems to simultaneously have an obsession with keeping him alive. or: harry is wanted for treason, niall hasn’t changed in four years, liam is always smiling, and louis is angry. like, really angry.
- The plot of this is just *chef’s kiss* in so many ways!  I love the way the characters interact with each other and I’m weak for Niall and Harry’s friendship in this.
Love After the End of the World by writing_practice - @mercurial-madhouse​ (E 158k)
“Wait. Just so I’m clear in me fucking noggin,” Niall says. “An international worldwide takeover is well under way and the only thing standing between having hot showers and a second end of the world is us five fuckers?”    -----    Society shattered when all electricity suddenly cut off across the globe, plunging the world into darkness. Now, Prometheus Industries is the sole remaining supply of power, a saving grace to those who survived Lights Out. As fugitives in no-man’s land struggling to break into Prometheus HQ, death lurks around every corner for Louis and Zayn. Things get complicated when a routine recon falls apart and Louis collides with Harry and his mates Niall and Liam, survivors with their own agenda.    When staying alive is already a constant battle, the deadliest weakness is to be in love. For Harry and Louis, finding each other sits on top of the endless list of What Else Could Go Wrong.
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This just came out in the most recent Big Bang (that’s still on going so you should definitely check that out) and this fic is so amazing!  I think it does a great job of just really immersing you in the world the characters exist in.  Love After the End of the World is also a Soulmate AU and I love the way those parts come together.  It also has an amazing prologue called PROMETHEUS RISING (M 5k) that I enjoyed immensely set in the same world!
at last, at last by suspendrs - @suspendrs​ (NR 41k) Locked
“Come with us,” Tommo says, stopping at the other end of the gymnasium, near the doors. “Don’t let them make you suffer any longer. Come with us, and be human.”
   Before Harry has even finished thinking it through, he’s on his feet, gaining the attention of every single person in the gymnasium. What has he got to lose, anyway?
   Or, Harry is born into a cult in a post-apocalyptic world, and Louis is the leader of the rebel group tasked with the mission of shutting them down. Together, they make a rather effective team.
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This fic does a great job of making you feel like you’re experiencing with the characters, like I could practically smell what the characters were smelling!  The world it’s set in is so cool and the entire fic feels so well thought out and everything is so consistent!
my love will never leave you by we_are_the_same @so-why-let-your-voice-be-tamed​ (T 10k)
In a world where memories are used as currency, Louis will do anything it takes for Harry to get better.
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I loved the idea behind this. Like the entire world is so brilliantly done! And it was all based on ONE word (because of the wordplay challenge).  Even though it’s set in a different world everything feels so grounded and realistic and I really really like that about it.
a prayer for which no words exist by Eliane (M 34k) Locked
"Louis is a few seconds away from blowing up a rather important section of the New York subway when he sees Harry for the first time."
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In this fic the characters motivations are so clear (to the reader) and I love how it goes from Louis accidentally sort of, kind of, kidnapping Harry to them becoming friends then more.  I also love how no matter where they are the fic has a real sense of place. This is part 1 of landscapes of war.  The entire series is really good!
Who Painted the Moon Black by throughthedark (E 95k) Locked
   “People died,” Harry whispers so quietly Louis strains to hear. “People died, and I killed some of them. How does life just go on after something like that?”
   Louis shakes his head. “I don't know. It just does.”
   Hunger Games AU where Louis Tomlinson is district six's victor from the 69th Hunger Games and Harry Styles is district seven's victor from the 72nd Hunger Games.
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This fic is a hunger games AU that both people who have and haven't read/watched the Hunger Games can enjoy. I like how it explores the world of the Hunger Games in a way that isn’t explored in the Hunger Games canon.  It’s really intense (like the E is for the darker themes and violence) and I enjoy it a lot.  There is a happy ending (as the author assures in the tags) and I really enjoy all the struggles that the characters go through.
Nobody Marks You by graceling_in_a_suit @graceling-in-a-suit​ (T 33k)
“The plan is: we’re gonna put on a play. Now, I see some doubtful faces–” Louis looked around and found zero doubtful faces. Liam looked intrigued, Zayn looked bored, and Harry looked scarily blank. “But this is what’s happening. We’re gonna do some fucking acting, we’re gonna perform our hearts out, and we’re not going to think about anything else. The past, the future; none of it. All we’re going to think about is... “ Niall trailed off, eyeing the bookshelf to his left. He closed his eyes and reached a hand out towards it, running his fingers over the covers before pulling a book out at random. “William Shakespeare’s Much Ado About Nothing.”
AU: Five assholes stuck in a bunker put on a play.
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This is one of my absolute favorite fics.  I just love the way the characters interact and they way the story is told.  It’s nonlinear so you jump around in time and it shows the way the character's relationships change throughout.  I’m a sucker for Much Ado About Nothing and though you don’t need to read it to fully appreciate the fic I think the use of the play throughout is genius. 
@1dfanfictionbookcovers​ has a really cool cover for the fic as well HERE
With a whimper by kitundercover  @kitundercover​​ (M 132k)
Dystopian AU. Louis has been alone for too long to remember how not to be, and Harry has too much to worry about to deal with a scrawny, wild, stranger.
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The man grips his arm tightly. “You’re not going to say anything.” It’s not a question.
Louis shakes his head, his body twitching.
“Fine.” Large green eyes survey him before letting go. “It’s cold. Take this. Wear it.”
Louis can’t help another flinch as the man’s long scarf is wrapped around his tender neck, it’s still warm. He touches the soft material. “Thank you.”
The man bears his teeth. “Don’t thank me. Don’t ever thank me.”
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The thing this fic does really does is showing emotional reactions.  Louis’ inner monologue is so well done and I really like the plot of the story.
these bountiful silences by tommoandbambi (T 123k)
they live in a world where they can only say four words per day. harry meets some people that don't want to live that way.
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I really, really, really, like this plot and the story! The world that the characters exist in is so interesting and I just love the way in which it is a dystopia.
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wondereads · 2 years
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Personal Review (01/02/22)
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The Enchanted Forest Chronicles by Patricia C. Wrede
Why am I reviewing this series?
Another childhood favorite of mine, this four-book series has all the elements of a classic children's high fantasy. I was obsessed with this series in around fifth grade, and my local library had all four of them, so here we are. This will be another full series review (I also did this for The Sisters Grimm and The Chronicles of Chrestomanci).
The Enchanted Forest Chronicles
Told from various points of view, this series follows the events of Princess Cimorene and her friends and family, all centered in or around a place known as the Enchanted Forest. Everything starts when Cimorene runs away from an engagement...
Dealing with Dragons 1 2 3 4 5 6 7 8 9 10
Princess Cimorene is decidedly not a proper princess, so when her family tries to marry her off to the most boring prince in existence, she runs away and ends up in the care of Kazul, a dragon, as her princess, Unfortunately, princes and knights will not stop trying to rescue her, and a few unscrupulous wizards are up to no good.
Cimorene is absolutely the best part of this book. Her no-nonsense attitude is such a delight to read about, and it's very funny to read about her questioning all sorts of fairy tale conventions. Her relationship with Kazul is adorable, and I appreciate that she makes friends with other princesses and it doesn't fall into the trap of the main character being the only worthwhile female in the book. The plot is a bit on the simpler side, being a children's book and all, but it's super cute and funny, and it will definitely scratch a dragon-loving itch.
Searching for Dragons 1 2 3 4 5 6 7 8 9 10
Mendenbar is King of the Enchanted Forest, and when he finds dragon scales where part of his forest has been destroyed, he goes to see Kazul, King of the Dragons. Unfortunately, once he arrives, he only finds Kazul's princess, Cimorene, who reveals that Kazul has gone missing, not to mention the wizards are poking around again.
While I miss Cimorene's point of view, I still very much enjoyed the second in the series. Mendenbar is also very sensible, if in need of a little organization, and Cimorene still played a large role. Watching Mendenbar fall in love with Cimorene was lovely, if completely inevitable. I do wish Kazul had been there more and that they'd actually addressed what was going on with Mendenbar's sword. This book takes on a much more quest-like style than the first although half of it is just Cimorene & Mendenbar, Job Recruiters, which was rather funny.
Calling on Dragons 1 2 3 4 5 6 7 8 9 10
When wizards start poking around the Enchanted Forest again, the talented witch Morwen and her nine cats go to inform her friends, Mendenbar and Cimorene. It is then that they discover that the wizards have stolen Mendenbar's magical sword, rendering the forest's defenses useless.
Morwen's point of view was amazing because we also got to hear and interact with her cats. It's truly impressive that they all had distinct personalities established in a 250-page book. Unfortunately, the other animal sidekick, a rabbit named Killer with a propensity for magical mishaps, was getting on my last nerve. Patricia C. Wrede must have a grudge against rabbits because I just kept wishing he'd stop eating dubious things and complaining all the time. There was a lot of talking over each other in this book, which made it a bit confusing, so, despite my ardent love for Morwen, this one is my least favorite.
Talking to Dragons 1 2 3 4 5 6 7 8 9 10
Technically published as a standalone before all the others and set sixteen years after the events of Calling on Dragons, the final book in the series follows the adventures of Cimorene's son, Daystar, as he inherits a mysterious sword and ventures into the Enchanted Forest.
Daystar was so nice and polite, to the point of hilarity, and they ended up wasting so much time trying to appease everybody, though it never made it slow. Shiara was a good counter to Daystar, with her ostensible rudeness. As for the third member of their party, the dragon, I loved that it hadn't chosen a name or gender yet. There were all sorts of references back to the previous books, and I almost cried when Cimorene and Mendenbar were reunited. I just wish they'd dealt with the wizards (especially Antorell) more seriously.
Overall 1 2 3 4 5 6 7 8 9 10
I read this series for the first time in around fifth grade. I loved it then, and I love it now. The satire on fairy tale tropes is so witty, and the characters are all wonderfully likable. It is a bit on the simpler side, being a children's series and all, but it still has the distinctive style of older high fantasy. One of my favorite things was how nonchalantly they talk about the dragons eating the wizards—no moral dilemmas in these books. The last book is a little open-ended, but I don't mind too much because Wrede has mentioned that she'd like to write more books for the series someday, which I will certainly not complain about. If you're a fan of dry, atypical, fairy tale-esque fantasies, try this series out!
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usergreenpixel · 3 years
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JACOBIN FICTION CONVENTION MEETING 7: SCARAMOUCHE (1921)
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Hello, Citizens, and welcome to the seventh meeting of our lovely Convention!
I deeply appreciate your wishes for my speedy recovery and I assure you that I’m right as rain.
So, with that out of the way, let us begin.
1. Introduction
“Scaramouche” is a historical fiction novel written by Rafael Sabatini, who might be familiar to some of you via works like “Captain Blood”, which was among my favorite novel series when I was growing up as I’ve always loved (and still love) me a good swashbuckling story and I never quite grew out of these tastes in literature.
In the case of this novel, it never was a blip on my radar when I was a kid but my renewed interest in the French Revolution and my research of topics for future reviews led me to this story. Apparently there’s a sequel and I might review it in the future.
I found the ebook readily available in English on Project Gutenberg so it’s pretty much in public domain now.
I guess it shouldn’t be surprising that there’s a swashbuckling novel set in Frev - the setting is like a perfect fertile soil for external and internal conflicts, adventures and drama, so it was only a matter of time before someone came up with an adventure novel in this setting.
That being said, at first I had quite a few fears that this book would be just another propaganda piece, especially since the author was technically Anglophone.
Did my fears come true? Let’s find out.
2. The Summary
The story’s protagonist is one André-Louis Moreau - a ward and godson to a Breton nobleman and a lawyer by education who swears revenge on a Marquis who kills his friend in a duel.
To escape the gallows after landing himself in hot water for igniting the fire of revolution in Rennes and Nantes, André-Louis joins a troupe of traveling actors and performs as a character called Scaramouche, hence the title.
3. The Story
Like I said, I have a soft spot for swashbuckling novels so I actually quite enjoyed reading the book. And, on a pleasantly surprising note, the revolution is NOT demonized. If anything, the protagonist actually becomes an idealistic republican by the end, which is a really uncommon narrative choice in Frev media.
The narrative clearly portrays the nobility as too privileged and corrupt and the people are in the right - at least, this is what the protagonist understands during his arc.
There’s also not that much Thermidorian bullshit, at least no popular stereotypes, which I really appreciate.
That being said, I do have three main issues with the story.
Firstly, sometimes there’s too much filler and it feels like the narrative is barely dragging along, which got tiresome at times.
Secondly, I didn’t like the romantic subplot between André and the niece of his godfather, Aline. For context, the two were childhood playmates and grew up referring to each other as cousins, only to fall in love as adults.
Maybe it’s just me, but I find romance between family members (no matter how honorary) gross even if there are no shared genes involved. I know cousin marriages were more common in the past but personally I think the novel would’ve benefited from Aline and André only sharing a platonic bond and familial love.
(Spoiler alert!)
Thirdly, I highly doubt the “I’m your father” twist was necessary here as I usually dislike such plot points because they’re hard to do right.
Here there was no proper building up to the revelation, at least in my opinion, and the twist itself can (and most likely will) seem predictable to modern audiences.
However, it was resolved in a fairly realistic way. Marquis de la Tour and André don’t immediately reconcile just because they’re father and son but André calls off his revenge quest, grants the Marquis a safe passage out of the country and doesn’t want to see him again, which is understandable considering their prior enmity.
On that note, let’s take a closer look at the characters.
4. The Characters
Right off the bat, the biggest issue the modern readers might have is that the characters are too “black and white”. In the era of “grey morality” and complex characters, these archetypes might come off as done to death and boring but, other than that, the characters were mostly easy to empathize with.
Personally, I didn’t like André himself in the beginning but he grew on me.
He starts off as a stoic almost to the point of coldness, a cynic and a borderline nihilist who believes fighting against the noble class is futile and there’s no point in trying to improve the country.
But when his idealistic best friend is killed, André vows to take the Marquis down by using the volatile revolutionary climate to his advantage. Slowly, André too becomes a revolutionary and an idealist, which is admittedly rare as usually people in stories become cynical by the end.
Seeing this character ark but played in reverse felt quite refreshing to me so even though at times André’s sarcasm and stoic attitude made him insufferable, I think he is pretty well-written and fleshed out as a protagonist.
Next is Aline, and unfortunately she is underdeveloped in the novel, more so than a female lead should be. She is ambitious, which makes her consider marrying the Marquis, prejudiced against actors due to her upbringing and in general is a typical noble ingenue.
Her and André are playfully witty at times and verbally cruel to each other at others and, unfortunately, they suffer from the “misunderstanding” trope which makes them unable to talk things out. I always find this trope annoying and, coupled with prejudice and not being fleshed out enough, it played into my apathy for Aline as a character.
Then there’s Marquis de la Tour, the typical privileged corrupt noble. He loves women, is a master of fencing and has no heart. André even calls him the embodiment of sin various times.
I know despicable people can and do exist, but here it seemed like he was made a bit too evil, to the point of being simply cartoonish and hard to perceive as a threat or, for that matter, take seriously.
At least he wasn’t threatening for me personally as a character and was more amusing than anything else.
Interestingly enough, historical figures don’t feature much in the story but we do get cameos of Marat, Danton, Robespierre and Desmoulins, as well as Mirabeau.
Mirabeau is called a hypocrite by the author but the other four, surprisingly, aren’t portrayed as evil villains. Marat is even called a philanthropist and his pamphlets inspire André! How rare is that, Citizens?!
Anyway, let’s continue.
5. The Setting
Although at times the text is overloaded with descriptions, all of them were vivid enough for me to imagine myself in the story with the characters.
Sabatini sure knows how to convey the images of villages, cities, nature, inns, etc in an exciting and engaging manner. I just wish that the descriptions were a bit shorter.
6. The Writing Style
Seeing as the novel was published in 1921 and I’m pretty good at English, I didn’t have many problems with reading but there were some outdated grammatical structures and vocabulary so be prepared.
Besides, in the version I read didn’t have translations of French and Latin phrases that occasionally pop up in the text, which was a bit annoying but not that much as I could understand the context of the phrases and therefore figure out what they mean more or less.
In general though, despite occasional overload of descriptions and the aforementioned grievances I have with the text, the writing style is engaging, very easy to understand and not too complex.
7. The Conclusion
In short, I can definitely recommend this novel to anyone who loves good swashbuckling stories and hates propaganda. Not the most original story but enjoyable and a good read regardless.
With that, I announce the end of the meeting. Stay tuned for updates and stay safe, Citizens!
Love,
- Citizen Green Pixel
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