til next season :J x

slink on fido

I know everybody likes to give characters the same 10 songs on their character playlists, but I think the most egregious issue with this is that no one gives them any country songs. I am handing them out to characters like candy. You get a country song, you get a country song, you get a country song.

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

Remember back in the fall during the SNL episode when they did the Sportscenter skit about Taylor and Travis and had the line about Joever where they were basically like “leave Joe alone, it was a deeply meaningful and special relationship” and I was like “see they’re all grownups and moving on, no need to rehash this anymore” and now we’re a fortnight (ha) away from an album likely about to blow the lid off what kind of shit was really happening 🥴

You ever think Taylor heard the skit that night and was like “ew no” lol I’M KIDDING but also not

hey! i was sort of reading “something to rely on” lyrics, and i remembered that you analyse some of miles, monkeys and tlsp songs. so, i just wanted to ask what are your thoughts on this song, cause i particularly think it’s about alex or some of it. anyway, other songs from cdg can be fully about alex, but barely no one talks about this one, so i thought it’d be great to discuss about it.

there’s also “adios tara tara” that i also think it’s about alex, as other songs from change the show, but that’s for another time! i also love your blog, your fanfics and song analysis, they’re always really good! 🫶

sooo first of all sorry for being this late lmao this is kinda embarrassing because this ask was sent MONTHS ago maybe almost a year ago it was so long ago i literally don't remember. i'm only just answering now BUT better late than never i guess skgshdfh

(as usual don't take this too seriously lmao this is just a silly theory, i'm in no way implying it's the truth. it's just delusion o'clock)

now, if you follow me you know what i think of coup de grace as an album - and that is, the fact that it's soooo about alex it's crazy like. bro was so angry and in love and heartbroken????? and he wrote a literal masterpiece of an album????? that's iconic if you ask me

so to no one's surprise, let's follow the usual theory - them having some sort of falling out after eycte because of miles getting serious and alex consequently chickening out, which led to Peak Gay Drama Year, also known as 2018, when they both release albums that - more or less explicitly - contain images that could easily be interpreted as references to each other. something to rely on is no exception:

"crescent moon, left in my drive / all too soon, you made your point"

the reference to the moon creates a pattern, since the semantic field of astral entities is also present in songs such as killing the joke, with "interstellar, dressed in leather, drinking bitter boy" - which as we all know is one of miles' most direct lines when it comes to referencing alex, and it can easily be linked to am's own space-themed album, which miles definitely got to listen before its official release date.

opening the song with a reference to the moon could be a way of @ a certain someone, letting him know that yes, this song *is* in fact about him, if he didn't get the other billion hints in the whole album. (however, for the sake of keeping it vague, i won't be referring to him directly but rather to a ~mysterious person~) (i'm sure you get my point tho *wink wink*) [gunshots]

mentioning the moon could also be a way of referencing the ever-present theme of nighttime encounters in the entirety of mk/am/tlsp's discography: sometimes those encounters are described as fun, sometimes they mean trouble; sometimes, they leave the people involved with a sense of guilt and/or shame, on which we'll come back later and which often leads to bad decisions ("all too soon, you made your point"). in this particular case, the first image that comes to my mind is someone leaving sneakily after a (series of) one-night stands, with the song obviously being from the pov of the person being left, who also gives us a reason why they think the other person left:

"keeping off the radar, how does that make you feel? / keeping it clean, through all the things you wanted me to be / out of touch, with all the rumors i keep hearing of you / keeping off the radar, how does that make you feel?"

this person doesn't seem to want other people to know about their affair, and that's why they keep it secret; it seems that they want miles to be something he's not, or something he can't be - or maybe they ask all these things of themselves, which would maybe make it easier for them to accept the relationship going public. this person wants to keep it neat and clean, picture-perfect and fitting to everything everyone expects from them; but as much as they try to stay lowkey and not attract attention, the narrator informs us that no matter how much this person tries to hide, there's still rumors going around about them, as an individual as well as their relationship(s) with other people, most likely with the narrator too.

"all aboard the guilt train / last call before we leave / last call before we learn to love / the last call before we leave"

the line referring to guilt is insanely queer-coded and i will die on this hill because it just SCREAMS internalised homophobia, with which the other person might be struggling. it wouldn't make sense otherwise - because what would that person feel guilty about, if it were a straight-passing relationship? unless it was a cheating situation, of course... but it could be a cheating situation AND also a queer one, with this person being in another (het) relationship while having a same-sex lover (the narrator), which would give that line a double explanation. also every time i listen to this song i just can't help but think about 'all aboard the kane train' WHAT WHO SAID THAT

however, the narrator tells us that this is the "last call before we leave" - meaning, he's giving this person an ultimatum to make up their mind and decide if they want to be with him for real or not, since the latter possibility would result in him leaving - not necessarily for good, but... just trying to get over that person once and for all. at the same time, though, it's also the "last call before we learn to love" - which is incredibly soft imo, because it's him still putting trust and hope into that person and a positive decision on their part. he believes they will eventually choose to be with him, he hopes for it and trusts the other person to make the right decision, which would lead to them being together and learning how to love each other without limits nor second-guesses. the repetition of the leaving line could also be seen as a way for him to give it a new meaning compared to the first one: if they ended up together, they could leave that world based on nasty rumors and appearances, ignoring them all to just be happy together. because, after all, miles declares it openly:

"you're all that i wanted / all that i need / you're all that i wanted / you're all that i need"

i mean. does this even need an explanation. bro is down BAD

"something to rely on / something to get high on / i don't want to beg or steal, i don't want to borrow hearts / i just want to make it real / something to rely on / the making of a mystery, wishing on a falling star / i don't want to let this sadness rule my heart / your actions from the start / in spite of me insightfully inviting me to fall apart"

i left the chorus last because imo it captures perfectly the whole vibe of the song and what i think is miles' outlook on life in general: the narrator wants something stable and secure, an established relationship with the other person; he doesn't want to have to beg and argue and make it more complicated than it probably already is, he doesn't want to be a pastime or just some lover. he wants something thrilling and intense, almost addictive - but most importantly, he wants something real. this complicated situation with the other person is making them both suffer, and the other person's behaviour doesn't make it any easier; but in spite of everything, and in spite of his sense of self-preservation, he still finds himself unable and unwilling to resist them, to let them go for good. and no matter how self-destructive this might be, he doesn't want to be ruled by negative emotions; he's already fallen for them, too deep to even consider letting them go. he just keeps falling, and yeah, the outcome of their situationship might still be a mystery, but he chooses to be hopeful - "wishing on a falling star", bringing the song to a circular end by mentioning other astral entities that inevitably remind us of the "crescent moon" that opens the song. which also evokes the idea of circularity that is typical of situationships like the one described here, where the moment he seems to have made up his mind (or maybe the other person finally did?) it's like rinse and repeat, and once again they're back to square one.

Just watched Ugly Dolls for the 1st time.

That movie went about how I expected story/plot wise. Gotta say Lou was obvious but I'm a bit disappointed they didn't go the route of him being like...well meaning and sticking to the parameters of expectations for how they're "meant to be" and not realizing he's wrong or causing harm by not being a free thinker and actively going against the concept and then being taught how to change and do better instead of yknow...diabolical and slightly deranged because he's somewhat broken.

Kinda funny that he's completely disregarded after being thrown in the wash when he was practically a cult leader. We only see him a mess as he tries to mop in the credits.

BUT ENOUGH OF THAT!!

I kinda wanna talk about the brief display of raw emotion Lou gave when ranting like a lunatic at the end of his rope at the green bunny thing: Mayor Ox.

According to both, they're old friends.

According to Mayor Ox they were like brothers.

According to Lou....well...he took the fact that Ox wanted to "leave him" like every one else SUPER personally.

I'm curious 🤔 on how the fandom for this movie (is there a fandom???) handles the relationships, consequences, and interpretations of Lou's mental and emotional state.

Like before I watched the movie I only ever saw bits of commercials and that song of Lou's, Ugly Truth?

That song was a hilarious whiplash of overly high expectations, blatant insults/mockery, showmanship and narcissist traits done in a blend with a good dallop of civil politeness and carefree/careless congeniality on top. And just a sprinkle of flirtatiousness, for good measure I'm sure.

I just find him lowkey interesting.

Saw Mean Girls (2024) and holy shit, someone please tell me the subtext of Janis being labeled "pyro" in the burn book and Regina's song "World burn" was intentional.

Like, HELLO?

on again and off again and on again and

batcat break up and/or hook up playlist (Spotify || Youtube)

Too Close Sir Chloe // Lost Kitten Metric // Blah Blah Blah The Oozes // Wet Dazey and the Scouts // get him back! Olivia Rodrigo // Rehab People Planet // Margarita Spin Doctors // Paris Kate Nash // Denial Thing Amanda Palmer and the Grand Theft Orchestra (Spotify Alt: Gives You Hell All-American Rejects) // I Really F**cked It Up GIRLI // Good in Bed Dua Lipa

for all my grievances with tangled the series, one thing i cannot criticize them for is their songs, i mean, sure, not all of them make sense in context (let me make you proud comes to mind), the songs are spectacular, from the vocals to the instrumental, all of them are a joy to listen to, whether they are just incredibly goofy, like the buddy song, to heartbreaking, like waiting in the wings, whether its a solo, a duet or a group, they are wonderful to listen to

hey that post is ominous as fuck. what is your inkling 👀

here's all i can say. make it so billboard big that it goes over everyone's heads from the very start.

...

The Vivziepop fandom is really dense...

Like, totally media illiterate, and it's sometimes really frustrating.

So. I had been listening to a song and thought, 'Huh. This is going on for a while, isn't it?" So I checked, and.... hm.

@crewfu i have no idea how to reblog posts with music, idek if you can.  but anyways, i did it again.  ty for the clip of steve showing this song 🥺

i got tired of steve interrupting my daily loop of this clip <3 it’s a little choppier than before sorry, blame steve for ad-libbing so much

like before, what i could parse of the lyrics under the cut

[Verse 1] What's the matter? You're staring at her – oh Oh, I symthapize in you You're so dramatic So if you think you're special, well I say otherwise You're the last thing on her mind

[Verse 2] Alexander, You barely manage Oh – oh, I like the challenge, I I got your package So if you think you're ready, then, Don't be so polite [Unintellible] of our lies

I'm a survivor of 2012 tumblr, I fought and defended Amy Pond, Clara Oswald, and River Song from tiresome accusations of being the exact same character, I've argue endlessly about how they have very different backgrounds, personality traits, flaws, character arcs, and goals in life, how they are not defined by their relationship with the Doctor nor the people they are related to, while also acknowledging that there are some valid criticism of how they were written, which is true pretty much every companion, I'm now at the stage where I really just need to bite my tongue when I see this lazy old arguments rise from the grave like the decrepit zombies they are.