the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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But if your favorite character isn't on the floor panting and dying and in horrible pain in a terrible situation then what's even the point
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the question, you see, is not ‘is it too ooc for this character to cry’ but rather ‘what circumstances would push this character to cry’
this is the whump wisdom, go forth and make that character cry
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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I think it would be really funny if every time Dick and Jason joined missions they kind of failed upwards, even if they goofed off, or dredged up extremely personal shit, it helped with their secret identities or got them to think outside the box. There's always a disagreement on methods, someone gets kicked through a door but it's the right door and they stumble on all the evidence and the bad guys. Something that got set on fire was actually a secret message that only appeared upon heating, or they found evidence of the crime while trying to delete embarrassing CCTV footage.
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Astarion is so funny if you’re good at using him in your party
Astarion: I’m so weak and need to be protected the only thing I’m good for is sex I’m so helpless
Also Astarion: one shot sniping half the enemies, single handedly taking out the bosses by doing 50 plus critical damage, barley takes any damage while the rest of the party is stumbling back to camp with 2 hp, has the best mobility to help pick everyone up when they’re downed, not to mention gutting everyone with duel wielded daggers and short swords, can take like 50 actions in a turn.
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