steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’
robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend
steve “…this isn’t about nancy” harrington.
robin “wha-?… oh. oh steve.” buckley.
he still wears the vest.
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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after buck and eddie get together, eddie starts giving buck absentminded kisses all the time.
kiss on the forehead after he passes him his morning coffee. kiss on the cheek while buck is cooking dinner. kiss on the back of his hand as buck drives them to bobby’s house for a family bbq. kiss on top of his head while they cuddle watching a documentary. kiss on his shoulder while they sit on the station couch reading in between calls.
but buck’s favorite kisses? the ones edde blows him from a distance. when no one is looking during a call and they have to separate, buck doing evac and eddie treating some minor burns. when buck is pulling out of the their driveway to go meet maddie and jee for lunch and eddie sees him off from the front porch. during their family night out at the movies with chris in between them before the action film their son chose and they’re both probably going to hate begins.
every single blown kiss is always followed by eddie mouthing “i love you” at him, and every single time buck feels himself start to blush, the butterflies in his stomach staging a very chaotic and uncoordinated flash mob.
there’s something so exhilarating about knowing that no matter how close or far away they physically are eddie always wants to be kissing him. like eddie knows just as well as buck does that his lips were always meant to graze buck’s skin and leave behind goosebumps for hours to come.
even when they can’t see each other at all, buck knows eddie is thinking about it too because eddie does not go more than 3 hours without sending him little 😘 emojis. he doesn’t say anything else, doesn’t contextualize them because he doesn’t need to. it's just random 😘 throughout the day, scattered in between the rest of their texts.
buck [3:33pm]: got caught in traffic, chris and i will be there soon!
eddie [3:33pm]: ok, hen and denny just arrived
eddie [6:03pm]: 😘
&
eddie [11:27am]: can you write “chris dentist appointment” on the kitchen calendar for 10/17?
buck [11:31am]: done!
eddie [11:32am]: thanks, baby
eddie [2:16pm]: 😘
&
buck [10:08am]: we also need eggs!
buck [11:43am]: remind me to replace the lightbulb in chris’s bedside lamp
eddie [1:14pm]: 😘
eddie [3:09pm]: your amazon package just arrived
buck [3:09pm]: yaaaaaaay
eddie [7:24pm]: 😘
&
eddie [6:02am]: 😘
eddie [8:56am]: 😘
eddie [9:07am]: 😘
eddie [12:31pm]: 😘
buck [3:17pm]: 😘😘😘
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