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#Child of Ill Omen
vashchest · 2 months
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Lacie - Pandora Hearts
Diseño del pj: @Jun Mochizuki
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Child of Ill Omen
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amandinemoon · 8 months
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I cried all along the process.
Okay so Innefable wifes from the 60's but I wanted to give a nebula-vibe background 😭
Pls Neil gaiman I need you to put them back together for the sake of my mental health.
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genspiel · 9 months
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continually rotating a genshin/pandora hearts fusion au idea in my mind and it is so fucking funny to me that, by pandora hearts rules, bennett would technically not be a child of misfortune
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mazojo · 10 months
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“You idiot we could’ve been us” moodboard
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lex1nat0r · 5 months
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Godzilla Minus One (2023)
Hell yeah rock-solid Godzilla movie. I think I still prefer Shin Godzilla as my number one, but Minus One would take the top spot otherwise. This Goji felt more deliberately malicious than almost any other (except maybe GMK) which adds a nice texture to the film. Love the new take on the atomic breath. Overall extremely in keeping with Godzilla 1954 in the most effective ways.
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thebibliosphere · 10 months
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Not to keep reliving trauma on main, but I'm getting weird deja vu from where my health was a few years ago and where it's at now. And most of it is revolving around Good Omens.
In May of 2019, we genuinely thought I was dying because I was dying. My organs were in the process of shutting down because my red blood cells were prematurely self-destructing and damaging my kidneys in the process, and I was rapidly coming to terms with the fact that I might not survive much longer. I'd fought the good fight, and I'd lost. Mostly due to medical neglect. And I was mad about a lot of things, but do you know what I remember from the traumatic blur I'm left with?
"I'm going to be so pissed if I die before Good Omens comes out."
I'd waited 20+ years at that point for something like a tv adaptation of Good Omens. Ever since I was a child and my dad read the book to me, and I fell in love with it. And here I was, mere weeks away from the TV release and on the verge of death.
Then like a miracle, a miracle that hinged on human compassion and a doctor being willing to listen to me, I was saved. Dragged back from the jaws of death by a relentless hematology department that refused to give up on me and ultimately saved my life. And a week later, I got to watch Good Omens propped up in my own bed, still weak, still ill, with my heart stuttering in my chest every time I laughed. And I remember thinking, "I did it. I got to see it."
That it's now it's 2023 and my health has tanked again. My organs are rebelling against me and no one seems to know why. But yet again, a few weeks before Good Omens is set to release, I find a doctor who listens to me and is doing all he can to help. Striving with the grim kind of determination that can only come from a place of compassion and care. Like my world is worth saving, and not just his.
Which is rather fitting, I think.
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phyrestartr · 1 month
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Divine Favour | Sukuna x Kitsune!Reader (TEASER)
#full is NSFW, mild yuuji/reader, yuuji and gang are v early 20s, heian sukuna, male reader, typical kitsune shapeshifting, mentions of abuse, typical canon violence, morally grey reader, sukuna has FEELINGS but is BAD AT FEELINGS
A/N: this fic is so long rn lol I just have to release a piece of it into the wild :sob: feel free to reply if you want to be tagged for the full story when it's ready
☆☆☆
You were never supposed to be anything more than a trinket. You were a gift from some family trying to show off for Sukuna, so much so that they offered him a delicacy, something he surely didn't have yet–a yokai. A kitsune, to be more exact. One with peculiar black tails. 
Sukuna found it interesting, and similarly desperate, to be brought such a creature as tribute. Certainly, it was meant to be seen as a high honour, yet somehow it felt…off. Why would humans give up something so powerful? 
Unexpectedly, it'd be you who told him. 
They submit me for the sake of convenience and mockery, your withering voice whispered where no one else could hear. You sounded weak. Tired. Maybe afraid, yet brave enough to reach towards the king and unveil the intentions of the men who brought you before him. 
Sukuna's eyes flicked to you, his feigned interest in what the sorcerers said falling straight into dismissal. You were much more intriguing. 
“Oh?” Sukuna asked, a smile creeping onto his face. The speakers ceased their jabbering and stared at your back with fierce intensity. Sukuna grinned wider. Oh, how he loved the way fear twisted mortal faces. 
You didn't shift or crumple into yourself under the eyes of so many, however. You pushed on with what little energy and life you had, so intent on dragging that clan through the mud. 
What I say is true, you assured simply. I expect to die today–
“Speak so everyone hears you, fox,” Sukuna commanded.
“--so I–I–” you coughed and cleared your throat, trying to rid your voice of the scratchy, weakness it struggled through. “I wish to not die with regrets.
“They have rendered me ill and unable to produce children, they see the black of my tails and regard me as an ill omen; yet they bring me to you, daring to spin sweet tales about the value of such an offering. But they lie,” You hissed. Your eyes glinted with molten malice, and Sukuna fell captivated. “They throw me to you as they would diseased meat to dogs.” 
The courtyard fell silent, and Sukuna basked in it. You really were such a little troublemaker. A quietly chaotic force of nature. 
The king stood, rolling his shoulders as he did, and his pride flared as you dropped to your knees before him in respect. He walked to you and patted your head as one might a child's before appraising the sorcerers stood before him. 
“What a disappointment,” Sukuna sighed, raising another hand. The couple took up position, pooling their cursed energy in hopes of fending off the monster standing before them. The effort was quite cute. “Here I thought your clan might actually earn my mercy.” His hand dropped as the two lunged. Then, the two clansmen fell, too, both in neat, vertical halves. Quite overkill, yes, but he had a point to make. 
Where he expected a reaction from you, he got nothing. Only panting and poorly-stifled coughs came from you, racking through the entirety of your skin and bones frame. Sukuna could see it up close now, the way your body trembled from fatigue, the sickly greying of your skin, the scent of disease clinging to you. 
That wouldn't do. Sukuna liked his things to be in good shape. 
“Uraume,” Sukuna droned as he stared down at you, “fix this.”
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ineffable-suffering · 8 months
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Why Aziraphale is an unreliable narrator
Part 1: The Story of Job
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I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.
I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!
Alright, let's get into it under the cut of doom.
Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."
This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.
And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?
What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.
"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"
We've all been there. Bobby made it out alive. Don't buy gas station pizza.
Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.
Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.
So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.
So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.
So, time to look at where the furniture isn't.
Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:
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... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:
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... back to this at the crucifixion of Jesus Christ in 33 AD:
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I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.
And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).
So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!
And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.
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They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.
Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:
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The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.
You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.
More specifically: Aziraphale's impression, emotions and exaggerations.
Like "remembering" Crowley with sunglasses because he's been wearing them for so long.
Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.
Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.
Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.
Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.
Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.
There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!
It's subjective. It's unrealiable.
It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.
The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):
God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.
God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.
Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."
Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)
Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.
Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).
Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.
Update: Part 2 and Part 3 have officially been written, you can find it them right here:
Part 2: The Story of wee Morag
Part 3: The Story of the Magic Show in 1941
Hugs and kisses, (God)!
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windvexer · 23 days
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Using tarot to read on magical events in your own practice: quick theory, new card meanings, and spread ideas
this post is OC based on my personal tarot practice; the examples given are hypothetical for the sake of this post.
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Well-meaning guy: "If you think that event was a bad omen, why not read tarot to clarify?"
Person who learned tarot from popular online resources and introspection-focused art decks: "I drew the 6/Cups, so I guess my ward falling off the wall is about my inner child?"
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Tarot meanings change and evolve over time. Historical meanings are often not the same, or even contrary to, modern meanings. (Consider, 6/Pentacles: the French present moment was misinterpreted to mean presents, gifts).
By acknowledging that many modern meanings available for tarot cards are modern interpretations for modern concerns, many of which have fuckall to do with witchcraft, we can also acknowledge that we can apply our own sets of meanings to tarot to achieve personal interpretations in pursuit of personal goals.
I call this concept symbol sets, and you can apply your own symbol sets to certain tarot readings in order to rapidly obtain information about magical events in your life.
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Symbol sets can be swapped out for each reading. You can intend to operate on your "normal meanings" for a typical reading, and then intend to operate with "magical omen meanings" for another reading.
There are no such things as universal tarot card meanings; there are some traditional meanings, some historical meanings, and many modern meanings. Adjust what each card means to you to your heart's delight.
The more symbol sets I've developed and practiced with, the more versatile and accurate my tarot reading has become. Working with custom symbol sets might be the single biggest leap in my reading ability in 16 years of practice. At least, it feels that way!
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Quick n' Dirty Symbol Set for Magical Omens, Appropriate for Everyday Use
1. Apply general portents to each suit which matches your magical practice.
Here is one set that could be suitable to troubleshooting potentially magic events:
Swords, or Air: Misfortune, betrayal, malefica, ill-intent, adversity, due to harmful (even if unintentional) spirit action, pointless or wasted effort. Sometimes, banishing, binding and hexes.
Wands, or Fire: A lot of power, excessive power, due to your own actions, uncontained energy, something you did was very much overdone. Sometimes, protection and empowerment.
Pentacles, or Earth: Mundane, physical and normal reasons, an everyday occurrence, mundane but natural growth and change. Sometimes, unlocking and unblocking.
Cups, or Water: Blessings, magic working as intended (even if unexpectedly), the normal course of magical events, magical growth and change. Sometimes, cleansing and purifying.
Major Arcana: Guiding spirits and gods; their behaviors, guidance, or messages.
A spirit worker might like to add an additional layer of complexity, which modifies the prior set:
Court Cards: The actions of another being, such as a practitioner, god, or spirit, whether they acted intentionally to bring about the event or not.
(Further breakdown, as an example: Swords courts are beings intentionally acting badly; Wands courts are the most important spirits of your path; Pentacles courts are mundane folk or spirits unrelated to your path; Water courts are other practitioners, or spirits related to your path without being in your "inner court.")
Interpret any card drawn within these principles. Here are a few random examples. Let's say, a money spell has failed to produce results, and we'd like to know why.
5/Cups [disappointment, failure]: This is the normal course of magical events; the spell wasn't cast well, and so nothing is happening.
9/Wands [determination, boundaries]: A lot of energy was raised, but incorrectly targeted or released; the energy is cooped up.
Judgment [judgment]: An important spirit in your path wants you to deal with what you have been avoiding, and will interfere with your magic until you face them.
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Spread Ideas
"What's going on with that thing?" | 3 cards
Card 1: The source or cause
Card 2: The current state of affairs
Card 3: Suggested action
Example; the money jar doesn't work: Card 1, King/Swords: The source of failure was the person in the discord server who promised to curse you for not feeling the same way about Destiel as they did. Card 2, Page/Pentacles: The current state of affairs is that as a symptom of the curse, an unaware person or spirit is blocking the prosperity you seek. Card 3, Queen/Cups: Ask a benevolent spirit or helpful practitioner friend to assist you in unblocking the situation.
Determining responsibility | 2 cards
Card 1: Why this thing happened
Card 2: Why it didn't happen; one thing that wasn't the cause at all
Example; the ward fell off the wall: Card 1, 10/Pentacles: This happened because of random happenstance in the home; it was not a magical event. Card 2, Ace/Swords: This action was unrelated to malefica or bad spirits or things like that.
Foresight Before Acting | 4 cards
Card 1: The current state of affairs
Card 2: The outcome of your intended plan of action
Card 3: Recommended plan of action
Card 4: The outcome of the recommended plan
Example; the spirits did not seem to appear during a spirit petition spell: Card 1, 3/Wands: Sufficient energy was raised to attract the attention of spirits, but they may not have been properly called to action. Card 2, 6/Swords: Your plan to call the spirits back and re-cast the spell is a fruitless attempt at a transition into a new plan. Card 3, Empress: Communicate with your primary goddess or powerful spirit of the earth and obtain input and guidance. Card 4, Magician: This plan will result in obtaining important magical information about this type of summoning spell you are trying to achieve.
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thoughts on fanfiction, perfectionism, and being enough
I'm pretty sure I'm ill and half-asleep and the Good Omens fandom has destroyed my last tenuous grasp on reality, but I am making a post anyway not knowing what I'm going to say. Because that's what this site is for, is it not?
*holds out hand* *waits for you to take it* Hey, you know, you're never going to be done. You're never going to look at something you made and think it's perfect. It's never going to be enough. It's okay to stop and it let it be imperfect. The earth didn't just birth life into just the right conditions, it made creatures which evolved and went extinct, ice ages which ended, volcanos that destroyed life and volcanos that preserved cities for millennia. It made jagged rocks that would be smoothened by rivers and stomachs that would hunger, rivers that would flood and rivers that would run dry.
Create imperfect things and give them to the world. Let the world create from it in turn in an endless cycle. Like Milton on the Bible, like BBC with Sherlock Holmes, like anyone writing fanfiction of their favourite show... Let your creation be imperfect, so you can see all the million ways in which people try to perfect it. All the million ways in which perfection can exist. That's the beauty of fandoms and fanworks. It keeps the creation evolving, keeps it breathing and alive. It becomes the work of a million people, and carries their stories with it in a little back pocket.
And maybe we were made to be imperfect too. Our hair tangles just to be brushed, our arm itches just to be scratches, our hand clenches just to be held and unclenched. There are odd shapes that make us up but they fit in with everyone else's, in handshakes, in bridal carries, in a parent lifting a child, a rescue worker lifting a victim, a girl kissing her wife, a child hugging his toy, a person holding their hands in prayer or in pain.
I'm trying to remind myself of that, because it's so easy to keep wanting more, to believe that there will be a point at which I will be satisfied with what I have done. Even in this fandom, I look at my ridiculous summaries I accidentally wound up making, and look at someone's beautiful meta blog and I feel like shrinking a little bit. But in real life, I'm a designer and an artist, a reader and poet and songwriter, and someone who has been a writer the past eight years, if not all my life. Have I done enough to qualify for any of these roles? Who knows? It shouldn't matter to me, and it shouldn't matter to you, whatever you love doing or are doing.
It will never be enough, you will never be enough for yourself. Can we try to make peace with that little gap in ourselves that acts like a vacuum to keep sucking in more and more effort and things? It'll never be filled. That's okay.
*squeezes your hand before letting go* Isn't it amazing how imperfect and fucked up we all are? Isn't it beautiful that we don't have to sit and stare at statues we cannot touch, but we get stone that we can keep carving all we like? That creation starts with imperfection? I don't know if I'm making sense anymore, the medications are kicking in and my eyes are closing. But I love all of you, everyone who is a maggot and everyone reading this post, too.
Take this *holds out a seashell* it's pretty and it's broken and the animal that made it his home changed it, the sea changed it, and I hope you change it, too. That's all.
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cosmerelists · 1 month
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The Other Four Horsemen of the Apocalypse But Make It Cosmere
As requested by @round-hatches-are-terrifying. :)
In the Good Omens novel, the Four Horsemen of the Apocalypse (War, Famine, Pollution, and Death), who are bikers, are followed by four other biker dudes who chose their own names to be, uh, equally ominous:
Grievous Bodily Harm, Cruelty to Animals, Really Cool People, and Treading In Dogshit (formerly All Foreigners Especially The French, formerly Things Not Working Properly Even After You’ve Given Them A Good Thumping, never actually No Alcohol Lager, briefly Embarrassing Personal Problems, and finally People Covered in Fish)
So let's say we had other Horsemen on various Cosmere planets. What would they be named?
1. Roshar (Stormlight Archive)
The Main Horsemen: War, Famine, Desolation, and Death
The Other Horsemen: Man-Eating Giant Crabs, Running Out Of Stormlight Right In The Middle of the Weeping, Ill-Conceived Boons, and Reified Gender Norms (formerly Men Reading, formerly Predicting the Future But Not Like Storm Wardens Do Because That's Just Math Basically, briefly just Predicting the Future)
2. Scadrial (Era 1) (Mistborn)
The Main Horsemen: Famine, Pestilence, Ash, and Death
The Other Horsemen: Child Abuse, Dangerous Piercings, Trying to Keep Literally Anything Clean, and Getting Hit in The Head With A Coin Like Every Night Because of Those Blasted Mistborn Flying About Everywhere
3. Scadrial (Era 2) (Mistborn)
The Main Horsemen: War, Famine, Pestilence, and Death
The Other Horsemen: Social Unrest, Rich Bastards, ACAB, and Getting Hit in The Head With A Coin Like Every Night Because of Those Blasted Coinshots Flying About Everywhere
4. Nalthis (Warbreaker)
The Main Horsemen: War, Famine, Death, and Second Death
The Other Horsemen: Undead Squirrel Attacks, Being Out of Breath, The Haunting Realization that the Gods Who Live Among Us Are Actually Pretty Daft, and All Foreigners But Especially the Idrians
5. Threnody (Shadows for Silence)
The Main Horsemen: Fire, Blood, Running, and Death
The Other Horsemen: Fortfolk-Acting-Too-Big-For-Their-Britches, Withering-That-Does-Not-Kill-You-But-Does-Make-Life-Just-That-Much-Harder-Forever, Ghost-Grandmother, and Adonalsium-May-Remember-Our-Plight-Eventually-But-For-Now-It-Is-Pretty-Bleak-Out-Here-Guys
6. Komashi (Yumi and the Nightmare Painter)
The Main Horsemen: Nightmares, Famine, Pestilence, and Death
The Other Horsemen: Artist's Block, Being Straight on a Planet Where Even the Lighting is Bisexual, AI Art, and A Stiff Breeze Coming At Exactly The Wrong Time Noooo My Rock Stacks
7. First of the Sun (Sixth of Dusk)
The Main Horsemen: Bad Death, Worst Death, Quick Death, and Slow Death
The Other Horsemen: Mainlanders, Mainlander Capitalism, Kids These Days, and Suspicious Invaders (?) From Outer Space
8. Sel (Elantris)
The Main Horsemen: War, Famine, the Shaod, and Death
The Other Horsemen: Aggressive Proselytizers, Stubbing your Toe, People Who Do Not Accept The Word of Shu-Dereth And So Seal For Themselves Their Own Inevitable Doom, and I'm With The First Guy Who Said Proselytizers (formerly People Covered in Slime)
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ashfae · 9 months
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Er yes. You seem to have good taste in GO fics. Got anymore faves I can read when I should be working or paying attention to my child? 😝
I'm really flattered you asked! And I also have 50 pages of fics bookmarked and no idea where to begin aaahhhh! So I'll just, errr, lob a bunch onto here: Obviously there's the trifecta of GO fic brilliance, Slow Show, Pray For Us Icarus, and Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach. Everyone knows them, you don't need me to babble.
Other faves in no particular order and of all types because if I try to be organized about this I'll spend months at it and never post it:
Be As You've Always Been - by gyzym
It Was Always You - by mltefry
Truth or Dare - by @kanna-ophelia (also Stay) What God Hath Wrought - by @saretton
What We Make Of It (Shotgun Wedding) - by @charlottemadison42 (this fic made me a better parent, I'm not kidding) (see also Or Be Nice because choosing between them would leave me screaming for weeks)
In the Pocket of the Universe - by @indieninja92
Choose Your Faces Wisely - by @featherquillpen (this fic changed my life in ways I find it very difficult to express)
Dark Roast Espresso at the Purgatory Cafe - by @copperplatebeech
Thieves of Mercy - by @amuseoffyre
Oh Maker - by @voluptatiscausa
Lunacy - by @snae-b
a lighthouse, burning - by @books-and-omens
The Book of Ruth - by @racketghost (the whole Strange Moons series but for me especially this one)
Scales From the Eyes - by @yoites-good-omens-blog
Love in the Days of an Ill-Timed Plague - by @scrapbramble
Of Boxes, Boas, and Bastards - by @hkblack
Saltwater - by @heycaricari
Demon and Angel Professors - by ghostinthehouse (this looks long and intimidating but chapters are very short and entirely worth it)
oh god I'll stop there or I never will even though I've left out SO MANY of my favourites ahhhhhh /smashes post button
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weecherylita · 1 year
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I wrote a version of this as a message to Neil Gaiman on New Year's Eve, but (unsurprisingly) it appears to have gotten lost in his ask box. But given that this message is not just meant for Neil Gaiman, but also to the Good Omens fandom at large, I have decided to recreate it here:
Dear Mr Gaiman (& Good Omens fandom people)
On New Year's Eve 2021 I started watching Good Omens for the first time. Now one year (and a bit) later, it feels very appropriate to me to write a message of thanks, because Good Omens became a constant source of joy and mental refuge throughout what turned out to be an incredibly difficult year.
Not exactly difficult in a bad way, as some very good things happened. I gave birth to my second child*, and we moved house. But owing to work, pregnancy issues, several childhood illnesses (including 2 hospital stays) and said house requiring a truly overwhelming amount of time to make it fit for human habitation, everything has been a bit frantic and strained. Our focus has very much been on trying to make the transition as smooth as possible for our daughter (now 4), and adult relationships have been pretty badly neglected as a result. I feel like we forgot how to be together, as a family unit and as partners. Looking back, I think that's what actually hit me the hardest; that absence of family communion and emotional support
But then there's been Good Omens, this wonderful story with this wonderful fandom and this wondrous, ineffable relationship between the central characters. These characters who are able to build that sense of communion over the course of millennia, and express their love in such a variety of ways and in such difficult circumstances (no wonder I'm a bit in love with them).
So, thank you for the love and care you put into adapting Good Omens. Thank you also for your continued engagement with fans keen for more details about the story (the thing about Aziraphale saving the movie theatre from destruction because he remembered Crowley saying he liked it once melted my heart in the nicest possible way)**.
Thank you also to the Good Omens fandom for embracing this story with so much joyful enthusiasm, and keeping that love alive in so many ways - the fanart, the meta analysis, random headcanons, humorous shitposts, fanfiction great and small. It has meant a lot to me to be able to shelter under the heartwarming little canopy of creativity and joy when things have gotten difficult and I've been in desperate need of stress relief.
I am glad to say that in the New Year my partners and I are starting to put more time and effort into repairing our relationships - and one of the ways we are doing that is by watching Good Omens together.
So... Happy New Year (belated)
* It is testament to how much Good Omens has permeated my brain that even whilst giving birth, in between screaming at my husband "WHY DOES IT HAVE TO HURT SO MUCH!!!" there was actually a small voice in the back of my head saying that in a roundabout way it was Crowley's fault (though I imagine he might dispute that? Or possibly debate the point in private while readily taking credit for it in memos to hell).
** I am now super paranoid that I hallucinated reading that, but perhaps that is just my anxiety talking.
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grendel-menz · 4 months
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Can you tell us more about Messy Eaters? Your test page interests me a lot (:
Of course! Thank you for asking!!
Messy Eaters is a story @lammergeared and I are writing that follows three children and how they are shaped by things outside of their control.
The society the children belong to worship a sky dwelling dragon, and fear a snake beneath the world that is destined to devour everything. The youngest, Zevrayak, is a little girl born born to a priests' family with a blessing from the dragon, though she resonates very little with her own spiritual power. Uluun is a little boy abandoned in the woods, his father was a warrior who abandoned his post and his premature birth was blamed on his (deceased) father. Uluun is born with a red (blessed) and blue (cursed) eye, him having the potential for great good or evil. The oldest child's birth was an ill omen - her mother dying in child birth, and her father in a freak accident soon after. Eghter, the girl, has an unnatural hunger she seeks to fill.
It's a two part narrative, focusing on the three as children and then as adults.
It's still in its early stages - here's some concept work done by Baasil!
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lex1nat0r · 5 months
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When Evil Lurks (2023)
Right at the top, difficult to give a blanket recommendation due to the fact I don't know how to rate the movie's depiction of an autistic teenager.
With that in mind I generally enjoyed the other parts of the film. Shoutout to the light touch with the worldbuilding in particular, which provides some details I was not expecting. Good gore, and I liked that while this was about demonic possession, it went about it in a way that felt very grounded.
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