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#And slang can be so specific to a small space. Like I say things that I know western Canadians Do Not and we live in the same country
gayghostrights · 2 months
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lacefuneral · 6 months
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ok i've seen some posts about the tumblr alternative cohost but none that were actually helpful so!
(disclaimer: i am very new to this website. users who have been there longer can and should chime in with additions and/or corrections)
Cohost Introduction Post
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What is cohost?
Cohost is a fledgling website that is essentially a tumblr clone, but with its own culture and site-specific features. It is also very much a work in progress. You are encouraged to talk in the cohost forum to suggest changes for devs, report bugs, and upvote other people's suggestions. This website WILL grow and change over time. And as such, I do not know if/when the information I share here will be outdated. Edit: To answer an ask I received, anyone can join cohost without an invite. It used to be invite-only. It is not this way anymore.
Is "adult content" allowed there?
Yes. Cohost is not on the app store, meaning that it is not subject to Apple's specifications. You can post illustrations, writing, and photographs (cohost does not support any video formats at this time, just gifs). Cohost has an elaborate filtering and trigger warning system (moreso than tumblr), and you can disable adult content for your entire account or for individual tags. I actually don't engage with the adult content at all on there. Visual CSEM (both real and fictional) is specifically forbidden (although frankly I think the guidelines could be stricter wrt written content. Still, does seem to handle this better than AO3 does, going as far to say that written content about real minors is forbidden.)
How are minors protected?
The minimum age to join cohost is 16, and requires proof of parental permission to join. Users who are under 18 are automatically age-gated and cannot view adult content.
If cohost isn't on the app store, how is it used?
You can, of course, use cohost on a computer, but it is designed with mobile in mind. Opening the website on any IOS browser, clicking "share", and then "add to home screen" will install an app for you to use. The same can be done on an android. There is a guide here.
How does cohost work?
First, you create an account. Then you wait for approximately two days (read: weekdays) for the account to be activated. This is done to prevent spam bots. In the meantime, edit your profile. List some interests, your pronouns, your other social media links. Give yourself an icon. Note: icon and banner file sizes are small. You may need to shrink and compress images.
After the two days are up, make your first post! Write a basic introduction (with what you feel comfortable you feel sharing) and list some interests you like, maybe some hobbies, media, etc. And then tag this post with "#welcome to cohost". This will let existing members know that someone new has joined, and they may initiate conversation and/or follow you.
Next, go to the search and type in "The Cohost Global Feed" and click on the tag. Bookmark this tag. This is essentially one giant community space where you can find random users. (There is currently some discourse on the website as to whether this tag existing is a "bad thing" or not because "cohost isn't supposed to have a global tag". Just ignore that lol). Next, go back to search and type in things you like. TV shows, maybe. Video games. Music. Anything. See if people have posted in the tags. Follow them. Comment on their stuff. Click "like" to bookmark the post if you want to.
Most crucially, make sure that you bookmark the actual tag so you can look in that tag again later without having to manually type it each and every time. Also, you get a feed called "bookmarked tags" which allows you to scroll through all of them at once, which replaces the "for you" feature other websites have.
You can "share" a post (called "rebug" in user slang) which serves the same purpose as a reblog on tumblr. In a rebug, you can add your own tags or comment in the body of the post. Cohost users do not talk in tags as much as tumblr users - they tend to prefer to speak in the body of a rebug, or in the comment section (replies). At this time, you cannot view all reblogs. But you can view all comments in the comment section. Any post that is rebugged will preserve the tags of the OP, with any additional tags added being attributed to you. Rebugs are named after the website mascot Eggbug, a purple bee-like insect.
Posts are called "chosts" - and shitposting is called "shitchosting." Two examples of global shitposting tags are "#css crimes" - which is when a person does goofy things with the HTML/CSS editor to make colorful text, fake chat windows, and such - and "#shitchosting" which is a general shitposting tag. I've also seen people use tags like "#random".
If a post makes you laugh, check out the OP's profile. See if they post frequently, and if you have any common interests. If you realize you want to block or mute someone instead, you can.
You can send asks just like on tumblr, but your inbox must be manually opened first. So remember to do that.
How do I look at my own blog?
This is one of my gripes about the UI. You would think, intuitively, you would click here (at the top of the screen). But you would be wrong!
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It is ACTUALLY under the sidebar menu, called "Profile." And I'm not the only one to to complain about this. (To get back to your dashboard, by the way, you click on the cohost logo.)
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Are there sideblogs?
Yes! Each sidepage (sideblog) has its OWN set of likes AND followed pages (blogs). This allows you to easily switch between multiple sets of dashboards. A lot of users use this to have a SFW dashboard and an adult content dashboard. But it works like tumblr, too. You can have a side page/dashboard for whatever you'd like. Maybe one of your pages is for programming. Maybe another is for photography. You switch between your pages by clicking the arrow next to your icon/username at the top of the screen. ("Ohhhhh.... THAT'S what that's for.")
What's the userbase on there like?
Mostly programmers. Trans people. Furry artists. Plural systems. Furry trans plural programmers. Certainly a lot of shitposters. The website is trans-run and, as such, has zero tolerance for TERFs. Everyone seems pretty friendly from what I can tell. And there's very much a culture of "follow someone randomly based on their vibes" that doesn't happen as much on tumblr. Tumblr is more like "I really like this TV show, I'm going to follow 40 blogs about just this interest." Because the cohost community is so much smaller, there is a lot less content overall, especially fandom content. You can't follow 40 fandom pages because your fandom tag has a total of 3 posts, all made by one person approximately a year ago (well. for me anyway).
Cohost, then, actually has much more in common with real-life socialization. You seek out people with interests that may be very different from your own, and to find a common interest is very exciting! Unlike tumblr, you are encouraged to tag as much as possible. This allows your posts to be seen, to find common interests. And, of course, don't forget to look in "#Welcome To Cohost" too! You may find some new friends there.
What file formats can I post in?
Currently, I am aware of basic image formats working (like jpeg, png) animated gifs, and mp3s. You currently cannot upload videos to cohost. I believe the reason is not related to server costs, but rather as a way to curb the uploading of copyrighted content.
How does cohost make money?
There are no ads, and yet, as far as I am aware, cohost is operating comfortably. There is, however, an entirely optional "cohost plus" that is $5 USD a month. Currently, there are a few perks, but not enough to convince me.
What if I think something about cohost should change?
Cohost has a forum where users can submit ideas for features and other users can discuss/upvote those ideas.
Here is a list of posts made for newcomers to read:
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undefeatednils · 7 months
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TTRPGs I Desperately Wanna Play
I like TTRPGs. I've only played with three systems (D&D 5e, The Dark Eye 4th Edition Revised, and Dread), but I'd love to try out more. These are a small selection of games that I wish I could play, but I sadly lack the group(s) for that. Also, as an honorary mention, Pathfinder 2e needs to be pointed out. It's very mainstream, and I think I'd enjoy it as a player, but not as a GM.
These games are all in alphabetical order, by the way!
Blades in the Dark
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Blades in the Dark is an absolute classic, from everything I've heard. Designed by John Harper and pretty old by now (2017!), I'd just love to experience a short campaign with it. The usage of "clocks" to represent progress when solving problems, the focus on intrigue in general, flashbacks! Blades in the Dark is a very specific game, but it sure looks so fun!
Cloud Empress
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Designed by someone going by watt, Cloud Empress is heavily inspired by Nausicaä of the Valley of the Wind, the first original movie by Hayao Miyazaki (by the way, not a Ghibli movie, because it predates the studio, and its success allowed Studio Ghibli to be formed!).
Cloud Empress really feels like a world where violence is an option, but rarely worth it. Gorgeous illustrations, a fantastic injury and stress system, and a dark yet hopeful setting really give it a lot of flavor that I really, really love!
GRIM
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Designed by Tumblr's own @efangamez, GRIM is a dark sci-fi horror game inspired by Quake. I loved reading about its fast-paced, coin-toss-based gameplay and its focus on players rushing around the dungeons, so I'd love to get to play it some day! Let me slay some eldritch beings!
Mausritter
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Another oldie, but a goldie! Mausritter by Isaac Williams really plays with the squishyness of player characters in TTRPGs of yore and plays with it by making the players create cute little mice that go on adventures. You can go Watership Down dark, or whimsy, or somewhere inbetween. Perfect little guy energy in the form of a game.
Mothership
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So... Are you looking to play a game with someone that really allows you to mirror classic films like Alien or Aliens or The Thing or Event Horizon? I think Mothership by Sean McCoy and others would be the perfect game for that. It largely uses d100s and really seems to allow for characters that fit the archetypes you can find in sci-fi horror movies and have them be both weak enough to be in danger but competent enough to have a shot at dealing with the problem at hand.
See You Space Cowboy
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See You Space Cowboy (also known as CUSC) by Onslaught Six and the rest of Tidal Wave Games is really just Cowboy Bebop the TTRPG without the licensing required. Lots of jazzy slang creates the short ruleset for this fun sci-fi RPG. Its system of traits, talents, and breaks feels very intuitive, and I just wanna put on some T-Square or Yoko Kanno or Casiopea while me and a bunch of friends try to survive in a zanier version of space compared to, say, Mothership xD
Sherwood
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Created by Richard Ruane, with additional design by Eric Swanson, Sherwood really looks like it can capture the feeling a lot of TTRPG campaigns want to achieve when presented with the idea of adventurers being more trouble for commonfolk than they're worth.
It uses a nice, elegant 2d6 system, its four attributes also serve as a resource for your outlaw, and it really seems fit to tell fun folk tales filled with magic, rebellion, and merriment!
The Electrum Archive
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Developed by @emielboven, I just adore pretty much everything about The Electrum Archive. It combines an incredibly flavorful desert world setting with mechanics that are easy to grasp for folks who mostly play 5e, and three very cool classes (I adore the Warlock and the whole magic system which involves knowing the true names of magical spirits and a bit of negotiation between the Warlock player and the GM). I backed the game's second volume via Kickstarter because I was so blown away even by the free rules. I adore it!
Wanderhome
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Wanderhome, by Jay Dragon, is another classic. And it barely has any "conventional" mechanics, mostly relying on conversations guided by the, many, many playbooks that exist for it. It really seems like such a beautiful game, an exercise in empathy, and I'd love to read the rulebook more and sit down with folks to "play" Wanderhome, sharing tasty drinks and snacks in the sun.
Also, as an honorary mention, Pathfinder 2e needs to be pointed out. It's very mainstream, and I think I'd enjoy it as a player, but not as a GM.
Also sorry to the two folks I tagged, both are just very prolific people who are also (semi-)active on Tumblr, so yeah...
And again, I didn't get to play any of these. But maybe I will sooner rather than later? Hopefully?
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watchmegetobsessed · 3 years
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Tastes Like Strawberries - Harry Styles
a/n: oh this one is a long boi and might not be the end??? i’ve been working on this fic for days and i have an idea for a possible second part, but i wrote this one so it has a fulfilling ending so it can stand as a oneshot as well! i barely just started working on the sequel, we’ll se how it’ll turn out, maybe it goes to shit lmao but whatever, it’s still a nice and whole story without a second part! this is my V-day gift to you all, have this nice professor!harry fic as if it was a box of chocolate! 🍓 🍫 🍬
special thanks to @pastequeharry​ who put up with my constant rambling and whining while i was writing this, you are a hero, his is dedicated to you!!
pairing: professor!Harry x Reader
warning: sexual content, abusing relationship, it’s got smut, angst, lot’s of banter and all that jazz!
word count: 21.4k
masterlist
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There’s just a handful of things to know about Professor Harry Styles and that’s because of one of those very few known facts, the first one being that he is a highly private person. He rarely talks about himself or any aspects of his life, he always makes sure to keep it as professional as possible whenever he is teaching.
Second, he is easily the smartest professor to ever walk on campus, but he doesn’t like to brag about it. You never catch him showing off how much he knows, how big of a genius he is, you’ll just start to realize from the way he teaches and approaches certain topics, how he interacts with others and tries to pass his knowledge down to his students. He is brilliant and he should have all the credits for it, yet he still chooses to keep it to himself.
Third, and it’s the most well-known fact because to see this you just need to have a pair of eyes, he is undeniably the most handsome man to ever teach or if you’re being more precise, walk the hallways of the university. No football crazy, alcoholic fratboy or dreamy looking indie guy from the library can live up to what Professor Harry Styles is. With a face clearly carved by the angels, a nicely built but not too muscular frame, and occasionally displayed tattooed arm that makes you wonder what other artworks his stylish outfits are hiding, there’s no man like him and every female on campus agrees with that.
His lectures and courses are jampacked with sighing and heart-eyed college girls, daydreaming about the man who is solemnly just trying to teach the things he is so passionate about. But it’s not just the students, Professor Styles has managed to charm the female professors of all faculties, you can see them wander by his office way too often, they take any opportunity to talk to the man and try to seduce him. It’s unknown if he is oblivious to the effect he has on women or he chooses to ignore every and any attempts, but this is what leads us to the fourth fact.
Despite all the effort and energy that’s been put into his case by every single woman on campus to break the walls the professor has built around himself, he never let any of his students or colleagues to even think they could be romantically linked for real. Professor Styles keeps his distance and turns down any offer that could be mistaken to anything that doesn’t fit in the professional boundaries.
Anytime a student puts on the slightest flirtatious act towards the professor, he either rejects it straight away or ignores it completely and blatantly, making it his clear answer that he is not interested and then he goes back to teaching. You’ve seen it yourself, having him as one of your professors first year of uni, you fell for him just like every other girl in the lecture hall, dreaming about him in ways you probably shouldn’t think of a teacher while he was just casually talking about his grading system and how he is going to build up the lectures throughout the semester. Some brave girls who you assume were highly celebrated by boys in high school took the courage to openly flirt with him, but he didn’t even flinch before shutting all attempts down, not even a blush appeared on his perfectly cut cheekbones.
You thought of ways you’d try to seduce him yourself, but you never actually tried. You never had the balls to actually give it a go and then suffer from the worst embarrassment of your life when he rejects you. So you kept it all to yourself, only entertaining yourself with your elaborate plans about the seduction of your professor.
Second year passed without any classes with Professor Styles, you had only occasionally seen him come and go, rushing down the hallways holding his notebooks to his chest, a steaming cup of coffee in his other hand as he was heading to his lecture hall that you just knew was filled with girls. You always took a moment to yourself to admire his outfit. He has a tendency to pair odd items and make them look like the most put together fit ever that only he can pull off. However, you and your girlfriends always loved to tease him between each other for his grandpa-like sweaters and vests he seemed to love dearly.
“He confuses me, because I want him to fuck me on his desk but also, I feel like he is about to ask me what periodt means because he is too old to understand slang these days,” your friend, Nat said once when your little group was lounging under the huge oak tree between classes and the professor rushed past you, disappearing in the building without paying any of you a look. He wore a pair of beige slacks and a striped sweater, a wrinkly grey shirt peeking from under it at the bottom. The colors and the style overall once again gave you that old people feeling, but then you looked at his handsome face and couldn’t care any less about whatever he was wearing.
The most intimate way you ever saw him was a few days after your twenty-first birthday the summer before your last year of uni started. You just got back from your hometown, the first person to arrive back to your shared flat with Nat and Eden, so you had a few days on your own. You decided to redecorate your room so you took a trip to IKEA, taking your time looking through the set up rooms, just wandering around as you try to figure out what you really want to buy. Walking through the living room section you spotted the professor and first, you didn’t even recognize him.
He was wearing a pair of bright yellow shorts and a short sleeved shirt with floral prints on it, a pair of white framed sunglass on top of his head, keeping his unruly strands out of his face as he was eyeing a couch, seemingly deep in his thoughts. You stopped in your tracks, seeing him in such a casual and everyday setting. For some reason, he seemed like a completely different person.
A woman was there with him and as you walked closer you could hear a fraction of their discussion.
“I don’t know, Gems. Do I need a couch this big?”
“Looks comfy and I like the color. It would also fit in the space just right, I think you should get the bigger one if you have the space for it,” the woman put her two cents in and you wondered who she could be. Girlfriend? Just a casual friend? Maybe fiancé? She did have a ring that could easily go as an engagement ring so you couldn’t tell for sure.
As you were about to walk past you suddenly took the courage to say hi.
“Hello, Professor Styles!” you greeted him with a warm smile and his eyes flickered over to you from the couch in question. One thing you always admired about him is that he never forgot the faces of his students and as he looked at you, you knew he recognized you even if he didn’t know your name specifically.
“Oh, hello,” he nodded in your way.
“I like the couch,” you commented before slowly moving on. “Have a nice rest of your summer!”
“You too, Y/N,” he called after you and it took you by surprise that he remembered your name. Your lecture he taught had almost over a hundred students in it and you weren’t the most active one to stand out that easily, yet he still remembered you more than you were expecting.
That small encounter kept you thinking about him for way longer than you probably should have, especially because you knew you’d have a lecture with him again in the upcoming semester. Your daydreams about him made their way back into your mind as you spent the last days of your summer mostly with your friends. It got you thinking that if you managed to get him to remember your name, maybe you would give one of your plans a go and shoot your shot. He wouldn’t be teaching you in your last semester so you wouldn’t have to face him after he rejects you.
And this is how you came up with your little scheme.
On your last Sunday evening before school starts, you, Nat and Eden sit in the floor of your living room, drinking some white wine as a way of saying goodbye to the carefree summer moments and getting back to the working days of being a senior at uni. Professor Styles came up completely randomly and you let it slip that you’ve just seen him recently at IKEA with a woman and it all led to you admitting that you’ll finally shoot your shot at the professor. Nat and Eden both did the same already, however their attempts were completely ignored and they always bugged you to give it a try yourself, being the only one in your group who hasn’t tried to seduce the professor yet.
“I’ll tell you, but you can’t tell me it’s stupid because I actually think it’ll be funny and a little bit genius,” you tell them before you start sharing the details on your plan.
“Just spill the beans already!” Eden pokes you before she reaches for the bottle and refills her glass.
“Okay, so you both know I took this psychology class last semester for extra credits, right?” The nod and you continue. “The teacher told us about this thing called classical conditioning or they call it pavlovian response too. The guy, Pavlov, did an experiment where he paired the feeding of dogs with a bell ring and after a certain amount of time the dogs started salivating at just the sound of the bell, because they remembered that it’s connected to food. The teacher said this is literally one of the easiest tricks to pull on people.”
“Oh, isn’t this one of the things Jim did on Dwight in The Office?” Nat asks furrowing her eyebrows.
“It is!” you nod, glad that they are understanding the base of your plan. “So, I’ve heard that Professor Styles loves strawberry flavored candies. I thought that I would bring some every day when I see him and offer him some. Slowly, he’ll pair the candy with the thought of me and he’ll get excited when he sees me because he’ll think I have candy for him and it will hopefully work the other way around and he’ll think of me when he is eating strawberry flavored candy that’s not from me.”
Your friends blink at you for a moment, processing what you just shared with them before Eden takes a huge sip of her drink.
“This is the most ridiculous but also the most genius thing I’ve ever heard,” she nods holding her glass up towards you.
“I can’t believe you will pull a psychological experiment on Professor Styles,” Nat shakes her head with a soft chuckle.
“It’s not a blunt way to get closer to him and if he accuses me of trying to flirt I can just say that I’ve been only sharing candy with him, I literally did nothing,” you point out, pretty proud of your solution to your deep fear of having to take his rejection publicly.
“If you get a Noble for this shit, make sure to thank us in your speech,” Eden laughs and you promise to do so when the big moment comes.
Monday morning you make a quick trip to Target and buy a big bag of strawberry flavored candies, probably enough to last for the whole semester, and then you make your way to campus. Following your first lecture you meet up with Eden who also signed up for Professor Styles’ lecture this semester, so the two of you make your way towards the lecture hall together.
“I really can’t believe you are doing this,” she chuckles when you get the candy ready as you near the room. The professor is always the first one in the lecture hall so you know you’ll find him there already.
“You can’t tell me it’s not a funny plan,” you smirk at her. And just as you walk in, you immediately spot the professor sitting at the desk at the front, going over the syllabus before the start. “Save a seat for me,” you tell Eden who just laughs and makes her way up the stairs along the desks.
Grabbing the pack of sweets from your bag you walk up to the professor, feeling confident with your plan. He lifts his head up when he notices your arrival and your eyes meet with his green ones.
“Hello, professor. Would you like some candy?” you simply ask with an innocent smile.
Professor Styles stares at you for a moment before his eyes move down to the candy in your hand, the opening of the bag facing him in a welcoming manner.
“I, uhh… what flavor?” he curiously asks and you can barely push down your smirk.
“Strawberry.”
“Oh. I’ll… take one, thank you,” he nods, hand reaching into the bag as he grabs just one single candy, unwrapping the package before he pops it into his mouth. “Thank you,” he nods again with a delightful smile.
“Of course. Did you buy the couch?” you ask, taking slow steps away from the desk as he keeps his eyes on you.
“I… did not. Bought another one,” he admits shortly and you know you’ve reached the limit. If you ask more, he’ll get suspicious, so you just nod smiling before walking up to the spot Eden has reserved for you. When you sit down, you catch the professor paying you one last glance before he returns to what he was previously doing.
“You are a genius, because now we can watch him suck on a fucking candy for the next few minutes,” Eden mumbles quietly, making you laugh.
“I knew this would be a good plan,” you sigh, satisfied with the work you’ve done. Now it’s just a matter of time.
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Every Monday and Wednesday, you arrive with the same bag of candy to the lecture hall, walk up to Professor Styles and offer him one. And he always takes one. The first few times he seems hesitant when he spots you approaching him, but he slowly grows used to your tiny act of kindness that occurs every time you see him. On week three you expand the plan. You usually have lunch with Nat on Thursdays since you both have a break between one and two pm. The two of you try to take advantage of the warm early autumn days and sit under the pergola that’s near the building where Professor Styles’ office is as well. It’s mere coincidence, you only like that place because it’s close to the lecture hall you have to go to after lunch, but you notice that the professor emerges from Building C around one thirty, walking back to his office probably after one of his classes. The sidewalk runs directly next to the pergola so it gives you a chance to bring the candy out one more time every week. You nicely greet him when he is nearing the two of you and then hold out the bag, asking if he wants some. He always takes one and thanks you with a sweet smile that leaves you a tad bit blushed.
“I can’t fucking believe your plan is working,” Nat chuckles in disbelief on one occasion when the professor just disappeared in the building, probably happily unwrapping his candy of the day.
“It’s funny, innit?” you grin at her proudly.
Frankly, this is just a fun experiment for you. You don’t actually think that the professor will think of you differently even the slightest. You might be able to plant the thought of you in his head, but that doesn’t instantly mean that he’ll start fancying you and actually do something about it. It would be ridiculously naïve to think it’s going to be you who breaks through the wall that hundreds of women had already tried to knock down.
Week six is what brings the breakthrough. After long consideration and discussion with Nat and Eden, you decide to test if the experiment has been successful. You offer one last candy on Monday, but Wednesday brings the change. You go to lecture without candy. Well, you have it on you, but you decide not to ask him if he wants some.
Walking into the lecture hall, as always, he is already sitting at his desk, flipping through the pages of a book when you walk up to him with the intention of asking him a question on the paper that’s due next week.
“Professor Styles?” you softly speak up, catching his attention. “Can I have a question about the paper?”
“Of course,” he nods and you can’t tell just yet if he was expecting the candy or not.
“I was wondering if I can use a diagram to visualize my results at the end. I have a brilliant idea to summarize the data with one.”
“Sure, just make sure to give credit wherever it’s due, if you are using someone else’s work for the diagram.”
“Definitely,” you smile at him and wait a moment. That’s where you see the anticipation in his eyes.
His gaze flickers down to your hands and then to your bag where you always carry the candy and when his eyes meet yours again, you see him swallow hard.
He was expecting the candy. Not only expecting, but he started salivating when he saw you, thinking that he would get the candy from you as always.
“Is… that all?” he asks, the slightest hint of hope appearing in his tone, probably waiting for you to pull the bag of candy out of your bag and offer him one. But it’s not happening today.
“Yes, thank you very much,” you nod smiling widely before you turn around and walk away, a shocked and triumphant look appearing on your face once he can’t see it anymore and when Eden sees you, she gasps.
“He fucking expected the candy, didn’t he?!” she whispers at you in shock and you nod frantically, still not believing your plan worked.
“You should have seen the anticipation in his eyes, he really thought I was gonna offer him some!”
“Oh my God, this is hilarious!” Eden laughs covering her mouth as the lecture hall starts to fill up slowly.
Turning forward, you see that the professor is sitting behind his desk, the book that had his attention before your arrival is long forgotten in front of him, now he is staring ahead of him with slightly furrowed eyebrows, deep in his thoughts.
Is he thinking about you? Or why he was expecting candy from you?
You see him reach for his water bottle and he takes two big gulps probably to wash away his need for the candy before he narrows his eyes and at last they find you in the auditorium. You tilt your head to the side innocently smiling, as if you know absolutely nothing about anything. You keep eye-contact, forcing you not to be the one who breaks it and he is intimidating. You feel like he can read your mind as he stares at you and when he finally turns his gaze back at the book, you exhale sharply.
The lecture goes down just as usual and when the professor dismisses the class you decide to put the cherry to the top. Walking down between the desks you grab a candy from your bag and while the professor is talking to a girl who also had a question about the paper, you place the candy to his desk next to his book. He doesn’t see you walk out and you don’t see him when he finds it, but something is telling you he figured you out. No way a man as smart as him doesn’t realize what game you’ve been playing with him.
Sitting under the pergola on Thursday you are deep in discussion with Nat, helping her with a task sheet she has to turn in after lunch but she completely forgot about it. As the two of you are trying to do the seemingly endless sheet, you don’t even notice the professor walking from Building C, as always, but he spots you.
“No, I don’t think that’s even a thing, you can’t write that,” you tell Nat, but she shakes her head.
“I don’t care if it’s a thing, I just want to fill in the whole thing so the teacher doesn’t think I finished it in twenty minutes before class,” she mumbles, scribbling down her answer as you just chuckle at her.
Suddenly, you see a pair of dusty Vans appear in your sight and as your eyes move up, you are facing none other than Professor Styles, standing right in front of you, holding out his hand with his hand turned upwards, a cheeky smile tugging on his lips. His appearance takes you by surprise and for a moment you just dumbly stare down at his palm, then up at his eyes.
“Very smart. Pulling a pavlovian on me with my favorite candy,” he speaks up, dropping his hand as he cocks his head to the side. Nat looks up from her sheet with wide eyes as you stare at the professor with blushing cheeks.
“I have no idea what you are talking about, professor,” you tell him with a knowing smirk.
“Of course. You know, it took me a moment to realize yesterday, but I wanted to let you know that… I think it was clever.”
“If I knew anything about what you’re talking about… I would say thank you. But I stand up for my innocence.”
“Surely,” he chuckles softy. “Have a great rest of your week,” he then nods before turning around to walk away, but you quickly reach into your bag and grab a candy.
“Professor Styles!” you call out and he turns back just in time to catch the candy you throw in his way. He glances at it in his palm before his eyes snap up to you again, smirking at you shortly before he disappears in the building.
“Okay, call me stupid, but I could feel the sexual tension between the two of you,” Nat says as soon as the professor is out of sight.
“Don’t be silly, it was just… a joke and he liked it.”
“He called you clever, Y/N!”
“No, he called my trick clever.”
“But you came up with it so you’re clever too. Say whatever you want, but I actually think you have a shot at him.”
“I definitely don’t,” you laugh shaking your head and you genuinely believe it. Nat scoffs before she gets back to her sheet, but not without having one last thought about the situation.
“We’ll be laughing at how you brainwashed him into liking you when you’ll be dating for years, living together and all that shit.”
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You’ve made some very questionable choices in your dating life prior. Like when you dated a boy in high school and let him take your virginity at the back of his mom’s minivan just to break up with your right after that, or when you briefly dated the guy you met at the mall, but it later turned out he was gay and he used you as his cover up in front of his family. But the worst decision of all was dating an egoistic forty years old loser who just freshly got divorced and went after you at some tacky bar you were at with your friends.
The time you spent dating Victor is way less than the time he has been bothering you, trying to make you go back to him when you’ve actually told him you don’t want anything to do with him anymore. You broke up with him just before you went home for the summer and he didn’t take it well, even drove up to your hometown and showed up at your parents’ house drunk, begging for you to take him back. He never stood a chance, not after that one time he slapped you across the face during a fight the two of you had. You tolerate a lot of things but not violence and you don’t believe him when he says it was just a onetime thing. There’s no guarantee he won’t hit you ever again and you are definitely not waiting around to see if he told you the truth.
On this particular late October evening you are searching through your whole room looking for a book you know you have, but can’t seem to find anywhere. It’s your holy bible about research methodology and you need it for your thesis work, but it seems like the small apartment has completely swallowed it.
“Didn’t you leave it at Victor’s? You were working on that long essay when you were dating him, saw you use the book all the time,” Eden tells you when you ask her if she’s seen it anywhere and then it clicks.
She is right, now you remember leaving the book at his once and you completely forgot to pick it up after things got nasty between the two of you.
“Damn it,” you growl in annoyance.
Not feeling like calling him, you send him a quick text, hoping he still has it and hasn’t burned it after one of your fights.
Y/N: Hey, I think I left my research methodology book at yours. You still have it?
Victor: I do.
Y/N: Cool, can I drop by to pick it up?
Victor: I’m leaving for work, you can come to the bar if you want it.
You sigh in defeat. Victor is a bartender at a place that’s all the way across town, takes almost an entire hour to get there, but you are left with no other choice.
Y/N: Okay, I’ll see you there.
The raining has finally stopped this morning so you feel better leaving the house than you would have if it was still pouring. You take the bus and travel across town, feeling anxious to see Victor again. Last time you met him he cursed you out and threw his phone at you, barely missing your head. You promised yourself you wouldn’t go near him again after that, but it seems like you can never get completely rid of him.
Students rarely come to this part of the town, it’s way too far from campus and has nothing to offer that can’t be found closer to the dormitories or the school’s buildings. It���s not entirely your scene either, the bars around here are liked by older generations, not by people your age, this is another reason why you don’t like coming around here.
The bar where Victor works is a place where they have different local bands perform every Friday and Saturday. It’s not a tacky nook with creepy dudes, they actually have prices on the higher end, not something you can necessarily afford with your part time job’s paycheck from the small accounting office near your apartment where you work as an assistant on your free afternoons.
Walking into the place you immediately spot Victor behind the bar and you take a deep breath before you walk up to him.
“Hey,” you call out for him, taking one of the stools along the bar.
“Hey. Long time no see.”
“Happens when you break up with someone,” you respond with a little spice and he frowns at your words. “Can you give me the book?”
“I’ll have a break in ten, can you wait for that or you have something extra urgent shit to do, as always?” You can tell he is still bitter from how things ended between the two of you, but you’ve learned not to care about it. His way of dealing with the breakup is not your responsibility, no matter how hard he is trying to prove it wrong.
You roll your eyes but nod, knowing well there’s no use to fight him. Ten minutes is not the end of the world. Busying yourself on your phone, you try to stay unnoticed and luckily, Victor can’t keep chatting with you, because customers keep coming up to him and ordering drinks. When he finally has his break he tells you to follow him to the back.
“So how have you been?” he asks as you walk down the hallway that leads to the small break room, there’s an office at the end and some kind of changing room you guess for the bands, along with a storage.
“Fine.”
“You really gonna be a bitter bitch and not talk to me?” he asks you, giving you a disgusted look, but you know it’s just the anger talking from him.
“Victor, I didn’t come here to talk, I just need my book!”
“That doesn’t mean you can’t answer my question.”
“I answered it! I’ve been fine, now give me the damn book!” you growl, losing your patience with him, but he is seemingly in the same shoes.
“When will you stop being a bitch and just drop this ridiculous act, Y/N? I’ve been after you for months yet you keep ignoring me!”
“Did it ever occur to you that I’m ignoring you because I don’t want anything to do with you? Victor, it’s been months, just… move the fuck on! Go cry to your ex-wife or something, I don’t care!”
You didn’t mean to snap, but he always brings the worst out of you. From the corner of your eyes you can see movement at the other end of the hallway where the changing room is, but you don’t get to pay much attention to it, because the next moment Victor grabs you by your arm and yanks you towards him.
“Don’t fucking talk to me like that! You ungrateful slut, I swear…”
There’s little you can do, he is twice as big as you are, his grip on your arm so strong there’s no doubt it will leave a mark. Your heart is racing as you try to pull yourself out of his hold, but he doesn’t even bat an eye at your attempt.
However, before he could drag you into the empty breakroom to do god knows what, he is stopped by a voice.
“Hey! Let her go!”
If you weren’t shocked enough at his violent reaction, now you are definitely think you’re going nuts, because it’s none other than Professor Styles who is now nearing you with a hard expression on his face, two other guys following right behind him and though none of them are bigger than Victor, he knows he can’t just start a fight with three men.
Your chest is heaving when the professor finally reaches you and Victor’s hold lets go of you, making you fall back a little.
“You perform here twice and think you’re some kind of rockstar?” Victor spats at the professor, but you’re a little lost in what’s really going on. Professor Styles gently grabs your wrist and pulls you behind him, eyes never leaving Victor’s burning gaze.
“You alright?” one of the other two men asks and you nod, not finding your voice to actually speak.
“Get the hell out of my sight before I call the police on you,” the professor answers in a calm yet threatening voice
Victor takes a second to himself, thinking about the choices he has before he turns around and disappears in the breakroom, slamming the door behind him, leaving you in complete shock about what just happened.
Professor Styles then turns around, his eyes soften at seeing how shaken you are and quite frankly, you feel like you are in a bad and quite weird dream.
“Are you okay? Did he hurt you?” he asks, clearly worried about you and you just shake your head no.
“I-I’m fine, I think,” you mumble out of breath.
“Come on, let’s get out of here,” the guy who asked if you’re alright suggests and you nod in agreement, following them kind of blindly, the three of them keeping you in their little circle as you walk out to the bar and they don’t stop until you are out of the place in the cold night air. You slowly come back to reality and process that Professor Styles just saved you out of fucking nowhere from your abusive asshole ex. That’s what you call a plot twist.
You finally take a moment to look at the other two guys, they both look the same age as the professor, or maybe a little older, both of them are rocking some facial hair, the one that asked you seems a little more open while the other one quite reserved but friendly looking.
“What… What were you doing back there?” you ask, turning to face the professor. He clearly seems upset, but you’re not sure if it’s entirely because of what happened with Victor back then or because you are standing outside some random bar on a Saturday night, definitely crossing his personal boundaries he keeps so high at school.
“We played here tonight, was just about to leave when I saw you.”
“You have a band?” you ask, shocked at the detail.
“A pretty good one,” the talkative guy chuckles. “I’m Adam, nice to meet you. This is Mitch.”
You shake hands with them introducing yourself as well.
“Y/N is… my student,” the professor adds as if he is clearing the air for his bandmates, a kind of warning for them.
From the direction of the parking lot two women emerge, laughing on something as they walk up to the four of you, both of them eyeing you curiously.
“Hey boys, who is this pretty girl?”
“Sarah, Charlotte, this is Y/N, she is my student. Y/N, these are my other band mates, Sarah and Charlotte,” the professor introduces you as you shake hands with them quickly.
“I-I’m sorry I interrupted your time with your friends, professor,” you shyly apologize, feeling like a complete intruder all of a sudden with all his bandmates around you.
“Interrupt? Sweetheart, that dude was about to do some unforgivable things to you, don’t apologize for needing help,” Adam snorts. “You’re lucky we were there.”
“What? What happened?” Sarah asks in confusion.
“Just… my asshole ex got a little too violent when I didn’t want to chit-chat with him,” you admit with a defeated sigh.
“Oh shit, but are you alright?”
“I’m fine,” you smile faintly, though you still can feel his grip on your upper arm. “I, um… I better get going, I guess. Thank you for… the saving,” you say, a little lost about what should be said in this situation.
“You’re leaving? We were just about to go to a much better place, why don’t you come with us, forget about your ex a little?” Charlotte offers and you catch the professor’s panicked look for a split second.
“I, um… I don’t think I should, but thank you.”
“Why shouldn’t you?” Sarah questions.
“Because I know how Professor Styles hates to mingle with students outside of lectures and I don’t want to cross any lines,” you truthfully admit. The professor furrows his eyebrows.
“I don’t hate mingling with students,” he states.
“Well, you are surely not the most reachable professor on campus,” you chuckle lightly. “But it’s fine, I understand it. So I’ll just head home.”
“Come on, Harry. Let her tag along for just one drink!” Sarah begs and seemingly everyone would be happy to have you join for a little. The professor’s eyes meet yours, as if he is contemplating whether he should say yes or let you go home. When he finally speaks up you’re more surprised than when you realized it was him saving you from Victor.
“I guess you could use a drink after what happened in there,” he says, the tiniest smirk showing on his lips as your eyes shoot up.
“You sure?”
“Yeah, come on,” he nods and your little group heads down the street.
Turns out the place they were heading to was just two corners down, so they left all their stuff at the minivan at the parking lot for the time being. You slide into an empty booth, Adam and Mitch go to get the first round, so it’s just the three of you girls and the professor.
“So you’re in one of Harry’s lectures?” Charlotte asks with a warm smile.
“Yeah, for the second time, actually. Had him in first year, now it’s my fifth semester and I had no doubt I have to take his class if I have the chance.” You pay a glance at him, but he is staring at his hands on his lap, you can’t tell if it’s because he is uncomfortable with you there or if it’s something else.
“It’s so funny, because we’ve heard that he is known to be a good teacher but we never actually heard it from one of his students,” Sarah chuckles. “What’s he like?”
“Sarah, you enjoy talking about me when I’m very much present?” he scoffs, giving her a look, but she just shrugs innocently.
“Come on, I bet even you’re curious about what your students think of you. Now is your time to find it out!”
“I think Professor Styles knows very well that he is one of the best, if not the actual best,” you truthfully say and see him raise his eyebrows a little.
“What makes him so good?” Charlotte questions.
You glance at him again, as a way of asking for permission if you can answer. You definitely don’t want to make him even more uncomfortable by talking about him when he is right next to you. He looks into your eyes, and his expression tells you that he wants to hear your answer as well, but he quickly adds:
“You don’t have to answer, Y/N.”
“It’s not a secret,” you admit it with a smile. “Professor Styles’ lectures always leave you with a question to think about until next week, he is great at getting into your head without you even noticing. He explains the most complicated things in so simple ways, it should be taught,” you say with a soft chuckle. “I think his enormous knowledge about many different fields in science and just life in general is amusing, anyone can learn something from him, it’s guaranteed.”
“Wow, where is this academic genius side of yours when you’re around us, or we only get to see the dad joke version of you?” Sarah teases him and you can’t push down a laugh, imagining him cracking dad jokes feels so alien but still kind of fitting for him.
“That’s what you get when you’re a nosy little thing,” he retorts with a small smirk. He then turns to you, and as Sarah and Charlotte are laughing on something, he lowly tells you: “You can call me Harry outside of school. Feels weird that you call me professor when my friends are around.”
“You sure?”
He nods and you spot a small smile on his lips. He must be getting used to the feel of you being there, but you still don’t want to push his limits too much.
“Can I ask you something?” he questions, leaning back in his seat.
“Of course.”
“If your ex is this aggressive, why were you there with him?”
His question is surprising, you didn’t think he would ask you something personal, but you guess it’s a valid question after he just saved you from Victor.
“I wanted to get a book back that I left at his place. Didn’t even get to the point where he could have given it back,” you mumble under your breath.
“What book?”
“Just this… research methodology book, wanted it back for my thesis work, but I guess I’ll have to buy a new one,” you huff bitterly.
“Is it the one written by William Scott?”
“Y-Yeah, it is. You know it?” you ask, but then realize it’s a bit of a dumb question. He probably knows every academically important book you will ever come across.
“I actually have it myself,” he nods. Just then, Mitch and Adam return with the drinks and you thank them for the beer, already reaching for your money to pay, but Adam shakes his head.
“It’s on me, don’t worry.”
You watch as Mitch sits beside Sarah, curling an arm around her shoulders and though you couldn’t have guessed that they are a couple, seeing them like this it actually makes sense, they look cute together.
You take a sip from your beer, trying to join the conversation Sarah and Charlotte are having, when your attention is pulled back by Harry.
“I can… lend you the book, if you want.”
“Oh, you don’t have to. I’ll just get a new one.”
“No, really. I think I even have two copies, I can give one to you.”
“I couldn’t ask you that, prof—I mean Harry.”
“You’re not asking,” he smiles at you softly. “I probably won’t need both, so why not put the extra into use?”
“Okay, but I’ll pay for it,” you insist, but Harry shakes his head.
“No need, one of them was a gift so I didn’t pay for it either.”
“Well… if you’re sure about it, I would love to have that extra copy, thank you.”
“You’re welcome.”
“So Y/N, what do you study exactly?” Adam questions, pulling you out of your little discussion with Harry.
“I’m majoring in anthropology, but I’ve been taking some psychology classes on the side just because I’m interested in the topics.”
“And what is Harry teaching you?”
“Had him for intro Sociology lecture first year, now I’m in his Methodology of Cultural Anthropology class.”
“All these subjects with their GY endings, I don’t know how you two put up with science on this level,” Sarah huffs in amusement.
“The names sometimes sound fancier than the subject itself,” you tell her smiling.
“But I bet you need to be quite smart to study these stuff on this level you are at.”
“Oh, it’s just a bachelorette degree, I wouldn’t say I’m that smart,” you chuckle shyly.
“She is totally toning it down,” Harry speaks up, catching everyone’s attention. “I know students tend to take my into Sociology class for just some extra credits so I always give them two options for the semester. They can either write a two pages long review of any article related to the topics talked about at lecture and get their strong C with the bare minimum, or actually participate and do a research of their own and turn in an at least seven pages long essay about their chosen topic. Y/N turned in an eleven pages long paper on the history of death sentences in the U.S. in the last fifty years and how society is thinking about it nowadays. It was easily one of the best works I’ve ever read and it was just an intro class.”
“You remember my essay?” you ask in complete shock.
“Of course. As I said, one of the bests I’ve read,” he nods confidently.
“So you’re like… on Harry’s smart level, actually?” Sarah asks, tilting her head to the side and you can feel yourself blushing.
You’ve always been said to be the smart kid at school, but you never thought it to be true yourself. In your book, you were just doing your absolute best, soaking in whatever knowledge was thrown in your way. You never actually understood how someone could just not study for an exam or not do an assignment, because you always felt like it was your duty to do the best you can. You thought yourself to be more of a hard-working student rather than a smart one.
“She is definitely a bright one,” Harry agrees, his eyes meeting yours as a small smile appears on his lips and you think that this is the biggest compliment you’ve ever gotten. “She actually tricked me with a psychological experiment and I didn’t even realize it,” he laughs and you can’t hold your smirk back.
“What? What did you do?” Charlotte asks, dying to know how you played Harry.
“Have you heard of the Pavlovian response?” you ask looking around and you can tell it rings a bell for all of them.
“The one with the dogs and the bell?” Mitch asks and you nod.
“Wait you did that on Harry?” Adam laughs with wide eyes and you just nod with a sly smile.
“I just offered him strawberry flavored candies every time I saw him. Took me six weeks to build up the response but he actually started expecting it whenever he saw me,” you tell them chuckling to yourself.
“And I only realized it when she stopped with the candy and I felt this massive feeling that something was missing,” Harry adds shaking his head with a soft laugh.
“Okay, that’s hilarious,” Sarah snorts clapping her hands together. “Y/N, I adore you, you’re brilliant!”
“It was just… an experiment,” you shrug shyly.
The night carries much faster than you realize. One drink turns into three and before you could realize, it’s already past midnight. Eden texts you, asking where you are since you said you’d just get the book and go home right away, but it’s been hours.
Y/N: Don’t freak out, but I’m at a bar with Prof. Styles and his friends. I’ll tell you everything tomorrow!
Eden: HOW DO YOU EXPECT ME NOT TO FREAK OUT AFTER READING THIS???!?!
Y/N: Lol, chill. Nothing extra is happening.
Eden: It’s already extra that you’re out with him.
Realizing how late it is, you decide you better get going, since it’s a long way back home. When you tell the little group that you’re about to head out, they all agree that it’s time to part ways and leave, so you all slowly make your way back to the parking lot.
“Do you know where the bus stop is back?” you ask, narrowing your eyes, trying to spot where you should be heading.
“You want to go home by bus at this time?” Harry asks.
“Well, I surely won’t pay for a ride, I live almost an hour away from here.”
“An hour?” he frowns. “I’ll take you home, come on,” he tells you, heading towards the minivan.
“What? No need. The bus is fine,” you protest, but he shakes his head.
“You are not taking the bus at this hour, not under my watch,” he simply states and you raise your eyebrows at him.
“Didn’t realize I was under your watch,” you tease him and it seems like your comment caught him off-guard. “Don’t piss your pants, I was just joking,” you tell him, and thought for a second you feel like you are being way too comfortable around him, his smile quickly smashes your doubts.
Sarah, Mitch and Charlotte all take an Uber since they live near each other and Adam is picked up by his wife, so when everyone is off to their own way, you and Harry get in the van and head to your place.
“How long have you had the band?” you ask, in need to break the silence that’s been weighing down on the two of you. “If you don’t mind me asking,” you add quickly when you see him.
“About four years. Used to have another one, but we parted ways.”
“And what do you do in the band?”
“I, uhh… Well I mostly sing but I also play the guitar.”
“You know, I’m not that surprised you can sing,” you chuckle to yourself sinking further down in your seat.
“How come?”
“You have a voice that’s great to listen to at lectures, makes sense that you can sing as well.”
You take a moment to look at his hand that’s gripping the steering wheel, he is the kind that drives with one hand on the wheel, the other one on the shifting gear. He makes it look so easy as he steers the wheel whenever he is turning a corner while his other one easily moves around the shifting gear, his tattoos are peeking from under his rolled up shirt sleeve. He catches you staring and you feel a blush burning on your cheeks as you turn your head to the other side. Maybe you shouldn’t have drunk that third beer…
“Am I really seen that rigid by the students?” he speaks up after a while and you turn back to face him.
“What do you mean?”
“You said I’m known about not mingling with students.”
“Well, you don’t mingle, do you? But it doesn’t mean you come off as rigid. More like… closed-off. Private.”
“I know I should be a little friendlier, but I just…”
“You don’t have to explain yourself, I think everyone gets it why you’re like that.”
“Do they?” he arches an eyebrow.
“Well, you’re obviously a ladies’ favorite, but it doesn’t sit well with you being a person of some sort of power. It’s clear that you don’t want anyone to get the wrong picture about you. I’ve seen how bluntly girls are flirting with you, some of them are quite scandalous if you ask me,” you huff to yourself. “I totally get it that you don’t want even just a rumor to spread about you.”
“Didn’t think I was that obvious,” he admits, running his tongue over his lips.
“Don’t worry about it, you’re still a highly fancied professor, in all means,” you tell him with a warm smile.
“Does this mean you also fancy me?” he suddenly questions and your lips part at his words. He quickly realizes how ambiguous he just sounded. “I mean, am I one of your favorites? Where do I stand in your chart of professors?”
You can’t tell for sure because of the lack of lighting, but you could have sworn there’s a light blush on his cheeks as he corrects himself. Because of this, you don’t know for sure if he really meant it academically. Either way, the answer is the same.
“You’re my favorite,” you confidently state and your eyes meet for a moment before he turns back to face the road.
The rest of the ride is pretty quiet, you keep giving him directions to your place until you finally arrive a little before one am.
“Well, thank you for the ride,” you smile at him, grabbing the door handle.
“See you on Monday,” he nods shortly and watches as you get out of the can.
“Yeah, see you, professor,” you smirk before shutting the door and walking up the stairs and disappearing in your building.
“Was that Professor Styles in the fucking minivan?!” Nat throws the question at you the moment you open the front door.
“Jesus, why are you still up?” you sigh, shutting the door and shimmying yourself out of your coat.
“Because we were waiting for you!” Eden rolls her eyes. “So, care to tell us what the fuck just happened?” The three of you get comfortable on the couch and you give them a quick rundown of your evening from meeting Victor through being saved by Harry right to him offering to drive you home and they listen to you with wide eyes in complete shock that you just spent your entire evening with the most handsome professor on campus who also happens to be the most private as well.
“If I didn’t see him sitting in that van with my own eyes I would straight up think you’re lying, but I saw his tattooed hand over the windshield,” Nat gasps, processing the story.
“I know, I still feel like it didn’t happen, but it did.”
“And what is he like around his friends? What are his friends like?” Eden questions, hugging her knees to her chest.
“He is pretty much just like in lecture, just jokes a little more and he has a looser vocab. His friends are hilarious, I really got along with Sarah.”
“I know you still think it won’t happen, but I actually think you have a shot at him, Y/N,” Eden points it out and you just chuckle.
“Why, because he saved me from my douche ex?”
“No, because he let you stay for the night with him and his friends. This is literally the first ever time a student hung out with him.”
“It’s not that big of a deal, Harry is a reserved and private person—“
“Harry?!” they gasp at the same time.
“You are now just casually calling him Harry?” Nat asks with ogling eyes.
“Well, yes, he asked me to, because it felt weird that I was calling him Professor Styles with his friends around.”
“Okay, I’m giving it… let’s say, he seems to be moving pretty slow, but y’all will be fucking in about six months,” Nat bluntly tells you and it makes you laugh.
“Oh, sure, whatever. I’m gonna shower and head to bed, you two don’t get too crazy with your fairytales,” you wave at them before disappearing in the bathroom.
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The rest of the weekend goes by uneventfully, outside of the pathetic attempt from Victor to get you to talk to him, but you’ve had enough of him for a life so you finally block his number and hope you won’t ever see him again.
Both you and Eden oversleep on Monday morning, skipping your early morning lecture and already being late for Harry’s class as well, so you barely make it to Harry’s class in time, just sprinting up the rows, flopping down to your usual seats when Harry starts the lecture. It all goes as usual as if nothing really happened during the weekend, Harry doesn’t seem to be bothered by it at all. Glancing over at his desk you spot the book he promised you and you can’t hold your smile back. Still grinning, your eyes accidentally meet with his gaze and he stops for a heartbeat as if he is questioning why you are so smiley, but you just shake your head and he carries on before anyone could suspect a thing.
“I gotta run, my favorite TA is having his office hours now and I have a few questions for him. See you at home?” Eden asks once the lecture is over and you are getting ready to leave.
“Sure, have a good day!” you call after her and she sings a ‘you too!’ before running out of the room.
You pack up and head down between the rows, Harry spotting you right away and you go up to him without him even asking you to.
“Hey, sorry we were a little late to class this morning,” you tell him and he just shakes his head kindly.
“No worries. How… is your arm?” He furrows his eyebrows, his gaze wandering down to your forearm where Victor grabbed you on Saturday.
“Oh, it’s fine. I just have a little bruise,” you shrug, because it really isn’t that big deal, but you can tell Harry is still outraged by what happened.
“M’sorry about that.”
“It’s fine. Would be worse if you weren’t there,” you smile at him kindly and he nods to himself before turning to his desk.
“I, uhh, I brought the book we talked about,” he shyly says grabbing it from the desk. As people are exiting the room you can feel the glares on yourself, most of them are probably trying to figure out why Harry is talking to you for so long, but you don’t pay much attention to them as you take the book he hands you.
“Are you sure you don’t want me to pay for it?”
“No need, keep it, it’s yours,” he shakes his head with a small smile.
“Thank you then.” You slide the book into your bag before looking back up at him. “Well, I’ll see you on Wednesday, professor,” you smile warmly before heading out.
“See you!” he calls after you before you close the door behind you.
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The week carries on as usual, you are working on papers that needs to be turned in before the fall break so you spend some extra time at the library, using every bit of free time you have so you finish everything on time.
Things go back to kind of normal with Harry, he greets you in the mornings when you walk into the lecture hall and other than the warm smile he occasionally gives you, nothing has changed.
Friday however brings a surprise, but not from Harry. You’re sitting at work in the afternoon, typing away on your computer, filling in some sheets when you get a notification on your phone from Instagram.
Sarah Jones is now following you!
You tap on her profile but see that it’s private so without a second thought you request following. Luckily, she approves you only a few seconds later and you gain access to her posts, quite a few of them featuring Harry on them.
Photos of birthdays, weekend getaways, band practices and performances, Harry makes a lot of appearances on her feed and you find yourself scrolling all the way down until you reach the first few posts from 2016. Just as you are about to leave her profile you get a message from her.
Sarah: Hey Y/N! Charlotte and I’ve been talking about you recently, loved having you with us last Saturday! Want to grab a drink with the two of us this weekend?
Y/N: Would love to, but I’m not sure Harry would like the idea…
Sarah: He won’t be there and besides, who is he to tell you who you can and can’t hang out with?
She is right. You enjoyed spending time with them as well and Harry has little to no word in if you want to meet up with his friends or not. This invitation has no connection to him being your professor.
Y/N: Alright, I’m down!
 This is how your friendship with Sarah and Charlotte starts. You meet up with them on Saturday and have an amazing time, they are definitely fun people to spend time with and though at first you feel hesitant to get closer to them, you soon forget about your doubts and just enjoy your time with them.
Your little girls night goes so well that they invite you out for dinner on Wednesday with Mitch joining the little trio. You learn that he is a quiet but hilarious guy, he and Sarah make a great couple, you think.
“We have a gig this Saturday at Green Light, want to come?” Charlotte asks at the end of the dinner.
“Okay, I really don’t think Harry would be a fan of that idea,” you point out, feeling like it’s surely over the lines. He still doesn’t know about you meeting some of his friends without him and you’re not sure how he would react if he did.
“Harry can fuck off, not everything is about him. We are inviting you as our friends, he just happens to be in the band as well,” Sarah rolls her eyes, clearly not as bothered by the situation as you are.
“I just don’t want to make him uncomfortable.”
“He is a big boy, he’ll get himself over it, don’t worry. So, are you coming?”
“I guess, alright,” you nod with a soft chuckle.
 Next week you contemplate telling Harry that Sarah invited you out for their gig, but at last you decide against it, something is telling you he would try to talk you down and now you’re pretty hyped to see them perform. So you keep quiet and just brace yourself for the worst when Saturday comes.
You don’t overdress for the occasion, decide to wear some light washed mom jeans and a simple sweater tucked into it, a casual look for a night out.
Even when you’re on your way to the place you are having second guesses whether it’s a good idea or not, but you tell yourself it’s not that big of a deal and if Harry flips, you’ll just tell him you came for Sarah and Charlotte.
As you get off the bus and walk towards the place, you immediately spot the little group of three next to Harry’s minivan, Sarah waving in your way as you become visible in the streetlights.
“There she is!” she beams happily and you just chuckle at her.
Harry is standing with his back facing your way but seeing Sarah’s reaction he turns around and you swear for a moment you think he is about to faint when he spots you.
“Hey everyone,” you smile as Sarah pulls you into a hug and Charlotte does the same.
“Hey, if it isn’t our little trouble seeker!” Adam teases you and you just roll your eyes at him before shyly glancing at Harry who is standing on your left, awfully quiet and deep in his thoughts since your arrival. He feels your eyes on him and his gaze meets yours and just by one look you can tell he is pissed.
Just as you thought.
The group chats a little longer outside before Adam suggests they head inside and get ready for their start and you are just about to follow them, but Harry keeps you back.
“Y/N, can we have a word?”
Staying back you nod, hiding your hands in your coat’s pockets as you look at him, lips curled into your mouth.
“What are you doing here?” he questions, eyebrows knitted together and he looks so damn intimidating, the neon lights from the front of the building tinting part of his face green, but you think red would suit him better with this look.
“I… came to see the band playing, what do you mean?”
“Is this your sneaky way of trying to come after me? Because I thought we had a very clear discussion about my thoughts regarding situations like this and you seemed to understand it.”
He comes off way angrier than you think he should be. Yes, it might be uncomfortable for him to see you here, but the tone he just hit is way too harsh for your liking and professor or not, you are not letting anyone talk to you like that when it’s completely not relevant.
“Okay, calm down. First of all, I was invited here.”
“By who?” he spats.
“Sarah and Charlotte, we met last weekend and had dinner this week as well. Had a great time and they asked me to come tonight as well, so get off of your high horse, I’m not here for you.” You can see the change on his face as the information sinks in and he realizes he accused you wrongly, but you’re not quite done with him. “But if I was here to see you, why does that bother you so much? You can’t avoid meeting students every minute when you’re off-campus. If I came here because of you, it shouldn’t affect you this much if you weren’t worried about something else than me just being here,” you point out and he furrows his eyebrows at you. “If I didn’t know better I would think you’re afraid to be around me because you actually like me, huh!” you tell him with an innocent yet suggesting look. His eyes widen and the confidence in himself quickly vanishes from him, replaced by anxiety and nervous looks as he realizes the meaning behind your words.
“I-I, that’s not—I’m not—“
“Take a breath before you pass out, Harry,” you sigh, dropping the hard act. “I didn’t come here for you and if you want to know I actually thought a lot about canceling because of you. But I genuinely like spending time with Sarah and Charlotte so I’m here as their friend.”
Harry stares back at you, completely defeated, regret filling his green eyes. You feel a little guilty for snapping so hard at him, after all you do understand his point of view, but you genuinely don’t think it’s as big of a deal as he makes it to be.
“I-I’m…”
“It’s fine, okay? Let’s just… move past it, alright?” you suggest and he nods as the two of you head inside, joining the rest of the group.
You stay behind while they are waiting for their time to perform, keeping some distance from Harry so he can’t accuse you again, but you occasionally look his way, catching him already looking at you, but you just can’t tell what could be possibly going on in his head. When it’s time for them to go on stage, you go out to the actual bar area and sit by the counter, not too much at the front but close enough to see everything that happens on the stage.
When they start playing you can’t take your eyes off Harry. His energy behind the microphone just knocks you off the stool and you watch him completely mesmerized as if he has put a spell on you. It feels like he turns into an entirely different person on stage, nothing like the man you see at lectures every Monday and Wednesday. He sings perfectly on key, putting some extra charm into the songs with his little additional tunes whenever he is not singing a line.
But what makes it absolutely impossible to look away from him is because he keeps staring at you, eyes locking with yours for way too long every time he catches your gaze. You try to ignore it, but it’s quite hard when his eyes are basically burning into you, it leaves you breathless.
Once the concert is over you order yourself two tequila shots quickly, because something is telling you that you’ll need the boosting if you want to face Harry after his little performance.
But for your surprise, when you join the band again and get near him, nothing really happens. It seems like Harry has come to peace with your presence in his little group of friends and he actually treats you like you’re part of the circle.
The six of you occupy a table at the back of the bar to spend there the rest of the evening and it’s all good, it seems. A harmless night out with a bunch of friends, nothing extra. Harry actually strikes up conversations with you involved and you feel like you’ve overcome a banter finally.
“Do you need a ride home?” Harry asks at the end of the night when everyone is about to head home.
“Only if it’s fine by you.”
“Wouldn’t offer it if it wasn’t,” he smiles shortly before the two of you say goodbye to the rest of the group and head to his van that was previously loaded with their stuff.
The ride back to your place is now much shorter, it takes less than ten minutes to arrive and you are just about to say goodbye when he speaks up.
“I want to apologize for the way I reacted to your arrival earlier tonight. It was… unnecessary.”
“It’s fine, I’m sorry for what I said after that too.”
“You shouldn’t be,” he shakes his head, staring down at his hands in his lap.
“What do you mean?”
“I mean that you shouldn’t be sorry for saying something that’s true.”
It feels like all air is knocked out of you as his words process and you stare at him with parted lips and raised eyebrows. When he finally looks up at you, he looks so lost and tortured, you feel the urge to hug him, but you stay still as he continues talking.
“I got mad because I do like you and seeing you outside of school is very… confusing for me. And this is why I’m gonna be very straightforward with you now. I can tell Sarah and Charlotte like you a lot and they are stubborn, they won’t see the situation from my point of view and I’m no one to tell you if you can hang out with us or not. But what I can most certainly tell you is that nothing will happen between us. I’m very serious about this, Y/N. You are very much welcomed to spend more time with us, but I want you to know that it won’t go further than this.”
For a couple of moments you’re only able to stare back at him, blinking completely frozen at his sudden confession. You could tell tonight has been a turning point of some kind, but you were not expecting this speech from him at all and now you are at a complete loss of words. It takes some time before you actually find your voice.
“Okay,” is all you can breathe out, nothing more, but it’s pretty much all you have to tell him. You won’t go against his will and force him to do something he doesn’t want. He deserves the respect.
He nods shortly, seemingly still very torn about the situation and you figure it’s better if you just leave now.
“Thank you for the ride,” you quietly tell him opening the door. “Good night.”
“Good night, Y/N,” you hear him before you shut the door and walk into your building, feeling like you’ve been just hit by a pile of bricks.
Unlike the last time when Harry brought you home, Nat and Eden are not waiting for you in the living room. Nat is probably already asleep and Eden went out for a date earlier and she hasn’t been back. You don’t bother to turn the lights on as you walk inside, just kick your boots off and hang your coat before collapsing onto the couch, just staring into the darkness, Harry’s words repeating in your head again and again.
“… I do like you and seeing you outside of school is very confusing for me.”
“… nothing will happen between us. I’m very serious about this, Y/N.”
“… but I want you to know that it won’t go further than this.”
Harry, your professor, The Harry Styles admitted that he likes you but also told you pretty forward that nothing is ever going to happen between the two of you. It still feels like a fever dream and you’re not sure how you are feeling about it just yet. Hanging out with him was already quite overwhelming, but you were not expecting this confession from him at all.
What are you supposed to do with this information? If he is so set on not taking any further steps, why did he even share it with you? He could have just easily keep his thoughts and feelings to himself and get away with it without you ever figuring it out. It doesn’t make sense.
For the first time in your life, something Harry Styles said doesn’t make sense. That’s new.
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Following Harry’s confession you truly have no idea what to do, so you just go with the flow. He seemingly stays the same when it comes to you, friendly, but still keeping his distance. Nothing changes in the lecture hall, he just occasionally asks if you’re alright and you are guessing he only wants to know if you are having any trouble with Victor, but you haven’t even heard from him since you’ve blocked his number and you hope it’s going to stay like that.
You meet up with him and the band a few times outside of school and it’s not necessarily awkward, but you can tell he is keeping his distance from you, he never sits next to you or has one-on-one conversations with you, only if it’s necessary. The only time he dares to be alone with you is when he sometimes offers you to drive you home. You usually say no at first, but he insists, so you end up sitting in silence in the car until you arrive home, say goodbye and end of story.
No one in school even suspects that you’ve made your way into Harry’s group of friends, only Nat and Eden knows about it but they swore to keep it a secret, but you didn’t tell them about Harry’s confession. Whatever it is that’s happening between you and Harry, you would never put him into a situation he is trying to avoid so badly. You sit in his classes like everyone else, but while all the other girls are drooling over him, trying to get just slightly closer to him in any way possible, you sit in silence and think about the precious times when you get to see him outside of school.
Even with him being so distant towards you, you can’t help but slowly start falling for him. He doesn’t have to talk to you or be direct to you, it’s enough that you see him as himself, you see him with his friends, how he acts whenever he is not teaching, standing on the podium. And he is an amazing person, there’s no doubt about that.
The semester is gradually moving forward, once you get back from fall break, you basically move into the library, studying for your exams and finishing up all your papers. December arrives pretty fast and before you realize, the whole town is decorated with lights and Christmas trees everywhere, the shops are trying to lure customers in with all the sales and the Christmas shopping officially starts.
One weekend, when there’s only two weeks left of school before everyone heads home for the holidays, you and Nat go for a shopping trip, trying to buy every gift in time so you don’t have to worry about that at least last minute.
Wandering around the mall you naturally take a trip to the bookstore, always ready to buy something new to read. Nat dives into the cooking books wanting to get one for her mother while you’re just aimlessly looking through the shelves. As your eyes are running through the titles in the psychology department, you stop at one particular book, pulling it off the shelf as you can’t help but smile to yourself.
The secrets of Classical Conditioning.
You flip through the pages and though it doesn’t seem to be a groundbreaking work, it’s just explaining Pavlov’s experiment and further uses of it, you still decide to buy it.
That evening you sit at your desk, the book open in front of you, a pen next to it as you try to think of something to write into it. At first you just wanted to give it to Harry as it is, but you figured it would be a nice gesture to write a few words into it he could always read when he opens the book. After some consideration, you finally grab the pen and start writing.
-
Dear Harry,
I will always think of you whenever I hear of Mr. Ivan Petrovics Pavlov or Classical Conditioning. Thank you for another amazing semester and I’m happy I got to see you without standing on a podium. You are an amazing man, never change.
Happy holidays,
Y/N
-
Last week of school, you go to the Wednesday lecture, the last one of the semester with the book sitting in your bag. All through the 90 minutes class as Harry is having an open discussion about the lecture with the students, you keep debating whether you should give him the book or not. When the lecture is over and Harry wishes everyone happy holidays, you grab it from your bag and holding it to your chest you wait until there’s only a few people in the room. Eden has already left to hand in a paper so you walk down the rows on your own, eyes on the man behind his desk who is now packing up his papers and notes, getting ready to leave.
“Harry?” you faintly speak his name, grabbing his attention as he looks up at you from behind the desk. You glance down at the book in your hands and before you could change your mind, you place it down in front of him. “This is… for you.”
His gaze wanders down to the book, then back at you as he stares at you in awe, obviously surprised by the gesture.
“What’s this for?”
“Christmas gift?” you answer unsurely with a nervous chuckle. “I just saw it at the store and… thought of you.”
“Y/N, I can’t—“
“Yes you can and you will,” you roll your eyes at him, tired of hearing all these negations from him. He can’t, he won’t, he shouldn’t… for once, he definitely will if it’s on you. “Take it as my payment for the book you gave me.”
His eyes soften at you before he looks down at the book again, reading the title before he chuckles to himself.
“Thank you, Y/N,” he then finally says, accepting that you won’t let him return the gift under any circumstances.
“Have a nice Christmas, Harry,” you smile at him shyly, hands holding onto the strap of your bag as you start walking away.
“You too,” he faintly says and turning around you start walking, but then he stops you. “Y/N, wait!”
You stop in your track and face him curiously. He seems hesitant, stepping away from the desk, walking closer to you but still keeping some distance between the two of you.
“Do you… have plans for New Year’s Eve?”
“I, uhh—No, not yet.”
“If you happen to be back in town by then… Sarah is having this little get together. I have a feeling she already invited you, but if you said no because of me, I want you to know that it’s fine by me. Would be nice if you could come.”
He is right, Sarah did invite you over, but you kindly declined thinking Harry wouldn’t appreciate if you spent it with them. You wanted to give him a breather, have a night with his friends without having to avoid you all the time, but it seems like the situation has changed for him.
“You don’t have to invite me just because I gave you a gift, Harry.”
“It’s not about that,” he shakes his head softly. “I can tell you are getting along well with Sarah and all the others. I want you to know that I would never stand in the way and you are very much welcomed at any and all events.”
He seems and sounds genuine, you don’t see any sign of him just saying it because Sarah asked him to or something. No, this definitely came from him.
“Okay, I’ll… think about it,” you tell him with a warm smile. “See you around,” you wave at him before walking out of the room.
You don’t get to see his reaction to the words you wrote into the book and for a while, you’re not even sure he saw it. Maybe he took it home and put it on his shelf without even having a look into it, but two days later, when you’re already packing, getting ready to go home for Christmas, you get a notification that at first confuses you.
Breakfast is now following you!
You open Instagram with furrowed eyebrows as you go to the profile that just followed you. It’s a small account and private, of course and you almost close it thinking it’s just someone random when you see that it’s followed by both Sarah and Charlotte.
Could this be Harry’s profile?
The username is colazione8, it doesn’t give away much but now that you are thinking about it, it’s perfect if he wanted to stay unnoticed by his students that surely can use Instagram way better than him.
You tap on the follow request button and anxiously wait for an approval, hoping that the person behind the account is still online. You wait and wait, slowly losing hope but then the notification finally arrives. Your request has been approved.
You tap on the profile vigorously and three pictures appear in front of you. One is a picture of some random building, the first ever posted is a plate of nicely served breakfast of some sort and then there’s one that features the person you were desperately hoping to see.
It’s a picture of Harry sitting at a big dining table, a glass of wine in front of him as he is squinting his eyes towards the camera. You zoom into the picture just to make sure it’s him, but his features are clearer than daylight, it really is Harry that just followed you.
You’re still stalking his very private and not too eventful profile when you get a message from him, making your heart skip a beat.
Harry: Hey! Just wanted to thank you again for the gift, it’s really thoughtful. Read what you wrote in it… thank you, Y/N.
Y/N: I meant every word. Thank you for everything you did this semester!
It takes a few minutes for a response to arrive from him.
Harry: Are you already on your way home?
Y/N: Not yet, leaving tomorrow morning.
Harry: If I drop by your place in 20, can you come down for a sec?
Y/N: Sure!
Though your response seemed totally cool, you started panicking right away. What does this mean? Why is he coming here? Are you in trouble? You couldn’t be, you didn’t do anything wrong.
You quickly change out of your worn-out sweats and stained shirt, putting on a pair of jeans and a black hoodie, not wanting to see him looking like a total wreck. You sit on your bed, anxiously checking your phone every ten seconds to see if he has messaged you and those twenty minutes never seem to pass.
Then your phone finally chimes again.
Harry: I’m here.
Y/N: Be there in a sec.
You jump into a pair of trainers and grabbing your keys from the little sidetable you have in the hallway you storm out of the apartment, running down the stairs. As you walk out you stop in your track for a second, for some reason you were expecting the minivan, but this time, it’s a black Range Rover that’s parked in front of your building and Harry emerges from it the moment you step outside.
“Hey!” he smiles at you, shutting the door before he jogs around and you notice the little gift bag in his hands.
“Harry, is this what I think it is? Because you shouldn’t have, really,” you tell him right away as he stands in front of you, glancing down at the little bag in his hands.
“What? So you are allowed to give me a gift, but I’m not allowed to do the same?” he asks with a cheeky smile.
“But you already gave me one!”
“That wasn’t a real gift, so no,” he shakes his head, too stubborn to let it go. So instead, he nervously glances down at the little bag before handing it to you. “Here. Happy Christmas. But you can only open it when I’m gone, alright?”
“Why?”
“Just… please,” he breathes out and you not, keeping your curious hands to yourself.
“Alright. Well, thank you, Harry.”
“Sure. Um, have a great winter break and… I’ll see you around,” he smiles, walking around the car back to the side of the driving seat.
“You too, Harry. See you!”
You see him drive away as you walk back into the building, basically running up the stairs to your apartment, dying to see what’s in the little bag. Once you are locked in the safe haven of your room, you throw yourself to the bed and reach into the bag, finding a small box. One that’s usually used for jewelry. You pull it out with shaky fingers and take a deep breath before opening it.
Inside sits the cutest little silver ring you’ve literally ever seen. It’s thin and very detailed, tiny little strawberries lining next to each other and that’s the whole ring. Just the little strawberries, but it’s still the cutest you’ve ever seen. You put it on and it fits perfectly on your ring finger, holding up your hand you take a good look at how it sits on your finger. You’re in love with it.
Rolling to your back on the bed you stare up at the ceiling with a heavy heart aching for a man you know will never be yours, but you just can’t help it. The heart wants what it wants, right?
Reaching for your phone you type him a quick message
Y/N: Harry, thank you so much! It’s beautiful! But you shouldn’t have bought me anything!
Harry: I’m glad you like it :)
Y/N: I love it.
He doesn’t respond, just likes your message.
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Christmas is always the same, especially because your family just never had those juicy dramas that could ruin any family events. Holidays have always been quiet and loving, pretty predictable. It’s good to be home again and spend quality time with your loved one, though your mind keeps wandering to a particular someone.
Sarah mentioned that Harry has traveled home to his mom and sister and from time to time you catch yourself thinking about what he could be possibly doing at the moment.
The only interaction between the two of you is when you post a photo with your sister and brother at Christmas dinner and he likes the photo, but nothing more. He doesn’t post or add to his story so you are left with your own elaborate fantasies of what he could possiblybe doing at home.
Sarah convinces you to spend the New Year’s Eve at hers and you are accepting the invitation a lot easier now that Harry has told you he is fine with you joining.
Just one day before the 31st you get back to your apartment and spend the second to last night of the year spiraling about the whole situation with Harry. Where are you two standing as of right now? Was his gift a gesture with a deeper meaning behind it?
You can’t step over the fact that you are not his student anymore. He has officially graded you and you’ve received your credits for his class, the ties are off, but he situation might still be risky and you doubt Harry is willing to change his mind about what he told you earlier. He made it clear that nothing will ever happen between the two of you, however you can’t help but feel a little hopeful that the new semester might bring a change into that.
After two hours spent in front of your closet and at least three mental breakdowns you finally decide to wear a black turtleneck dress which is just the perfect mixture of modest and sexy at the same time. You feel anxious to see Harry again, not sure how to act around him following your little gift exchange. There’s a chance he’ll just shut himself off once again and avoid you all night, you can’t tell.
Sarah’s place is already buzzing by the time you arrive, several guests are lounging in the living room and kitchen, some soft music is playing and it appears that everyone is enjoying the evening so far, judging from the laughter you hear from time to time.
“I’m so glad you came!” Sarah envelopes in a tight hug when you arrive.
“Thank you for inviting me. Here, brought some snacks,” you hand her the grocery bag you picked up on your way, not wanting to arrive empty-handed.
“Oh, you are an angel, some on in, make yourself home, take whatever you want to eat or drink!” she gestures around before bringing the bag into the kitchen.
The cozy home is already filled with a lot of people you don’t know, but you also spot Charlotte and Mitch right away so you take the safe spot in their little circle. You try your best to stay present in the conversation but you keep glancing around, looking for one particular person.
And then you finally see him. Harry emerges from the little hallway that leads to the bedroom and bathroom with Adam, seemingly deep in conversation as he nurses a beer in his hand. His checkered slacks and vintage printed t-shirt makes him appear so casual, if you didn’t know him you wouldn’t even guess that he is actually a professor.
Harry laughs at something Adam just told him and his eyes glide around the room until they find you standing near the kitchen. He stops in his track, gaze running down your figure before it returns to your eyes and he seems to be in awe, like he doesn’t entirely believe it’s you he is seeing even though he knew you’d be coming. There’s nothing you want more than to run across the room and throw yourself into his arms. You spent way too much time thinking about him during Christmas and seeing him in the flesh now is a mixture of feelings you can’t really describe just now.
Neither of you leaves the conversation you are in the middle, but you keep glancing towards each other. You’re nervously moving the strawberry ring around your finger, feeling his burning gaze on your figure all the time. You haven’t taken it down since he has given it to you, it partially made it harder for you to stop thinking about him, because the jewelry was quite a loud reminder every time you glanced down at your hands.
Two drinks later your sister calls you, as always she wants to say happy new year before the lines get hectic at midnight, so you move out to the small balcony facing the street as you talk to your sister. The spicy night air feels amazing on your heated up skin, the turtleneck dress was a good choice, but it’s definitely getting hotter with each drink, especially with Harry’s lingering eyes as well. When you end the call you decide to stay outside a little longer, take a few moments to yourself.
You jump a little when you hear the sliding door open and you’re surprised to see Harry walk out.
“Hey, thought you might need this,” he smiles softly, holding a blanket in his hands.
“Oh, thank you,” you mumble and let him wrap it around your shoulders. It provides just enough heat that your lips are not shaking anymore from the cold.
“What are you doing out here alone? Not enjoying the evening?”
“I am, I was just on the phone with my sister.”
“She’s older than you, right?” he asks and you tilt your head a little looking at him.
“How do you know that?”
“I, uhh… You have a lot of pictures with her on your Instagram,” he admits with a nervous chuckle.
“Have you been stalking my profile?” you tease him, but he clearly takes it way more serious than you intended it to be.
“No, I swear it’s not like that, I just—“ he stammers but you cut him off placing a hand on his arms that are crossed over his chest.
“Harry, I was just teasing you. It’s fine,” you assure him, giving him a gentle squeeze before you are about to pull your hand back, but his hold stops you. He takes your hand in his, gently bringing it closer to his face as he examines the ring sitting on your finger.
“You’re wearing it,” he breathes out, a small cloud emitting from his pink lips as his thumb softly runs over the ring.
“Of course. I told you I love it.”
You can’t ignore the shiver that runs down your spine at the feeling of his warm palm against yours, his thumb delicately running over not just the ring, but down your finger as well before he lets go of your hand. You already miss his touch.
“So, how was Christmas?” he asks clearing his throat.
“Good, nothing extra. What about yours?”
“Same, went home to the family.”
“Do you often visit them?”
“Not as often as I would want to, but I’m trying to go every couple of months.” Harry turns towards the street, eyes running along the not too busy road that stretches past Sarah’s building. His hand comes up to the railing, fingers slightly drumming on it. “How come you didn’t bring anyone tonight?”
“Well, my roommates are still home and I also didn’t think you’d like the idea to have another student of yours around.”
“Right, yeah,” he nods, but you can tell something else is still on his mind. “So… no boyfriend to bring?”
You give him a puzzled look. Is this his way of asking if you are seeing anyone at the moment? Because if it is, it’s kind of ridiculous.
“No, not really. I guess you can say I’m not looking for one actively.”
“How come?” he asks with raised eyebrows, his body turning towards you as he leans against the railing. You give him a ‘really?’ look. You think about getting a little sassy and teasing with him, but then decide to just be straightforward instead.
“Because I’m kind of into my Methodology of Cultural Anthropology professor.”
Harry’s lips part as his eyes pierce into yours and for a moment you really think that he is about to flip, tell me how dare you say such thing to him and curse you out, but a second passes and his gaze softens as he lets out a shaky breath.
“Y/N…”
“What? I just answered your question,” you innocently shrug, looking away from him. Despite this long and weird game the two of have been playing these past months, this is the first time you openly admitted that you have a thing for him.
“You know how complicated it is and I told you that nothing can happen.” He shakes his head in defeat, a hint of disappointment in his tone, but it just grinds your gears.
“What, so you can ask about my dating life but I can’t say that I’m into you? How is that fair?”
“That’s not the same.”
“Well I think it is. Both are highly inappropriate to bring up in our situation, don’t you think? Yet you’re trying to put all the blame on me.”
“Alright, I’m sorry, I shouldn’t have asked. Let’s just… forget about it. I really don’t want to fight with you.”
“Because you’re afraid I might actually win?” you sassily reply, crossing your arms on your chest.
“I’m just trying to do the right thing, okay? Would you… let me?”
“If you haven’t realized it yet, I’m trying really hard to stay in my lane, but you’re not making it any easier.”
“I’m trying too, okay?” he growls, clearly losing his calmness at this point. “I’m really fucking trying, Y/N, but it’s the hardest thing I’ve ever had to do!”
“You’re the one making it hard!”
“It’s not my fucking fault I can’t stop thinking about you!”
“Well it’s not my fault either!” you snap at him, both of you raising your voice, the rest of the party oblivious about the screaming match the two of you are having on the balcony. “If you’re so set on not letting anything happen, why do you come to me and act the opposite?”
“The opposite?!”
“Yes! It’s not quite appropriate to gift your student with a ring or ask them about their dating life. Or is it all new information to you?”
“You started with the gifting!”
“So what? You could have just left it there, but you didn’t. It’s not that it didn’t make me happy, but don’t try to put all the blame on me for saying something when you’re already crossing the lines.”
Harry stares at you with a hard look and you’d pay great amounts to actually read his thoughts at this moment. His jaw clenches as he exhales sharply, eyes turning away from you, as if he couldn’t even bear to look at you.
“Make up your fucking mind,” you growl under your breath as you push your way past him and walk inside before he could get a word out.
For a well-respected, educated and smart man, Harry can act pretty fucking stupid, you think. He is not being fair and you will not apologize for anything you’ve said. If he doesn’t want anything to do with you, he needs to stay in his lane and not dance on the line, poking the sleeping lion. He doesn’t get to fuck around and then put all the blame on you, that’s just not how it works and he needs to learn that.
In the last hour that’s left until midnight you mingle with the guests and try to keep your thoughts of Harry at bay, though it’s quite the challenge since he lingers around you, keeping his eyes on you all the time, as if he is trying to piss you off or something, but you’re determined to be a mature adult and keep your composure.
You’re getting tired of this game and you’re not sure anymore if you are willing to wait around until Harry makes his mind up. Not when he doesn’t keep his own rules at least.
“Come on,” you mumble to yourself as you’re trying to open up a new bottle of wine, but the screw just wouldn’t move, no matter what you do. A hand reaches forward and wraps around the neck of the bottle, interrupting your pathetic misery.
“Let me help you.”
You let Harry take the bottle, biting into your bottom lip as you turn around and watch him easily open the bottle you’ve been fighting with the past ten minutes, he grabs your empty glass from the counter and fills it.
“Thank you,” you mumble when he hands it back and you take a sip right away. He places the bottle to the counter, fingers strumming on the surface before he takes a deep breath and speaks up.
“Y/N, I’m sorry.”
“For what exactly?”
“For the way I acted. You were totally right, I called you out for things that I did myself too, that was unfair of me.” He clears his throat, leaning against the counter with his back side as he crosses his arms on his chest. It brings out how toned his arms really are and you give yourself half a second to drool over that before you take another sip from your drink, forcing yourself to keep your thoughts under control.
“Thanks for acknowledging it,” you mumble, not sure what to say exactly. The two of you stand like that in silence, eyes roaming the guests, something clearly weighing down on both of you, but it’s hard to name and address it.
You can tell he is overthinking, the gears are almost visible, turning in that smart head of his, but you don’t want him to go into depths he shouldn’t. He really is making a bigger deal out of the situation that it already is, but it’s going to wreck him.
“Okay, I want to know, what was the worst way someone tried to flirt with you?”
Harry turns to you with a puzzled look, but you just sip on your wine, waiting for his answer.
“Um, I don’t… really keep track of it.”
“Oh come on,” you give him a look. “I know you have a story. I wanna hear it!”
Your eyes meet and he is searching in yours, trying to figure out what’s the sudden change in your mood when an hour ago you were ready to throw him off the balcony. Truth is you are just frustrated, because the situation feels so impossible. You never had to deal with such an amazing man, knowing he is into you as well, but you just can’t have him. The struggle is hard for the both of you but you can’t blame him entirely. Hating on him because he is not willing to take a risk that could easily ruin his entire life but at least his academic career is just not fair and you won’t put him through that.
Harry sees where you’re coming from and he shoots you a thankful smile before it turns into a smirk as he looks down at his hands.
“Professor Davids from the department of linguistics asked me to be her date for her ex-husband’s wedding.”
“What?” you gasp with wide eyes. “For real?”
“Yeah,” he chuckles. “She started swinging by my office all the time, trying to chat me up and then one day she asked if I wanted to go with her, that we would be staying at this nice hotel and all… she really thought it was a good idea.”
“That’s very awkward,” you laugh, entertained by the thought that Professor Davids would go so low when it came to dating. “I assume, you declined the invitation.”
“Faster than ever,” he chuckles making you laugh even louder. “Okay, your turn.”
“What?”
“I told you an awkward story, now it’s your turn.”
“Um, the worst was probably a promposal I got.”
“A promposal?” he asks with a puzzled look, his forehead creasing as he pulls his eyebrows together.
“Yeah, when they ask you out to go to prom.” “Oh, yeah. Didn’t know it had a specific name.”
“Because you are way too British,” you tease him and he just gives you a narrow-eyed look, but you can see the smirk hiding on his lips. “Well, anyway, I was dating a guy senior year, but this other one was convinced he could win me over and take me to prom. He brought a fucking mariachi band to school and gave me a serenade in the middle of the hallway while my boyfriend was standing next to me. He asked me to prom so confidently at the end of the song, like he actually had a shot but it was so painfully awkward,” you laugh at the memory shaking your head and Harry joins, finding it quite entertaining.
“He really did that to himself.”
“He did, I felt bad a little, but what was I supposed to do?”
You slip into telling more and more awkward stories, staying in the kitchen you create a little bubble, the rest of the guests don’t seem to exist as you enjoy yourself with Harry. This is the most carefree and loosest you’ve ever seen him around you and you quite like this version of him. So easy to talk to and even funnier than his usual self.
A little before midnight Sarah runs around with champagne, filling everyone’s glass, getting ready for the countdown. You and Harry join Charlotte, Adam and his wife in the corner of the living room as everyone is slowly getting excited for the last moments of the year.
Looking around you see a lot of couples, holding hands, hugging, clearly planning to snog the moment the clock hits midnight and when you glance at Harry on your right you’re convinced he is thinking about the same thing.
You’re not naïve, you don’t think he is going to kiss you, but you still allow yourself to play with the thought just a little. He is standing so close to you, just the tiniest move and you’d be touching him, skin to skin again, feel him under your—
The thought is abruptly interrupted when you feel his warm palm wrap around your hand, your whole body freezing and for a split second you think it’s just an accident, that his touch will disappear before you could even blink, but it stays there. Harry maneuvers his fingers until they are laced together with yours and he keeps a firm hold of your hand, hanging between the two of you, staying hidden because you’re standing close to each other. Your breath catches in your throat and you’re afraid if you dare to move he’ll let go of your hand.
Another version of yourself would laugh hysterically at how worked up you are right now just because he is holding your hand, but the you that’s actually in the moment is about to burst just by this small touch. You have absolutely no idea what it means or why he chose to do it, but you don’t really care about it. You just want to absorb all the heat you feel coming from him where his palm meets yours, fingers braided together tightly, as if he is trying to keep you next to him, like he thinks you are about to disappear and it’s way of anchoring you to him, but truth is you don’t want to go anywhere.
“One minute, everyone!” Sarah sings in excitement as she turns on the TV and puts a huge clock on the screen that’s counting the seconds as well. You shyly glance to the side, finding Harry standing motionless next to you and when he notices you looking, his eyes meet yours. He looks terrified, like a lost little boy and you can’t tell if he is afraid of your reaction or because of what his actions might bring on him. But you want him to know that you are completely okay with where it’s heading.
“Ten! Nine! Eight!” The countdown begins and you inch closer to Harry so you’re pressed against his side, his body heat radiating into your skin even through the layers of clothes you two are wearing.
Harry leans down the moment you lift your head, his face is so close, it wouldn’t take much for you to finally kiss him, do the one thing you haven’t stopped thinking about for months.
“Y/N…” he breathes out and it’s a tortured plea, he is begging you to stop him from doing something he might regret, but you are dying for him to finally sin. You want him to give it up already, you have absolutely no desire to be the burden that keeps him in his lane. You need him to cross the line and stay there.
“I’m not stopping you, Harry,” you tell him quietly, the urge to close the distance between the two of you is burning inside you.
“Seven! Six! Five!” the countdown continues, but it all tones out, you can only see, hear and feel Harry.
“We can’t,” he whines, closing his eyes as he exhales shakily.
“We can, we just shouldn’t,” you correct him, his eyes snap open and meet yours again. You can tell he is so close to finally giving in and let his feelings and desires take control and you will not try to stop him.
His face inches the tiniest bit closer and his forehead is almost touching yours now, you can see every curly eyelash that frames his gorgeous green eyes that are now filled with fear and nerves.
“Four! Three! Two! One! Happy New Year!” Everyone screams together as the clock finally hits midnight while you just stare at Harry holding your breath, praying that he is finally ballsy enough to take this step.
“Harry, please,” you beg, not too proud of it, but you just can’t take it any longer. His hand is gripping yours tightly as he closes his eyes again and for a second you think that it’s gonna happen. He is going to give up the act and finally kiss you.
But right when the moment is burning the most… he pulls back and your heart sinks.
“I’m sorry,” he whispers, his hand lets go of yours and it feels like your arm is ripped off, tears are welling in your eyes.
“Yeah, me too,” you mumble under your breath, chugging down the champagne before making your way through the living room, determined to leave as soon as possible.
“Y/N, wait, where are you going?” you hear him calling after you, but you don’t stop. You get rid of the empty champagne glass and grab your coat from the rack, storming out of the apartment as if you had somewhere to be.
Tears are streaming down your cheeks as you run down the stairs, almost tripping over your own feet. You hear the other pair of feet running behind you and Harry calling after you, but it’s not stopping you.
You push the front door of the building open, but it’s heavy, so it slows you down just enough that Harry can grab your wrist when you are about to start running down the street.
“Y/N, don’t go, let me explain!”
“No!” you snap at him. “I don’t fucking want to hear your explanation! I’m done, Harry! I’m fucking done! I was trying to be patient and respectful, I didn’t want to make it worse for you and let you do your thing, but you kept dancing back and forth and I can’t keep doing this, so I guess I’m sorry too.”
You’re choking on your own words that echo from the walls, the street is almost entirely empty, the world is still celebrating the new year while you’re at your breaking point. Harry stands in front of you, defeated and panic all over his face as he listens to you.
“I will not sit around and let you play your little games any longer, because you can’t make up your mind whether you want me or not.”
“Y/N I want you more than I’ve ever wanted anything in my life!” he snaps, throwing his hands into the air. “That’s the problem! This shouldn’t be happening, but I can’t fucking stop thinking about you, I can’t stop wanting you!”
“Then do something about it!” you beg through your tears.
“I can’t!”
“Yes you can!” you scream at him. “You can but you probably just don’t want me enough to actually do it! And it’s fine, but—“
You don’t get to finish your rant because Harry firmly grabs your arm, yanks you towards him and with one swift movement, his lips are crashing against yours.
It all happens so fast but your body reacts before your mind could process what’s really happening, fists bunching a handful of his sweater as you pull him against you, his hands flying up to your face, cupping them confidently as he kisses you hard and demandingly.
It’s like a fucking dam that’s been broken, everything you both kept bottled up and under control just breaks loose and it’s a kind of a wild fight for trying to devour each other now that all lines has been crossed an blurred into nothingness.
He is the dominant one, but you do some pushing and pulling on your own as well. You’re forced to take a few steps backwards, back arching at how forcefully he is pushing forward, lips smacking against each other over and over again, his tongue meeting yours, swirling and dancing around with yours, a shameless moan escaping your mouth.
His hands roam down your sides and you jumps when they reach the back of your thighs, legs wrapping around his waist. He keeps you up easily, fingers digging into your flesh where your butt meets your thighs and this angle allows you to be completely pressed up against him and feel every single inch of his body that burns for you.
It’s beyond anything you’ve ever imagined, you’re not sure it’s because of the build-up that led to this point or simply the chemistry you two got, but it blows your mind, making you question how you could go this long without ever kissing him.
“Harry, I want you,” you moan when his lips move down to your jawline, kissing and biting on the soft skin, tasting you wherever he can reach.
“I want you too, Y/N,” he breathes out resting his forehead against yours before kissing you again.
“Take me home then.”
“Are you sure?” he pants as you run your fingers through his hair and tug on his gently, earning a whimper from his perfectly pink and swollen lips. You love this satisfied dew on his face, especially because you know it’s because of you.
“Never been more sure about anything in my life.”
You unwrap your legs from around his waist and return to the ground, but not without him leaning down to kiss you once more before he grabs your hand and starts pulling you down the street. You spot his Rover right away and start sprinting, Harry following you right behind with a carefree laugh.
Settled in your seats he starts driving, but you can’t keep yourself away from him. His hand that’s not on the steering wheel is gripping your thigh as you lean over the console and start kissing his cheek, jawline and the corner of his mouth as one of your hands runs down his chest until it reaches his pants.
“Love, if you move further down we’re gonna crash,” he warns you with a shaky breath. “I drank a little too and I’m already fucking gone from kissing you, if you touch me I’m gonna lose it.”
You giggle, pressing one last kiss to his lips before sitting back in your seat. You need every bit of your patience and self-control to stay modest on the way back to his place. Hands gripping his you bring it up to your lips, kissing his knuckles gently as he speeds down the empty streets. It’s still barely over midnight, everyone is still celebrating, oblivious to how important this moment is to the two of you.
You really thought this would be the end. When he pulled away at midnight all hope was lost for you and it broke your heart to know that he will never choose you over his better judgment.
It’s your first time at Harry’s but you don’t really care to look around as the two of you make your way inside the townhouse, lips already melted together as you stumble through the dark hallway, not wanting to let go of each other. You successfully make it into his bedroom and Harry turns on the bedside lamp while you’re already eagerly getting rid of your coat and shoes. He does the same, clothes start to litter the hardwood flooring hastily, but neither of you is thinking about them. Harry scoops you into his arms once again, kissing your lips passionately as he bunches your dress up at your hips until he can finally grip the end of it and pull it over your head.
“Oh shit!” you giggle, the turtleneck getting stuck on your head for a moment before you’re free from it.
“That big head of yours,” he chuckles kissing your forehead.
“Shut up,” you smack his chest gently, pushing him down to the bed so you can straddle him, knees on his sides as you sit on his lap, lips meeting again.
He throws his hands up when you start pulling his t-shirt up and once the fabric is off of his body, his arms wrap around you, pulling you close to his chest. Your skin meets his and it feels heavenly, only little clothing separating the two of you at this point.
Harry scoots backwards and then throws you to the mattress, getting on top of you without your lips ever parting. His hips are pushed against yours and you can feel everything through the thin material of his slacks. Without even knowing you grind your hips, your core meeting his erection in the movement and he moans uncontrollably at the sensation.
“Fuck, Y/N,” he breathes against your lips and you can’t push your smirk down at his reaction.
“Yeah, fuck me, Harry,” you tease him before your lips get occupied once again.
His hands work fast. He unclasps your bra without you even noticing, the straps falling from your shoulders before he gets rid of it, throwing it across the room as if it did something against him. When his hungry eyes fall down on your naked chest you see the same kind of torture in his eyes that was there when he was fighting with himself before.
“Harry, stop thinking,” you tell him, fingers massaging his scalp as you lace them through his hair. “It’s fine, we’re fine.”
“Are you sure you want to do this?” he questions again and you pull him down for a reassuring kiss.
“One hundred percent. I want this. I want you.”
“Oh God, I want you so bad,” he whines again, lips kissing down your jawline, neck and collarbone before they attack your breasts.
He cups them, licks and bites them, making you a whimpering mess underneath him every time his tongue meets your hot skin. This man will be the death of you. As he moves down your body, his fingers hook into the waistband of your panties and he glances up at your for reassurance once again, you nod eagerly, lifting your hips so he can easily glide the fabric down and off of your body. Harry sits up, eyes burning down on your naked body lying in front of him as he undoes his own pants, pushing them down his long legs until they join the rest on the floor. You push yourself up when his hands move to his boxers, you want to be the one to take them off. He gladly backs his hands off when you reach out and start tugging them down. He kneels on the bed as you pull the fabric down and his erection finally becomes free, making you ache for him immediately. Once the boxers are out of the way completely you want to reach out to touch him, but he stops you, hands wrapping around your wrist before they could reach him.
Your eyes snap up to meet his darkened gaze, questioning why he stopped you.
“Y/N, I… If we do this, there’s no going back,” he breathes out with a pained look. You push yourself up to your knees so you meet his height, hands cupping his cheeks as you pull him into a sweet kiss that he hesitantly but returns.
“I know what you think about us, Harry, but I assure you, that I’m completely fine with it. But if you don’t want it to happen, we can just… lie here. I’m fine with that too. Kissing you was already such a gift for me,” you smile at him, gently pecking his lips.
“I just don’t want you to wake up and regret it. I’m not pushing you, right?”
“If anyone, it’s me pushing you,” you chuckle softly, a small smile tugging on his lips as well. “You didn’t push anything on me, alright? We are both adults and it’s completely fine. We’ll figure out the rest, I just want to focus on you now. Can I do that?”
Harry nods, still looking a little unsure, but you can tell he is starting to settle in his mindset. It’s not just him that worries about the other regretting something. You know how torn up he is about anything that’s about you and though you want him more than anything, you still don’t want to push him into doing something he is not entirely comfortable with.
“Do you want this?” you softly ask, pressing a chaste kiss to the corner of his mouth.
“I do. I’m just—“
“Then it’s all good, Harry. We both want it, nothing else matters for now,” you tell him, wanting nothing else than to finally see him enjoy himself entirely. “Lay down for me,” you tell him, feeling like you taking the lead is a good idea now.
He does as you asked him to, lying down on the mattress, head sinking into his pillow as he blinks up at you, watching you swing a leg over him before settling to sit on his thighs.
“Can I touch you?” you ask, wanting to make sure he feels completely comfortable with you. Pleasing him is your number one priority right now. He nods, lips parting as he watches your hand reach out and wrap around the base of his erected length. He whimpers under your touch, his eyes fall closed when you gently pump him a few times, his cock fits so well in your palms, like pieces of a puzzle.
Leaning down you kiss his fern tattoos on each sides of his hips before placing one to his leaking tip, sliding your hands to the base before you slowly and gradually take him into your mouth.
You’re not planning to make him cum with your mouth, but you’ve been dying to taste him and it’s just as good as you imagined. The way his body reacts to your touch, the noises that leave his kissable lips, this man is completely out of this world and you want to explore every inch of his body.
You bob your head a couple of times, just enough to wet his length and work him up for what’s coming next. When you let him go of your mouth and you move a little up on his body so that his cock can be lined up with your hole, you look at him to see if he is still down to continue. One hand holding his cock, the other one flat on his naked chest, you ask him a question with your eyes that he answers with his hands squeezing your hips.
“I have the implant. Do you want to put on a condom?” you ask him at last.
“I trust you,” he breathes out. “Do you want me to put one on?”
“I want to feel you,” you tell him shaking your head.
“Okay,” he nods so it’s settled.
Leaning down you peck his lips one last time before you push the head inside and then slowly ease yourself down on his throbbing length.
“Oh fuck!”
“Harry, oh my God!” you both moan at the sensation of him finally entering you. You’ve had your fair share of sexual intercourses throughout your life, but none of them felt this good. None of them pleasured you this good so fast and easily, just the feel of him being inside you is making you lose your mind.  
You start off slow, wanting to feel him just right, get used to his size, but as soon as you feel more comfortable, you pick up a faster pace. His fingers are digging into your flesh at your hips as he holds onto you for dear life, panting and moaning at your motions. He glides in and out of you perfectly, setting your senses on fire practically.
“Harry, you feel so good,” you gasp, getting lost in the feeling. Sex has always been a good experience for you, but with Harry it’s a whole different story. As if he just opened a completely new world you never even knew about before.
“Yeah? You’re gonna cum for me?”
“Yes! Oh fuck!”
Harry pushes himself up, an arm coming around your back as he easily flips the two of you over, your back gently hitting the soft mattress. He holds himself up above you, lips crashing with yours as he starts to do the work this time, thrusting in and out of you, his hips smacking against yours forcefully as you both nearing the end.
“You’re making me lose my fucking mind, Y/N,” he cries out, head falling to the crook of your neck and you wrap your arms around him as a shield, holding him tight against you.
It doesn’t take long after that. He is hitting just the right spots, making you moan his name over and over again as your orgasm slowly devours you and washes over your whole body while he is still relentlessly moving.
“Harry! Oh… Fuck!” you gasp, legs and hands shaking and you clench your muscles around him, throwing him over the edge with you. He falls out of his rhythm, his cock twitching inside you as he moans against the hot skin of your neck, coming undone in your arms.
Nothing has ever felt this intense and mind-blowing and you’re now sure you’re addicted to him, there’s no turning back, not that you want that.
He collapses on top of you, still inside you, his body weighing down on you heavily, but it feels just fine. You run your arms up and down his sides, kissing the side of his head as you are both trying to catch your breath. It takes a few minutes for him to come back to reality with you, he lifts his head and moves to the side so he is not crushing you anymore, but an arm remains thrown over your abdomen. His vibrant green eyes are shining like never before when they meet your tired gaze and cupping his face in your palm you pull him in for a slow kiss where you finally have the time to actually taste him without the rushing of your own needs and urges.
“How are you feeling?” you softly asking, knowing well how major this was for him. You wouldn’t want him to spiral and start to self-destruct because of what just happened.
“I’m feeling fine,” he murmurs lowly, his fingers dancing on your naked side. “Just still a little torn if I did the right thing.”
“You worry too much. We did nothing wrong.”
“Not sure everyone would agree with that.”
“Fuck everyone else,” you chuckle and a smile tugs on his lips as well. “I will not feel bad for having the best sex of my life with a hot as fuck man I’m really into,” you bluntly tell him, earning a smug grin.
“Best sex of your life, huh?”
“Not even ashamed to admit,” you nod into the pillow. “How… was it for you?” you shyly ask, afraid his answer might disappoint you. But Harry pulls you closer until you’re pressed up against his chest, his lips capture yours, kissing you fiercely, making your heart skip a few beats for sure.
“Fucking amazing, baby. Probably the best I ever had too,” he admits, lips brushing against yours as he speaks. A satisfied sigh leaves your lips as you nuzzle against his chest once he has rolled to his back.
Silence comes over the two of you, you’re listening to his steady heartbeat, mindlessly drawing patterns over his chest. Lifting your head your eyes meet his and you can tell he has been thinking hard about what this all means for the future now.
“I’m in,” you simply tell him.
“Huh?”
“If you are thinking that I might not want to do this with you, that I just wanted a good fuck, that’s not what I think of this. If you want to give us a chance, I’m totally in.”
“You think we can make it work?” he quietly asks, his voice barely more than just a whisper.
“Of course,” you smile at him warmly. “You don’t?”
“I do, I’m just… there are so many things that can go wrong.”
“Then… we’ll make them right.”
Harry breathes out through his nose, clearly having a hard time to take it as easy as you do and you wish you could magically make all his doubts go away.
Sitting up you put your hands on each of his sides, looking down at him determined to bring out his confidence in the two of you.
“We just have to be patient and careful until I finish. Then we are basically free. That’s just one more semester. It could be way worse, we can make it work for a couple of months before we can finally do whatever we want. That doesn’t sound that bad, does it?” Harry shakes his head, reaching up he tugs your hair behind your ear before running his fingers down the side of your face.
“So we are really doing this?” he breathes out, a small smile on his sweet, pink lips.
“Well, I’m surely not giving up on this, we came a long way to be here,” you chuckle. “Question is, are you gonna give up on us? On… me?”
“Hell no,” he chuckles softly as he shakes his head. You smile down at him and leaning down you peck his lips tenderly.
“Then… we really are doing this.”
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SEQUEL: 🌊 AN OCEAN AWAY 🌊
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Thank you for reading, please like and reblog if you enjoyed it!
3K notes · View notes
goldengoddess · 3 years
Note
hi! i was wondering if i could request a matthias x reader where jesper knows that the reader likes matthias and then one day matthias asks the reader what tumble means and when they ask why he wants to know he says that jesper told him that the reader wants to tumble him (i hope that wasn't too specific haha)
pairing: matthias helvar x reader 
a/n: okay so i think this will be my first time writing one of these not in bullet point form so bare with me <3 this is very cute and very matthias (since i don't explicitly say it in here, tumble basically means to have sex if you didn’t know!)
warnings: cursing, suggestive comments, betting and playing cards
you lean your head back, staring at the ceiling of the slat. an exasperated sigh leaves your lips as you close your eyes in frustration. jesper lets out a small laugh under his breath, sitting in the seat next to you. you straighten yourself and open your eyes, sending him a sharp glare.
“stop laughing jes! this is absolutely not funny.” you groan. 
he only lets out another little laugh and shakes his head, “this is totally funny. this situation is the most fun i’ve had since i gave wylan a gun for the first time.”
you roll your eyes, if jesper was comparing your situation to the wylan gun fiasco, you really were in trouble.
“maybe it’s funny for you but im absolutely dying here. i don’t know how to act around him.” you let out an annoyed sound and drop your head into your hands. 
“just tell him. matthias is like a giant really threatening teddy bear. even if he rejects you, he’d probably give you like a pat on the back or something” jesper shrugs.
you let out a small fake cry and look back up at jesper, “i can’t just tell him i want him. it would ruin everything. matthias is just starting to really trust me. he trusts me more than anyone else. i can’t mess that up for my own selfish lovesick reasons.”
jesper flicks your arm and you whine, rubbing the spot.
“saints, you’re overthinking this. first of all, matthias looks at you as if you’ve hung the fucking moon. second of all, you don’t have to get down on one knee and admit your undying love for him. you can just have a little fun.”
at his last comment, he makes a suggestive face your way, insinuating something you’ve tried not to let your mind linger on.
“he doesn’t look at me like anything,” you mumble out, a bit embarrassed. 
he groans and stands up from his chair, “saints im really the only one in this group with a bit of common sense.”
you furrow your brows at the sharpshooter, “where are you going?”
“away” is all he says before he’s making his way up the stairs to the bedrooms. 
you frown but turn your chair so you’re facing the table you previously had your back to. 
whatever, you think to yourself, what does jesper even know? he has his stupid perfect love with wylan. he wouldn’t get it. 
your play with the hem of your shirt sleeve for a couple of minutes, lost in thought, running over all of the things you would say to matthias if you could, if you had the courage that all the other dregs seemed to have. 
a couple of minutes later you feel someone sit in the chair next to you. you’re so engrossed in your thoughts that you don’t even bother to look up.
until you feel a small tap of your shoulder and a soft, “y/n?”
you look up, meeting those ice-blue eyes that seem to totally hinder your ability to make normal conversation. 
you smile at him anyway, “hey matthias.”
it might be your imagination but you feel him brighten at your smile. 
“um, y/n, can i ask you a question?”
you nod your head, turning your attention back to the table. you were used to answering random questions from matthias. making the permanent move to ketterdamn had been difficult in a number of different ways but matthias had struggled a lot with the slang of the city. it was habit for you to whisper the meaning of phrases to him as all of your friends made conversations. 
but you definitely weren’t expecting the words that came out of his mouth next. 
“what does uh tumble mean?” 
your head snapped up to look at him. you could practically feel the heat of your blush on your cheeks, but you try and keep a neutral face in front of this giant stupid beautiful boy. “oh! um, why do you want to know matthias?”
he scratches the back of his neck. 
is he nervous, you ask yourself in total disbelief.  
“jesper said that you want to tumble me” he struggles with the word tumble, the pronunciation so different from that of his native fjerdan. 
any hope of keeping a neutral face evaporates at those words. your jaw drops slightly. you turn your head around, searching for that mischievous sharpshooter who seems to only be in your life to cause absolute chaos. 
you spot him leaning on the bannister of the stairs, he gives you a knowing smirk and a condescending wave before bounding up the stairs.
you’re going to kill that little bastard.
you turn your attention back to matthias, who’s watching you expectantly.
“um well see. you can’t believe a word jesper says because you know jesper and his impulsive habits, he just loves to say absolute nonsense to cause trouble-”
matthias stops your ramble by placing his hand on yours, “what does it mean?”
you blush and take a deep breath, well here goes nothing. 
you lean into the space that separates the two of you and whisper the meaning into his ear. 
and saints, you had never seen matthias turn so red in your whole life.
the two of you sit in silence for what feels like hours, the tension building. 
he’s the first to speak and you tense, preparing yourself for the rejection, for the anger, for anything and everything that could happen next. 
“i um,” he pauses, “want to tumble you too?”
he mumbles the last part but your eyes widen, obviously hearing it. 
you’re suddenly aware of matthias’ hand still ontop of yours. he laces your fingers together. 
holy shit matthias helvar is holding my hand, you squeal in your mind. 
you give him a small smile. 
and he smiles back.
well fuck. 
you were gonna have to thank jesper.
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On Lesbianism
I’ll state it at the top here, because many have not understood my stance. The purpose of this essay is not to say that Lesbian cannot mean “Female homosexual.” Rather, my objective is to show that Lesbian means more than that single definition suggests. Female Homosexuals are lesbians, unless they personally do not want to use that label. Now, on with the show: Lesbianism is not about gatekeeping, and I don’t want to have to keep convincing people that the movement popularized by someone who wrote a book full of lies and hate speech then immediately worked with Ronald Reagan is a bad movement. In the early ’70s, groups of what would now be called “gender critical” feminists threatened violence against many trans women who dared exist in women’s and lesbian spaces. For example, trans woman Beth Elliott, who was at the 1973 West Coast Lesbian Feminist Conference to perform with her lesbian band, was ridiculed onstage and had her existence protested. In 1979, radical feminist Janice Raymond, a professor at the University of Massachusetts, wrote the defining work of the TERF movement, “Transsexual Empire: The Making of the Shemale,” in which she argued that “transsexualism” should be “morally mandating it out of existence”—mainly by restricting access to transition care (a political position shared by the Trump administration). Soon after she wrote another paper, published for the government-funded, National Center for Healthcare Technology — and the Reagan administration cut off Medicare and private health insurance coverage for transition-related care.
Trans Exclusionary Radical Feminism is a fundamentally unsustainable ideology. Lesbianism is a fundamentally sustainable existence.
There used to be a lesbian bar or queer bar or gay bar in practically every small town — sometimes one of each. After surviving constant police raids, these queer spaces began closing even Before the AIDS epidemic. Because TERFs would take them over, kick out transfems and their friends. Suddenly, there weren’t enough local patrons to keep the bars open, because the majority had been kicked out. With America’s lack of public transportation, not enough people were coming from out of town either.
TERFs, even beyond that, were a fundamental part of the state apparatus that let AIDS kill millions.
For those who don’t know, Lesbian, from the time of Sappho of Lesbos to the about 1970′s, referred to someone who rejects the patriarchal hierarchy. It was not only a sexuality, but almost akin to a gender spectrum.
That changed in the 1970′s when TERFs co-opted 2nd Wave feminism, working with Ronald fucking Reagan to ban insurance for trans healthcare.
TERFs took over the narrative, the bars, the movement, and changed Lesbian from the most revolutionary and integral queer communal identity of 2 fucking THOUSAND years, from “Someone who rejects the patriarchal hierarchy” to “A woman with a vagina who’s sexually attracted to other women with vaginas”
How does this fit into the bi lesbian debate? As I said, Lesbian is more of a Gender Spectrum than anything else, it was used much in the same way that we use queer or genderqueer today.
And it’s intersectional too.
See, if you were to try to ascribe a rigid, biological, or localized model of an identity across multiple cultures, it will fail. It will exclude people who should not be excluded. ESPECIALLY Intersex people. That’s why “Two Spirit” isn’t something rigid- it is an umbrella term for the identities within over a dozen different cultures. In the next two sections, I have excerpts on Two-Spirit and Butch identity, to give a better idea of the linguistics of queer culture: This section on Two-Spirit comes from wikipedia, as it has the most links to further sources, I have linked all sources directly, though you can also access them from the Wikipedia page’s bibliography: Two-Spirit is a pan-Indian, umbrella term used by some Indigenous North Americans to describe Native people who fulfill a traditional ceremonial and social role that does not correlate to the western binary. [1] [2] [3] Created at the 1990 Indigenous lesbian and gay international gathering in Winnipeg, it was "specifically chosen to distinguish and distance Native American/First Nations people from non-Native peoples." [4] Criticism of Two-Spirit arises from 2 major points, 1. That it can exasperate the erasure of the traditional terms and identities of specific cultures.           a. Notice how this parallels criticisms of Gay being used as the umbrella           term for queer culture in general. 2. That it implies adherence to the Western binary; that Natives believe these individuals are "both male and female" [4]          a. Again, you’ll notice that this parallels my criticisms of the TERF definition of Lesbian, that tying LGBT+ identities to a rigid western gender binary does a disservice to LGBT+ people,—especially across cultures. “Two Spirit" wasn’t intended to be interchangeable with "LGBT Native American" or "Gay Indian"; [2] nor was it meant to replace traditional terms in Indigenous languages.  Rather, it was created to serve as a pan-Indian unifier. [1] [2] [4] —The term and identity of two-spirit "does not make sense" unless it is contextualized within a Native American or First Nations framework and traditional cultural understanding. [3] [10] [11] The ceremonial roles intended to be under the modern umbrella of two-spirit can vary widely, even among the Indigenous people who accept the English-language term. No one Native American/First Nations' culture's gender or sexuality categories apply to all, or even a majority of, these cultures. [4] [8] Butch: At the turn of the 20th century, the word “butch” meant “tough kid” or referred to a men’s haircut. It surfaced as a term used among women who identified as lesbians in the 1940s, but historians and scholars have struggled to identify exactly how or when it entered the queer lexicon. However it happened, "Butch” has come to mean a “lesbian of masculine appearance or behavior.” (I have heard that, though the words originate from French, Femme & Butch came into Lesbian culture from Latina lesbian culture, and if I find a good source for that I will share. If I had to guess, there may be some wonderful history to find of it in New Orleans—or somewhere similar.) Before “butch” became a term used by lesbians, there were other terms in the 1920s that described masculinity among queer women. According to the historian Lillian Faderman,“bull dagger” and “bull dyke” came out of the Black lesbian subculture of Harlem, where there were “mama” and “papa” relationships that looked like butch-femme partnerships. Performer Gladys Bentley epitomized this style with her men’s hats, ties and jackets. Women in same-sex relationships at this time didn’t yet use the word “lesbian” to describe themselves. Prison slang introduced the terms “daddy,” “husband,” and “top sargeant” into the working class lesbian subculture of the 1930s.  This lesbian history happened alongside Trans history, and often intersected, just as the Harlem renaissance had music at the forefront of black and lesbian (and trans!) culture, so too can trans musicians, actresses, and more be found all across history, and all across the US. Some of the earliest known trans musicians are Billy Tipton and Willmer “Little Ax” Broadnax—Both transmasculine musicians who hold an important place in not just queer history, but music history.
Lesbian isn’t rigid & biological, it’s social and personal, built up of community and self-determination.
And it has been for millennia.
So when people say that nonbinary lesbians aren’t lesbian, or asexual lesboromantics aren’t lesbian, or bisexual lesbians aren’t lesbian, it’s not if those things are technically true within the framework — It’s that those statements are working off a fundamentally claustrophobic, regressive, reductionist, Incorrect definition You’ll notice that whilst I have been able to give citations for TERFs, for Butch, and especially for Two-Spirit, there is little to say for Lesbianism. The chief reason for this is that lesbian history has been quite effectively erased-but it is not forgotten, and the anthropological work to recover what was lost is still ongoing. One of the primary issues is that so many who know or remember the history have so much trauma connected to "Lesbian” that they feel unable to reclaim it. Despite this trauma, just like the anthropological work, reclamation is ongoing.
Since Sappho, lesbian was someone who rejects the patriarchal hierarchy. For centuries, esbian wasn’t just a sexuality, it was intersectional community, kin to a gender spectrum, like today’s “queer”. When TERFs co-opted 2nd Wave feminism, they redefined Lesbian to “woman w/ a vag attracted to other women w/ vags”. So when you say “bi lesbians aren’t lesbian” it’s not whether that’s true within the framework, it’s that you’re working off a claustrophobic, regressive, and reductionist definition.
I want Feminism, Queerness, Lesbianism, to be fucking sustainable.
I wanna see happy trans and lesbian and queer kids in a green and blue fucking world some day.
I want them to be able to grow old in a world we made good.
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hilli98215 · 3 years
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I am confused. I am hurt. I don’t know what to think. This is a long post. A very long post that is personal but I’ve had it in my head for a while to write. You don’t have to read this. This post has no real meaning. It’s more of a rant of how I feel in the world of fandom, my experiences, and why this posts exists. 
Again, you do not have to read this. 
You have been warned.
DO NOT REBLOG THIS POST!!!! 
When I became an English major in college, I did so knowing several things. One of those is the fact I love literature and I love discovering why authors, creators, and artists wrote what became their most well known work.
Where am I going?
My first fandom was when I was in Junior High (about 13-14 years old) that I was a part of, meaning I read fan fiction and discovered fan art of, was either Naruto or Pokémon. To me these works were escapes of my real confusing life. Especially when I moved states and schools. I had no one. Through this, I discovered what I liked and didn’t like in the world of fiction and was introduced to fandom words/slang such as shipping, fan fiction, lemons (which I don’t think is used as often now), different types of writing, yaoi, yuri, and a few more I can’t remember. This also included the all important phrase Don’t like don’t read. This was when I was in my early teens. 
But I was in a phase where I could find what I found interesting and that was that. 
When I got to high school, I was still this awkward quiet kid with no friends. But I did have marching band so that was something. 
At this point was was interested in Ouran Highschool Host Club, Death Note, a series called Beauty Pop, Fullmetal Alchemist, and a few others. This was also around the time where I began writing fanfiction for OHSC and even began buying manga. Anyway, this was my introduction to fandom as a teenager. And this is before Tumblr.
All I had were my friends, videos on YouTube, and my own interests. No one really understood why I loved all these things. 
Then came the very first fandom I became fully obsessed in my sophomore year: a small series called Hetalia Axis Powers. I was completely invested in this fandom. So much so I wrote fan fiction, bought merch, and read a lot of fan fiction myself. I think it was because, at the time I thought it was because the art style was cute, the voice acting wasn’t half bad and it had to do with history. But this is where things got interesting for me and learning about fandom as a whole. 
As a teen, I hadn’t known about AUs and this series had a lot of them. From the usual school AUs to odd ones. I usually stayed in my bubble and kept up the mantra Don’t like Don’t read. 
But why talk about it?
Well, let’s just say a lot of the content later on became weird and new. I learned a lot about new terms like de-aging and ABO. But this leads to interest which once again let me know what genres of fan fiction I like. 
I continued on with this fandom for about 3 years. And what broke it was the drama and how people were finding a sudden moral compass for personified countries. I mean there are other problems with that show that I recognize now as an adult and didn't see as a kid but that’s for another time. But I quietly left because I was beginning to understand that the drama wasn’t worth a tv show.
I would say the next fandom I was invested in and loved and I think had the least amount of drama was Fairy Tail. Now I fell in love with this series because of the story, characters, and the welcoming fandom. Overall there was rarely any drama because I think we all knew that we had to be civil with each other and respect our ships. While I’m not part of that fandom anymore a lot of people on Tumblr and FFN were very welcoming. The main series kinda fizzled out but that was one of the few positive fandom experiences I had.
I was at that point in my life where I was in college, created my Tumblr and posted regularly to escape life. 
Coming off that fandom, I was part of the Yuri on Ice! fandom from beginning to the end. I mean it’s a sports anime that’s about men's figure skating and how it can affect athletes just to get a gist of it.
That’s when my experience with fandom became interesting because these characters were being paired in a way that made me feel like they can’t be paired with anyone else. Like, there was a pairing we were all cheering for to happen by the end. 
This is the first series I was highly interested in as an adult where the ages of the characters were defined. There were a few in their teens, some in their early to mid 20s, and a couple in their 30s. Now this was a historic anime for several reasons. The main being there being a gay relationship being shown in a positive light and mental illness being shown in a way that wasn’t patronizing and negative. I loved this show for those reasons. But I also quickly learned how people would take these characters (especially those with huge age differences) and pair them up. That was my first introduction to criticism of how ‘gross’ it would be for a 15 year old to be paired up with an 18 year old. But I saw a problem that made me second guess my thinking. When I was in high school, I knew someone who was a sophomore at 15 and dated someone who was 18. Why was there a problem? 
I knew if I voiced this that I would be shamed and told that I was disgusting. Eventually I had enough and left shortly after the series ended.
Then came the Voltron: Legendary Defender series. Oh boy.
Now that series came out while I was in college and I often viewed it in a critical perspective similar to one would a piece of literature because my major was in English and that was what I was taught. Like YOI I was part of this fandom day 1 because it was so different from the original Voltron series from the 80s. I loved how the fandom dissected everything in every episode. There were watch parties, analysis videos, and even skits at conventions. It was a fandom I knew I wanted to be a part of. But then there was fanfiction that I found odd and knew that I never wanted to read that. People were writing about topics that made me uncomfortable and I didn’t know how to deal with it. After a while, I questioned why I was forcing myself to read them in the first place. So, I stopped reading them. This was also around the time where I discovered AO3 and their amazing tagging system. Because if the tagging system was not there, I probably would have stopped reading fanfiction all together.
But then there was drama, shipping wars, morality wars, and I had enough. I was there until it ended and left quietly. Which is sad considering I loved the experience but it was ruined by what people thought was right for fictional characters. 
Now you may be asking “What was the point of this post?”
To answer your question, I don’t know.
I have loved reading since I was a kid. And when I got to high school, I had this AP teacher who told us something that has stayed with me to this day.
‘As a reader we are detectives. We want to know why the author wrote this book. We want to know what influenced them.’
I took that saying to heart and approach everything through a critical lens. Which is difficult in a fandom. It’s hard to have a critical approach to a series that everyone takes for a grain of salt.
I have been exposed to a lot of books and pieces of literature that have been considered controversial because of their content. When I left high school, I began to realize what genres of books I like in the YA genre and in literature. 
I experimented.
And when you think about it, that’s what you do with fan fiction and fandom. We are always experimenting. We are always finding what we like and don’t like. 
But recently I’ve noticed a new fandom term that makes me wonder where I fall in all of this craziness we call fandom. 
Pro-Fiction/Pro-Shipper
It wasn’t until last year I saw this word thrown around in a new fandom I am in. I tried to do some research but I couldn't find anything. Nothing. And then I learned it’s a new term in itself.
I won’t go into detail but it reminds of the ‘video games are violent so that makes so-and-so violent’ argument parents made when Mortal Kombat came out. 
Well you still didn’t answer the question.
And you’d be right. I saw a post from a follower that saddened me and honestly freaked me out. Why announce that you hate a specific group? It felt like a call out post without saying any names. A warning that states: Block me or out yourself. Or rather: Block me or else.
Do I identify as this? To tell you the truth, I don’t know. I think critically and see things differently. In fact everyone does. 
We are always going to be influenced by the media whether it be a movie, television, a book, or a video game. We will always love these storylines and characters. We will always take the messages to heart. We will always cheer for the hero and maybe the villain too. 
I do want you guys to remember this, make your own fandom experience. Block those who make you feel uncomfortable and make you feel like you don’t matter. You do.
You are your own person. No one can tell you otherwise. If you feel uncomfortable, then maybe you need to leave the fandom. Or find a space in the fandom that you can be yourself. Or don’t care what people think and do what you always do.
It’s all up to you.
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Like My Mirror Years Ago
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Hey, hi there, that gif doesn’t really have anything to do with the story! So, a couple days ago @shireness-says​ sent me this post and was like, “You know what you should do? Write some domestic Enchanted Forest with Killian unlacing Emma’s dress.” And I was like, “Yes, this seems like a good idea.” Only then, I didn’t write it. As I am apt to do. Instead here is some season 5A Camelot divergence set at some point between 5x02 and 5x04 with a conversation I have wanted to write forever, but didn’t originally plan on writing until I started typing it yesterday. And we do get to the unlacing, but first: angst in the form of nearly 5.3K. 
Also, it should be known that the Google doc title of this was [Insert Hozier Lyrics Here] so if you’re looking for a soundtrack. 
————
She knows the exact moment. 
As soon as his breathing shifts ever so slightly, a hint quicker than it is when he’s actually asleep and, if nothing else, Emma supposes his inherent inability to lie is something of a victory. To her. Specifically. Or them. Collectively. Or that pesky future that feels as if it’s begun to drape itself across her shoulders. 
That might explain the near-constant ache between her shoulder blades. 
She resolutely refuses to accept any other reasons. 
“You suck at that, you know,” she murmurs, not taking her eyes away from the piece of curved wood in her hands. Killian scoffs, and she doesn’t have to turn to know when he props himself up on his elbows either. 
The creaking mattress helps. 
Everything creaks a little in Camelot, another metaphor Emma isn’t particularly inclined to spend too long thinking about, but she’s got the growing suspicion that most of this kingdom is prone to making noise. As if it’s shattering right in front of her, tiny cracks that she’s not able to prevent, but that also might just be a commentary on her sanity at this point and—
She’s holding her breath. 
Letting it out in a huff she tries very hard to make quiet, Emma knows she fails. Spectacularly. Another sweeping commentary. 
“Unparalleled observational skills,” Killian says. With a smile. Smirk, probably. Emma still doesn’t bother looking, can hear the inflection in his voice and already knows how forced the even tone is. Seeing the inevitable arch of his eyebrow will only make it worse. 
“Get me in a crow’s nest or something.” “What do you know about crow’s nests?” She shrugs, fingers still moving and the buzzing under her skin hasn’t ebbed much since she started, but there was something almost oddly peaceful about the pattern of Killian’s breathing when he was asleep. 
In and out. Over and over. Simple and easy and consistent. Steady, even. Something about the tides or another nautical joke Emma isn’t willing to make. 
The mattress creaks again.
As do the floorboards. 
And she doesn’t shudder when his hand lands on her shoulder. She doesn’t stop this twisted arts and crafts project, either. She leans back, though — another passing victory and momentary return to normal, relishing the solid feel of his chest behind her. 
Killian takes a deep breath. 
“How long have I been asleep?” “Not long,” Emma replies, and one of the muscles in her neck isn’t all that appreciative of the current twist it’s in. She doesn’t move, feels as if it’d be admitting to something far bigger and she can’t imagine how he’s still so warm. 
Like magic. 
Not at all like magic. At least not the kind she’s used to now.
“Awfully vague,” he mutters. Accusation doesn’t particularly hang from the letters, but Emma hears it all the same. Can see it in the way Killian’s fingers tighten ever so slightly, like he’s trying to hold onto more than just her and her tension-filled shoulder blades, and he’d never unbuckled his sword. 
Or taken his hook off. 
He always took his hook off. Before. When they were—
Safe, Emma supposes. Emma supposes they aren’t that anymore. 
“There was no point in you staying up just so you could stare at me with those sad puppy dog eyes and all of that palpable concern.” His fingers loosen. For the best, probably. Since it appears the laces of Emma’s latest Camelot-provided gown, which she hasn’t bothered taking off, are tightening. Enough to threaten several of her internal organs. 
Laughter echoes softly around them. 
Her. 
Only her. 
Reaching for another string that she’s only a little worried she’ll snap before she can use, Emma barely moves her arm before there’s metal around her wrist, and anger runs red-hot down her spine. She snaps her head around quickly enough to do damage to several other neck muscles, but Killian hardly flinches at her expression. 
He lifts both eyebrows, instead. 
So, there’s something to be said for a change of pace. 
“We’ve a variety of things we can talk about,” Killian says, more forced lightness that grates on every one of Emma’s nerves, “Although I’ll admit I’m always partial to discussing the fascinating colloquialisms you’re in possession of.” “Can I possess the language?” “The knowledge of it’s—what’s the word? Slang?” Emma rolls her eyes. “That, at least.” “Oh, yeah, I'm the smartest person around.” “In this realm, certainly.”
Emma snorts, not any real humor in the sound, but her lungs work a hint better once Killian pulls his hook away from her. Licking her lips, she spins and neither one of them mention how close she comes to kicking him in a variety of potentially painful locations when she tugs her legs towards her chest. 
His lips twitch as soon as she rests her chin on her knees. 
There’s an absurd amount of fabric involved in this dress. 
“What do a dog’s eyes have to do with the overall force of my worry?” Killian asks, and it’s not exactly funny. Just like whatever noise Emma makes isn’t exactly a laugh. Not when it scratches at the sides of her throat, and the tip of her tongue and honestly screw Camelot. 
No ChapStick in other realms. 
She keeps twisting her lower lip between her teeth. 
“You shouldn't have let me fall asleep.” Her current eye roll rate is going to give Emma a migraine. Maybe Dark Ones can’t get migraines. That’d be something at least. “There really wasn’t any reason for you to be awake,” Emma says. “And I—” Killian tilts his head when she cuts herself off, something stupid like open book and knowing her and they might both be horrible liars. “I know you’re worried.” “Seems a given in this situation, don’t you think?” Another shrug. No eye roll, though. Small victories and whatnot. 
And Killian has to readjust his sword to crouch in front of her. Emma very nearly laughs again. Or cries. She’s having trouble distinguishing emotions at this point. 
God, but she’s exhausted. 
Metal finds her wrist again, cool on her skin, but Emma’s mind barely has a chance to recognize temperature before she’s wholly preoccupied with Killian’s ability to cover both her hands with one of his. It opens up some fairly romantic ideas, all of them fluttering around her skull and under that same magic-prone skin, a slightly different energy that makes her feel light and heavy and—
Her neck gives up. 
Leaves her head falling forward and crashing against Killian’s and he still doesn’t flinch. Even as he exhales again, air brushing Emma’s cheeks and the edges of her lips and she could come up with several better ways to use those lips. Something stops her. 
Quite possibly the laughter. 
That only she can hear. 
“You’ll give yourself a coronary.” “Sounds unpleasant.” Emma doesn’t smile. Quite honestly, she’s not sure the muscles in her face are capable of doing that anymore. Still, something in the center of her flutters traitorously at what might be the most twisted instance of flirting they’ve had in their relationship. 
Although there was that sword fight. And handcuffing him to the hospital bed. And him unlocking himself from the hospital bed. The Jello thing, too. 
Emma figures that all counts as pre-relationship. 
“I can’t imagine it would be,” she agrees. “But, uh—” “—Oh, if you say what I think you’re about to say, I will be very frustrated.”
It’s her turn to lift her eyebrows. “Will you just?” “I understand why Regina asked you to do what she did,” Killian starts, and it’s not the last thing Emma expects to hear, but it’s at least somewhere at the bottom of a list she hasn’t made yet. “And I understand even better why you did it. I also—” “—God, how much is there?” He nips at her nose, more out of place flirting that soothes some of...her, really. “This is it, I promise. I understand what it would be to feel that sort of desperation for someone you love. To be terrified of what will happen if you don’t act. Don’t do whatever you can. To fix all of it.”
Her throat collapses. 
Her lungs disappear. 
And there’s no more disembodied laughter, but the silence that stretches in the minimal space between them is almost worse, thick with unspoken meaning and heavy-handed allusions and Emma’s fingers are moving again. Before she’s entirely rationalized it. Brushing away strands of hair that’s almost getting too long, Killian’s eyes flutter closed at her touch. 
“That’s not your job,” Emma whispers. 
“Isn’t it, though?” “Falling asleep is not a failure, babe.” He scoffs, a quick click of his teeth and Emma hasn’t moved her fingers. He leans into her hand. “And yet here we are. At an impasse, of sorts.” “I thought we were having a conversation.”
“Not a very focused one.” “Ah, well you’re tired.” “And you’re a very good distraction,” Killian argues, not the insult Emma briefly hears it as. Even so, something almost like fear ripples across her skin. Latches onto the base of her skull and whatever neurons are clearly unstable and irrational and it only takes him a few moments to realize his mistake. 
“I know that’s not what you meant.” He hums, nosing at the inside of her wrist. “What are these things you’re making, exactly?” “Dreamcatchers.” “Sounds nefarious.” “No, no, the opposite, actually. Legend said—well, God, it’s kind of shitty that I’m making them, actually. But, um...they’re supposed to keep nightmares away.” “Is it working?” “I’m not the one asleep,” Emma points out. “And repeating my question seems redundant.” Sticking her tongue out is quite possibly the least mature thing Emma could possibly do — particularly when she’s at least seventy-two percent positive the churning in her stomach is actually magic, but she does it all the same. If only to ensure that Killian’s lips move again. 
She might be staring at his lips. 
Might be is another very bad lie. 
“Now you’re just trying to make me swoon with your own knowledge of the language,” she mumbles. “How’s it working?” “Better than it should.”
His lips move. Directly towards hers. Only to deviate at the last possible second, and Emma isn’t totally disappointed by that. Killian kisses the edge of her mouth. The curve of her chin. The bridge of her nose. Directly between her very pinched eyebrows. 
“You know, I thought you were dead.” Strictly speaking, Emma has no idea where that particular string of words came from. The depths of her soul, probably. Some dark — or darker — corner where that very specific terror lingers. The way she swore her heart stopped, and breathing was secondary and part of her might resent him. 
For making a joke of it. 
“That wasn’t a real reality, love,” Killian breathes, and Emma can’t imagine how his knees are dealing with any of this. He’s ancient, he can’t have the best joints. In this realm or any other. 
“Still happened, though.” “Aye, it did. And I’d—” “—Nope,” Emma interrupts, lips popping on the word like that will turn it into some kind of decree. Technically, she’s a princess. It should work like that. “I absolutely do not care. At all. Like, at all. I stood there and watched you die and—” Crying is apparently something she’s not capable of doing anymore either, and that’s not the worst thing that’s ever happened to her, but it does leave her blinking faster than she’d like and she’ll have to come up with another colloquialism for the look on Killian’s face. 
Abject devotion seems a little over the top. 
“This is my fault.” Killian blinks. More than once. “How the hell did you get to that conclusion?” “You died, babe. I—I stood there and watched, and it was...it was you, but it wasn’t you and it didn’t even matter because it’s always been you and—” She’s rambling. Words spill out of Emma without her explicit permission, which seems kind of unfair all things considered. Nearly absolute power should allow her to be a better conversationalist than this. 
The more things change, or whatever the saying is. 
“The point is, we found Regina after that. Henry and I and...she wasn’t going to do anything. Was going to let Robin marry Zelena. But I—well, I told her that I’d just—” He doesn’t look away from her. Emma isn’t sure if that’s good or bad, far too much blue in his gaze even as the candles around them burn to the base of their wicks. She licks her lips again. Still chapped. “I told her that love was a part of all happiness. That...that she had to fight for it because I’d just—” “—Watched me die?” “Not as much fun when you interrupt me.” He makes a noise, a low rumble that tickles Emma’s cheek. “Apologies, my lady.” “You think you’re very clever.” “I think you’re the most incredible lass—” “—Oh, call me lass one more time and see how that works out for you.” “It’s a compliment,” Killian mutters, almost entirely into her skin and the few strands of hair that have come loose. “And you’re being rather distracting again.”
“Still waiting on the compliment parts of this, honestly.” He finally stands up, both of his knees cracking in the process. And Emma hardly opens her mouth to make some sort of misplaced joke about that before Killian is shaking his head and tugging her out of her chair and they don’t lay down on Camelot’s noisiest mattress. 
They sit on the edge. Thighs pressed together and Emma’s fingers gripping his hook like some kind of lifeline, which it very well may be because they should have talked about this before, but there wasn’t time before and— “I love you.” Full-body shock, Emma finds rather quickly, is not nearly as uncomfortable as she assumed it would be. She’s imagined this going a lot of ways, loathe as she may be to ever admit such a thing. Most of the time they’re tangled in very soft sheets, or tucked into the questionably comfortable cot in the captain’s quarters of the Jolly, his fingers in her hair and that one specific smile that she’s only ever seen directed at her. 
Not once has she imagined it like this. 
Stuck in a different realm with a king that does not live up to the legend and something about the air in Camelot reminds Emma of Boston Harbor in the summer. 
Salty and a little stale. 
Her mouth goes dry and her pulse noticeably slows, turning her head to gape at him. That’s not romantic. That’s insane. This whole thing is absolutely and entirely insane and she can’t quite come to terms with the precise way he glances up at her. 
From underneath those stupid eyelashes, that are both kind of dreamy and even more offensive and Emma doesn’t object when he pulls both her hands up. So he can kiss the bend of her knuckles. Like some goddamn pirate prince. 
That helps a little bit, actually. 
“What?” “I love you,” Killian repeats. “In a variety of different realities, it seems.” “No.” “No?” “No,” Emma echoes, resisting the very real urge to jump up and start pacing. Possibly cast a few spells. That’s the crux of her problem, though. So she does the only reasonable thing. Stays frustrating still and yells at her boyfriend. 
Who doesn’t seem all that put out by this turn of events. 
“Where do you think I should start?” “I have no idea what the hell you’re talking about,” Emma admits with a snarl. “I...there is no way that deckhand version—” “—Oh, that’s also a little insulting.” “You’re telling me that you were in love with me in a fake reality?” Killian shrugs. It’s absurd as when Emma did it. “I’d hardly die for anyone, darling.” “Really way too confident in your ability to—” “—Ensure swooning?” “I will kick you,” Emma warns, but the sentiment lacks any real threat and she’d like to hear him say it several times over again. The I love you part, not necessarily guarantees of swooning. 
“Please don’t do that.” “I’d have to stand up.” “Aye,” Killian laughs, “that is true. Although we are deviating just a tad now.” “From?” “How much I understand.” “Overblown confidence.” Tangling their fingers together doesn’t do much to help the state of Emma’s shoulders, but Killian’s hand is so warm and he’s so warm and, shoulder notwithstanding, every inch of Emma wants to curl against him and close her eyes and let him proclaim every ridiculous thought that has ever crossed his mind. 
Regarding her. Specifically. And them. Collectively. 
“An appropriate amount of confidence,” he corrects. “In regards to you, at least. Because it wasn’t the right reality, but...finding you, believing Henry, knowing that you could save all of us, that made sense to me. In a world where not much else did. That’s been the case from the very start, in fact.” She doesn’t reply. Knows she should, should say something else that proclaims a whole variety of things Emma isn’t sure she can follow through on, but her mind has already started to drift, eyes moving back towards the window and the dreamcatchers there and—
“Don’t you know, Emma? It’s you.”
“Happily ever after,” she sighs. 
Killian squeezes her fingers. “A work in progress. But the fact remains that I am wholly,” he kisses the back of her palm, “irrevocably,” the side of her wrist, “completely,” her tattoo, “in love with you. And if you are going to believe anything, then I need you to believe that.” “Need?” “With my entire heart, Swan.” “Oh, that was good, actually.” He doesn’t pull away from her hand. Just looks back up at her, and Emma isn’t sure if she’s blushing or simply burning from the inside out, but both options seem feasible at this point. “She was desperate here because I told her she should be,” Emma says, “Regina, I mean.” “That wasn’t your fault. Love has a tendency to—” “—Make you desperate.” “And that wasn’t a question.” Emma makes a noncommittal noise in the back of her throat, more scratches and marks that she knows are far more metaphorical than literal and she should probably say something back. To Killian. About loving him. 
Saying it under duress likely doesn’t count. 
She meant it, though. And in the alternate reality. And every time she thought it before that. 
She’s thought about it quite a bit. 
“Suppose it didn’t have to be,” Killian muses, dropping his head to press a kiss against Emma’s neck. No goosebumps, that time. “I’m sorry that you didn’t know before.” “Ah, I kind of did.” “Still. It’s—” Pulling back is also at the bottom of that list Emma hasn’t made, but it isn’t often that she hears him quite so tongue-tied and there’s something oddly endearing about the red at the tips of his ears. “It’s something you should hear, as often as possible.”
“You’re on a roll.” “I’m serious.” “I know,” Emma nods, “and I—you know, for like a solid half second I was totally pissed at you when you showed up in the loft.” “What? Why?” “Making jokes.” To his credit, Killian does look more than a little scandalized. Wide eyes meet Emma’s, and his skin is paler than it was a few seconds before, but that might also have to do with the candles and their inability to burn for an entire night. 
“I’m sorry,” he repeats. “I can only tell you I know so many times before it starts getting annoying, I just—I’m not entirely sure what I would have done if it was true. Torn the world apart, probably.” She’s not surprised by the sincerity in her voice. Conviction and another promise that seems to rattle the windows and Emma’s bones in equal measure. Killian’s eyes don’t return to their proper size. 
“If you’re not careful, Your Highness,” he says, “I'll be the one swooning soon.” He catches her before she can swat at his chest. 
“Idiot.” “Less so now, maybe. But I understand the sentiment. When you were—Gods, it’s entirely unfair to do it like this, isn’t it?”
“This?” He rolls his eyes that time. Emma appreciates the symmetry. “Despite assurances otherwise, I’m not a fool, Swan. I knew you wanted to say something in your parent’s loft and I remembered some of that alternate reality. But then, as always, another disaster. Another problem. Another reason for you to sacrifice yourself. And then words I’d waited to hear for far longer than I’d care to admit, but you were gone and it was—” Killian grits his teeth, a muscle jumping in his jaw, and Emma is an idiot. The biggest idiot. Supreme idiot. She should have realized. “Like a nightmare come true,” he breathes. “Staring at the spot where you were, like I could will you back. Like I could tell you how I loved you more than anything else. No matter what else would happen.”
Lunge is not the best word, but at some point Emma lost any previous control she had over the English language and she’s far too busy relishing Killian’s gasp of surprise when her mouth all but slams against his to be worried about anything else. 
She tilts her head. Closes her eyes. Forgets to breathe. Emma forces herself into this moment and this feeling, lets it wrap around her and sink under her skin until it times up with the beat of her pulse and—
The magic in her veins shifts. Rushing from the top of her head to the back of her heels, the kind of power that leaves her dizzy and overwhelmed and greedy for more. 
Killian’s tongue traces the seam of her lips. 
“They don’t want my help.” “With?” Killian asks, not bothering to pull away from her. Emma’s grip on the back of his hair probably doesn’t help much. “Getting Merlin out of the fucking tree.” “Ah.” “Sound more surprised next time. Have they been talking to you about this?” “Not as such, no. It does not appear that I am part of the inner-Camelot circle.” “Is there one?” “Eh,” he grunts. Disentangling their limbs isn’t all that easy, but it does end with Emma flush against Killian’s side and she supposes beggars can’t be magical choosers. “It seems as if your father is rather taken with having another royal in his midst. Can’t have a notorious pirate captain join them on their perilous quest.” “And how exactly does this notorious pirate captain know about such a quest?”
Suggesting that his eyes actually sparkle at her is entirely absurd and inherently fairy tale, and Emma could not begin to care less. 
She can’t hear anything but Killian’s answering laugh. “I’m afraid that’s a rather closely guarded secret, my love.” “Oh, that’s absolutely—” Emma nearly bites her tongue in half. Because it’s not a huge change. Might not even be a change at all, but she latches onto it all the same and the ends of Killian’s lips quirk up. She’s got to find something else to stare at. “Is it super selfish to be glad you’re not going on some perilous quest?”
He shakes his head. It makes the ends of his hair shift, threatening to brush over eyebrows that are far too expressive. “Possibly, but I also can’t help to be anything except glad that you aren’t using more of your magic. I suppose we’re on even ground.” “Not the worst ground to be on.” “No,” Killian agrees, and that’s a strange way to do that. “It’s not. Let Her Majesty work out Merlin’s riddle, she’s got Belle doing research. That’s more help than she deserves.” “High praise. Just,” Emma huffs, “I hate sitting here. There’s too much—” “—Magic?” “Sounds shitty like that.” “Sounds understandable like that. And while I understand what Regina asked of you at the ball, using that power is dangerous.” “I know that,” Emma sneers.
Killian still doesn’t flinch. “I’m not suggesting otherwise, all I’m saying is that we are all here to help, Swan. Some more than others.” “You?” It’s another memory. Another moment her mind has conjured up, a string that connects her to the past and the present and his goddamn eyebrows, Killian staring at her with something that feels like longing and even more like—
Dedication, maybe. Love, definitely. 
Emma’s not sure she’s ever been looked at like that. 
It’s the worst lie she’s told herself yet. 
“Me,” Killian says, and there’s no room for doubt between either one of the letters. “How’d you learn to make the dreamcatchers?” “There was no magic involved if that’s what you’re getting at.” “I wasn’t, in fact.” “No?” He shakes his head. Kisses her forehead. “No.”
And Emma doesn’t deflate, so much as she sags against him. Some of the fight leaves her, pleasantly surprised to find that it also doesn’t leave her feeling hollow. Rather like there’s space for something new there, possibility and potential and her fingers curl themselves into the charms hanging over his shirt. 
Another metaphorical anchor and cool metal, helping to temper the myriad of emotions twisting between her ribs. 
“I didn’t really learn,” she admits, “just kind of remade them from memory and the supplies Guinevere agreed to give me. Should have seen the first one, it looked like garbage.” Chuckling into her hair, Killian’s hand dances across Emma’s back, grazing the laces she’d almost forgotten about. “You think we’ll ever get to go to a ball on our own terms?” “You mean without time travel or Arthur the worthless king involved?” “It’s a good name.”
“You flatter me,” Killian grins, and Emma doesn’t double check that time either. It’s easy to hear. “And I certainly hope so. I have quite a number of thoughts about you and gowns.” “That so? How many thoughts are we talking?” “Vast.” “That’s not very specific. And I don’t know, babe. As nice as the dancing is, getting dressed for balls is kind of overrated. Half a dozen lady’s maids showed up to tie the laces for me and my mom and then they came back to stuff a gazillion pins into my hair.” “Gazillion also sounds rather vast.” Emma’s eye roll gets her yet another smirk, so she figures that’s a fair trade even if there does end up being a migraine involved eventually. “Did you not think about magic’ing the laces loose?” He says it soft enough that Emma can barely hear him — half concern and even more trepidation, crossing a line that hadn’t been there before and shouldn’t remain there now and she shakes her head. “Didn’t even consider it, honestly. Just kinda resigned myself to a crushed spleen, I guess.”
“Sounds painful.”
The metaphors are stupid now. They should go back to declarations and unfounded promises that Emma wants desperately and she’s not entirely prepared for the first tap of Killian’s finger. 
Or for him to mutter, “Turn around for me, love.”
She does. Despite the confusion and the flutter of butterfly wings that have suddenly appeared in her stomach, Emma does as instructed. Something — someone — chafes at that, hackles rising and defenses lifting, and her nails dig deep enough into her palm that they leave tiny crescent shaped marks in their wake. 
“No need to get anyone else to help,” Killian says, “when I’m perfectly capable.” Emma must nod. Her neck moves, so that must mean she nods. Speaking however, seems impossible at the moment. When her tongue is taking up too much space in her mouth and the butterflies are threatening to surge out of her and it really is easier to breathe when the laces aren’t quite that tight. 
Killian makes quick work of it all. At least Emma assumes, still twisted away from him and staring at the mess she’d left on the desk. She’s not sure why there’s a desk in this room. 
“Should I be jealous of your talents in this particular area?” He laughs, kissing the side of her neck again. “Part of me finds that very appealing, actually.” “Which part is that?” “The bastard who wouldn’t mind you claiming me entirely as your own.” “Not into that possessive kind of stuff.” “Ah, it wouldn’t be much of a fight,” Killian argues, and Emma’s breath shudders out of her. In a distinctly swoon-like manner. “I think I’d rather willingly surrender.”
“You’re avoiding the question.” “Aye, I suppose I am.” He kisses her again. Emma hopes it helps. “Milah used to—she had these outfits. Full of laces and buckles and there weren’t any lady’s maids on board the Jolly. It became something of a routine. Dressing in the morning, getting on deck, picking a heading. Anywhere and everywhere, right at the tips of our fingers. But it was a bit easier, then.” Emma’s muscles are never going to recover from this conversation. She turns anyway, straining her neck to meet his gaze and barely-there smile and it doesn’t take her long to figure that out either. “You’re resourceful,” she says, “I bet you’d even be able to figure out how to lace me back up.” “Suggests you’ll be here in the morning.” “Quite a royal scandal, sharing a boudoir with a notorious pirate captain.”
Killian’s smile stretches. Not by much, but enough and, for now, that’s enough. “I love you.”
He’s waiting, Emma can tell. For the response. The answer. The words that she swears are going to snap her tongue in half, weighing it down as they are. 
She doesn’t say anything. 
Pulling in a deep breath, she moves her hands instead and shimmies until the gown she only sort of likes pools around her waist, leaving her in nothing but a slip. And magic, the kind that hangs in the shadows and festers in the corners of her soul. 
Emma wraps her fingers around the brace at Killian’s arms. Buckles and leather, some of it a slightly different color than the rest from years of use and magic of a different kind and she’s only a little worried she’s inadvertently frozen him there. 
Until his eyes shift, tracing over her face with that same reverence that she’s come to covet in the exact possessive way she’d always wanted to avoid. 
Bastard, indeed. 
“Your turn,” Emma says, and her voice doesn’t crack. Another victory. 
Killian doesn’t object either. Lets her flick and flip and tug, as lightly as she possibly can, twisting the hook off eventually. That last part seems like overkill, but Emma’s always enjoyed the way it clicks off — almost as if she’s flipping a switch on some other part of her, giving into the vulnerability she can see in Killian’s eyes and she’s going to fix all of this. If only to avoid her melodramatic commentary. 
“Come on,” she mumbles, tugging him down next to her as she shoves off the rest of her gown. These sheets aren’t as soft, unfamiliar when Emma pulls them over both of them, but Killian’s arm curls around her waist all the same and her cheek always fits very well against the crook of his neck. 
He flinches. “What? That’s—are you—” “Fine,” Killian cuts in. “Just tickles, is all. When you exhale so dramatically.” “God.” “Close your eyes, love.” “I’m not going to—” “—I know, but you can still stay here. With me.” There’s more to those words too. Fraught with hope and even more want, and Emma can’t ever remember wanting this as badly as she does now. So she doesn’t move. She doesn’t close her eyes, either. But she stays still, listens to the steady in and out of Killian’s breathing and—
Laughter. 
Creeping across the floor and inching up the stone walls, circling either one of Emma’s ankles until it slams into her chest and takes root. She shifts — not quickly, but determined, careful not to wake Killian as she avoids the other face she knows is hidden just out of sight. 
Magic makes her fingers itch. Makes her skin crawl. Anticipation clings to each of her vertebrae. 
With her gown still on the floor, and a pirate she knows would tear the world apart for her still asleep, she sits back down at the table and starts again, anxious to catch the nightmares before they can linger for too long. 
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kinetic-elaboration · 3 years
Text
September 1: 3x06 Spectre of the Gun
Okay so, it might be a little early to declare myself a S3 apologist, since there are still a lot of eps I’ve never seen, but I feel like I’m pretty close..
This ep was so good!! Honestly I think it’s one of my faves. And perfect to usher in Spooky Season.
Honestly, this show really is my happy place. Just all the characters together on the bridge, on some kinda adventure, looking at weird space buoys and investigating stuff.
Again, this buoy looks like a Windows 98 screensaver.
Kirk keeps referring to Spock as “Science Officer.” Is he mad at him? Full of some particularly intense longing that requires him to put extra distance between them?
Excuse me, you address US as aliens? YOU’RE the aliens.
Hmmm, so it seems they’re not friendly.
It’s addressing them in different languages!!! I love it. Love the reminder that Uhura’s first language is not English,also.
“True telepaths are dangerous.” As opposed to fake telepaths like Vulcans lol?
The Melkotians withdrew immediately. They invented space travel, they saw space, and they said “not for us” and they turned around and left. McCoy would like them; they’d have a lot to gripe about together.
The welcome mat is NOT out.
“Unlike Mr. Scott’s transporter, this unit is not functioning.”
It legit looked like Spock put his hand on Kirk’s back there. Like he clearly raises it, but not far enough to be seen above Kirk, so like.. what was the point? Where did it go?
LEE CRONIN--oh no, flashbacks lol.
“We come in peace”--immediately pulls out gun.
I should have watched this when writing my Western fic.
Just bits and pieces of a Western town... and a completely red sky...
The guns are “crude but dangerous.” If only Sulu were here; he’d love this.
An announcement with a specific time and place on it--that’s a very precise detail to just pull from their minds. Must have come from Kirk’s, that nerd. Maybe Spock. But probably Kirk.
“Because my ancestors pioneered the American frontier.” I mean did they really get to the frontier? Or just... the Midwest?
Maybe it’s actually because he’s a cowboy at heart?
Aliens using his own ancestral sins as the pattern for his own death for breaking their law IS a great (possibly partially unintended) idea. Oh also, if they think that Kirk and co. are here to ‘tame’ or colonize them, then the Western setting makes even more sense--you’re no different from your ancestors, you came somewhere new and brought lawlessness and violence and death, but not this time!
Can you believe Kirk knows all of these details about the OK Corral? NERD.
Spock is so proud of himself for knowing the phrase “had it out.” Look, I used slang correctly!
These are some creative aliens.
“We know death is real here.” Or is it? They’re literally telepaths guys.
Hmmm, this building doesn’t need a roof I think. - The aliens probably
Can’t believe Scotty thinks his usual is his actual usual lol. You’re going to drink bourbon and like it!
Kirk and Spock look so good together.
They’re obviously Chekov’s disapproving parents.
“The day is still young, Ensign.” I don’t remember the exact context of this but Spock is SO judgmental.
What is Kirk doing? This guy is a hallucination; he won’t be convinced by touching some cloth. There’s nothing to convince! He’s only a Concept.
“Have you seen clothes like this?” / “Yes.” / “Where?” / “On the Claytons!” Comedy gold.
Kirk really thinks he can charm his way out of anything. Hmmm, maybe if I just talk nicely to the Earps, they won’t kill us.
“In small amounts, it [bourbon] was considered medicinal.” Lol.
Scotty is becoming a bourbon guy!
“Mr. Chekov is inVOLVed” lol. Is that what the kids are calling it these days?
“A lot of people and things have tried to kill me.” No need to brag.
THAT’S how you make a city limits sign. Put a dead animal skull on top. I live quite close to a city limits sign and I think it could use a cow skull.
Western Cossacks!!
Poisonous snakes and cactus plants. That really distills the Aesthetic down to its core.
This is a good Kirk episode. He’s really being a good Captain: coming up with different ideas, being creative, pushing his crew to brainstorm.
Bones and his tranqs again.
Bones meets his old nemesis: Old Timey Medicine.
Why was Doc Holiday just...chilling in his own dentist chair? (My mom suggested: power nap. Let’s go with that. Power nap + ability for optimally dramatic entrance.)
Also I can’t believe McCoy just goes into this guy’s practice and starts helping himself to all the serious drugs.
Chekov definitely isn’t the marrying kind.
RIP Chekov.
Bones does not sound very sympathetic here. Jim, get over it, he just died, whatever.
And then two seconds later he turns around and tells Spock he’s not sad enough! You can’t win.
“We all knew the risk when we joined the service.”
“My feelings are not a subject for discussion.” !!!!!!! This line!!
“You worked closely with him.” Yes! Chekov is his protege!
“Bones, Scotty, stop bullying Spock.” <-- not an actual quote but it might as well be.
If this were AOS, Spock would already be choking Bones out.
Whoops, no one told Chekov he wasn’t supposed to die!
“Let’s organize! Let’s form an anti-Earp union!”
“I can’t kill them!” he says in a mad rage.
I mean, it is important, though. That’s not what he does.
Kirk is /disgusted/ by lawlessness and frontier justice. What a Rebel TM.
I feel like Bones was waiting for the gotcha moment when Spock compliments him. “Saying nice things about me? That’s not how this relationship works!”
“Nothing can go wrong.” / “Up to now, everything has gone wrong.” He has a point.
That pause before Spock admitted it hasn’t been tested lol--they don’t want to admit it.
“[The bourbon’s] for the pain.” / “But this is painless.” / “You should have told me that before.” The unexpected comedy stylings of Scotty and Spock.
It doesn’t work--guess Spock’s got to take back that compliment now.
“Captain, you don’t understand--they’ve been telepaths the whole time which we already knew!”
“We’re not going to move from the spot.” * is immediately in a different spot * Well I mean at least he’s trying. He’s doing his best!
Love the OK Corral sign also. Weirdly creepy. With its accompanying horse.
Spock doesn’t have any hips for the holster to rest on.
“What did Chekov die of?” / “A piece of lead in his body.” That would do it.
If the tranquilizer should have been effective, does that mean Scotty is actually passed out right now?
Honestly, this is all so spooky. TRUE Western Horror Ghost Vibes.
Also very trippy. If you don’t believe it... it’s not real... some kinda weird chicken and the egg argument regarding our belief in the truth of physical laws idk but it sounds good. Spock brings it home.
Even with the wind whipping around him, Kirk is SO in love. His absolutely adoring expression... So soft...
“Very well, Sir, I’ll meld with you again. Not that I particularly want to. It will be a sacrifice. But I’ll manage. Even though you’re such a dynamic individual haha ha I’m fine I’m cool.”
I feel like Scotty is NOT into the mind meld. He looks terrified. Maybe he should have saved the bourbon for this occasion.
I know the mind meld is supposed to be a replacement for on screen hypnotism...but is this not hypnotism? Like even more than past uses? In this case, Spock is leaving them with suggestions that he wants to continue AFTER the meld, as opposed to, like, efficiently sharing information or giving immediate suggestions. And the scenes themselves are very creepy and...hypnotic.
Kirk’s patented move: WHOLE BODY ATTACK.
Well, we wrapped that up right quick.
Did they... never actually leave the bridge? Or even navigate past the buoy? This actually brings up a lot of questions as to when the aliens started the hallucinations, what their bodies looked like to the rest of the crew, and how they woke up--since there’s obviously been a bit of a time skip, as Bones is already examining Chekov.
Lol at Chekov, saved by horniness. “Nothing but the girl was real to him.”
“A vast alliance of fellow creatures who all believe in the same thing...”
Kirk’s vision of the utopian future is so powerful, he’s effectively gotten the welcome mat put back out.
A personal question? Kirk is intrigued.
Ah, but it’s just another excuse for Spock to be a hypocrite--how did humans survive? How did VULCANS survive? And for the show to remind us of its utopian vision of the future... we will move past violence, we will prove ourselves attractive to and worth of new alien friends.
Then McCoy walks out so Kirk and Spock can have their Moment. He undoubtedly knows what’s up.
So this ep was shown one day before the anniversary of the shootout at the OK Corral AND on Halloween week. It is very much a spooky season episode. So surreal and strange. Ghostly.
I know using sets rather than on location shoots, and not even building whole sets, was a budgetary issue but tbqh I think it worked in the ep’s favor. It added to the alien feeling of it and was an accidentally creative way of showing that these images were pulled from Kirk’s mind.
This felt like a very Classic S1-ish ep to me. I think it’s because Kirk was foregrounded as the Captain/hero and we get to see not just his intelligence and creativity and leadership but also his compassion and his moral core. He IS the values of the series, personified, and that was clear here.
But we also got to see lots of him and Spock, casually working as a pair, and the use of the rest of the landing party crew was very deft also. I loved that there was time to mock Chekov’s horniness, to talk about Spock and Chekov’s professional relationship, to joke around with Scotty, to show more of the Spock and Bones dynamic.
Again, great sci fi concept. I think this would have been another possible inspo for my Pirate AU if I’d seen it in time (although I think I picked a good mission-concept ultimately). I’m fascinated by the Melkotians: who are they? What do they really look like? Do they communicate any other way but telepathically? Are they corporeal? What is their planet like? And most importantly, what experience lead them to be so isolationist? They specifically refer to the aliens as “disease” coming into their home. And it’s when Kirk shows himself to be fundamentally nonviolent even in the face of his own death, they let the Enterprise through.
Basically, I always enjoy hints of alien societies that bring up more questions for me than answers. I love speculating about it.
The next two eps I’ve seen and remember well and I know they’re classics. I’m really looking forward to them!
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waveypedia · 4 years
Text
Key to a Memory
(warning for swearing)
~
{people need a melody to open their eyes
like a key to a memory frozen in time
holding on to everything, you’re stuck in the past
boy dontcha know that the world moves fast
it’s been a little while since we’ve been together
it’s been a long time since we were young and wild, remember
when we were friends, remember}
--
May 14, 2019 I 6:26 pm
UNKNOWN NUMBER: GYRO
UNKNOWN NUMBER: HEY GYRO
UNKNOWN NUMBER: It’s me Della!! Your bud!!!
UNKNOWN NUMBER: I’m back from space!!!
UNKNOWN NUMBER: I can’t believe you have the same number you nerd! lol I remember when Uncle Scrooge finally forced you to get a phone and you got a super cheap one and then upgraded it with your own tech
UNKNOWN NUMBER: I can’t wait to see how much more upgraded and fancy your phone is now!
UNKNOWN NUMBER: sorry for not texting you sooner I got back a couple days ago but things have just been really hectic since then ya know??
UNKNOWN NUMBER: anyway I know you’re probably busy changing the world and inventing amazing things for Uncle Scrooge
UNKNOWN NUMBER: he told me you got an intern!! Congrats!! I can’t wait to meet them
UNKNOWN NUMBER: just call me when you get a chance ok? I’d really like to catch up
--
“GYRO!!” Della screamed, kicking open the door to the lab. Gyro scowled at his desk and scrawled a quick note to outfit the elevator with self-opening doors. The scientist sighed and stood up reluctantly, stepping around his desk to be in full view. “What is it now, Della?”
Della sprinted into the lab, her grin threatening to split her face in two. She exuberantly waved a bundle of papers in Gyro’s face. “Donnie and I got tickets to the new Galaxy Wars movie, and you’re coming!! Thursday at 6!! Be there or be square!!”
Gyro snorted and gently waved her off, pushing the tickets out of his face. “Dels, I’m busy here. Besides, any self-respecting scientist knows those movies are garbage.”
Della fake-pouted and slung her arm around Gyro’s shoulders, despite the height difference. She had to lean and go up on her tiptoes to manage, making Gyro burst out in a fit of laughter. She shrugged, tugging Gyro down to her height. “Whatever. The premiere was a couple weeks ago, so you probably won’t get into a fistfight with an overzealous fan this time-”
“-Their fault-” Gyro muttered under his breath as Della prattled on.
“-Aaaaaand Cousin Gladdy’ll be there! With his luck we probably won’t get kicked out by the ushers,” Della finished proudly.
Gyro rolled his eyes good-naturedly. “Ugh, Gladstone? That man is too self-absorbed. Takes one to know one. And does that mean Fethry will be there as well?”
“Yep!” Della beamed. “He loves science, Gy, and he loves you! He’ll grow on you one day.”
“Highly unlikely.” Gyro shoved her arm off and stretched, standing up to his full height. “I grudgingly respect Fethry’s passion and his interest in scientific fields. He’s just so…” Gyro huffed. “Annoying.”
Della poked him in the beak. “Whatever. If you think Fethry’s annoying, my buddy Loopy from flight school will be there and she’ll blow your mind. But in a good way! Loopy’s amazing!”
Gyro groaned and slapped a hand on his face, slowly dragging it down. “Loopy and I are your only friends, aren’t we?”
Della puffed her chest out in mock effrontery. “I have lots of friends! I’m the best at making friends! They’re just all over the globe, you know, cause of all the amazing and daring adventuring I do!”
Gyro snorted and knocked his friend with his shoulder. “Whatever. When one of these international ‘friends’ comes around to Duckburg and hangs out with you beyond the adventure, let me know.”
Della smirked. “So you’ll be there?”
“Fine. I’ll be there.” Gyro affirmed, rolling his eyes.Della beamed mischievously. “Wonderful! See you there! Also it’s a sleepover and I’m adding you to a group chat specifically for this event now byeeeeee!!!”
“WHAT?!” Gyro squawked, racing after Della, but the elevator dinged and carried her far away. “Della! No! Come back! DELLA!!! I WILL NOT SUBJECT MYSELF TO THE TORTURES OF YOUR CHILDISH SLEEPOVER!!!” He chanced a look at his phone. It was already blowing up with texts from Della and Fethry.
Gyro groaned and slammed his head down on his desk, grateful for the solitude of his lab. He pulled up the calendar Scrooge filled with his deadlines from the board and added the movie night so he wouldn’t forget. A small, pleased smile played at his beak.
He picked up his phone, muted the group chat, and returned to his work.
 --
read 9:28 pm
--
May 15 I 4:03 pm
Della Duck: hey dumbass
Della Duck: they have read receipts now stupid
Della Duck: I know you saw my messages
Della Duck: whatever I know you’re hella busy just call me when you get the chance
Della Duck: hahah did you see that? hella! I used new slang!
Della Duck: Louie taught it to me :D
Della Duck: I can’t believe his name is Louie and not Rebel! I’m kinda mad at Donald but also it suits him more than Rebel
Della Duck: Dewey though… he’s DEFINITELY a Turbo
Della Duck: Huey could go either way but he’s okay with Huey so I guess I am too
Della Duck: It’s a lot to take in
Della Duck: although Webby would be overjoyed to be Jet or Rebel
Della Duck: I can’t believe I have an extra daughter!!! how cool is that?? four kids for the price of three!!
Della Duck: or maybe it’s more like six kids for the price of three since Webby had friends over today and they all seem close
Della Duck: Ooh you know who would be a good Rebel? Lena! apparently she just came back from the shadow realm??? I missed so much
Della Duck: i can’t believe you guys got to fight magica de spell without me AND she had a kid
Della Duck: she’s still kinda hot ngl
Della Duck: but louie showed me a picture of her after she lost her magic and ehhhh
Della Duck: but also there are lots of hot people around these days and I’m kinda freaked out
Della Duck: like I made a best friend of my roommate on the moon!! Her name’s Penumbra but I call her Penny and I’d let her stomp on me. Best part is she probably would
Della Duck: also Uncle Scrooge got a new pilot & driver and I hate him cause he’s sorta replacing me?? But also he’s hot in a himbo kinda way
Della Duck: I know you have insanely high standards but you gotta back me up here gyro Launchpad is kinda hot
Della Duck: damn i’ve missed our conversations about various hot people and our lack of love lives
Della Duck: I told you about Penny you gotta fill me in on the current hotties in the Duckburg science community
Della Duck: I also met your intern! He seems nice ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ) ;) ;) ;)
Della Duck: i can hear your voice. “Della that is an excessive amount of emoticons”
Della Duck: well if you want me to stop you’ll just have to reply ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;) ;)
Della Duck: at least you’re not telling me to use “emojis”Della Duck: apparently they all have hidden meanings and I don’t understand
Della Duck: Louie, Dewey, and Lena tried to teach Uncle Scrooge and I
Della Duck: I’m ashamed to say I think he fared better than I did
Della Duck: he’s old!! He’s supposed to be clueless!! I’m not old I was just on the moon for a decade!! That’s gotta count for something right?
4:46 pm
Della Duck: i see how it is
Della Duck: ignore me all you want but i’m right
--
The sun was nearly below the horizon, painting the evening sky and the waves below it in a plethora of muted colors, when Della broke the topic. “Yo. I think Magica de Spell is kinda hot.”
Gyro swerved to stare at her so fast he felt something in his neck crack. “Magica?! She’s ancient; are you crazy?!”
Della shrugged, kicking sand around absentmindedly with her bare toes. “Yeah, but she doesn’t look it. She’s hot in an unattainable kind of way.”
Gyro snorted, loud and sad. “I know how that feels.”
Della nudged him teasingly. “What’s going on in your love life? I shared, now you have to.”
Gyro rolled his eyes and nudged her back, harder. “You know nothing’s happening.” He shrugged carelessly. “It’s not like I have much time outside of work.”
“Yeah, but that’s because you refuse to take care of yourself and you act like you’ll die if you leave the lab,” Della said good-naturedly. “You should come on an adventure with us!”
Gyro sighed contentedly and waved her away. “I’ll stick to the lab, thanks. My inventions’ corrupted morality circuits provide me quite enough stress and adventure, thank you very much.”
(He couldn’t very well tell her that her dear ol’ uncle had entrusted him with the project of a lifetime, his chance to thank her for her gift of friendship, his chance to prove himself to Mr. McDuck for once and for all, his chance to redeem himself from the smoking failure that was 2BO. He didn’t have to run himself ragged working on the Spear of Selene day and night, but this was important, far more important than anything Gyro had worked on at McDuck Industries before. For his career, and for his friendship. And he wanted to do it right.)
(Shame he failed in the end anyway.)
Della sighed assent, smiling, and leaned back on her elbows, working her fingers into the sand. She had given up for now, but Gyro knew she would broach the subject again soon, from a new angle, with a new tactic. Della Duck never gave up.
“Maybe one day,” Gyro said, surprising himself. After this whole Spear debacle is said and done.
Della beamed and knocked her shoulder into his affectionately. “I’ll hold you to that!”
Gyro smiled wryly. “I know you will.”
--
Gyro pushed up his glasses and studied Della’s texts, willing his eyes not to unfocus and his brain not to zone out. He read them once, twice, three times. Four.
He began typing.
Gyro Gearloose: I remember-
Gyro Gearloose: My love life is as nonexistent as it was when you left-
Gyro Gearloose: emojis are zealous anyway-
Gyro Gearloose: I’m sorry-
He deleted his words, frustrated, nerves and old, painful memories rubbed raw, and never sent a reply.
--
June 11 I 2:09 pm
Della Duck: so Fenton and I went out for coffee today
Della Duck: not on a date, just as a chance to get to know each other platonically
Della Duck: he’s so much like you
Della Duck: not on the surface. In fact you guys are pretty much opposites
Della Duck: but you both care so much, even though you show it differently
Della Duck: i know you care your prickly demeanor can’t fool me
Della Duck: you’re both incredibly passionate about sciences
Della Duck: you’re both super awkward
Della Duck: he has high praise for you, and he really admires you, but it sounds like you’re not that close and I think you totally should be!
Della Duck: I know you’re probably annoyed that I’m meddling in your (love) life again, but get used to it!! I’m the best wingman and friend and I’m here to stay!!
Della Duck: even if you don’t text me back
Della Duck: (but seriously, please text me back. I miss you.)
Della Duck: he said you might need some space and I guess that makes sense but i just don’t understand why
Della Duck: that’s the only reason I haven’t stormed down to the lab by now
Della Duck: Did i do something before I took off for the moon?
Della Duck: or are you like Donnie and you’re mad?Della Duck: at least I think Donnie’s mad
Della Duck: or he will be
Della Duck: he’s on a cruise, Gyro! A fucking cruise!!!
Della Duck: he left the day I got back and now he’s gone for a fucking month
Della Duck: he thinks I’m dead
Della Duck: I miss him so much
Della Duck: the cruise doesn’t allow cell phones so I can’t even contact him and tell him I’m alive
Della Duck: But Huey and I sent postcards!! I don’t know if they’ll reach him but I really hope they do
Della Duck: Huey and Webby have been checking the mailbox meticulously to see if he sends one back
Della Duck: sorry for ranting
Della Duck: I just miss him
Della Duck: I miss you too you know? Yeah i’m being stupid sappy again but it’s dumb that you’re right here, across the city, and we haven’t talked
Della Duck: call me gyro you fucking coward
2:43 pm
Della Duck: also Fenton is totally Gizmoduck right
Della Duck: I met Gizmoduck once when he came to formally greet me
Della Duck: and i’ve seen him around the city lots
Della Duck: but they’re so similar. They have the same mannerisms
Della Duck: I guess that means you built his armor then right?
Della Duck: or you helped
Della Duck: it’s great Gyro
Della Duck: look at you! An invention that didn’t turn evil!!
Della Duck: I’m proud of you bud
--
“Have you ever thought about hiring someone to help in the lab?” Della asked one day, apropos of nothing.
She had dragged Gyro into a fancy coffee shop - one he’d probably be banned from had he attempted to patronize it on his own, and one he would be in the post-Spear of Selene era - and forced him to take a break from the top secret project he’d been devoting all his time to. They bought overpriced, bougie coffees on Mr. McDuck’s dime and traded jabs without any real bite to them, as was customary for them. Della mocked Gyro’s unique taste for black licorice, again. Same old, same old.
And then, this.
Gyro paused, his ceramic mug halfway to his face. “I’m fine on my own. Any help would only get in my way. They would stumble over their own feet and I would have to take precious time off of my own projects to tediously help them flail and fall.”
Della set down her coffee and leaned forward with her elbows on the table. “You’re so cynical. Besides, you’re working yourself to death down there! It might help if you had someone else to lighten the load.”
Gyro paused. “I suppose I might be more productive if I didn’t have to do the menial tasks beneath me…”
“-And you could make a FRIEND!!!” Della cheered, standing up and leaning heavily on the table, her enthusiasm thundering in full-force. “Someone to chat with on late nights deep in projects, someone who understands your passion for science, someone you can count on when Donnie and I are off on an adventure!”
Gyro groaned, startled at first but then settling into resignation. “I should have known you had an ulterior motive.”
Della giggled, batting her eyelashes jokingly. “I only have your best interests at heart.”
Gyro shrugged and swirled his quickly-cooling coffee around in his mug. “Besides, Dels, you know there’s a reason you’re one of my only friends, right? You and Dickie and Daisy, you’re the people I’m closest with and that’s because you wouldn’t put up with my prickly, stay-alone-all-the-time bullshit. You guys drag me out of whatever place I’m holed up in kicking and screaming. Most people are not like that. I’m lucky to have three of you,” he admitted in the kind of moment of uncharacteristic vulnerability and clarity that only comes when you’re with someone you really trust.
Della snorted and reached across the table to shove Gyro gently. “Shut your self-depricating hole, Gyro Gearloose. Trust me, I wouldn’t put up with you if I didn’t want to.”
Gyro smirked, a small smile chasing away the dark storm clouds that covered his face. “I know, Dels.”
“Good.” Della replied self-assuredly. “I love Dickie and Daisy, and I love that they love you, but they’re not local. You need more friends, Gyro.”
“Maybe,” Gyro hummed softly, the closest he would ever come to admitting it. “But it’s even harder to get along with coworkers, and the chances of my subordinate being someone who actually wants to be friends with me is abysmal.”
Della shrugged. “Sometimes you learn to like each other. Like me ‘n Donnie! We drive each other crazy, but we have each other’s backs when it matters, and we’re always there for each other.”
Gyro snorted. “This hypothetical person and I will be coworkers, Dels, not siblings. That’s different. Besides, you and Donald love each other too much to be healthy.”
“Yeah, but Donnie and Uncle Scrooge and I are a little like coworkers, aren’t we? Adventuring is our job, and it’s very stressful at times,” Della said.
Gyro shook his head. “Dels, honestly, you have to get a job at some point. Mr. McDuck won’t let you leech off of him for much longer now, and you have no experience. It’s really not the same.”
Della shrugged. “At some point. I know Uncle Scrooge is biting at the bit, especially after Donnie joined the Navy, but I don’t want the responsibilities and schedules of work to tie me down and take me away from adventuring, you know? It’s the same reason I didn’t go off to college.”
“I still think you should have,” Gyro replied, smiling wryly. “You’re bright and you’d flourish being able to study what you choose.”
“I learn a lot adventuring,” Della replied smugly, stubborn as always. “I can speak seven languages fluently, you know!”
“Even if most of them are dead, or belong to otherworldly beings from alternate dimensions,” Gyro pointed out.
Della sighed contentedly and shook her head. “Whatever. What’s done is done, and I’ll get a job someday. But just think about it, Gyro, all right?” She locked gazes with Gyro pleadingly.
Gyro sighed in defeat. “Fine. I will give it some thought. But don’t get your hopes up, all right?”
Della smirked. “Whatever you say.”
Gyro put his head in his hands, roughly shoving aside his expensive coffee. (He was lucky it didn’t crash and burn, like most of his inventions.)
She’s not gonna win this one, Gyro aggressively promised himself. I can’t subject anyone else to my bullshit.
(The only reason he assented and allowed an intern on, in the future, was because Scrooge all but ordered it. He saw firsthand the way having positive people around improves lives and wanted that for Gyro too, especially with Della gone and Donald barely speaking to him. And if Mr. McDuck’s not-so-subtle hints and gentle persuasion-turned direct orders gave Gyro crystal-clear flashbacks to Della’s not-so-gentle prodding, and if he cried that night after his boss left, well, no one would be anyone the wiser.)
(He got quite lucky with Fenton and Manny, though. Some of that was the Board's thorough vetting process, but some of it was Scrooge himself intervening, because he wanted Gyro to make a friend as badly as Della had.)
--
August 15 I 7:26 pm
Della Duck: all right
Della Duck: I talked to Fenton again
Della Duck: i’m sorry for bothering you
Della Duck: it hurts to not talk to you but I’m gonna give you your space
Della Duck: I’m here whenever you’re ready
Della Duck: but please be ready soon Gyro i’m impatient
I know you are, Gyro nearly whispered as he read the texts. It felt like a finality, a surrender. But that couldn’t be right, because Della Duck never gave up.
How could he and his stupid, stupid inability to communicate his feelings and face his irrational fears be the one thing that forced Della Duck to admit defeat?
(read 7:58 pm)
--
The McDuck Annual Holiday Party was in full swing when Gyro arrived quietly. Launchpad had offered to drive him with Fenton, Manny, and Scrooge when they left a couple of hours ago, but Gyro had stayed to put the finishing touches on his current project, lest he lose his motivation.
That was the only reason. Not because Della would be there, and he might be forced to talk to her. No, sir.
Gyro clenched his fists so tight his knuckles turned white in the pockets of his vest. Who was he kidding? He wasn’t fooling himself, and he certainly wasn’t fooling his friends family coworkers. Every single one of them, even Mr. McDuck (now that was painful) had tossed him a look that ranged from disappointed to knowing to pitying as they left for the party. It made Gyro want to scream in rage and slam his fists against the wall until they were bruised and bloody. But even he knew that was unacceptable party behavior. (Mrs. Beakley had humiliatingly taken him aside for a quick rundown on which of his usual behaviors were not applicable at company parties.)
Steeling himself for a night of faux cheer and passive-aggressive conversations, Gyro quietly opened the door and slipped inside. Skirting on the outskirts of the party, he scanned the room desperately for allies to swarm to and enemies to avoid.
He spotted Fenton and Launchpad first, amicably chatting up the legendary Greek hero Storkules and his sister, the equally inexplicable and ethereal goddess Selene. (A mystery to unpack at a later date.) Beside them was the gruff Moonlander that Della seemed to love.
Gyro set his jaw. He could handle chatty immortals and aggressive aliens. At least they probably wouldn’t have a personal vendetta against him because of a malfunctioning invention or a poorly placed comment. He waded determinedly through the sluggish crowd, surprisingly stopped a couple times by friendly faces. (Boyd’s hug of greeting lasted almost three minutes, and that didn’t even account for the rest of the overzealously affectionate kids.)
Looking back, he’s lucky his the kids stalled him, because when he finally emerged from Webby’s hug, his eyes locked on his own personal horror story.
Della.
This was the first time Gyro had actually seen her since she’d come back from the moon. Her hair was longer, if only slightly, and her metal leg gleamed in the light from the chandeliers above. (His fingers itched to get his hands on it and upgrade it, toy with it, make it into a personal project, but he adamantly refused himself.)
Alongside the physical differences, Gyro noticed some changes to her demeanor as well. She seemed more… weathered, and tired, despite the ever-present spark of energy she seemed to radiate and her unwavering grin. It was cliché, and Dr. Gyro Gearloose hated clichés with a passion, but she had an almost haunted look in her eyes, contrasting her radiating cheery energy.
She was different, and he was different. So much time had passed. It seemed almost impossible that the duck in front of him was the same duck that Gyro had shared coffee and secrets with almost daily ten years ago.
And yet he yearned to return to their easy friendship. Not for the first time, Gyro wished desperately to go back in time a decade and stop the Spear of Selene from ever happening.
Della slipped between Penumbra and Selene, glowing in the way only an extrovert in social situations can. By way of greeting, she hugged everyone, even Fenton (!!!). She settled at last, hanging off Penumbra’s shoulder with Selene’s arm around her and Launchpad’s jacket around her shoulders (how she had acquired that, Gyro had no idea).
Unfortunately for Gyro, from her new position, she had a perfect view of him, stuck with only a single sparse group between them. Her eyes strayed to lock onto him and he froze, panic creeping in a mile a minute.For a moment neither moved, staring at each other.
She hadn’t texted him since August, true to her word, albeit how much it hurt for both of them. She had come to the lab a couple times, to pick up Fenton and/or Manny for coffee or to pick up or drop off Huey, Webby, or Boyd. But Gyro had always hid like the coward he was, terrified to face his best friend. The last time they’d talked was the day before Della took off in the Spear of Selene, ten years and eight months ago.
At last, after four months, and nine months of radio silence from his end, here she was, almost close enough to touch.
Then Gyro’s fight-or-flight instinct kicked in and he turned tail and ran, panic clouding his vision and his judgement. He shoved one of the Sabrewing husbands roughly aside (Scrooge would undoubtedly make him apologize for that later) in his frantic quest to escape all the raw emotions, of hurt and guilt and self-hatred, that sprung up all of a sudden.
His eyes locked on a door and he wrenched it open before slamming it shut. He leaned hard against the door, hands clenched around the handle, breathing hard.
Only once the panic began creeping away and his breathing slowed did Gyro finally process his surroundings. He was in a small broom closet, filled to the brim with glittery party supplies Mrs. Beakley had probably denied Webby. (She would probably find a way to sneak them into the party sometime later.)
And perched precariously on top of a box labeled “glitter fireworks” was a woman Gyro had met once, in the Old West, two hundred years ago.
Goldie O’Gilt sized him up, panicked and ruffled, and apparently decided he was no threat. She slid gracefully down from the boxes. “What brings you here, to the closet of forgotten and abandoned party supplies? Girl troubles?”
Gyro wanted to laugh, because technically, she was right. “I’m gay,” he replied, giving her his best deadpan stare. It was lacking.
She assessed him, trying hard not to smile, before bursting out laughing. Gyro barely resisted the urge to bury his face in his hands. “People problems, whatever. Please. You can’t fool me, hun.”
Gyro crossed his arms testily. “Why are you here? Away with you.”
Goldie grinned smugly, pretending to examine her nails. “Oh, nothing special. Just some extra fun for Scroogey later. May or may not involve glitter fireworks. You?”
Gyro snorted, without any real humor behind it, and rolled his eyes. “Great. Well, I have better things to do than watch you drive Mr. McDuck up the wall. See ya.”
“This is about Scroogey’s rediscovered niece, isn’t it?” Goldie called after him, as if as an afterthought.
Gyro froze, his fingers curled around the doorknob. “Why do you care?”
“I don’t, really,” Goldie hummed, faking disinterest. “But spare an old woman some juicy gossip, would ya? ‘Sides, I’m a professional conwoman. I see all the angles, and yours is in plain sight.”
Gyro scowled and shifted so he could see Goldie’s face again. She was smirking, small but triumphant, which did nothing to quell Gyro’s steadily growing mix between annoyance and panic. “And I suppose this has nothing to do with ‘Aunt Goldie,’ would it?”
Goldie shrugged nonchalantly, but the smile on her beak shifted into a small pout of annoyance. “I’ll do you a favor and be honest with you. Cherish this moment; it won’t happen again.”
She sighed and leaned more heavily against the precariously stacked boxes. “I may have missed Della and her adventurous, rambunctious spirit over the years,” she confessed, suddenly looking a good deal more like the age-old tired adventurer she was. “It hurts to see that spirit quenched, especially when I just got her back. She hasn’t even frustratingly tagged along to one of Scroogey and I’s not-so-solo adventures! And… I care about her. She’s almost my niece.”
Gyro frowned, stunned at Goldie’s clarity. “...Oh.”
Goldie straightened up and whipped out a shiny knife from the folds of her dress. “But tell anyone, especially Della or Scrooge, and they’ll never know what happened to ya,” she warned, wagging the knife in the direction of Gyro’s face.
He pressed himself against the door while maintaining his scowl, despite the fact that it was too far away to hurt him. He knew what she could do if she put her mind to it. “I won’t.”
Goldie slipped the knife back into the folds of her dress, where it seemed to magically disappear from her hand. “Good. Now go get my niece’s spirit back,” she instructed strictly, shoving Gyro not-so-subtly towards the door.
He wrenched it open and slipped surreptitiously outside, glancing around the party. The crowds seemed to have thinned a little.
Gyro spotted Della easily. She, Donald, and Mrs. Beakley were gently corralling the gaggle of children upstairs - it was quite late, after all. Gyro started to step towards her, then hesitated.
He chickened out and sprinted unsteadily outside instead, taking in big mouthfuls of the refreshingly cold December air.
The chill set in after a few moments and he wrapped his arms around himself, shivering, and despairingly started the long trek away from the mansion.
His phone was buzzing with worried texts from his friends (and Della, no doubt), but Gyro set his jaw and walked on, stubbornly ignoring their annoyingly righteous concern. No use telling everyone he lost his nerve again, just like every time Della texted.
Gyro gritted his teeth and pulled the collar of his jacket over the lower half of his face as protection against the biting winds. The physical pain lessened, but the icy feeling in his gut did not. He balled his hands into fists, as if to physically punch his overwhelming guilt and regret away.
I’m a bad friend.
--
Early April was always a little tough for Gyro, with the anniversary of the destruction he inadvertently sowed in Tokyolk. It got better with time, but the early years were always a little rough.
(And after that he always had another grief-filled and regretful anniversary to observe in April, anyway.)
He was pushing through it, though, by throwing himself into his work. This year was especially easy. The Spear of Selene was almost done, and would probably be finished just before the eggs’ hatching.
The last time he talked to Della was when he was taking a quick, rare break the day before what would be the second-worst day of Gyro’s life. (Tokyolk took first, if only narrowly.) He had gone off on a quest in search of coffee - he was at the launch lot, and he’d unfortunately been banned from the closest coffee shop. (It was their fault anyway - what kind of coffee shop didn’t want an automatic coffee bean stocker? Even if it tried to stock customers when there were no beans left? Really, they shouldn’t have run out of beans. And his price of free coffee for life was so reasonable and small, really, when he usually frequented the one closer to the lab. Their loss.)
“Gyro!” Della sprinted up to him, face flushed from running in the chilly winds and early spring air. She held out a coffee from the aforementioned shop to him with a grin, prompting his frustrated rant, but Della just let him prattle on with a goofy grin gracing her face.
“What’s going on?” Gyro finally demanded, after watching Della beam ardently at his violent threats and calls for justice and revenge towards the coffee shop. “Your smile is… sillier than usual. Which is saying something.”
Della waved him off, his insult breezing past her. “It’s a surprise. You’ll see!!”
Gyro raised an eyebrow, unconvinced. “Is it a good surprise?”
Della beamed triumphantly back at him. “Definitely.”
Gyro frowned dubiously, but he knew Della well. For all her recklessness, when she was this sure about something, her judgement was usually worth listening to.
(Later, he’d wish he hadn’t listened to her, and trusted his own gut, for once.)
He shrugged. “I highly doubt it’s as good as you think it is,” he replied haughtily, prompting carefree laughter from Della.
“It definitely is. Just you wait.” She reached out with her free hand and booped him on the beak, causing him to reel back, away from her. “I can make an educated guess that you’ll love it.”
Gyro rolled his eyes at her rudimentary science terminology, causing her to giggle. “If it’s another movie night with Fethry, I’ll pass.”
“Better than that,” Della promised, her smug grin turning downright devious. It didn’t faze Gyro in the slightest.
He shrugged carelessly. “With you, that could either mean better or worse. Otherwise known as pure, unadulterated torture for me.”
Della laughed, but her smile softened into something more vulnerable and emotional, no longer masked by a carefree and reckless demeanor. “I’m telling you, Gyro. You’ll love it. Come on, when have I ever been wrong?’’
Gyro barked a laugh. “Do you really want me to answer that? Because I have a full comprehensive list at the top of my head, and that only covers the basics.”
“Hating black licorice doesn’t count,” Della protested. “It tastes worse than every iteration of Hell, and I’ve been to every iteration of Hell!”
Gyro raised an eyebrow, unimpressed. “Did you taste every iteration of Hell?”
Della rolled her eyes playfully. “Whatever. Just trust me on this one, will you?” she asked, hitting him with that almost vulnerable expression again.
Gyro huffed. “Fine.” He stuck a finger pompously in the air. “But I reserve the right to pass judgement when I see it.”
Della sighed without any real weight behind it. “Fine, whatever you want. But trust me, you’ll be blown away by the amazingness of this surprise!!!”
“We’ll see about that,” Gyro replied, smirking. “Now, away with you!! I have a highly important project to finish - which is unanimously more important than whatever surprise you have cooked up - and I simply cannot afford any distractions!!”
Della snorted knowingly. “Whatever. See you tomorrow at my amazing surprise! And you’re welcome for the coffee, Mr. Banned-From-Coffee-Shops!!”
Gyro shook his head fondly and made his way down the hill back to the lot. The Spear of Selene loomed in front of him, shining in the weak midday sun. It seemed frozen, waiting, on edge.
“Soon,” Gyro promised to no one in particular. He climbed inside to make some last-minute tweaks to the nuanced controls. “You’ll be in the air by May at the latest,” he promised, patting the cold metal of the rocketship. “Just let me make sure this is perfect. So nothing could ever go wrong.”
--
Jan 3, 2020 I 5:47 am
Donald Duck: hey asshole
Donald Duck: fyi Della’s really upset
Donald Duck: she really missed her friends ya know?
Donald Duck: Look, Gyro
Donald Duck: I know how this feels
Donald Duck: I know you’re scared
Donald Duck: but dude you face scarier stuff every day when your inventions go evil
Donald Duck: if you can face Lil’ Bulb turning evil not once but twice and still call him your son I think you can face your best friend
Donald Duck: and i know I said some shitty things to you the day we lost her and I’m sorry, that was uncalled for
Donald Duck: I was upset, as were you
Donald Duck: I forgive you if that’s not clear
Donald Duck: i forgave you a long time ago
Donald Duck: Della has too
Donald Duck: she never blamed you
Donald Duck: except maybe for the flavor of Oxy-Chew. But that saved her life, Gyro!
Donald Duck: I know I said your invention killed her, but your invention also saved her, and after she fixed it your invention brought her home
Donald Duck: now she’s back, but you’re losing her again
--
Gyro stumbling blearily awake, fumbling for his glasses, tired and disoriented, was nothing outside of the norm. He was a secluded, inane inventor with few friends, little social interaction, and no sleep schedule. Not to mention the plethora of projects piled on his desk vying for his attention, and the ever-present mug of coffee in his hand. (At the moment, there was a half-empty one on his desk, placed precariously on top of some blueprints.)
But his latest cup of coffee’s predicament was the least of Gyro’s worries at the moment. Because his phone, charging on his bedside, was blowing up. And that was decidedly not normal.
Gyro, at this point in time, didn’t have social media yet. (Fenton, Louie, and Dewey didn’t exist in his life yet, and so they had not had a chance to plot and execute an intervention.) Sometimes his phone blew up from the group chat with Daisy and Dickie, or the group chat with Della, Daisy, and Dickie, or just Della when she got excited. Or Fethry, once in a while, but Gyro was certain he’d blocked Fethry’s number this time.
Gyro clumsily put on his glasses and pulled himself up into a sitting position, still half-asleep. He scrolled through his notifications, frowning.
Mostly missed calls from Donald and Scrooge, a couple confused text notifications from Gladstone, two missed calls from the Board (that couldn’t be good), and one from Roxanne Featherly, a trainee journalist under Angus Fangus who had taken an unfortunate liking to calling him whenever one of his inventions went haywire.
Panic began to stir in Gyro’s gut.
The weirdest part, though, was that most of the notifications had not come from Della. She was by far his most ardent caller, and she had called, a couple times, but they were all over an hour ago. They were all buried by the rest of his missed calls.
Odd. Very odd.
Gyro tried calling Della first, to soften the blow of whatever was happening. Della wouldn’t sugarcoat the problem. She knew better. But there was something about her contagious enthusiasm and optimism, as well as her face-it-head-on attitude, that made whatever issue was at hand seem less daunting.
But his call went to voicemail.
Gyro shook his head, confused and more than a little scared at this point. Della almost never refused his calls, even if she was on an adventure (as long as she had cell service). It annoyed Donald to no avail, but Gyro was grateful for it - he didn’t reach out for social interaction with no reason.
But now? It only scared Gyro.
He frowned, contemplating, and called Donald next. Scrooge was more likely to call unprompted than Donald, and he didn’t want to deal with the Buzzards or Featherly yet, so Donald it was.
He picked up on the third ring.“Oh, so now he picks up!! When he can’t be of any help!! What’s the big idea, Doctor?!”
Gyro scowled, annoyance beginning to mix with the terror in his gut. “For your information, I just woke up. Now, what is going on?! Della won’t answer my calls and I have an ungodly amount of notifications at three AM. Seriously, people.”
“You want to know what is going on?!” Donald screamed, his voice and temper steadily rising. Gyro flinched at the volume, but kept the phone pressed close to his ear out of half morbid curiosity and half unwanted worry. “I’ll tell you what’s going on!!! Scrooge just killed Della!! And he used your stupid, untrustworthy invention to do it!!!”
Gyro nearly dropped the phone.“...Killed?” he nearly whispered. “How? The Spear of Selene isn’t ready yet and-”
“She took it!!” Donald screeched. “She took that good-for-nothing rocket and flew straight into a cosmic storm!”
“She wasn’t supposed to!” Gyro spluttered, numb. “She wasn’t even supposed to know about it yet!”
“Well, she did!” Donald spat darkly. “And now she’s gone. She left her boys orphaned. What were you thinking, making her that rocket?!”
“It was Mr. McDuck’s idea,” Gyro whispered numbly, automatically. “He- I- We never thought-”
“Scrooge,” Donald growled, and if Gyro knew him well enough he was dragging a frustrated hand down his face. “Of course. He’s too reckless and careless. He killed my sister.”
Gyro rubbed at his eyes under his glasses, unable to think of a coherent response. “I- I don’t think-”
“That’s right, you don’t think,” Donald snarled. “None of you do. And now my sister is dead, thanks to Scrooge. And you. Lose my number, Gyro. You won’t see me again.”
Click.
Gyro stared numbly at the floor, his phone still pressed against his ear, as the dial tone played. Finally, he slowly lowered it to his side and dropped it on the bed next to him before taking off his glasses and dropping his head into his hands.
Then, finally, he cried.
Della Duck. Dead. His best friend. Dead.
It was impossible, improbable. Della Duck was a famed adventurer barely two decades old. She breathed life. She had faced perils and terrors far worse than a cosmic storm, sustained injuries far worse, and bounced back.
Dead.
Because of Gyro’s invention. Maybe if he had worked a little harder, been a little more meticulous, he could have saved her.
He had failed again, gambled and lost with precious lives again, caused death and destruction again. It was Tokyolk all over again, and this time, the lost stakes were even more personal.
Gyro grabbed his phone suddenly, shakingly off the bed and pulled up Della’s contact. Her face beamed back at him, so full of life it seemed to burst from the tiny circle on his cracked phone screen.
He called her again, listening to it ring with baited breath even though he already knew the outcome.
“Hey, this is Della Duck, adventurer extraordinaire! I’m probably trekking through the Amazon or fighting a demon monarch in another dimension right now. Catch ya later!”
Gyro hung up before she could finish her last syllable and sobbed.
--
February 28 I 2:26 pm
Della Duck: fyi I’m picking Huey up today instead of Launchpad since he has a sleepover with his friend Jason today
Della Duck: you know
Della Duck: in case you wanna hide from me again
Della Duck: btw do you care if I snag that magnifying glass that shrinks people in like a month? We’re gonna go to Miniapolis soon
Della Duck: i mean i’m gonna take it anyway but figured you might want a heads up
March 14 I 5:18 pm
Gyro Gearloose: go ahead
Della Duck: GYRO!!!!
Della Duck: oh sorry
Della Duck: look I’m really excited but I also don’t wanna come on too strong
Gyro Gearloose: you’re fine
Della Duck: :D
Gyro Gearloose: it’s my fault I was being a coward
Gyro Gearloose: i couldn’t face my emotions and that was shitty of me
Della Duck: Gyro i took off in a rocket at midnight without telling anyone and left my kids without a mother for a decade
Della Duck: i win for stupid shitty actions here
Gyro Gearloose: it’s not a contest
Gyro Gearloose: we’re both shitty and stupid let’s leave it at that
Della Duck: yeah ur right
Gyro Gearloose: but dels
Gyro Gearloose: I’m sorry
Gyro Gearloose: it’s been almost a year and i fucking ignored you
Gyro Gearloose: i had the chance to get you back and i didn’t take it
Della Duck: hey
Della Duck: it’s okay
Della Duck: i know this is all a lot
Della Duck: i’m here now and that’s what matters
Gyro Gearloose: della i’m so glad
Della Duck: hey Huey is coming to the lab today
Della Duck: what if I come to pick him up and then you and I go out and catch up?
Della Duck: get expensive coffee on Uncle Scrooge’s dime just like old times?
Gyro Gearloose: fuck yeah
Gyro Gearloose: I’ve missed our expensive shitty coffee and gossip
Gyro Gearloose: I have SO much shit to talk about Dr. Akita
Gyro Gearloose: god
Gyro Gearloose: I hate him now
Della Duck: oh man
Della Duck: Huey told me a bit about Tokyolk but I want to hear all about it for you
Della Duck: and Boyd!!! Omg I can’t believe you’re a father
Della Duck: he’s so sweet
Gyro Gearloose: I don’t know if I’d call myself a father he has the Drakes
Della Duck: but you want to be don’t you?
Gyro Gearloose: ...yeah
Gyro Gearloose: but i’d be a shitty parent you know that
Della Duck: actually I don’t think so
Della Duck: i’m a shitty parent and I’m doing fine
Gyro Gearloose: what a surprise
Della Duck: wow thanks for the vote of confidence
Della Duck: but Beakley Donald and Scrooge are helping me
Della Duck: we’ll help you
Della Duck: join the shitty parents club!!
Gyro Gearloose: haha all right
Della Duck: also
Della Duck: i want to hear all about fenton
Gyro Gearloose: then I want to hear all about Penumbra
Gyro Gearloose: you’re not the only one who can play the love interest card
Della Duck: joke’s on you I WANT to talk about penny
Della Duck: anyway i’m leaving now
Della Duck: see you soon!!
Gyro Gearloose: i can’t wait to see you and your ugly 10-year-old clothes
Gyro Gearloose: seriously you’re wearing almost the exact same outfit
Della Duck:  uh HELLO you have no right to shit on the way I dress look at yourself
Della Duck: you dress like a very old gay man
Della Duck: i mean that vest?? really?
Gyro Gearloose: at least i’m not old
Della Duck: touché
Della Duck: LP is driving so i’m almost there see you in a sec
Della Duck: and i’ll probably grab that magnifying glass now
Gyro Gearloose: that’s fine
Gyro Gearloose: i missed you
Della Duck: aw you old sap
Della Duck: never thought i’d hear you say anything like that tbh you’ve gone soft
Gyro Gearloose: I realized recently that my greatest mistakes were not as black-and-white as they seemed
Gyro Gearloose: and if Boyd can forgive me for unknowingly letting Akita turn him into a weapon of mass destruction and for me ignoring him for years and belittling him throughout this trip
Gyro Gearloose: and if I can face both brainwashed 2BO and Akita and win with the “power of love” or whatever than maybe I can talk to you
Della Duck: damn
Della Duck: I have SO many questions about Tokyolk
Della Duck: but i can hold onto them for a minute
The lab doors dinged open, but Della was sprinting out of them before they were fully open. The rest of Team Science watched warily as Della rushed towards Gyro, beaming and laughing, joy seeming to spill out of her. They expected him to hide, or push her away. but to their happy surprise, Gyro met her halfway and wrapped her in a hug.
Or, Della nearly crashed into him and squeezed him so tight he couldn’t breathe, prompting some annoyance, but it was crushed under the sheer joy and emotions of seeing his estranged best friend after eleven years.
Gyro laughed shakily, holding back tears, until he realized Della was crying too. She got snot on his work shirt, but he didn’t care.
They held each other for quite a while, until Della finally pulled back, wiped her eyes, and socked Gyro in the shoulder. “Don’t ever leave me hanging like that again, you hear?! I will hunt you down! I’ll give you your space but I’ll hunt you down! I won’t let this happen again!”
Gyro smiled and wiped away his own tears. “Yes, ma’am. Now, coffee?”
Della beamed. “The expensive kind. You got it.”
“It’s about time,” Manny tapped grumpily in the background, with Huey, Fenton, and Lil’ Bulb adding their agreement, but Della and Gyro ignored them as they flounced out of the lab.They had eleven years of friendship and gossip to catch up on, after all.
{it’s not too late, it was
never too late}
~
woohoo this is a wild ride! i didn’t intend for it to be this long but it just got away from me. Della and Gyro having a friendship, especially before the spear of selene, is one of my favorite headcanons. I think Della would basically grab Gyro and force him to be friends with her and to hang out with her haha.
I have a hard time writing Gyro as mean as he is in canon because I’m a sensitive sweet bean who isn’t creative or socially adept enough to come up with good insults (yet, hopefully). but i’m getting better! i hope this read as somewhat in character. same with Goldie, i’ve been trying to figure out how to write her for two years now sdfghgfds. I think I got Della’s character somewhat down though!
soft Gyro is more of an interpretation (albeit supported by canon) than canon fact but I LOVE it and i’m writing four (counting this) fics based off of it so get ready for that
the title and song lyrics are from People Need a Melody by The Head and the Heart. That song is really special to me because it was my closing song for camp last year (we would sing a song special for each unit each night before bed). I didn’t plan to use this song from the start (the working title was “DR. GYRO GEARLOOSE GET OFF UR ASS AND ANSWER UR PHONE -Della”) - I was listening to it one night, nostalgic for camp, while writing this fic and I realized the lyrics fit!
(also I was on a call for colorguard while I was writing this author’s note and my instructor said “I hear a lot of typing” lol)
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cherryonigiri · 4 years
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the retrospective: alice’s 1k special || lover masterlist
matchup requests: CLOSED
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Anon asked: Howdy! Could I possibly have a matchup! Im an ENTP slytherin. My personality is all over the place. Ive got an intimidating aura initially but im welcoming and have a baby face. Im outgoing but observant of other people. I’m loyal and nurturing towards my friends but kinda chaotic (my friends call me the uncle friend lol). I play piano and bass, and im always picking up new hobbies (right now im learning japanese, coding, and embroidery). My style is minimalist but trendy. Im a big coffee girl. 
A/N: omg hi anon!!!! Wow I love how you’re always learning new things - that’s so cool cause I play the piano and my brother plays the bass oooo anyways enjoy your matchup <3
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Your matchup is: Kuroo Tetsurou
How you met: I feel like you met at a Japanese conversation round table/club - or some kind of space where people who are learning Japanese can practice conversational Japanese with fluent or native speakers (my uni has one of these round tables for a lot of different languages and it’s super cool!) You were paired up with Kuroo, and he makes a great conversation partner. He’s really impressed that you were so dedicated to learning Japanese and he finds all your different hobbies. He also teaches you other words outside of the standard vocabulary - think online terms/slang and funny puns/jokes. He also sometimes shows up with two iced coffees so both of you can enjoy a nice caffeinated beverage while practicing conversation. 
Your first date: Since the point of the round table is also to meet new people, you and Kuroo both get paired up with new partners after a few months. However, he still always manages to converse (*cough cough* flirt) with you for a few minutes before your partners arrive. One day, after the club meeting ends, he lingerss around, waiting for you to finish saying goodbye to your conversation buddy. He taps you on the shoulder as you leave the room “Hey, can we talk?” You’re a bit confused at first, because he’s definitely a bit flustered and rubbing the back of his neck and totally avoiding eye contact. “Do you want to go on a date with me?” - he kinda mumbles it all out so it takes a moment for you to understand what he asked - but you smile and say “Sure!” He kind of flounders a bit because he did not plan for what to do after you said yes. You end up suggesting the two of you grab dinner at a diner down the street from the building you’re currently in. It’s a really nice date filled with witty conversation + you two continue chatting while he walks you home.
Your first kiss: regular dinner dates after the round table become the norm, but occasionally the two of you go on dates on weekends - maybe going to different museums, festivals, or hiking! Your first kiss happens when you go swimming with Kuroo - there’s a really nice secluded lake near where you two live so you decide to hike up to the lake and swim for a few hours. It’s really peaceful - the water is clear and soothing with the summer heat - and the two of you enjoy a nice picnic on the shore. I’m thinking that the sun is starting to set so the two of you pack your things and right before you start hiking down Kuroo just casually pecks you on the lips and then the two of you hold hands while walking down the trail and it’s just content vibes as you drive back to the city.
Anniversary: Kuroo is the type to go all out for an anniversary. I feel like he’ll plan the day at least a few weeks (if not a month or two) in advance! He knows you play piano and bass, so he decided that buying tickets to a jazz night seemed like a great way to spend your anniversary. I think he plants little surprises throughout your day - he has flowers delivered to you at work, he shows up to surprise you during your lunch break, when you get home he has a couple spa day all set up in the living room and the two of you pamper yourselves + eat a nice homecooked dinner before dressing up and heading to the theatre where the jazz night is. Totally takes a ton of pictures so he can remember the night and he makes a little polaroid album he gives to you the week after. 
How they propose: At the airport - since Kuroo travels a lot, you often pick him up at the airport whenever he comes back from weeks of travelling around Japan to promote volleyball/encourage more people to play his favorite sport. He’s been planning to propose to you for a while, and there’s a specific jeweller that one of his colleagues recommends because they do really great custom/comissioned rings. Thankfully the jeweler is located in one of the cities he’s stopping over in, so he picks up the ring a few days before he heads home. You usually drive to the airport to pick him up, and while you're busy arranging his bags in the trunk he pulls the ring out and kneels with the box open. So yeah, it’s like 11 PM in a concrete parking lot but it’s honestly the most romantic thing and he says “be my home forever?” and that’s when you start crying. 
What your wedding looks like: Medium/large depending on how many people you invite. You’re both super caring + friendly (and Kuroo basically knows the entire V-league courtesy of high school + his job) so there are so many people you want to include during your special day! I have a feeling he might get married closer to his hometown since he’d like to invite Coach Nekomata + a bunch of people from Nekoma and his family is still there. Definitely a really beautiful summer wedding with an outdoor ceremony + reception. Lots of flowers - on the tables, at the ends of the pews/chair, a flower arch above the altar. I also feel like, just because it’s one of his favorite foods - Kuroo would makes sure that grilled fish is somewhere on the menu (also to spite Yaku) 
Newlywed/domestic hc: You and Kuroo leave each other little post-it love letters on the fridge/table/counter in your apartment. Both of you have blossoming careers and are busy professionals, but it’s always nice to wake up to see a nice Japanese breakfast (steaming rice, grilled fish, miso soup, tamagoyaki) with a small note tacked on the side and of course Kuroo’s doodle of himself as a cat. Sometimes it’s a science pun, other times it’s his three favorite things about you. You like recommending him songs that remind you of your relationship + doodling random things. Also you two are both saps and boty of you have hidden boxes in your bedroom where you keep all the notes the other leaves for you
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antimatterpod · 3 years
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Transcript - 72. What About Manperson?
This transcript is SO LARGE that the first eight attempts to share it broke Tumblr. (Tumblr, sweetheart, it’s a plain text file, if Usenet and dial-up could handle it, I’m sure you can cope.)
You can listen to the original episode here.
Anika: Welcome to Antimatter Pod, a Star Trek podcast where we discuss fashion, feminism, subtext and subspace, hosted by Anika and Liz. This week, we're taking a trip back to 1977 to discuss a write up of a panel on 'feminism in Treklit'.
Liz: And I pushed for this one because I promised us [an episode about] zines, and I had misremembered where the zine archive was. And then I stumbled across this essay, and it was so interesting and wild, and I figured we could probably get some discussion out of it.
Anika: Absolutely. I just want to start by saying that 'Treklit' is the cutest little word ever.
Liz: I know!
Anika: 'Treklit'. I love it so much.
Liz: And there's no, "Oh, no, we mustn't call it literature. It's just fan fiction" about it. Because there were no tie-in novels back then, there were just a handful of novelizations and so forth. So go for it, ladies!
Anika: Really bad ones, too.
Liz: Yeah, yeah.
Anika: I've read those. They're bad.
Liz: The panelists in this discussion were Sharon Ferraro, who was a zine publisher, fic writer and con organizer, and Jean Lorrah, a fic writer, novelist and editor, who would go on to write tie-in fiction, including The Vulcan Academy Murders and the TNG novel Survivors, which we discussed in our tie-in fiction episode. And this panel took place at SekwesterCon in 1976. It was tape-recorded by one fan and written up by the [convention] organizers for a zine.
Anika: Which is also adorable.
Liz: I know! And it sounds like just the whole room got into it. And it was so interesting! I can only imagine the drama if this panel was held today, because they sit down and start calling out authors and fics by name and title. And one of the authors stands up and argues back. And it's just wildly interesting, and a snapshot of fandom, and fic writing fandom, at the time.
Anika: Amazing. You put that note, you know, "Can you imagine if this panel was held today," and I was thinking about it, I was like, it sort of is, but it's in social media and in comments.
Liz: Yeah.
Anika: But like, even there, there's not really so much of a -- there's a lot of discourse, you know how we use that word now, "discourse", sort of to mean something completely different than what it actually means.
But if there's that there's still sort of this, etiquette to it, I would say. If someone leaves you a nasty comment on a fic and you didn't ask for it, everybody will come in and say, "That was inappropriate, you shouldn't have done that."
And even online, if you're going to say, "Oh, I've just read this horrible Star Trek fan fiction, it was so bad and so ridiculous," like you don't use the names and you don't link to it. You protect the anonymity of the person. And so it's sort of like, yeah, even even though we can still be just as vicious and just as critical, there is sort of this accepted way of doing things.
Liz: Yeah.
Anika: That this discussion sort of flies in the face of, which is interesting, it's like, huh, you know, they can you can go both ways on that. That has pros and cons.
Liz: Yeah, there was a discussion on Twitter a few weeks ago about racism in fandom and on AO3. One person cited a very specific Michael/Lorca slavery AU, and I knew exactly which fic she was talking about. And I have shared her opinion, and that fic is vile, and I hate it. And I hate that it's on AO3 and there's no way to block it when I search for Lorca fic.
But no one was linking to it. No one was saying this to the author's face. Apparently people have tried to go, "This is a very bad idea for a fic," and she's just like, "LOL, whatevs!"
We are critical. But there's also just too many people in fandom to get all of us in a room or on one mailing list to be part of this discussion.
Anika: It's so interesting that you mention mailing lists, because I was there for the mailing list, um, Trek stuff. And I do remember, you know, there was a lot of -- I guess it was like camps, you know, people who would be on one side or the other of a discussion. And that could get pretty intense sometimes. I don't have any -- it was sort of the end of it when I was involved, so I feel like I witnessed the move from email list to online, I don't know--
Liz: Blogs.
Anika: Yeah, like blogs and all, your own space, I guess.
Liz: Yes.
Anika: As opposed to -- we would like email each other our fan fictions, and they wouldn't go anywhere else, it would just be on this email list, and the copy of the email list that was in Yahoogroups, or whatever.
Liz: And if you were, for example, part of a Janeway/Chakotay group, you weren't necessarily with your friends or people you knew. Certainly for me, my first mailing group was JetC22, and I just signed up and was allocated to this particular group. And there were some people there that I liked very much, and there were some people there that I really, really disliked. And--
Anika: Right.
Liz: --from there that gave me a foundation to go to the people I did like, "Hey, let's start our own group with hookers and booze."
Anika: Right. It's amazing and crazy to think, "Oh, we could just all have a conversation in one room and discuss it all." And that was cool.
Liz: I'm sort of glad that we don't have to go back to those days, but at the same time, like, I like to think that these ladies would look at my fic and go, "Oh, yeah, she's totally feminist by the standards of 1976."
Because the essay starts off, "Feminism in much of Treklit can be regarded as non-existent, particularly in GRUP type stories." And GRUP was an adult content zine which took its name from the slang for grown ups in the TOS episode "Miri. And I'm like, I can't think of a worse thing to name your smut zine.
Anika: I know! That's so, so bad. I'm turned off immediately, but that's just me here in 2021.
Liz: Right. And it's interesting that they're complaining here that the smut fic was very much generic, which I think is still a complaint these days. Sometimes you read a fic and you're like, "I don't think that really taught me anything new about the characters, I have no insight into how this author feels about them, save that she's sort of mashing her action figures together." Which is not a bad thing, but it's not what I enjoy in fic
Anika: Right, it's definitely not what I enjoy in fic. I think that my interests are very well known at this point, and it's pretty much never sex.
Liz: No.
Anika: So. Oh, well!
Liz: It goes on to say, "Some stories are anti-feminist in that women are segregated out of them. Action is all concerned with the male characters. And the implication is that women are not liable to participate in such matters." I like to think that fandom has moved on.
Anika: Well...
Liz: Yeah.
Anika: Yes. Yes, fandom has moved on, but has society?
Liz: Well, no. I think what's notable here is that they're not specifically talking about slash fic, they're probably talking about, I guess what in the X-Files fandom was called case files or casefics, where it's basically, "I'm writing a Star Trek episode, but in prose format." And they're sort of reflecting The Original Series in that it is very dudely.
Anika: Yeah, absolutely.
Liz: You know, we say, "Oh, fandom is so subversive, fic is about reclaiming the narrative." But honestly, some people write fic because they like the narrative and they want more of it. And there's nothing inherently wrong with that, but if you're not applying a critical eye to your source then maybe you're reproducing its problems.
Anika: Hmm, it's interesting. I mean, I just said I, I have very specific likes and dislikes. And there's a lot of stuff like -- casefic, I don't really need, because I can watch the show for that. But curtain fic, which is, like --
Liz: The domestic...
Anika: -- the characters just, like washing the dishes or arguing about Netflix, like that. I eat it up. That's my favorite thing. There's no saving the world, there's just, "We saved the world, and now we're going home to relax and, and decompress--"
Liz: Yes.
Anika: "-- and do whatever we want to do." Like, those are the fics that I like.
Liz: And "what happens after you save the world?" is a good story.
Anika: It's not subversive, but it is something that's not in the fiction as it stands.
Liz: I think it is subversive in a small way, because you're adding the domesticity which has been excluded from the primary narrative, and in doing so, highlighting that it, too, has value.
Anika: It definitely has value.
Liz: I really like casefic that's character-driven, that's about the people. And I used to have that itch scratched by tie-in fiction, and it doesn't so much anymore -- Una McCormack, thank God, she exists. But, yeah, it's not really something we see so much now that tie-in fiction exists.
And also, I think there's a stronger impetus to file serial numbers off and turn a fic into an original work. And if you're going into all the effort of writing a plot anyway, just throw in that little bit more effort and make it original. I feel like there's less need for casefic.
Anika: Yeah, I agree. But I don't search it out, so maybe it's there, and I just don't read it.
Liz: Yeah, possibly. I have this idea for a Lorca/Cornwell casefic, where they're in their thirties, and they have to go undercover as a married couple on, like, a human settlement that's outside of the Federation. And the reason I haven't started writing it is that I'm like, well, it's not very shippy, so where's where's the hook?
Anika: "Right. So why am I doing it?"
Liz: Yeah!
Anika: I get that.
Liz: The essay goes on, "Other fics concern women, but in a very negative light," and they go on to discuss two fics in particular. One has the rather spectacular title of "Murder, Rape and Other Unsocial Acts". And it's -- I looked it up, it has a Fanlore page of its own. -- it's about a Klingon family, and there's a lot of comedy rape because it's the '70s. And ... yeah, it seems like something that would not really fly these days, and obviously, it was subject to criticism at the time.
And the other fic is titled "An Abortive Attempt", in which a human gynecologist is effectively extradited to Vulcan to face charges for performing an abortion on a Vulcan woman.
Anika: Amazing!
Liz: This is such a specifically 1970s concept. And I have to disagree that this is not a feminist story. This, to me, is a wildly feminist story. Just because something bad happens to a woman -- I'm guessing that this -- I couldn't find it online, but I'm assuming that this is not actually pro-life propaganda, and therefore it is a feminist story, defending choice. I guess? Probably?
Anika: I guess. It's amazing that -- just thinking about, you know, what do Vulcans think about abortion is like -- oh, my goodness! What a great thing.
Liz: Because we would go, "Well, obviously reproductive rights and controlling fertility down to the micro level is very logical." Pardon me, I'm losing my voice. We would think that extreme reproductive rights and micromanaging fertility is very logical.
But then you think, "Well, they've got these arranged marriages, and it's really hard to get a divorce, and Spock is actually quite sexist in The Original Series." He's sort of the logic over feelings guy, as opposed to feminist Jim Kirk, who's like, "But feelings, Spock! They have their place. Women! They're so beautiful!" So, for the '70s, it's a logical extrapolation of Vulcan culture
Anika: Of pro-life Vulcans?
Liz: I guess?
Anika: I mean, yeah, I get it, I get it, but it's also -- I can't imagine it would happen very often on Vulcan, just because they know their cycles so well -- that sounds so weird. And so, if something came up, I feel like there would be a logical reason for it to be needed. I don't know. I just I feel like you could use logic to come up with [a reason] why you should have an abortion easier than why you shouldn't.
Liz: No, I agree. Like, I kind of perceive the Star Trek universe as being a lot like Lois McMaster Bujold's future, where we just control fertility so well and we have extra-uterine gestation anyway, so unwanted pregnancies aren't really an issue for people very often?
Anika: We can only hope.
Liz: It's a nice idea. But it's just interesting to me that this fic is such a reflection of the time in which it's written. And in twenty years, will people be looking back -- on their podcast that's broadcast straight into people's brains -- and going, "Wow, there were a lot of fics about gay marriage back then. Gosh, that's such a product of its time."
Anika: Oh, my goodness. I mean, again, we can only hope.
Liz: Yeah.
Anika: I would love for our progressive future to actually be progressive.
Liz: Yes, yes! I would love to do a thesis on something or something about tracking social progress through issues in fan fiction and depictions in fan fiction. One day, when I have time to do a PhD, and can also go to Iowa to go through their zine archive.
Anika: Cool.
Liz: Then we get to the discussion of specifically anti-feminist stories. And here they discuss a fic called "How About a Raffle?" in which -- it's a Kirk/Uhura fic, and Kirk accidentally sells Uhura into slavery.
Anika: Yikes. I don't think that just happens. Like I was gonna say it happens, but no. No, that's not not true. It doesn't just happen.
Liz: They're dealing with some Orions, and Uhura enters a dance contest, but it turns out that the winner is, like, the top slave or something.
Anika: Oh my God.
Liz: It's still racist.
Anika: I like the attempt to world build for the Orions
Liz: Don't get carried away. Mary Louise Dodge, the author, quote, "Rose and astonished the floor by stating that they were anti-feminist, and anyway, the Orion dancers were only humanoid, not human or intelligent."
Anika: Big yikes!
Liz: Big yikes indeed!
Anika: That is straight up from, you know, stories about masters--
Liz: Straight up slavery?
Anika: Yeah. Like, you know, and, yeah, bad. Bad. Don't ever go there ever. [laughs] I don't want to be an anti...
Liz: Well, it's interesting! I looked up Mary Louise Dodge, and she was involved in fandom for a really long time. She was on the Welcommittee, she ran the mailroom, she organized cons. She wrote a lot of fic. And I feel like we would have crossed paths, had I been in fandom at the time, because she was very much a het writer. And she wrote a lot of Kirk/Uhura, which I probably would have shipped back then.
And she was very vocally anti-slash and anti-porn. I've actually put a note here, that I guess you could call her fandom's first anti. After one con, she wrote a famous letter to a bunch of zines, complaining that there was smut -- smutty zines and smutty art openly displayed on the floor and in the art show. And, you know, "why can't we get back to the good wholesome values of the 1960s?"
Anika: Yay for concern trolling having a deep history.
Liz: You know, I do think smut should be opt-in. And certainly, she is the person responsible for, like, age statements in zines and stuff. And there were a lot of things in fan culture at the time that wouldn't be acceptable today, like dressing up as Spock and Kirk's erect penises. Can you imagine going to, like, Comic Con in that costume?
Anika: And seeing that?
Liz: Yeah, yeah. But at the same time, like, she's not talking about consent, she's talking about -- she just hates smut and hates slash, and is quite deeply homophobic.
Anika: Right.
Liz: And doesn't apologize, which I enjoy, but I've sort of started thinking of her as the Phyllis Schlafly of fandom.
Anika: You're Wrong About, the podcast, just did a deep dive into Tipper Gore versus, you know, like heavy metal, basically,
Liz: It's sitting in my podcast feed, but the Reply All expose on Bon Appetit came up and took precedence.
Anika: I understand your priorities. But it really reminds me of all this stuff. Not just what we're talking about here with Mary Louise, but also with the whole anti culture now.
Liz: Yeah.
Anika: And even in academia, the idea that should you put a content warning or not on your syllabus? And there is a difference between opting in, like, having it having it be clear what something is, versus censorship.
Liz: Yes!
Anika: And it's like, we've been talking about this for fifty years, and we still haven't figured that out. And it's just really interesting.
And the issue is that if you look at what Mary Louise has problems with, versus what Tipper Gore has problems with, versus what the whole anti-Reylo crowd have problems with, it's like the bar shifts, but what it comes down to is, "I don't like this, and therefore, it shouldn't be a part of society."
Liz: Yeah, as opposed to, "I don't like this, therefore, I don't want to see it."
Anika: Right. Which is the whole argument for, you know, using tags.
Liz: Yeah.
Anika: And using databases and having the little sticker that says explicit lyrics. It's not hurting anyone. But if there was like -- they wanted the occult stickers, and it's like, guys, you can't just go around saying, you know, "This is the occult." There are certain things that are subjective, and you can't decide to have a label that has that level of subjectivity.
Liz: Yeah. Yeah.
Anika: That's a slippery slope towards, you know, "Oh, now we're gonna have Muslim stickers, or we're gonna have Jewish stickers." You know, it gets really bad really quickly.
Liz: And there are certainly parts of America where Catholicism would get an occult sticker.
Anika: Exactly. So it's just really -- there are levels. And this is a conversation that, like I said, we've been having for a long time, and I think we're going to continue having for a long time.
Liz: I think it's good that we keep having this conversation, because the context is always changing. And we need to keep examining it.
Anika: As much as we were talking about the Lorca and Michael slave fic, that I'm not going to read and I'm not going to encourage in any way. But I also am not going to say she can't write it or post it. I just want to opt out.
And the same with Mary Louise and her "Let's accidentally sell Uhura into slavery." Like, that's nothing I ever want to read, and I'm kind of upset hearing about it. But okay, you're, you're allowed to do that. I don't want to read it. And I want to know that it's gonna happen so that I don't have to read it.
Liz: And, you know, the problem with AO3 is that there is no way to block this author, or to stop this fic from appearing in every single tag that the author applies. And I think particularly blocking someone is an option that they really need. When you look at zines, it's much, much harder to avoid -- unless you only subscribe to zines whose editors won't publish Mary Louise Dodge. And I'm sure that there were some, she seems to have been incredibly polarizing. But what if you want, you know, Nice Hetfic Zine issue three, and it has five great stories and one Mary Louise Dodge?
Anika: Right, exactly. The reason that we keep talking about it is there's no easy answer. There's just compromises. And it's hard. It's a thorny question.
Liz: And for the record, I would have subscribed to Nice Hetfic Zine issue three. And then I would have written a snarky letter to its letter column complaining about Mary Louise Dodge and her terrible fic, because that was acceptable at the time.
Anika: Exactly. That's the other thing. It's so interesting.
Liz: Yeah!
Anika: It's so interesting. And then, you know, comments on AO3 are like I would say at least eighty percent positive.
Liz: Yeah. And I think that's because comments are for the author. Whereas this is a review culture rather than a feedback culture.
Anika: Oooh, that's good.
Liz: So the discussion is less -- it's more readers talking to readers, than readers talking to writers.
Anika: Yes. That's another thing that I kind of wish we still had, fanfic treated as -- like, I would love to read some reviews or a deep dive into one author's recurring themes, or something like that. I would be super into it. I understand that people wouldn't like it -- the authors. But I would love it. And honestly, I wouldn't mind if people did it for me.
Liz: I was just going to say, the themes of domesticity -- and you write a lot of baby fic, but it's not because [you're going], "Oh, babies are so cute. I love children!" I'm sure you do, babies are cute. But it's about, "What do we, as flawed parents, pass on to our children? And how do we make them better than -- how do we make their lives better than what we've had?" And this seems to recur in all of your fics that I've read in any fandom.
Anika: So strange that I'm obsessed with the relationship between parents and children and their parents! Mm, so strange. And trauma. I know the things that I focus on. I focus on adoption, I focus on identity. I focus on sibling relationships. Like, these are things that are -- I think I've said before that everything I write is actually about me. I don't have to put a Mary Sue in anything, a nd I don't have very many original characters. But I one hundred percent give Katrina Cornwell my own backstory.
Liz: Right. And I've seen that in your fic. She -- often in your fics, she has lost a parent at a young age, and is dealing with that even into adulthood. But it doesn't feel like, oh, yeah, that's just Anika putting her own thing on Kat. It feels like exploring.
Anika: Yeah. Yeah, at least that's my intention. But yeah, so I would love to be even a part of like, a book club, or something where we meet each other and talk about it. Like, I think that would be so fun. And I'm sort of sad that that culture doesn't exist anymore.
Liz: It's sort of like how bookmarks on AO3 are for readers rather than writers. And sometimes, like, there's a piece of feedback that was attached -- it wasn't feedback, it was just a note attached to a bookmark of one of my fics that said, "really good handling of disability." And I was like, "This is the greatest feedback I have ever not really received."
But the other thing is, quite a few years ago, in Doctor Who fandom, I created a sock puppet and started reviewing the fics that were nominated for an award. It started out as a very mean, bitchy sort of thing to do, because I thought that the fics being nominated were not award-worthy -- note my own fics were nominated. So I was not a neutral observer.
But I wound up finding like it was a really interesting way of reading outside of my usual field and going, "Okay, well, this is a Ten/Rose fic, and I don't ship that. And this fic is almost entirely made up of things that don't resonate with me at all, and now I understand why I don't read this fit this sort of in this genre. But this is actually a really good fic, and I think that if you were a Ten/Rose shipper, you would really like it."
And then, you know, one of my so called friends revealed my identity on an anon meme, and there was wank, and people still think I'm one of the worst people in Doctor Who fandom which, yeah, it was a whole thing. I don't recommend doing this. It was not great. But in terms of reviewing fics as pieces of literature, it was a really interesting experience. And I actually had people say, "Hey, will you review my fic?"
Anika: I don't use beta readers very often, because I have a very particular way of writing, and I like my style, and I don't want to change it. So I don't give it to people and say, "Does this make sense? Did I forget something? You know, is this good?" I just don't need someone to tell me that before it's published.
Liz: Yep.
Anika: But once it's published, I would love someone to read it and critique it. I don't know why.
Liz: You are flying without a wire!
Anika: I just don't want to change it while I'm writing it. But I would love to know what people think of it after the fact.
Liz: That's -- that's very interesting!
And I do use a beta reader -- hi, I know you're listening -- because I have this problem where I don't close quotation marks, and she's very good at finding stuff like that. And she also knows when to tell me that I'm disappearing up my own butt, and when I am doing something really cool that she's enjoying, and I appreciate that. I appreciate you a lot.
Back to the essay, Jean Lorrah replied that it was not the treatment of the Orion women that was irritating, but Kirk's condescending good old boy attitude, "the cute little girl is drunk," and that that attitude coming from the female characters was unfortunately common in Trek literature. "Do my thinking for me."
Anika: Yeah.
Liz: They sort of move on to original characters. And apparently there was a trend of pairing off McCoy with a sweet, innocent eighteen-year-old girls.
Anika: Again, I don't want to be an anti. But why? What is that about?
Liz: Yeah, it's not the sort of thing that I find appealing.
Anika: My note here is just "yikes". I mean, doesn't McCoy have an eighteen-year-old daughter?
Liz: Yes. And according to Mary Louise, there was a lot of fic where he slept with his daughter. And I know--
Anika: No, no.
Liz: But because I don't fully trust Mary Louise is a source, I'm like, is that one fic she saw and it was an outlier and probably written to shock, like the notorious Draco/Lucius skullfucking fic, or was it an actual trend? And I'm pretty sure I really--
Anika: I'm disturbed. But I'm also like, wow, what was going on? What was that about? I'm very curious. I mean, I guess because McCoy is the oldest, and is the most paternal, but he's also the most, like, I don't want to say feminine, but, like, feminine.
Liz: He's a very caring person.
Anika: And so it's interesting. It's very interesting, you know, and I could definitely imagine being an eighteen-year-old girl, and deciding that I wanted to date, McCoy. Or like, I could imagine, of all of the people in Star Trek, he would be the best relationship, I can sort of see it going that way, and ending up with this crazy fic. But if it was a trend ... I'm just so interested. It's so weird.
Liz: And the thing is, these weren't eighteen-year-old girls generally writing these fics, these were, like housewives?
Anika: Yeah, housewives.
Liz: Yeah, adult women.
Anika: It's like the whole "Twilight is read by teenage girls and their mothers" thing.
Liz: Yes.
Anika: This is what it sounds like. To me.
Liz: This is not to disparage either housewives or mothers who read Twilight, because I feel like housewives, stereotypically, and middle aged women are as dismissed as teenage girls. But it's just interesting.
Anika: And they don't make anybody any money.
Liz: There's a very nice remark here. "Some of the reasons for badly drawn female characters is simply bad writing, and male characters are just as unrealistic, but this can improve." And then they talk about a specific series again, it looks like a series, like, pairing Sarek with a lady named Lorna. So Sarek gets his own Mary Sue.
Anika: I have to go off on a tangent on this because Lorna is a very specific name. It's pretty old fashioned at this point, like now, but my last name, Dane, is taken from Lorna Dane, who was an X Men character created in 1968. She was introduced in 1968, but then she joined the team in the late '70s. So Lorna Dane is Polaris, and she is Magneto's daughter, at least seventy-five percent of the time.
Liz: Right. His kids seem to have fluctuating identities.
Anika: And she's my favorite X Men, X Men, X Woman, whatever. X. My favorite X. So when I was published in a book of comic book essays, I was published under the name Anika Dane Milik. And so when I got divorced, and I changed my name, I just went to Dane.
Liz: That makes sense. Yes.
Anika: But it's like, it's Lorna, it's Lorna Dane, that's who it is. And this idea that this character that was created in the mid to late '70s, as Sarek's wife after Amanda died, I'm like, so, Sarek is now a part of my identity. And I am really excited about that! And apparently, Lorna's last name is Mitchell, so it's like Gary Mitchell's daughter, Lorna. But she's from the past. Everything about it is amazing. Everything about this, I had to look it up, and I'm so excited by the whole idea.
Liz: This sounds fantastic.
Anika: I love it. I love it, and now I get to be, in some universes, married to Sarek.
Liz: I am deeply sorry for you.
Then they go on to remark that from Lorna in one fic to Lorna in another, "there has been a vast elevation of consciousness". And it's like, as I read that, like my clothes turned into flares and my hair centre-parted... just peak '77
Anika: Yeah, you started hearing … what's that song from Hair.
Liz: Oh, I was dreaming about Hair last night.
Anika: It was like in my head. But, you know, the morning song.
Liz: Yeah, yeah.
Anika: "In the... nah, nah, nah." That song. Anyway, you start hearing that song, I start hearing that song, just can't remember the lyrics.
And that sentence is also so supremely Lorna Dane. The reason that I love Lorna Dane so much is that she's completely different every single time you meet her. She has all of these like, weird relationships with her parents, both Magneto and then her adoptive parents. Her relationships are all crazy. And she never feels good enough, and she's an only child, and all she ever wants is siblings. And she's -- there's so much. And it's literally crazy. I mean, everything in the X Men is crazy. But she is, by far, one of the most -- like just the fact that every other story she's either Magneto's daughter or not is enough.
Liz: Honestly, I'm getting very powerful Wanda Maximoff vibes from this?
Anika: Oh, yeah, exactly.
Liz: I find it interesting that Magneto's daughters tend to be sort of very fluid, dynamic characters whose personalities and backstories are always changing.
Anika: And going back to something we were just discussing in this essay, there's this sort of idea that Magneto can be super powerful, and be able to destroy the planet at a whim, and he is very serious and sad, and we have a lot of respect for him even if we don't agree with him.
Whereas Wanda and Lorna have the same amount of power and can destroy things, and they are crazy. And they need to be, have to be--
Liz: They're unstable and they need to be stopped.
Anika: --locked up, and are a danger to themselves and others. And it's like, okay, so Magneto definitely tried to take over the world four times, but he's not a danger to himself or others? You created an entire prison for him that no one else would ever need, yet he's not considered crazy or unstable or dangerous the way that Wanda and Lorna are.
Liz: Yeah.
Anika: That's a thing.
Liz: The next note in this essay is that a common theme in feminist Treklit is responsibility, and stories about women being given responsibility and handling it properly, or needing to learn responsibility and doing so.
My note here was, "Are women people?" but it turns out that this is a story that the comics and superhero genre, at least, is still grappling with, and I think WandaVision is doing it in a really interesting way. And Wanda's allies are Monica and what's her face? Darcy.
Anika: Darcy
Liz: Yeah. And Jimmy Wu, and to a lesser extent right now, Vision. But these, with one exception, are not white people -- sorry, not white men. And--
Anika: And Vision is played by a white man but I don't -- like he's one of those on the line kind of people.
Liz: Yeah, I'm just -- Paul Bettany...
Anika: He is a white man but he's also not, in the context of the story.
Liz: My feelings about Paul Bettany are very complicated for Johnny Depp reasons. So I'm lukewarm on wanting to see him, ever. But his performance is great, and all. And I just think it's depressing that this [storyline] is still something that media struggles with.
Anika: And it one hundred percent is. It's something that -- I mean, look at Rey.
Liz: Yes. So--
Anika: That's gonna be my answer to everything. Yeah, women are not people is generally the key. Women are vessels that we can put ideas onto, I guess, is the way it goes.
Liz: Yeah. And then the other issue they discuss is issues that are of specific concern to women, or of special concern to women, rather, and they talk about a fic where, quote, "a rape case threatens to obscure the issue of a female officer's rights by triggering an overprotective reaction".
Which, again, going by TOS alone, seems like a pretty valid basis for a fic -- look at look at all those episodes where Janice Rand is attacked, and the only people she has to go to about it are Kirk, Spock and McCoy. Even if it was Kirk's evil double that attacked her.
Anika: It's just bad.
Liz: It's -- yeah.
Anika: Again, I'm really interested in this idea that they wrote -- they were writing stories about rape, and not -- I mean, I haven't read the story, but it doesn't seem like it was sensationalizing rape. It seems like it was, "Hey, this is a thing that happened in canon that didn't get the treatment that I want. And so let's talk about that."
Liz: Yes. "And let's talk about how, not not the rape itself, but the reaction afterwards impedes justice, and recovery." That's super interesting, and still contemporary!
Anika: And still contemporary.
Liz:   And then they talk about Mary Sue, and, you know, everyone on the Enterprise is extraordinary. But if you create a woman who is extraordinary, then she's a Mary Sue. And they debate, you know, do you write a male character and then make it female? Or do you try and create a three dimensional woman? 
And I still see these discussions now, and I'm like, whatever gets you to a good character is a valid technique.
Anika:   A couple of things really jumped out at me. One was "showed some problems Spock could have if he had been female, as well as first officer."
Liz:   Yeah!
Anika:   I'm very picky about gender swap fic. Because it can be done so poorly, so easily.
Liz:   Yes.
Anika:   But that's a really interesting question. If everything was the same, except Spock was a woman, what would that mean? I'm interested in that. And if it was done well, then it could be a really amazing story.
Liz:   Right?
Anika:   So I love that they're bringing these questions up. And then another one was, "when one writes a female officer onto the ship, and part of this usually lies with her occupation: what does she do? Why is she on the ship, and what is her function when she is sent down to the planet?" 
And I'm just like, uh, I'm pretty sure you'd have to ask those questions about any original character that you made up?
Liz:   Yeah. Men can have jobs too!
Anika:   And so what it comes down to is that -- it goes back to the earlier comment about how there weren't women in the show, and the women that were in the show didn't get to do what the men did, that Uhura got to take command once, ever.
Liz:   Yes.
Anika:   And it was too late, basically.
Liz:   And it was in the animated series. Which to an extent--
Anika:   Which, who even watched?
Liz:   Yeah, I don't want to say it doesn't count. But it's only just now being treated as a serious and valid part of the Star Trek universe. Aside from "Yesteryear".
Anika:   So really, it's really interesting that they were sort of asking these questions seriously, amongst themselves, you know, and treating it with any kind of gravity, 'cos (a) I think the answer is obvious.
Liz:   Yes.
Anika:   And (b), we shouldn't have to answer this. What it's just the whole thing of "let's create a male character and, and write it as a man and then switch it at the end." Like, yeah, sure. And if you're not going to do that, which is fine, because gender does have an impact -- or you know, can, I should say can have an impact -- it's okay for someone's gender to have a meaning to them. But you shouldn't have an emotional and intellectual quandary about why this woman is on this ship.
Liz:   If you wouldn't have that same quandary for a male character, why are you having it for this lady?
Anika:   Right! They belong on the ship. That's my answer.
Liz:   She's on the ship because that's her job. It's where Starfleet told her to be, the end.
Anika:   Finally, the one that really, you know, just made me smile. "One dead giveaway of a Mary Sue is when everyone on the ship loves her except Kirk." That is my favorite fun fact that I've never heard before.
Liz:   No, me neither. I've seen Mary Sues where Kirk loves her and Spock doesn't. And I've seen all sorts of Mary Sues, and they're all great.
Anika:   It was just amazing. I I loved that idea. The idea that people are reading a story, and all of a sudden Kirk doesn't like someone, and they're like, "Mary Sue!" And that's it, that character is tainted and you can't see that character as anything other than a Mary Sue. It's just crazy. But amazing. And I'm not saying that it's not true. I just think it's hilarious.
Liz:   I don't think it's a data point that became universal. Like you don't see this in Star Trek Mary Sue litmus tests. Remember litmus tests? Wow. Speaking of fandom history!
Anika:   They were like 80 questions long.
Liz:   I know!
Anika:   And you had to put it in, and then it would tell you if your original character was a Mary Sue or not. And I will tell you, I don't write a lot of original characters, like I said, I never put in any original characters. But I constantly put in my version of canon characters. And the thing is that more than fifty percent of my answers were canon. I wasn't making things up about these people.I was reading the canon, when I was answering the question as my interpretation of the character that I saw on screen.
Liz:   No, this makes perfect sense to me because -- I think it's Seanan McGuire who had an essay on LiveJournal, pointing out that "Mary Sue" is just another word for protagonist.
Anika:   Exactly. So usually I would get, "You are close to the line of crossing over into Mary Sue-dom and you should take away at least one flaw," or, you know, something like that. It's just like, okay!
Liz:   Whatevs!
Anika:   I will tell Gene Roddenberry?
Liz:   Yeah, yeah. I'm sorry, I need to summon the ghost of Sir Arthur Conan Doyle to tell him that Sherlock Holmes is a Mary Sue.
Anika:   You know who's a real Mary Sue? Watson.
Liz:   Yes!
Anika:   One hundred percent a Mary Sue.
Liz:   I feel like Holmes is the idealized Mary Sue and Watson is the self insert Mary Sue.
Anika:   Mm, I can see that.
Liz:   "The panel then fled from Mary Sue stories."
Anika:   As did we all.
Liz:   And they talk about how it's difficult to create a good female character, because there aren't many templates to draw from in Star Trek. And--
Anika:   Like I said.
Liz:   Yeah. "There are plenty of strong masculine characters to work from, but very few women."
Anika:   And that's the thing. Again, here in 2021, every woman in Star Trek has been called a Mary Sue at least once.
Liz:   And honestly, most of [the women in TOS] are pretty interesting. Like, they're not necessarily strong people. But generally, they're more complex than we give credit for.
Anika:   Right. So it's --first of all, just stop talking about Mary Sues and let it go. That's that's my take number one. And take number two, just because a woman is a woman and a new character in an old fandom does not mean that they are a Mary Sue automatically.
Liz:   Yeah. 
Then they talk about -- it's sort of a digression, which obviously we're familiar with  here. "Most blonde women were dependent and ineffectual, well, brunettes were usually forceful, and control their own destinies." And they give the example of Majel Barrett, who goes from Number One to Chapel. 
I had never thought of this, and I think overall, as a pattern, it holds for The Original Series. But I also think that there were, you know, existing stereotypes about blondes versus brunettes.
Anika:   Yeah, I don't think that Star Trek--
Liz:   No.
Anika:   I don't think Star Trek created that idea.
Liz:   No, you know, [in] Marilyn Monroe movies, she always has a brunette offsider, who's a lot smarter and more together than she is.
Anika:   So strange, it's like, blondes are more beautiful and have more fun, and people are more interested in them. But the brunettes are the smart ones. And the ones with depth. That is just -- like, this is weird, okay?
Liz:   Unless you get the sort of Hitchcock blonde who is terribly intelligent, but also cold and damaged. And that's Seven of Nine.
Anika:   Yes.
Liz:   But it's also interesting that they cite Chapel, because the whole reason that I wanted to do an episode on zines is that I have a paper copy of issue 25 of T-negative, which has a wonderful essay about Christine Chapel, basically saying, everyone writes her off as a dumb blonde with no agency who's only in love with Kirk. [Obviously I meant Spock, don't @ me…] And actually she is a really, really interesting character. And then the author goes on to discuss Christine in both canon and in fiction. 
It was a wonderful essay, and I was going to cite it -- we talked about doing a Chapel episode, but Women at Warp had just done one. Justice for Christine Chapel, who's not even a character I really care about. But this essay made me want to.
Anika:   Right, that's my take on a lot -- you know, there's the characters that I really, really, really care about, and everybody who listens to this podcast could name them. And then there's all the other women characters who -- like, I will meet you in an alley and punch you--
Liz:   Right?
Anika:   --to protect them, I will one hundred percent go to battle for every woman on Star Trek.
Liz:   Yes. Even the ones I don't like
Anika:   Because all of the arguments against them are sexist. That's where I'm at.
Liz:   One day, I'm going to present the argument that Lwaxana Troi is narcissistic, and not necessarily fully abusive to Deanna, but she is not good to Deanna. And that's the only argument that I will accept against Lwaxana.
Anika:   And the difference is that that is a critique of Lwaxana as a person, which is totally fair.
Liz:   It's not just "she's middle aged and thinks she's sexy."
Anika:   Right, we shouldn't put women on a pedestal, either. But the critiques aren't critiques, they're just, "I don't like" -- again, it's, "I don't like this, and I'm going to write them off." I just watched Star Trek 2009.
Liz:   You did!
Anika:   And I am so ready to go to battle for Uhura. Like, it's upsetting to me. I've seen that movie many times now. You know, like a dozen, let's say, -- I don't know.
Liz:   I've seen it twice!
Anika:   And I can just hear all the negative comments as I'm watching the show. Like, I'm sitting here and I'm watching the movie, and I just hear all this chatter. You know, Uhura is telling Spock to put her on the Enterprise, and there's eight hundred voices in my head saying how she's a nagging girlfriend. And I just like, "No, no, she is not!" She is standing up for herself the way that any person should, and the fact -- their relationship is a wrinkle to it. It is not the reason for it. And if Kirk did exactly the same thing, people would be applauding him.
Liz:   Yes, yes.
Anika:   So I can't. As I was watching the movie, every single thing that Uhura did, I imagined Kirk doing it, and having all of the people like you know, saying "Oh, he was the best version of Kirk." I was just like, ugh! And I know I'm saying that as someone who thinks that Chris Pine is the best version of Kirk...
Liz:   You know, there are credible rumours that Strange New Worlds is going to feature a young Uhura. There's a casting call for a young African American woman to play a comms officer, whose name in the casting call is African, just as Uhura is based on the Swahili. 
And I see people going, "Oh, good, Strange New Worlds is going to fix Uhura, they're going to do her properly." And I'm like, no, they're just going to do her differently. Peck!Spock is not better than Quinto!Spock. They're just different interpretations of Nimoy!Spock.
Anika:   Mm hmm.
Liz:   Anyway.
Anika:   Yeah, so sorry, tangent, but I just get super defensive of these women characters because people are against them for really silly reasons.
Liz:   Moving on, we hit a marvelous piece of fake news. "Another problem with female characters is that feminism can become too much an issue."
Anika:   Oh, dear. I love this because literally like two paragraphs before that, they're saying that feminism is the reason like -- that the lack of female characters is the reason that it's hard to write female characters. It's like, guess what, guys, you're being feminist in that argument. And so now, these women are saying that there's too much feminism in my Star Trek, and I -- again, I'm pretty defensive.
Liz:   They cite this amazing sounding fic when Number One is now -- it says in this recap, she is now an alien ambassador. But according to the Fanlore page for the fic itself, she is the captain of the USS Hood. And any Friends of DeSoto can just take a moment to say, "Best boss I ever had." 
She sits down with a Romulan commander and they both, quote, "bitch interminably about being trodden on by the men in their lives, losing the plot amongst the complaints." 
And like, maybe the fic is sort of hijacked by this, and the story it promised to tell is not the story that eventually came out. I just really, really want to read this fic.
Anika:   I really want to read it too. And that's what I'm saying, that is the kind of stuff that I love to read and write in fic, which has absolutely nothing to do with the plot, but is all about their feelings and their lives and their interpretation of what's going on.
Liz:   And I just love the idea of Number One and a Romulan, comparing notes. I'm just saying, the Romulans had women in command before the Federation.
Anika:   Yeah. I ship it.
Liz:   And they note that the theme of women cooperating with women is a good one, and just beginning to develop. And, you know, I still get a weird warm, self-righteous glow whenever I write that in my fic, so I'm glad it's still a thing. I wish it was more of a thing. And then they move on--
Anika:   This is the best.
Liz:   --to the most important question. What about the men?
Anika:   Okay, so again, I have to tell a story about today. My most popular fanvid on YouTube is a vid about the animated women in Star Wars. So it's all animation, Rebels and Clone Wars. And that's -- actually, I made it before Resistance. So that's it, Rebels and Clone Wars. And this one is what I'm one of, if not my best -- and it's my most popular, right? And it's ages old now. Like I said, pre the last season of Rebels. 
And I still get comments all the time, because, again, it's the one that shows up in the algorithm or whatever. And today I got this amazing comment that was just one question. Four words. "What about man person?"
Liz:   Man person!
Anika:   Man person! And I just started laughing and laughing. I was like, Okay, I'm designing a T-shirt that just says, "What about man person?" and I'm buying one for all of my friends, because that is an amazing comment.
Liz:   I think that we need to release stickers on RedBubble that say, "What about man person?"
Anika:   "What about man person?" Like, that -- it was just so good. That's how I ended up with "social justice Klingon warrior" in my Twitter bio, because somebody accused me of being a social justice warrior for Klingons, and I was like, yup, yes I am. 
Liz:   Well, we've found this episode's title.
[I realise that Anika specifies that it's four words, and then I used three in the title, but, ummmmm, anyway, changing these things post-release is a pain.]
Anika:   What about man person?
Liz:   What about man person?
Anika:   Like, okay, dude, this video is literally a celebration of women. That's, that's the title. That's what it says, Star Wars: Women. I made one for Star Trek, too: Star Trek: Women.
Liz:   But, Anika, what about man person?
Anika:   Go watch Star Trek! Go watch, literally the entire original trilogy and most of the rest. And you can find all the man person you want.
Liz:   So the discussion here, what about man person? Why aren't men writing Trek fic? "There are many males in Trek, why aren't they writing? One suggestion was that men can't take criticism very well. And women are used to it."
Anika:   I mean, every answer that they come up with is actually kind of great.
Liz:   It is! But I'm like, people call us misandrists, and look at this! 
"Criticism is a good tool. The Star Trek world would seem to appeal to males. One expects Marty Sues but gets Mary Sues. But many male Trekfen don't want to write about it, instead want to be in it." 
And I think this is really interesting, because if you look at the fanworks which are dominated by men at the writing and production level, it's fan films. And there's the perennial post on the Star Trek subreddit, "Hey, I just wrote a Star Trek novel, how do I get it published?" And they never want my AO3 invite.
Anika:   Yeah! I mean, I think that this is actually a really amazing insight that is absolutely true. Like, in, in all fandom--
Liz:   Yeah. And I think--
Anika:   --men--
Liz:   Go on.
Anika:   Do that. Like women -- I think we've discussed before how there's the transformative versus, like, critical or or--
Liz:   Collecting?
Anika:   Collector, yeah. Yeah. And, again, we just said there aren't enough women doing stuff in Star Trek in 1977. And so they were, they were saying, "Hey, I'm going to create a woman character who does something." And whereas the men are like, "I'm going to, you know, make a movie where I play Captain Kirk."
Liz:   Yeah.
Anika:   And somehow, they don't see that as fanfic?
[Note from Liz: it's not that there's anything wrong with that approach! I just find it weird how things like Star Trek Continues are treated as semi-canonical, whereas fic mostly … is not.]
[Oh no, do we need to start doing eps on fic the way other podcasts do eps on fan films?]
Liz:   No, no. A few years ago, pre pandemic, I saw the play Puffs, which is essentially a Gary Stu fic in the form of a play. And it's a professional piece of theatre! You can see it on Broadway Online or something, and I highly recommend it. It was a good evening. I have very mixed feelings about Harry Potter these days, but it was a lot of fun. 
But it struck me that "the ordinary kid gets his Hogwarts letter and goes to Hogwarts and is on the periphery of the events of Harry's school years" is a fic that I have seen many, many times. And the difference is--
Anika:   So many times.
Liz:   The difference is like those fics were mostly written by women. And this guy was like, "Oh, yeah, that's a valid idea. I'm going to write a play, and I am going to make it enough of a parody that it is a professional endeavor." And it's just interesting that men are more--
Anika:   Willing to do that.
Liz:   Yeah! And I think it's -- I love fan fiction, and I love that we have this community of amateur writers who love something, but do we, as the women and marginalized people of fandom, need to be more open to also being professionals? Or does something get lost in that?
Anika:   Yeah. It's a really good question because I am very much of the opinion that if all you want to do is write fan fiction, more power to you.
Liz:   Absolutely.
Anika:   That is absolutely valid. That is you're still a writer. You can call yourself a writer. You are a creative. You are coming up with something that someone else didn't do. Your fic is original, even if it's fanfic.
Liz:   Right, and even if it's using tropes and ideas that have been used before, unless you are literally copying and pasting from someone else's story, it is still unique.
Anika:   Right.
Liz:   They speculate that boys aren't interested in writing. "It's cute in girls and effeminate in boys in the high school years, and boys should go out and do it, not daydream." And I think there might be some level of truth in that. Or certainly, there may have been then. And, you know, toxic masculinity and all of that.
Anika:   So here's what I wrote after I copied that over into my notes, that sentence, "writing is looked upon as cute in girls, effeminate in boys". And the sentence that I wrote is, "Hey, is it possible that this nonsense is why we have so few women writing trek novels right now?"
Liz:   Ohhhhhhhhhhhh.
Anika:   Just an idea. Just a thought.
Liz:   They do go on to note, "most SF writers and men, but that that isn't Trek."
Anika:   And also, that's not true.
Liz:   Yeah. Even back then that was not true.
Anika:   Sorry. That definitely wasn't true in the '70s. There were many women writing science fiction in the '70s.
Liz:   This was the age of McCaffrey and Butler and Le Guin. And more. Those are just the ones we remember!
Anika:   Literally everything I read in the '80s was written in the '70s. So that's just wrong. 
Liz:   Joanna Russ was writing Kirk/Spock fic and also science fiction novels.
Anika:   Exactly. It's society. It's not us. It's not me and you who's keeping Una McCormack as the only woman allowed to write Star Trek right now.
Liz:   Right, right.
Anika:   Like, it's the people in charge. And the people in charge have decided that science fiction should only be written by men, and they are going to like, make that happen.
Liz:   Right? And so it's interesting that men seem to self exclude from fan fiction. I think that's less true now than it was then. But it's certainly interesting because they go on, there's a bit down here, "at least a third of Trekfen are male." [laughs] I died! 
But they speculate that "perhaps the dearth of men in zines is self perpetuating, since male writers are reluctant to submit their precious manuscripts to female criticism."
Anika:   That is true. Like, I will say, I know some male writers who have not submitted their manuscripts because they don't want to hear it. And I said a while ago that I don't have a beta reader for the same reason, so I'm not saying that they shouldn't be like that. But it is a thing.
Liz:   No, no. What struck me was that with the internet, like the gatekeepers in the editorial process disappeared for fan fiction and we see some more men now than we had then. But still not that many. And it's like it's a mystery to me.
Anika:   I don't know any.
Liz:   Writing fan fiction is great. Why would you not?
Anika:   There aren't any men in our Kat Cornwell discord. There are a couple of non binary people, but no men?
Liz:   Certainly no cis men. Is it just not a community that's appealing to cis men?
Anika:   And why? Is it because they're not paid for it and you have to like, you know, "I hunt and gather and bring everything in"? Again the patriarchy is bad for everybody. Capitalism is bad for everybody.
Liz:   There's a very strange and amusing digression here: "Cogswell and Spano ((MAY SLIME DEVILS INFEST THEIR TYPEWRITER)) were mentioned as trotting around at cons, getting opinions for Spock Mess--but again, those are pros ((SUCH AS THEY ARE))." 
And I assume that Cogswell and Spano are nicknames. I don't know what Spock Mess is. I didn't really get any useful Google results. It might be a zine. 
I was wondering if maybe they were nicknames for Harlan Ellison or Isaac Asimov or David Gerrold, who were all part of the fan community and were certainly known as people who trotted around at cons. Gerrold was deeply hated by a lot of women in fandom because he's a complete donkey, and was not able to say "I don't care for slash" without also saying, "slash is written by fat ugly housewives who need to get laid."
Anika:   Ugh. Yeah, so--
Liz:   Thanks for the tribbles, mate, you can just move along.
Anika:   Again, fine, you don't have to read the slash. But that's just "I don't like this thing...."
Liz:   If anyone out there knows who this aside refers to please, tell us because I require much gossip.
Anika:   Also, I kind of want to have an opinion on Spock Mess.
Liz:   Yeah, I would very much like to know what it is so that I can have an opinion on it.
Anika:   I'd really like to have an opinion about it. So let me know what that means.
Liz:   "It's a waste if we can get mediocre rotten and fairly good ideas from female authors, why not from male?"
Anika:   Okay, look, I don't actually need men to have a bigger footprint in fandom, because they have reality.
Liz:   It's true. It's true. But fandom was so female dominated back then, "at least a third of Trekren are male," that I understand why, in these formative years, it would have been nicer to have 50/50. 
And then it goes, "Masculine domination of straight SF was brought up again, with the observation that SF is written by and large for adolescent males." 
No, that is not true! That was not true in the 70s! 
"And that the field has been changing to human relationship or alien relationship stories, largely on account of the female writers." Who did exist! 
And I love that they discuss original SF alongside fic. "Treklit."
Anika:   Yeah, that they're basically talking about them the same way. Like, these are both forms of science fiction writing.
Liz:   Right. And like I said, Joanna Russ was writing Kirk/Spock fic. And these days, Naomi Novik is the founder of AO3, and also writing acclaimed novels, which I personally do not care for, but I don't read them and don't complain that they exist.
Anika:   Because there's a lot of stuff that I don't read and don't complain that it exists. I'll just put that out there.
Liz:   Because I'm sort of in the con organizing scene, I pay a lot of attention to like Hugos, and I nominate and I try to read as many of the nominated works as I can. And sometimes I'm like, No, no, this is a bad year for works specifically designed to appeal to me.
Anika:   I probably read more fan fiction than published science fiction. I'll be honest.
Liz:   A lot of people do.
Anika:   Partly because it's free. Partly because it's about characters I already love.
Liz:   Yeah. And it is so hard to care -- like it takes real skill to create original characters that other people care about. It's hard!
Anika:   That is true.
Liz:   It's a real skill!
Anika:   That is very true. And even when you do -- like, let's take Daenerys Targaryen--
Liz:   Alas.
Anika:   George R R Martin created her, right? Whatever. Him
Liz:   Yes. He made you care about her.
Anika:   I guarantee that I care more about Daenerys Targaryen than he does. And I also guarantee I care more about Daenerys Targaryen than DB or the other D.
Liz:   I don't know about GRRM, but I absolutely agree with you on that. You win that easily.
Anika:   So that's why I'm gonna go read fan fiction about Daenerys Targaryen instead of caring about when Winds of Winter ever comes out.
Liz:   But also, you know, you're entering into a contract with a fic writer where they're saying, "Look, I love this character, and I care about them too." And you're like, "Cool, I'm gonna sit with you and we're going to care together."
Anika:   Right, we're gonna care together, I'm -- we're going to fix -- like, you know, fix it fic is like a really popular tag for every fandom because every fandom needs to be fixed for someone.
Liz:   I was very against the idea of fix it fic as a concept because I'm like, Sure you can change and you can alter what the show does, but ultimately, you know, what I love is canon. And then they blew someone up and I am very pro fix it fic. I am a Cornwell denialist.
Anika:   It's interesting. This is where my love of alternate universes comes in, where I can -- like a fix it fic is just an alternate universe, it doesn't mean that the canon didn't happen. It's like, here's a different way it could have gone. 
And I love that, because characters who are thrown into many different plots and many different situations and circumstances and the way things went, seeing the similarities, the throughlines, and their strengths and their skills and their innermost being, like, how it comes out? That's what's interesting to me, that's the identity stuff that I'm always talking about. That's like, this is what matters to this character.
Liz:   And there's a really interesting writing trick where, if you're not sure you understand your original character, you should go and write an AU of them. So if you're trying to write a fantasy, go scribble out a coffee shop AU and see, see what is actually essential to that character.
Anika:   Exactly, yes.
Liz:   And now I'm wondering, is the reason for the whole Mary Sue discourse, and this whole discussion about original characters in fan fiction, because a lot of these writers were novices and didn't have the skills to make people care about their original characters?
Anika:   Absolutely! I still have some of my fanfic that I wrote when I was 13. And it is bad. Even -- there are two Voyager fics that I wrote way back when that I put on my AO3, because they're the two that I think are acceptable, and they are still bad.
Liz:   Oh, yeah.
Anika:   They are … like, I put them up because I'm proud of them. But I'm proud of them twenty years ago. You know, it's like, thank God, I have improved since this time.
Liz:   The first fic I actually finished was a Savage Garden songfic where Q watches Janeway and Chakotay dance. It is not good at all. But in my defense, I was 14 years old.
Anika:   Exactly. And I think that that's, that matters. One thing that I really love about fanfic, and that I love about having a profile on Archive of Our Own, is that I can go back to this stuff that is fifteen years old, and I can say like, Oh, this is like, I'm telling this, this story again, in this new fic. But look at how much I've improved, look at how I've been able to, like, tease those ideas into something so much like -- into so much more of a blossom.
Liz:   And with these women who are writing fic in the '70s -- you know, the general profile of a Trekkie back then was a middle-aged, college educated woman who had married straight after college, had children. Maybe she had a part-time job as a receptionist, or a secretary or something like that. But this was her first creative outlet in decades. And her first writing work in decades. And it is the work of intelligent, educated but untrained writers who are practicing. And - - -
Anika:   Exactly, practicing. 
I love that fanfic doesn't have to have a beginning, a middle and an end. You don't have to waste time on telling them about the character, you can just tell them about what the character is feeling right now, because I already know who Spock is. 
So you don't have to tell me who Spock is. You just have to tell me what Spock is doing right now, and how it makes him feel, and how it's different from what he feels in the episode I just watched. 
It allows you to hone your skills with a very low like bar. You don't have to prove anything. The worst thing that happens is someone doesn't like your fic.
Liz:   And we talked at the beginning, and I guess this brings us full circle, but we talked at the beginning about how the criticisms in this panel were not the sorts of things that would fly today, and people could be really upfront about not liking stuff. 
But I read some of the letters of comment for big fics around this time, and there was one, and it's a very well known writer, and I cannot remember who she was - possibly even Paula -- no, not Paula Smith. 
Anyway, the letter of comment was basically, "You need to slow down," or, no, "she needs to slow down," it was a letter to the zine, not to the writer. 
"She needs to slow down and consider her pacing and really take time to settle into a scene and let things unfold. Because she is not a bad writer now, but she is going to be really, really good when she's comfortable enough to take her time." 
And that's really, really fantastic feedback. And put really kindly And so yeah, fandom hasn't changed that much.
Anika:   You know, you can go to college for literature, or whatever, and mostly you get beaten down. And you get told, you know, this is what you're doing wrong, and this is the way you need to do better. 
And fanfic is the opposite, where it's like, they're not going to tell you how to fix things necessarily. They're gonna encourage you, and even when they say something negative, it's in an encouraging way. And I think that the balance of both is the perfect, you know, that the best way to make a writer is to have both.
Liz:   Absolutely. 
Are we done? Should I outro?
Anika:   I think so.
Liz:   Okay. It's really hot here. I need another shower.
Anika:   I'm sorry.
Liz:   I'm sorry for Texas!
Anika:   It is. Yeah, it is cold and snowing here.
Liz:   If I could send you my excess heat...
Anika:   And I'm not Texas. Thank God.  
Liz:   Thank you for listening to Antimatter Pod. You can find our show notes at  antimatterpod.tumblr.com, including links to our social media and credits for our theme music. 
You can follow us on Twitter at @Antimatter Pod, and on Facebook, because as far as Facebook is concerned, we are not a news source. That's a bit of Australian humour for you. 
If you like us, leave a review on Apple Podcasts or wherever you consume your podcasts. 
The more reviews the easier it is for new listeners to find us and join us in two weeks, when we'll be discussing bisexuality and Star Trek.
Anika:   It will be great!
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prehistoricalcats · 4 years
Note
I'm really interested in your Cats universe! It seems like you have them living like humans but humans also exist? Can you describe your universe a bit more, if you'd like to? :)
I'd love to!
I must warn you though, this is a very in-depth universe, and even focusing on specific points and trying to simplify things as much as I could, I still managed to make to this about a mile long. Damn I wish Tumblr mobile let me do a read more cut
First of all, yes the Cats are anthropomorphic, and yes humans also exist in this universe. Anthro Dogs, Rats, and Mice all definitely also exist, and I'm considering a few other anthro races like Hyenas and maybe like Rabbits and some others, but haven't put too much thought to that yet.
Just for reference, if it's capitalized (Dog, Cat, etc) it's the anthro race, if it's lower case (dog, cat, etc) it's the fourlegger
Some Basic Terminology:
Non-human beings/non-human people - collective term for all anthro races
NHP - non-human person(s)
Furfolk - common English slang for non-human beings, not politically correct but still pretty widely used. There is also a version of this word for each specific race, Catfolk, Ratfolk, etc. (Note: Mice and Rats often are collectively refered to as Rodents or Rodentfolk)
Fourlegger - regular dogs, cats, etc. Used mostly by NHPs to differentiate between them and NHPs
Bald-bodies - humans. Used by NHPs, considered derogatory by most (nearly everyone uses it anyway)
Kit - kid, child, teenager (for Cats). Short for kitten
Tom - you know this one, an adult or teenage male Cat
Mot - an adult or teenage female Cat, an alternative word for "queen"
License Name - once called the "family name" back when it was still quite common for Cats to work for a human family in a residential household. Essentially this is the name that humans assign to Cats because Particular Names are often "too hard" for humans to remember/pronounce. It's their "official" name that appears on most legal documents, including their "license" which is essentially a registration card and number that all Cats are required to have. Most Cats have a license, and a license name, by age three, some get theirs as infants. Sometimes the parents have a say in what the license name will be, sometimes not. Sometimes a Cat will prefer their license name, some prefer their Particular Name, others don't care and will respond to either.
The Junkyard - a slum, mostly populated by Cats, on the outskirts of the metropolitan area of an unnamed imaginary British city, comprised partly of makeshift shelters scattered throughout an actual dump/landfill/junkyard, and partly of several large shantytowns built on the unused land surrounding the dump
Some biology stuff:
Okay brief anatomy lesson before we begin
(For real though, please at least glance over that link before continuing, it is fairly brief and it makes what I'm about to try to explain a lot less complicated)
I've had to do some fantasy science to work out how Cats can have retractable claws without becoming less dextrous than humans (because I need them to be able to play instruments made for human hands). What I've essentially gone with so far is that Cats have extra bones in their hands/feet, which would make them unlike any other known tetrapod either living or in the fossil record, so the science side of me rebels at this, but the art side of me says it's a story about bipedal talking felines with mystical powers it's already science fiction they could have duckbills if I wanted them to (I don't), and so I think this is a decent compromise. I can go into further detail about the way the claws work later on if you like, but this post is already going to be pretty long so for now I'll just say that you can describe the claw as an extra joint attached to the end of the distal phalange.
Cats are super bendy, for the same reason that (fourlegger) cats are bendy. They have extra bones/joints in their spines. Cats have 7 cervical, 13 thoracic, 7 lumbar, 5 sacral, and 19-23 caudal. They have more sacral bones than fourleggers because they're bipedal.
Cats are habitual bipeds, like humans. But unlike humans, they are perfectly comfortable wandering around on their hands and knees. Though the bipedal stance is more comfortable and usually perfered by adults especially, most non-elderly Cats are still perfectly fine crawling on the ground on their hands and knees. You're generally more likely to see kits and young adults doing this, but older adults do it to. If they want to move fast or run, they use a bipedal stance. Beyond that it's just whatever feels right for the situation.
Some culture stuff
Cats and other NHPs (except Rats) don't need clothing to cover their privates. I'm not going to go into the anatomy of how that works. For now let's just imagine it's the fur that's hiding it. They do wear clothes, especially in winter, but it's not so much for modesty as it is for functionality and fashion. Basically clothes for Cats are for three purposes: to protect from the elements (cold, rain, sun, etc), to shut the outraged humans up, and to look good. It's pretty common in the summer to see Cats wearing nothing but some arm/leg warmers or other fashion accessory, and a belt/rope around their waist to store things on in the absence of pockets,(even if they also have a bag)
If you've ever owned or seen or been around a male rat you probably know why I say "except Rats" and I'm not going to get into it here, just know Rat men always where pants/trousers
Cats exist globally and have a variety of different cultures, often greatly influenced by the human culture of that region, but one of the most universal elements of Cat culture is the idea that "It's considerably dishonorable for a Cat to use anything but their own claws (and teeth in many cultures) in combat against another unarmed Cat." Translation: Cats generally frown on using weapons, though many recognize the need to know how to use them, because humans use weapons, and a claws against a machete or a cattle prod or a gun isn't fair. By the same line many modern Cats consider it okay to use weapons against a (dishonorable) Cat that pulled a weapon on you first, though many elders still frown upon this.
The relationship between Cats (and other NHPs) and humans isn't very good, and the relationship between different types of NHPs isn't much better. There's a social hierarchy that puts humans (especially white straight cis male humans) at the top. The hierarchy goes humans > Dogs > Cats > Rodents
About the Jellicles
The Jellicles are the name of a specific tribe that once was primarily a religious tribe. Back a really fuck long time ago when Deuteronomy was still a kitten, the Jellicles lived off the land and practiced their religion (still working out the details of that sorry but I do have a few things)
The Jellicle Choice is a real thing, though I haven't decided if it started with Deuteronomy or if he was the next in a line sorta kinda but not exactly like the Avatar. The Jellicle Ball is held every year and people used to come from all over hoping to be picked. The humans didn't like this mass gathering, and the space they had in their own territory couldn't quite handle it anyway, so the Jellicles had to start keeping the Ball's location a secret until the day of, to keep the attendance numbers down somewhat. A Choice isn't made every year, though there's always a chance one will be made, and they've had a dry spell for the past 20 or 30 or so years before Grizabella. They don't have to keep the locale a secret anymore, most people don't bother coming and some even think the Jellicle Choice is just a myth. Few people remember when the Jellicles were primarily religious
Deut was trained as a shaman from early childhood, and groomed to be the next leader since he was ten, but he's always been a performer at heart. At some point after taking over as lead, he met (a very very young) Gus and invited him into the tribe. With Gus's help he organized plays and small musical performances, slowly and gradually getting other members in on it as well, until putting on plays every now and then was just a part of Jellicle life. And it was a good thing too, because by this point the tribe had been forced to give up their land and had to move to an industrial slum in the nearest city. No longer able to live off the land, they turned to performance to make a living. This was all well before Skimble/Jenny/Jelly/Spara (Jr)/Griz were born. These days the Jellicles are known primarily as a tribe of performers. Every current member that was born into the tribe except Deut was brought up as a performer
The play we see is an actual play being put on by the Jellicles as a dramatization of the events of That One Particular Jellice Ball™ which happened three years prior to the current timeline.
I think that covers the basic rundown. You can also see this jumbled mess for my first attempt at explaining all this crap lol.
Oh yeah and before I forget, I haven't decided yet if "Peke" and especially "Pollicle" refer to a certain culture of Dog, a certain body type, or two specific gangs ("packs") that just happen to be mostly comprised of a certain culture and/or body type of Dog. But they do exist in this universe. At the very least they are fictional gangs made up for the Rumpus Cat comics (yeah he's a comic book hero in this), or else real gangs or cultures/types of Dog written into Munk's Rumpus Cat fanwork play.
There's also a very important event that I really need to go over at some point but it's a really heavy topic and this isn't the best time like politically to post it right now, or even for me emotionally to write it out. But I do need to get this out at some point...
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larrydrosalez · 4 years
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I like relaxed language and I like blackness. This anthology is a celebration of both.
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tawk  
Sometimes we’re afraid to talk. Yes, WE. This might be about black talkin, but this here is for you too Sandy-Sue and Jin-Woo.  I know you’ve had those days when somethin forces you to speak or preach or teach something you’d be much better off talkin about. You scour your brain in search of synonyms you learned in an English class (some time ago) or for some phrase you picked up from your favorite politically active musician – all for nada – because, in your scavenger-hunt for eloquence, you end up with 1000 syllables that don’t say anything.  Trust me, I know the feeling. (Deleting those Gs and forgoing those apostrophes a few lines up still has me wary of some impending doom.  O_o)  [imagine the courage it took to include an emoticon.]
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    It is this fear of writing the way I feel most comfortable expressing myself that convinced me that this anthology needed to be compiled. It needed to be compiled and needs to be delivered to every writer that thinks their words aren’t good enough and to every reader that thinks some writer’s metaphors are too big and meaning too small. I want this anthology to combat any notion that in poetry white high-language is right language and that slang is to be reserved for Langston Hughes and Maya Angelou. This anthology, black-tawk, is intended to act as an examination of Black-American identity in contemporary poets through their specific use of colloquial vernacular, to be referred to as black-talk. These poems are compiled in order to reject “high language” (white-talk) as the only suitable means of intelligent and normative expression and that slave-talk is the only example of recognizable black expression. I seek to find a contemporary river of black voices that flow somewhere between a Mattie and a Michael Eric Dyson (and certainly above a Tyler Perry.)
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     So what does black-talk between a Mattie and a Dyson sound like? It sounds like black people you hear talking every day. There are no meanings lost in abstract metaphor, no need to keep a library assistant on call and there’s the occasional glimpse of slang. Nah, I ain’t only talkin ‘bout that talk you hurd on the corner’a 3rd and Main, because while that’s beautiful, this anthology hopes to reveal subtle currents of vernacular that black poets use to express blackness. Of course there’s more than a heap of uses of slang’s shining star - “ain’t,” but he’s joined by “nuff” and “betcha” and even “cd” (could.) And these are sometimes decorated by the absence of punctuation that lends itself to an exploration of space and caesura to create natural and lulling speech patterns that mimic the way black people talk. You won’t find Queen’s English here. Nothing like what Jamil (Robert Sims) in his poem “pre-sentence Report” (page____) refers to as “…nouns that // old Sigmund couldn’t EVEN spell.” Though in his poem Sims speaks of medical jargon, there are certainly poets that employ a sort of poetic jargon requires too much energy to decipher.
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    Not that deciphering is all bad, we wouldn’t want lazy readers, but when simplicity is forgone merely to sound poetic, the authenticity that makes poetry beautiful is lost. Stephanie Pruitt, a young poet from Nashville, could write novels about the process and love involved in getting her hair hot combed in the kitchen – but she doesn’t need to. Her haiku “Hair raising” (page _____) is beautiful in its ability to, concisely, resonate with black girls everywhere. “Hair burning in the kitchen” could easily become “kinky fibers laid straight by heated comb permeates the air in the place meals are made,” but it doesn’t need to. Now the form of haiku is innately simple but this same current of simplicity can be found throughout the anthology in various forms.
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 black
Sometimes we’re afraid to be black. Yes WE. This might be about black talkin but if you change black to “chino” or “country” this here is for you too Jose and Billy-Rae. It’s about black talkin because black talkin is what I know best. I can’t count the number of times I’ve been made to feel afraid to express my blackness (or asian-ness or mexican-ness.) If a university environment is any representation of the real world, and I fear it may be more forgiving of race, people don’t want black people to be black. Every scorned sagging pant, every kinky twist pressed to oblivion, every set of braids chopped off for a job where suits and ties are need can serve as a testament that black people aren’t allowed to be black.
Oh, but that’s not true, we have a black president! – right, having one black president negates the pressure every white professor ceo quarterback vice-president student government official city official member of congress  employed contributing member of society member of congress places on black people to act white right.
I needed space to let that sit. The minority will always be made inferior when evaluated against the majority. Being black isn’t wrong, it’s just not being white. There are thousands of conversations to be had about blackness and black identity and defining what “black” is, but this is not a research paper and I am not an anthropological expert on the matter. So you ask, what does blackness have to do with this poetry anthology, and what does that contribute to life? Well, blackness is in the everyday things that black people do. There is no singular blackness. If you’re a black girl that gets a perm and a silky-smooth 32” Remy, you’re exuding blackness just as much as the sister pickin her afro every morning. If you’re a black boy with clean locks sitting proudly on the shoulder pads of your new Armani suit, you’re exuding blackness just as much as the scruffy brother in the newest Js and a tall-tee (although I personally detest tall-tees, that doesn’t negate the blackness found wearing it.)
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Since poetry is a manifestation of expression based on personal experiences, black poets should be allowed to be black poets, right? No. An Essay by Evie Shockley entitled “All of the above: Multiple choice and African American Poetry” included in the introduction to the anthology “Rainbow Darkness,” edited by Keith Tuma, examines the reasons black authors are not allowed to be black authors. In short, he states (and I agree) that black authors (I would say all black artists) are subjected to “the poetics litmus test.” They must be judged based on political allegiances and racial “authenticity” rather than ability or talent. If a poet talks like Langston Hughes, they are authentically black, which is good, but they are a “black” poet not an “American” poet. According to Shockley, in order to receive the privileges “American” poets are afforded:
“An African American poet has had to avoid writing in styles or about subjects that are recognizably “black” in favor of “universal themes” and conventional aesthetics. Or  she could slip in the back door by appearing willing to narrate ‘the black experience’ for white consumption in ways that do not fundamentally deconstruct white (liberal) understandings of race or directly advocate revolutionary social change.”
This provides a perfect explanation concerning why black poets are pressured away from talking black. Even I question whether or not I want to be “that black poet” every time my mind wants to pen a thought about kinky hair, “unique” names, or encounters with racism. Just as the fear of talking convinced me of the necessity of this anthology, the fear of being black doubly convinces me that there are people that need this.
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 black-tawk
I like relaxed language and I like blackness and this anthology is a celebration of both. These poets aren’t afraid to be black even when they’re not talking about black things. This collection includes poets just talkin and poets just being black and poets talkin about being black – none afraid to share their identity and the language they speak. Ntozake Shange isn’t afraid to write poems in a manner that is supposed to be talked. Sapphire sees the significance of what Claireece P. Jones has to say, and how she says it. Celes Tisdale saw the need for people to hear what inmates from Attica think. All of these voices have been gathered to fight the fear of being Black regular Mexican Asian poor Jamaican poorly-educated well-educated strange normal smart dumb black-tawking.
black-tawk is right. Don’t be shamed of it. These are your peers.
  my tawk
    And now that I’ve splattered you with my thoughts/rants about blackness and language and wooed you with my semi-intellectual prowess, I’d like to free myself of the black burden – a burden that has weighed heavy on my mind since I started compiling these poems. What is the black burden you ask? For me, it is the false interpretation that any black voice is THE black voice. To those reading in hopes of better understanding the black race based solely on the compilation of a 22-year-old-half-black-half-mexican-and-japanese-middle-class-college-guy I say:  I am not THE black voice. I am not THE black voice. I am not THE black voice.  I, like the poems selected for this anthology, do not represent the entire black race or encompass all Black-American identity. There is no anthology or single person that does. I, and these poems, do however represent a current of thought, a movement, towards talking. Towards tawking. Towards tawking black. black-tawk. Enjoy.
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amuseoffyre · 4 years
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Britpicking Index
Some useful compare/contrasts for non-British people writing characters in Britain :) (Also, vice versa, because me and my editor have had some run ins over things I didn’t realise had different names in the US). Feel free to add more if you think of them. These are the main ones I’ve encountered and seen discussed in various forums.
Apartment
Flat. We occasionally use apartment now, purely because Americanisms have slipped into the lingo, but mostly, we call them flats.
Bangs
Have never understood why they’re called bangs. We call them fringes.
Bathroom (Going to the…)
Nipping to the loo, having a slash, nipping to the little girl/boy’s room.
Candy
Sweets. Just generally sweets of any kind.
  Chips
Crisps. Because they’re crisp, I suppose?
On a related note, chips over here are the great big chunky potato fries. The little skinny ones (ie. Like McDonalds or Burger King’s) are French fries, but generally, people will still call them chips.
  Cookie/Biscuit
Honestly, this one is… all over the place because US biscuits sound like savoury scone-type things but are very much not savoury scones because they’re served with gravy. Or apparently with jam/honey/other stuff.
Meanwhile UK biscuits are generally small, crunchy and sweet. But I have been reliably informed that a biscuit =/= cookie. However, some things that UK manufacturers call cookies are – in fact – biscuits. Do not trust cookies that crunch and hurt your teeth.
Fannypack
Um. So fanny is a certain area of genitalia over here. Just... worth knowing. We also call them “bumbags”.
Faucet
Tap. Also, we have separate taps for hot and cold in older buildings. Because Chaotic Evil :)
Freeway
Motorway. (More road/traffic information at the bottom)
Garbage/Trash
Rubbish. Bins are the general receptacles for it. 
Gas (Gasoline) and Gas Stations
Petrol and petrol stations. Same stuff, a lot more expensive from what I’ve seen of pricing per gallong versus per litre.
Grill (For cooking)
This one tripped me up very hard in one of my short stories. My US editor and I were as confused as each other when we described them to one another.
We do have grill pans here (ie. The pans with the ridged bottom) and we do the outdoor grilling thing over a flame as well, but generally in the UK, if we say ‘grill’ we are talking about the oven broiler.
Outdoor grilling is just called barbecue unless on a large/professional scale, when it miraculous turns into a grill. The George Foreman grill is also a thing, but I haven’t seen them show up in fic all that often.
Jelly
Jelly = jam, ie. the spreading stuff for sandwiches and things. Jello, on the other hand, is called jelly.
  Jumper
Not a dress. These are generally the knitted kind of pullovers/sweaters. Christmas jumpers are definitely a thing.
Lemonade
It’s a trap. It can refer to a) freshly squeezed lemon juice, b) fizzy lemon juice or c) lemon-ish-flavoured-ish fizzy drinks like 7Up and Sprite. And to add to the trap, it varies in every shop and restaurant. Good luck!
Line/Lining up.
Queue/queuing. Also getting in line.
  Movies (Going to)
Going to the cinema or going to the pictures.
  Pancakes
Yes, I hark back to The Discourse of crepes versus pancakes. UK pancakes were not like US pancakes in my tothood. They were thin, rolled-up things that were more like crepes. However, Scotch pancakes (or drop scones – no idea. Not a frigging scone) are like chibi US pancakes, thick and fluffy. Ingredients vary across the board. I’ve seen recipes including butter and soda and everything. The most basic recipe is pretty much eggs, flour, milk.
 Pants
This is a big one that shows up an awful lot. The word pants in Britain tends to describe underwear of some variety, so you can imagine that this gives a very different mental image of a scene if someone is wearing tight pants in a fancy restaurant.  Pants can be anything from tighty-whities to full-blown granny pants.
Generally pants get called trousers over here. We have the usual varieties of jeans and leggings and things, but generally, full-length leg coverings? Trousers.
Pie
Generally, a pie is savoury, unless specified otherwise.
Pumps
Technically, some shops do refer to them as pumps, but most people I’ve encountered in my 30+ years of living here just call them shoes and define by other means (ie. ballet flats, beach shoes etc)
(Also, fun fact, pump is frequently used as slang for a fart. So someone putting on a pair of pumps...)
Refrigerator
Just fridge, usually.
Roommate
Unless you are literally sharing a room with them, they’re a flatmate. Also, UK universities don’t generally do shared dorms. Everyone gets their own private room, though not everyone gets their own private bathroom.
Sidewalk
Pavement or footpath depending on how rural said walkway is. (More road/traffic information at the bottom)
Shopping Cart
Trolley. If it doesn’t have one wonky wheel, you are Blessed.
Sneakers
Generally, trainers. This can cover any kind of laced-up shoe that is used for sport or is kind of casual and flat, although we also differentiate between Converse, tennis shoes and such as well.
Plimsols are those lace-less slip-on canvas shoes used by kids for indoor sports. They are awful and smell like rubber.
Soda
I can’t give a fixed answer for this one. There are some areas that call all fizzy drinks “pop” while there are other regions which call all soft drinks/fruit drinks “juice”.
 Store
Shop. Superstores, on the other hand, are supermarkets. On a related note, going grocery shopping is generally just known as “doing the shopping” or - more northerly - “getting the messages”.
Street cars/Trollies
Trams. This was a matter of great and heated argument back in the day. Fortunately, there aren’t all that many in the UK, so unless you’re writing in specific parts of the country, it shouldn’t be an issue.
Suspenders
Braces. Because using the word suspenders over here is generally referring to the stockings-and-suspenders variety, with strong hints of lingerie involved. Kind of a nudge-nudge, wink-wink, wahey! kind of thing. Because sometimes, we never grow past the Carry On films.
Trunk (of a car)
The car boot or just ‘the boot’. Similarly, the hood of the car is called the bonnet.
TV
Called either TV or telly. Daft little thing, but putting the telly on reminds me of home :)
Washcloths
Flannels or facecloths.
Some minor oddities that may be useful:
Eggs
We don’t refrigerate them. We don’t have to. Some people keep them in a special shelf of the fridge, but generally it’s not necessary.
Laundry
In British houses, washing machines are generally in the kitchen. Don’t know why, given that Europe tends to have them in bathrooms or laundry rooms. (Useful to know, we don’t call the baskets laundry baskets/hampers. They’re generally just referred to as “the washing”)
Also, a lot of houses don’t have tumble driers. Outdoor drying is still quite common (weather permitting) on lines strung for the purpose between poles or on a whirligig contraption in the back garden. In Scotland, blocks of flats often have a shared “drying green” which does exactly what it says on the tin. Except, because it’s Scotland, I believe they named it ironically.
If you don’t have a tumble drier and the weather Gods are displeased, then we resort to the good old-fashioned airer, a murderous contraption of metal rods (usually coated in white plastic) that unfolds (and bites the unsuspecting finger when it collapses for no good reason).
Recycling
Oh. good. god. In the name of trying to make us save the planet, we have bins for everything. In my area, we have a regular bin, a recycling bin, a garden waste bin, a composting bin and a glass-recycling box. I know places that have more. I know places that have less.
They’re usually on weekly rotations and it’s an absolute nightmare trying to a) find space to store them and b) find space to put them out for the rubbish collection. Some areas that are mainly blocks of flats have large communal bins with similar distinctions, but I think pretty much everywhere is burdered with an excess of large plastic bins.
Roads and the Use Thereof
We drive on the left side of the road with the driver’s side on the right of the vehicle. Intersections are called junctions and I think roundabouts are a much more common phenomenon in Britain than in most sensible countries.
We still have the usual road signs and things, although British variations thereof. You can find British traffic signs by any basic search online. Traffic lights are usually just the three colours - red, amber, green - but you do occasionally get ones with extra signals for cyclists and the like.
Cycle lanes are about, but they’re not as common as somewhere like the Netherlands.
Which brings me to crosswalks - we have two common varieties: zebra and pelican. Yeah, we’re eccentric like that.
The pelican crossing is the one where you press the button and wait for the little green man to give you the all-clear to walk. It’s called Pelican because it used to be a semi-acronym - "pedestrian light controlled crossing".
Zebra crossings usually have no buttons. Some of them have striped poles with roung yellow/orange lights at the top, but not as much anymore. These kind of crossings give pedestrians the right of way, although a lot of drivers seem to ignore that rule.
Technically, they do have their names, but most of the time, we just refer to them as “the crossing”. No one really differentiates between pelican and zebra anymore.
School/college/variations.
Generally, we have state schools (government funded, variable on quality) and the independent schools which are the fee-paying ones for people who want to go private. Be aware that public refers to independent schools in some places, but to state schools in others. Children are entitled to education between the ages of 5-18.
For the early school stages, it varies depending on region. Where I am (Scotland), you have 7 years of Primary school (P1-7) and up to 6 years of Secondary school (S1-6).
I get a bit confounded with the English system because it seems to vary a lot depending on region. Primary covers most for the early years, up to age 11, but then you get a cocktail of Lower/Upper, Sixth Form and College for the secondary years depending on which area you’re in.
We don’t use terms like sophomore etc (I honestly thought that was the flag-code thing)
College is generally seen as the stepping stone between school and university. You don’t need to go to college in order to go to university in a lot of areas, but in some regions, your final year of school is done at college. It’s all a bit confusing.
University is where you go if you want to study a degree. Again, the courses vary by length depending on subject. A standard bachelor degree is 3 years in most places (except for stuff like medicine and architecture). Masters are an additional year (or two) on top of the Bachelor. Anything beyond that is variable depending on both university and course. We call the unis for short.
Swearing
Depending on region, the strength and frequency of profanities varies. For example, I’m in Scotland and one of the ladies I work with has used the c-word as a verb. Someone was playing the fool and she described them as “c*nting about”. My boss was usually ill if she didn’t drop f-bombs 8+ times a day and usually while laughing. It’s rare not to hear someone on the bus swearing on a daily basis as well.
Going back to the previously mentioned fannies, please enjoy an infamously Scottish advert:
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So swearing. Yes. Variable. Definitely something to be aware of.
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ambersky0319 · 5 years
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My Star
Pairings : Romantic Analogical, Familial!Emile/Logan
A/N : Getting a bit stuck on what to write, but I like this! But I do love the family Emile/Logan dynamic, so you might see more of this!
Warnings : None!
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Virgil shifted on his feet, rocking back and fourth as he waited for someone to answer the door. A specific someone, that is.
A few agonizingly long minutes later, and the door finally opened. Emile Picani stood at the door, a huge smile appearing on his face when he realized who it was. "Virgil! It's nice to see you again!" Emile's smile faltered slightly. "Logan didn't come with you?"
Virgil shook his head. "Not today, anyway. He's currently at work, but he's coming to town tomorrow." Virgil's voice dropped suddenly. "He um... doesn't know I'm here."
Emile tilted his head, brow furrowing. "Why's that?"
"There's something really important I wanted to talk with you about... But Logan can't know about it." Virgil started to play with his hoodie strings out of nervousness. "May I come in and we can talk?"
Emile nodded, allowing Virgil in and closing the door. Whatever had gotten the man so nervous was obviously important, if Virgil had intended to not even tell Logan. Emile made them some tea and sat down on the couch with Virgil, who immediately jumped into it, wanting to get this out of the way.
"Mr. Picani, you know how much I love Logan. Right?" Emile gave a nod, taking a sip of his tea. "I would never do anything to hurt him. Never take advantage of him. I'd help him at the drop of a hat if he so asked, and I'd care for him if he ever got sick or injured.
"I love Logan more than anything else, and... I want to spend the rest of my life with him. But, I wanted to get your permission first." Virgil took a deep breath. "May I... may I have your blessing, to marry him?"
Emile's mouth fell open slightly, and he seemed unable to form words. A few beats of silence travelled between them, and a worried look appeared on Virgil's face.
"It- It's okay if not! I'd totally understand, I know I'm probably not the best person out their for your son-"
"Yes." Virgil had been cut off by Emile's trembling voice. The therapist cleared his throat, smiling at Virgil kindly. "You have my blessing."
Virgil sighed in relief, leaning his head back and laughing. "Thank you, Sir. Thank you. You won't regret it."
Emile chuckled, placing a gentle hand on Virgil's knee.
"I know, I trust you. Take care of my little Star, V."
Three Months Later . . .
Virgil watched Logan with eyes full of love, no longer paying attention to the movie they had gone out to see. It was a documentary that Logan was looking forward to seeing, and had been overjoyed when Virgil said they were going to see it.
So, Virgil spent most of the movie watching Logan. He didn't care too much about the history of their solar system. But seeing Logan's eyes light up and lean forward in his seat with such happiness made a two hour info dump about something that Virgil really could care less about worth it.
They left the theatre hand in hand, Virgil absentmindedly nodding to what Logan was saying about the movie. A small weight in his back pocket kept drawing his mind away from Logan's voice, even as they got into their car to drive back home.
Instead of heading home, though, Virgil turned into the park they would typically pass. Logan gave his boyfriend a quizzical look, ramble fading. "Why're we stopping here?"
Virgil smiled reassuringly. "I said earlier that we'd head home, but I figured that after the movie, you might wanna stargaze? It's certainly quieter and a bit clearer than home. We can always still just head home if you'd rather do that!" Virgil was quick to say his last statement, a worried expression forming.
Logan smiled reassuringly. "This is fine, I was only curious."
They got out of the car, and Virgil took Logan's hand. They walked to one of the many benches in the park, Virgil cuddling into the space nerd once they sat down. He discretely took his small box out of his pocket, hiding it out of view from Logan and stuffing his hand in his pocket.
They watched the stars, Logan pointing out some constellations they could see from where they sat. After awhile, Logan had quieted and Virgil glanced at his face to see that he seemed zoned out.
Deciding now would be the best time, Virgil moved out of Logan's arms. Logan blinked a few times, seemingly coming back to his senses. As Virgil stood, Logan tilted his head and looked up at him curiously. "Is something wrong?"
Virgil shook his head, looking down at Logan with a fond smile. "Nothing at all. But um... can you stand up too?" Virgil offered his hands to pull Logan up. Logan took his hands, getting to his feet.
Virgil squeezed Logan's hands gently. "I'm just going to get into this.
"Logan, you are the most amazing and adorable and caring nerd I've ever met. I may not understand all your interests, or find them, well- interesting. But seeing you light up at certain things is one of the best things in the world.
"Your smile lights up the world, especially in the darkest times. Your voice is always so calming, and I can get so lost in it. You're very understanding, and always try your hardest to keep up with things like internet slang."
Virgil broke his speech with a small laugh. "You are so amazing, and you've made me so incredibly happy in all the years I've known you." Virgil released one of Logan's hands, pulling out the small black box. Logan made a noise, one in between shock and excitement.
Virgil knelt to the ground, releasing Logan's other hand to prepare to open the box. "Clearly by now, you realize this is a proposal." Virgil grinned up at Logan, who's eyes started to water as he nodded. "Good. Lo, I love you. I will never get tired of saying it. Ever. I love you, so damn much. I love your smile, your eyes, your voice. I love all of you.
"I'd understand if you say no, but..." Virgil opened the box, showcasing an engagement ring. It was a decently sized diamond, it was actually a family heirloom. Remy had passed it down to Virgil, knowing he wasn't going to ever use it himself, but not wanting to disappoint his own parents and still kept it in the family.
"Will you marry me, my Star?"
With a shaky voice, Logan only needed to say one word.
"Yes."
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