#100% going for cool factor | Explore Tumblr Posts and Blogs

mokutone · 2 years

Text

@pax-thuban left these tags on a post:

#well. first of all. this is so. bittersweet #like screaming and crying and throwing up on the floor etc #second of all. maybe i'm looking too much into this but. #it's interesting to see that there's blood splatters on tenzo's face /and/ his mask #if i recall correctly. the mask covers his happuri as well #the implication that tenzo lost his mask during battle. put it back on presumably /still/ in battle. continued killing #idk. just hurts #like something something anbu work forces him to feel more comfortable wearing a mask and conforming to a nameless org and set of ideals#and forgoing individuality #or like. something something maybe he feels worse that his face got 'stained' because it's basically a reminder that 'cat' and 'tenzo' #are one and the same and not two distinct entities no matter how much he wants to separate his identity and his anbu lifestyle #and the fact that the happuri is blank and doesn't have a konoha leaf on it.... he doesn't feel connected to the community even as he kills #for it... #i feel like it's kind of obvious that it's significant that the comic shows tenzo taking off his mask as he shows his weariness/depression #regarding anbu work and then how he thinks about kakashi as a jonin sensei. like representing himself as tenzo the individual rather than#'cat' a faceless tool of konoha in the shadows #i also feel like it's kind of noteworthy that the perspective(? is that what it's called for images?) zooms in on tenzo's face #first panel is mostly black and tenzo's body is off-center(?). like his face is centered but his body's not. and that leaves more room for #the black background. but the second panel fills it up with the kakashi thought bubble and tenzo's body comes into the center to fill up #the bottom half. and then the third panel makes tenzo himself fill up more space. there's less 'darkness' now #not sure how to say it other than. his sole saving grace in anbu at the moment is preserving his self and bond with kakashi ig #i also like how the black background isn't pure black. there's a tinge of red(? idk it could also be orange? but i'm taking it as red) #like one hand. maybe a reference to the whole blood thing. a reflection of how he feels surrounded by that reminder of murder instead #of just it being select patches on his skin #on the other hand (and this might be looking too deep 😔) maybe how allusion to the sharingan. how even though he left root #anbu still feels very similar to it that he feels reminded of how he was watched by danzo? #sorry for rambling. i am in an analysing mood today #but i'm also not that great at analysing visual art lmao

nooo no sorries! this is really useful and EXTREMELY flattering to receive such detailed thoughts, i feel like im back in a School Crit Circle or something, which is really fun and helpful. Critique like this rlly helps me understand what people are bringing to my art when I make it and how it's getting interpreted, which as somebody who wants to tell understandable stories via images, is useful to me beyond what words can describe!

like—there's no "right" or "wrong" when it comes to interpreting art, there is my intention, but my intention isn't necessarily what comes out (like how kishimoto somehow accidentally wrote two teenagers who he meant for us to perceive as straight, in the pains and throes of love for each other. like he wrote that, whether or not he intended to. i dont even actually ship s/n bc it doesn't have The One Ingredient for me, but its...also something thats hard to ignore about the text)

and similarly, since theres no way to objectively read a text, when you read it you're putting it in your own context, finishing the painting yourself with whatever colors you've got in your palette to use

that said! I can answer for my intentions in some of these

The blood and the mask: Practically, you're 100% right! Mask needs to be off to get at the happuri. That he's got blood on both his mask, and his happuri, means that at some point in the battle, he lost his mask and then put it on. In terms of art, I did this because the juxaposition contrast between the blood and the small amount of joy he's taking in thinking about a scarecrow, felt really important, and I didn't want to lose that with the removal of the mask. I also put the blood splatter in the same place, coming in from Tenzō's left, and splattering upward across his forehead area. Practically, this would mean that he was in the same position by a spatter of blood twice, but symbolically this implies that he is or feels like the same with or without the mask—like u talk about them being the same entity. I didn't really do that intentionally though—like I didn't think about it. I just kinda was like "yea that feels right. anyway moving on."

No leaf on the happuri: I AGREE WITH YOU ABT THE SYMBOLISM...he doesnt feel connected to konoha in a Real way until he's co-captaining, I think. He needs to be allowed to LIVE in Konoha to be a part of it... That said, if I'm not drawing Captain Yamato Post-Sunlight-Exposure I straight up forget that he had the leaf at all–I know it's supposed to be a Danzō thing, but I keep thinking it's an anbu thing. Honestly, since I agree with the symbolism, whether or not I forget or make an intentional choice not to depict it really doesn't matter I suppose

The Zoom In: Kind of the same as the last! i felt in my heart that we had to zoom in...I didn't think about it in terms of ''lessening darkness'' although now that I've read you write that I like THAT reading much more—esp since so much of yamato's themes in canon seem to be about sunlight and darkness...there's an interesting reading of darkness lessening (because he takes up more space) without light gaining any footing (he's still, as always, situated in the dark) about like, the little things that one can do to manage their depression or a dark situation, even when they still aren't able to be fully FREE of it quite yet (if ever). I think, when I was thinking abt it, I was thinking about making Tenzō seem very small and alone in the first panel, and then even after thinking about Kakashi, he's not quite so small in the panel, even though he still remains alone. This being said, the darkness reading is much stronger than the loneliness reading, even though they go hand in hand, I much prefer your interpretation.

the red in the black: This is interesting!!!! I like your interpretations a lot...in terms of materials this is only black india ink, so there's no red actually in it, but in the photo I can see what you mean—the ink I'm using is shiny because the "matte" ink is twice the price of it and I'm a cheapskate, and it inevitably creates shines of color when scanned or photographed. Obviously though, the lack of intention or the material contrast doesn't mean you're wrong—I saw the colorful patches in the image and decided it was fine enough to post anyway, they're a piece of the art as it exists digitally! Open for critique and interpretation. I like the idea that the darkness is connected to the blood very much especially, because it is for Tenzō, isn't it?

anyway, ty v much for your analysis, i was incredibly flattered to receive it, and i think you're actually super good at it, in my opinion!

#yamswers #pax-thuban #my jutsu #plz dont take offense to me explaining critique in basic terms ahghdhghds i do it mostly bc i know theres people who follow me who #will be less familiar with what critique is...and tumblr is often a less than ideal teacher for the art of art critique #I think the best thing one can do when critiquing art is to actually engage as much as they can with what they see in front of them #the ''how does this make Me feel'' part of it i think is EXTREMELY helpful—but mostly as a jumping off point #you want to use that feeling like a scent hound i think...it can lead u to the area you need to look at and it can follow the scent so well #but the feeling itself isnt going to be able to explain why you feel that way or what about the art is working or isnt working—#—which is the point of Critique #and you are extremely good at looking at specific factors in the art and both elaborating on the feeling its giving you and why #i've definitely given people critiques where I get stuck with the dog—only saying how I'm feeling but nothing more substantial #''i smell something in this area. not sure what. definitely here tho''#ive also given crit where i just do not engage at all with the feelings and crit solely on analysis—which is good for like anatomy help #but limited in terms of an overall piece #ive definitely gotten feedback on my art which is 100% wholly based on the viewers own personal history + doesnt rlly engage with the #meaning or practical elements of the art in front of them #and in that case its just kind of ''okay! cool! im flattered that you have such a strong + personal connection to this piece!''#but in terms of crit i can't do much with that bc their crit was so personal to them—not less valid + not less important...but also #not something meant for me at all #like um. um. um. the song Man on the Moon by REM is really important to me...but not for anything in the song itself. just where i heard it #and who i heard it with. it doesnt make my connection to the song less meaningful...but its not something that would b useful 2 the band #SDGJDSHGKDSJGH SORRY NOW *I'M* RAMBLING #it was just exciting to see such a thorough critique. it reminded of college back when id get to pin my art to the wall and get absolutely #blasted to smithereens by my teachers and classmates. VERY fun. i miss that energy #i wholly recommend it to anyone who would be okay getting told their art came out wrong (bc it sometimes will)#idk. anyway this is an art blog but more than that its a blog about art #so its fun to talk about the mechanics and decision making sometimes

41 notes · View notes

chuplayswithfire · 6 months

Text

I have more thoughts on how and why the sex was a mistake. I will be thinking about this all week. All year.

Let's start with: the sex was consensual, they both wanted it, and that does not change that it was the wrong decision for their relationship in that moment. They should not have had sex! Ed is 100% correct and he is not running away when he says that! He is not just avoiding his feelings or getting cold feet, he is genuinely correct, and here's why:

They continue to be on different pages. They have not had a chance to talk it through. It's been like 2-3 max since Ed woke up from the Gravy Basket, and emotions are still running high. Even ignoring that they were just tortured in front of each other and that Stede killed a man right after Ed asked him not to, they were not in the same space emotionally regarding their relationship.

Fir one thing: Stede did *not* get his heartbroken (prior to this). He got his romantic affirmation. Season 1 was an entire arc leading to Stede realizing he is gay, that he is in love, that he is loved in return. For him, for HIM, sex is a natural next step, and we already knew he wanted it from how he deepened their kiss in episode 5. Their relationship itself is not a source of trauma for Stede; he loves Ed and he walked away from his old life to be with him, and now he found him again, and they've agreed to do it together, figure things out, his romantic hopes are realized.

And in that moment, adding to that background informations, is that Stede also wanted to avoid all his messy feelings by being physical. He was tortured and he watched Ed and his crew be tortured, he was insulted and had to listen to Ed be insulted, and he wanted to regain control and power by killing Ned Low, and removing the threat. That's where Stede's head is.

Ed, on the other hand, did get his heart broken and while the majority of what he's working through is about his self-hatred, his dissatisfaction with his career, and his desire to find a life that feels worth living, he is also dealing with a significant amount of trust issues with his relationship with Stede, because Stede left him. He has heard from Stede that he loves him, but Ed's deepest fear is that he's unlovable, and he hasn't gotten over that, or his hurt from how things went, in the like two days it's been.

But he loves Stede, and he's attracted to him, and he wants him, so when Stede initiates and manhandles him a bit and things get hot and heavy, he consents. He's all in, carried away by the moment.

And he regrets it.

He especially wasn't ready because Ed is a planner. I know we were all joking about how they definitely weren't going to take it slow and they were going to rush through, but I do genuinely think he meant it. Ed's natural state is as a planner and tactician, everything has an angle for him and even when he wants to just be simple, he always has a bajillion factors in mind that he's juggling, so we can be sure that Ed probably did very much have thoughts about how he wanted their first time to go, and what he wanted them to do and grow into as a relationship before they had sex, and instead they got tortured, Stede killed a man, and then they fucked in the aftermath.

Not bloody optimal indeed.

Now back to Stede: he is utterly unprepared for the idea that the sex could be a mistake because to and for him it was the natural next step in their relationship. This is his romantic fantasy is the thing; he was a cool brave pirate captain who made an enemy walk the plank in defense of his crew and his boyfriend, and then Ed came to him and Stede got to sweep him off his feet and shove him against the wall, kiss him, bring him to the bed, and pointedly shut the curtains on an audience that doesn't exist, followed by a lazy morning after with breakfast in bed.

So it probably hurts extra that Ed is like that was a mistake. This is literally him living his fantasy from episode 1, Ned Low even has facial hair and is mean to him like Izzy used to be. He could ignore all the realities of that situation, because he was living his fantasy, and Ed dragged them both out of fantasyland, back to the real world, where their relationship isn't fixed 100% and sex didn't change that.

They weren't on the same page. They still aren't, because they need to talk.

#ofmd #edward teach #stede bonnet #blackbonnet #gentlebeard #ofmd s2 spoilers #ofmd meta

643 notes · View notes

bonefall · 3 months

Note

bones im doing the math and a stellers jay cooked properly can feed like four cats. no wonder clan cats have so many rules about prey distribution birds are so full of nutrition you can just coast on it. bones i did the math and if they take down an eagle they could feed like a hundred cats oh god boar meat is so worth it isnt it

EDIT: Boar math update

The average male boar is 440 pounds, which is 200 kilograms, 200,000 g x 5 = 1 million calories.

That will feed an entire Clan for months. All through the three months of winter. Boar meat is sososososo worth it, it's INSANE. ThunderClan should actually be The Fat Clan, these guys are partaking of the sweet fat of the hog and absolutely rolling in extra calories.

(This is actually why I draw a lot of my ThunderClan cats with bellies, like Lionblaze. This man finds himself in the path of food because his Clan has lots to offer lmao)

^ Lionblaze the first day Willowpelt took him on as a secondary apprentice

Ducks are a REALLY good target for Clans, also. Average mallard drake is 3.5 pounds, 1.5 kilos, 9,000 calories. One duck feeds the entire Clan for a day.

I will say though, EXTRA knowledge; remember that calories don't necessarily satiate hunger! A lot of factors do, but you can summarize them with weight in the context of cats. My cat's usually full around 85 grams, but I know some cats who can hoover a big can of food in a single sitting.

(long answer: protein, fiber, thickness, if you had a drink beforehand, eating slowly, etc. But we're talking about prey meat here)

So your stellar's jay example is usually about 100 to 120 grams (though since my guys are in England, they wouldn't encounter those), which would basically be a meal two cats share. If that's breakfast they'll have hit all their calories for the day, but they'll still feel hungry for lunch and dinner.

This is why soups are so cool btw. This was a soup post all along. It's soupaganda time

Not only do you get that boost from cooking the meat here, but the value is more evenly distributed through the whole dish, the weight of the broth languishes in the stomach to make you feel full, AND ALSO IT'S A CLEAN SOURCE OF HYDRATION. You BOILED the water and didn't even think about it. That 120g prey item is now nutrition for 3 cats, a whole meal for 6, plus an easy way to get more water into sick warriors who may not feel like eating.

Get yourself some mushrooms, a couple pieces of prey, whatever leftovers that would otherwise go to waste, and BAM you've got your whole Clan stuffed and happy, even if they didn't manage to hit the caloric minimum of the day.

#The biggest flying bird that your basic British BB!Cat would be encountering is a wood pigeon #Which is larger than a stellar's jay weighing around a pound #nutrition guide #clan culture #better bones au

136 notes · View notes

physalian · 16 days

Text

8 Signs your Sequel Needs Work

Sequels, and followup seasons to TV shows, can be very tricky to get right. Most of the time, especially with the onslaught of sequels, remakes, and remake-quels over the past… 15 years? There’s a few stand-outs for sure. I hear Dune Part 2 stuck the landing. Everyone who likes John Wick also likes those sequels. Spiderverse 2 also stuck the landing.

These are less tips and more fundamental pieces of your story that may or may not factor in because every work is different, and this is coming from an audience’s perspective. Maybe some of these will be the flaws you just couldn’t put your finger on before. And, of course, these are all my opinions, for sequels and later seasons that just didn’t work for me.

1. Your vague lore becomes a gimmick

The Force, this mysterious entity that needs no further explanation… is now quantifiable with midichlorians.

In The 100, the little chip that contains the “reincarnation” of the Commanders is now the central plot to their season 6 “invasion of the bodysnatchers” villains.

In The Vampire Diaries, the existence of the “emotion switch” is explicitly disputed as even existing in the earlier seasons, then becomes a very real and physical plot point one can toggle on and off.

I love hard magic systems. I love soft magic systems, too. These two are not evolutions of each other and doing so will ruin your magic system. People fell in love with the hard magic because they liked the rules, the rules made sense, and everything you wrote fit within those rules. Don’t get wacky and suddenly start inventing new rules that break your old ones.

People fell in love with the soft magic because it needed no rules, the magic made sense without overtaking the story or creating plot holes for why it didn’t just save the day. Don’t give your audience everything they never needed to know and impose limitations that didn’t need to be there.

Solving the mystery will never be as satisfying as whatever the reader came up with in their mind. Satisfaction is the death of desire.

2. The established theme becomes un-established

I talked about this point already in this post about theme so the abridged version here: If your story has major themes you’ve set out to explore, like “the dichotomy of good and evil” and you abandon that theme either for a contradictory one, or no theme at all, your sequel will feel less polished and meaningful than its predecessor, because the new story doesn’t have as much (if anything) to say, while the original did.

Jurassic Park is a fantastic, stellar example. First movie is about the folly of human arrogance and the inherent disaster and hubris in thinking one can control forces of nature for superficial gains. The sequels, and then sequel series, never returns to this theme (and also stops remembering that dinosaurs are animals, not generic movie monsters). JP wasn’t just scary because ahhh big scary reptiles. JP was scary because the story is an easily preventable tragedy, and yes the dinosaurs are eating people, but the people only have other people to blame. Dinosaurs are just hungry, frightened animals.

Or, the most obvious example in Pixar’s history: Cars to Cars 2.

3. You focus on the wrong elements based on ‘fan feedback’

We love fans. Fans make us money. Fans do not know what they want out of a sequel. Fans will never know what they want out of a sequel, nor will studios know how to interpret those wants. Ask Star Wars. Heck, ask the last 8 books out of the Percy Jackson universe.

Going back to Cars 2 (and why I loathe the concept of comedic relief characters, truly), Disney saw dollar signs with how popular Mater was, so, logically, they gave fans more Mater. They gave us more car gimmicks, they expanded the lore that no one asked for. They did try to give us new pretty racing venues and new cool characters. The writers really did try, but some random Suit decided a car spy thriller was better and this is what we got.

The elements your sequel focuses on could be points 1 or 2, based on reception. If your audience universally hates a character for legitimate reasons, maybe listen, but if your audience is at war with itself over superficial BS like whether or not she’s a female character, or POC, ignore them and write the character you set out to write. Maybe their arc wasn’t finished yet, and they had a really cool story that never got told.

This could be side-characters, or a specific location/pocket of worldbuilding that really resonated, a romantic subplot, whatever. Point is, careening off your plan without considering the consequences doesn’t usually end well.

4. You don’t focus on the ‘right’ elements

I don’t think anyone out there will happily sit down and enjoy the entirety of Thor: The Dark World. The only reasons I would watch that movie now are because a couple of the jokes are funny, and the whole bit in the middle with Thor and Loki. Why wasn’t this the whole movie? No one cares about the lore, but people really loved Loki, especially when there wasn’t much about him in the MCU at the time, and taking a villain fresh off his big hit with the first Avengers and throwing him in a reluctant “enemy of my enemy” plot for this entire movie would have been amazing.

Loki also refuses to stay dead because he’s too popular, thus we get a cyclical and frustrating arc where he only has development when the producers demand so they can make maximum profit off his character, but back then, in phase 2 world, the mystery around Loki was what made him so compelling and the drama around those two on screen was really good! They bounced so well off each other, they both had very different strengths and perspectives, both had real grievances to air, and in that movie, they *both* lost their mother. It’s not even that it’s a bad sequel, it’s just a plain bad movie.

The movie exists to keep establishing the Infinity Stones with the red one and I can’t remember what the red one does at this point, but it could have so easily done both. The powers that be should have known their strongest elements were Thor and Loki and their relationship, and run with it.

This isn’t “give into the demands of fans who want more Loki” it’s being smart enough to look at your own work and suss out what you think the most intriguing elements are and which have the most room and potential to grow (and also test audiences and beta readers to tell you the ugly truth). Sequels should feel more like natural continuations of the original story, not shameless cash grabs.

5. You walk back character development for ~drama~

As in, characters who got together at the end of book 1 suddenly start fighting because the “will they/won’t they” was the juiciest dynamic of their relationship and you don’t know how to write a compelling, happy couple. Or a character who overcame their snobbery, cowardice, grizzled nature, or phobia suddenly has it again because, again, that was the most compelling part of their character and you don’t know who they are without it.

To be honest, yeah, the buildup of a relationship does tend to be more entertaining in media, but that’s also because solid, respectful, healthy relationships in media are a rarity. Season 1 of Outlander remains the best, in part because of the rapid growth of the main love interest’s relationship. Every season after, they’re already married, already together, and occasionally dealing with baby shenanigans, and it’s them against the world and, yeah, I got bored.

There’s just so much you can do with a freshly established relationship: Those two are a *team* now. The drama and intrigue no longer comes from them against each other, it’s them together against a new antagonist and their different approaches to solving a problem. They can and should still have distinct personalities and perspectives on whatever story you throw them into.

6. It’s the same exact story, just Bigger

I have been sitting on a “how to scale power” post for months now because I’m still not sure on reception but here’s a little bit on what I mean.

Original: Oh no, the big bad guy wants to destroy New York

Sequel: Oh no, the big bad guy wants to destroy the planet

Threequel: Oh no, the big bad guy wants to destroy the galaxy

You knew it wasn’t going to happen the first time, you absolutely know it won’t happen on a bigger scale. Usually, when this happens, plot holes abound. You end up deleting or forgetting about characters’ convenient powers and abilities, deleting or forgetting about established relationships and new ground gained with side characters and entities, and deleting or forgetting about stakes, themes, and actually growing your characters like this isn’t the exact same story, just Bigger.

How many Bond movies are there? Thirty-something? I know some are very, very good and some are not at all good. They’re all Bond movies. People keep watching them because they’re formulaic, but there’s also been seven Bond actors and the movies aren’t one long, continuous, self-referential story about this poor, poor man who has the worst luck in the universe. These sequels aren’t “this but bigger” it’s usually “this, but different”, which is almost always better.

“This, but different now” will demand a different skillset from your hero, different rules to play by, different expectations, and different stakes. It does not just demand your hero learn to punch harder.

Example: Lord Shen from Kung Fu Panda 2 does have more influence than Tai Lung, yes. He’s got a whole city and his backstory is further-reaching, but he’s objectively worse in close combat—so he doesn’t fistfight Po. He has cannons, very dangerous cannons, cannons designed to be so strong that kung fu doesn’t matter. Thus, he’s not necessarily “bigger” he’s just “different” and his whole story demands new perspective.

The differences between Empire Strikes Back and Return of the Jedi are numerous, but the latter relies on “but bigger” and the former went in a whole new direction, while still staying faithful to the themes of the original.

7. It undermines the original by awakening a new problem too soon

I’ve already complained about the mere existence of Heroes of Olympus elsewhere because everything Luke fought and died for only bought that world about a month of peace before the gods came and ripped it all away for More Story.

I’ve also complained that the Star Wars Sequels were always going to spit in the face of a character’s six-movie legacy to bring balance to the Force by just going… nah. Ancient prophecy? Only bought us about 30 years of peace.

Whether it’s too soon, or it’s too closely related to the original, your audience is going to feel a little put-off when they realize how inconsequential this sequel makes the original, particularly in TV shows that run too many seasons and can’t keep upping the ante, like Supernatural.

Kung Fu Panda once again because these two movies are amazing. Shen is completely unrelated to Tai Lung. He’s not threatening the Valley of Peace or Shifu or Oogway or anything the heroes fought for in the original. He’s brand new.

My yearning to see these two on screen together to just watch them verbally spat over both being bratty children disappointed by their parents is unquantifiable. This movie is a damn near perfect sequel. Somebody write me fanfic with these two throwing hands over their drastically different perspectives on kung fu.

8. It’s so divorced from the original that it can barely even be called a sequel

Otherwise known as seasons 5 and 6 of Lost. Otherwise known as: This show was on a sci-fi trajectory and something catastrophic happened to cause a dramatic hairpin turn off that path and into pseudo-biblical territory. Why did it all end in a church? I’m not joking, they did actually abandon The Plan while in a mach 1 nosedive.

I also have a post I’ve been sitting on about how to handle faith in fiction, so I’ll say this: The premise of Lost was the trials and escapades of a group of 48 strangers trying to survive and find rescue off a mysterious island with some creepy, sciency shenanigans going on once they discover that the island isn’t actually uninhabited.

Season 6 is about finding “candidates” to replace the island’s Discount Jesus who serves as the ambassador-protector of the island, who is also immortal until he’s not, and the island becomes a kind of purgatory where they all actually did die in the crash and were just waiting to… die again and go to heaven. Spoiler Alert.

This is also otherwise known as: Oh sh*t, Warner Bros wants more Supernatural? But we wrapped it up so nicely with Sam and Adam in the box with Lucifer. I tried to watch one of those YouTube compilations of Cas’ funny moments because I haven’t seen every episode, and the misery on these actors’ faces as the compilation advanced through the seasons, all the joy and wit sucked from their performances, was just tragic.

I get it. Writers can’t control when the Powers That Be demand More Story so they can run their workhorse into the ground until it stops bleeding money, but if you aren’t controlled by said powers, either take it all back to basics, like Cars 3, or just stop.

—

Sometimes taking your established characters and throwing them into a completely unrecognizable story works, but those unrecongizable stories work that much harder to at least keep the characters' development and progression satisfying and familiar. See this post about timeskips that take generational gaps between the original and the sequel, and still deliver on a satisfying continuation.

TLDR: Sequels are hard and it’s never just one detail that makes them difficult to pull off. They will always be compared to their predecessors, always with the expectations to be as good as or surpass the original, when the original had no such competition. There’s also audience expectations for how they think the story, lore, and relationships should progress. Most faults of sequels, in my opinion, lie in straying too far from the fundamentals of the original without understanding why those fundamentals were so important to the original’s success.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #sequels #kung fu panda

86 notes · View notes

charmedreincarnation · 7 months

Note

TW: SA, possibly death??

Hey there fellow witches and warlocks, it's spooky season and I am loving it! I recently discovered the void state through yoga nidra and your reverse psychology method charm, and I was ready to manifest my dream life. October is my birth month and my favorite season, so I was excited to see what the universe had in store for me and whoa did it come through.

It's unfortunate to see that SA victims like me and others are still getting death and rape threats. I was inspired by a blog who shared her experience with yoga nidra, but then deactivated due to trolls sending her horrible messages. It's sad to see people hating on others' success, but we won't let them bring us down.

I manifested everything I desired of course my mind came through!! - from my desired face, body, aura, zodiac, personality, voice, talents, friends, family, and so much more. A few things I've manifested include a dark academia mansion, billionaire parents who aren't known, a witchy and Halloween-themed small business, and an eco-friendly private jet.

I know some of you may be concerned about the "death note" I've manifested, but it's just for fun - I'm a huge fan of Light Yagami from Death Note. I won't actually use it, but it's a cool spook factor to have.

Here’s a tiny list anyways ⬇️

🎃Desired face, body, aura zodiac, personality, voice, talents, friends, family and so much more. I had this long wattpadd story ass list that I obviously won’t share here but trust me my mind came through .

🎃open minded witchy family, dark academia ass mansion, Pinterest dark academia wardrobe in my massive closet that’s the size of a room, billionaire parents who aren’t known (I love my privacy and I love being mysterious), wattpadd billionaire love story to happen in the future. Yes not now…. I’ve been ugly all my life so I want to be a slut right for a bit not sorry, everyone loves and falls in love with me, Idgaf personality, Scorpio sun moon and rising, bold attitude that is adored, but a kind heart for the people I love and so much more. Again like most people I had a very long list on my google documents

🎃I own a witchy candy and Halloween small business!!! but I’m going to be making 100 million dollars a year so I will be a billionaire in the future. I like working and having a craft and it’s just so me, ugh I love my life !!! But I’m going to hire my two best friends that I manifested so we can all be successful rich witch bitches who travel the world and have too much money to spend

🎃an environment friendly private jet. It won’t affect the environment as I love the environment but I also hate flying commercial! I’m also vegan now, I couldn’t be one before due to health issues, but I love animals 🥹🥹🥹 and now I’m rich enough to have healthy tasty cruelty free food.

🎃anyone who sends death threats, rape threats, or engages in a bitter manner on that tea page including the owner will never get into the void until they grow up and acknowledge that they’re weirdos. I’m not as forgiving as these other big blogs. Bye ✌️

🎃anytime I say “you’ll die alone” when im arguing with a man 🤮🤮 (incels, misgyonists, racists not men who aren’t insufferable ofc love y’all) they actually will, and no one will ever love them, until they grow up and once again acklowege their faults. As you can see I’m very into vigilante justice and I’m petty 👻 I’m a witch anyways so now my craft will be perfect.

🎃all my spells and curses work! And any harm attempted to be done to me always backfires On the person 10x worse ! Yea this is my world everyone’s just living in it.

🎃psychokenis, my eyes being able to turn red, divine protection for me and my loved ones, the ability to speak to animals, and never aging. The last thing I manifested a way to benefit all !!!! research age regression and see how we will all be eternal youthful witch bitches in the future ;) I got inspired by my grandma who retired but us too old to enjoy her life. Now she can and we call be 150 and still sexy with 0 bodily pain. I also always hated how we slowly decompose and lose bodily function until we die.. like why can’t we be sexy and bodily abled forever!! This will also help with health issues and diseases like cancer! Just one way to give back for my blessings. And the rest is just to spook bitches tbh I don’t plan on actually doing anything but speaking to animals.

🎃I manifested a death note. Now before y’all start I just really love light yagami I don’t think I will actually use it or maybe I will just to spook bitches but whatever

🎃so much more that I don’t want to share because it’s too long!

So, fellow hot bitches and witches , keep manifesting your dreams and never let anyone bring you down. Remember, we were born to be happy, rich, and loved. It is in your DNA and my word is final !!!!! I’m gonna leave my dream life and be a whore now lova yaaaa 🖤🖤🖤

Lmfao slay 😭😭 idk if it’s too early or what but this sending me for some reason! Anyways I wish you all the best in your life and dreams. Have a great spooky season! I love witches and Halloween too 🧞‍♀️🧞‍♀️

#law of assumption #manifesation #manifesting #void state #void success

365 notes · View notes

stickandthorn · 11 months

Text

Bor’dor is a man of extremes, he can only be incredibly lame sad pathetic or incredibly cool badass vicious. There is no in between for this man he is go big or go home in terms of cool factor, 0% or 100%.

#critical role #cr spoilers #cr liveblog

366 notes · View notes

yourdoseofapple · 2 months

Text

I think there should be a building game show for Minecraft. Like Lego Masters, most cooking shows, etc. Like listen. I think fighting is cool and all, and I myself was raised on watching bed wars and Minecraft hunger games and all that, but like also… builder are insane? Like I love watching, Empires, Hermitcraft, other big builders (and redstoners for that matter) because I’m so fascinated by how their brains work???? Like you’re telling me Bdubs took some dirt and made a literal mountain as a BACKDROP for his build in a season??????? Bro????? Like I want some builders to go head to head in a building challenge.

Like, okay hear me out, each week their “building themes” could go from mimicking IRL architecture styles - medieval, French colonial, minimalism, etc - OR could rely on game mechanics. Like you gotta make a build, but it must include five red stone functions - could be as simple of auto lighting and stuff - all the way to farms included into the make of the build!

Judging wise, I think that would be the hardest thing to pin down, because the issue with Minecraft building is that there are a lot of factors when it comes to the concept of building because every builder has an inherent “style” they have and so to compare isn’t necessarily fair???? Because what one person likes may not be the same as another person, so I don’t believe you can judge inherently on how a build looks, but more so if it fits the criteria - did you do your research and keep to the prompt 100% or did you take some liberties in the favor of making it seem stylistically “better” - also, while I am inclined to be like “hey look we could have it audience choice” I am aware that in previous Minecraft events - every tournament event live-streamed like ever - every YouTuber is gonna have bias on their side, and if there is someone with a larger viewership that others, there is of course going to be favor towards them. The ONLY way I could see this being different is if it was all pre-recorded and episodic, but I still believe there would be a heavy amount of bias if someone was on the show with more viewership than others. We would want it to be fair. I do think audience participation is important though, and should be a major inclusion! Like, before an event is to occur I think it would be fun to choose the prompt of what they’re building that week, but the contenders just can’t tweet/say/promote one they wish to do, so it is STRICTLY up to the audience without bias.

Also, I think everyone should come out a winner, not in the “No one came out on top because we are all equal” way - because while that is important it is still a tournament, and as we’ve seen in literally every competition show ever there is always a first place winner - but more so in the, while you didn’t win, let’s reflect on how you are still fantastic and getting something out of this. I know it sounds a little basic, so I do think it would need to be extrapolated on. But I wouldn’t want anyone who “loses” to just go away with “you got clout” award. You were featured on the show, that’s inherent, you deserve more than that, again this can be fleshed out later, but they deserve more too, somehow.

Also for the finalists - I’m thinking either 3 left or 2 left - it should be a mega build level prompt. Could be something like “build a city!” Or just “build a mega base with x block being the main block” and, again, not sure how it would be judged, but winner comes out, with second/third place having some reward as well, not as good, but still considerably great. I also think it would be fun to have prior contestants come on and have to participate in the “here is your block that I got to choose for you” to add some spice to it. IDK what the prize would be, I know it is normally money, and while it could be that, I think it would be more fun to have something a little different that would still be fun and a true “winners” item. Again, not sure what it could be, but it would need to hold to the truth of “oh, hey, this is a true prize and its still fun and I’m getting something out of this!”

Anyhow, enjoy the strange thoughts of my brain and if any streamers/youtubers are out there reading this, lemme know what you think cuz I’m curious. Do I think I could ever do this? Probably not cuz I’m an opera singer doing my masters so time is bet a dream to me at this point, but like. I think it is interesting and would love opinions on it just from the standpoint of discussion. I streamed at one point, maybe I’ll start back up again one day if only to have fun. I feel like that should be what it is, fun, that is the most important thing at the end of the day and builders should have some competitive fun too!

Also, I will admit that I am obviously not knowledgeable on everything - again opera singers not full time Minecraft anything - so I don’t know if something like this has been done before, and while I think it would be cool if something like this existed, it may already exist and I quite simply don’t know! Thoughts, opinions, anything else?

Anyway, if anything, have a good day!

#minecraft #mcyt #mcytbr #hermitcraft #hermitblr #empires smp

95 notes · View notes

justanotherfanartist · 1 month

Text

taps mic. ahem.

help a student write a dumb rvb research paper? pretty please?? for funsies???

This is exactly what it sounds like.

My current final of the year for my language composition class is a massive synthesis + argumentative research paper on any topic of our choosing, and Roosterteeth + RVB has too much messy junk going on that I’m knee-deep invested in mentally at this point to pass up the opportunity to write about it.

And yknow, I see a ton of media analysis posts coming out of the fandom all the time and I’ve always loved seeing it and reading into it and sharing ideas and whatnot and this feels like my way of doing that too.

Essentially what I’m reaching out for is for you guys to help me crowdsource resources and share your ideas with me to include in my term paper*.

things that would be wizard cool of you to send me are:

any interviews or behind the scenes with the cast and creators you happen to know of

your own analysis or hot takes of the characters or the show as a whole

what the show has meant to you

any clips of old Roosterteeth expos

for the older fans, a rough idea of what the release timeline looked like for the episodes and what the buildup and fan reaction was for each one

any commentary or hot takes on how the fandom has changed since you joined/that you know of

what Roosterteeth did wrong (writing wise and irl)

what Roosterteeth did right (writing wise and irl)

tropes within the show you noticed whether originated by the show or not

tropes within the fandom, things like similar portrayals or bad/good takes on characters or face canons that span artists

literally anything you can give me, media, commentary, or opinion wise

(not to say I can’t find things on my own, I already have, but this is also about varying opinions and the general outlook of the fandom as a whole and measuring the broader impact of a show like RvB and it would be incredibly cool of you to help me out even with just crumbs of character opinions)

The idea is to get evidence together from clips, personal anecdotes, and opinions so I can present an accurate read on the fandom, especially when it comes to fan interpretation of RVB vs Roosterteeth’s intentions for the show (and behavior as a company) and explore what the show was supposed to be, what it literally is, how people see it, what its impact has been, and a general overview of the it’s legacy and lifespan, that sort of thing.

My thesis is most likely going to end up something in the ballpark of “How Roosterteeth exemplifies the Franchisation of Indie Media” or “Why RvB is one of the most complicated/misunderstood/divisive shows in modern media” or “How Fandoms interpret and recontextualize media”

I’m going to guess that I likely won’t be able to post the finished paper up online without a solid buffer window to avoid the two mortifying scenarios that are (a) being accused of creative plagiarism and (b) having to tell my instructor that the tumblr account with a 100% match to my course final is, in fact, my tumblr account, are two things I desperately want to avoid.

However if I can, simply for the sake of contributing to the fandom and creating something for us to all contribute to and discuss and crediting various peoples’ help and input would be ideal and, if at all possible, that would be the end goal.

so yeah. if you’re up for it I’d love for you to dm me your thoughts or (more conveniently for the both of us) fill out this Google form down here!

*im not gonna, like, repost your detailed character analysis as my own or something. I’m just trying to find some good quotes, general opinions, and ideas from the fandom so that I can accurately represent them and do our little corner of the internet Justice. And also because the audience of a work is a massive factor in media analysis lmfao. and also to create a community sourced Fun Thing™️ we can all look at and bite the corners off of instead of watching Roosterteeth crash and burn in the backgroun

#rvb #red vs blue #roosterteeth #research #me and my dumb little projects #rvb paper

73 notes · View notes

spookibird · 2 years

Text

Some thoughts about if RTC was ever adapted to a film and what I think would be interesting:

First of all Karnak as an actual animatronic or puppet, it's doable

Each of the choir kids' songs would be visually different as well as different music styles

Hype up Jane's creepiness, they could put a lotta effort into the makeup

The kids would still be the backup performers, but their costumes can be more intricate, not just their school uniforms with accessories

WTWN would be very much exaggerated, like a mix between a pop music video, a gameshow, and an influencer's travel video, it would feel too staged and perfect, very much trying to hype up Ocean and push down the others

Noel's Lament would be in black and white, very much inspired by old cinema, particularly French tragedies, for obvious reasons, somewhat gloomy, but also oddly beautiful, plus a film could go all out with the costumes for this one, bonus if they change how the film is shot specifically for this song to emphasise the old cinema vibes

TSIA is just an over the top music video, not in the same way WTWN is tho, it's flashy but it's like a music video made by a small youtuber (for obvious reasons), feeling a bit homemade but they rock it

Talia would completely contrast TSIA and be exceedingly beautiful, think gorgeous paintings and historical romance films, it would absolutely be about a wedding, just completely opposite to the flashy materialistic TSIA

tbf TSIA/Talia could also be like a mini romance film, going from Mischa living his awesome life, to meeting her in the club, then getting married

SABM would be 100% like early sci-fi films, including cheesy effects and costumes, I want Ricky's outfit to look absolutely over the top as well, inspired by some 70s/80s prog rock looks, give him a cape, and incorporate his mobility aids there's so much potential

TBoJD would be very gothic, with minimal colours, portraying a tragic funeral for the mystery victim, attended by faceless guests and the choir, until the music picks up

bc its such an iconic part of the show, Jane would still fly around, and the setting would become a surreal interpretation of the cyclone accident, the one memory and subsequently the one defining factor Jane has to reflect on

Sugar Cloud would be a celebration, hyping up Constance and her newfound joy in life, a stage in the sky where she can freely perform and dance with her friends

The recorder solo stays as her giving someone the mic and the rest headbanging to it

I feel like it has potential to be really cool but also they could just as easily ruin it,

Finally Ocean would be the obligatary mainstream singer casting, and WTWN would be really hyped up and it would be really cursed

#ride the cyclone #rtc #ocean o'connell rosenberg #jane doe rtc #noel gruber #mischa bachinski #ricky potts #constance blackwood rtc #this has been in my drafts for so long

917 notes · View notes

just-some-guy-joust · 13 days

Text

im stubborn and i like talking here's the reasons i put every character i did in side a into the tourney. I'll do side b later cause i gotta go to bed soon

important first note, quite a few of my decisions were because i was trying to get women in here and it was getting desperate because i had to cut out a lot of women for only being "just some guy" because they were written by a misogynist that made her sit on the sidelines and cheer for the male leads. The Woman Situation Is Always So Fucking Dire.

anyways on to the actual contestants im gonna start with the characters that have been causing the most people to start up shit about them not being just some guy

barry bluejeans (taz balance): 2 submissions, personal bias. i think a lot of people are misunderstanding what this tournament is tbh. this isnt about the "normal" characters, tho normalcy does play a factor in it. this is about dudes who are just some guy. there is a difference. barry is a dnd npc who wears blue jeans in a fantasy world and he loves his wife. yes he is a lich. yes he is involved in the main plot. he's also just chillin. like if the plot didn't happen the way it did barry would be playing sudoku or crosswords. he'd be an average man in a very fantasy world. he is so average and human its funny. he is just some guy

tommy (hlvrai): 1 submission, personal bias. his just some guy energy is so there. he gets a propeller hat that does nothing when all of his crew is getting cool guns and upgrades. his life goal is to go home and take his dog for a walk. he gets a chuck e cheese birthday party. he sounds like he's going to burst into tears at any moment. compared to the rest of the crew, tommy is comedically just some guy

ulala (persona 2): 1 submission, description swayed me. it described the list of characters in persona 2 and ulala was just "your roommate that wanted to go to a party". that's hilarious. also i was getting fucking desperate for women that didn't suck ass as i stated above

apollo (ace attorney): 2 submissions, personal bias, descriptions swayed me. yall the submissions for him were so fucking funny. he's just a lawyer. he just wants to do his job but he lives in the ace attorney universe so everything is fucked all the time. he would've been a normal lawyer if he hadn't met phoenix wright. he's just chillin.

ok now here's every other character

sasha james (tma): 1 submission, friend bias, good description. i asked r if i should put her in because they know tma and they said yes. submission described her as loving to organize and avoided many monsters by being just some guy.

reigen arataka (mp100): 2 submissions. i thought it'd be funny and i was right. he is also just a normal man pretending he's not and he refuses to give up the bit he 100% deserves to be here

joy (underworld office): 1 submission, friend bias. the mc is going through wild ghost related problems and she's just going . hey man. you good??? r's sister submitted her and im not letting her down dude she's awesome

junpei (zero escape): 3 submissions, personal bias. he is literally the only character who has no connection to the larger mystery he's just there because he loves 1 girl. he's PAINFULLY and VITALLY just a dude. i need him

horse (centaurworld): 1 submission. i thought it'd be really funny to include just a horse. her name is horse. thats fucking awesome dude

phone guy (fnaf): 2 submissions. he was the only character from fnaf that got more than 1 submission and there were like 9 fnaf submissions i kinda felt bad tbh. he was also the best example of just some guy out of all the fnaf submissions

gordon freeman (hlvrai): 1 submission. he is a guy playing a video game. he is the straight man to the rest of the crews antics and by god he plays his role well

joshua gillespie (tma): 4 submissions, friend bias, hilarious descriptions. he avoids getting killed because he's so good at following instructions despite him clearly supposed to be dying here. they said don't open the coffin so he didn't. simply don't tuesday

namari (dungeon meshi): 1 submission, personal bias. i like her c: she's pretty level headed compared to like. everyone else in laios's crew. she seems like somebody i could just be friends with and hang out with

shez (fire emblem): 3 submissions, hilarious descriptions. i might try getting into fire emblem because of this. ok so they got murdered in a previous game off screen and now they're the playable character of a new game in a new timeline and they're fucking everything up because they're just supposed to be some guy? thats so fucking funny holy shit i want to know more

henry stickmin (henry stickmin): 1 submission. henry stickmin. like idk i dont feel like i gotta explain this one he's a stickman

stanley (tsp): guaranteed entry

whole (chonny jash): 1 submission, friend bias. tbh i saw him and went oh fuck yeah thats the thing my friends like and then i put him in there. i dont actually know enough about chonny jash to say anything on this but i fully trust the submitter knew what they were doing

larry (pokemon): guaranteed entry

luke carder (inscryption): 1 submission, friend bias, good description. he is just a normal youtuber in the lore of the game. he fucking love card game. good for him man good for him

leorio (hxh): 3 submissions, friend bias, good descriptions. idk a lot about hxh but the descriptions of him compared to the other main characters was pretty convincing

barry the quokka (sonic): guaranteed entry

april o'neil (tmnt): 1 submission, friend bias. absolutely normal girl that just happens to be the one that found the turtles and become their friend

tsuzuru (a3!): 3 submissions, friend bias. descriptions definitely made him feel like a good fit. he's so good at being just some guy i actually thought he was a different character and was shocked when i went to grab images for the tourney and he wasnt the guy i thought he was. which is really funny. like who the fuck is he then. this didn't change my opinion or anything it was just so good

matt (woe.begone): 1 submission. woe.begone fans have ALWAYS been kind to me so they got some mod bias sprinkled in. i dont know what this guys deal is but in the dbtn tourney the guy who got in there had a giant fucking list of things that are happening to him all the time and apparently thats just what woe.begone is like so i believe it when told matt is normal in comparison. everything else is so batshit wild I Just Believe You

gilear (fantasy high): 2 submissions. he seems to be just a dad. wasn't going to get in at first tbh just for personal reasons but i was running out of characters that i felt actually fit the tournament well so ultimately he got in

emmet (lego movie): 4 submissions. honestly with the number of submissions we got, 4 submissions was basically a guaranteed entry. and emmet's whole story is about being just some guy

stahl (fire emblem): 1 submission, hilarious description. fire emblem fans are so funny. what do you mean he can only be perfectly average because everyone else improves/gets worse with him to keep him perfectly average. what the fuck. thats so good

doug (wolf359): 2 entries. i dont know jack shit about wolf359 and honestly the submissions didn't tell me a lot but it was enough to figure he qualifies and i was running out of characters that felt good for the tourney. i trust you wolf359 fans

jack townsend (tales from the gas station): 1 submission, good description. he works at an evil gas station and the description gave me no follow up on what an evil gas station is which is awesome. apparently the horrors are constantly happening and he's just kinda staring at them. he's not paid enough for this

frisk (undertale): guaranteed entry

brian pasternack (yuppie psycho): 1 submission. im gonna be super honest with you here. i dont remember. i know he qualifies but i have 0 thoughts about him. maybe thats a good thing in this tourney. he's an average office worker who has now been tasked with killing The Witch.

trevor (american arcadia): 4 submissions, personal bias, good descriptions. dude i fucking love american arcadia it's so fucking good what a nightmare. he's so normal they were going to kill him for not being entertaining enough

#-mx narrative #some guy joust

26 notes · View notes

dededaio · 9 months

Text

the reason a lot of people largely unfamiliar with modern kirby go "forgotten land did X thing for the first time in kirby, it's so cool", even if it's often not the case, is not only because they probably barely played kirby, but also because forgotten land puts most of the series best qualities at the forefront the way no other game did.

big post follows where i ramble with comparisons to other games while highlighting what i think forgotten land did right.

first of all, it's very upfront about it's theming. and it's very important in how it stands out.

i ADORE kirby triple deluxe, don't get me wrong. and I LOVE the fairy tale theming of the game, but if you weren't *aware* that this is what the game goes for, it can easily fly over your head.

kirby is inherently whimsical series, so a lot of fairy tale-isms in that game don't stand out nearly as much as it was probably intended. it could've been easily remedied if the game framed itself as a "fairy tale" more rather than them keeping this subtle. similar to how classic paper mario games had storybook intros, for example.

star allies similarly has a big theme about friendship but due to various factors, it feels superficial at best or unnoticeable at worst. because a lot of aspects that theoretically could make it work are not highlighted enough.

if you don't have prior context of other games, it doesn't come across as this game celebrates friendships kirby acquired over the past 25 years of the franchise's existence and more like he's casually brainwashing them for his own cause.

i understand that with big amount of playable characters you can't possibly make unique animations for every single one of them to sell you on this idea, but if you can't handle the scope, then don't go for said scope.

jambandra cult's dark parallels to the franchise's main cast are likewise not highlighted enough because most of it is not shown via gameplay or cutscenes but through easy to miss pause screen text.

robobot and now forgotten land are partially so loved because it's very clear what's the overall theming of the game and it's stages is. in robobot it's funny robots, capitalism, industrialism, colonization. in forgotten land it's memories, responsibilities, nature, abandoned civilizations. it's not me just reaching, game is called "forgotten land" and part of leon's motivation (albeit when he was under id-f86's influence) is his frustration with being left behind by the former leading civilization of the planet, aka them up and leaving their responsibilities behind.

forgotten land stands so much to people because it gives it damn ALL to stand out by making every facet of itself being connected to underlying themes the game presents.

second, game goes out of it's way to SHOW the player what kirby is all about. it's not shying away from exposing the casual player to lore or the importance of post-game content. instead of only hinting that all of this stuff might be important, game demonstratively nudges you into the right direction, whether you were initially interested or not.

"the lore" is tied to the main secondary collectible. a gameplay element. if person playing the game is invested to 100% it, they will most likely try to collect them all and read all of the flavor text in the process. likewise, even if player is not interested in 100%-ing the game, they might be hooked by the flavor text itself and be interested what it has to say about other copy abilities, characters, objects.

previous modern kirby games didn't try to make you feel engaged with the lore the same way. sure, there were some benefits of the pause screens that FL can't replicate (we lost the classic type of flavor text where the final boss directly addresses Kirby and we hear their thoughts), but it's a small loss in grand scheme of things.

simply pausing the game to read the flavor text is not stimulating the same way as directly working to get it. it becomes more intriguing this way, RNG element ironically making it even more special when a figurine with especially juicy lore pops up.

similarly, post-game content was made explicitly all "canon" in FL. not entirely new concept, we had similar cases in "revenge of the king" in super star ultra and "heroes in another dimension" in star allies, but FL is the first game that actively encourages you to do more stuff after you did the main story. it literally baits you with the "to be continued" screen after the credits.

not only it helps the game to beat "it's short!" allegations by making it clear that even besides main story there's plenty of stuff to sink your teeth into, it also simplifies the importance of post-game modes too. there is no "what if scenario" or "parallel story" bullcrap. it's straightforward. "isolated isles" picks up where main story left off, "ultimate cup z" picks up where "isolated isles" left off.

and the last, but certainly not least, the characterization.

i will argue that forgotten land is the best kirby game since kirby 64 in terms of giving personality to the main cast. some people accused elfilin of being a little bland, and admittedly his personality is not as fun as, say, magolor or susie, but he's still likeable and fleshed out in his own way. we actually get a lot more dialogue from him than you might expect, he has a lot to say in the waddle dee town and he comments about various locales on the world map, even ones where he would be kidnapped during the main story.

likewise, bandana dee, meta knight and king dedede all got their moments to shine. this partially ties to flavor text being easily accessible, but due to said flavor text no longer being tied to SIMPLY boss fights, it means that their characterizations and side-plots can be expanded upon further. making their roles in the story feel more thought out than it might come across otherwise.

and even outside of that, each of them gets a shining moment that shows what are they all about. meta knight casually challenges kirby on a training duel and gives his all. the first fight we have with meta knight where he's not under some sort of mind control since squeak squad. bandana dee constantly reminds us that he's very much willing to help us and canonically accompanies us through out entire adventure even if we don't take him with us. king dedede, while brainwashed for majority of the game, gets to do single coolest and selfless act through his entire history of existence, finally putting final nail in the coffin of "dedede is a villain" crap.

forgotten land might not be the first game to do any of the things i just mentioned, but the presentation means EVERYTHING. forgotten land impressed a lot of people, left a strong impact, precisely because it had way better presentation than any kirby game that came before it. this is precisely why it resonated so much with so many different people and will continue to do so.

#kirby and the forgotten land #kirby #long post

91 notes · View notes

home2venus · 3 days

Text

SWALLOW YOUR PRIDE

── ˖✮⋆˙꒰ pairing ꒱ ˒˓ jungkook x han so-hee ˒˓ seven music video universe summary. a missing scene from the seven music video, from the perspective of freshly heartbroken jungkook genre/tags. pining, post-break up, (not so) unrequited love, incredibly whipped jungkook ─ this is jungkook's perspective of my other seven fic! read them here ⋆｡°༄˖°.🪐

Jeon Jungkook may have fucked up.

He’s not afraid to admit that, and neither is anyone else. Latto had cackled when he told her what happened, all broken up about being broken up with. She’s usually pretty cool about things, on his side, but she’s real with him too. The guys were kinder about it, but the general consensus was that Jungkook has maybe, definitely, fucked up.

So, it’s a messy situation, but it’s not impossible to fix. Jungkook’s a crafty guy, and he’s dedicated to everything he puts his mind to, so he’s sure that if he really tries, and really works hard he can fix this. He wants to fix it, desperately, because... well, because of everything. She’s everything.

She was everything.

He needs to fix it. He needs to fix them. He can fix it, he knows he—

“Should leave her alone, right?”

“What?” Jungkook asks, snapping out of his thoughts. He’s sitting at a barstool, head in his hands with his elbows resting on the counter. He looks over to Latto, supremely unimpressed.

“She doesn’t want you, baby,” Latto shrugs, leaning next to him, eyes scanning the dancefloor absently as though she’s not actively ruining Jungkook’s life, “Give her some space, at least, before you rocket back into shit.”

“I need her to know—”

“You need to not push her into filing a restraining order,” Latto insists, rolling her eyes fondly. Jungkook pouts slightly, and she pats him on the shoulder, already walking away from him. He watches her leave, a little miffed and a little resigned because Latto is probably, definitely right, but he doesn’t want her to be.

“Then what should I do?” He yells at an already halfway gone Latto.

“Go home?” Latto yells back, “Go to therapy?” She disappears into the crowd, but he can hear her laughing to herself.

So, Jungkook goes home. On the same train that he always does. At the same time as he always does. Jungkook, from the future, would like to claim that these factors make what happened next 100%, completely, absolutely, not his fault.

Jungkook steps on the train, emptier than usual but still bustling with people, and grabs the first empty seat he can find, sighing with relief as he just narrowly avoids standing in the shadow of a fairly gross looking businessman. He readjusts, stretching slightly as the train begins to move, and as he settles in his seat, he looks around the train and—

“You have got to be kidding me.”

Han So-hee is still as beautiful as the day they met, and still as devastating as the day she left.

“Um,” Jungkook says, and she rolls her eyes, beginning to stand.

“Excuse me,” So-hee starts to stand, looking to the people around her, “Do you want my s—”

The train shakes abrubtly, slamming her back into her seat, and she sighs, resigned and exhausted. She settles back into her seat, putting her earbuds back in with a pointed glare at him.

“Don’t say anything,” She bites out the words, like they’re painful, and they are painful, but more for Jungkook than her. Jungkook just nods, quiet and understanding. So-hee blinks, a little taken aback, but then she just rolls her eyes and returns back to her phone. Jungkook returns back to his too, but it’s absent, like he’s not fully there because he isn’t.

A different Jungkook wouldn’t have listened. He would’ve kept talking, pestered her into laughing and letting him back into her home, like he always did after arguments. But, current Jungkook knows he can’t do that anymore, that he did it one too many times, during an argument that was a little too serious, and now he can’t go back to her home, to what he always considered home, because he pushed her too far.

She gets off before him, because she always does. He can see the exact route she’ll take home in his head, memorized from nights where they stumbled back home together, drunk and giggly.

“I love you,” Jungkook says. He’s not sure if she hears him, but it doesn’t matter. He just needs to say it.

Through the departing train’s window, he watches her glance backward at him, before disappearing off the platform as a whole, into the streets of the city where she lives without him.

Jungkook goes back to his apartment, and he realizes that he can’t live without her. Jungkook also realizes that she can live without him, that she doesn’t need him in the same way, and he wants to let her have that. He wants to try again, but he doesn’t want her to hate him.

So, Jungkook resolves to let her leave.

Unfortunately, nothing is ever that easy. But, Jungkook would like to say that it’s not his fault.

Jungkook takes the same train he did when he was with her, because that’s the train he’s always taken, so he sees her constantly. Okay, whatever, that’s fine.

But, Jungkook goes to the same restaurants that he used to go to in university, back when him and So-hee would spend weekends and nights finding new, exciting places to eat, because he always goes to the restaurants. So-hee goes to them too, because she found them with him and has all the rights too, so he sees her at the restaurants and it’s hard to explain to every old woman behind the counter that no, they aren’t together anymore and haha, yeah, it’s all good, he just misses her more than he thinks he would miss his own lungs in his chest. So, he just... doesn’t tell them, and neither does she, and everyone still thinks they’re in love, so sometimes they sit across from each other in a restaurant booth to avoid any questions.

For practicality’s sake.

Um. Anyways.

He sees her at the laundromat, and at this point, he misses her like the Earth would miss the Sun if it imploded in the sky. She’s in an old blue denim jacket from years ago, with her hair loose around her shoulders and messy as she slams around a laundry basket, clearly sick of him. He can’t help himself from looking though, swinging his legs atop his own washing machine, watching her load her clothes into the machine. His eyes catch on a faded sweatshirt he used to have years ago, his university logo faded and worn on the front of it, and he immediately averts his eyes. If she knows that he knows, she’ll give it back, because she’ll be embarrassed. The sweatshirt is proof he’s still something to her, he’s still useful, so if she gives it back, it’s one less sign that she doesn’t actually loathe him. He wants her to keep it, so he doesn’t say anything, not until the room starts to flood and they’re pushing at the ceiling.

I love you, he almost says when they make it out, and she starts on her way home, still soaked and angry.

I love you, he almost says when he texts her about the police assuming her laundry was his, because his wallet had still been in her laundry basket.

I love you, he almost says when she opens the door and lets him, and the laundry but mostly him, into her apartment and offers him coffee on instinct.

Her cats brush at his hands and he coos at them like everything is normal, and she asks him about Jimin and work and if he could talk to the others about bringing her neice into the studio, and when he agrees, she says that she literally loves him, and Jungkook shatters.

“I love you,” Jungkook says, and So-hee doesn’t say it back, but she smiles a little bit, and lets him leave on his own, without slamming the door behind him.

Things aren’t perfect, she doesn’t run back to him with open arms and beg to be married, but when he enters the place they used to study late into the night, begging the shop owner for just one more ramen bowl and a few more minutes, she takes her bag off the opposite seat, and doesn’t glare at him when he accidentally mumbles to himself too loud while working.

It’s not perfect, but it’s close, and missing her when she’s close is better than missing her when she’s far. At least she’s still in reach, and at least she still lets him look at her.

“I love you,” He says, without even thinking about it, and she doesn’t even look up.

“Yeah, yeah,” She says, the first aknowledgement since she broke up with him months ago, “Have you considered putting that energy into a job?”

“You’re better than a job,” Jungkook says, teasing but light, like she’ll shutter away if it’s not just a graze of a joke. She gives him a look, and he thinks shit, because oh no, oh god, he’s fucked it all up again and he—

“I’m better than everything,” She says back, a small smile playing on her face, a clear indication of her joke, “Get a better excuse.”

Jungkook misses her more than anything. Her eyes, and her hair, and her hands, and her cats, and her food, and her brain, but more than anything, he misses the way she makes him laugh out of nowhere.

He laughs, because of course he does, loud and disruptive, and it turns into choking giggles when the old ladies nearby shush him loudly. His eyes are shut, blinking rapidly to get away his tears, even though it really wasn’t that funny. It’s a mix of shock, and delight, and nostalgia making him inconsolably laugh, but his distraction stops him from noticing the way she grins fondly.It’s not an I love you, but it’s close, and he missed it. He missed everything about her. All he wants to do is get it back, and actually see it, see her, again.

#jungkook #seven jungkook #jeon jungkook #han so hee #jungkook fanfic #kpop fanfic #bts fanfic #han so-hee #seven #༄˖°🪐 writes

20 notes · View notes

cutebutalsostabby · 2 months

Note

Which Link is most likely to go for a trans surgery?

Hmmm. Well: all of them are SOME flavour of trans and/or genderqueer (I don't make the rules, except when I do, and yep: thems the rules), but I don't think many of them would actually have surgery, per se. For several reasons, which all basically boil down to this: Hyrule is a better place than the real world, and they can do cool stuff we can't do here. Behold as I infodump all over your question.

First off, my opinion is that there's less social and legal pressure within most of the game settings to conform to particular gender presentations. Which is obviously far from the sole reason why surgery would happen in the real world, but it does mean that you can decide 100% for your OWN sake, not for anyone else's. Note: Western transphobia developed under specific conditions which we don't have to transpose into fictional worlds. We can just do what we want. It's great.

Second, and this one is pretty clearly demonstrated in game lore, mechanics and dialogue: kids in Hyrule, Skyloft and the Great Ocean are treated really well compared to the real world, in that they have 1) the ability to make personal decisions WITHOUT parent consent, and 2) direct access to libraries, doctors, clothes shops, potion shops and etc. Sure, money is a factor here, but the Links at least tend to have spare cash and/or the ability to earn it. Plus, potions at least are not that expensive, nor is that one medical bill from the Oracles games from memory? Idk. If you have 50 rupees every now and then, you're probably set. So if there's a particular surgery a trans person might have in the real world as a direct result of not being able to make their own choices during puberty... that doesn't have to apply in a fictional world. Unless they either didn't know or didn't have access at the time.

Related to the above: most of the games have some form of magic and often also some form of science. I think surgery would be a last resort, used either where magic isn't available or where the magic that IS available doesn't do enough. So probably only for major changes and/or in low magic settings.

As for who, then, based on the above:

TP!Link does come from a low magic world where one of two doctors is a raging racist, and that could limit his access to HRT equivalents. The fact that he comes from a small village could also impact his access to information about being trans, though his house IS full of books and his adopted dad and childhood friend's dad ARE connected with a bunch of people across Hyrule, including the one non-racist doctor. If I didn't HC him as being intersex and totally fine with his body, he'd be my pick.

Since I do: Hyrule (ZeldaI&II!Link).

I HC him as transmasc, but I think he was probably late to put actual words to that, given he's been travelling alone since a young age. Potionsellers do exist within his world, but they're a) rare, an b) expensive. My boy is POOR. But luckily, the town healers and magicians both offer their services for free! YAY! He can get all the surgery and magical HRT he wants :) just so long as he's both cool with having a little blood spilled and able to stick around in a town long enough to recover. Which he uhh... CAN do... right?

Congrats on your top surgery, Roolie!! 🎉🎉🎉

#asks #long post #zelda lore #the important kind #legend of zelda #queer #idk if this was intended as an LU question but if it was that's fine too #queer those fools into oblivion

29 notes · View notes

momolady · 5 months

Text

Your Support & the Future of My Patreon

Hello everyone! This is going to be a little bit of a heart to heart with all of you, I hope that's okay.

To start with, I just have to say, I never been more grateful for a group of people in my life. Having all of you here, past and present readers, has been one of the greatest and most rewarding experiences of my life. I've been living my dream for six years now, and I am brought to tears by all your love and support.

If I could live and feed off your comments, kindness, and every word read, I'd be the richest person in the world.

Unfortunately, as much as I want to, that's not how the world works. And doubled unfortunately, I know the world is affecting all of us. Inflation is crazy, the holidays are happening, everything around us is in utter chaos. As such, i 100% expected to see a dip in the support on this page. I did not expect how bad it would get. Three months about, I was around 300 supporters and the amount coming in was enough to where I could take care of myself and this page without issue. Unfortunately, Patreon's change in payout methods has resulted in me losing over fifty subscribers that I cannot seem to get back.

Let me just say, i do not blame a single one of you. If anything, I blame myself more. I know this past year has no been my best. Health issues, burn out, and several other factors have made my writing and this page suffer, and for that I apologize deeply to all of you. I am working to get better, I can tell I am doing better. I enjoy writing so much better, as most of my commissioners recently can tell you I've been going slow but I have been writing more exuberantly when I do. I've been going over word count of my own accord because I'm finding joy in my craft again. I'm working with people to edit and finish Ozren, and hopefully once that is published I will see an increase and return in supporters. But for now, my subscriber count has fallen so low, there will be changes that will take effect in 2024.

I am still figuring out those changes, and it will mainly affect mail outs. I cannot afford postage regularly, and I have to shop sales for stickers and prints. I also want to be able to pay artists what they are worth, so less art is being produced. So mail outs may become a far and few between thing. I will be able to do ebooks more regularly now that I know I can add them to posts. Posts scheduling may have to change as I may have to take up another job since patreon support has taken a dip and commissions have slowed to a trickle. Once again, this is no one's fault except maybe my own an the way the world is. I understand that I would rather have food than words, trust me! I am uncertain here about all this, but the new year will help give me clarity.

Until then, December is going to have lots of cool new stories, including a special Christmas story like always. This one will be my take on Hallmark movies with orcs and childhood friends in the mix. I'm really looking forward to the future despite all this, and I still want to create stories that inspire and comfort all of you.

I cannot thank you enough, and I will never be able to fully show my gratitude to all of you, past, present, and future. Thank you, my god, you're all amazing, wonderful, beautiful people. I could not ask for a better more loving community around me.

With all my love, Momo/Haley

#personal #patreon

44 notes · View notes