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#(insane master posting)
blangg · 6 months
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Thoschei + Textposts; pt. 3 (pt. 1, pt. 2)
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mclennonlgbt · 10 days
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Paris in John and Paul’s life
30th September 1961:
“John and I went on a trip for his twenty-first birthday. John was from a very middle-class family, which really impressed me because everyone else was from working-class families. To us John was upper class. His relatives were teachers, dentists, even someone up in Edinburgh in the BBC. It’s ironic, he was always very ‘fuck you!’ and he wrote the song ‘Working Class Hero’ – in fact, he wasn’t at all working class. Anyway, one of John’s relatives gave him £100 for his birthday. A hundred smackers in your hand! That was a real windfall. None of us could believe it. To this day if you gave me £100 I would be impressed. And I was his mate, enough said? ‘Let’s go on holiday.’ – ‘You mean me too? With the hundred quid? Great! I’m part of this windfall.’” - Paul McCartney, Anthology
“We planned to hitchhike to Spain. I had done a spot of hitchhiking with George and we knew you had to have a gimmick; we had been turned down so often and we’d seen that guys that had a gimmick (like a Union Jack round them) had always got the lifts. So I said to John, ‘Let’s get a couple of bowler hats.’ It was showbiz creeping in. We still had our leather jackets and drainpipes – we were too proud of them not to wear them, in case we met a girl; and if we did meet a girl, off would come the bowlers. But for lifts we would put the bowlers on. Two guys in bowler hats – a lorry would stop! Sense of Humour. This, and the train, is how we got to Paris. - Paul McCartney, Anthology
“And Paul and I also did the same thing, once. We just cancelled. We’d made it, in Liverpool. We were making good money, for those days. I can’t remember what it was – maybe a couple of hundred dollars a week – but enough that you’d have a little extra. You’d have it in your back pocket. And Paul and I just— A relative of mine gave me a hundred pounds, for my birthday, which I’d never seen that much money in me life. Paul and I just canceled all the engagements, and left for Paris… And George was furious, because he needed the money – to work, you know. But that was another time when the group was in debate as whether it would exist or not.”  - John Lennon, 1976, an interview with Elliot Mintz
“Last night I heard that John and Paul have gone to Paris to play together – in other words, the band has broken up! It sounds mad to me, I don’t believe it…” - Stuart Sutcliffe, Anthology
“We’d never been there before. We were a bit tired so we checked into a little hotel for the night, intending to go off hitchhiking the next morning. Of course, it was too nice a bed after having hitched so we said, ‘We’ll stay a little longer,’ then we thought, ‘God, Spain is a long way, and we’d have to work to get down there.’ We ended up staying the week in Paris – John was funding it all with his hundred quid.
We would walk miles from our hotel; you do in Paris. We’d go to a place near the Avenue des Anglais and we’d sit in the bars, looking good. I still have some classic photos from there. Linda loves one where I am sitting in a gendarme’s mac as a cape and John has got his glasses on askew and his trousers down revealing a bit of Y-front. The photographs are so beautiful, we’re really hamming it up. We’re looking at the camera like, ‘Hey, we are artsy guys, in a café: this is us in Paris,’ and we felt like that.
We went up to Montmartre because of all the artists, and the Folies Bergères, and we saw guys walking around in short leather jackets and very wide pantaloons. Talk about fashion! This was going to kill them when we got back. This was totally happening. They were tight to the knee and then they flared out; they must have been about fifty inches around the bottom and our drainpipe trousers were something like fifteen or sixteen inches. We saw these trousers and said, ‘Excusez-moi, Monsieur, où did you get them?’ It was a cheap little rack down the street so we bought a pair each, went back to the hotel, put them on, went out on the street – and we couldn’t handle it: ‘Do your feet feel like they are flapping? Feel more comfortable in me drainies, don’t you?’ So it was back to the hotel at a run, needle and cotton out and we took them in to a nice sixteen with which we were quite happy. And then we met Jürgen Vollmer on the street. He was still taking pictures." - Paul McCartney, Anthology
“Jürgen had a flattened-down hairstyle with a fringe in the front, which we rather took to. We went over to his place and there and then he cut – hacked would be a better word – our hair into the same style.” - John Lennon, 1963
Interviewer: I heard you took a trip to Spain before once, didn’t you? On Holiday? Paul: I didn’t go to Spain, no. I tried once to make Spain but… and John and I were gonna hitchhike. We hitchhiked down from Liverpool… We didn’t hitchhike. No, we got the train down from Liverpool ‘cause we thought we won’t hitchhike down the first bit. And we got the boat over to Paris. Then we got the train into Paris ‘cause we thought: “Well, it’ll be too hard to get a hitch here”. And we just stayed in Paris all week. And eventually… I mean, all the time trying to get out of Paris and make Spain! We never made it, we just flew home at the end. What a lazy hitchhiking Holiday!
“The thing was all the kissing and holding that was going on in Paris. And it was so romantic just to be there and see them even though I was 21 and sort of not romantic. But I really loved it, the way the people would just stand under a tree kissing. And they weren’t not mauling at each other, they were just kissing.” - John Lennon
"John’s 21st birthday was a month away, and he knew he was getting money — 100 pounds cash, more than he or Paul had ever seen in their lives. (…) Bob Wooler was party to their planning, and fought with them:
They were bored, and decided they would go away for a month. I thought this was disastrous because they would be away from the scene too long and lose their fans, Fans were very capricious: they moved from one group to another. And anyway, what about the other two members, George Harrison and Pete Best?. What about them, what do they do? We argued a lot about this — we argued in the back room of the grapes pub to a large extent —- and they said ‘Well, we’ll go away for a fortnight only’
(…) Equally, the promoters who paid the Beatles over-the-odds to present them every week had to “lump it” (….). To a man, and woman, they were incensed by it - but John and Paul hadn’t a care. They didn’t mean to be rude about it but basically it was tough shit.
it was tough too on Dot and Cyn, Dot simply had to accept the situation, but Cyn had a greater case of grievance. John was heading off without her when he could so easily gave waited for the art school holidays. (…).
That John was taking Paul, no one else, accentuates the renewed closeness since Stu quit The Beatles. They were the Beatles force, an unstoppable and authentically powerful pair. “Lennon had the attitude”, Wooler said, “and taking his lead from Lennon, McCartney could be similar. At times they reminded me of those well-to-do Chicago lads Leopold and Loeb, who killed someone because they felt superior to him. Lennon and McCartney were superior human beings”
"You’d always see them together, in the pub or walking along the street", says Johnny Gustafson of the Big Tree. "They were a duo, and seemed each other’s equal". Bernie Boyle, the young lad hanging around with them at every opportunity, says, "They were like brothers, with John as the elder and Paul’s mentor. They were so tight it was like there was a telepathy between them: on stage, they’d look at each other and know instinctively what the other was thinking"
They were brothers. They were the Nerk Twins, and now they were taking a break from The Beatles and gofin off to Spain. 
Gustafson happened to bump into them the day they left, Saturday, September 30. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station and watched them go. They were an incredible pair: always great fun, irreverent and so close. - Mark Lewinsohn, Tune In: The Beatles: All These Years (2013)
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As was written in this post: That last picture is one Paul took of John sleeping in Paris. From what I remember of a performance he did of ‘Here Today’, and earlier comments, this picture hangs framed on a wall in Paul’s house.
Unconfirmed quote (may or may not be true): 
"He must have been fond of me to spend that money. He let me have all the banana milkshakes I wanted.”  - Paul McCartney
In January 1964, only a few scant weeks before the Beatles took America by storm, the band mates settled in for an extended stay in Paris. For the group, the Parisian visit proved to be a magical experience, with the Beatles playing 18 shows at the Olympia Theatre between Jan. 16 and Feb. 4 (source).
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The photo Paul took of John (in the "Eyes Of The Storm" book):
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1969:
Hoping to get married in France, John Lennon and Yoko Ono flew to Paris on this day [16th March].
The couple had decided to marry on 14 March 1969, two days after the wedding of Paul McCartney to Linda Eastman; whether it was in response to this event on some level is open to conjecture.
On McCartney’s wedding day Lennon and Ono were travelling to Poole in Dorset, where he introduced her to his Aunt Mimi. During the journey he asked his chauffeur Les Anthony to go to Southampton to enquire about the possibility of the wedding being held at sea, on the cross-channel ferry to France.
(source)
“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible” - Philip Norman, John Lennon: The Life (2008)
"We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required." - John Lennon
1974:
“After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?”
“Frankly,” John replied, “I miss Paris.””
— May Pang, Loving John (1983)
1978:
Wings album "London Town" is released. It includes the song "Cafe on the Left Bank", the lyrics of which clearly refer to John and Paul's trip to Paris.
Late 1970s: John is singing to Paul about Paris in a home recording.
1994 - Paul inducting John to Rock and Roll Hall of Fame:
“And then on your 21st birthday you got £100 off one of your rich relatives up in Edinburgh, so we decided we’d go to Spain. So we hitch-hiked out of Liverpool. And we got as far as Paris, and decided to stop there for a week. And eventually got our haircut, by a fellow named Jürgen, and that ended up being the ‘Beatle haircut’.”
I also remember watching an interview with Paul about his album "Memory Almost Full" (2007). Thank you for adding, @ringompreg!
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(it's like 7 minutes in) Interviewer: There is a very beautiful song called "The End Of The End", the way you talk about your whole ending, and the lyric goes: "It's a start of a journey to a much better place." You mean, better than England? Paul: It's basically a start of a journey to France. Or Spain through France. Yeah, that's what it is. It's a much better place, Paris.
Also worth mentoning:
"All You Need Is Love" begins with La Marseillaise.
"Picasso's Last Words (Drink To Me)" contains French-language speech by BBC broadcaster Pierre Le Sève.
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bubba-draws · 1 year
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he does a spin
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ethos-dishwasher · 1 year
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michael "where is my good omens fanfiction" sheen & sacha "i would dress up as yasmin and fall in love with the doctor" dhawan (clip)
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weregonnabecoolbeans · 2 months
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Pairing the seemingly most rational star wars character (mace) with the most over dramatic one (jar jar) was an insane choice for season 6 of the clone wars but i kinda love seeing them work together
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askblueandviolet · 2 months
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To our lovely duo: 
*a Bai He doll appears along with a tiny Mao and Hershey figurine*
Now the gang is complete! :D
Would it be alright if I could get a head pat from one of you guys? You don’t have to if you don’t want to tho-
For our amazing Hershey: *gives her a little icy blue bow with violets embroidered onto it*
To our darling author: *gives you a virtual hug and a basket full of baked goodies cuz you deserve it*
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And that folks, is the final ask in the box!!! Sorry that you had to wait so long, but I have finally done it, haha!
Now, since the Blue and Violet Series is on hiatus, I have decided that as of now, the ask box shall remain closed :'))). At the very latest it will open again when the new instalment for the series comes out, but who knows! Maybe I will bring back the ask blog sooner.
If I counted right, then we have had a total of a whopping 147 asks! Far more than I could have ever expected. So thank you to everyone who sent asks to this blog and following, it's been a real pleasure entertaining you all (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠).
Until next time everyone!!!
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MASTER POST
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puppydoggraham · 3 months
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Mizumono is the first time Will sees Hannibal broken like how he was. He probably didn’t expect him to be. At that point he struggled to realize that Hannibal was able to be hurt. Especially to that capacity. Will isn’t used to someone caring about him. So that coupled with the fact that he probably thought Hannibal wanting to run away with him was just another facet of his manipulation led to him being as shocked as he was. But it wasn’t manipulation. Hannibal was willing to leave then and there if it meant Will would go with him. When Hannibal stabs Will, in a sense he takes it. He doesn’t pull away. He leans into it and clutches onto Hannibal. At that moment right before Hannibal shoves the blade in, you can see the expression on his face where he realizes that Hannibal actually cares. He warned Hannibal. He gave him time to get away. He probably thought Hannibal would be gone. But he wasn’t. He wanted to wait for Will. He couldn’t just not see him again. Before leaving for Europe he gave Will a reminder of him that would be apart of his body forever as well as serve as a physical representation of the emotional agony he experienced in the kitchen.
During the scene, Hannibal talks about how he gave Will a rare gift and that he didn’t want it, which Will responds with “Didn’t I?” That’s the problem with their communication or lack thereof. They speak in metaphors and abstract ways that make it hard to understand what’s going on for the audience and between each other at times. There’s so many layers. Things get lost in translation. Will didn’t understand the extent of Hannibal’s care. He thinks every interaction he has with Will is just apart of their back and forth game. But it’s not.
Their communication is much less convoluted than usual. Which isn’t to say there’s a total absence of metaphor. But there is a much greater emphasis on the raw emotions of what both of them (especially Hannibal) are feeling. Shots linger. The camera doesn’t shy away. It makes us watch the entirety of the heartbreaking scene from when Will turns around and Hannibal is there to when Hannibal leaves and the rain washes over him.
After that, Will regrets not running away. He decides to set off to Europe. He remembers what Hannibal said. That he didn’t want his rare gift. That Hannibal let him see him and know him just for Will to take his freedom away from him. So Will takes the time to learn about Hannibal. Prove that he did actually want the rare gift. Prove that the reason he didn’t run away with Hannibal wasn’t because he genuinely wanted Hannibal locked up with his freedom taken away.
It was because he was scared and in denial. In denial of his own feelings towards Hannibal. In denial of Hannibal’s feelings towards him. Caught up in the ongoing battle of choosing restraint over indulgence. Of going along with what is socially acceptable and ‘right’ according to broader society rather than listening to his true desires which he isn’t even fully aware of with how repressed and suppressed they are. Hannibal scares him not because he’s afraid of what Hannibal would do to him. No. He’s scared for what he’ll become if he embraces his desire like Hannibal wants for him. At that point in Mizumono, Will isn’t ready to embrace anything. He defaults back to what he knows.
Finally when they reunite, what is one of the first things Will says to Hannibal?
“I wanted to understand you before I laid eyes on you again. I needed it to be clear what I was seeing.”
He didn’t understand Hannibal before. Hell, he didn’t understand himself. Despite seeing Hannibal in a way that even Hannibal acknowledged, he didn’t truly understand him. He didn’t understand Hannibal’s history or the feelings that Hannibal had for him. Through traversing Europe, Will was able to clear his head and understand Hannibal at last as well as learn to embrace the darker side of him that he has suppressed. He knows he can’t erase the past, but he wants to make up for his lack of understanding in the best way he knows how. He wants to prove that does understand through taking the time to and deconstructing the barriers that got in the way of that and his misconceptions about Hannibal.
We don’t see Will at peace often. He’s always tense. Constantly looking like he’s waiting for the other shoe to drop. However during that scene as they gaze at each other, Will has an ease about him. He can finally let his walls down and share a smile with the man he loves. There’s no pretenses between them. It’s yet another genuine moment they share. And although we know what comes next, Will was able to indulge. At least for a little while.
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highoncatfood · 3 months
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i still have to cut him out of that big sheet but yeah. i made him from the ground up in a lab *tears my face away revealing that i have actually been dr huesca all along*
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wht should i do with him im open to suggestions
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meowunmeow · 3 months
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Tozuka-sensei is so sick for making Fuuko's birthday 7th July... The unlucky girl born on supposedly God's favourite number on both date and month. 7/7, twice the luckiness.
Then there's the Tanabata on that date. The story of two long lost lovers separated in the galaxy, only able to meet once a year.
Long lost lover... As in her long lost lover. As in her Andy, her lover.
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quantumshade · 21 days
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do you ever think about how there is an insane amount of antisemitism in doctor who but no one ever talks about it. do you ever think about how goyim on this website make a habit of sexualizing and fetishizing these insanely antisemitic scenes. because i do. i think about it a lot but i feel like i can't talk about it because it makes the gentiles uncomfortable lol
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ormymarius · 3 months
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human Orm who was always in trouble with the law, my beloved
Aquaman #29 (1962) + The Brave and the Bold #82 (1955) + Aquaman (1986)
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sh4dz-kn8xx · 1 month
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Koschei, Theta and Ushas :P (HELPWHATISTHIS) (idk) (should I post this on youtube (?))
I guess this is my first post lol (I'm nervous about that)
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creampuffiemina · 8 months
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feeling a bit emo today
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SPOILERS UNDER THE CUT!!!!!!!!!!
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this looks like a cringe weirdcore edit but FUck it. i really love making this type of art sdhjbskjv
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vladdyissues · 2 months
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I have a theory that TUE AU is not AU. Phantom-Plasmius fusion damaged Danny really hard but didn't kill him. Vlad saved the boy whom is in coma since that moment. All next eps are Danny's comatose dream. So, episodes where he's about to lose his power is an attempt to wake up. Although Danny has chosen to dream his 'happily ever after' forever (Phantom Planet is the END), we can imagine that Danny woke up after all. I just want to know what words Vlad would say first to him. (I hope, it's not "Okay, Daniel, we both are going to psychology help")
The image of Vlad caring for a comatose Danny is giving me major Snow White vibes, anon, and I love it.
Picture a frantic Vlad scurrying around his lab immediately following the carnage, trying to get his systems back online so he can save Danny. He repurposes the cloning tanks—or tank; all the others were destroyed—to serve as life support. He gently hooks the comatose teen up to the respirator and inserts the intravenous nutrition tubes, then lowers him into the glowing green stasis gel with his own scratched, scabby hands.
Vlad hasn't showered or eaten or slept in days at this point. Preserving Danny's life is his first and only priority. (He feels so pitifully weak without his ghost half to give him strength. But he must go on, for Danny's sake.)
He watches Danny for a few moments to make sure the boy is breathing normally. The rhythmic expanding of his chest indicates he is. Vlad swings around to check the monitors' cracked screens. They dutifully mark each beat of Danny's pulse, blood pressure, brain activity, and other vitals. Sighing with relief, Vlad seals the hatch on the tank and slumps against the glass.
Now he can sleep.
Over time, the tank becomes a coffin holding all that's left of Vlad's hope. He treats it like an idol. He builds a dais around it, shrinelike, and tends it devotedly, polishing the glass until it gleams without smear or smudge. He lights candles around it, drapes it with cloth to make it look holy and sanctified, and spends long, silent hours on his knees in front of it, staring, praying. He makes living quarters in his lab so he can be near Danny 24 hours a day and leaves the rest of his castle aboveground to molder in ruin. He becomes paranoid. On the rare occasions he ventures into the outside world, he gathers flowers to place around the tank: offerings of life. He plays soft music for Danny, talks to him as he eats his meager meals, reads to him in the evenings. When it's time for bed, he touches the glass over Danny's sleeping face and whispers, "Good night, little badger," before crawling into a ratty army cot that is now his bed. He falls asleep gazing at the tank, waiting for a miracle, waiting for Danny's eyes to open. Waiting for him to come back.
And should he die before Danny wakes, he prays whatever is left of his soul will take up the watch.
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scopop08 · 1 year
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Not feeling good and can't organize my thoughts well so i might write something for this later cause I'm thinking about it so hard but.
Tango proudly showing Jimmy Decked Out, and Jimmy being in absolute awe of how incredible it is. Having a little "And you said you weren't a builder, huh" moment as Tango leads him through the catacombs, making Jimmy listen to all of the sound effects and showing him the redstone so proudly even though Jimmy has no idea what it is in the slightest. He's just happy to sit back and listen as his soulmate goes on about something he cares so much for, watching how a sharp smile breaks across Tango's face after showing each new thingamajig redstoneinator and how the dungeon master attempts to hide the way his cheeks flush every time Jimmy stands a little too close and leans over him to compliment his work.
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jellyfish-grave · 3 months
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Today's Rain Code sketches!!! Another OC i created today and a makoyuma kiss cuz the tag dearly lacks one
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