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scarletspider2the2ndpower · 1 year

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Ben Reilly: Scarlet Spider (Vol. 1/2017), #1.

Writer: Peter David; Penciler: Mark Bagley; Inker: John Dell; Colorist: Jason Keith; Letterer: Joe Caramagna

#Marvel #Marvel comics #Marvel 616 #Ben Reilly: Scarlet Spider #Scarlet Spider #Ben Reilly #Cover Gallery #*heavy sigh*#warning personal opinions inbound #anything following this is firmly imo and should absolutely be taken with a grain of salt hahaha #for years I’ve been seeing comments along the lines of #‘???? I’m pretty sure Clone Conspiracy and onward Ben is that Spidercide 2.0 Warren was hinting at during the Superior Spider-Man Team-Up’#and I can’t stop thinking about that alsdhjsk #I get the explanation for why Ben is acting the way he is during this series (he died MANY times in quick succession and that takes a toll)#but…I guess understanding a story/character decision isn’t the same as liking it #I get WHY they’re trying to convince the audience that Ben has gone full edgelord but it still #(again entirely imo) kind of out of character for me #I guess what really sticks out in my mind is a line from a single infinity comic which stuck with me from my Spidey read-through #that even if Peter was lobotomized (or completely devoid of his memories as was the case) he would still do the right thing #mind you they also tied that to Peter having a clear sense of self which has consistently been Ben’s achilles’ heel #but I guess it’s that age-old gray area surrounding exactly /how/ much alike Ben and Peter are #I always tended to lean towards the idea that Ben’s his own person but made of the same die-by-his-ideals #morally upright material #which is where I guess my opinion on Ben and this series’ opinion diverge since it insists that Ben is corruptible #(the infinity comic is Amazing Spider-Man: Who Am I? by the way)#ALSO I always wondered why I /adore/ Scarlet Spider vol. 2 but this series doesn’t quite sit well with me #despite both series supposedly being about Spidey clones who are not good people yet are nominally heroes #and I guess it comes down to Scarlet Spider vol. 2’s theme of redemption #Kaine is TRYING to do better despite his ingrained cynicism and he does become more heroic!#this series feels akin to a downward spiral with a downer ending if I remember correctly and it’s just…not fun to watch for a fave characte

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ofswordsandpens · 4 months

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I've enjoyed episode 3 the most so far, but I think the show is still struggling to find a good balance between taking itself seriously and the absurdist humor that RR writes with. My main takeaways:

The Fight Scenes (or Lack Thereof?)

It seems very peculiar to me that the show is just speed running through its battle scenes. Again, it feels very much like the product of Disney trying to sanitize anything that's too extreme?

The trio fleeing from the kindly ones in the book ended with Percy taking control of the bus and then crashing it. It explodes. They lose all of their stuff (money, food). In the show, they simply bail out the back window. No true panic. No tension. Just, okay :) we're leaving now :)

The Medusa Scene. I'll speak more to this later, but in terms of the fight we get to see... well we get to see nothing. Apparently this fight required us to view it through the lens of the invisibility cap (ie. not at all),

I understand this show is intended for a younger audience, but the books are as well. Even the movies, which are pg, came up with better ways to show things without necessarily showing things. As a result, it feels like anything that might induce the slightest bit of tension or fear are sanded down and its honestly doing such a disservice to the books and the audience.

Medusa

I actually really liked this portrayal of Medusa. The 1950s housewife vibe landed well for me. And I loved the actress's voice -- very soft and soothing but always sounding as if she were just about to cry.

Also, I really liked her dialogue. Her digs at Athena and Poseidon were perfectly tragic.

That being said, I really prefer the trio's arrival to the emporium in the book. In the books, they've been wandering the woods and are lost and exhausted and hungry because of the battle/bus crash where they've lost all of their stuff. It almost feels like the emporium popping up "out of nowhere" was more of it finding them.

Meanwhile in the show, Grover finds it through scent on a satyr path and they immediately know its Medusa, which imo takes out so much of the fun of it all??? In the books, they dont know. Grover's just like, freaking the ever living fuck out, and clearly Percy and Annabeth have let him take sole custody of the shared brain cell, cause they're more concerned about getting some food than anything else

Just... RIP dumbass shenanigans

And honestly, I'm not really sure what necessitated the change here in the show (of them not being tricked). It would have been one thing if they were going to change Medusa entirely to not wanting to harm them at all, but imo, I think its arguable/evident that show Medusa was looking for an excuse to petrify Annabeth and Grover (at minimum) regardless of anything.

Honestly, I would have had the show loosely play it out as: book arrival (they dont know its Medusa), keep the dumbass energy and banter, the trio figures out it Medusa while they're eating, Medusa is the more sympathetic version we see in the show, regardless it still ends with the battle.

Also, I do mourn the book battle. The panic and absurdity is just handled better imo. Annabeth shoving them off the bench, Grover flopping all over the place with the shoes but actively getting a good few hits in, Percy having to use to the reflection to behead her... the #TeamWork was emphasized a little more there to me.

Characterization

I think the show is absolutely nailing certain parts of the characters.

They've gotten Percy's anger and his derision towards the gods down. But, I think they're actually underscoring some of his, idk, sincerity? His kindness? It was the line "she met a pinecone's fate" that just rang off to me. While undoubtedly funny, it's just such a stark difference from his reaction to Thalia's story in the books, where he was unsettled by her fate and felt a sincere sympathy for her. The line in the show I assume is meant to criticize the gods, but still, it feels like it comes at the expense of the sensitivity that he has.

They've gotten Annabeth's bluntness, intelligence, pride, and superiority down cold. No question about it. But I feel like they just need to let her be more of a 12yo kid?

Like. In canon she and Percy banter and argue over the silliest of things. She plays hacky sack with Grover and Percy. She blushes and hyperventilates when Luke interacts with her. Episode 3 is like the first time we've gotten to see her do something remotely childish (buying all that candy) and I'm just dying for more of that!! She's not the "mom" of the group and she has her canon dumbass moments. I'm hoping more of this is captured moving forward. They've gotten a good start on the banter, but let Annabeth be more silly! Cause she is!

(Absolutely none of my personal qualms about the characterization are Walker or Leah's fault. They've done amazing. It's the writing/directing I'm side-eyeing).

OH! And I'm sorry but Percy being like "Annabeth we're going to bury medusa with your hat on" would have never ever flown with Annabeth. In no world.

But Grover eating them up at the end? Iconic. Good for him.

#pjo adaptation #pjo show crit #pjo

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yamujiburo · 7 months

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POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

#long post #ranking

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beatcroc · 2 months

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a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

#pizza tower #peppino spaghetti #fake peppino #gustavo and brick #the noise #noisette #pizzahead #arting #pizzaposting

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ganondoodle · 5 months

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seeing all the crazy stuff people build in totk kinda ... it feels like that is also a factor in why it turned out like this, like the insane things people did in botw and the (i keep saying devs when i actually mean the directors .. producers?) directors saw it and build totk just around letting people do it all 100 times more

to be clear, i think its impressive as hell what some people build (i just saw like .. a movie scene with a functioning mech gozilla and tanks made with totks building stuff ... what the fuck) and those things go pretty viral (understandibly so) but i also gotta question

as creative, free, and impressive as it is ... should that have been the focus in a zelda game? like .. is building mechas and tanks like that something that should be in a zelda game? can it be in there without inevitably sacrificing so much else? theres building games just for that? and if you want to make it zelda themed you can make it a spin off?

like i get it, people did crazy things in botw, they saw what people had fun with and dialed it up to a 1000 in totk, which in itself is not bad, even pretty good if you consider gamedevs and feeback and all that bc in general you should embrace what people had fun with in your game even if it wasnt the intent, given that nintendy listens to feedback (perhaps even a bit too much at times) and creative solutions was a central point to botw design philosophy but

i feel like totk kinda .. missed the balance?

if its really a reason why totk is build around enabling that in a purely player centered toy box kind of way without it actually mattering in the story .. or even themes ... was it worth it? not to sound like an oldschool boomer tm but in a franchise that iconic, lore and story focused, should you really abandon nigh all lore/story cohesion just to give the player a big box of toys in a world where i feel that doesnt ,, really belong? in a direct sequel in the same world with the same characters no less? that point is perhaps the biggest issue with it, bc again lots of games even if somwhat a sequel, had strange new tech or things in the world but in all of those cases it was some alternative universe, millenia after the other game, or on an entire different continent; while totk is supposedly just a few years after botw in the very same hyrule

(still doesnt explain the erasing of all shiekah things and replacing it with sonau- tho suddendly revealing the shiekah had actual rockets, wheels with suspension and grenade-launchers, might have been confusing too- you could have enabled the player creativity with shiekah too imo, and personally i would have found it way more fun ... lil guardian leg crawlies ..)

having thought about it feels rather logical why they did it in alot of ways, but also ... totk is build around it, while its also not build around it at all- its build around the PLAYER, not the world, not the story, not the theme, not the character, but YOU (especialyl those that dont realyl care about anythign story or lore stuff and just want to have fun with the gameplay loop, which isnt wrong, but i question whether thats the right kind if player to center in a zelda game .... also not saying all of those that build these crazy things are like that but- ... i hope you know what i mean)

(i know games are always build around the player, or should be, but .. do you get what i mean????? playing in a world that doesnt make sense anymore bc its all a box of toys yeeted into my face isnt fun to me, bc im here not only for gameplay fun but for the world .. theme .. characters, its something that has to be harmonical as a whole for me and totk just .. isnt)

i say it alot but i do really mean it, its very difficult to get my thoughts and feelings written out and to have them come across correctly

#ganondoodles talks #zelda #totk #ganondoodles rants #maybe i need to stop doing these rants #even about the little stuff #at this point it probably seems like im just finding another detail JUST to rant about it #its a struggle between being so .. SO frustrated with this game and trying to understand WHY it is like this #be assured tho my ranting days are pretty much over at this point #i have gone about pretty much all my points #tho i guess sometimes there will be more little things #...........or more interviews that get released....

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general-cyno · 5 months

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I watched film gold the other day and it's been making me think about luffy's relationship with food wrt zoro and how it's been presented in different OP media.

Aside from the importance the riceball incident holds for the animanga and OPLA, luffy's specific reaction to zoro's injuries after the mihawk duel in the latter is so good. although the LA won't touch luffy's full backstory for a while, it's obvious he loves food in both the usual goofy manner and as something he associates with kindness or a lack thereof. it's why zoro eating the riceballs and sanji feeding gin is important in both iterations of the story. and not only that, OPLA also directly links luffy's appetite to his mood/feelings - when kid!luffy gets sad about shanks's upcoming no-return departure, makino goes out of her way to point out something's really wrong after luffy says he's not hungry. as it is, OPLA used this character trait of luffy's again to highlight how affected he is by seeing zoro (who, at that point, luffy hadn't considered could lose) truly hurt for the first time.

From I'm not really hungry right now, Nami amidst his rising panic, refusing sanji's food, admitting he'd eat his arms and legs to save zoro's life (in the context of what happened to zeff and sanji) and my gut hasn't been so great lately, the message is clear: luffy is not only worried about zoro's wellbeing, he's also very, very upset and willing to go crazy lengths if it means saving zoro. plus, if you watch the LA knowing about sabo and ace, imo it emphasizes further why seeing zoro in such a state makes luffy feel/act the way he does and how much he cares for zoro to react like that to begin with. I love it. I also love that though he rejects the food for himself, luffy admits while rambling that he wants zoro to eat and asks sanji to prepare food he believes zoro would like, even if he quickly concludes letting him rest is probably the best option instead.

That last part brings me to thriller bark, in the manga. It's not food per se and it's portrayed less seriously, but he still tries to have zoro - unconscious and wounded after You Know What - drink an entire barrel of booze because luffy knows how much he loves it (as much as luffy loves meat) and believes it will make zoro wake up/feel better. comedic as it may be intended to be, it's also kinda sweet. luffy's shown more than a few times to recuperate ridiculously fast and in an equally ridiculous manner from injuries by eating meat, so this is luffy's own way to show how much he cares and that he wants zoro to be well again imo.

This also brings me to the start of thriller bark itself! luffy's offered to share his food before (with nami, for example), yet ig what stood out to me during this part is how he just... offers to share his lunch with zoro simply because luffy wants him to come along. luffy rarely makes that sort of offer for specifically mundane reasons, so. squints.

(the fact that zoro fell right for it is so. lmao.)

And as for film gold - albeit not canon as most of the OP movies are, it's still interesting. for once, it's zoro who ends up in need of rescue. after the whole ordeal with tesoro capturing zoro and pushing the straw hats to try and buy his freedom before the public execution, luffy seeks out food.

And when usopp remarks zoro is more important than that? luffy immediately agrees, but insists that's precisely why he needs to eat.

This is a fun contrast to OPLA luffy though I'd say not necessarily a contradicting one. whereas there's little OPLA luffy can do wrt zoro's injuries, film gold luffy can't afford not to eat because here he needs to be at peak strength to rescue him. I like that the movie showed luffy's frustration too,

and how far he'd go to save him: jumping into a duct that's filled with "vicious golden bats" no one's survived from and launching himself straight against a moving, giant sea prism stone ventilation fan (all related to rescue plan) that franky has to bodily drag him away from before he gets more seriously wounded.

(Quite a reminder luffy's pretty crazy about zoro too!)

All in all, food is a very important aspect of luffy's character whether it's for a comedic or serious effect. though it's made more relevant in the WCI arc, I still love how it's something you can see portrayed in his relationship with zoro throughout OP too, be it in the animanga, the LA or in movies as well.

#zolu #tp #long post #ish #sjdjd the way I was out of brain juice bc of work and the fact that I've been sick for over a week now #but the zolu brainworms once again prevailed #(it's 3am save me)#anyway daily I love zolu so much #forgot to say but the gif is mine btw #jay reads op

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galedekarios · 3 months

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your tags on my ea gale clip sum up really well something i've been thinking about for a while now! even on full release, it seems to me like a big part of the hate gale gets stems from people's insecurity; he kind of disrupts this power fantasy some people seem to desire where they have to be the most cool and capable person on the team. gale is more knowledgeable than the player about certain magic-related things, was very powerful before being tadpoled, has a close association with a goddess, etc. and he isn't exactly humble or shy about boasting about his magic skills. so then a lot of people instantly get defensive over their own character's capabilities and dislike him because of that. that's what i think, anyway.

i couldn't agree more, really!

it's strange to see just how much larian has toned down this aspect of gale from early access to full release to the point of changing his introduction scene entirely from being extremely capable and saving himself to being a damsel in distress (with the added bonus of adding in even more options to kill him than there were in early access, which is yet another can of worms entirely imo, esp considering that they removed a perfectly valid rp option for a certain companion on a certain beach).

i'm not saying i don't like the new introduction scene. i do! it's sweet, it's very cute, but it's also very, very different and i think we can make a fair assumption as to why it was changed.

it doesn't seem to have helped much tho because even now people have an issue with the fact that a wizard prodigy, graduate of blackstaff academy, mentee of elminster, archwizard of waterdeep and (ex) chosen of mystra knows more about magic and other related academic pursuits than they do/their player character does.

be it asking them if they're versed in magic, which is still clearly done to suss out if he found someone capable of dealing with the orb, or the amount of times i've seen people either peacock or complain about the cleansing of the ritual circle in balthazar's room.

again, it's just so weird to me, personally, considering gale makes it clear that dealing with such dark magic was his bread and butter as a chosen. it's natural he would see himself as most qualified to ensure it's safely rendered inert.

it's not bratty, it's not arrogant, it's not bullying, it's not talking down to you or your character.

it's simply a fact.

#ppl love to point and laugh at the fragile egos of gamer dudes but like #how is this any different #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #text: asks #text: personal #fandom critical

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avelera · 7 months

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Mostly buried this in the tags of my next OFMD meta reblog down from this post but…. I don’t think Ed is going to apologize for his Kraken era and I don’t think the narrative is going to demand that he does.

I saw a couple posts expressing eagerness for Ed’s inevitable “apology tour” after he wakes up and I just fundamentally don’t think that’s going to happen. I could easily be wrong. But at most I think we might get a few mumbled, shamefaced apologies. If you expect him to grovel before Lucius and the crew, imo, that’s just not going to happen and here’s why:

- the narrative morality of OFMD has NEVER been encouraging its characters to become “good” people. The story is about finding love and acceptance during a midlife crisis. It’s about following your bliss. The highest moral demand it makes of its characters is to be true to themselves, not to become Good People. It’s a pirate comedy. It doesn’t care about murder. It cares about being true to yourself and your desire to be a pirate. Everything goes well when people follow their bliss. It falls apart when narrative defining main characters like Stede or Ed do what they think they should do instead of what makes them happy.

- Emotional pain has always been more important, more impactful, than physical pain in the show. Ed’s bad behavior (to put it lightly) was an expression of his emotional pain. Simply put, the narrative isn’t going to ask him to apologize for his emotional pain.

- Stede, the main driver of the narrative, DOES apologize because his actions led to Ed’s emotional pain (in his mind) and again, narrative pain is weighted more than physical pain in this show. Also, life is cheap, if you’re not a main character. This is still a pirate story. Murder is not treated as a sin.

- Ed is proud. Taika is proud. Both rightfully so one would argue, they’ve accomplished a great deal. Ed’s got a bit of Taika in that, actually more than a bit. It’s clear Taika puts a lot of himself into Ed. My gut tells me that Ed/Taika is just not going to grovel an apology. That’s just not his style. Mumbled self-conscious apologies because he feels he should is one thing. But deep sincere apology tours? Not gonna happen. He won’t abase himself like that (Ed OR Taika)

- The person he arguably hurt most directly, Izzy, hurt Ed IMMENSELY at the end of S1. Arguably more than Lucius, the majority of whose pain came from what happened after he was pushed overboard. But Izzy Ed personally tortured, and he did it because Izzy threatened to murder Ed if Ed didn’t climb back into the suffocating closet of Izzy’s expectations for him. Ed is not going to apologize to Izzy. Izzy got exactly what he deserved in physical pain after the emotional pain he dealt Ed, narratively speaking.

- I’m not talking real world morals, to be clear. Or even what the various Izzy or Ed fans THINK the other deserves, where the fans think the fault truly lies and who owes what to whom.

- What I’m saying is, in the OFMD world where emotional pain matters more than physical maiming, the narrative isn’t going to ASK Ed to apologize to Izzy for maiming him after what Izzy did at the end of S1 and Izzy getting his comeuppance for it. And that’s because they hurt each other equally, emotionally. They’re even now. Izzy lashed out and emotionally destroyed Ed during a vulnerable moment. Ed took his leg. They’re done. The way forward is for them to separate and get their toxicity out of each others life or find a new way forward with new understanding of each other as they become entirely new people after their respective ordeals. But as far as the pain they’ve dealt each other, there’s no debt. They’ve both hurt each other beyond the point of apology being anything but a false display.

Again, I could be totally wrong. Joke’s on me if ep. 4 opens with Ed on his knees crying and apologizing to everyone he hurt. But I just cannot picture that happening. And I don’t think OFMD is the kind of story that will demand it.

#ofmd #ofmd spoilers #ofmd meta #our flag means death #Ed teach

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lesbian-kyoru · 7 months

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skip and loafer chapter 55 thoughts

this chapter was so poignant but one aspect that stood out to me was all it told us about mika & mukai's dynamic so far!

mukai followed along on a whim & subsequently ended up witnessing a lot of vulnerability on mika's end, someone who he still doesn't have a good grasp on yet—after seeing her worst + being surprised by her capacity for kindness, his perception of her is continually being challenged & muddled. we've seen already how mukai is a very logical, cut & dry person in his thinking, so imo mika's Layers are both confusing & intriguing to him.

at the same time i thought it was interesting how mukai realizes that mika ALSO doesn't have a clear perception of him—though their scenes always feel very Intentional, they actually have not interacted a ton within the context of the friend group, esp given their rocky start.

so from there, we get this juxtaposition within mika & mukai's relationship where they are v unsure of each other and yet there's an odd sense of trust there. it's definitely not an ACTIVE trust, but something more peripheral; mika doesn't mind mukai being there while she talks to nao because, in her mind, mukai already knows abt this insecurity so she isn't revealing anything new to him. after opening up to nao, she apologizes to mukai for getting him caught up in her venting; despite this, it really struck me how this felt like such growth for her to simply move on rather than carrying the feeling around shamefully. it's like a weight lifts off mika's shoulders & it's cathartic for this to happen in front of mukai, who was the accidental catalyst for her confession to shima. mukai, in contrast, seems more unsure than ever.

he's puzzled to realize that mika's confession to shima wasn't fueled by a desire for reciprocation but rather the courage it took her to express her feelings openly, instead of always attempting to hide behind a facade & never experience the vulnerability in risking rejection. we know that mukai's experience of romantic confessions is almost entirely filtered through shima, since he's never been confessed to himself—and it's interesting how mika's confession to shima directly flies in the face of how negatively shima feels about being confessed to.

for shima, girls confessing to him has always been a sign of what's expected of him, people wanting something specific FROM him rather than liking him as a person—now that mukai knows how drained that makes shima feel, it's interesting that he learns mika's reasons for confessing & how they're entirely different, motivated by a desire to be brave rather than expecting something of the other person. nevertheless, this leaves mukai with a lot of conflicting thoughts in his head about how a confession should make you feel. again, he's very logical, so the ambiguity is confusing to him! (and all of us honestly)

but then, back at the house, we see mika through mukai's point of view—she shoots him a look!—at which point he decides that he couldn't think of being confessed to as "not that great." i'm just gonna let that sit there :)

so with that!! i loooooved all this chapter gave us to work with in the development of these characters, esp mika & mukai's dynamic!!!! with a character like mukai who spends so much time as an observer, it's so fun to see him start to actually reflect on his own point of view within the story, like he feels himself going from being the background character in everyone's lives to really developing his own outlook—and it's all thanks to girl of all time mika egashira who inspires EVERYONE to think nine million thoughts trying to understand her.

#skip and loafer #sukirofa #mika egashira #mukai tsukasa #mikamukai #tagging for before they get famous #this chapter had such powerful moments w nao chan and mika so ofc i was a mess reading that and then mukai thoughts were my most coherent #my meta #skip and loafer meta #zoe.txt

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lakesouperior · 6 months

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🐻🐤🐰🦊 just some thoughts on the fnaf movie

🐻the attention to detail that was put into it, with all it’s little details and easter eggs. the posters in the background, (and i haven’t seen anyone bring this up), the guy who got face-mauled by the cupcake wearing a midnight motorist t-shirt. the spring lock scene. the fact that scariest of all the jumpscares (of which there weren’t a lot but it’s kind of for the younger demographic ig they can’t make it too bad) was freaking balloon boy. the highest kill count going to MVP Carl the Cupcake. this is what i mean when i say movies from established franchises should be made by fans, for fans.

AND THE MATPAT CAMEO. HIS ACTING ISNT EVEN BAD AND EVEN IF IT WAS I EOULD STILL LOEV ITTT DVDNFB

🐤 you can tell they put a lot of thought into the child actors. abby is phenomenal. the five missing children? properly creepy and sad looking.

🐰 characters were all really well written and entertaining. the karen aunt, for all that she is an antagonist and very much hateable, still manages to be funny. even background characters are hilarious, like Doug for example, and don’t even get me started on the friggin matpat cameo i nearly screamed in the movie theater.

🦊 vanessa and mike are naturally each other’s narrative foils (and stand-ins for respectively Michael Afton/Elizabeth Afton (MichaElizabeth if you will) and Charlotte Emily imo), and them saying the same line, the “that’s two jobs”, mike at the beginning, and vanessa at the end, TO THE SAME CHARACTER?? TO THE BIG FUCKIN BAD HIMSELF??? WHO THEY BOTH HAVE DEEP HISTORY WITH???? literally this is good writing. i’m not saying the movie is perfect because it isn’t, but this is good writing.

🐻 and vanessa, as much as she kind of is, doesn’t feel like a coward because her worst fear does come true. her own father, the person who she thought the world of, tries to kill her as soon as she steps out of line. her fear wasn’t unjustified. she spent her entire life under his control — has literally never known anything else, and to still rebel after so long must’ve been the hardest, most terrifying thing in the world but she still did it because she’d grown to care for mike and abby.

and this is what i mean when i quote that one post: “strong female characters ≠ characters who are female and punch good, but strong female characters = well-written female characters” like yeah, vanessa’s an antagonist, or an anti-hero i suppose, but she’s still, once again, likeable and mysterious and funny. and the “bring her here again and i’ll fucking shoot you”?? that was probably her first act of true rebellion, aside from telling mike more than she should’ve about the pizzeria.

🐤 mikes arc is a very obvious “let go of the past and learn to cherish the present” which isn’t exactly revolutionary, but i think it’s done quite well though it could be improved a bit. and as much as you think he is an absolute cabbage head for telling them they could have abby for even a second, but you still, once again, get it.

our man’s running on like two hours of sleep and also meds, finally getting to see his baby brother up-close and even touch his face for the first time in probably more than a decade of blaming himself, and then getting told he could go back and see his parents again, the grief over who he probably hasn’t been able to process since he had to take care of abby when they died (possibly even took his own life in the father’s case if he’s supposed to be a henry stand-in like i think and doesn’t that just make it fifty times worse)

and it’s set up that he wants that perfect family back, the kind that he had during his childhood, that abby never got to experience.

and maybe he feels guilty for that. maybe he thinks, in his sleep-deprived and grief-ridden mind, for only a moment, that she would be better off, since she seems to like the animatronics and their ghost children better than him and he still feels like he doesn’t know how to raise a kid.

🐰 speaking of abby, for once Child Character in the horror movie isn’t just there to do some stupid shit for Plot Reasons (cough, The Curse of La Llorona, cough cough). i mean yes, she does go with them at the climax, but she has been given no reason not to trust them and considering the fact that they are other children, it would honestly be more suspicious if she didn’t trust them (also we’ve been shown she doesn’t really have friends before the end, so they’re also her first and only friends, no wonder she’s clinging to them) plus she’s been left alone with the aunt she does not like, possibly still believing mike is abandoning her. you get it.

she’s also very entertaining in her sassiness. like “are you here to arrest my brother?” or “yeah, love you too bro, kinda don’t wanna die tho, can we leave?” literally i can’t stand kids in general, but especially so in in horror movies, but i would give my life for abby.

🦊and the drawing thing? it’s beautiful and sad and really hammers home the fact that these monsters, however scary they have been made by their brutal and cruel deaths, they were, and are, just children who didn’t deserve to die and communicate the same way children like abby do. it also makes abby herself relevant to the plot and actually useful.

🐻and about abby; i have my own Theory there. we know she wasn’t in the picture during Garrett’s disappearance, which means she’s at least twelve years younger than mike. it’s actually quite common for couples who are going through a rough patch to have kids to try to fix it, which i think is what happened here, made even more possible if they also had her as a sort of replacement for Garrett. this, as i said earlier, makes mike’s indecision all the more understandable — if abby doesn’t just look a lot like Garrett, but was actually supposed to be him and would’ve never existed if not for the tragedy.

but that’s Just A Theory. 🐻🐤🐰🦊

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ravenalla · 1 year

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Okay I swear this will be my last rant post before the next episode airs but I have to get it off my chest cause I keep seeing the argument made that people disappointed Din gave the darksaber away are forgetting the lack of plot in the previous seasons, which I very heavily disagree.

I can’t speak for everyone, but at least for me when I’m saying I’m disappointed Din did not become Manda’lor I am not saying I hated the adventure of the week side quest format they had. That’s what I liked best about the show! It was great in season 1 feeling like Din was just the random guy off on his own adventure with this baby he found, I would have loved for it to have kept that small space western feel. Season 3 becoming this big interconnected universe with a corrupted New Republic plot connecting to the sequels is what I was most worried about just because I personally don’t like that direction. The more they’ve tried to go the Andor route and make this show about the Galatic politics, the worst it’s become imo (we literally have two white dudes writing a plot point about droids liking being underclass and serving the soft democratic people that is ruled with the help of a former Nazi, but ohh it’s okay it’s Jack Black and he’s funny and the Space Nazi and the Space Nazi doctor are really sorry for what they did, look the New Republic is just as bad as the fascist imperials 🥺🥺)

What some people are not getting is that the darksaber is ALL. DIN. HAD. LEFT. There was no driving force or goal for him after episode 2, they reunited him with his child in a spin-off show, they have him redeem himself fairly easily without any emotional impact, and now they took away the opportunity to do one last interesting thing with him. Din does not have his own actions or thoughts throughout most of the season, and when he does it’s just retracing the character development they already gave him in previous seasons (i.e. the whole droid fiasco). He’s a plot device, meant to further Bo-Katan’s character and help her with her goals or have him in danger so she can save him. It was okay if Din did not become Manda’lor, but they can’t just make him having the darksaber out to be a huge deal, show him trying to learn how to train with it, and give it up so stupidly through a loophole just so Bo-Katan can lead again when she has done nothing to actually earn it or apologize for the way she disrespected Din’s entire culture again and again. She was a terrorist who has done a 180 into suddenly being an honorable character just because of a few action scenes, no introspection or interesting conflict between her and the covert about their differences, nothing about her actually thinking about her past mistakes, just the covert being there to look like dumbasses who settled on a dangerous planet where their children get eaten so Bo can lead missions, look a million times more competent in comparison, and suddenly be the one who deserves to lead.

There doesn’t have to be a big plot each episode, but it’s not being executed well like it was in the first two seasons. The goal was getting Grogu to a Jedi, and we were given the interesting side adventures on that journey. Din needs to find somewhere he can lay low, he goes to Sorgan and becomes tempted by a domestic life. Din needs credits, he takes a job with some old acquaintances and sees what kind of slimy person he could have been. Din needs to find other mandos to help him find a Jedi, he runs into a small town desperate for help with a Krayt Dragon and showcases his pride in being a Mandalorian but his respect for other cultures and his willingness to do the right thing. He travels to a planet ruled by an former Imperialist because the Jedi he was searching for was there and helps her to save a town both for their sake and his need to give his son the best life he can have. See the pattern? They were side adventures, but they weren’t a random hodgepodge of ideas, they fit the story and the tone, giving us interesting side characters and helping to develop our main characters. Din showed his leadership, his growing kindness, his frustrations, his annoyances, his fears, Grogu becomes more adventurous, vocal, and attached to who he’s starting to see as a father figure. They both aren’t talkative characters, but they had feelings and personalities we saw. They had moments between them that wasn’t just exposition for the plot or a push towards an action scene, it showed their lives and values, their relationships. Little moments like Din being happy to hear Grogu’s name, Cobb sharing his story and why he valued the armor, Omera talking with Din about his life and wondering if he could stay, Frog Lady wanting to get her eggs safely to her husband and Din comedically trying to make that happen. The story was driven by these characters decisions and their personalities.

Season 3, on the other hand, has taken away all the life of these side adventures in its goal to tie in a larger Star Wars narrative that connects to other shows. They are not character driven anymore, and instead the characters are being twisted and molded to do and say stuff that’ll get us from point A to point B instead of the other way around. The point of Din breaking his creed is not to see what that would mean for his identity or how he wants to live with Grogu by his side, the point is to take him to Mandalore so that he can ultimately get trapped and fall down a hole so Bo-Katan can see the Mythosaur. The point of Bo-Katan’s crew leaving her and her staying in a random castle for no reason doing nothing all day isn’t for her to recognize her past failings or show us what their relationship was like and what it meant to her, it’s to have an easy offscreen explanation so that she can come to the covert without anything challenging in the way. The point of Din’s coverts staying on a monster-infested planet where Paz’s son is kidnapped isn’t because it makes sense they’d be there or that Paz suddenly even has a son we’ve never seen before, it’s so they can put in CGI monsters they thought were cool and have Bo save the day so they can have a flimsy reason she does need to be leader again. The point of spending time with the covert and having random pirates attacking Nevarro wasn’t to develop the other mandalorians as actual characters, it was to have them accept Bo easily so that she can “walk both worlds” and give Carl Weather’s character more screentime. And so much more.

Things are happening, but it doesn’t matter whether they make sense or fit the characters anymore, because all the side quest are focused on is bending over backwards trying to make you believe this Bo deserves the darksaber narrative. Before that it wasn’t like the Covert was planning to take back Mandalore, Din wasn’t planning to take back Mandalore, Bo didn’t tell anybody what she saw so there was no real stakes for anybody. Nobody in the main plot has had any purpose as more than side characters besides her. Din may have been the main character, but the people he met on his journey didn’t just do stuff to contribute to his own character or finding a Jedi. Omera had her own goals, Cobb had his own goals, Fennec had her own goals, Boba had his own goals, and they all still worked well with the narrative without diminishing each other, Din developed on the way by learning from the other characters and them him. What the fuck does Din want this season? Paz? The Armorer? The answer is whatever will make it easiest for the plot to retake Mandalore and have Bo be the Manda’lor for these writers, despite it being shown previously they have no reason to care or like Bo-Katan.

Like, some character moments are there. Bo is changing. I’m not saying that’s not happening at all. But it’s being done in a way that is sabotaging every other aspect of the show to force this plot that they wanted, the sidequest are feeling duller because they aren’t for these characters to have fun adventures we get emotionally invested in that simultaneously furthers the actual main characters goal, it’s let’s just have a CGI dragon, let’s have Lizzo and Jack Black guest star, let’s have Zeb from Rebels be in there for no reason. Unless again you count Bo as the main character, but like honestly she’s not even having natural character development. She went from being an antagonistic ex-terrorist to suddenly being kind and charitable with hardly any buildup or insight into her feelings. It doesn’t feel organic. I know she lost everything, but they still made it seem like she blamed Din for it only to have her rescue him once and completely abandon that hostility. The best we really have gotten is Grogu remembering his past while with the armorer and setting up his future as a Mandalorian, but even that feels cheapened when the armor he was given isn’t even talked about with the person who he shares the symbol with him that signifies their relationship, making me think it’s just another merchandise decision.

We wanted Din to learn to rule because, even if we did have to say goodbye to the adventure of the week type format, it would have been in service of his character evolving into something he doesn’t think he deserves or is good at. It would have been the next step in his journey, accumulating everything he has learned, the growth he went through using both diplomacy and his skills as a fighter time and time again. Instead, they chose to really quickly ditch any of the conflicts he had so they could have him free to do this instead. If they had waited one more season, this could have possibly been done well imo. Din’s arcs could have been brought to a meaningful and satisfying conclusion, and then you could have made him and Bo-Katan become co-leads. It wouldn’t have mattered as much then if they decided to focus a little more on her. But instead they essentially abandoned Din’s story they’ve spent two seasons creating to go ahead and tell her own.

The side quest aren’t what people are complaining about. It’s that they have no meaning for our characters other than having everybody circling around Bo most of the time or creating some big connection to the sequel triology and setting up the Star Wats MCU, which wasn’t the style of writing this show did. I don’t care how many ways people want to argue against it, Din is not the main character in this season, which is not what they have been selling us all year, and he doesn’t even have any engaging story or arc as a side character either. That is the problem, and that is why these side quest and the lack of an actual plot do not work.

#the mandalorian #the mandalorian spoilers #the mandalorian season 3 #mando critical #rant #din djarin #bo katan kryze #grogu #hope this made sense

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leviathanofdeath · 10 months

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rotb spoilers i talk abt Noah in depth bc im autistic and its 1 am

(this is also strictly talking abt the movies)

idk bout yall, but i really like Noah and his character and the way he interacts with everything thrown at him., I really like how (because of Mirage's chill personality) he wasn't completely overwhelmed by the existence of robot aliens. sure he was freaking the hell out abt the car driving by itself but yknow he caught on pretty quickly. and this is also due to the fact that he wanted to save earth as well. and specifically he wanted to help his brother. can we talk abt the fact that he was so willing to go against his morals just to scrounge up some sort of cash to help his family. as soon as he got into Mirage he was like "I don't wanna do this" and he was trying to get out the car. I also really like the relationship Noah had with his little brother. trying to be that light in his life and give hope. doing everything just to help his little brother not be in so much pain. it was just a nice touch to show us how truly compassionate and caring Noah is and you could really feel that through the performance, imo. you can tell they've both been struggling for quite some time. you feel sorry for when Noah gets immediately rejected by that security officer, and he's completely honest and trying to explain how he deserves a second chance (and he does) and he's probably repeated those reasons a thousand times in the past. he almost completely doubts himself until his brother reiterates that they're always gonna be there together and theybcan do it. and even though it sounds unrealistic, me and my sister have said the same thing to each other so it feels all the more powerful to me. it's a completely different approach to a character in the movie series and I cannot appreciate it enough.

and can I just say, sorry to the sam likers out there, I like how Noah doesn't just immediately insult Mirage trying to save him or befriend him. they actually have a strong ass bond almost right off the bat. sam was always yelling at bee everytime bee came in to save his ass (I hated this bc bee can do no wrong ok) but when Mirage was fighting scourge all by himself JUST to buy time for Noah, literslly risking his life for Noah. literslly becoming a suit of armor for him. Noah was nearly in tears, watching mirage's optics fade becsuse they've already become so close. Noah and Mirage have the silliest banter because they just get along so well. I know it's kind of stupid to compare the two (sam/bee and noah/mirage) but my point is simply: they connect so well together and I really fucking appreciate that. we've seen it with Charlie and Bee where they genuinely care for each other and now we see it again with Noah and Mirage. its just so nice to see the two get along swimmingly. even after they save the world, Mirage meets Noah's brother and everything and Noah begins to fix Mirage up as well. showing that they've become closer after the entire incident.

and Mirage. I just gotta say he is seriously the star of the show. Pete Davidson did an amazing job with him. and Mirage's personality fits with Noah so incredibly well. They've got the same type of style, use the same slang, stuff like that, and they compliment each other. Mirage is so genuinely interested and curious about Noah that he comes off as extremely friendly, defensive, and playful. He doesn't hesitate to risk his life for Noah and he gives Noah a little gauntlet to at least keep himself safe when they're apart. he even tells Noah off the bat that he can turn into any car and be sold so Noah can have money for his family. Maybe its the fact that Mirage has been cooped up and told to stay hidden for so long that he can't help but appreciate the first person to "reawaken" him, but regardless their relationship is just extremely refreshing and nice. The way they can bounce off each other is awesome. God i love them so much honestly I can't think of a better duo than these two theyre just perfect for each other whether its platonic or more

#transformers #transformers mirage #noah diaz #mirage #mirage x noah #tf rotb #rise of the beasts #transformers rise of the beasts

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palehottubchild · 2 months

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i know we all joke about the best ace rep and our favourite character being an eshay (and tbf im european that word means nothing to me) but imo thats one of my favourite things about his characterisation: the fact that he is not something an allo audience would mecessarily expect or imagine to be ace.

small disclaimer, im happy with any ace rep we get in the first place and if you do like what im about to describe more power to you, this is just my personal opinion.

That being said, i love that cash is kind of an 'unconventional' ace character, for lack of a better word. all too often ace characters fall into one of two stereotypes, either the heartless cold robot that is already kind of weird or other in itself and does not care about your or anyone elses feelings (this also includes nd coded characters), or the innocent sweetheart who is so pure and cute and has (most likely) one singular character trait (somehow almost always books). again, there is nothing inherently wrong with this since these people exist in real life, but they do push yhe aspec community further into the little boxes that allos have already put us in.

Now what i love so much about cash is that he is one of the most clearly genuinely kind people in the show. Despite him being surrounded by bad company, he is constantly shown to be gentle and sweet with his grandma and is obviously uncomfortable with the whole harper situation the entire time (not saying he handled this perfectly but thats not what this post is about). He is shown to clearly care about people deeply and he is not afraid to show this, except for when he is in bad company.

However, him having and showing emotions does not push him into the pure innocent cinnamon roll part either. He goes out to parties, does engage in enough sexual activities to end up the map, openly flirts with darren and is totally rocking his mardi gras outfit (including thong on head) without hesitating once. He is also stereotypically a 'tough guy', which is also not a type of guy too often represented as any sort of queer in popular media afaik. all in all the way cash is portrayed as an eshay to me makes him being aspec so much more valuable to me and while i understand the eshay posts are mostly jokes i did want to talk about it

#heartbreak high #jeez im rambling #sorry guys #i couldve gone on for ages about this but i feel like this is already too much #but also the portrayal of his queerness and his arc being ace and personal growth centered rather than yet another 'tough boy turns gay'#it would be hard to get me to shut up but i will spare you for now #anyways i love cash and darren with my whole heart and i have so many thoughts about them #ca$h piggott #darren rivers #asexual #ace

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barbatusart · 9 days

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adding on to the initial evil wyll post here, messy thinking outloud below the cut lol

one thing i really like doing with characters that feel underwritten is taking that nebulous quality at face value & as deliberate authorial choice. i also feel that in this light, it was no accident that wyll went from boisterous & egotistical to a more gentle & humble demeanor yet still retained the entire warlock pact backstory (which again if a character is in a warlock pact at all that says something about them imo)

mixing this all together for myself - the humble & charming persona, the “blade of frontiers” spoken of like he’s talking about someone who isn’t himself, the scorned boy striving to become the hero arguably to try & fill that psychic wound hole his father’s rejection left in him - im left with a portrait of a man with a nature steeped in a strange breed of the duplicitous. the nature of his pact with mizora demands secrecy to begin with (the reason for his banishment in the first place when he physically couldn’t speak a word of it to his father to explain) but i feel this motif goes a few steps further - on a surface level one could argue that he feels he needs to (for lack of a better word) “trick” those around him into believing he is heroic, he is chivalrous, he is kind, he is gracious, because he cannot attribute those qualities to his own self. which is wild because wyll IS heroic, chivalrous, kind, gracious, & all of these good qualities, he’s inarguably a very gentle & sweet man. i think that’s part of what “duplicitous” means here, but i feel the real core of it is something way harder to get his hands around than a lack of self esteem

to me, any time i run into a character that feels underwritten or nebulous it becomes an opportunity to consider them as a character who is ignorant of their own motivations. with the prior paragraph of needing to fill that void with other’s approvals to try & manufacture self worth, i think that’s what he’s doing & simultaneously is 100% unaware that he’s doing it on any conscious level. but take all that a step further into an evil wyll playthrough, the void of self worth is still present & he still is unaware he is trying to fill that hole, but leaning harder into his pact it becomes not only trying to fill that void with approval (to become the blade of frontiers) but with power. if he’s aware of trying to glean self worth from others’ love, it’s only on a subconscious level & therefore completely obscuring the real darkness of an evil run of that self worth manifesting as power - denied from his exile, arguably hunted for in his making a pact at all. a simultaneous “people will adore me” and “the people Will adore me.” acknowledging that At All however would completely fly in the face of the cover of wanting approval for approval’s sake, & in the same way he can’t bear to speak of himself as the blade i feel he certainly couldn’t bear to speak of himself as any kind of egomaniac, or anything Genuinely negative that would make him have to look at himself

and ultimately that’s what’s really interesting to me about my character interpretation of what we have of wyll, this subconscious damnation of the self for what amounts to extremely normal human things to want. everybody wants to be loved, everybody wants security. it’s not bad to do good deeds because they make you feel good, it’s not bad to enjoy praise & a pat on the back for a job well done. designwise if the eyes are the window to the soul & one has been clawed out and replaced with stone - outside of other people no longer being able to “see” the full picture of the bearer (lacking that window), what would a stone make of that self. i think if a stone could speak or think, it would be very black and white, rigid, and demanding of itself to be cold calculating perfect stone.

sloppy as always but still, much to think about

#wyll ravengard #baldur’s gate 3

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in-flvx · 5 months

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I still find it interesting how so much of the perception of Sirius as a character is swayed by his haughty expression.

Most metas (this is not a dog against those btw, I love Sirius metas, just want to add my own) etc I've seen go with this, his ultra love for james, and his derision towards Peter as the most prominent shows of his character, and infer meaning into every other relationship he has from that point out.

And I think these are outliers.

He looks haughty? Some people are born with resting bitch face, what of it?

And I'll discard any mention of James and Harry right now, bc these are outliers of the greatest magnitude, and looking at every relationship Sirius as extensions of his love for james imo just cheapens his bond to him.

His derision towards Peter is very reasonable, and also the most obvious outlier, and I don't think I need to explain it further. Instead I'll add snape and mundungus fletcher into the mix here, and go on to talk about the often-talked-about usage of certain descriptors within the black family towards people they don't like. As others have pointed out before me, the preferred way to insult people within this family is to insinuate uncleanliness. Walburgas portrait, kreacher and I think also Phineas nigellus use these kinds of insults on a pretty regular basis - many of which go against Sirius as well. And Sirius has adopted these insults, and uses them when he really wants to cut deep. He has many people to be angry with, is surrounded by a whole lot of poor people (for example the entire weasley clan, Remus, and mundungus fletcher), and we even see him in battle.

But he notably uses these cleanliness based insults on two specific people: Peter, and snape. What do these two men have in common? For one, obviously, they all went to hogwarts at the same time. For another, Sirius has, or had had obvious respect for both. Peter as one of his closest friends, as a person he confided in and cared for, and who he then expected to care for him in return (and we know how that turned out). And snape as a rival. As much as Sirius likes to insult snape to his face, he also never misses an opportunity to praise his intellect. Similarly to the way he praises and goads bella in his last duel.

Meanwhile, again, he purposefully surrounds himself with people, who the malfoys regularly call dirty ( the weasleys, hagrid, Remus, hermione), and is also on notably good terms with mundungus fletcher, who everyone from the order likes to call these things too. All of which Harry has described in several shades of dirt as well, tbh. And I'm saying this not in a 'oh wow, the rich boy lowers himself to the commoners' kind of way, bc to me he never gives anything close to this impression. The weasleys come closer to this kind of mindset toward any kind of marginalized person lbr.

What we do see, though, is sirius being incredibly forthcoming and caring towards literally everyone.

He has discussions with hermione about elf rights and their projections of the coming year. He obviously cares about Ron's well-being, long after he mauled him. He jokes around with the twins, and helps them with their inventions. He forgives Remus for thinking Sirius was the spy. He makes a considerable effort to be friendly with Molly after their fight. He adheres to dumbledores bs orders. (I think he told ginny about the repellant charm on the doors but don't quote me on that.) He had the most emotionally honest relationship with lily we see in the text. He cared so much about Peter that lily notified him of his emotional state as something Sirius should see to. He organizes the best Christmas he can manage to keep everyone's mind off of their worry for Arthur. He came close enough to kingsley for inside jokes to develop - jokes urgent enough to be passed to him as quickly as possible.

In my eyes Sirius Black is singular in the way he develops relationships, and in the way he cares for everyone he surrounds himself with.

Even with those he hates.

#sirius black

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allgremlinart · 5 months

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hai good friend,, tell me about mai. I don’t think I’ve ever heard of her before… look what we are doing to our beautiful queens 😔

YIPEE I love when me going insane about a character for a day makes you curious about them... especially cus atp I can kind of predict what is going to pique ur interest

ok ok: so, Mai. She's 1/3 of Azula's Evil Girl Group, colloquially known as Ozai's Angels, and thats the context you see her in for most of the show which is why it's important to know. You know how all cartoons in the 2000s HAD to have ONE morose goth chic? Well she is atla's quota. She's a noble, she's an only child (THEE only child. The first only child they made at the only child factory <33), she fights with 🔪KNIVES 🔪!!! she's Zuko's canonical comphet love interest and she has a very understated but underrated arc..

Her role/arc in the show:

I mentioned Ozai's Angels because her interactions with Azula and Ty Lee are the real meat and potatoes of her character. They're like... baby's first toxic yuri love triangle <3333 REALLY can't overstate how toxic yuri love triangle they are. Mai and Ty Lee end up betraying Azula in season 3 which is both the climax (imo) of Mai's arc and the inciting action for Azula's descent (but we're not getting into Azula never ask me to get into Azula please). A lot of people reduce Mai going turncoat to JUST being about saving Zuko - and like partially it IS. She saves Zuko from dying because she loves/cares about him and that's a big part of it.

But it's ALSO about her finding her voice ?? Like throughout the show we NEVER see her voice opinions about something unless it's to say that she's bored, or jaded, or what have you. She never seems to have strong feelings about anything; her stated reasoning for joining Azula's Imperialism Girl Band is because she's bored living with her parents 💀 but it's like. It becomes clear to the audience later in the show that she was raised to never speak unless spoken to, to mask emotions, etc etc LIEKKK SHE'S SOOO REPRESSED ONLY CHILD SHE'S SO WOMAN TM... So her telling Azula "I love Zuko more than I fear you" was THEE cuntiest moment EVER because it's like oh shit ?? this is something pretty unexpected from this character ?? Waow so crazy so cunt ??

A lot of people point out that she and Ty Lee never really got a "ohhhh Imperialism is bad" arc like Zuko did but. imo there wasn't a whole lot of room in the show for it lol. Would have been something interesting to explore in the comics for sure !! but uhmmm I'd rather walk into the ocean than watch Gene Luen Yang try and write about imperialism and colonialism again so maybe its better we never got that.. (no offense to him he's just... not that great at doing it in the atla comics...not his strength..)

Her reception in fandom:

She's usually only ever talked about in the context of being Zuko's love interest (either positively OR negatively) hence my post that you saw. Like. Victim Numero Uno of zutara/kataang shipping wars cus at least a bunch of people LIKE Aang whereas people either ignore or actively dislike her.

There's often discourse about like. Who's the "toxic" one in the Mai/Zuko pairing and it's annoying when she gets flak for it cus like newsflash: they both are. My GOD they both are. They've canonically broken up twice. They're the emo boy/goth girl pairing. They're cute together. They're miserable together. They're both homosexual. You get it.

Also a lot of times people just call her boring or emotionless and it's like congrats !! you have fallen for her facade... in conclusion... sorry this is so long uhm.. your fault for asking me though... how long is it going to take until I've just told you the entire plot of this cartoon piecemeal ask by ask...

#mai atla #allgremlinasks #north tag #every time I get one of these I'm like 'UGH idk 🙄 idk how to say this UGH. anyway here's my essay on-'#its so embarrassing hope you know that.

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