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Rheneas and the roller-coaster? (My apologies for inflicting this one on you)
Robin. What the hell did you just make me re-watch.
Heh heh. Actually, in all seriousness, it's imho... not horrible. It is however very bland. Like, I'd gotten through all of Season 7 once but I had no memory of this.
The plot is stupidly unbelievable—railway realism is thrown out the window. Then again it is far more plausible than "Rusty and the Boulder" sooooo...?
The episode simply feels like such a nothingburger than I can't even bring myself to detail all the ways in which it falls flat. Let's just agree that, well, it does. I get the sense it was written with the aim of doing Rheneas's character a long-overdue favor but in the end it's just filler.
Having stipulated, however, that this ep is a low point in season 7... there are actually a couple kudos I want to give it.
Mild kudos:
1) Hey, the "rollercoaster" runaway ride might have been silly and stupid... but it is kinda fun? A little? A pale shadow of the shenanigans of "Boulder," but I can tell the film crew were enjoying themselves. It seems obvious that Mitton wasn't really in charge of this one or, if he was, that he was entirely checked out. No, whoever directed this, you cannot make an interesting action sequence just by filming the whole thing with the camera tilted 90°... it takes a bit more than that.
But. Nevertheless. The detail of the props actually getting wet as they veer by the waterfall is such a nice touch:
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This (live water!) ^ is the sort of thing that makes the model series so fun to watch, even when the writing is shit.
2) Is the writing all shit, though?
[Disclaimer: I feel the TVS has already established context/continuity in Season 6 for the NWR/Fat Controller having taken over the narrow-gauge railway and starting to make some drastic changes; we see the engines adjusting to a management style very different from what they experienced in the plots that were based on the books. So I take FC's and Rheneas's exchange in that spirit. He's trying to show a gentler side than "I'm going to shut down your entire line on a whim." Rheneas is especially keen to use this chance to prove himself to a somewhat capricious owner.]
On the one wheel, I sort of hate how this is another in a long line of episodes in this era that continue to baby-fy Rheneas and Skarloey (who are in need of kind, brave, clever Rusty to look after them in a cruel world).
On the other wheel, this particular story—if it is considered strictly on its own, and not in that sad, sorry context—I feel does a plausible job of characterizing Rheneas? Who is not an easy character to work with, since even Rev. Awdry left him quite undeveloped.
I can see people (probably yourself among them?) preferring other interpretations of Rheneas. But honestly... this one is valid. If you need him to have some sort of weakness or flaw to motivate a story, "fears he's not exciting enough to be of interest to a train full of kids" feels legitimate. In RWS, one of his things was very much always seeming to be overshadowed by Skarloey's charisma. He's the quieter and more serious of the pair, and while he gamely gives it a go he's also nervous and not at all comfortable when the Thin Controller puts him on the spot to give a little speech on his birthday.
The "insecurity" motive gets way overused in TVS, of course—but as of Season 7 it wasn't quite overused yet. And, obviously it would be stupid to have Rheneas feel he's not up to most jobs, given that at this point he's got over a hundred years of badassery under his boiler bands. But the specific charge of "this is a very special day for the kiddos; make sure it's memorable for them!"... like okay, I can actually roll with this and easily believe in a Rheneas that's secretly going, Well, fuck. Then why didn't you have literally anyone else do it? I'm not the entertaining one.
*insert cute image of Rheneas licking his thumb and quickly flipping a handbook entitled How To Be Fun*
Sooooo... yeah. It's not a good episode. But I don't actually find it dire. It's within the usual range of Season 7 bland.
(Which I used to think was the worst... until I watched the next few seasons. At least Season 7 bland was still short and sweet, clocking in at under 6 minutes a pop!)
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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counting-stars-gayly · 5 months
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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hairupintheair · 5 months
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They're in love, your honor.
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onyxstic · 10 months
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Arts and Crafts with adopted daughter
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The result:
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girl-bateman · 1 year
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I guess that this is as good of a time as any to remind people that WRITERS MAKE THE STORY!!!! I cannot count how many times I see posts praising tv directors for things that are simply not their doing. That iconic line of dialogue? Yeah a screenwriter wrote that. The characters you love? Screenwriter. The places, the plot lines, the developments? Writers.
A show CANNOT happen without a script because a script is necessary for EVERYONE to do their job right. It dictates what set to look for/create, the filming schedule, the casting calls, the costumes and so on. It's not just words on a paper, its the backbone for all of production and it deserves to get recognised as the integral part of tv and film as it is.
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bixels · 18 days
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Bit of a weird question, but what is your overall least favorite thing about MLP? 
Sparity.
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machonnes · 3 months
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THE WALKING DEAD: THE ONES WHO LIVE (2024) 1.04 | What We
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v-67 · 20 days
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Just Luffy being all cute cute
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Look at that cheek, and those eyes.
And idk man, I was just really happy to see Law
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houseswife · 5 months
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it answers questions…
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pollsnatural · 2 months
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You can't tell me our main man Jim, Jim Kirk, James Kirk, James T Kirk, James Tiberius Kirk, CAPTAIN stack of books on legs James Respectful and Sensitive Tiberius Kirk does not know about Vulcan hand touching and their significance.
This man. JAMES KIRK. Looked at Spock, clearly vulcan spock, hands firmly planted behind his back Spock. LOOKED him up and down, and despite absolutely knowing it would not be considered impolite if he didnt offer a hand shake, looked at Spock, tall drink of water Spock, Vulcan sensitive hands used as terms of affection Spock, and was like hmmmm absolutely will make this Vulcan shake my hand. AND SPOCK gave like 1 second of thought before he was like yes absolutely here is my hand to hold for you and you only. I AM DECEASED
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lynx-224 · 5 months
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me trynna explain that i can love the pjo show but still want a few things to change
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counting-stars-gayly · 5 months
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I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.
He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.
Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.
Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)
100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG
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absolute-hooligan · 11 months
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Fun fact: I found out David tennant has a podcast with a guest that cycles out each episode (it’s very good, you should go listen) and one of them has Neil in it!
You can yell at me if this is old news now but this little bit about “have a nice doomsday” and episode threes cold open is so… agh, I love it
(hearing about Neil’s writing process in general is also incredibly neat)
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connabeth · 5 months
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annabeth teasing percy about him being on the brink of calling her a friend (even though he literally just said he’d turn his back on his dad for her because she's done a lot more for him in days than poseidon his whole life, which goes a lot deeper than maybe friendship) is gold because you KNOW she is never letting that shit slide. down the line in season 2, when she's crying in his arms underwater in a bubble over what the sirens showed her, i hope she wipes her tears real quick and tells him he went through quite the length to save someone he could never be friends with. in season 3, when annabeth is rescued from being kidnapped (after percy sneaks onto a quest he has no business being on yet again because he cares about her too much) and he asks her to dance on olympus during the solstice, i hope she jokingly declines because they could simply never be friends and not friends don’t dance with each other. in season 4, when he’s by default assumed to be a companion on her quest, i hope she goes ‘actually…i only bring my friends on quests with me’. in season 5, when he asks for a kiss for good luck, i hope she puts him in place bc who asks people they’re not even friends with for kisses? when he confesses his feelings for her and is trying to tell her she’s his tether to his mortality and a reason he denied godhood, i hope she goes ‘surely you didn’t think of me. because we could never be friends” before she kisses him. writers do your fucking jobs PLEASE
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