Young Adult tropes: setting faves!
Hi ppl, I'm going on with this little experiment where I pick some of the most common YA tropes and try to figure out which are the most loved ones through Tumblr polls.
We had our beloved Heroine trope winner (Apprentice Witch trying to master her power) aaand, of course, our Love Interest poll: Rough Cinnamom Roll guy takes it all!
Now, stretch your swift fingertips: time to tell your fave among these selected YA settings, loosely based on some of the most beloved YA books series!
Feel free to add more in comments :*
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I read the teaser for These Intricate Threads last night, and I'm anything but OKAY!!!!
SHE DID IT AGAIN! TAHEREH DID EXACTLY WHAT I'D BEEN ANTICIPATING AND I DON'T WANNA SPOIL ANYTHING FOR ANYONE BUT AAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHH I'M DYINGGGG!!!
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the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
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Abbi Glines' Field Party Series Promises Hours of Fun!
I’m a bit of a sucker for good young adult series, regardless of the genre. It’s one of those things I’m no longer shy about saying that out loud. I recently found myself with a room full of laundry that needed to be ironed and thought: “Well, you may as well get a book to listen to while you work yourself to death.” Enter Abbi Glines‘ Field Party series …
Did I mean to binge 7 audiobooks in one…
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have you guys seen the mod of r/samandmax losing his shit over ppl drawing gay fanart and deciding to ban all sam and max shipping from the subreddit
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This was a labor of love and the most complex piece I’ve ever made.
7096 stitches, 98 hours. 2-strand on 18ct.
I was just so in love with this book cover, I couldn’t not.
The book is Crush, the second installment in the Crave series by Tracy Wolff :)
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Growing Pains
as raven finally gets to be free from her shackles, apple silently chooses to shoulder all the pain that comes their way and bear the burdens of dealing with the horrors of the world so that raven can be happy. because raven has suffered so much and apple decides it’s only fair that she do all she can to prevent raven from any further suffering. it’s her way of atoning for all the hurt she caused raven, because apple knows raven has been and always will be a better person than her. to apple, if either of them deserves to smile, it’s raven.
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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“Little dhampir”
My portrayal for Rose and Adrian’s first meeting in the second Vampire Academy book Frostbite.
I loved getting to work on this for the endpapers of a new German edition of this series 🥰
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