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exclusivecolette · 2 months

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LOVE AGAINST ALL ODDS

PT.8

(also kinda rushed sorry)

(if you aren’t blonde or don’t apply to the features, you can just put your own features in. i just put my features because i didn’t really know what else.)

summary: a girl starts to fall in love with a boy in class. But, her abusive parents are extremely strict (ignoring the fact she’s even old enough to drive.) And what is she gonna do when she realizes, he isn’t just some crush

TW: cussing, mention of smoking, not much-

As she peaks over the light fabric she prays matt would be on the other side. But she was just met with that same light fabric. Matt was gone. what did i do?

I made my way to sit the kitchen to sit down. I just thought. He taught me how to roll it. I acted like a child a bit. Then we kissed- we just kissed. Then- um.

I don’t know.

is that why he’s upset? because we kissed?

As thoughts flooded her mind, tears flooded her eyes. She didn’t know what she did, or maybe it was something she didn’t do- she didn’t know but it was stressing her out.

Her cries were interrupted by the front door opening. She quickly walked over to see. He just went to the store. He just went out for a bit. She was met with a familiar pair of eyes but not the ones she’d hoped. “oh baby what’s wrong” Syds arms wrapped around her instantly. “he’s gone.” is all that left her mouth beside choked cries.

“Who?” She thought for a second and fury instantly filled her body. “god i’ll fucking kill hi-“ she plotted before i interrupted her. “No i think i did something. But im not sure what” i say pulling away and walked over to the kitchen stools. “What do you mean?” she asked joining my seated position. “Well me and matt smoked a little” i say quietly avoiding her eyes.

“You smoked?” She asked in shock. “Yeah and i just messed around a little and everything was fine, we- um” i cleared my throat “kissed” the painting on the wall has never looked more fascinating. “Kissed? Then he left?” she asked in disbelief. The tears had stopped and i had wiped them away as a little anger filled my body. “I’m not sure if i did something because I just woke up in my bed. And we didn’t kiss on my bed, we kissed on the porch.” i let out a breath.

“Sounds like a dick. If something did happen you’d think he’d-“ i stopped her. “I just not sure.” i say standing up.

I stayed the night a sydney’s to get my mind off things. My parents were coming back today. And i was not looking forward to it. I wish i could be with matt right now. But he just left, he doesn’t wanna be with me. I was just something to take his boredom away. He left without a word and still hasn’t text me, im not mad i- I just miss him.

The wind blew onto his cold face as he stared into the door he was starting to become familiar with. He finally had the courage to even lift his hand to the door. He knocked, and waited. Nervously. He heard the door unlock. But his face didn’t meet the blonde he was hoping to see. Instead he met Charlie’s. Charlie scoffed as he stepped out of the house, shutting the door behind him. “What are you doing here?” He looked mad. Was he mad at me? “i’m just here- um his y/n home?” his voice shook.

“No actually, she was so upset about something. And i was just thinking what could have made her so upset.” Char felt his body heat up “Then i remembered, you were at the house with her” his finger poked matt’s chest aggressively. “I don’t charlie, she hasn’t texted me-“ Matt tried to explain. “You know what? Just stay away from her man.” He turned around and made his way into the house, slamming the door behind him.

Y/n returned back to her now awkward and tense house. She had 3 more days left of spring break and was just hoping for one thing, or one person. Her parents tried to get her out of her bed. Charlie spent the rest of his break next to her, binging tv shows. He didn’t even wanna try to ask what happened. She felt bad.

Char was wasting the rest of his break to be with her. She tried to explain that she was fine, but he shut her down each time. She wasn’t fine, how could this boy she just started intimately talking to after her this much? Her parents were worried, they didn’t know what happened or if it was their fault.

It was the first day back after break. She was forced to see matt and she wasn’t ready at all. She threw her hair in a low messy bun, sweatpants, and a random crop top. She’d thought about texting matt first but didn’t know what happened. That’s what was driving her crazy.

I avoid matt as much as possible, i only the back of his head all day and that was enough. But know she had to sit next to him. She walked into class and sat down putting her head down, preparing for when matt was gonna walk in. She heard the seat next to her get sat in. Then objects slowly moving around on the desk. She had to put her head up at some point so she decided to just get it over with.

So she did, she felt matt’s eyes instantly shot to her. Tears threaten to pour out so she rest her head on her left hand that was block her face from him. He sighed.

A girl sat next to him. They started talking, i felt jealously fill my body. I just wanted to see who it was. I lifted my head, looked and locked eyes with matt for second. I looked to the girl and back to him, he was silent. Pathetic. I stand up in my seat grabbing my stuff. “Class isn’t over y/n” an older voice stated, but i ignored. I made my way to the bathroom and stayed in a stall for the rest of the day.

Sydney’s eyes met with matt’s while they were both out in the halls during class to escape a few minutes. “Fucking prick” she said while she walked by “what did you just call me?” he turned around. “I called you a fucking prick. That’s what you are. You had no fucking right” Her voice raised “what are you taking about?” he asked confused. “leaving her like that without letting her know it fucking ridiculous” She explained. “I left a note.” he defended. “sure you did” she stormed off shaking her head in disbelief.

“he didn’t leave a fucking note” i say upset through the phone. “yeah i know. And he was the nerve to lie about it?” Sydney added. “whatever i’m gonna to bed goodnight syd” they ended the call.

Y/n made her way downstairs. “Will you stir this for me?” Her mom asked referring to the pot of pasta.

!FLASHBACK!

“what are you guys making” i ask and nick says “well pasta but the noodles keeping fucking up. they keep getting stuck together.” he complained “well are you stirring it?” i ask. “dumbass” matt muttered. “god” i laugh and walking over to it and stirring it.

“yeah sure” I cleared my throat as i felt tears build in my eyes. I stir the pot thinking, “that’s good thanks” my mom said and i nodded and started walking away when i spot something. I piece of paper under the refrigerator. I picked it up and quickly run up to my room.

I turn the paper over:

I didn’t know if i should stay or not, so i’m sorry. Text me when you wake up. Only if you want to. I’m sorry again

-matt <3

shit.

#Spotify #sturniolo triplets #christopher sturniolo #matt sturniolo #nicolas sturniolo #chris sturniolo #nick sturniolo #sturniolo

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blackautmedia · 5 months

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Hey about your TOH post, I was just wondering; do you think Hunter is an inherently badly written character? Given what you said about him in that post I was just curious.

This is the post, for anyone who needs the context.

To your question, not at all! I do think Hunter is a continuation of a larger pattern within ToH's priorities, but I don't think it's an issue specific to him nor do I think it's fair to single him out.

Owl House Spoilers below:

On one hand, one of the most compelling and frankly terrifying things about Hunter is the abuse from Belos, right? There's a uniquely cruel type of evil it takes to clone a child out of your brother (who you murdered), attempting to mold them into a specific kind of person based on what you projected onto some entirely separate guy, and then repeatedly kill them when they don't meet your expectations.

Hunter is also wolf kid autism and I respect that.

But there's a broader pattern in the Owl House that seeks to portray what is essentially colonial/white supremacist violence perpetuated on the Boiling Isles but also is constantly trying to assure the viewer that the largely white characters who perpetuate it were just being "tricked" or manipulated into it.

So I think Hunter contributes to that, but it's not singular to him nor it is it something inherent to his character. It's more just the broader commentary the show paints.

We're introduced to the Emperor's coven who are basically cops, but unlike most TV cops are far more accurate to actual police. They don't do anything beneficial to society, they aren't there to protect or help people but instead enact violence to silence and remove people who refuse to comply with the Emperor's will, brand people with sigils, or based on the season 1 finale outright kill several people.

Then when the show starts to discuss Lilith unlearning her harmful beliefs at the start of season 2, particularly the fact that she was one of the biggest mouthpieces responsible for propagandizing the Boiling Isles, she's shooed out of the story to make room for other white characters following the same pattern.

Steve was a background joke character and then gets a subplot in one of the later episodes where he decides he doesn't believe in the cop system anymore.

Alador spends most of the series abusing his children and manufactures weapons that further aid said cops only for him to come around at the very end of the series.

Even with the collector, he's obviously manipulated by Belos, but there's also the way he's unintentionally partially responsible for the day of unity.

I feel the intent is likely to illustrate "it's not too late to change" which taken alone is fine. But I also feel it doesn't mesh very well with the portrayal of colonial violence in the series in how it continually tries to assure the viewer that they were just tricked.

There's an obvious and continual commentary on the role of parents and authority figures and the ways they fail children as well as the way institution propped up by the same people shape our lives. That's all a reasonable reading, but I feel it doesn't fully contend with how violent the society is.

The biggest exceptions come in the likes of Odalia, Terra, and Belos to illustrate that not everyone will change. But at the same time, that constant assurance undermines it a bit to me in how a lot of people who support these things are more like Odalia than they're willing to admit.

I can think of more than a few examples of literature, film, and TV series that have the same underlying narrative of portraying racism and white supremacist violence, but also prioritize portraying white innocence and benevolence in a positive light to ease the discomfort in seeing that.

To Kill a Mockingbird, Uncle Tom's Cabin, The Help, The Blind side, and Hidden Figures are a few examples that come to mind. These are all stories very explicitly about racism and even have the similar "Belos/Odalia/Terra" style characters, but they don't exist as a form of critical introspection and are more easy people to watch from a distance.

It's not as big a deal when it's one or two people, but I feel it's more a priorities issue than an individual person who causes it.

#owl house #toh spoilers #owl house spoilers

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gimme-mor · 3 years

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ACOTAR THINK PIECE: ELAIN ARCHERON, UNTOUCHABLE

*DISCLAIMER*

This will be a long post.

Please take the time to read this post in its entirety and truly reflect on the message I am trying to send before commenting. My goal is to use my background in Gender and Women’s Studies to deconstruct the comments I have seen on Tumblr and Twitter and bring awareness to the ACOTAR fandom.

The reason I am tagging “Elriel” in this post is to call attention to the arguments in the Elriel fandom that: weaponize Elain’s femalehood to shame real life people for their opinions about Elain’s character and her relationship with Lucien; victimize Elain’s character in fandom discussions; and coddle Elain’s character, which limits fandom discussions about her narrative development and prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions in the same way that the fandom holds other characters accountable for their actions and inactions. It is for these reasons that I WILL NOT remove the “Elriel” tag from this post because all of the above points contribute to the toxic discourse surrounding Elain’s character.

I urge those who use these arguments to understand their implications, why they are problematic, regardless of intent, and reexamine their contributions to the ACOTAR fandom. I WILL NOT tolerate anyone who tries to twist my words and say I am attacking people and their personal shipping preferences. In fact, I AM CRITIQUING THE ARGUMENTS THEMSELVES NOT THE PEOPLE USING THE ARGUMENTS.

Also, I highly encourage the Elriel fandom to read this post because it addresses how the concept of choice as an argument enables arguments to exploit social justice and feminist languge in order to vilify Elucien shippers, among other problematic things.

Elain Archeron is one of the most polarizing characters in the ACOTAR fandom. Though opinions about Elain vary, arguments in the Elriel fandom cite society’s perception of traditional female characters in comparison to non-traditional female characters as the reason behind the hate, and this belief is used to provide an explanation as to why other characters in the series are favored over her. In the series, Elain is portrayed in a wholly positive light and this image carries over into the Elriel fandom, painting her character as a good and kind female who has been unfairly wronged and a victim of circumstances that were out of her control. When arguments in the Elriel fandom oppose other viewpoints in the fandom, they fall into one of three categories:

Category 1: Weaponize Elain’s femalehood to shame real life people for their opinions

Maybe people who hate Elain are just jealous of her in a weird way similar to when someone hates the pretty, nice, and charming girl in school just because she is too perfect

Disliking Elain is misogynistic

What happened to feminism? What happened to women supporting women? What happened to she can say no? All of that disappears the second you force Elain to be with Lucien

Elain antis are misogynistic

All Eluciens are Elain antis

Antis claiming they’re feminists when in reality they hate on Elain and Feyre but love Nesta

Elain antis are such sore losers. Y’all were that bunch of people who could not get over being rejected from hanging out with the cool kids so y’all are projecting your hatred towards pretty people now to get validation

I don’t get how Elain’s love for gardening equals boring for some people. I’m sorry your misogyny finds traditionally feminine activities boring

Why are you attacking a female? What did Elain do? Where are your feminist voices?

The fandom is misogynistic towards Elain

If people loved Elain they would ship Elriel

If you hate Elain it says a lot about your feelings toward women

If you hate Elain because she has no “development” then you must hate Azriel because otherwise you’re misogynistic

Eluciens are turned off by the idea of a woman that has the autonomy to reject a man for the simple reason that it is her choice

Eluciens are all about feminism and “it’s HER choice” until it comes down to females not wanting a male

Eluciens don’t respect Elain’s feelings when they ship her with someone that was part of her trauma and makes her feel uncomfortable

The way some Elucien shippers completely disregard how uncomfortable Elain is around Lucien is so hilariously not funny. Prioritizing being mates over Elain’s feelings is just regressive

It’s hard as a fan of Elain to see someone ship her with a person who makes her physically uncomfortable to be around. Wouldn’t you want both characters to be happy to be around each other

Imagine if SJM saw all the awful things her “stans” had to say about Elain

It’s true that we know comparatively little about her, but is she really boring or do you just not value stereotypically feminine traits?

So y’all are just gonna tell me you prefer Elucien over Elriel? Even though Lucien treats Elain as if she’s something that belongs to him? The only reason he wants to be with her is because she’s his mate, he doesn’t respect her, doesn’t treat her as his equal, even though that’s what mates should be? He doesn’t bother to look past what’s on the outside to see her for who she is. And Elain is obviously repulsed by the idea that she should belong to anyone or have no choice in who she can be with. Azriel is her friend and the only person who sees her quiet strength. He has so much faith in her, in her abilities; he’s the one who kept her company when no one else did, he’s the only one who bothered to see her for more than her brokenness. You’re going to tell me you still prefer Elucien over Elriel?

The more I see Gwynriels that ship Elucien out of their hate for Elain, the less I can understand Elain stans that ship Elucien. Pls Elain has made it very clear that she doesn’t want Lucien, why would you ship her with him? Do you hate her too? Smh

The real question would be, if you care and understand Elain why would you ship her with Lucien (where she canonically shrinks when he is near)?

People crying over Helion and Lucien’s mom not getting to be with each other and her being forced into a relationship she didn’t want, but also ship Elucien? Just say you hate Elain

When Elain’s book is out, Gwyn stans will look like clowns and I will laugh because they set her up by shipping her with Azriel just because they hate Elain. Watch them play the victims now because Elriels are clapping back the hate they’ve sent towards Elain

As romantic as wanting girl who is visibly uncomfortable around a guy who caused her trauma to end up with the said guy. Guess their standards for romance are in hell

Category 2: Victimize Elain’s character

Gwynriels only want Gwyn with Azriel because they despise Elain

Gwyn stans and Gwynriels are Elain antis

No one in the books dislike Elain, so why are there so many people who do?

Elain hasn’t done anything wrong or questionable to warrant the hate she gets

Not having Elain’s POV makes it easy for people to be swayed a certain way about her character if you already don’t relate to her in some way

It’s been years since this series came out and we haven’t gotten a lick of an Elain POV, but people still hate her for what? We don’t know her thoughts, dreams, or aspirations

We haven’t even had Elain’s perspective yet and people are passing these judgments off on her

Elain antis who say she’s boring are just cruel when she has obvious symptoms of PTSD like Feyre and Nesta

Gwyn is one of the most overhyped characters and that’s only because most people hate Elain and they couldn’t wait to find a random girl to ship Azriel with

Nesta was abusive to her sisters but Elain (who has only ever been kind) is painted as the villain

From the text we know that Elain is the epitome of feminine stereotypes (gentle, gardening, baking, non confrontational for the most part). Yet people still call her boring or deny that she has any interesting character traits?

You can’t love Nesta and hate Elain

People hate Elain because of internalized misogyny and lack of taste. All the girl does is tend to her garden and mind her business and they treat her worse than Tamlin

Does Gwyn deserve all this support? Of course yes! She is amazing! But where’s that support when Elain was in the same situation as she? Where’s that support for her right now? Why do they idolize Gwyn for her interactions with Azriel and hate Elain for having any interaction with him?

It’s not even a ship war anymore, they just hate Elain

People hate Elain for no reason

Some of y’all don’t like feminine traits and it shows

We know less about Eris and Helion but people don’t call them boring. Why would rejecting femininity make Elain more interesting?

Elain has had a lot forced upon her

The main reason I believe most people love Gwyn so much is to get Azriel away from Elain. It’s not a secret that Elain has been a widely hated character for years so suddenly we get a new female who has a minimal amount of interactions with Azriel and BOOM. New ship that once again doesn’t make sense (just like Azriel x Emerie after ACOFAS)

Elain hasn’t done something so terrible for her to get this hate. At this point some of you are just being misogynistic and you don’t want to accept it. Don’t call yourselves feminists and then say bs like this, it’s embarrassing. She’s pretty and everyone agreed to hate on her

Just a personal feeling, but I feel like a lot of the Elain hate stems from internalized misogyny. That to be a strong female lead, you need to pick up a sword and fight. That to be strong, you need to adapt traditionally masculine traits

Elain is feminine. She is beautiful. She loves to bake and garden. She is docile, quiet, observant, and a people-pleaser. All traditionally feminine traits. Yet for some reason, she’s like the worst in these people’s eyes?

I think also maybe a lot of people can’t relate to her femininity? That her being so beautiful and quiet doesn’t allow for the people who dislike her not to self-insert? Most of the hate stems from people not wanting Elain to be with Azriel. It’s mean, but maybe the people who hate Elain literally just can’t self-insert if they have a story and that’s why they’re vehemently against it?

Poor Elain. The Cauldron dealt her a bad deal. Upon emerging as Fae, she is immediately declared by Lucien as his mate, never mind that she was already engaged to a prick. Her love life is not good

It blows my mind how they really think that they can compare all the shit that Elain gets with some dumb jokes about Gwyn on Twitter (and yes, the “hate” towards her started mostly because Elriels are clapping back, it was bound to happen)

I would think of it as anti-feminist with Elain and Lucien because she has consistently stated that she does not want him so if she was forced to embrace the bond that would be taking away her right to have a choice but with Az she feels comfortable around so if they were mates then Elain would be happy and feel safe which again should be the priority for women to feel safe in their relationships with anything and to not be forced into any type of situation aka the mating bond in this

Category 3: Coddle Elain’s character

Elain has value the way she is, in all her domestic girly glory. Not every character has to be badass

We don’t speak of Elain’s flaws frequently because everyone else already speaks badly of her, mainly in an unfair way

There is definitely something deeper going on with Elain but by no means will she ever be evil or any less feminine. That goes against everything we already know about her

It’s ok to critique Elain because she needs growth but y’all keep forgetting the shit her and her sisters went through

The last “bad” thing Elain did in ACOTAR was not help Feyre when they were impoverished and I’m tired of people acting like she’s a terrible character when it was their father’s responsibility. It happened 4 books ago and Feyre has forgiven both Nesta and Elain

Elain’s character and the evil Elain theory are a great example of the trend where people only consider female characters interesting if they reject femininity

We don’t know enough to hate Elain

Many people want Elain to turn evil (which in my opinion seems to come from a place of internalized misogyny)

However we don’t tend to talk about her faults, at least not publicly, as that has been, and still is, done to death, and I--personally, at least--find it much more fun to theorise about potentially interesting aspects of the overall plot, than dwell on negatives

And ultimately, I would be shocked if Elain has a more karmically-charged story than Nesta, considering that Elain’s “wrongs” are so much less severe and bad than Nesta’s, and Elain has already apologized for them (or paid the price in other ways, like through what Graysen did)

I guess I also think Elain has suffered and been punished enough. I hope her story is about finding hope in terrible situations, and learning to love her new life, and choosing her own path after everything that has been done to her. I don’t think she needs to be punished anymore or face any additional trauma

Also, why is she being judged on her decisions as a human at all? Fae are monsters to humans! They enslaved them for thousands of years, and the Wall was erected to keep them out

Like I’m sorry, but think Elain would want to leave her ONLY FAMILY AND FRIENDS for the Spring Court where she has no one because--oh look, lots of flowers!--is the craziest thing I have ever heard

Her sisters are in the Night Court. Her nephew is in the Night Court. Her closest friends (Nuala and Cerridwen) are in the Night Court. Her love interest is in the Night Court. Her extended family is in the Night Court. Her home is in the Night Court

SJM isn’t going to keep two sisters together and split up the third. Especially not keep Feyre and Nesta together and separate Elain. They were either all going to end up in separate places, or together. Not 2 here and 1 there

Compared to the other female characters in the series, Elain is the only character whose femalehood is at the center of conversations; this is because arguments in the Elriel fandom fixate on it when discussing her character. While Elain, Feyre, Nesta, and Mor are all representations of white womanhood and white beauty, Elain epitomizes the most fragile version of white womanhood. It’s easy to blame society’s perception of traditional female characters in comparison to non-traditional female characters when it comes to the discourse surrounding Elain’s character because it: falls in line with the fixation on Elain’s femalehood to silence opposing viewpoints; is a simplistic explanation that fails to tackle the underlying issues with Elain as a character, the same issues that are downplayed in-universe; absolves Elain of her wrongdoings; prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions within the series; and diminishes the impact Elain’s actions and inactions have on those around her. It’s not that Elain is hated in the fandom because she’s a traditional female character; it’s the fact that arguments in the Elriel fandom deflect a critical analysis of Elain’s character because she’s a traditional female character who embodies the ideal white woman in need of protection. White fans and white-aligned fans of color, especially white women, have a tendency to vehemently defend, gatekeep, and coddle white female characters in fandom; this makes it difficult for other fans to engage in critical discussions about these white female characters because they’re viewed as flawless and all around perfect characters despite evidence to the contrary. Since Elain is viewed positively by the other characters in the series, it has rendered her character untouchable to any perceived slight or criticism in fandom discussions because those negative opinions challenge what has been said about her character thus far. And as a result, her character has been placed on a pedestal and implicitly hailed as the epitome of white womanhood; and when she’s criticized, it’s seen as a direct attack against white womanhood. Arguments in the Elriel fandom: exploit feminist language and perpetuate white feminist tactics under the guise of defending Elain’s character; center Elain in conversations about female oppression in the ACOTAR world and uphold white feminist ideologies in their critique of ACOTAR’s patriarchal society; and use the fragile white woman narrative to victimize Elain in Lucien’s presence, playing into racial biases that are associated with white supremacy’s defense of white womanhood.

Feminism is a social movement that seeks to promote equality and equity to all genders, and feminists work toward eradicating gender disparities on a macro-level, in addition to challenging gender biases on a micro-level. As feminism became more mainstream, a flat and oversimplified version of feminism emerged: mainstream feminism. The mainstream feminist movement is meant to represent all women, but rarely does it center conversations around issues that concern most women. The problem with mainstream feminism is that it’s just a popularized version of white feminism. White feminism has relied extensively on an individualized understanding of women’s oppression, exclusively from the lens of privileged white women. White feminism only focuses on the oppression experienced by white, able-bodied, affluent, educated, cishet women; and it views gender as the key mode of privileged white women’s oppression, isolated from the privileges granted by their other social identities. White women can be and are oppressed under the patriarchy but only because they are women; their identity as women does not exempt them from the privileges granted by their whiteness. The term white feminist does not mean any feminist who is white, but refers to feminists who prioritize the concerns of privileged white women as though they are representative of all women. However, the term is not exclusive to white people. Because white feminism is so pervasive, people of other racial and ethnic backgrounds often buy into white feminism, believing that if they work hard enough, they may be able to reap its rewards.

Just like white feminism, mainstream feminism only recognizes the identity of being a woman, assumes that all women share common experiences of gender oppression, fails to address other social identities in relation to overlapping systems of oppression, and disregards privilege in relation to various social identities. Just like white feminism, mainstream feminism is palatable because it doesn’t seek to challenge the systems in place, instead its goal is to succeed within them. Essentially, mainstream feminism and white feminism are extensions of performative feminism. Performative feminism is a type of performative activism that’s used to describe feminist views that are surface level and solely for the benefit of one type of person. It’s a pretense which often has nothing to do with genuine activism. Arguments in the Elriel fandom normalize and promote performative feminism because the topic of feminism is only referenced when discussing Elain. This indicates that these arguments are engaging in disingenuous discourse to push a personal agenda within the ACOTAR fandom, and it becomes more apparent when they use white feminist tactics to shut down opposing viewpoints:

White feminists weaponize and exploit feminist language to silence the opinions of other women, especially when they’re called out for their problematic behaviors

White feminists use the phrase “Women supporting women” to defend other white feminists who exhibit problematic behaviors instead of holding them accountable

White feminists weaponize phrases like “Women supporting women” and “You just hate women” to attack other women who disagree with them on any given topic

White feminists use phrases like “All women face challenges” and “Stop pitting women against each other” to sidestep conversations about privilege

White feminists divert conversations away from privilege and towards the Trauma Olympics to equate their struggles to the oppression of marginalized people

White feminists skirt around the realities of other forms of oppression and discrimination, downplaying the experiences of marginalized people

White feminists diminish or ignore the ways in which gender oppression affects other marginalized people

White feminists paint those they harmed as aggressive, mean, or divisive when confronted with the ways they have harmed a marginalized group

White feminists deflect criticism by focusing on the anger or emotions being expressed rather than the issue that is being discussed, invalidating the concerns of marginalized people

White feminists speak over marginalized voices in an attempt to sound “woke”

White feminists get defensive and insist there’s no way they could be a part of the problem because of what they’ve done to help marginalized groups already

White feminists say they don’t see color in an attempt to obscure racial issues that need to be addressed

White feminists center and victimize themselves in conversations about racism, which derails necessary conversations from taking place

White feminists who are white weaponize the intersectionality of their race and gender to avoid accountability

Feminism is not meant to be approached from an individualistic perspective nor is it only about addressing the experiences of privileged white women, it involves addressing the intersections of race, class, gender, sexuality, (dis)ability, and other social identities as well; and it involves addressing how these social identities relate to privilege. Moreover, feminism is not about women upholding complete loyalty to other women because of a shared gender identity, and to claim that it does implies that women should be held to different emotional standards than men. If men are able to dislike and criticize other individual men, real or fictional, without their characters being compromised, why aren’t women granted that same privilege?

It’s clear that SJM set up the ACOTAR world to mirror a patriarchal society, and that the imbalance of power between males and females stems from sexism. Arguments in the Elriel fandom analyze the ACOTAR world through a feminist lens to show how ACOTAR’s patriarchal society, to which the mating bond is innately tied, contributes to female oppression and limits their agency. When choice and free will are emphasized as part of Elain’s arc, they imply that Elain, through the mating bond, experiences female oppression under ACOTAR’s patriarchal society because of her identity as a female with that identity being the focal point of her oppression in the world. Elain is one of the most privileged characters in the ACOTAR world: she’s High Fae; she’s the sister of the High Lord and High Lady of the Night Court, which gives her access to wealth and political influence because of that connection; she’s able-bodied; she was magically blessed by the Cauldron; and she lives in Velaris, a place that grants females autonomy and power because of the beliefs of Rhysand and Feyre. Arguments in the Elriel fandom trivialize female oppression in the ACOTAR world because they disregard the fact that Elain’s privileges prevent her from experiencing female oppression in the same way that other marginalized females in the world do. The mating bond being one such example because those around Elain are not forcing the bond on her, instead they’re allowing Elain to reach a decision about the bond for herself; a privilege that other marginalized females in the world probably wouldn’t have. Just because Elain has endured hardships in her life and is a female in a patriarchal society, they do not erase the privileges she holds within the ACOTAR world. The failure to include Elain’s privileges in discussions about Elain being a female in a patriarchal society feeds into white feminist ideologies because white feminism operates from a very narrow perspective; it doesn’t take other intersecting identities into account when it examines gender oppression, leaving no room for discussions about privilege (or lack thereof) in relation to those intersecting identities. When discussing oppression in hierarchical societies, it’s imperative that privilege is also included in the conversation because privilege and oppression are not mutually exclusive; they equally affect the ways in which people navigate those societies through their social identities.

Rather than attributing Elain’s uncomfortability to her new life as a Fae female or the mating bond itself and her trauma to the Cauldron, the King of Hybern, or Ianthe, they’re placed on Lucien to cast his character in a negative light. Moreover, fandom discussions portray Lucien as a possessive character to further emphasize Elain’s discomfort despite the inaccuracy of this characterization in canon. Arguments in the Elriel fandom play into racial biases when it comes to Lucien (a male character of color) because they mischaracterize his character in order to victimize Elain (a white female character), placing her character in the role of the white damsel in distress. In Western society, the concept of womanhood has been conceptualized from a Eurocentric perspective with femininity and feminine attributes favoring white women. It’s the idea that a certain type of femininity is only inherent to white women as they are seen as the embodiment of an ideal womanhood. White womanhood has been a symbol of innocence and purity, and white women have been viewed as fragile beings in need of protection. The reason white womanhood functions within white supremacy is because it’s the same idea that has motivated white men to kill and beat black and brown men. The so-called protection of white women has been used as a justification for the horrific violence committed by white men because black and brown men were stereotyped as aggressive and seen as a threat to the virtue of white women. The white damsel in distress trope considered white women as worthy of protection because of their perceived innocence and purity; women of color were not granted that same treatment because they did not fit into the ideal image of womanhood. Over the years, this trope became a means for white women to exercise limited power in a patriarchal society with white women weaponizing their status as the damsel much to the detriment of black and brown men. It’s through the white damsel in distress trope that white supremacy sustains its dominance in Western society. The misrepresentation of characters of color in fandom, the dismissal of their importance to the overall story, and using them as tools in arguments centered around white characters are the foundation of fandom racism; they’re examples of how racism moves silently in fandom spaces. Instead of examining their behavior and taking constructive criticism from fans of color, white fans will often double down on their bigotry and center their uncomfortability in the conversation when confronted with their complicity in fandom racism. White fans expect fans of color to swallow fandom racism in its many forms in order to not ruin the experience of fandom, dismissing the fact that racism is prevalent in nearly every aspect of society. This mentality ensures that no one is held accountable for the harm they caused and alienates fans of color in fandom spaces.

To reiterate what I mentioned in my first think piece: terms like “oppression”, “the right to choose”, “feminist”, “feminism”, “anti-feminist”, “anti-feminism”, “internalized misogyny”, “misogyny”, “misogynist”, “sexist”, “sexism”, “racist”, “racism”, “classist”, “classism”, “discrimination”, and “patriarchy” are all used in specific ways to draw attention to the plight of marginalized people and challenge those who deny the existence of systems of oppression. Yet these words and their meanings can be twisted to attack, exclude, and invalidate people with differing opinions on any given topic. When social justice and feminist terms are thrown around antagonistically and carelessly to push a personal agenda, it becomes clear that these terms are being used to engage in disingenuous discourse and pursue personal validation rather than being used out of any deep-seated conviction to dismantle systemic oppression. Being an ally, activist, or feminist is not an identity, it’s a practice. It requires: ongoing self-reflection; holding ourselves accountable; listening to marginalized people; educating ourselves; dismantling implicit biases; challenging those around us who are exhibiting problematic behaviors; and action behind our words.

It’s important to be aware of the language that is used within the fandom when defending or critiquing characters and ships. It’s also important to question how an argument is framed and why it’s framed the way that it is to critically examine the intent behind that argument: is it used as a tool to push a personal agenda that reinforces problematic behaviors, or is it used as an opportunity to share, learn, enlighten, and educate?

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Tagging: @spell-cleavers @bookofmirth @m0bulidae @ilya-boltagon

#elain archeron #elriel #acotar fandom #acotar: fandom critical

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the-blue-fairie · 3 years

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Elsa’s scars are because of a complex interplay between the pain of the accident AND the pain of her upbringing thereafter.

I talk about the ways in which the trolls’, Agnarr’s, and Iduna’s choices negatively impact Elsa and Anna a great deal. It’s a complex subject to discuss - and I feel like I’m always returning to it because the fandom often tries to reduce it to black and white.

On the one hand, there are people in the fandom who vehemently dislike Agnarr and Iduna and portray them very negatively.

On the other hand, there are people who love Agnarr and Iduna and try to defend their every action, even when their actions hurt their daughters.

And... the trolls don’t usually get brought up at all. I mean, there are definitely folks who point out that the trolls are to blame for stoking the whole royal family’s fears... but I don’t think people can see their pain as easily in the abstract magical characters’ actions, so they just don’t dwell on them as much.

In my opinion, both extremes are approaching the matter in the wrong way. I don’t agree with people who hate Agnarr and Iduna. I don’t agree with people who paint them simply as abusive parents. In both the first film and the second, Agnarr and Iduna are good people trying to do their best in a painful situation. BUT, at the same time, their parents’ actions and the trolls’ actions hurt both of the sisters - and I feel like, when people bend over backwards to defend their actions, people ignore the hurt they caused.

AND, in some ways, I feel like the second film encourages this black and white thinking. The second film WANTS viewers to ignore the negative ramifications of the trolls’ and the parents’ actions. That’s why the film proper never discusses Agnarr’s and Iduna’s or the trolls’ actions while the sisters were children - opting instead for the tie-in book Dangerous Secrets to discuss those events... a tie-in book that, however well-written, will only reach a select audience while the films will reach a far wider audience.

This bothers me because it usually means I see people ignoring many of the external forces that caused Elsa to grow into who she is as a character.

In some cases, these are people who simply treat Elsa like a bad person because they ignore all the context that informs why she behaves like she does.

BUT, at the same time, I have friends who are deeply sympathetic to Elsa... but can’t seem to process how deeply Elsa’s upbringing informed who she grew up to be.

Like, I’ve had long discussions with friends who have told me that, if Elsa was raised differently, she would still grow up the same because her trauma comes from the accident.

I feel this represents a gross misunderstanding of how child development works.

Yes, Elsa was devastated by the accident. But consider her actions and body language immediately thereafter:

Her first instinct is to run to Anna and hold her in her arms. Even after her parents coming rushing in and her father asks what she has done, she defends herself, saying, “It was an accident. I’m sorry, Anna.” She still holds Anna close:

Elsa has to be taught to recoil, to shrink away, to keep her distance from Anna.

Elsa’s fear is learned. We only see her truly starting the pattern of shrinking away, of curling inside herself with fear of herself after Pabbie shows her an ominous vision, telling her there is “danger” in her powers.

A fear of herself that continues thereafter, after she has processed that she is and so begins to see herself as a danger:

Yes, the accident itself scarred Elsa. But to say that, “If Elsa was raised differently, things would have turned out the same because her trauma emerges from the accident” is simply wrong.

Elsa was a child being influenced by adult authority figures who ultimately failed her.

Pabbie igniting a vague and fiery vision of danger before an impressionable child influenced her, helped to cement the idea in Elsa that she is naturally dangerous.

Agnarr and Iduna separating the sisters reinforces to Elsa that there is something wrong in her - something she has to repress.

Keep in mind, I’m NOT saying this to demonize Agnarr and Iduna. As this moment shows, they are heartbroken the more Elsa shrinks from them. They love their daughter, and hate to see her hurting like this:

BUT that doesn’t change the fact that their actions helped to hurt her. Inadvertently, I know. But they still did.

To ignore the influence of the adult authority figures on who Elsa became is to ignore the complexity of how children interact with the world, how they respond to elders who are in positions of power. Elsa trusts the signals given by the adults around her. When Pabbie tells her there is “great danger” in her powers, she believes him. When her parents tell her that it is a necessity that she isolate herself and conceal herself, she trusts them.

Sometimes, certain people make much of the nuances of Pabbie’s words or Agnarr’s words. They point out that Pabbie also says there is beauty in Elsa’s powers and that “Fear will be your enemy” also refers to Elsa’s inner fear of herself. They comment that “Conceal it, don’t feel it” is not the same as “Conceal, don’t feel.”

The thing is, these readings put the blame on Elsa for misunderstanding - instead of putting the blame on the adults for inadvertently imparting hurtful messages to a child.

It shouldn’t be placed on the shoulders of a child to decipher a cryptically worded aphorism. It should be on the adult figure, especially when this adult figure is an ancient and wise being.

And really, for all the distinctions between “Conceal it, don’t feel it” and “Conceal, don’t feel,” their essence is still the same. The misguidedness of concealment, of not feeling something that is a part of you, is still rooted in the words regardless of which version we choose.

Elsa, as a child, was still told by the adults around her that she should keep her distance from others for their protection and so, as she grew older, she took that more and more to heart. She grew into what she had been taught - even though the teaching initially came from a good-hearted place.

Sometimes, I’ve had my friends ask me, “But by putting all this focus on Elsa’s influences growing up, are you sure you’re not losing focus on the pain Elsa feels because of the accident itself?” And... no, I’m not. That’s why the title of my post is, “Elsa’s scars are because of a complex interplay between the pain of the accident AND the pain of her upbringing thereafter.” Because I WANT this post to be a nuanced reflection.

But... if Pabbie hadn’t shown a vague and terrifying vision to and impressionable child and her frightened family... you can’t tell me things would have been the same.

If Iduna and Agnarr hadn’t limited Elsa’s contact with people, you can’t tell me things would have been the same.

A friend once pointed to the trail of ice Elsa makes on the journey to the Valley of the Living Rock, arguing that this shows Elsa’s loss of control and panic before Pabbie stresses that she is dangerous - and therefore arguing that this highlights that things would still turn out the same for Elsa growing up even if the trolls and her parents made different choices because she fears what she can do:

I feel my friend’s reading here is... a bit of a stretch. Elsa is scared, yes, but the self-hatred that defines her as an adult? That comes later. That, she has to learn. And it is that self-hatred and fear of herself that paralyzes her.

And I’ve had friends point out, “But Elsa WAS dangerous! She DID hurt Anna, and that’s tied into her stress with wanting to protect her, and that was before the trolls or her parents had any involvement...”

I don’t like this take because it seems to put an impossible amount of weight on Elsa as a child. It asks Elsa as a child to be perfectly composed. To not be scared for her sister’s safety. To... not feel.

It’s a take that follows the misguided logic the film ultimately refutes while defending the mistakes that caused that misguided logic to do so much harm.

And, yeah. Sure. Elsa becomes scared. In the ballroom and riding through the forest. She’s a tiny child.

That doesn’t justify teaching her to fear herself, actions that only make the problem far, far worse.

And you can say, “Well, the adults didn’t MEAN to teach Elsa that-” I know they didn’t mean to do it.

But showing a terrifying light-show to a little girl will impact her, regardless of what Pabbie meant. Especially when he does not clarify.

But slamming the gates shut will have a powerful psychological effect on both Elsa and Anna, regardless of what their parents meant.

Elsa was a child.

Children learn from their surroundings. They respond to the actions of adults they trust, adults they love. While the accident itself impacted Elsa, we cannot ignore that the way she was brought up thereafter also had a profound effect on the way she saw the world, the way she responded to the world.

Elsa was a child being influenced by adult authority figures who ultimately failed her - and the fact people are so willing to put the weight of that on a child instead of the adults surrounding her is troubling to me.

The fact that the second film kind of tacitly puts the weight of that on Elsa’s shoulders by only making abstract references to “fear” - instead of openly talking about the complex circumstances Elsa and her parents found themselves in - is troubling to me as well. It allows viewers to disregard the more complicated elements of Elsa’s relationship with her parents and only focus on the positives the second film puts on display.

(Keep in mind, I DON’T intend this post to be anti Agnarr and Iduna. I love them as characters - ESPECIALLY Iduna, with the backstory F2 offers. Agnarr and Iduna are good people. They are loving parents. They were put in a horribly complicated position... and ultimately their actions - for all their good intentions - had negative consequences.)

#frozen #frozen 2 #elsa #bigfrozensix

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cealchylle · 3 years

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I don't want to start drama, so I'm blocking the name here and please don't bother them. But I feel like as a fandom elder I need to make an important point.

This is part of a really harmful attitude that can translate into the real world where men (usually cis white men) are centered above anyone else. They are painted in the most sympathetic light possible due to their tragic backstories in a way that women or poc are not.

And it doesn't matter that they think he is "feminine-coded" or whatever. Or that his race is actually "blue" (yes, this is a real argument I saw 🙄). Please read this excellent article for info on the incorrect use of coding for white characters. He is presented as a cis white man and is played by a straight cis white actor (that they are also obsessed with) so this is how the general audience sees him. Frankly you are projecting anything else onto him in an effort to detract away from the fact that you are so obsessed with this male character to the point of excluding all others and it's...telling.

Sylvie and Mobius both have tragic backstories too. Yet they are vilified and called abusive. Why is Loki the only one deserving of sympathy? Why is he the only one who is misunderstood? He's a murderer. He's done terrible things. He admitted it himself.

In the real world, white men have this same privilege of being viewed with sympathy. They are afforded the full range of human emotions, and seen in the best, most positive light, no matter how shitty, abusive, or toxic they may really be.

This comment is someone going out of their way to center Loki and his feelings only. Why is she hurting him? What about how Sylvie feels? Loki promised he wouldn't let her down, but he did. He hurt her too.

Anyway, I'm not out to write a dissertation here. I'm just very critical of this centering of white men to the point where all others lose dimensionality. And specifically this goes for villainous characters, whatever their redemptive status (Mobius is also a white man who isn't excused this way, in fact he's literally been compared to a Nazi). It's like "I can fix him, I understand him." No, you need to gain some perspective and realize this is a fictional character and not your manbaby to save.

#there are a lot of parallels to kyle ron stans #and it's pretty disturbing #i'm going to tag this sylki #to keep away the series haters #sylki #loki x sylvie #loki #loki series

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eldragon-x · 2 years

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I am curious, could you maybe go into depth on your issues with people's interpretation of Wittebro? Not sure I will agree, but interpretations do interest me

I'm just gonna go all-in with how I feel about Wittebro ect. because I honestly don't want to talk about him anymore unless the show brings him up again, plus my thoughts on him are kinda scattered across a few posts and it's probably better if I just pile it all onto one post.

Spoilers for the whole show up until "Hollow Mind" under the cut.

I already didn't like how people immediately went "Hey what if Wittebro is a good guy?" after Elsewhere and Elsewhen confirmed that Philip is Belos and was already awful back then because my first thought was "Aren't both of the Wittebane brothers settlers?".

Because to my memory, Yesterday's Lie mentioned that Gravesfield was founded by the Wittebane brothers as a colony. I need to point out here that I didn't remember that completely right, as it's technically only said that Gravesfield was founded as a colony and the brothers lived there, but the fact that the episode shows us a shot of a statue of the Wittebane brothers in the town certainly has implications. People also picked up on there being at least a metaphor about colonization in the story after EaE with Philip calling witches barbarians and later claiming they aren't using magic "properly" and forcing them to change that as Belos.

I'd also hang on the choice of the time frame being within the 1600s, but I can imagine that being there to have a connection to witch trials and puritans which is a whole thing with Belos as well.

Now Hollow Mind has given us an implied backstory about how Belos killed Wittebro because he changed his ways and started a relationship with a witch who may or may not have been a Clawthorne and I don't really like that! It seems to paint Wittebro in a positive light which isn't great for the reasons I've mentioned above.

Another problem I have with fan interpretations of Wittebro has nothing to do with serious real world historical topics, but I'm including it because it still makes me bitter about this character.

Hollow Mind confirmed that not only is Hunter a clone of Wittebro, Belos made several clones of him throughout the years that he all killed and replaced whenever they stepped out of line. And the way I've seen some people read that is that all the clones are bound to step out of line because Wittebro, in Philip's eyes, stepped out of line and the clones still have an essence of Wittebro in them which... I think that misses the point of the whole Grimwalker thing.

Belos clearly doesn't see the Grimwalkers as individuals, just copies of his brother that he created in an attempt to have an idealized version of him. Belos even says that "it hurts everytime he (Wittebro) chooses to betray me (Belos)", driving it home that he really doesn't see them as their own people. But we know that they aren't just incarnations of Wittebro. We don't really get to know any of the other Golden Guards, but we clearly know that Hunter is his own person. If you ask me, the whole point isn't that the Guards keep going against Belos because "they are essentially Wittebro", but because they eventually realize how bad Belos really is (as is the case with Hunter) or they don't put up with his abuse anymore. And Belos just keeps loosing because every single time, he forces the identity of a long dead man onto the Grimwalkers.

Considering that and the whole possible relation to the Clawthornes however, I'm actually kinda afraid the show is going to just end up projecting Wittebro onto Hunter. With Hunter being a clone and building his entire identity around Belos, it would be really compelling if he has to find his own identity now. But if instead it's just going to be "oh actually, Hunter is a reincarantion of Wittebro", that would be dropping the ball. I'm mostly worried about that because it's very much implied that Flapjack was Wb's Palisman and we know bird Palismen are usually a Clawthorne thing.

#I hope this is comprehensible I just kinda went off on the spot #but yeah basically. I dont like the dead british man and I hope the show isnt going to try and make us care about him through Hunter.#owl house

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scaip · 3 years

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When villainesses take the lead

We are the generation that grew up watching shows such as Digimon, Inuyasha and The Vision of Escaflowne. There is something attractive about works that involve journeys to other worlds with fantastical settings and exciting adventures. Let’s say, you have your normal fantastical plot: a common person falls into another world. There, they may develop or discover the possession of magical powers, live lots of magical occurrences and even may end up finding love! Magic Knight Rayearth, SAO and Zero no Tsukaima come to my mind, among others.

What’s so interesting about this type of fictional works? We receive the chance to explore themes of our interest, fulfil personal fantasies and escape from our common lives (the real world is already complicated on its own). This article shows how Escapism has its value.

There is a very interesting paradigm going on on Asiatic media concerning travels to other worlds. In fact, according to TV Tropes, this type of fictional work is called Isekai in Japanese media and it’s treated as a genre of its own. And yet, nowadays I find a very interesting twist in this type of media, a twist that makes things very entertaining.

The names of the works I’m talking about sound cliché and melodramatic: ‘My Next Live as a Villainess’, ‘Death is the Only Ending for the Villainess’, ‘The Villainess Lives Twice’, ‘The Villainess reverses the hourglass’. Others are more indirect, such as ‘The Abandoned Empress’ and ‘Your Throne’. Most are told from the point of view of females who have a traditional antagonist role.

I’ve always enjoyed ironic consumption, and these titles worked as magnets to me. What I ended up finding was a refreshing surprise: common women who fell into fantastical worlds made from the plots of novels and games they consumed in their free time, or more traditional ‘villainesses’ who travelled back in time to fix what was wrong in their first lives. In the first case, we would see normal girls who found themselves inside the bodies of ‘villainous’ characters and desperately trying to avoid their bad endings by the use of their knowledge of the plots while commenting on clichés and traditional tropes. In the second case, we see female characters who more or less identify with their ‘villainous’ role and try to change their bad outcomes while learning about themselves and what drove them to make their bad choices.

What do these types of works have in common? They are genre deconstructions. According to TV Tropes, deconstructions happen when a fictional work takes its elements apart and shows how certain elements would work in real life, by contrasting them to ‘real situations’ or parodying them. Sarcastic main characters help, too.

There is a very interesting trend among Asian Media (mainly works made by Korean authors, but there are Japanese too) concerning the deconstruction of traditional stories directed to the female public.

Why is this expression of the isekai genre so interesting?

First, because most stories deal with settings of historical fantasy, where we can indulge ourselves with beautiful Period dresses, gorgeous mansions and attractive love interests. One can’t help but remember the works of Jane Austen or the Brontë Sisters.

Second, because the twists of these works feel refreshing. We consider other points of view. We see why villains become what they become. We get to learn new plot points. Deconstructions give an interesting dose of realism and pragmatism to stories. They are refreshing because they give new angles to an old genre and we can identify with the situations.

But let’s not forget: the focus of this essay is villainesses. We get to see the story from the point of view of female characters who don’t portray themselves as good people and some even feel content with their roles.

Raised in a world where women receive lots of double standards, being pressured from young ages to be proper and good and yet receiving worse punishments than guys for doing the same things like them as a result of unrealistic expectations, along with some unhealthy extremes of social justice culture, where we are oddly pressured to change ourselves and learn from our mistakes yet we are not allowed to fully grow from them, it isn’t hard to identify with villainesses. After all, it is unavoidable to find ourselves as the villains of someone else’s life events. We are not perfect people and we fuck up sometimes. Especially when we are young.

So, why are villainesses so interesting? Because they fuck up, too. These characters don’t try to be saintly good girls and they acknowledge their situations. There is an interesting dose of cynicism underlying these works, in some, it’s more open than in others, such as ‘Your Throne’. Some female leads are noble demons who try to not drag third parties into their schemes, like Medea Belial in the work I previously mentioned. Others define themselves as villainess yet behave as anti-heroines are their worst, such as Aria Roscente in ‘The Villaines Reverses the Hourglass’. And others are heroes who still place themselves in the roles of villains, like Catarina Claes in ‘My Next Life as a Villainess!’’.

What do these three have in common? The leads also have internalized in themselves some moral standards about good and evil.

I don’t think it is surprising to find these types of works during the current fourth wave of Feminism we are living in. Terms such as internalized misogyny, double standards and deconstruction are concepts I learned these past years thanks to social media. So, why do I believe these types of Isekai novels that focus on villainesses are so relevant? Because we see other females’ points of view, we understand their positions and sometimes get to see that the true villains are other characters. Most of the villainesses of these works are, in fact, women with terrible social reputations who behave as anti-heroines at their worst.

There is a reason why the social settings of these stories are during past times. The authors of these works are deconstructing tropes from both old and new media. They are giving voices to Other Characters and show them in a realistic light, they write about flawed women who try to survive in a world full of unrealistic expectations, and that is true for both past and actual times.

It isn't hard for me to recall works such as Northanger Abbey or Jane Eyre. There are reasons why Period novels are still relevant these days, but that it’s not the topic I want to address in this essay. Here is this interesting article that analyses the success of Jane Austen works, while this note from the Guardian does the same for the Brontë sisters. Of course, experts and critics would get annoyed at me for putting Jane Austen and the Brontë Sisters on the same page, but please, bear with me: I’m talking about fictional works that deal with abuse, machismo, dysfunctional families and difficult childhoods, subjects still relevant to today. So, what’s so interesting about recalling these themes? It’s the way some Asian authors knew how to retake these stories, added some fantastical elements and still deconstructed others, providing us with a refreshing result.

Most of the isekai works I mentioned above are told from the point of view of young girls who are isolated for their social positions, because they come from other worlds and know that their ‘new bodies’ are doomed to die and more.

Imagine being reincarnated as the pretty daughter of a noble family and yet... you find yourself hated and isolated from others, in a situation you cannot control. And you can be murdered in cold blood if you don’t make the right choices. These works make it very clear some situations are ugly and dangerous. They are not painted in a romantic light. And the main characters acknowledge it.

Naturally, there are aspects we could criticize of these works. For example, the main leads usually are white thin ladies in gorgeous period dresses, who despite their issues still benefit from privileged backgrounds. And few of these works address LGTBQ+ representation, as most of the endgames are attractive male leads.

But then, this is not about pitting people against each other. It’s about acknowledging a new paradigm in story-telling, one that subverts and parodies plots.

Change is brought over by small steps. And I think we are going on a good path.

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Update (July 22nd): I see this post is reaching some people. If you feel like it, what about buying me a coffee?

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ack3rlady · 3 years

Text

The Universe Had His Back - Chapter 5

Sunrise

Summary: The aftermath of the breathtaking encounter between reader and Levi when true feelings are revealed

Chapters: Four | Five | Six

Master List

Warnings: Fem! Reader, Angst, Fluff, Modern AU, Reference to alcohol abuse, slight swearing.

Word Count: ~ 2.5k

Inspiration: Starry Night - Suho

Tags: @sooibian, @queenofcurse, @red-n-tall ; Anyone else who'd like to be tagged, please let me know!

You accepted Levi’s offer to drive you home, a decision you would come to regret the moment the car was in motion. The journey was quiet, with you mostly looking out of the window as he drove. Your greed for more time with him that you didn’t account for how dejected you would go on to feel once the adrenaline dried out. You hadn't exactly ended things with him on amicable terms. The ride home in his company just added salt to the unhealed wounds. Levi turned his head towards you several times like he wanted to say something, but didn't.

“How’s Luna?”, your words finally cut through the silence, voice low and shaky.

“She’s fine. Isabel stayed at home with her today.”, he responded, eyes focused on the road.

Then it was quiet again. It took all the strength to bottle up the multitude of emotions building up within you that were burning to be expressed. So, you decided to focus your attention on the row of lush green trees along the sidewalk, whirring past you.

Levi quelled his desire to lay his hand on yours more than once; intertwining your fingers snugly together while you ran soothing circles on the back of his palm - something he always did while driving with you by his side.

‘Old habits die hard’, he thought. Neither of you uttered a word again till your apartment building was around the corner. You sat glued to your seat, unmoving even after he parked.

“You know that you could just come see her, right? She asks about you every day.”, Levi’s gaze was still fixed on the car parked in front of his own, his voice barely audible.

You sighed, feeling ashamed for depriving your own baby of your presence.

“I’m not ready. What if I can't keep it together in front of her? I need to get better before she sees me.” you despaired, looking down at your feet, too afraid of the effect on Luna if she saw you like this.

“I’m going to be right there with you. And how do you expect to get any better if you deny yourself the exact person who is capable of making you feel so?”, Levi turned in his seat to face you, placing a firm hand on your shoulder.

He was right. Of course, Luna was the only one who could pull you out of this abyss. Why had you been running away from her this whole time?

“C-Can I come see her after work tomorrow?”, you squeaked.

“You don’t have to ask. We’ll both be waiting for you.”, he whispered moving his hand to rest on top of yours.

You finally mustered up the courage to look towards him. He wore the same smile on his face that you had been in love with for the last eight years; the exact one that always assured you that everything was going to be okay.

Reader’s POV

You entered your apartment and laid the shopping bags on the counter. Taking off your shoes, you placed them neatly on the rack by the door, taking a little step towards keeping the word you gave Miche this morning. It was late in the evening; the Sun having just set. You glanced around your gloomy apartment, at the dark shadows and how even the brightest colored paints and fabrics looked somber in the dusk’s dullness. The eeriness of the space was starting to eat at you when something shiny on the kitchen platform caught your eye. It was a bottle of whiskey, its amber liquid gleaming in the residual rays of light entering through the window.

The conflict in your head began as you started walking towards it absentmindedly. Was tonight going to be the same as the other wretched ones of the last two weeks? Faces of Luna, Levi, Miche and Nanaba flashed before our eyes as you inched towards the humble kitchenette. Finally at your destination, you picked up the bottle and stared at it, putting up a hard fight against the demons in your head.

You jumped when the door to your apartment suddenly slammed open, making the bottle almost slip out of your hands.

"Sweets!", A loud voice called out to you, the light from the window reflecting off the intruder’s glasses.

It was a moniker given to you by your dear friend based on "your profession and character" as they liked to call it. But the truth was, it was a part of the 'couple name' they had created for you and Levi called 'Short and Sweet', earning them a few punches from the holder of the other half of the title.

“Hange, you almost gave me a heart attack! What are you doing barging into my apartment like this?”, you grumbled.

“Well, your door was unlocked. So, how was your run in with Shorty? Tell me everyth... What the fuck is that?”, they began with excitement, but it dissipated as soon as they switched the lights on and spotted what you held in your hands.

You looked like a thief caught in the act. Guilty.

“It-It's nothing. I wasn’t drinking it.”, you stuttered, hastily putting it away.

“You mean you hadn't started drinking it yet?”

They were probably right. That’s how your evenings usually began these days. You tried your hardest to conquer the need for a drink, only to eventually give in and ending up passed out somewhere in your apartment.

Your train of thought was interrupted by a knock. Miche and Nanaba tiptoed inside through the still unlocked door with guilty smiles, as if ready to turn on their heels in case if you decided to chase after them.

“So? How did it go with Ackermann?”, they asked eagerly in unison.

“Wait. Was my day broadcasted in the news or something? How do you already know?”, your face had a giant question mark stamped on it.

“Who do you think brought it all together?”, Hange grinned, proudly wiggling their eyebrows.

You furrowed yours, and audibly gasped seconds later when it hit you. The sequence of events played before your eyes; how each person you had seen today and led to you meeting Levi. First Miche and Nanaba, then Suki. Your jaw slacked, and you gaped at each one of them in complete disbelief at what they had just pulled off.

Miche quietly slithered to position himself closely beside you and wrapped his arm around your shoulders – a little too tight. Well, you were contemplating introducing their jaws to your fist, so you guessed he was just being cautious.

“Who else knew of this?”, you hissed.

“Not Shorty, if that’s what you’re asking. I cooked up the idea. But it was Erwin who played commander and assigned roles! Everything from you and Levi having the same day off work, Suki and Furlan pestering you two into going with them, Nanaba and Miche forcing you out of here, Isabel staying home with Luna so that Levi could leave, and now us being here to witness the success of our little project, it was brought together by him. In fact, Erwin is checking in on Levi as we speak!”, Hange exclaimed triumphantly.

You felt stupid after finding out that you and Levi got played by practically everyone you knew. How were they this good at keeping it under wraps?

“Why did you do this?” You asked.

“Because you are both too stupid realize how crazy you are about each other and how this estrangement is paining you. So, we just decided to nudge you in the right direction. You’re welcome, by the way!”, Nanaba grinned.

“What are you even talking about? He’s the one who willingly ended what we had.”, you despaired.

The memories of the months preceding the divorce were fresh in your mind. Levi couldn’t stand being in the same room as you for more than a few minutes at a time, constantly falling out with you over something or the other. You remembered how much it hurt when he always seemed irritated by your sheer presence.

“Rubbish! You should know by now that Shorty is a complete moron with his feelings. Don’t you remember how long he stalled asking you out on a date all those years ago? And also, how I finally had to ask you for him? This is history repeating itself, silly!”, Hange chuckled, gently flicking your forehead

“Erwin and I see him every day, Sweets. We know how much he regrets letting you go. But he’s too much of a chicken to do anything about it. We’ve been badgering him to reconnect with you for a while now. But he was terrified of making a move. The dumbass is utterly in love with you. Precisely why Erwin and I decided to take matters in our own hands.”, they stated matter of factly.

The barrage of information caught you completely off guard. But you couldn’t help but dwell on one detail in particular -

“He’s still in love with me?”

Levi’s POV

Levi felt restless on the drive back home, aimlessly fidgeting with his seatbelt and rapidly tapping his fingers on the steering wheel. He was worried about you. Well, he always was, but more so because of what happened today. He suppressed the constant urges to turn his car around and return to you because he needed to get home to Luna and relieve Isabel of her baby-sitting duties.

He parked the car in the driveway and walked through the front door, momentarily freezing upon seeing a tall blonde man seated on the couch with Luna half asleep on his lap, immediately relaxing after recognizing who it was. He was reading her a story from one of the many books you had bought while Isabel was lounging on the loveseat beside them, her face glowing under the light from her phone screen. All three turned to Levi upon hearing the jingling of his keys.

“Papa!”, the little one was refreshed by the sight. She ran to greet her father by wiggling her way off the man’s lap and on to the floor and hugged is leg.

“Hi, moon beam! Erwin, what are you doing here?”, he asked as he gave Luna a kiss and then looked up at the man.

“I’m here to check in on you. How was your meeting with uh... ahem?”, Erwin cleared his throat instead of mentioning your name in the toddler’s presence.

“Check in on me? How do you know about that? What did you do?”, Levi’s temper audibly rose with each question.

“I’m going to tuck Luna into bed, and you are going to wait right here for my return. We need to have a little chat.” he glowered at the taller blonde before he could answer, ignoring the sheepish smile slapped across his little sister’s face.

Luna was out cold the moment her head rested on the pillow given how worn out she was after horsing around with Isabel all day. Additionally, story time with Erwin already had her feeling drowsy by the time Levi had returned home. Ten minutes and a few goodnight kisses later, he was sitting at the dining table with the two adults, sipping tea that Erwin had just brewed.

“When do you plan to start telling me what is going on? I could have had dinner during the wait.”, he jibed.

“I take it that Suki and Furlan were successful in bringing you two face-to-face?”, Erwin’s tone was casual, maintaining steady eye contact with his old friend.

He proceeded to explain in great detail, how he and Hange worked with both your close friends to hatch this plan.

“Can’t you two keep your eyebrows and shitty glasses out of my fucking business?”, Levi growled.

“Since you both can’t communicate like mature adults and figure things out for yourselves, we had to step in as catalysts. Hange is at her apartment right now, making sure she’s okay.”, Erwin kept his defense short.

Levi was at a loss of words. Sometimes he felt like he wasn’t worthy of his two friends. Hange and Erwin always went out of their way for him when he was hit with a challenging situation, and all he ever did was snivel about it.

“Fine. I’ll give you both credit where you deserve it. I had been wanting to see her myself. But I didn’t know what to say. She is coming over tomorrow to see Luna. So, thanks, I guess.”

Erwin knew that this was the closest thing to an apology and appreciation that he was going to get from Levi. So, he took it with a smile.

“Awesome!”, Isabel's scream cut through the calmness.

“And you.”, his fiery gaze landed on her at the far end of the table where she strategically seated herself away from the reach of her older brother in case if he was particularly irked. “I’m going to take care of Furlan later. But you too are hiding things from me now?”,

“Hey! I was just following Erwin's orders! And how could I say no to having my favorite person all to myself for an entire day?”, she reasoned, her face resembling a cartoon cat that Luna was fond of; Puss in Boots, was it?

“So, how did it go?”, Erwin intervened before Levi could scold her further.

Levi took a minute to gather his thoughts. Images of your face flashed before his eyes, making his tense posture relax significantly.

“I - I don’t even know how to describe it. I feel like for the first time in forever, I might sleep well tonight just because I met her. She looked so beautiful.”, his lips showed signs of the smallest smile as he ran his fingers along the rim of his teacup, gazing at the dark liquid contained within.

He quickly composed himself after realizing that he had in fact just said these words out loud and they were not just in his head, but it was too late. Isabel oohed with amusement and yelped after receiving a flying spoon to the head from him.

“It was also... a stark reminder of what an absolute piece of shit I have been to throw away everything we had. She’s in so much pain.”, his softened expression clearly revealed the despair behind his words.

“As are you, Levi. You made a grave mistake. Unfortunately, you're not the only one who is paying for it. But there is no use lamenting over the past, is there? What counts is what you plan to do now. Have you decided what you will say to her when she visits?”

Levi let out a long, suffering sigh. “I regretted what I did the moment I came back to an empty home from the court that day, Erwin. Seeing her today only reaffirmed how shitty my life is without her. I need to win her back. I’m afraid she’ll reject me after what I did to her. But - But she still needs to know that I -

I’m still in love with her.”

Chapters: Four | Five | Six

#levi x reader #levi ackerman x reader #levi ackerman #attack on titan #snk #shingeki no kyojin #levi ackerman x fem!reader #levi ackerman fluff #levi ackerman angst #levi ackerman fic #levi ackerman imagine #levi ackerman headcanons #domestic levi #dad!levi #aot fic #aot x reader

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therealvinelle · 3 years

Note

Do you think that in the upcoming book Smeyer might "redeem" some of the Volturi guard? Plenty of them are given symphatetic backstories, and it is implied that they are compeled by Chelsea to be in the guard. While I don't neccessary agree with the later, it is what Meyer intended, probably for a reason

I think a very likely outcome is that Aro and Caius will be killed. She quite clearly intended them as evil, so pruning the tree, so to say, will leave the healthy branches.

Meyer very much set out to make Aro and Caius villains, with Caius being an out and open bad guy while Aro is the more insidious type of evil who’ll smile to your face but do anything for power. And sure, I agree, Aro will do anything for power - but him having power is a good thing. Whether some of Aro’s more dubious actions (namely the murder of Didyme) are morally justified is an interesting philosophical and ethical question, the trolley problem writ large, but overall I don’t think anyone can argue that the world would be better off without him.

Then there’s the fact that Aro never does anything wrong over the course of these books, something Meyer quite simply doesn’t seem to realize. For instance he is supposed to be corrupt and abusing his power, yet we never see him do this. Quite the contrary, he is a fair and generous leader at every turn.

Alas, he has been cast as villain, and so has Caius, and they live in a universe written by an author whose idea of a happy ending is radically different from mine.

My best guess is that Aro and Caius are killed, and then Sulpicia and Athenodora take the reins, alongside Marcus. With the ever so evil tyrants dead, fair rule may resume and the vampire world won’t quiver in fear of that wicked Aro going around accusing people of committing crimes anymore. From now on the Volturi will... well I’m sure they’ll find something to do. Smoke Corin, maybe.

There is the concerning matter of what’s to be done about some of the Volturi guard members she painted as less sympathetic. If Jane and Alec were older, I’d have them pegged for death as well, or at the very least Jane. As it is, they’re both children, which might become their saving grace as I’m not sure Meyer will actually write her beloved characters murdering children. But I could be wrong, especially considering how Breaking Dawn sees Bella seriously considering killing Alec, while Kate expresses a desire to electrocute Jane. Both of these women are presented in very positive, sympathetic lights when they say this, no hint of condemnation. In other words, I worry for them. Jane especially.

I could also be wrong about this. Meyer is a maverick and I can’t predict her.

#long post #jane #alec #aro #caius #stephenie meyer #twilight #twilight meta #twilight renaissance #volturi

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thechangeling · 3 years

Text

Tell me a story

Ty doesn't believe in fate.

A shout out to @ilikebooks8 for convincing me to make a fanfic about autistic!Eleanor Blackthorn. Autism is genetic so it makes sense for Ty to have autistic ancestors. If you are autistic I guarentee you have someone in your family who is also autistic they just haven't been diagnosed yet. For me, I've got my dad.

Cw: mentions of ableism, abuse and the death of a minor character. Very anti Andrew Blackthorn.

"Tell me a story," Tiberius' asked, in that mature, matter- of-fact way he spoke. Ty was only eight but already he sounded like a boy twice his age in terms of his vocabulary and the way he spoke.

Although he still had the voice of a child which was rather amusing. Eleanor turned to face her son with a groan as she felt searing pain shoot through her bones. She had been laying down all day due to feeling extremely unwell. The noises and lights of the outside world were especially brutal, but she had gotten used to it overtime. She had learned to cope. To smile and nod and make eye contact. To control her movements and still her hands and laugh at their jokes.

Eleanor played the part of the proper shadowhunter and the dutiful wife, the attentive mother. It didn't matter that it had changed her. Had completely turned her into a different person, someone harsher and colder. Someone who was so quick to anger and venomous hatred.

Someone who only knew how to be in pain.

She always tried to not let that side of her show to her children. They didn't deserve it. But the past few weeks in particular had been brutal. Her body felt broken and it was becoming harder and harder to put up that facade.

She faced Ty with the best fake smile she could muster. "Which story would you like to hear?" He climbed up on the bed beside her and sat down in an odd twisted position where his legs were in a W position. He began tapping his hands on his knees as he appeared to contemplate his choices.

Eleanor could remember a time when she was younger when she used to do that. Before her parents had stopped her. She knew she should really tell Tiberius off to discourage him from doing these things in public. He was so blatent and open in a way that frightened and almost angered her. There was no telling what kind of reaction The Clave might have.

She didnt want him to end up with the dregs, or worse.

"I don't know," Ty said finally scrunching up his eyebrows. "I can't think of one right now. Could you make one up?" Eleanor smiled in spite of herself. She had always loved making up stories ever since she was a kid. She had always been a creative person, painting and drawing as often as she could. Shadowhunters didn't really appreciate a creative streak.

Eleanor nodded. "Ok sure, let's see." She took a breath, trying to ignore the agony spreading through her back and shoulders. "Once upon a time there was a prince who was trapped in a tower that was guarded by an evil ogar. The prince had been rumored to have special powers so he was forced by his parents to stay locked away in the tower forever to keep him safe. He wasnt allowed to make friends with any other children so he grew up alone. Teaching himself how to read and write and playing games to amuse himself."

Ty rolled his eyes. "Isn't that rather cliche? The whole prince trapped in a tower story? I've definitely heard that before."

Eleanor laughed. "Where did you hear the word cliche Tiberius?" Ty shrugged, not seeing the amusement in the situation.

"It was in a book. Can you keep going?" He whined impatiently. "I wanna hear the rest."

Eleanor sighed, shaking her head good naturedly. "Alright then. So the prince was trapped for a very long time. Then one day a mysterious adventurer came exploring nearby the tower."

"Can it be a detective?" Ty interrupted, bouncing up and down. He had been obsessed with Clue lately.

"Alright sure, it was a detective. He was searching the answers to a murder mystery. The murder of a young women." Ty instantly looked interested. Perhaps murder was not the best subject for a story being told to an eight year old, but Ty was a shadowhunter. They were trained to deal with blood and death.

"His was searching for information and came across the tower," she continued. So he decided to investigate. He snuck passed the ogar and into the tower, where he was ambushed by the prince!"

Ty gasped excitedly, wriggling in place. "What happened next? Did they fight?"

Eleanor opened her mouth to continue, but then the bedroom door flew open, startling them both.

It was Andrew. Instantly Ty shrunk himself down, hunching his shoulders. Eleanor knew that Ty didn't always get along with his father but she knew Andrew still loved him deep down. He glared at them both.

"Ty your mother is meant to be resting," he said pointedly.

Eleanor shook her head. "Oh no it's alright. He wasn't bothering me." Andrew didn't seem to hear her.

"Tiberius let's go," he said harshly. Ty hesitated for a moment, looking up at her.

"But I wanna hear the rest of the story!" He protested. "I wanna know what happens to the prince!" Eleanor sighed solemnly. She didn't want to disappoint Ty, but she was feeling pretty worn out.

"Another time baby," she assured him. "I promise."

But unfortunately she never got the chance. She never got the chance because little did they know, Eleanor Blackthorn had cancer. Something that silent brothers couldn't cure. Something that shadowhunters were powerless against.

"What are you thinking about ?" Kit murmered from his spot curled up against Ty's chest. His breath tickled Ty's chin.

Ty paused, not quite sure how to answer. They were lying on the roof of the LA institute again. It was their special spot. Kit had suggested a night of star gazing for a date since the weather was nice.

Things has been a little weird between them lately. Kit had been pretending that everything was fine and he was unfazed, but Ty could tell that something was bothering him. And he had a feeling he knew what it was.

At Magnus and Alec's anniversary party, Jace made a joke about how Kit and Ty would probably be the next ones to get married and Ty immediately went into a blind panic. He completely froze up at the mention of marriage. At the mention of him getting married. His body instantly went into a complete overload almost as if he was on the verge of a meltdown.

He didn't take the time to think about any of it. He just snapped and yelled that he wasn't getting married. That he wasn't ever getting married. Ty wasnt even sure where it came from. Kit was pretending like it wasnt a big deal but Ty knew he was hurting. He could tell.

Ty traced a pattern across Kit's arm. "Honestly it was nothing," he assured him. "I just-." Ty stared at Kit, studying his face. The curve of his lips, the adorable blush of his cheeks and the tiny beauty mark under his eye that Ty loved to fixate on. Everything ached, but it was a good kind of ache.

Ty loved him.

"I just want to stay like this forever," he murmered. "Here with you, where I feel safe and warm. And loved." Ty nuzzled his nose against Kit's. "I want to be with you forever."

Kit smiled distantly before breaking into a slight frown. "Then why don't you wanna marry me?" He asked sadly. And Ty could instantly hear the old ghosts of self loathing and insecurity still haunting Kit's thoughts.

Ty sighed. "It has nothing to do with you I promise. I just really don't want to get married and I'm not even fully certain of why exactly."

Kit stroked his cheek slowly. "Is it the idea of a big wedding? Because we don't have to do that you know. We can totally just skip it," he said assuredly.

Ty shook his head. "That's part of it but it isn't the only reason." He paused to contemplate what exactly it was that was making him feel this way, feel so afraid.

Strangely enough, Ty kept coming back to his mother. His mother who was always a little peculiar in private. Who always seemed sad and exhausted even before the silent brothers diagnosed her. Who was constantly going along with whatever her husband wanted for whatever reason. Because she assumed he knew what he was doing? Because she didn't want to make waves in a society so rigid and obsessed with conformity?

Ty had been considering it more and more lately.

He sat up, displacing Kit from where he was resting. "I think my mother was like me," Ty admitted in a shakey voice. "I think she was autistic and that's why she ended up in the situations she did."

"Ok?" Kit looked confused. "But that still doesn't explain-."

Ty interrupted him. "She was trying so hard to fit in and do the right thing and she would just let him control her. She kept compromising for him because she thought that's what she was supposed to do and also because despite it all I think she really loved him! And it made her so stupid!" Ty shouted.

"I just don't want to become trapped like that," he confessed.

Kit was silent for a moment, just staring at him with a puzzled expression. "Ok, but Ty you realize that I'm not your dad right? Like I would never try and control you or make you into something you're not. I'm not trying to own you, I'm trying to love you!" He argued. "Ty, marriage isnt supposed to trap you. It's about making our relationship into an Offical legal thing that everyone's forced to acknowledge and accept."

Kit took Ty's hand in his. "It's about making each other family."

Ty looked away. He couldn't meet Kit's eyes when he was staring at him looking so hopeful and desperate. It did strange things to Ty's insides. He squeezed his eyes shut, scrunching up his face along with his fists for a moment before letting go.

"I just don't want to let someone have power over me in that way," he explained. Kit sighed, then smiled softly before leaning forward to rest his forehead against Ty's. Ty let out a little moan as he let the tension release from his body with a sigh. Kit placed his hand over Ty's heart.

"But don't you get it Ty?" He asked softly. "You already have, whether you meant to or not. I'm in your system sweetheart, in your blood just like you're in mine." Ty felt him smile. "Like we were made for each other. Like we've spent our entire lives waiting for each other."

Ty pulled away from him. "No I don't believe that," he stated firmly. "I don't believe in fate or destiny or soulmates. I think it's an overt romanticization of life and the human condition which can have disastrous consequences. It leads people to believe that they are somehow incomplete without a romantic partner which is incredibly problematic." Ty realized he was probably going on a bit of a tangent as he was known to do. But he couldn't be bothered to care.

Kit pouted a little. "Yeah I get that. But I don't know. I like to romanticize things in life. After everything that I've been through, I guess it just makes things feel better you know?" Kit glanced at him hopefully."I don't care if you don't believe in any of those things. I do. And despite what you might believe, you aren't always right about everything," Kit said pointedly.

Ty scowled at him. Kit was undeterred. "And I get that you're coming at this from a scary trauma place. I understand that. I have those too. But you don't have to be afraid of me," he pleaded.

Ty couldn't resist reaching out and touching him, pushing a curly lock of hair behind his ear. "Can I maybe think about it?" Kit smiled and snuggled up against Ty's chest again. "Of course," he murmered. Ty leaned back and resumed his earlier position, staring up at the sky.

He nuzzled his face against Kit's hair. "I'm glad you're not mad at me anymore," said Ty.

Kit snorted, turning to face Ty. "I'm never mad at you love. It's pretty much impossible." Ty grinned and leaned forward to kiss him slowly, savoring the feeling of Kit's lips against his.

Kit broke off and kissed Ty's cheek, then his orbital bone. Ty giggled and closed his eyes which prompted Kit to place a kiss on each of his eyelids.

"I love every inch of you," Kit whispered. Ty couldn't speak. He was too overwhelmed. He just wrapped his arms around Kit even tighter and pressed a kiss to his forehead.

They lay in peaceful silence for several moments before Kit spoke.

"Tell me a story."

In case you missed it, the story Eleanor was telling Ty is the story of kitty in Lady Midnight basically. Also. Not me projecting my fear of marriage onto my comfort character! 😂

Tag list: (lmk if you wanna be added/removed) @playwithravenclaw @lavender-scented-rat @knifescythe @ti-bae-rius @dianasarrow @jazzkaurtheglorious @waterlillies @zfoxdraws @julieandthefandoms @older-brother-kit @ilikebooks8 @nott-the-best @stxr-thxif @magnus-the-fabulous-entp-bane @foxglove-airmid @littlx-songbxrd @heloisacosta23 @adoravel-fenomeno @eutonyinwhisper

#tsc #tda #the dark artifices #kit x ty #twp #cw mentions of ableism #cw mentions of abuse #cw minor character death #tiberius nero blackthorn #kit herondale #eleanor blackthorn

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effei-s · 3 years

Text

What shatter-me Warner would do.

The fastest character assassination I’ve ever seen.

Here’s the thing: Warner from original trilogy had character arch. More important: he was a character.

He was mean, villainous, cold, cruel murderer, with daddy who basically bought him regency (like come on, if it wasn’t for Anderson no one would even think about giving him that position; n for nepotism), but he also was deeply traumatized and abused his whole life and had little to none normal human interactions. I loved that fact that the only good thing he did (killing Fletcher because he was abusing his family) resolved into a complete catastrophe (Anderson killing children and wife) because Warner didn’t think it through. He tried to do the right thing and failed miserably, because he was more concerned with making a spectacle for Juliette. And after that he still had the audacity to paint himself as a hero who saved poor family from terrible tyrant in Ignite me.

I didn’t expect him to act and think like a human being. He didn’t need to act like a normal human. Warner gas lighting Juliette in the first third of ignite me is Warner’s thing to do. Him yelling and throwing tantrums and making scenes in Unravel me is Warner’s thing to do. Him forcing Juliette to do things she doesn’t want and traumatizing her in the process in Shatter me is Warner’s thing to do. Him wanting to torture Adam to death is Warner’s thing to want.

There’s a few reasons for this:

a) he doesn’t know how to communicate with people other than giving them orders or making threats;

b) he truly believes that he’s in the right here (he doesn’t see himself as a bad guy in Juliette story, more like a knight on a white horse);

c) he’s physically unable to be honest with himself and always has someone to blame for his own mistakes and failures;

d) he’s ‘results justify the means’ kind of guy.

Changes for good, with trauma that deep, when you basically don’t have a moral compass, don’t happen over night.

Was his ignite-me arch made sloppy? Yes. Everything was too info-dumpy and too convenient (Juliette forgetting that Warner was going to torture Adam to death; Juliette feeling that she’s the one who needs to apologize; Leila’s entire character used only for a sob story; Adam turned into a douchebag so Warner would look a more suitable love interest, etc). But it still was an arch. And the finale of ignite me was so open I really could imagine that, little by little, in the future, he will start to trust people more and really gonna help Juliette and co to make the world a better place. And his redemption arch wasn’t finished in the slightest, and I would even say that it was only the beginning of it, but it was implied that things will get better from there (the most important part of that being him genuinely wanting to make things right with Adam and James; he’s the one who makes the first step and initiate the bond).

So what went wrong in new three books? Ehm… everything, to be honest. Instead of developing a character that was already there, she decided to give him a new personality. Actually it can be said about every single one of characters, but Warner just happened to be the biggest victim of them all.

Let’s look at Restore me.

Okay, we have his pov, and I never thought I would say it but… Warner is kinda dumb. He’s supposed to be this military strategy genius, someone who knows how RE works from within and… it turns out that he just as clueless as Juliette. More than this, we never actually see him do ANYTHING except fucking Juliette. And for some reasons he never helps Juliette with her work??? There’s so much paperwork and instead of helping her to sort though it he’s… just not there???

Those stupid long monologues about how she’s capable to do anything mean nothing if he doesn’t actually help (as we can see at the end of restore me, when Juliette gets captured).

That fact that he doesn’t immediately check if Castle’s words are true? And instead of helping Juliette with Haider (telling everything he knows about him and his family, preparing her for the dinner) he fucks her??? This is a dumb bitch shit. And maybe you didn’t noticed but Shatter-me Warner wasn’t a dumb bitch.

After all, there’s a simple reason I never wanted the job of supreme commander myself—

I never wanted the responsibility.

It’s a tremendous amount of work with far less freedom than one might expect; worse, it’s a position that requires a great deal of people skills. The kind of people skills that include both killing and charming a person at a moment’s notice. Two things I detest.

Remember shatter-me Warner who wanted power because power meant that he could have control over his life? Remember shatter-me Warner who wanted to work with Juliette as a team to change the world? Yeah that’s him now.

No personal ambitions allowed when you’re a walking dildo, I guess.

Off the topic, but Mafi really enjoys making Juliette stupid as fuck:

“Oh, yes, of course,” she says, remembering. “I’ve gotten a bunch of letters about that. I didn’t realize it was such a big deal.”

Let's continue.

Hurting Haider would be enough to start a world war.

Warner says and then Juliette threatens Haider, a foreign official on a diplomatic mission, and instead of being even a little bit worried and think about possible consequences, Warner thinks this:

But I can only smile at her. I want to scoop her up and carry her away. Take her somewhere quiet and lose myself in her.

Okay, I guess it’s official, there’s sperm inside of his head instead of brain cells. I can’t find any other explanation for this clownery.

Shatter-me Warner would… Shatter-me Warner won’t be in this situation in the first place.

Someone tries to kill Juliette and Warner does… nothing about it. He never goes to check the body of the assassin himself. He thinks that Nazeera hides something and he still allows her to go around and doesn’t even interrogate her when Juliette says that Nazeera was there at the moment of the attack. He doesn’t find it even a little bit suspicious? That guy who had tremendous trust issues in the original trilogy? Remember him? Yeah, that guy. Shatter-me Warner would lock Nazeera and Haider up and demanded answers. Shatter-me Warner would be angry as fuck, and would try to kill Kenji with his bare hands, because Kenji was stupid enough to leave Juliette alone. Shatter-me Warner wouldn’t stop until he had answers (and the head of a person who wanted to kill Juliette on a plate).

New Warner is too busy feeling sorry for himself to actually do anything about it. And after one chapter it’s completely forgotten, like that fact that someone tried to kill her is not important at all.

And then Castle enters the picture with his stupid and sloppy info-dumping (I guess Mafi never heard of ‘show don’t tell’ rule). And says this:

“She can’t lead this resistance,” he says, squinting at something in the distance. “She’s too young. Too inexperienced. Too angry. You know that, don’t you?”

and if that wasn’t enough he also says this:

“It should’ve been you,” Castle says. “I always secretly hoped—from the day you showed up at Omega Point—that it would’ve been you. That you would join us. And lead us.” He shakes his head. “You were born for this. You would’ve managed it all beautifully.”

AND HE’S STILL ALIVE AFTER?

This is a fucking treason right there. And Warner A-OKAY with this.

Shatter-me Warner would strangle him right there. Or better yet, he would go along with this until he has 100% evidences of Castle’s betrayal and then he would kill him. Or he would kill him simply because Castle was withholding important information and earlier in books he put Juliette in a great danger by sending her to Anderson without telling her the truth (unravel me).

But not this Warner. New Warner is far more concerned with fucking Juliette then helping her or looking for a way out of this situation (because now he has dick instead of a brain).

After my father’s revelation, my thirst for information became suddenly insatiable. I needed to know more—who these people were, where they’d come from, how much we’d known—

WHERE AND WHEN DID WARNER IN PREVIOUS BOOKS DISPLAY THIS?

When I say that Mafi simply forgot her own characters this is what I mean. Warner from original trilogy didn’t give a flying fuck about them. He thought that they were weak and stupid.

I will lose her.

And it will kill me.

He said this shit and after he nearly had a panic attack because he imagined her dating someone else? Oh, come on, how more pathetic can he get?

There are words for this kind of behavior: toxic codependency.

Oh wait wait! I know! This is not Warner! This is Edward Cullen disguised as Warner! The mystery is solved!

Oh, he fucks her again. Apparently it’s the only thing he’s good at. What a character! The layers! The complexity!

And then Lena came into the picture.

Until that moment I was more or less okay with Warner. Yes, I was very confused, but I was ready to give Mafi benefit of the doubt. He lost his father and was dealing with grieve. We all can act out of character in the face of a tragedy or drastic changes.

“Why do you keep pressing this? Who cares if I’ve been with other women? They meant nothing to me—”

And there I felt in my guts, I’m not gonna like what next to come.

Haider was exhibiting suicidal tendencies. Self-harming. And I got really scared. I called Warner because I knew Haider would listen to him.” She shakes her head. “Warner didn’t say a word. He just got on a plane. And he stayed with us for a couple of weeks. I don’t know what he said to Haider,” she says. “I don’t know what he did or how he got him through it, but”—she looks off into the distance, shrugs—“it’s hard to forget something like that.

Oh, so Warner's words about how he never had any real interactions with anyone before Juliette were bullshit. About how he doesn’t understand people were also bullshit. About how Juliette was the first person who was not afraid to speak with him freely were also bullshit. Because all of the sudden he can help someone heavily depressed. Someone with suicide tendencies? Someone who harms himself? And now he has an ex-girlfriend who’s ready to beat the fuck out of him and calls him mean words (she clearly doesn’t fear him)?

Now his entire character in the first trilogy doesn’t make any sense. And his excuses don’t make any sense.

Bravo, Mafi! Bravo! This was the fastest character assassination I’ve ever seen.

She says that Lena was in love with him—really in love with him—but that Warner broke her heart, that he never treated her with any real affection and she’s hated him for it.

Oh, so he’s not only stupid and absolutely useless, he’s a fuckboy. And if there’s one thing I HATE, it’s fuckboys.

There’s a big-big-big difference between someone who has one-night-stands and THIS SHIT:

“You’re upset, I understand. But it’s not my fault you feel this way. I don’t love you. I never have. And I never led you to believe I did.”

“She and I,” he says, “it was—we were nothing. It was a relationship of convenience and basic companionship. It meant nothing to me. Truly,” he says, “you have to know—if I never said anything about her it was only because I never thought about her long enough to even consider mentioning it.”

“It wasn’t like that. It wasn’t two years of anything serious. It wasn’t even two years of continuous communication.” He sighs. “She lives in Europe, love. We saw each other briefly and infrequently. It was purely physical. It wasn’t a real relationship—”

So he despised her but used her for sex? WOW. Cool. He can go and trip over a fucking knife or fall out of the window for all I care.

“Everything in my life was different before I met you,” he says. “I was lost and all alone. I never cared for anyone. I never wanted to get close to anyone. I’ve never—you were the first person to ever—”

And how exactly he was able to help Haider with his self-harm then??? If he didn’t CaRe for anyone before Juliette?

This was the moment when Warner from original trilogy died in agony.

Okay, let’s see real quick what we have in Defy Me:

He thinks about escape but never really does anything to escape;

(anderson is the one who opens his cell;

he stands in front of a guy who murdered his mother and doesn’t even think about her, yeah I can see how important she was for him;

/again, shatter-me Warner would probably demanded answers, but not walking dildo, walking dildo cares only about Juliette. his excuse in ignite me 'i did it all for my mom' doesn't make any sense now, because he actually doesn't give a flying fuck about her/

he gets captures one minute after he “kills” Anderson;

nazeera is the one who gets him out of there;

super soldier taught his whole life how to survive, everyone. useless as fuck)

He doesn’t know anything about jewelry.

(super ooc, i know what Mafi was trying to do here: she tried ‘sherlock holmes doesn’t know that earth revolves around the sun’ thing Arthur Conan Doyle did, but the problem is WARNER IS A FASHIONISTA, or he was).

He wants to get married because…???

He sees a woman who tried to kill Juliette and he’s a-okay with staying at her place, because she said that it was actually a message (???).

Castle is still alive.

Nazeera who knew all this time about Anderson and was working for him is also alive and well.

Oh and he doesn’t care about Anderson being alive and being a real threat to Juliette (fucking her is more important for him, as usual).

His complete disregard for Juliette’s safety only makes me hate him more with every new book.

Imagine me.

First and foremost: don’t call imagine-me Warner shatter-me Warner. Don’t insult shatter-me Warner like that. With shatter-me Warner Anderson would have to try very hard to get to Juliette. It would be ‘Warner made 100 back-up plans, but Anderson knew him too well and created 101 plan and that’s how he managed to win’ kind of situations.

But walking dildo is too busy feeling sorry for himself (as usual), he just sits by her bed FOR TWO FUCKING DAYS, doing absolutely NOTHING to make sure she’ll be safe.

Nooira says that Juliette should be killed and she’s still alive for some reason.

He’s entire persona is that he’s rude to people (but not bbc’s sherlock holmes kind of rude, when he’s unbearable dick but he’s actually smart and really gets shit done, so we can tolerate him). He’s just rude.

He doesn't care about Adam or James's wellbeing (remember Ignite me Warner who really wanted a family? Yeah that's him now).

But he has gruppies now, because he’s hot and everyone in the sanctuary wants to fuck him.

Oh and he proposed to Juliette. HE PROPOSED. THEY ENGAGED! DO YOU HEAR ME??? THEY GONNA BE MARRIED! HE PROPOSED TO HER! AND SHE SAID YES! THEY GONNA MERRY!

Because god fucking forbid we forget about it.

(mafi really thinks that her readers have the mental capacity of a golden fish, huh?)

I lost count how many times walking dildo implies that he's gonna kill himself if Juliette is not with him (disgusting).

Then our walking dildo cures Juliette by the power of petting (it’s not power of love, lads and gents; you want to see love go watch defenders on netflix; mafi already copypasted elektra’s arch from that show into imagine-me Juliette, you can do yourself a favor and see how this trope can be executed without borderline on sexual assault petting scene).

18-old girl marries a fucking sociopath believing he’s actually a good person.

(we all know how shit like this ends, people like that don't change; and this 'he's different with me cuz i'm very special and i'm gonna teach him the right way' it's really harmful message considering that the audience of those books are mostly teenage girls).

Trust me, there's nothing revolutionary in this trope, it's tale as old as time.

Here's the thing, good written character always defined by connection to other people: friend, lovers, enemies, family, foes, acquaintances, even some random strangers. It's the easiest way to establish what kind of person they are.

Walking dildo doesn't have any of that because all of his "character" revolves around Juliette. He's not a person anymore. By the end of Imagine me he doesn't have friends (his relationships with Kenji or Haider non-existent), no family connections (no talks with Adam or James), even enemies or foes or even people that don't like him (because everyone wants to fuck him, because being hot is his only character trait).

His only family and friend is Juliette. And you know what? It's fucking boring, overdone and lazy as fuck. And insulting to the character he once was.

No redemption arch, no character arch at all.

Happy end.

#i'm gonna pretend that second trilogy doesn't exist #long-ass post #shatter me series #shatter me #aaron warner #nazeera ibrahim #kenji kishimoto #paris anderson #juliette ferrars #eff writes #meta #restore me #defy me #imagine me #fantasy books #tahereh mafi #character analysis

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olafur-neal · 3 years

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So this might just be that I’ve rewatched Ted Lasso so many times now and seen so many headcanons… BUT upon each rewatch I see more and more red flags when it comes to Sassy.

I feel like she is going to serve a bigger purpose in the plot. Yes she serves love triangle potential but like we don’t see much interaction between her and Ted. And yes she provides insight into Rebecca’s past but most of those revelations don’t paint Sassy in a real positive light, and we only get Sassy’s commentary on their relationship. While with Rebecca she provides cursory information like longest best friend etc… (but tbh I feel like Keeley knows Rebecca better than Sassy at this point, heck Ted provides a better support system for Rebecca than both Sassy and her mother).

Other than that she seems real quick to jump on being selfish. Like the fact that it’s just assumed that Rebecca will pay. Or that she’s looking to hook up with Ted AT Rebecca’s dad’s funeral… Also as a therapist she knows what abuse looks like but she’s too focused on her own hurt and Nora’s hurt. She could’ve said “hey I know Rupert’s horrible but Nora felt abandoned and you should keep that in mind going forward. and even though i logically know Rupert influenced a lot of decisions it hurt me too but i can work through that etc.” AND THEN JUST SUPPORTED HER FRIEND JUST OUT OF A 12 YEAR ABUSIVE MARRIAGE

Idk I’ve had toxic bff relationships before so maybe that’s informing my viewing of Rebecca and Sassy’s friendship. But then again I do know what a healthy longterm BFF relationship looks like as well so I’m conflicted…

Last thought: all of this just sort of adds to my feeling that I’m missing something in the Sassy Smurf puzzle of how exactly she’s going to influence the overall story.

#ted lasso #sassy smurf #I can’t shake the feeling that sweet bby j suds. has plans for her #and I don’t think shes gonna end up being a force for good

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johnconstantinesdick · 3 years

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Okay *cracks knuckles, accidentally dislocates fingers* @agentscamander-romanoff and @steel-phoenix took the bait and enabled me by asking me to elaborate on my Children of the Watch origins theory. Which means I am about to go ABSOLUTELY feral.

Apologies to anyone for having incorrect Star Wars lore, I’ve barely consumed canon content and I don’t intend to start now. Also sorry if anyone has already said this! I’ve never seen this particular theory/interpretation and it’s made me go a bit insane.

Warnings: discussion of child abuse, cults, and the aftermath of genocide. I don’t go super in depth on any of it but it’s there. Also, I typed this in the notes app of my phone and autocorrect hasn’t quite submitted to some of these names.

SO. I’m going to break this up into sections. 1. Exploring canon 2. Extrapolations/Connecting the red string 3. What does this MEAN??? 4. Complaining about Bo-Katan.

First off, though, here’s my thesis: Children of the Watch is a “splinter group” made up of the children that Death Watch stole, indoctrinated, and abused. They’re also not a cult (Death Watch is though lmao).

1. Exploring Canon:

Okay, so. Canonically, Death Watch has abducted, tortured, and brainwashed children. Arla Fett is an example of that, having been abducted at the age of 14 after her parents were killed and she was subsequently brainwashed into becoming an assassin for Death Watch. She didn’t even hesitate when she found out her brother was alive! That’s how strong the conditioning was! She was so fucked up from it that she spent YEARS in a mental facility, and she outright begged a Jedi to wipe her memories in exchange for a favor. DEATH WATCH DID THAT. And you CANNOT tell me she was the only one they’ve done this to. PLENTY of fic writers have extrapolated off of this and mentioned it, but it’s important to me that everyone know this shit is absolutely rooted in canon.

Another Death Watch Child Abuse Fun Fact: Dred Priest and Isabet Reau, two of the trainers of the clones, canonically had Death Watch leanings and tried to instill Death Watch beliefs in the clones by FORCING THEM TO FIGHT EACH OTHER IN SECRET BATTLE CIRCLES THAT ENDED UP KILLING SOME OF THE CLONES. THEY WERE CHILDREN AT THE TIME, IF IT WASN’T CLEAR. WHAT THE FUCK. If THAT’S not an example of Death Watch abusing the kids under their care then I don’t know what is. It’s suuper not a stretch for me to think that this wasn’t an unheard of thing in more official Death Watch circles.

Also canonically, Bo-Katan has referred to Din’s covert as “Children of the Watch”, and Din, despite obviously being an important and respected member of his community, doesn’t recognize the name, which implies to me that it’s not a name the covert chose for themselves. Rather, a moniker that was given to them after they splintered off of Death Watch. Since this isn’t an opinion and it’s more just… information, I’ll trust Bo-Katan on this one.

We also know for sure that Din’s covert IS connected to Death Watch in some way, seeing as the flashback sequence very clearly shows Mandalorians in blue and gray beskar’gam, the colors of Death Watch. HOWEVER… the Armorer, who seems to hold a high position of authority in the covert, wears gold and copper beskar’gam. Din wears unpainted (v2) or mismatched colored (v1) beskar’gam (I do grant that his paint color counts less towards this because he’s pretty much one of the only people interacting with the outside world and so colors associated with Death Watch are probably a no go no matter what). Paz Vizsla’s armor is a very dark blue with yellow and cyan details and, oh my fucking god I didn’t even know this but he has a fucking MYTHOSAUR SYMBOL ON ONE OF HIS PAULDRONS. THE FUCK???? THAT’S LITERALLY THE SYMBOL OF THE TRUE MANDALORIANS IM. Ok. Okay. I needed a minute. Like I KNOW that the mythosaur skull is Mandalorian symbol in general but I think it just hits different when a Vizsla is wearing it, you know? Especially because the placement is the same as Jaster Mereel’s???? Literal founder of the True Mandalorian movement????? Excuse me???????

Let’s uh. Let’s get back to armor. I can address that… later. So. Anyway. Armor is super important, and it’s uhhh very telling that the covert doesn’t emulate the Death Watch colorscheme strictly. Like, yeah, there’s gray and light blue in there, if you go through some wiki pages, but they’re not the only colors they use, and the Armorer doesn’t even have either of those colors! And she’s the biggest authority we’ve seen! Very fucking interesting!! Bo-Katan still has her armor painted in Death Watch colors! And yet she’s derisive of Din’s covert! Verrry interesting!

We also know that Din’s covert emphasizes children VERY much, more than Death Watch ever would have, imo. It’s expected for the adult members to provide for the foundlings (and it’s VERY interesting that the kids are seemingly all referred to as foundlings iirc. More on that later.), and even though Paz disagrees with Din working with the empire, he and the other members of the covert immediately and with no hesitation come to Din’s aid for this child that Din hasn’t even claimed as his own—it’s amazing! And I will note that Bo-Katan and her warriors do the same upon their initial meeting with Din—Koska dives into danger with no hesitation as soon as Din says the child is still in danger. We see that this solidarity does come at a price for Bo-Katan, though, while the Armorer sees protecting a foundling as a duty that is completely worth all the trouble it brought.

Fascinating also that Boba was 100% on board to help out Din to save Grogu past what Din or anyone else would have expected of him, while Bo-Katan had to be bribed into coming by the promise of Moff Gideon and the darksaber. And she thinks she’s somehow more Mandalorian than him.

And NOW, going way back in time to the beginnings of the True Mandalorian movement, we know that Jaster Mereel originally authored his Supercommando Codex by looking back through history to the Canons of Honor and the Resol’nare, and he took those ideals and ideas and he modernized them to create a set of moral guidelines to follow. And people loved that shit! Death Watch had to infiltrate the True Mandalorians and then trick the Jedi into slaughtering them just to get rid of them, because Jaster’s charisma and his sexy sexy morals were too strong. (God. I fucking LOVE Jaster Mereel if you couldn’t tell.) Anyway, there’s precedent for Mandalorians looking back to their history to bring forth old ideas, repurposed to a modern context. We also know that, canonically, Din’s covert follow the “old ways” of not sharing names and of never taking their helmets off in front of others.

Moving on.

2. Extrapolations/Connecting the red string:

So if we extrapolate from the fact that Death Watch are, uh, super fucking abusive towards the kids that they stole/their own kids, then we’re left with… this group of kids, who have been mistreated and indoctrinated for a LONG TIME, and possibly don’t have that great an understanding of non-toxic Mandalorian culture. And if they’ve been abducted or rescued, whatever, they might not fit back in with the places they were taken from, or they may not have a place to go back to, or they may not even remember where they’re from originally. It’s some prime angst material! Good stuff.

And if we pull the implication from the names that “Children of the Watch” is a splinter group off of Death Watch, it really does make you think… huh, you know what? These two things may be one in the same. Maybe.

And, like, we know that Jaster Mereel and Din’s covert both looked to Mandalorian history to find pillars for their community’s morals. Jaster did so in the middle of a lot of political turmoil, as a way to say “Hey, we can still be Mandalorians in the ways that matter, but being Mandalorian doesn’t mean being a morally bankrupt conqueror. We can have honor and still wear armor and fight and uphold the Resol’nare.”

And I think Din’s covert did so when they were struggling with unlearning the toxic ideals that had been shoved onto them by Death Watch. I think they had to figure out their own way of being Mandalorian or else they would have crumpled under the pressure. And so they looked back to the old ways and picked out the more extreme interpretation of Cin Vhetin (clean slate) which says that, once you swear the Resol’nare and become a Mandalorian, your past doesn’t matter, it’s what you do now that does. You don’t take off your helmet, and you don’t let others know your name, because those things don’t matter to who you are and what you do. (There’s also the issue of the helmet and name rule being an important defense tactic to protect the covert, seeing as how Mandalorians post-Empire are the survivors of genocide. There’s already a fantastic post on it here)

Related, another Mandalorian saying is “Gar taldin ni jaonyc; gar sa buir, ori'wadaas'la.”, meaning “Nobody cares who your parent was, only the parent you’ll be,” which IMO fits in very nicely with how I’m interpreting Din’s covert. It’s all about your actions and future mattering more than your past. I think that when the covert was splitting off and being built, this would be a huge component of them healing. Because the way they were treated and indoctrinated by Death Watch doesn’t have to affect their future actions. They don’t have to perpetuate the cycle of abuse, they can build a covert and a community around caring for foundlings.

Now, onto the foundlings! I find it very interesting that, whenever the covert’s younglings are mentioned, it’s always as foundlings. I think this implies that there’s a focus on saving and raising children more than there is on sharing blood with them, and I think that the covert would be more inclined towards communal raising than typical family units, if only to keep everyone in check and to protect the children from ever being treated as they were. I also find it VERY interesting that there’s a lot of emphasis put on returning children to their own kind. I don’t think Death Watch would have employed that practice, and I think that’s another example of the covert wanting to make their community a better place for children. I think it’s likely a lot of them didn’t get that choice, and they had to leave their cultures and people behind. And so they want to give that choice to their children.

I think it’s also amazing that, like. They keep finding and raising children instead of deciding they’re too damaged or whatever to have kids. Because it doesn’t matter if they have baggage or trauma when a child needs them. That’s FANTASTIC. I’m losing my MIND. It really doesn’t matter who their parents were to them, just the kind of parents they will be. It’s all about breaking that cycle and deciding to be better and I LOVE THAT.

3. What does this MEAN???:

Well. What this means is that Din’s covert has a very clear set of motivations and structure when it comes to how their covert is run. It’s not a cult; in fact it is specifically a group created by cult survivors who are determined to not do to others what was done to them. The rules may seem weird and strict at first glance, but they have a clear purpose and rationale, and no one is trying to amass power. They’re just… trying to do better, and be better.

(This also means that I’m 99% sure that, with the assistance of time travel, at least half of the covert would be SUPER INTO Jaster Mereel. I like to imagine that Paz had, like, a poster of him on his little sewer bedroom wall. I fully believe he painted that mythosaur skull on his pauldron in honor of a good man who was killed by Paz’s own relatives for standing by his morals and daring to try to reform and rally Mandalorians. I also think it would be funny if, like, Din doesn’t know shit about ANYTHING to do with modern history, but Boba mentions that his grandfather is Jaster Mereel and Din is like “OH I KNOW THAT GUY! Yeah he’s cool, he’s the historical crush of like, my entire covert.” And Boba is like. What.)

It also means that it can be up in the air about whether Din was found by Death Watch before his covert splintered off, or if his covert was still just wearing Death Watch colors when he was found. Fun thing to play around with, but right now I don’t want a solid timeline.

Hmm just thought I should add: while the Armorer does seem to have a position of authority, I don’t think the covert can be structured politically with clans and houses like other Mandalorian groups. Like, clan just means family in this context, and is less a part of hierarchy, and I don’t think they would even recognize houses within the covert? Like they MIGHT decide to call themselves part of House Djarin now that Din is Mand’alor, but before that they weren’t like. House Vizsla with Paz as the leader just because they used to be Death Watch. I don’t vibe with that. This isn’t really super relevant, I just wanted to add it.

4. Complaining about Bo-Katan:

Anyway Bo-Katan is absolutely full of shit and it’s doubly disgusting that she’s standing there in Death Watch armor, seemingly still allied to this fucking cult of imperialism and conquest, and she accuses Din of being in a regressive cult, and she implies that the way he engages with the Resol’nare is wrong and like. Repressed or something. God I hate Bo-Katan. But I love to hate her. She’s horrible but I want her to be included in the list of Din’s friends but not the list of people he’d trust his kid with. I have contradictory Bo-Katan feelings, whatever. The most important thing is that all of her opinions are horrible, like, all the time. And we shouldn’t trust her when she says Din’s part of a cult. Literally why does anyone take that at face value. If we’re taking her word as the authority on Mandalorian issues then I guess Boba and Jango aren’t Mandalorian!!! Seriously.

TLDR; Din’s covert (aka “Children of the Watch”) is made up of survivors of childhood abuse, torture, and brainwashing at the hands of Death Watch, and they’re dedicated to making sure their children don’t go through the same thing. They’re not a cult, but Death Watch sure was! Jaster Mereel is the love of my very aromantic life and Bo-Katan’s opinions can’t be trusted. Thank you for coming to my TED Talk.

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