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#which is admittedly not much but even this is better than canon!!!
unikittykittycat · 1 year
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I've been looking through fandom stuff and it makes me SO happy to see people get my personality right~ The show writers did.. a reeeaaally bad job with me. I had to stop watching at the start of this latest season 'cause triggering tropes kept coming back up (fuck gabriel)-- but the rest of the series just. infantilized me so badly? mainly that they treated my Illness Reveal Episode in the worst possible way but THAT ASIDE--- they made cute things my only personality and made it seem so much like I couldn't handle myself at all and that I would crack and break if anyone even looked at me funny. Which is.. really silly to me cause I'm literally dating Juleka, who thrives off of scary things and for sure seems intimidating before you get to know her, so I'm preeeetttyyy sure I can handle being scared / intimidated just fine actually.
But anyway!!! All that to say!!! Canon misses out on a whole second side to myself!! Which is that while I may be all kittykittycupcakes in person, I Will hit someone for hurting my friends. So it is Joyous seeing fan content delve into my secretly violent tendencies (❁´◡`❁) Only for people who deserve it, though 💗 My main ability may be support, but a tambourine can also substitute for a frying pan in a pinch.
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halemerry · 8 months
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The thing is. When people look at Book Omens and Show Omens there are a few different things that can happen. Sometimes you get people who try and shove them into one universal true canon. Sometimes you get people totally dissociating them from each other into two separate entities. And, to be clear, I don’t think either of these options is inherently bad to do - I myself defaulted to the latter for quite awhile after season 1 aired - and I always think folks should choose to view these characters in the way that makes them happy. For that matter, I think that there's nothing wrong with disliking a version or preferring one over the other or even ignoring one exists. But, I do think a lot of analysis I have seen has a tendency to remove the characters from their context in a way that does them a bit of a disservice. Because their context matters quite a bit.
Book Omens and Show Omens were made in two very different worlds facing two very different problems and two very different futures stretching out in front of them. The Book belongs in the context of a world on its way out of the Cold War while the Show belongs to a world starting to buckle under the weight of capitalism’s pressure. The evils in the story reflect these two world states - which I think is a good thing. As much as I love the book, if the show had just done the Cold War allegory, I don’t think it would’ve hit quite the same way and could've easily felt dated.
The most notable impact narratively from this shift is the fact that Heaven and Hell both have a more constant presence. Show Aziraphale and Crowley feel far more watched and actively monitored than they do in the book, especially in Aziraphale’s case. His relationship with Heaven especially is far more ‘boss checking the quarterly numbers’ or ‘oppressive family head checks in on their younger sibling’  than it is ‘spy reporting his findings’. And this shift is a huge one as far as what it means for our characters and their context.
Take for example, a small exchange of dialogue in the book where Crowley and Aziraphale do something that we know for a fact would never happen in the show - where they discuss the admittedly slim possibility of each other’s side granting of each other asylum. This is dialogue that works quite well if you’re looking at them as two spies with wavering loyalties but does not work for the show version of our protagonists, because the pressures they face from Heaven and Hell are different. The same thing goes in reverse for the Bandstand scene - a scene that is not in the book at all because it works far better in a show interested in a character facing pressure from a toxic family than it would in a book where Heaven’s presence is a very distant one.
And this right here is where we end up with the question of character consistency. There’s traits that each version of Aziraphale and Crowley have that the other does not, which leads to them feeling like two sets of characters in a way that can make them feel like the show is occasionally out of character. But it’s not really that, I don’t think. I think that's just a side effect of viewing them out of context. And I think a lot of those differences and the ways they manifest make a lot more sense if they're viewed like aus - because that's what they are in a lot of ways. The Book is a Cold War au and the Show is a modern au. They’re different, yes, but still undoubtedly them.
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whiskersz · 2 months
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Hellooo👋
Saw that your requests are open and would you write a head canon about gn or fem exorcist reader where they're already in a relationship with adam and they are training together. So mainly fluff I think but I wouldn't mind some suggestive content thrown in there
Tyyy
Hello dear reader and thanks a bunch for requesting Adam! I think I'm getting better at writing him. Emphasis on Think. Anyways, enjoy the First Man being kiiind of a simp ^_^
Decided to go with fem! reader btw for a badass woman trope.
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Adam x Fem! Exorcist! Reader HCs + Scenario
Warning for : slightly suggestive near the end.
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✦There are times where Adam loathes training Exorcists, and times where he loves it, it highly depends on which side of the bed he wakes up in; either way, him and Lute admittedly do a pretty good job at it, turning even the meekest of Angels into bloodthirsty killing machines who wait for nothing but Extermination day.
✦You’re one of these killing machines, and he couldn’t be prouder to have a girlfriend who’s not only strong and – in his words – a badass, but who also shares his exact morals; you’ve been a part of this army of Exorcists for quite some time now, and both Adam and Lute respect you for both your physical strength and tough personality.
✦You’re obviously Adam’s favorite Exorcist to train; even though you don’t need much training anymore, he still makes sure to check up on you between a scolding and the other while dealing with the newbies. Maybe your shoulders are sore, or maybe your wings need a quick massage...you never know what excuse he’s going to come up with next to come see you, but it’s usually something about a part of your body being in pain, even though pain itself is a rare concept in Heaven.
✦Lute scolds him, for sure, every time that this happens; “Stop making shit up to see your girlfriend, Adam, we have a job to do!” or other sentences along those lines are often hissed towards him, as she drags him away from you.
✦When he does get to train with you though, don’t expect him to go easy on you; he might be your boyfriend, but he knows damn well that after all these years you can take a hit. Strumming his guitar like he’s on the stage and you’re nothing more than one of his admirers, he will direct a full-force attack at you that you will dodge every time before counter-attacking with your own Angelic weapon.
Adam gives one strong flap of his golden wings, moving out of the way just before you can hit him with your Angelic Spear. He turns around just in time to dodge your next attack, a kick directed at the back of his head; he would wonder how you managed to reach him in such a short time, if only he didn’t know how much strength your wings hold.
“Woah, easy babe! You’ve got privileges alright, being my girlfriend and all, but don’t think you can break my fucking face!” his voice is boisterous, though the tone it holds is playful.
You huff, wiping away a drop of sweat from your forehead. His comment indicates that the training session is over, so both of you slowly flutter your way back to the ground, your feet gently grazing the soft grass of the secluded field you often head to to train.
Noticing a fairly large tree nearby, you and your boyfriend walk towards it for a quick break, sitting down once the shadow of it casts above the two of you.
Adam’s hand slithers around your back, and soon enough he’s kneading the sensitive spot where your wings connect to it. You let a sigh escape your mouth, trying to filter out the quite annoying yells of the Exorcists training in the distance.
With a sly smirk, he runs his thumb down your spine, making you arch your back in pleasure. Blood flows to your cheeks and you swiftly push his hand away, causing him to burst out laughing. You playfully kick his ankle, which he moves to hold in fake agony;
“Save that one for the bedroom, will you?” you say, picking up your spear to go back to training.
“Boooring, go back to kicking those noobs’ asses instead of having some fun with your boyfriend, I guess.”
He’s in a cheeky mood today, you guess. And you also guess that he’s going to follow you in about five seconds, which he predictably does.  
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prince-liest · 2 months
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Don't mind me getting on my soapbox for a moment... a lot of this musing is admittedly for the sake of my own processing of this topic, re: aroaceness. Read at your own peril! <3
I'm generally a very "ship and let ship" kind of person, but I think I would definitely append a little caveat of, like, "As long as you're not being actively invalidating and detrimental to others" to that. Which is a delightfully vague statement that can be interpreted practically any way, I know, hahaha.
In the case of this particular post I've just been thinking about how, like... seeing an aroace character like Alastor get written into dozens upon dozens of PWPs (including ones that don't even touch on the subject of his aceness at all) is really not something that I personally find to be hurtful or offensive. It's just smut for the sake of smut, of a character people want to see awful, sexy things done to (or doing). Valid! I vibe with you! More people should just write the PWPs they want to see in the world!
But on the other hand, I've several times seen this very particular type of art (usually it's a comic, but admittedly I haven't been reading very many Hazbin Hotel fics so maybe it's there, too) where Alastor is slotted into the "methinks the lady doth protest too much" trope. As in, he's expressing strong feelings about a character (usually Vox or Lucifer, sometimes Angel Dust) to someone, probably Rosie, and the person he's confiding to is some variant of, "Oh, silly Alastor, you're obviously in love!" And then he denies it, says that the very idea disgusts him, and the character titters to themselves about how he's so naive in the matters of romance or whatever.
And it's, like.
The "strong feelings" in question are almost always frustration/annoyance/disgust, and him being like, "Nnnno, I just hate his person" is treated like a silly and naive misunderstanding of his own feelings because obviously he's in love. Please imagine that Alastor was a female character who was established to be a lesbian. Now examine how that suddenly makes this scene feel.
(Also, Rosie being the go-to for this is a little frustrating when she's the one who, in canon, explicitly says that she wouldn't make that assumption of him.)
There's such a chasm of difference between how I see people wanting to ship Alastor for reasons of "I just want to!" vs folks who engage with him being aroace in ways that are infantilizing and invalidating. There are so many people out there - not just aro/ace people, but anyone who's not exclusively into the standard type of person they should be into at the time society deems they should be into them, which is most queer people and even many cishet folks - that have been told that exact kind of thing in real life. It reads like something out of a compulsory heterosexuality guidebook, and it actively makes it harder to leave the closet or even realize that you're in one at all.
So I guess it just feels frustrating to see it get made into a punchline, especially by folks who are shipping queer ships. I genuinely can't wait until fandom society advances to the point of consistently treating aro/acespec folks as queer instead of Queer Lite (TM), because let me tell you, ime the comphet experience and the amato/allonormativity experience are in fact nigh-identical except for how they're treated within online communities. There's a reason the pan -> gay -> ace pipeline is a thing.
But, hey! We're already doing way better than we were in 2012!
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levi-dayne · 3 months
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anyway i have some more proof for my "mello still would've killed himself if he lost to near" theory. special shoutout to @melloneah for giving me input while i talked my head off about this. ur a real one
first of all, this:
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his "great and respected predecessor, the man whose actions were a strong influence on me personally." beyond birthday, the second child much like second place mello. the second child, the backup, the second choice who went off the deep end. he could never succeed, bound for failure. and of course, mello goes so far as to say he's trying not to base his analysis of beyond on his own experience. trying, but not succeeding. he takes influence from B because he understands and relates. he knows what it's like to be second best, to feel like a copy. and the "if this was how i felt, i shouldn't even need to say how bad it was before."
then, there's this:
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the emphasis on beyond's failure and loss. but then, mello circles it BACK around to "my poor, poor predecessor," which has a strong undertone of mockery, given what we know about mello and how he views failure. and then he says that B must've "longed for death," and offers condolences for the humiliation that he experienced.
obviously, i can't bring up any of this without mentioning mello's introduction to the story where he knows he's going to die and has accepted that.
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mello knows he is going to die because he knows his options are a victory by default if near dies or not beating near and surviving, which as i mentioned before, he implies to be embarrassing and not worthwhile. he studies these actions through beyond as he leads himself knowingly up to his death. but he knows what he's doing. that's why he takes off his helmet. he can't and won't live with the failure and shame. he studied where beyond went wrong in his own failsafe suicide attempt so that he wouldn't make it out alive and suffer the same shame and embarassment.
not to mention the phrasing. "died like a dog," according to merriam-webster, is used to describe a dishonorable or shameful death. he acknowledges that through beyond too, with the embarrassment of failing. he knows his own death will shameful, but he also hasn't died yet, which implies his choice in the matter. he chooses to die a shameful death because he believes it's better than feeling his own defeat. he compares himself to beyond repeatedly and admittedly takes inspiration from his actions all the way until the end.
he references the hardest part of killing someone in one of the paragraphs above, which is important because it's a callback to when he says this:
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he acknowledges that killing is hard, and in the part where he makes this callback, he says that humans aren't designed to die easily. so he has to do something more extreme to not make beyond's mistakes. something that would keep him from the same embarrassment of surviving when he meant to die. perhaps even something that violates those natural laws of the universe-- oh, wait, wait.
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interesting. very interesting.
i also must point out my own personal views on the labb murder cases book. firstly, i do not think it is canon in the sense that everything in it happened. i do think it is how mello personally views the events that unfolded, but despite his denial i do also think it is largely influenced by his own experiences and worldview. there would be no way for him or L to know the exact dialogue that occurred, or anything beyond the major plot points. a lot of it is left open for interpretation, and mello makes up his own dialogue and perspective. was B or misora really anything like how they were depicted in this story? who knows. most of it was made up. and given he expected near to be the first to read it and the only person to care or understand, i think he knew that near would know exactly what that book was.
mello knew he would die, was yet to die, seemed to know how he would die, foreshadowed it, recognized all of the risks of the notebook and yet continued to show his face, and then all of the connections of himself to beyond especially right before acknowledging his suicide attempt as a power move and the humiliation of surviving through failure. he never had any intention of making it out alive. his case study on beyond was truly an analysis on himself. the labb murder cases wasn't just a story or a fanfiction, it was a suicide note. one last insight into the complexities of mello's mind, and perhaps most importantly, he gets the last word.
edit: i also just realized the full title is "death note: another note the los angeles bb murder cases" but none of the other death note books are called "another note" because the rest of them are not notebooks or notes. but this is. mello says he doesn't want it to be a novel, but it's because it's intended to be a suicide note and that EVEN IF IT TURNS INTO A NOVEL it is always a suicide note first and foremost.
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tragicbeauty1991 · 1 month
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So I know I’m extremely late to the party, but I FINALLY got around to watching Wish now that it’s up on Disney+ and…I genuinely don’t understand why it got so much hate?? Sure, maybe it wasn’t on par with things like The Lion King or Frozen in terms of the lasting effect it’ll have on pop culture but it was still a good, fun film with original characters and plot and catchy songs. While I can see where some of the complaints are coming from, I feel like ultimately most of them blow the issues out of proportion. As for my personal thoughts on the film…
- The songs were good overall. Maybe not as memorable as some of my favorite ‘90s Disney jams, but topping Phil Collins and Elton John is admittedly hard to do. Ariana DeBose and Chris Pine were great, though. I honestly had no idea Chris Pine could sing so well. “At All Costs” was by far my favorite song of the entire film. I would have loved to see it as a love duet rather than singing to the wishes but regardless, it’s beautiful. “This is the Thanks I Get” got a lot of flak, but honestly, I thought it was catchy and fun—rather reminiscent of Gaston’s pub song about himself.
- Speaking of Magnifico… More backstory, please! I would love for a sequel to do what they did with Frozen and explain all the things that were not fully developed in the first film. I want to know details on what happened to Magnifico’s family… But man, oh man… Was I EVER happy to get a “real villain” again with more of a classic Disney feel—dramatic, over the top, a little unhinged…and just FUN. I think the reason so many people seem to be having a problem with him is that they don’t quite know how to categorize him, though, before his ultimate downward spiral after being possessed by the book. (I think after that point, no one would argue about him being a villain.) But before…while he’s definitely narcissistic and has a temper…he’s not straight-up evil. There’s a big difference in being a bit of a jerk and being someone who makes you legitimately fear for your life. In fact, we have several heroic characters in the Disney canon who at least start out their story in a similar vein. Prince Naveen, Peter Pan, and Emperor Kuzco, for example, are all full of themselves and entitled…but they ultimately choose to do the right thing when it comes down to people they care about. That is to say, Magnifico’s less than ideal character traits we see early on in the film shouldn’t automatically qualify him as a villain. He could frankly go either way. And then when he does “go dark” it’s ONE stupid decision on his part (going for the book) that ruins any chance he had of being like the aforementioned characters. Personally, I like the complexity…and the tragedy of what it means for Queen Amaya. Which reminds me…
- Yes, a villain power couple would have been fun. But honestly, I think I like this better. Partly because of the angst potential here. For all his faults, Amaya DOES genuinely love him, and watching him slowly lose his mind and himself to the power-hungry monster he becomes has to be absolutely heartbreaking for her. Also…maybe it’s just because I identify with Amaya here. I have been in a bad relationship where I did truly love the other person and thought they loved me…but ultimately, they seemed to love themselves more. And I made excuse after excuse for his behavior for a long time because I couldn’t see what he was doing to me…didn’t want to see it…because I loved him. People say Amaya had to have known sooner that something rotten was going on but I don’t know that she ever allowed herself to think anything other than the best of him. Amaya has a good heart…and sometimes those people see the best in others even when it isn’t there. What I really would have loved is to have Amaya and Magnifico sing a short reprise of “At All Costs” in which Amaya is asking, “Really? You’ll hoard all these wishes for your own selfish reasons even at the cost of losing your people’s love? Of losing me?” And Magnifico is just…stoically resolute. That would have hurt but it would have been so good!
- Similarly, I don’t get the complaint about Star. I wouldn’t mind seeing Star Boy like he was in the concept art and having a romance with Asha. But also…Star is ADORABLE, okay?? He may not speak but he has so much personality. Makes me think of like…Pascal in Tangled or even Tinkerbell.
- I know a lot of people complained about there being too many references to other Disney films but this just seems like a silly argument to me. Disney has always liked to leave little Easter eggs in their films and have some fun with crossovers. I am thinking of the Genie imitating Pinocchio and pulling Sebastian out of nowhere in Aladdin. Hidden characters in the background of other films like Flynn and Rapunzel showing up in Arendelle. Hidden Mickeys. And of course shows that were all about a Disney multi-verse that sort of pokes fun at itself like Once Upon a Time, House of Mouse, and even Ralph Breaks the Internet. With this being a special anniversary film, of course we ought to expect more nods to other films and Disney animation history. I thought it was cute. Especially Magnifico’s jab at Asha’s little moving drawing. (“Is that a talent?”) Made me literally laugh out loud.
- I think the one complaint I do agree with at least in part is the, “But Magnifico was right, though??” Some dreams shouldn’t come true. Especially if it’s a wish you’re making when you’re 18. There are definitely things I wished for at 18 that I am glad I did not get in hindsight. Sometimes what we wish for isn’t what’s best for us or others. And while Asha’s wishes are selfless and for others…she seems to assume that everyone else will also have equally harmless, selfless wishes. It’s sweet but perhaps a bit naive. Also…Asha has good intentions but it is rather funny and frustrating as the adult to watch this teenager come in and try to upset the whole system thinking she knows better than the person who has been running the kingdom for years. That said… Asha isn’t totally wrong either. The wishes do ultimately belong to the people who made them and it’s better even if it’s painful to have a dream in your heart than to be lacking purpose. It may be easier to forget the wishes entirely but certainly not healthier. Ironically, if only these two could have worked together, they actually would have made a great team.
Overall, I liked the film. And I think if I was still a child myself, I would have enjoyed it even more.
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archerygun · 1 month
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Was anyone else disappointed as a kid after watching the prequels? (But not for the reason you think. Read further.)
The answer, broadly, is yes, I know. But not for the reason you’re thinking. Just for one, hyper-specific reason that has little to do with the quality of the films.
Owen and Anakin weren’t actually brothers. Owen and Anakin met like… once. ‘Too much like his father’ the fuck you mean Mr. Lars, the man you met ONCE?
You mean to tell me we were robbed of what had the potential to be the funniest sibling dynamic in ALL of Star Wars? Angry old dirt farmer vs the Chosen One/Dark Lord of the Sith? Objectively hilarious. The implication (in the og film and book) that Anakin just fucked off one day to become a jedi starpilot, leaving Owen at home thinking “What a fucking nob.”? Peak comedy.
Can you imagine if these two were actually siblings? Owen watching the look in Luke’s eyes develop into the wild, idealistic look that cost him his brother. Telling Luke his father was a drug smuggler on some old cruiser because that was an easier story for Owen to tell than the reality of it, and after a while Owen himself starts half believing it. Despising Obi-Wan for both taking his brother from him, and then in his eyes causing him to become a monster. The tragedy of Vader ordering the death of his brother.
Say what you want about the brotherhood between Obi-Wan and Anakin, it’s a brilliant dynamic. But the idea of Anakin and Owen coming from the exact same nowhere, same family, same upbringing and everything… it hits me in the feels. Because they represent two polar opposites that ended up with a sort of reverse parallel fate.
Anakin wanted adventure in the stars and he got it, at the price of everyone he loved and never getting to see his kids. Owen wanted a simple life minding his farming and he got it, at the price of dying without ever seeing the stars and becoming alienated from his son. If these two men had been brothers, the TEARS THAT WOULD HAVE COME OUT OF MY EYES-
It would have humanised Owen to the audience long before Kenobi (which I do still basically consider non-canon even though it was a fun ride) did him the - admittedly a little bit over-the-top/ridiculous - justice he deserved. There have always been appreciators of Owen Lars but a lot of people see him as just a bastard. Give him some real PAIN behind that exterior. Give him a VERY good reason, an even better reason than the one in canon, for being the way he is.
Plus, the idea of Owen partially having the force is objectively the funniest concept ever (although I’d still go for the whole “Anakin had no father.” thing and have Owen be normal).
Sorry for the incoherency of my ramblings, I love Owen Lars.
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charalysis · 10 months
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Darksiders: War
So, I may once again reference real world disorders as a launching pad for discussion about behaviors and actions. I will reference both games and book. Thank you!
To begin, let's talk about War's baseline characteristics.
War is certainly more, shall we say, heroic of the Four. He is loyal, lawful, and regularly tries to be by the book, methodical, and overall tries to be good. Maintaining Balance in the universe is his main goal, the thing he strives for. He wants things to maintain order, regardless of who's messing it up. Admittedly he had a bias against demons, but that's not to say he likes angels.
In his efforts to be a lawful individual, he also strives to be a better person overall by trying to be kinder than other Nephalim where he can. He seeks connection and even affection, with Strife in particular.
Throughout Genesis, War and Strife can stop and talk and often these conversations drift towards the emotional and hard to discuss. Charged topics that Strife has genuine difficulty addressing.
But War helps him work through these emotions and topics, giving him his own perspective and trying to ease his mind, even if it fails or they disagree. No matter what, War seems incredibly willing to stay by Strife's side.
This loyalty and desire to help and seek connection is also present in Abomination Vault, when he goes to help Death handle the crisis, despite being told no and even threatened. He is eager to help the eldest Horseman, and he is even angry at himself for nearly dying/dying, thinking he's failed Death some how. He doesn't even question it when he's brought back by Death, he just rambles about his failures and saying Death should have let him die.
And with Fury, he shows he cares for her. When Fury is summoned to handle the Seven Sins, War is already bound by the Council. She's surprised by his state and the accusations, but ultimately is dismissive for the moment. War, on the other hand, speaks to her. He tries to warn her to be cautious, tell her something is acting against them and trying to hurt them, showing he very much cares about her well-being and safety.
War is repeatedly shown to be caring, in his own way, with his brothers. He worries about their safety, tries to assist them as needed, and tries to comfort them in their grief or anger. He is exceptionally loyal to them and doesn't seem eager to betray or harm them.
Loyalty, while being a fantastic virtue, is ultimately one of his biggest flaws too.
From Genesis and a good bit into the first game (canon's timeline wise), we hear him constantly say that he doesn't think he or the others should question the Council. He's the biggest believer in the Balance and is the most eager to maintain it. He is unwaveringly and unquestioningly loyal to the Council, which is ultimately why he doesn't suspect them directly of screwing him over until much much later on in game one. His loyalty blinds him to the notion of betrayal from the Council.
However, whenever he finds out his loyalty has been betrayed, he is far from afraid of going scorched Earth and enacting revenge. He, with Uriel's assistance, kills the Watcher for his treatment and for being a pawn in the clearly corrupt Council's machinations against the Horsemen.
And revenge/vengeance is apparently something War isn't unknown for. He's clearly displayed enough "eye for an eye" behavior over the centuries for the Council to note its a perfect motivator for him. Thus, he became their scapegoat and was thrown to Earth to prove his innocence. And Samael later points out that he "knows a quest for vengeance when he sees one". Samael's semi-Omniscience aside, he isn't wrong in just making the assumption. War was absolutely aiming to make Abbadon, Straga, and anyone else in his way pay for their actions. I do find it interesting that, ultimately, he chooses to spare Ulthane and Azrael.
Granted, Ulthane does help him more than hinder him despite being antagonistic. And in the case of Azrael, War realized he needed the angel's help, then also saw the immense regret within him. Of course, War is also fully aware that Azrael is a powerful archangel, adept in illusions. He also likely wouldn't have risked a fight with Azrael lest he die, or he actually kill the angel and lose out on valuable information. All this to say, War's intelligent and isn't a stranger to variables, despite often acting on emotions.
Despite popular belief, War is not hot headed or temperamental. War is actually extremely level headed and calm. He thinks through his actions and possible causes. He tries to account for all outcomes, and the consequences of his actions. If he can gain a tactical advantage.
Because he is an embodiment of war itself.
Wars are brutal, bloody, violent... But it's not about whos weapon is better that wins. There's strategy, planning, and a lot of luck.
War himself strategizes a fair bit when it comes to who he can keep alive and who he can get away with killing. Who can be his ally and who he can sacrifice as a foe. He measures who he can take on and who's not worth it.
Its why Samael and Vulgrim don't die, despite War's bias against demons.
Samael, even in a weakened state, is too powerful for War to take on alone. Samael, though, offers assistance if he himself is helped first. War isn't stupid enough to reject help from someone he a, can't kill, and b, is offering their powerful assistance.
Vulgrim had the benefit of Council endorsement at first, but War certainly realized the value he got from dealing with the merchant. Vulgrim offers him health shards, weapon and magic upgrades, and of course, Serpent Holes.
The value of these two cannot be understated in the first game, especially since War is utterly alone otherwise. They're who we spend most of the game with, aside from the Watcher.
Now onto my favorite topic! Symbology!
Similar to Death's mask, War's got a hood obscuring most of his face, particularly his eyes. In fact, he often has to adjust how he's looking around to properly see sometimes.
In terms of symbology we can infer this to be representative of his own clouded and obscured view of things. He has to shift the facts into just the right order and perspective to see the truth of what's happening to him and what happened to cause the apocalypse.
Another piece of symbology is which arm of his his prosthetic.
The left.
Biblically speaking there's a few things to address, as Darksiders is heavily based in Christian and Jewish mythology. I am wildly unfamiliar with Judaism and their symbology, despite lengthy research attempts, and thus am uncomfortable addressing the possible symbology on that side if things. However, I am familiar with Christianity.
In the Bible, the hands are referenced a few times, but the right hand is referenced about 100 times, where as the left hand is mentioned maybe 25, all negatively. However I wish to focus on one particular passage.
Matthew 6 says, "Verily I say unto you, They have their reward. [3] But when thou doest alms, let not thy left hand know what thy right hand doeth: [4] That thine alms may be in secret: and thy Father which seeth in secret himself shall reward thee openly."
This essentially says, "don't tell everyone when you're being generous. Don't brag about generosity or your righteous deeds, for that's not righteous or virtuous. That needs to stay between you and God".
In the case of War, he doesn't often hide what he's doing when he's been told to do it by the Council, often announcing it to those he deems allies. He's not exactly subtle or easy to miss. Nor is his prosthetic.
He's obviously a Horseman, he's obviously on a mission when he's seen out places he's not normally. Everyone knows something has happened, or going to happen, when War shows up. War isn't keeping his service to the Creator secret in any way.
Outside of Christianity, and into more occult and spiritual circles, the left hand is symbolic of dark magic, darkness, and weakness.
War's left arm is the one he was wielding Chaoseater with when Death cut his arm off.
Since that, hes worn a almost demonic looking, magical prosthetic that basically has a pocket dimension I think.
When his arm was cut off, it was in a moment of emotional weakness, and he just so happened to run Death through, a far stronger opponent. So his weakness was cut from him in a way and replaced with the stronger, and useful, prosthetic gauntlet.
Bad segway: War's also not taken as seriously by the other Horsemen. He's the baby of them, likely the last of an entire generation of young Nephalem. Often it seems the other three don't take him seriously until he proves them right. Strife though seems more willing to hear him out, but that could be because they're pretty close, even able to laugh together.
Tl;Dr: War is intelligent and loyal, even kind, but lacks the ability to see passed his ambition or goals until its almost too late. He's also surprisingly impulsive.
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scintillyyy · 1 year
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you know, i kind of touched on this in my au post earlier today, but it really got me thinking about how much tim joins the batfam early/jason doesn't die in ethiopia really, really relies on fanon understanding of relationships and almost has to prioritize the jason&tim relationship/perpetuate the idea that jason was "tim's robin" (my eyebrow twitches even writing that) because if it doesn't and we go by canon....jason really kind of ends up adrift due to tim's arrival, if he's not the person that tim is absolutely fixated on/that is saving tim.
because tim doesn't canonically need to be saved! he's not that socially awkward, he can make friends within 5 minutes of entering a room. he doesn't really need jason to do anything for him, to be anyone special for him. like, he admittedly probably admires jason-robin, but like, in an abstract way, not a super emotional way. tim would admire current robin whether it was jason in the costume or some random kid named jeff. jason's canonically not that special to tim, not like dick is. if jason quit and bruce replaced him with someone who wasn't jason, tim would just move on to admiring whoever is robin next and not really think about jason anymore, because the only robin who matters long-term is dick.
so if jason isn't the center of tim's world we get a tim who joins the batfam and immediately gets his canonical super-special connection with dick, through dick's parents and the night they fell and being there. and this is a connection that jason will always be excluded from, a wall between them almost. like, they might all like each other. dick does love jason. but it's almost like when you introduce two friends of yours and they immediately click super well and become better friends with each other than they are with you. like, dick is a good brother to jason. but jason's arrival will forever be marred by the actions of bruce, because bruce was the one who chose jason, though dick did eventually accept him as a brother. tim on the other hand came in connected intrinsically with dick. in many ways, tim is the brother without the baggage of bruce. tim is the brother that dick chose for himself based on past connection and fated past meetings. he's picture kid. he's the brother because of dick's parents, not because of bruce.
and isn't that lonely and a bit isolating for jason? sure he has his bond with bruce/his dad, but when it comes to his peers he is a bit on the outside looking in--he doesn't have a same-generation cohort. (which is also why i think it's funny when *tim* is always the one who's cast as this social outcast who has no bonds to anyone. now, i don't think that any of the batkids are socially awkward--on the contrary, i think they're all very good with people, but canonically, due to the short time he was alive for post-treatment, jason doesn't really have a ton of friends outside of bruce and alfred. and idk he doesn't seem to see a need to have a ton of friends! he's perfectly content being batman's son, batman's robin, he doesn't really need anyone or anything else. sure he enjoyed his mission with the titans that one time, but he's not really searching for outside connections or friends for him and bruce, not like tim does as robin. because jason is shown to be pretty content with the way things are--until we get closer to death in the family, ofc, but that's not really about feeling lonely for friends, but feeling lonely for his mother. idk do we ever have him yearning for friends? i'm not as well versed on all of jason as robin)
anyways, then we get superboy and impulse and wonder girl and young justice and they're still very much tim's cohort, not jason's. they are 13-15 year olds who act like 13-15 year olds. jason being like...2-3 years older than them would not fit in from a maturity level. and he probably does more with the titans on occasion, but he's only like 17 and they're all like...20s and having kids so he doesn't quite fit in fully there either, they just treat him like a younger brother. so where does he fit? he's kind of alone in his own odd little solitary generation there. tim doesn't really need him. dick doesn't really need him. all he has really is bruce, his dad and best friend. so it's like, when it comes to these types of stories...if jason is not tim's #1 upon tim joining the family, then what does jason have?
and i do see some resentment there. not like, pure hatred. but isn't life unfair? this kid comes in and his life is seemingly pretty good for him at first. he has dick's love unconditionally. he writes barbara thank you notes. he has a easy way of moving through the superhero community making friends with everyone like dick does and oh, i think that's a big frustration. because i don't think jason was jealous and angry at dick all the time but he was notably a little frustrated at having to live in dick's shadow sometimes (again, see his mission with the titans where he loses his temper that they look at just his uniform and expect him to be dick for them) and then to see tim have those traits like dick that jason-as-robin struggles with and thrive with them?
so yea. that's why i think a lot of those aus really depend on needing to make jason tim's #1, because if he's not, then where else does he belong?
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starry-blue-echoes · 3 months
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Okay I had a THOUGHT about Early Bird. Or specifically, what happens after it.
Because Diavolo's still out there, still has his stand arrow/s. And Giorno either doesn't exist, or he's much older than in canon. Possibly even in a position where he can be much more effective in either combatting or infiltrating Passione.
Basically what I'm trying to say is 20-something Giorno Giovanna kinda taking Bucciarati's role as inspirational surrogate parent.
ailing you managed to rummage around my brain and pull out an idea I thought I'd forgotten about
so doing the math, Jotaro would be around 31 in Canon Part 5, and he was 6 in Early Bird Part 3. Giorno was born about 3 years before Canon Part 3, which if we have that be the same here leads to a....... shockingly only 3 year age gap
now, of course there's also room to mess around with when Part 5 happens since if you wanna get really technical, Dio wouldn't have been able to be given the arrows by Enyaba since she wouldn't have been able to buy them off Doppio at this time, but that's a little too gritty for me so let's just shuffle things around instead and just say it all works out by shoving Doppio's trip back a few years
anyways back with Giorno, an old idea I had more or less has Giorno...... with the kiddos as well. I KNOW, THIS IS TECHNICALLY A PRETTY LATE ADDITION TO THE AU BUT HEAR ME OUT:
Dio of course has Jotaro already planned out to be his successor. There's a whole multilayered scheme going on here with loads of irony and revenge and what not, and he doesn't want to give that up. It's just too perfect.
However, Dio has also learned from his mistakes and knows he shouldn't put all his eggs in one basket. After all, given the fact he doesn't have Pucci this time, he is currently without a back up plan
enter: one Haruno Shiobana
this is also where Dio's interactions with the kids get more....... complicated. Because Haruno is the spare so to speak........ but at the same time he's pretty well cared for. Arguably better than the other kids, simply because of the fact he's new. Unlike the other kids, he doesn't need to be convinced of anything. This life and Dio is all he's known, he doesn't need to worry about Haruno trying to escape since....... well, why would he try
not to mention, Haruno's too young to participate in any kind of training, and again he's the spare. He shouldn't have to be trained since if everything goes to plan, he won't be needed as a successor. Maybe he could be a powerful underling one day if his Stand is strong enough, but Jotaro is supposed to be the future leader.
so honestly....... Jotaro's the only one who ever actually interacted with Giorno. He's kept separate from most of the other kids, but of course Dio wanted his heir to meet his possible second. And their interactions were about as interesting as a 3 year old and an ill 6 year old could be.
(who knows, maybe Haruno's mother is here as well? Of course, this does raise the question of whether or not she'd take Haruno with her when she inevitably flees the mansion, but for the sake of the AU let's say she does)
but when they're free.......... this is when things get a bit fun :)
because well....... given their ages, the two honestly don't remember each other super well. Haruno hardly remembers any of his time in the mansion at all, and Jotaro's memories are foggy from time and sickness. Kakyoin might know of Haruno's existence from their talks, but admittedly the toddler's importance wasn't NEARLY as much in his mind as compared to being rescued and getting Jotaro to a hospital
by the time Kakyoin's able to tell Holly and Joseph, Haruno's long gone
Italy I'd imagine isn't too different. Sure there's of course the differing dynamics between Giorno and the team given the fact he's 28 (and now the oldest member of the team by a landslide, Abbacchio being the closest at 21) but plot wise? There's definitely the question of do we play it straight or get creative with it which........ okay let's be real we're most likely gonna go the creative route jrdbvjdrbvs
I'm definitely very interested in how Koichi little quest goes down and how Giorno will deal with his chasing, and ofc how Jotaro will fall into things here
Polnareff definitely will make things interesting, since he's of course very related to Events All Those Years Ago and would likely be aware of the fact that Dio son who went missing that fateful night
there's a lot of room to Get Funky With It :)
also I'm just. Rotating Jotaro and Giorno's childhoods. How the mansion was the best and safest Giorno had ever been, and had he grown up there he honestly probably wouldn't have had that bad of a life, at least in comparison to his mother's neglect and step-father's abuse.
but that being in stark contrast to Jotaro's own experience. How the mansion was literal hell. How he was stolen away from his life and family and very nearly died, scared and alone.
how Dio managed to be Giorno's savior and Jotaro's nightmare
how Holly's rescue was Jotaro's saving grace and the thing that shattered any hope of Giorno's good future
how these two are family, both by blood and by the man who attempted to raise and shape them
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blueper-saiyan · 1 month
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Despite not enjoying reading Planet Vegeta survives AUs very much, I still end up spending a fair amount of time thinking about what Vegeta would have been like if he’d actually grown up in the role of prince like he was supposed to. Obviously, he would have still been a tyrannical mass murderer except with far less insecurity and trauma, but that’s not really what I find interesting. I’m curious how he would view his role. In the regular timeline where basically every other Saiyan dies, he’s clearly (imo) decided that he needs to embody the absolute ideal for a Saiyan (or at least the version that he’s come up with, which is strongly biased by the fact that he grew up with only one adult Saiyan, was surrounded by people who hate his whole species, and was influenced by Freeza who both enjoyed messing with him and could directly profit if Vegeta was wrong about his own culture. So uh, probably not a particularly accurate version. But that’s a different concept to explore.). I’m not even sure if it was a conscious decision by Vegeta or not now that I think about it. Being very likely to be the last member of his species puts a very strong pressure to live up to or down to the expectations that everyone who met him would have. Beyond that, he’s royalty, and that means he’s supposed to be held to a higher standard, so he’d feel that pressure to leave a final impression even more than Nappa or Raditz. (And they both seem to care about it too, especially Raditz, which is interesting, but I’ll leave that sort of meta to the hardcore Raditz fans since I mostly just care about Raditz for the way he impacts Vegeta and don’t think as strongly about him)
So in contrast to the canon timeline, if Vegeta was growing up in a timeline where there were plenty of other Saiyans, would he feel that same pressure to be exactly what everyone expects of him? He’d have a more accurate picture of those expectations as well. I can’t decide whether or not I think that alternate version of Vegeta would still want to be the perfect Saiyan in quite the same way. Would he chafe against the actual ideal if it wasn’t more or less a framework he formed for himself? Would being able to actually be judged against it make it less appealing? What if some of the ideas about what makes a good Saiyan were things he disagreed with? Or would he still be loyal to his species and do the best he could to be the perfect Saiyan prince and then king, regardless of how high that standard might be or how much he dislikes some of it? He’s certainly canonically willing to subject himself to an impossible standard that causes him and everyone else a lot of problems. But is that only because it’s a standard he constructed himself?
Admittedly, at that level of divergence in experiences between canon Vegeta and a Planet Vegeta lives AU Vegeta, it’s hard to even really call the resulting character Vegeta still (the reason I don’t enjoy Planet Vegeta lives AUs) but I do feel like something about this question has relevance to actual Vegeta’s characterization and motives. Does he care so strongly about being Saiyan only because they’re all dead and therefore he’s forced to represent the whole species whether or not he wants to, and he’s embraced it at this point? Or is it because his father did a good job of instilling pride in him during the brief time they were together (for all the good and ill that his pride has caused)? Is he only so devoted to his “Saiyan pride” because he’s the one who came up with his version and no one else can truly decide how well he’s following it? Or does not having any external validation of how well he’s doing just make his self-imposed (and generally self-destructive) task harder? How much of why he’s so insistent on it is due to Freeza?
Freeza has a line shortly before he starts torturing Vegeta that I think about sometimes, where he basically says that he thought Vegeta was special and better than the other Saiyans. Up to your interpretation of Freeza whether Freeza genuinely believed that Vegeta is special somehow or if he was just doing some particularly cruel emotional manipulation there. Regardless of the intent behind it, if that was the attitude that Freeza was demonstrating most of the time, maybe Vegeta doubled down on being Saiyan because Freeza kept trying to claim he wasn’t like them, and he was able to see the insult. There’s also an alternative interpretation of Vegeta that he was convinced he was better than the rest of his species because of the way Freeza treated him. It’s an extremely good way to isolate him after all. In which case Vegeta only started (I often mentally call it “performing Saiyan pride” but I’m sure there’s a better way to refer to the behavior) after realizing he’d been lied to and manipulated for the majority of his life. So embracing being Saiyan so aggressively is a sort of penance for discrediting his people in the past. Or if he’d been performing Saiyan pride all along, the reveal that Freeza killed the Saiyans just spurred on a more intense performance.
Seeing a version of Vegeta with different pressures on him might give answers to some of these questions I have about why he behaves the way he does (yes it’s because he was never meant to be inspected this closely and he takes the roles he needs to for the sake of the plot, no I do not care I’m taking him seriously anyway), so I end up thinking about that version of him where he knows for sure what it means to be a Saiyan.
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irkendogma · 1 month
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tak is the main antagonist for this crossover fic im writing and due to the lack of canon content beyond literally that one episode and some of etf, sometimes i worry im not doing her any justice or it’s too ooc. what do you think would be the best way to write tak in your opinion? (if you happen to have any advice on the matter. just wondering! byeeee💃)
i'm genuinely so relieved at the specification of "in your opinion" because i have such a strange long-lasting attachment to tak that i think i would second-guess my thoughts on her in an objective vacuum to the point of just saying "she should be purple". but as it is i now have the freedom to go stupid crazy about it
i think there's a number of crucial elements to tak, but i think the one that people miss most in writing her is that she isn't just meant to be a more competent counterpart to zim - she's a direct parallel in terms of her ego, motivation, and backstory (the latter particularly as a result of treatment by irken society)
like zim, tak has an enormous ego and an audacity that places herself above anyone else, even the empire itself (see: her custom invader insignia. that's like drawing a crucifix but substituting yourself for jesus after being refused by the church), and like zim, in spite of her disregard for the empire's rulings she's striving for recognition both by it and within it (to quote her: "the plan i have in store for this nasty rock will so impress the tallest that they'll have no choice but to make me an invader"). the same way zim "quit being banished", tak "escaped" from the janitorial squad she was placed under as a stopgap job until the next elite test in seventy years
i've seen some people write her as tall, but in my opinion her being only very, very slightly taller than zim is not just a stylistic choice but an essential part of her character that draws her backstory together: technically that janitorial job wasn't even a punishment, it was just deemed the most suitable position for her in the absence of official imperial proof that she was capable of anything "better" or "higher" that would've been afforded to a taller more easily
that she made it so far in the elite course at all in spite of her height gives context and precedent to the competence and sheer refusal to admit defeat she exhibits in her attempt to destroy earth, a planet she initially believes is already undergoing an officially-sanctioned invasion judging from how bitterly she tells zim about what should've been "rightfully hers", down to specifically mentioning the great assigning - loops back to her audacity, in that she has zimlike degrees of ego regardless of how hard the circumstances logistically are aligned to stomp her back down (see again her quote where she confidently states her plan to hijack an official invasion will impress the tallest to the point they won't mind her flagrantly flaunting the rules). she would've spent so much of her life striving to meet her own exceedingly high expectations, not the exceedingly low ones assumed of someone her height, that this likely isn't far from her standard procedure of "show them i can do it better than the rules say"
what sets her apart from zim, i think, is in how much she's allowed herself to let those miserable expectations get to her and leave her pettier, more vindictive, less grandstanding speeches like zim than showing off everything she's capable of as often as possible, no matter how necessary (ALL the stupid parkour she does for no reason) - which i think is admittedly less her fault than partially being the result of her having actually experienced her confidence failing her when the entire future she'd set up for herself was pulled out from underneath her
unlike zim, who experiences failure regularly but never has it truly sink in, tak had the entirety of her progress wiped off the board in a single moment as a result of circumstances entirely beyond her control: i think a large part of the reason she resents zim so deeply and sincerely isn't solely because of the practical consequences of her missing her test (though it is in no way insignificant to it) but because he was the one who broke her streak - he was the one who made her brutally aware that no matter how she built herself up, no matter what proof she offered, she could still fail and be crushed into exactly the nobody she was expected to be
and she just cannot abide that, no matter what, because even if the memory of helplessness and humiliation will never go away (not that she'd acknowledge it wouldn't), if she can make him hurt the same way maybe that will give back to her some of the power and control over her life and her identity that she lost in losing her potential status as a real, sanctioned invader
also, i do think she should be purple. she seems to have a great attachment to aesthetics and individual style, given her custom pseudo-elite uniform (which we see her wearing even in training, on her test day), the fact she designed and programmed her hologram specifically to have the distinguishing marking of a beauty spot in the same place she has one on her actual face, and her penchant for making nearly every damn piece of her tech purple some way (minus mimi, who while being her own bootleg SIR unit still follows the same red color scheme as a functional one) - even the cockpit of the spittle runner she pilots is initially purple before it's ejected as an escape pod, and the magma pump's interior looks like this:
Tumblr media Tumblr media
girl likes giving things her own little touches whether that's in terms of her trademark color, her near-blasphemous custom imperial logo, or her doing a tactical slide between bars of a railing instead of just stepping normally onto the floor
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mymanyfandomramblings · 7 months
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What is something you don't enjoy in dipcifica fics? Or rather, what do you think are common pitfalls in dipcifica fics you've read so far?
My main answer to this would be something I've noted in a lot of Dipcifica fics, even some that I would consider among the objective best, and that is reducing Dipper's character to being 'the awkward, paranoid dork' (which, to be completely clear, he totally is), however there's frequently so much emphasis placed on how much less cool than Pacifica he is, and I think I'm yet to read one where he gets to be anywhere as snarky as I feel like Canon! Dipper would be in a situation where he's in consistent proximity to Pacifica, someone who brings out the snarkiest side of his personality. Admittedly, with much of the animosity behind them, it's perhaps fair, however, Pacifica is nearly constantly characterised as the 'sassy, sarcastic cool one', with Dipper there for contrast (and to adore her, as he should), when in canon, he's probably the most sarcastic character in the show.
Also, as fun as it is, and I will admit that I've done this before, I do get occasionally irked whenever I read a fic where Pacifica, who is pretty much a newbie to the whole paranormal thing, is somehow better at dealing with paranormal threats than Dipper--which while it's fun, and it's a solid way to get some cuteness and utter admiration from Dipper in there, it's not necessarily realistic. And the show itself did enough to downplay just how capable, confident and competent Dipper became throughout the summer, and I don't think fanfic writers need to continue that by just having him play the 'admiring boyfriend' to his awesome girlfriend. This isn't to say that Pacifica can't have her moment of awesomeness (in fact, in my continuity, it's after a pretty cool moment of awesome, in which she basically saved Dipper's life that he actually decided 'oh my gosh i love her'), I just think that she--a spoilt rich girl--should not be consistently upstaging the seasoned paranormal investigator, and when she does, I absolutely adore it if she does it by utilising one of her specific skills or pieces of knowledge (like her minigolf skills, or weaponising her beauty products).
Basically, I just don't love it when Dipper gets reduced to the 'nerdy guy with an awesome girlfriend who's always the cool, talented one'. They deserve equal opportunity to save each other. And fluster each other. And snark at each other in a friendly way.
The other thing that frustrates me in Dipcifica fics is whenever Mabel is sidelined in favour of the ship. It is not what Alex Hirsch would have wanted.
Wow, that was long. I didn't know I had so much to say on the subject, but there you go. I have more beef with popular Dipcifica portrayals than I thought.
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smallpapers · 6 months
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I'm not usually a fan of hunger game AUs cuz they usually don't take into account the actual characters and are just about the games, which is dumb and not really the point imo, so the fact that you tied in seam vs merchant class stuff, and even made Odalia's hair dye obsession make sense in-universe is so cool.
Also Amity being Peeta fits so incredibly well that's so genuis??? She's got a thing for dramatics and so does Peeta, she'd do anything for the girl she loves and so does Peeta, she's good at defensive close quarters combat(usually chosing the abomination glove rather than more long range attacks) which kinda fits in with Peetas wrestling..... I'm obsessed.
I have so many questions tho! Amity is also very different in terms of attitude/general personality. Would she have trouble acting charismatic for people who want to see her dead like Katniss did?(considering she dgaf about the abomination presentation in canon, she doesn't seem to like pretending. At least not after she befriends Luz bc pre-Luz friendship Amity and post-Luz friendship Amity are admittedly very different) or be more like Peeta and be a really good liar.... Luz seems better for the charismatic role(at least considering canon since she befriends lots of people and often fakes smiles for those she loves....) but otherwise makes for a very good Katniss. Her attitude could be very different from canon and closer to the small snippets we see of her when she's mad. Given that she'd be forced into a role of primary provider in-universe. Fiercly loyal and willing to fight tooth and nail for those she loves is extremely fitting. And on top of that you have Katniss's strained relationship with her mom due to her dad's death and Luz's strained relationship with Camila and her Dad also died when she was younger... omgggggg
Obviously lots of stuff would be different, but the fact that so much fits so perfectly is insane as a massive toh + hunger games fan I don't know how i never saw it.
Also......... would Finnick (the golden child of the capitol) be Hunter (the golden guard of the emperors coven)? :(
Sorry for rambling i just love this au so much 😭
Hi!!! Thank you so much!!! Im happy to hear you like the AU!! I wasn't expecting people to respond so positively hehe
Honestly im just as surprised as you of how well certain characters fit! I didn't really plan, just kinda went along and things clicked into place!
I agree their personalities would be quite different given the extreme situation, but thats the difficulty with these sorts of AUs 😔 but i guess it's something thats got to be balanced to not go too OOC especially if its written! Esp on the lumity dynamics~ Oh i didn't even notice the combative abomination matching with Peeta's wrestling until you mentioned it!! Someone on twt told me that Peeta's camouflage bit could be Amity camouflaging in a puddle of abomi-goo haha
And yes i think Hunter would fit into Finnick's role here compared to the other TOH characters!
No worries for rambling, i enjoyed reading it💛💛 tysm 💛💛💛
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bluegekk0 · 7 months
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whats fpks relationship with herrah? I know canonically, white lady doesnt really feel any ill will towards her as she likes hornet, but how do you think fpk feels towards her? And, since I can't leave grimm out of this, how does he feel about herrah? Maybe he'd feel similarly to wl, since she's basically his daughter now
while typing this out i have another question, which of the dreamers are still alive in your AU, and what are their relationships with fpk, if any? since holly is alive id assume you branched off of the embrace the void ending, and i dont believe you need to kill any dreamers for that end (if I'm wrong, do correct me!), and quirrel in your AU doesn't have monomons mask, so i can only assume ghost at least got to her.
love your stuff, stay well!
it was... not the best, admittedly. granted, they weren't hostile towards each other, i actually think that herrah warmed up to him a little bit, mostly seeing how attached he got to hornet. they certainly had a common reason to bond over, the problem is that fpk was afraid of her. among his species, it's quite common for the larger female to kill and eat the male after mating, so it's coded in his brain to expect that possibility. with wl, it was a bit different - she's more plant-like, and so her behavior is very different to that of a wyrm, or any other carnivorous species, and that comforts his mind a little bit. but with herrah, he sadly couldn't have that assurance, so he was very stressed out about it and expecting the worst
their affair was part of a bargain, so he knew it was his obligation to fullfil his side, but he was terrified throughout all of it. on top of that, since he's gay in the au, he had another reason not to enjoy it very much, though he didn't realize at the time. so all in all, it was a very unpleasant experience, and it greatly impacted his perception of herrah. i do think he have liked for it to be different, after all, she was hornet's mother and i'm sure he would love to have a more pleasant relationship with her, if only for the sake of their daughter. but his fear was too strong and so he rarely visited deepnest aside from seeing hornet (probably for the better since deepnest wasn't particularly fond of him. too bright of a light, for one haha)
as for grimm, you said herrah, but judging by the rest of that sentence i'm assuming you meant hornet, so just in case i'll go over both. i don't think he interacted with herrah much, perhaps he knew her before the whole bargain deal, but nothing more than just being aware of her existence. and with hornet, like you said, she's basically his daughter now and he most certainly sees her as such. definitely more than wl did, but her being emotionally distant is basically a given - she didn't dislike hornet but to call their relationship a mother-daughter one would be an exaggeration. grimm, however, absolutely sees her as his own child. he did that even before him and fpk became a thing - he always liked to imagine himself and fpk raising her together, but since it wasn't meant to be at the time, he instead brought her gifts and entertained her with his powers whenever he visited. these days it's a tad more complicated with hornet's refusal to admit that she sees him as a father figure and her overall bitterness, but his attitude hasn't changed at all. of course, he doesn't pamper her with gifts anymore, but he enjoys spending time with her and bonding over shared interests. their relationship is fun, they have the generally laid back, joking type dynamic of close friends, but it's clear that grimm does thinks of her as his child, meanwhile hornet seems to get upset at that idea, but secretly really cares about him
the dreamers are something i thought about before and i'm considering leaving one of them alive, since i think they're interesting characters and i'd love to explore at least one of them post-ending. as you said, monomon is a goner, and so is herrah, as hornet in the au finds there to be no reason to visit deepnest unless she has to, so it's a natural assumption that her mother is dead. that leaves lurien, and with the city of tears slowly returning to its prime over the course of the au, he would be a pretty good fit for an important figure that watches over its development. but i haven't decided yet. if i choose to keep him dead, then i think it would be a fun idea for his butler to be "promoted" to lurien's previous role, since he was his most trusted bug. we'll see, i like both of those options, and i'll have to see what i decide on
thanks a lot for the ask! i really enjoyed these questions. hope you have a great day/night!
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lichfucker · 7 months
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BRAIN DAMAGE IN D MINOR?
lmaoooooo "brain damage in d minor" is a placeholder title and I live in fear every day that it's going to stick. the only other thing I call it in my own notes is "music and lyrics au" so unless something better appears I'm afraid brain damage in d minor will end up the actual title
a million years ago the sunder server watched music and lyrics (2007) for movie night, which is my favorite rom-com of all time, and I. could not stop thinking about how well the conceit works as a silverflint au. because I am the one with brain damage (in d minor)
it's likely the only bs modern au I'll ever write bc in general I find the canon time period far more compelling, but I digress. flint is a washed-up has-been-- he was in a boyband with thomas and peter ashe in the early '00s but it's been twenty years and his career is dead. suddenly he gets a call from gates, his manager, saying, "charles vane just left his band to get out of a contract with guthrie records and he wants to kick off his new solo venture by singing a duet with you, so you need to write a new song. okay bye"
the problem is that flint is a terrible lyricist. sure he could come up with a pretty metaphor, but he can't write things that are Relatable, and pop music is all about being Vague and Relatable. help, of course, comes from the least likely of places: john silver, a guy flint hires to water his plants, just so happens to be an excellent songwriter.
yes, this is extremely contrived. yes, it is following the plot of the movie to a tee (except, y'know, set in 2023 instead of in 2007).
a meet-cute for your perusal:
The buzzer rings, piercing through the rhythmic discordant chime of Flint repeatedly bashing his head onto the keys of the piano. Great. That’ll be Idelle in to water the plants, and he can either stay in the living room composing Brain Damage in D Minor while she does, or he can spare himself the humiliation and retreat into the privacy of his bedroom. Perhaps he’ll run a bath and drown himself in the lavish tub.
A sigh hauls itself out of Flint’s chest with all the effort of the tow truck that time in ’04 when the tour bus got impounded, and it takes similar heft for him to stand up from the piano bench and answer the door.
Flint registers long black hair before anything else, and his skull is so thick with cement that he nearly turns heel and stalks off to his room without so much as a grunt in hello—but he stops.
“You’re not Idelle,” Flint says.
A very astute observation: the person in the doorway has bluer eyes, tanner skin, and a significantly fuller beard.
The man’s gleaming smile falters. “No,” he says. “Sorry, did she not text you? I’m taking over for a few weeks while she’s away. Can I come in, or are all your plants out in the hall?”
Flint blinks. Considering the man looks like he hasn’t had a decent night’s sleep in his entire life, Flint hadn’t expected his voice to be so… smooth. Nor so English, not in Manhattan. Before Flint lets this stranger into his (admittedly, very thieve-able) apartment, though, he looks through his phone and—oh. Idelle had texted. Three times over the last two weeks. He’d even given her a thumbs-up emoji. Well, all right, then. He steps aside to let the man through.
“Thanks,” the man says, his bright smile back and full of teeth. “I’m John, by the way. John Silver.”
“James McGraw.”
Silver drops his messenger bag on the coffee table beside the chaise, looking around with cataloguing eyes at the veritable garden lined up along the floor-to-ceiling windows, the crystalline chandelier hanging over the dining table, the glossy baby grand on the shag carpet, the unmasked luxury in which Flint lives. “Watering can?” he asks.
“Under the sink,” Flint says, pointing him toward the kitchen. He waits a few beats and then follows, trying to keep a wary eye on Silver while appearing casual rather than paranoid. He leans coolly against the kitchen island just as Silver finishes filling the watering can. “So, Joe—”
“John,” he says, not unkindly. “Most of my friends just call me Silver, but I’d rather you call me John. No offense. Less personal, you know?”
“Using your given name is less personal than your surname?”
He gives Flint a pointed look. “I can be one of eight hundred Johns you’ve ever met, or I can be one of half a dozen Silvers, if even that many. Maybe we’ll be friends someday and you can call me whatever you like, but for now I’ll take John, thanks.”
Flint just barely suppresses a grin. “Fair enough,” he says. “Where are you from?”
Silver—John hesitates, and then he says, “London. And you?”
“Cornwall.”
“Really? You don’t sound it.”
“I trained myself out of it, a long time ago.” Flint watches John tend to the orchid on the counter, careful not to over-water it; he’s gentle and methodical with it, which isn’t what Flint had expected. He’s not sure what he expected, in truth. “So,” Flint says, “you’re a friend of Idelle’s? Where is she, anyway?”
The question earns him an indignant snort. “Idelle is in the Bahamas getting married, and I,” John says, crossing the living room to the ficus by the window, “got the great honor of not being fucking invited. She tried telling me it’s because they wanted to keep the guest list small, but I know that’s a damned lie. She invited Muldoon, of all fucking people. Logan I understand, because he and Charlotte are attached at the fucking hip, but Muldoon?” John scoffs. “No, it’s because Augie—her husband—never liked me, not that I have any idea why. Truth be told, I think Idelle herself only tolerates me because she’s close with my sister, and she knows not to say a bad word about me to Max if she intends to say any words for the rest of her life.”
He keeps talking as he progresses down the row of plants. “I told Max to bring me as her plus-one just to piss them all off, you know, but she’d already committed to taking her girlfriend, and, honestly, that’s comeuppance enough. I am far more fun at weddings than Anne is. Luckily for you, I’m also a far better plant-sitter, so—Fuck!”
John hisses in pain and turns around to face Flint, sucking on the pad of his thumb. “Fucking cactus,” he mumbles around the thumb in his mouth. The two of them stand there, twenty feet apart, for an odd moment, the air thick with… something. John narrows his startlingly blue eyes, scrutinizing Flint. Flint hasn’t a clue what he might be looking for. His lips work at his thumb all the while.
And then John’s thumb leaves his mouth with an obscene smack, the sound so loud in the dense silence that had befallen them, and he says, “You look really familiar. Are you famous or something?”
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