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#ultimate closeups
link-sans-specs · 4 months
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Can I do it with your iris?
GMM2529
Can We Find the Name Brand?
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kheprriverse · 7 months
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Look familiar? Bounty Hunter and magic user turned Deity, Ko'jin. Later dubbed as the "Fierce Deity."
Other outfits are a wip. I was gonna wait until they were done but couldn't resist sharing what I was working on for a week.
Masterpost | Lineup | Ko-fi - More info under the cut! This one’s gonna be a pretty long one and the last half below will have the text on the image (coz tumblr’s probably gonna eat the quality) plus some notes sprinkled in.
Plus a look at the Moon Serpent, a common form Ko'jin takes. I'd like to think the Moon Serpent is more commonly known by his followers than the man himself. There are others he takes, like the Silver Wolf, but the dragon is the one most associated with him.
He's relatively unknown after the war before Skyloft's ascent, his image having been completely removed from history. The few traces of him by OOT/MM would be oral tradition, specifically through family members as bedtime stories and legends to tell. Stories about a curious serpent and a powerful artifact.
After the events of MM, the Moon Serpent becomes active again and the festivals dedicated to it return.
Text on the image + extra notes:
Ko’jin, Bounty hunter chosen by Goddess Farore.
“Ko’jin” is not his real name. Once a mortal becomes a god, they abandon their original name. He was never given a proper one again aside from nicknames by worshippers and other deities. Ko’jin is a nickname given to him by his future wife when they first met.
He wears facepaint which is mixed with magic to bolster strength and speed. And later he would get tattoos that did the same [seen later].
Before becoming a god he was a bounty hunter [and popular at that, often being the favorite of a neighboring town]. He would take commission to hunt down monsters many others refused to go near.
Ko’jin has a strong affinity for magic [he uses it practically every day] and often imbues the edges of his sword with darkness magic. Though, the element given to his sword can still vary depending on what or who he’s fighting.
His undersuit and white tunic are much more protective than the brass chainmail, which instead is used more for artistic liberty than function.
“Early Days Moon Serpent”
Ko’jin’s god form was often a dragon for the ease of guiding lost spirits to the afterlife [he’s a judgement god with a very strong connection to the dead and guiding those spirits became his secondary function].
[During the first war with Demise] Soldiers often saw this form as the “Spirit of Courage” and their protector. They worshipped him and gave him gifts in hopes that he’d watch over him [and guide them to a better afterlife if they were to fall in battle (that secondary function). He basically became a huge symbol for soldiers specifically and I feel like this would feed the “War God” title he was given way later on despite not actually being a War God.]
In many ancient artifacts [ones that could be found at least], the Moon Serpent would be as either a two-headed serpent or two separate beings with their horns crossed. [There’s going to be a lot of “two’s” with him. Two swords, two lives, etc. in depictions of him the two heads/bodies of the serpent would be called “the Body” and “the Spirit”. Later on he’s split into two to be sealed away in a similar theme. “Two lives” refers to the before and after his sealing as he loses his memory of his “past life” and becomes a new person (hence a different appearance). I can see Hylia having foresaw a lot of this tbh.]
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otwdfanfic · 3 months
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Tryggir’s makeup in Into the Polar Night Chapter 4
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dutchspur · 2 years
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theprincessaurora · 2 years
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When will the day come for me to own an original production celluloid of Briar Rose/Princess Aurora from Sleeping Beauty?
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fernsnailz · 9 months
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it's time... for the TEAM DARK FEST! 💥💥💥💥
me and @serpentineshine are hosting a little tournament to finally determine who the best Team Dark member is! this week there's gonna be goofs, bits, and even a special prize for the winner 👀
however, the most important prize of all is what awaits at the end of the festival! ...but that's a secret right now.
💥 cast your vote below! 💥
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(oh also if anyone makes any propaganda for their fav character. tag me i wanna see)
video transcript below the cut! ⬇️
A blue announcement screen with scrolling text reads “SPECIAL FENSNAILZ ANNOUNCEMENT.” There’s a looping animation of Squeak the cat in the middle. It disappears, cutting to a shot of a studio space.
In the studio, SNAIL, SHINE, SQUEAK, and a VASH PLUSH all sit at a desk with a large CRT TV on it. Squeak and Vash are on top of the TV, and shelves with various items line the walls. Everyone seems to be unaware that the camera is rolling - Snail is reading the script, Shine is drinking from a mug, and Squeak is licking her butthole. Vash remains motionless.
Snail notices the camera zooming in, and throws away the script in a moment of panic. Shine and Squeak sit up to face the camera as well.
SNAIL: Coming at you pre-recorded, it’s Snail, Shine, and The Beasts!
SHINE: We’re here today to announce a special tournament we’re hosting: the TEAM DARK FEST!
SQUEAK: Eep!
VASH: weemp womp :]
SNAIL: You know ‘em, you love ‘em-
SHINE: Or hate them.
SNAIL: It’s all about TEAM DARK this week! Fellas, turn on that TV!
The camera cuts to a close-up of the TV as the screen flips on. Three shitty photos of each Team Dark member appear on the TV under the question “Who is the best member of Team Dark?” Every Team Dark member’s name is misspelled underneath the photos.
SHINE: Time for the ULTIMATE question: Who is the best Team Dark member?
SNAIL: Oof. We’re turning them against each other, huh? That’s dramatic.
SQUEAK: Meep! (HOLY SHIT)
The camera zooms out to a wide view of the studio, but zooms out much further than needed for a split second. For some reason, this is all being filmed on a green screen set, and the shelves behind the cast seem to be edited in. Not only that, but this studio is either widely over-staffed or widely under-staffed, because the boom mic is held by seven Chao stacked on top of each other. The camera zooms into a closeup of Snail before much of this information can be processed.
SNAIL: Well, it’s obviously Shadow. I told him if he won, I would get him ice cream after soccer practice!
The camera pans over to Shine.
SHINE: No way, vote for Rouge! She can carry like. Nineteen mountain lions. Give or take
The camera pans over to Squeak and Vash. Squeak points at a crude drawing of Omega that seems to say “VOTE OMEGA.” It is upside down. Vash holds a cute little sign that says “I <3 OMEGA” that he likely made himself.
SQUEAK + VASH: ?????????????? (we didn’t hire anyone to translate this part.)
Back in a wide shot, Snail and Shine stare blankly at Squeak and Vash. Squeak licks her butthole again. Vash is now Real. Someone off-screen sneezes very convincingly.
SHINE: This poll will run for ONE WEEK before we announce the winner! So little time…
SNAIL: Everyone make your vote count! The winner of this festival will have a special page in my… 
An image of a porcelain snail appears over a white background as an echo-y human voice says “SECRET UPCOMING PROJECT.”
VASH: bweep bwaa :] (Yay! Prizes!)
SHINE: The final verdict will be decided by Twitter AND Tumblr, so commit as much voter fraud as you please!
Squeak bites Vash and he screams. They both fall off the TV and make a surprising amount of noise. Snail and Shine stare in shock.
SNAIL: See you in seven days! And hey, if you want to participate… tag me in any propaganda you make to fight for your favorite Team Dark member!
Squeak and Vash explode.
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yellosnacc · 8 months
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Been keeping this away for long since its a very out of context specific stuff.
These are the Heads - the mostly spiritual leader of the central Foru micro-state collective. Their role is to be a guide for all the leaders (archs) in central Foru and speak for all of them on an international level. They also bless lands and people and generally are well-liked by them. They can make big decisions, but it's ultimately on the archs if they comply (but the pressure is strong).
Every head has a more specialized role, each representing a 'sense' of their one shared soul (hearing, seeing, touch, thought...) and people they are patrons to (the old, the "rich", the leaders, the priests...). Each central Foru micro-state usually has its favorite head that they want to see the most in their community when bringing them news or blessings.
here are closeups
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The Heads are the center of a religion practiced in the region. In short - the Heads share one spirit that in ancient times belonged to a priest who misused their power to get to the spirit world and instead became forever stuck in the material world. After many reincarnations, the priest became a wise leader who learned to speak with the spirit world and make final peace between the worlds of spirits and the material.
I would need to go into more religion details to go over that but that can be a separate post. Let's talk about how they get their role.
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A 'competition' is held to determine the best leader, most spiritually attuned, most well-thinking, and best-presenting individual. The Heads in position at the time with a few other high-ranking individuals will judge the participants and then make their pick at the choosing ceremony. Luckily there are not too many to choose from, there are many requirements to participate.
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However, the one picked isn't one that will become a head, they would be far too old at the time. Instead, they will force their system to make a rare phenomenon happen. This means making more of themselves with cloning (having babies grow out of diploid cells with no need for another person). This is usually achieved when under high amounts of stress and loneliness.
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The uniima egg naturally holds 4 larvae but usually only 1-2 develop fully while the rest becomes food for the surviving ones. This clone egg has 4 identical whites (pre-babies) in them that get special care to ensure at least 3 survive. There have been heads with one member before and with 2 and 3, but 4 is a miracle as the bottom corner larva almost never develops enough to hatch. This egg is very lucky.
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The identical quadruplets are given to be raised in different environments. These environments will decide what they represent as adults. It will also give them better perspectives of the world, making it easier/more difficult to make big decisions when the time comes.
Additionally, because there are 4 heads this time, a new environment had to be introduced. This environment was that of small communities, minorities, and generally people living in poorer conditions (yes, for the past Heads, war was more important than their people suffering (it's a very central Foru thing)). Unfortunately for The Ear, they are not respected everywhere, and many people assume them to be a fake among their siblings.
You can also see the heads have each their own signature and each Head generation has their own symbol that is recognized outside their writing systems.
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stluciabuns · 7 months
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The Historical Accuracy of Kirsten's Dirndl
Despite its adorableness, I have seen many people complain about Kirsten's Swedish Dirndl outfit.
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I would kill a man to have bought this for $22.
She wears this outfit for most of Meet Kirsten, being that she is an impoverished immigrant child who does not own any other clothes, and also for continuity reasons.
Frequently, I have seen it claimed that this outfit is not historically accurate and should not have been included as part of her collection. Conversely, I have also seen many German folk costumes marketed as being made for Kirsten. Both of these pain me a great deal (actually they just annoy me).
Nonetheless, I have decided to further procrastinate doing actual, meaningful work and instead set out on a new mission: figure out what the fuck is up with Kirsten's Dirndl.
In this post, I will lay out the research I have done, the evidence supporting the historical accuracy of this outfit, the challenges to its existence, and ultimately aim to answer the question of whether this outfit is one Kirsten plausibly could have worn on her journey from Sweden to America in 1854.
Let's begin.
First, the name. Pleasant Company/American Girl referred to this outfit as "Kirsten's Swedish Dirndl and Kerchief."
Unfortunately, there is no such thing as a Swedish dirndl. "Dirndl" is a German term, and refers to folk costumes worn by people in German-speaking areas of Europe (the Alps, Bavaria, Austria, and so on).
Kirsten is Swedish, and before Meet Kirsten has never left Sweden before. It is very unlikely she would have acquired, and regularly worn, a German dirndl. See this gorgeous example of a dirndl c. 1840:
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Outfit, c. 1840. Munich, Bavaria, Germany. Münchner Stadtmuseum.
This ensemble is beautiful, but tragically, it is not what Kirsten is wearing.
What, then, is Kirsten wearing? What kind of traditional dress does Swedish culture have?
As it turns out, the proper term for what she is wearing is a folkdräkt. This is a Swedish term meaning "folk costume." Here is an illustration depicting multiple examples of Swedish folk costumes. In proper terms, these would be called "Svenska folkdräkter."
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Nordisk familjebok (1908), vol. 8, Folkdräkt. Retrieved from runeberg.org.
These outfits are not quite identical to anything we see in Kirsten's collection, but you can observe various elements that have carried over -- the vertical stripes, black woolen skirts with ornate trim, and white dresses and red sashes (hello St. Lucia)!
Let us dive deeper. What do extant Svenska folkdräkter, specially those made c. 1850, look like? Is there anything like Kirsten's outfit among surviving examples?
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Johan Sodermark, "Kvinna i dräkt."
In my few hours of research, this example image is the closest thing I have found to Kirsten's dirndl.
This lovely portrait is a watercolor from 1850 painted by Johan Sodermark. It is very creatively titled "Kvinna i dräkt" -- literally, "Woman in costume." The pattern of this woman's apron is incredibly similar to that of the skirt of the Kirsten doll's outfit -- a dark red base with blue and yellow stripes woven throughout.
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Here is a closeup from the American Swedish Institute.
Although it is not shown in the doll-sized version of the outfit, the illustrations in Meet Kirsten by Renée Graef show us she also wears a light-colored, striped apron, which is almost surely the one that comes with her meet outfit.
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Illustrations from Meet Kirsten, drawn by Renée Graef.
Notice the fabric of the bodice in the third illustration, though: Kirsten's top is made of red plaid fabric, while Sodermark's girl has an outfit full of stripes. Kirsten, bless her heart, spends an entire book outfit-repeating a potential pattern-mixing fail: plaid and two kinds of stripes and a floral scarf. Did Pleasant Rowland just hate her? Is Kirsten on another, elevated fashion plane far beyond my comprehension? Is there a historical basis for this combination of patterns?
I have no answer to the first two questions, but thankfully can speak on the third.
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Komplett Vilskedräkt, Västergötlands museum. Some pieces c. 1865.
The top is plaid and laces up, which is not necessarily the most common way of fastening (in most examples, the bodice pins up), but it is a sensible choice considering both Kirsten's age (9) and the fact that Pleasant Company was making toys for little hands.
The model for the outer shell (the lace up top) belonged to Karl Edberg from Hällestad; it is not dated, but at least one piece of this set (the bag, which is not shown) is c. 1865. Additionally, the blouse here is very similar to the one that comes with Kirsten's winter outfit -- look at that keyhole neckline!
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So, Kirsten's Dirndl outfit is actually very accurate as far as the clothing itself goes...the name remains the trouble.
I have no idea why they called it a dirndl. Folkdräkt is definitely challenging to pronounce, but why wouldn't PC just translate it as "folk dress" or "Swedish outfit" and call it a day? Why the insistence on referencing a culture that isn't relevant to the doll or her dress at all?
Perhaps this is a mystery to tackle for another day...
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axellis · 7 hours
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good morning im politely requesting people look at my post abt how the ancients see each other
under the cut some closeups + a ton of additional thoughts
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hollyberry + golden cheese are also part of the crew of 'thinking pv is a bit naive', but he's also the most emotionally intelligent out of all of them and incredibly empathetic and thats something they both respect a whole lot .
dark cacao on the flipside can see how much of a mental toll being empathetic can be
white lily seems to have the most "whole" thought of pv - which would make sense, she's been with him the longest and has seen every facet that is pv. but even still her worries that he's too trusting of her are eating away at her thoughts- as such a pv shapeshifter made of her subconscious Would be way more naive .
in my head white lily's pv would be the last shapeshifter and in order to tell the difference between them white lily would ask if he ever doubted her . the real pv would say that he definitely struggled and had been lost and confused- but ultimately trusts her above all else . vs the shapeshifter who would just say "no I'd never doubt you" .
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i didnt have room for it but i think dark cacao also recognizes hollyberrys seriousness . if you get drunk with someone enough times you'll start to piece together the really vulnerable moments you had with eachother . i think hollyberry and dark cacao have the closest relationship and im not saying this because im in love with both of them
golden cheese has a bit of a recollection issue and you can see that with hollyberry + cacao the most. golden cheese reminisces a Lot and that affects how she remembers the othera . hollyberrys is a bit of a trickier thing but in this instance golden cheese doesnt remember the braids. she knows hollyberry has a different outfit than before but doesn't pay it much mind
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you might have noticed the pattern at this point of pure vanilla having a bit of a cutesy interpretation of all the ancients. he loves his friends so much that he has a bit of a harder time being critical of them. he thinks dark cacaos seriousness/grumpiness is endearing. to be honest its partly an inverse of shadow milks interpretation of the ancients (simple and positive vs simple and negative) but that wasnt entirely intentional. just interesting to notate now that im thinking of it
hollyberrys dark cacao is a bit of an inverse also to what i was talking about with dark cacaos hollyberry . shes seen the sweeter more heartfelt side of dark cacao and that shines through to her
if it wasnt for the outfit + hair, golden cheese's dark cacao would have probably been the last shape shifter standing
and i will stand by the dragon cacao headcanon till the day i die
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golden cheese's was fun to think about bc of the little details that are different between the different shapeshifters- specifically in the neck area (bc thays the only portion you guys get to see) . dark cacaos is a bit more of a hanbok style, white lily has a turtleneck thing kind of happening, etc etc. i think pure vanilla has the most accurate idea of what she looks like .
i think white lilys interestingly enough would be the last one standing because i honestly dont think her golden cheese would even be talking with her :(( so we'd only really find out the difference when white lily's gc is forced to talk to her . white lily thinks that gc hates her and wants her gone but golden cheese's feelings are wayy wayyy more complicated. golden cheese doesn't want white lily gone she Is glad that she's back but its also hard. everything she loves is gone right now . but she's going to find a way to get it back- and if white lily can help than maybe that'll rekindle their relationship.
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the cuteification beam still reaches for white lily despite how much pv knows her . i doubt this would help with white lilys feelings that pv is being naive bc shes looking at a shapeshifter based off of pvs subconscious and that subconscious is showing so mucy nostalgia it probably hurts
hollyberry in the past probably really babied white lily + pure vanilla because she Knows theyre not eating . shes observant as hell and will always demand they have at least one bite of something in order to figure out if they're Really "not hungry".
the last one would probably land on golden cheese's bc again . her feelings are complicated and as such her subconscious would showcase that multifaceted issue of "knowing this is your friend and also knowing your friend is responsible for your kingdoms destruction".
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adjit · 1 year
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This was originally going to go in my post on Dick and Tim's relationship in Red Robin, but I have moved it to a separate post because while I can draw conclusions from it that ultimately serve my defense of Dick, it's kinda a whole other subject.
If you know the story of Tim's hot girl summer, you might know this: he saw a portrait of an "ancestor" of Bruce's and realized that Bruce was alive, and trapped in time, which lead him on a worldwide quest to finding clues about where and when Bruce is. This is true! However, this is not how a reader would experience the comic. Because while the first 4 issues cover most of the saga of Tim's departure from Gotham, you don't actually see that he had any proof of Bruce being alive until issue #12- the end of the arc. And this was done 100% intentionally.
Details and analysis of this under the cut!
In issue #1, this is all you get (in two separate flashbacks spaced over the issue):
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A closeup shot of his face, after throwing a bit of a fit and breaking shit, suddenly saying that Bruce is alive. That's it.
It isn't until issue #12 (which was published an entire real time year later!) that you finally get to zoom out and see what actually happened:
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The first four issues jump back and forth between Brucequest and the events immediately preceding Tim's departure from Gotham, and while that time is mostly covered in these issues, they withhold from the reader that Tim had any proof until after everything is over. Tim never mentions it and it isn't shown on page.
This is done very intentionally to create narrative tension! It introduces mystery and doubt!
And more importantly, for the point of this post, it introduces the specific tension that Tim isn't sure if he's right that Bruce is alive and neither is the reader.
(Granted, comics readers are going to know that Batman is alive. They don't kill off big names in comics, not forever, and in any case you can read his adventures in time in a different comic and he's clearly alive there. But that's not the point and you know it.)
When Dick, Stephanie, and Cassie all react to Tim suddenly saying Bruce is alive with alarm, confusion, or pity, the narrative is constructed so that the audience is reacting the same way.
Why was this a part of my Dick defense? Because the narrative itself is reinforcing his view. Tim is supposed to come off as unreliable, information is withheld from the readers to invoke that reaction from them as well, and the characters believing that he's reacting poorly to grief are completely understandable.
But, if you'll allow me to go on some more analysis...
As I said, Tim never mentions his proof on page. He knows he sounds crazy, and yet not in a single conversation does he bring up what caused him to think this way. Throughout the first issue especially, he also has a way of insisting that he's right in a way that makes you think he absolutely does not think he's right.
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"I know I'm right until I think too hard about it" really inspires confidence. Almost as much as "he's all I have and he has to be alive." That's definitely an argument based in logic and not in grief! (<- lying)
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And thinking to yourself "Oh my god, it's true" when you actually find evidence is the sign that you really actually believed it before you found that evidence!
All this to say, Tim was not at all confident in his hunch. He himself doubted whether he was right, but he latched onto the idea in his grief.
Dick wasn't even wrong to believe that Tim was only believing this because he was grieving! Because he absolutely was! Tim was doing all of this as a last ditch effort and it was absolutely motivated by him not wanting to face a world where Bruce was gone. He ended up being right, but even he doubted his own original hunch, and underneath it all knew he was grasping at straws, even though he couldn't bear to admit that out loud. So much so that he, and the narrative, never mentioned it. Not until he already knew he was right.
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twiddlebirdlet · 1 year
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That video where he covered her face with his hand whilst calling her baby and gave everyone a closeup of her teeth is something else. How are more people not seeing any problem with it? How is she ok with him posting that?
My first thought when I read this was: NO! YOU'RE NOT GOING TO MAKE ME WATCH THE WHOLE THING?!!? Damn. I stopped following him over a year ago when I saw the writing on the wall.
Okay, so I broke down and finally watched it.
My first thought was it's from the perspective of a dental hygienist.
How funny.
If anyone knows Chris, his hangups, and his family, that's an interesting data point. That probably wasn't on his mind, though.
He calls her baby, because of course he does. I'm more interested in the fact that he lead with that video on his Instagram story.
Such a power move on his part. He put baby in her place. The ultimate submissive stance for her, and power stance on his part.
This is how he wants us to think of her.
He's the one in control. He has the power.
Years ago I heard that his male friends from high school were Manosphere, men's rights types. I brushed it away at the time because he was such the woke king and all. Yeah....right. Among lots of things I've revisited about him, that's another one. (BTW: not because of this particular video, but because of EVERYTHING about him that I now know)
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itsclydebitches · 1 year
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I... don't even know what to do with that episode. That was far worse than I was expecting. Look, I might not agree with how they're framing the Paper Pleasers, but at least they're non-human civilians of the Ever After whose ultimate goal is to improve themselves. You cannot compare that (which is what RT is doing with Ascension as a whole) to Ruby having an intense grieving arc, being tortured, and then deciding she didn't want to be Ruby Rose anymore - she needed it all to stop. That's a suicide attempt. And it's treated as such! The issues with the team just standing around while Ruby drinks the tea aside, there's a reason why we get that horrified closeup on Yang's eye. Why many fans are pleased that now she has someone romantic to comfort her in her grief. Why the Cat is desperate to get Ruby back and is surprised to find her later in the tree. Why Neo suddenly gives up because, supposedly, she now has no goal. Because Ruby is gone. The Cat's plans, Neo's emptiness, the team's horror - ALL of it stems from the understanding that Ruby has just done something irreversible and (outside of expectations for a story's protagonist) is not coming back.
So to then open the next episode with pep-talk fun times is??? Oh look, the Paper Pleasers are now gem people and have no memory of who Jaune is. Isn't that great? Didn't allowing them to drown themselves make them so much better? Because after all, "better" is to be stronger, physically, impervious to fire and flood, never mind their memories and personalities. Who cares about those? Who cares about incremental self-improvement gained through hard work? Who cares about reframing supposed weaknesses as unique strengths under the right circumstances? Nah, forget all that. Evil Jaune was being so selfish for trying to keep a village of friends from killing themselves. And yes, we need to focus on that because why would anyone be worried about Ruby right now? She's fine! Putting aside the fact that they don't know what Ascension does to a non-Afteran, clearly suicide attempts = power-ups, so yay circumstances forcing Ruby to a place where she wants to die. That'll be useful in defeating Salem. C'mon, Yang, you were so cheery a moment ago. Why the sudden doubt while seeing your little sister encased in a tree? This is her choice and nothing matters more than letting people hurt themselves if that's what they want to do. Obviously Ruby will come back better than ever, so just chill about her being so broken she wanted to end it all, yeah?
This could have EASILY been avoided by just presenting Ascension as a kind of self-reflection - similar to the Caterpillar's smoke - wherein the girls can all choose to drink the tea with no suicidal implications, have a chat with the armorer, and come out with a power boost before they return to Remnant. Simplistic, but easy. So WHY did we spend all Volume taking Ruby through a deep depression, culminating in her becoming so hopeless that she decides to end things despite rescue standing right in front of her... and then presenting that as a celebratory moment of growth??
This is, for me, where RWBY officially jumps the shark. They really did that. Local girl tries to die after being horrifically tortured, but that's a good thing because she'll come back better than ever, wielding her mother's weapon which we've never seen before. Love that for Ruby. So the rest of the team should try to hurt themselves too now, right? After all, there's nothing to be afraid of with this wonderful tree. Just engage in a little inconsequential self-harm and come out a new and improved huntress.
On the WIP docket: write a fic where Ruby, in keeping with canon, comes out with no memory of who anyone is, with a radically different personality, and no intention of being a huntress anymore. I want the story to follow its own rules and implications, resulting in the group having a serious reality check about what Ruby actually did and the actual impact this should have based on what they've seen in the Ever After. The Cat is right: it's not Ruby Rose that comes back out - because that's what she wanted when she drank - and the team has to grapple with the fact that they're never going to have their leader/little sister again. There's someone new standing there, sure, but she's a complete stranger in Ruby's body (if even her body comes out the same, ie the King).
Ruby Rose is dead.
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whumpster-fire · 2 years
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I think after Prehistoric Planet the next big high-budget dinosaur doc should actually be a mockumentary in the style of the “making of” things for Planet Earth depicting a time traveling film crew attempting to make a dinosaur documentary and just having a nightmare of a time trying to get footage of the cool flashy things they’re actually trying to film. Not necessarily anything super dangerous or dramatic like in Chased By Dinosaurs, just the silly and frustrating parts of filming wildlife but with dinosaurs.
Like trying very very hard to get footage of a T. rex hunting, but constantly being in the wrong place at the wrong time. The animal they follow keeps scavenging, they know this species hunts but they’ve found a Lazy Geoff and they have huge territories so it’s hard to track down another. The one time they lose track of the rex for a day it finally makes a kill.
Like trying to film baby hadrosaurs hatching from close up but the adults have the attitude of five-ton Canada Geese and keep chasing them off.
Like wanting to get a closeup shot from inside a termite nest or a mammal burrow or something of a dinosaur feeding and spending a MONTH trying to get the shot because the animal never goes where you put the cameras.
But also all the human-animal interactions that get left out of the final product because it was supposed to be showing animals’ natural behavior without human intervention.
Like you know the story of the photographer who had a leopard seal trying to feed him penguins? Imagine a predatory dinosaur doing that even there’s no good evolutionary reason for it to do that with anything but its own offspring but sometimes animals just decide to do whatever.
Like the crew having a goddawful time filming the “Secretary Troodontids” because they’re fascinated by the scientists and keep doing things like perching on top of the vehicles and using them as observation platforms (like cheetahs), or messing with trail cams because they’re shiny objects, or hanging out around the campsite all the time and the film crew assumes they’re attempting to steal food, which might be true, but it’s not until the fire-front-patrolling and fire-spreading behavior is caught on film that anyone realizes that they were attracted by the fires and waiting for them to spread.
Like a severe storm hitting that’s too dangerous to really film in so everyone just assumes it’s going to be a whole day of being stuck taking shelter and doing nothing, but a couple people are taking shelter in a cave to get away from a flash flood zone that has them cut off from base camp, and a dinosaur just comes in and chills there and they just film it taking a nap and preening itself. Just three earthlings that are just visiting this planet and are ultimately at the mercy of the power of nature.
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Anaïs Mitchell, “Road to Hell (Reprise)” // Don’t Look Up (2021) dir. Adam McKay // Miranda Mundt, Muted // BigSimpleComics, Critter Comics // The Narcissist Cookbook, “GOOD MORNING SUNSHINE” // Chase Petra, “Prologue” // Eleanor Davis, You & a Bike & a Road
I.D. below cut
[Image Description: 7 Images with text
Image 1: Lyrics from the Hadestown song “Road to Hell (Reprise).” They read, “To know how it ends / And still begin to sing it again / As if it might turn out this time.”
Image 2: Two frames from the movie Don’t Look Up. On the top frame is a view of a man and woman from the chest up. The woman, Kate, looks past the camera, giving a small, sad smile. The man, Yule, looks at Kate. Text underneath them reads "I'm grateful … I'm grateful we tried." On the bottom frame, a man, Dr. Teddy Oglethorpe, looks down with a tired, wistful smile. Text underneath him reads, "Man, oh man did we try."
Image 3: A webcomic panel from Muted by Miranda Mundt. A red-haired woman, Camille, and a humanoid blue flower demon, Dendro, touch their foreheads together. Dendro’s eyes are closed, and she cups Camille’s face in her hands. Camille looks dispirited. Dendro is saying, “While you can reach out to help her … it is ultimately her choice if she takes your hand.”
Image 4: Two webcomic panels from Critter Comics (formerly Snail Comics) by BigLittleComics. In the first panel, a closeup of a the face of a slug, Sam. She is saying, “It’s very tempting to think we have no power, and that we can’t change anything.” In the second panel, we zoom out to see Sam is talking to a snail, Jordon. Sam continues, “But giving up seems pretty convenient for the snails actively making our world suck!”
Image 5: Lyrics from the song “GOOD MORNING SUNSHINE” by The Narcissist Cookbook. They read, “And listen / I know, okay? I know it feels / Like I’ve just got you lugging’ heavy rocks around all day / For no reason, with no reward / But please, trust me / I can see what you’re not able to see yet / This is not just a pile of stones, okay? / We are buildin’ a castle together / And we’re gonna build it, brick by heavy fuckin’ brick.”
Image 6: Lyrics from the song “Prologue” by Chase Petra. They read, “I may be scared, but I’ll find strength in fear.”
Image 7: A text bubble from the book You & a Bike & a Road. It reads, “Another day spent undestroyed.”
End Image Description]
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choctalksalot · 11 months
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old (derogatory)
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in my anime training arc grinding out le jake sketches so that i may achieve the ultimate macguffin: old man yaoi
@tipsygnostalgy my thanks for accompanying me in the quest to untwink him <33
a couple closeups under cut!!
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otakween · 2 months
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Digimon Tamers - Volume 4
The beginning of this volume flat out spoils things by putting characters that haven't been introduced yet on the character page. (MarineAngemon, the Juri clone, the D-Reaper queen...) Maybe that's a common practice with shounen manga...but it shouldn't be. Like, what's the point?
Ch. 22
Lopmon and Terriermon interacting will never get old. Love how they lift their ears with curiosity when they first see each other.
I think I prefer experiencing the ~sad~ part of Tamers better in manga form. I remember it being quite drawn out in the anime and I rather just blitz through it at this point. I think the whole Leomon death storyline just annoys me because they barely developed his character and then the writing expects me to be devastated. Juri was more developed, sure, but we barely got any insight into her relationship with Leomon so her deep, dark depression doesn't feel super warranted either.
Ch. 23
I think this chapter was pretty well done. They're giving an epic battle it's time instead of zooming past it.
It bugs me that there isn't a specific name for digimon/human digivolutions. In this translation they called it a "true mega form." On the wiki it's called both an ultimate and a matrix digivolution. IDK why it doesn't count as a jogress. I guess there's like...two different things: the way you digivolve (matrix) and the digivolution level (ultimate)? If it's confusing for me, I can only imagine it'd be confusing for a kid.
It's a bit weird for an English translation, but I like that Guilmon says "MMA!" a lot. I can totally hear him making that noise with his OG voice. Creative onomatopoeia.
Ch. 24
Grrr Jian said "crumbcakes," so done with this stupid translation
This chapter was hella short, not much to say about it.
Ch. 25
Okay, now they're calling it a "biomerge digivolution." I guess the localizers also thought "this needs a cool name!"
Casual 90s/early 2000s sexism sprinkled throughout this translation. Takato says he "screams like a little girl" in a previous chapter and in this one he says "easy to forget Renamon and Rika are girls when they're always kicking butt!" Eye roll...
SaintGalgomon looked super badass but for some reason when Sakuyamon appeared they chose to dedicate two closeup panels to her chest and high heels? Sus...
Ch. 26
Juri's face didn't look as sinister here as it did in the anime (when it's revealed she's possessed). I guess that's probably a good thing. More subtle.
I don't remember the sovereign digimon giving Culumon a "you're a real boy now" speech in the anime. That was sweet.
They cut the part where Beelzebumon gets zapped by a bunch a digimon. In this he just collapses after the battle with Dukemon, which I think I prefer. (But why'd he say he'd be "bunny chow?" He wasn't even fighting Terriermon...)
Ch. 27
The grotesque, over-the-top facial expressions the artist keeps drawing for Hirokazu piss me off. They're just so ugly.
Ugh...they really had to ruin a serious moment (Guilmon getting the ark to stop) with a poop joke. This manhua does NOT treat its audience with respect.
Hmm they completely cut out Juri's family. So much for developing her character I guess.
They kind of forgot to imply that the ark is sentient. I mean they showed it stopping on its own, but in the anime they really hammered it home by having Guilmon have a conversation with it and showing it's HAL-like eye. That was one of my fave parts so I'm sad lol
Ch. 28
Okay, this is starting to feel totally different from the anime, they skipped like 5 episodes worth of content. Also, IDK if the scanlation I'm reading is missing some pages because the ending with Dukemon being beat up was completely nonsensical (it cut from Beelzebumon being hit to a panel with Dukemon outta nowhere?) I'll give it the benefit of the doubt that there are missing pages...
The scene where Beelzebumon uses Leomon's attack to save Juri played out differently here. She doesn't seem particularly perturbed by it and Beelzebumon can't save her because he gets attacked, not because Juri recoils for too long.
Ch. 29/30
Lol they completely cut out Justimon. Makes Ryo's role even more pointless! Ryo doesn't even reappear at all...
This manhua series was crap to begin with but they really screwed the pooch with this ending. SOOO rushed. Grani appeared outta nowhere with zero introduction. Like they just went immediately to Grani's sacrifice. I still don't know if I'm missing pages or if the writing is just that garbage. Oh well! I tried.
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