saw someone say they're we're happy Alicent's and Otto's deaths forced them "realize what they had done" and like...

Otto's one thing, I get the animosity. but Alicent? your getting hot and bothered over her realizing she failed, she failed to save her children, she failed to protect them, to them alive? that she tried so hard, so fucking hard, making every hard decision, trying to get between her children and the fate they were damned to by Viserys and Rhaenyra? that she damned her kids, who were already damned to die to begin with, and had to suffer the guilt of them dying to her own hand? that she's going to drive herself mad with grief over her children, her grandchildren?

like... it's not satisfying (especially for show Alicent) watching a woman go so mad with grief it literally kills her because she fought with everything she had to save her children only for them to die anyway. ever since her father's exile, when Rhaenyra's lies took Viserys's favor, when Viserys ignored the Rhaenyra's sons bastardhood at the risk of the whole house, or when Luke took Aemond's eye and Viserys demanded good will; she knew her children's lives were forfeit. then Daemon killed Vaemond and her children's coffins were built, catching cobweb's all the while. she knew and she fought it desperately, taking risk after risk, living in fear until her moment came, she could out Aegon on the thrown, she could protect her kids, maybe, just fucking maybe they'd be safe... only for it to lead to a war that would kill her entire family.

her death, slow and tragic as it was, is heartbreaking. she didn't deserve it, she deserved to feel safe, to feel as though she could allow her past friend take the thrown without her children being at risk to feel as though she and her children weren't being circled by wolves and picked at by vulture's. she didn't deserve to live alone and die alone. she didn't deserve to have her hands coated in her children's blood.

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)

The parallels between these two haunt me.

Nothing I could get my rocks off to

Anyway kind of ironic that it’s called downtime when it’s always the most stressful part of the season

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

Danny and Damien are twins au, but a slightly redeemed vlad makes Danny the CEO of Vlad Co and DALV and all his other shell companies. Danny is danny, he got pushed into this against his will and is very overwhelmed by CEO duties, so he reaches out to one of his father's sons, Timothy Drake-Wayne, for advice

-------------------

So, danny definitely knows his heritage in this au. He was the spare to Damien's heir, and while their relationship was strained by the constant competition, they still love each other, even when Danny started to show more proficiency in infiltration and subterfuge than assassination. Damien and Danny have a huge fight before Danny leaves, with Damien swearing to never forgive Danny for his betrayal, while Danny is like "what betrayal??? I just cant bring myself to kill someone outside of self-defense??"

(One of the things I hate about Danny and Damien Twin AUs is this depiction that, just because (usually) Danny is unwilling to kill, that makes him weak and a traitor. You think the medical staff in the LoA are assassinating people? Or the lawyers? He's not useless, he's just not good as an assassin)

He was sent to the Fentons at like... seven? eight? to study how the Fentons are purifying lazurus waters from Jack and Maddie, both of whom are partly sponsored by the League of Assassins. He's also learning more about spying from Jack, surprisingly, because no one would expect him of being a top tier spy. He has the occasional mission as a child, but it's mostly shadowing Jack to learn how to spy.

Danny sends letters to both Talia and Damien regarding updates on his training and the Fenton's research, but after a year of no reply from Damien, it's only to Talia. He's feels super hurt by this, and abandoned by the LoA, but the Fentons are kind and familial, and Talia visits once a year. She's unwilling to risk visiting more often, lest she risk getting the JL or the Spiders attention, but sometimes she even manages to visit on his birthday!

(Meanwhile, Talia starts sending birthday assassins to kill Damien so she can spend their birthday with Danyal. She's a really hot and cold mom.

Talia: You can choose me, and have a birthday dinner. Or you can choose your father and have a birthday assassin. You're choice. )

When Slade blows up the LoA, Danyal is given permanent orders to remain as Daniel Fenton until Talia, and only Talia, brings him back to the League. No missions and only one letter every six months. But when Ra's comes back to life and the League is back in power, Talia... never tells Danyal. Because she's seen how happy Damien is being a normal child with their father and wants that for Danyal too. Plus, she wants to continue to have a good relationship one of her children, sue her bruce.

So Danny is completely convinced that the League is mostly gone other than his mother, her zealots, and knows that his brother is living with their father. and he's... relieved. His brother is safe, and his mom told him their grandfather was avenged, so Danny can just enjoy his life. Which he does.

He sends out his six month report days before the portal accident.

Canon stuff happens until Danny is sixteen and Vlad, the fruitloop, steps down as CEO and strong-arms Danny into becoming CEO in his place. Jack and Maddie (who at this point know [or have always known in Jack's case, adn Danny didn't appreciate his dad using his his poker face against him like that] about Phantom) are thrilled.

Vlad is using his "foster son" (Dark Danny, but in this idea, he's Dante Masters) as an excuse as to why he's stepping down, since Dante needs all the attention he can give as a "troubled youth". Danny secretly hopes Dante kills Vlad in his sleep, but signs the papers away.

And there's so much work.

Danny has some idea of what he's doing (Vlad co is a tech company and DALV is weapons manufacturing, plus vlad gave him a crash course on CEOing). Sam and Tuck even help! But he wishes there was someone who could understand the pain of being a CEO while still a teen. But... his father's son, his brother, is one such person. And even though the other would never know, he really wanted to get to know his other siblings. So Danny reaches out for advice to Timothy Drake-Wayne.

Tim is immediately on guard when this Damien clone walks into his office claiming to be the new Vlad Co CEO. The clone acts nothing like Damien, but he still thinks this Danny Fenton is a league plant.

His paranoia doubles when Damien freaks out and confesses that A) Danny is apparently his twin brother and B) that he's been with the League of Assassins this whole time. Damien, who really doesn't want to admit that the reason he forced himself to forget his brother was because said brother didn't want to kill people, says "Tch. I didn't want to associate with the likes of him, so I put him out of my mind." Tim now believes that he's dealing with a master assassin with a huge grudge against Damien and Danyal showing no signs of malicious or aggression in their meetings only convinces him that Danyal is a master actor too.

Which, Danyal is a master actor. But all that other stuff is just Tim reaching.

"Ballister..."

"Whose goddamn white baby is that"

It’s a metaphor, Hold on.

closeups below

GUYS . i need 5 more business days to recover

my girl .. wtf are they doing ☹️☹️

I just finished the Flux storyline and it makes me so upset they introduced this cool idea to us and then IMMEDIATELY took it away again the next episode!! The Doctor turning into a weeping angel would have been such a cool plot point!!

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

tbh i do get a little bothered by the notion that tim took the first shot he had to drop out of school because he hated school and didnt wanna do it and all of that bc i feel like it ignores the probably very important context that he dropped out after his dad (as well as steph-or at least, he was led to believe, in the same week) died, also he was in a school shooting. He did attempt to go to a school in bludhaven but the kids there were so wildly insensitive about the shooting that tim dropped out under the pretense of his "uncle" homeschooling him. In his oyl era, he /did/ go back to school, and it provided him some form of normalcy. Tim was a normal kid, he wasnt crazy about school but he still went to school and it helped him feel like a normal kid, something he desperately clung to. He only dropped out again to do his Brucequest, in an era where he was notably Not Doing Well (which. Yeah. he wasnt doing well bc he was like 17 and almost everyone in his support system was dead, he recently had hits put out on him, got blown up, and backstabbed by his not-dead-ex, he couldnt support his theory that bruce was alive and was extremely stressed about that, and he didnt know wtf he was doing. I love him btw.) Basically tim dropping out of school was a signifier that he wasnt doing well and he was giving up on the normality that he tried to cling to and im a bit of a nitpicky person who gets irked by minor things

Hello, yes, I need more cards where the characters interact with their younger selves.

I want more of this please:

actual real life footage of the surprised condition

hi something something bad kids all magic users now something something everyone learning how to save each other something something they've all got friendship bracelets and they're gonna make it through this year if it KILLS them

The first thing I noticed was the bodies of Spider-people the Spot has either killed or exhausted. You can even see Spider-Plushie in the left-hand corner was a casualty.

Then we see a few frames of Miles fighting the Spot, which I feel is self-explanatory.

But then we get into the interesting part of the vision with Inspector Singh saving the little girl in the red dress, and while we're told these events are of the future. What we see with Jefferson saving the child wouldn't be the first time the Spot's visions show past events, i.e. when he reveals his origins.

I say this because I don't think the vision of Jefferson saving the little boy who is also wearing a red (Spider-man) top - the only time we see colour besides black and white in this scene - is foreshadowing the future.

Because this is the past. And what we're seeing is E-42 Jefferson saving Miles G Morales as a child.