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appletvsource · 11 months
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I’m just so gosh darn proud to be a part of this team. You know? And I love you guys. I’m gonna miss y’all.
Ted Lasso 3.12 So Long, Farewell
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highladyluck · 9 months
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Predicting Mat and Tuon's Character Growth
Mat’s character development is temporarily plateaued along with Tuon’s at the end of AMOL, because they have been developing together since book 9, and have more developing to do together/catalyzed by each other post-series.
Mat‘s arc is about not just accepting responsibility reflexively, but doing it willingly and strategically. To fully grow as a person, Mat needs to move through abandonment of responsibility, through avoiding responsibility, through reactive, passive responsibility, and finally to proactive agency.
Tuon's arc should be about not just delegating control, but giving up control willingly and strategically. To fully grow as a person, Tuon needs to move through obsessive, self-defensive control, through reactive, passive control, through abandonment of control, and finally to responsible, appropriate control.
Tuon’s role in Mat's development is to push him to not just stop running from responsibility (a thing he has already mostly stopped doing) but to actively choose responsibility & thus gain a measure of control over his life and actions. Reactive responsibility- diving into crisis situations without thinking- is only getting him so far, and by the time Tuon shows up I think he's kind of desperate for a strategic change.
(This is long, so the following sections are under the cut:
Mat's First Shift to Proactive Agency
Why Mat is Tuon's Catalyst
How Tuon Can Help Mat Grow
Mat's Second Shift to Proactive Agency
How Mat Can Help Tuon Grow)
Mat's First Shift to Proactive Agency
Choosing to kidnap Tuon after she is revealed to be the Daughter of the Nine Moons and his fated wife, and therefore choosing to actively pursue his fate, is a huge turning point for Mat. It is an echo and synthesis of both the last time he made a decision to steal something valuable and dangerous for his own gain (the Shadar Logoth dagger) and the last time he actively searched for guidance (going to the Aelfinn to ask what he should do now that his internal compass- his memories- are gone.) In choosing to take Tuon with him, Mat is marrying (pun aggressively intended) his impulsive curiosity & pursuit of self-interest to his desperate desire for direction and purpose.
We know Mat loves to be needed. He eats that shit up. He craves respect so intensely because it’s the thing he didn’t have growing up, and he’s also in partial denial about that being what he wants, because he’s a lying liar who lies to himself more than anyone else.
He takes on the hero role because he can’t not- his values demand it and Mat defines himself by his values because they are literally all he had at one point- but it’s also a thing he does to get what he craves, which is respect and attention. (Any attention will do in a pinch, but positive attention is best.) That’s the part of him that gets super shirty about not being thanked/acknowledged. Being reactively heroic is a compulsion for him, but by around book 7 he's realized it's not getting him what he really wants, which is respect and (self-defined) success. He doesn't really have another plan though, until he willingly steps into his dire fate by kidnapping Tuon.
Over the course of the series, Tuon continues to push Mat to actively take responsibility and accept the consequences. The promise he makes to get her home safely turns into his education in the personal uses (and abuses) of power. She is the catalyst that makes him use his personal army in physical warfare for his own purposes. Before he’s used it as a facet of Rand’s army at Rand’s direction, and when he did use it for his own purposes, it was lending it to Egwene for psychological warfare only.
This education in power is why Tuon approves of his war crimes even though she fully admits they are brutal and committed against her own people; they show he understands that his actions as a leader can have horrible consequences, and also that he can prioritize the mission at hand. She says she's just waiting for him to prove he's the person from the prophecy, but she's also clearly testing him to see if he can handle the power she'd be delegating to him, by seeing how he handles the power he currently possesses in his own right.
Why Mat is Tuon's Catalyst
Tuon is very hard to impress, but Mat impresses her- and he impresses her the most when he’s not trying to be impressive, when he’s just being authentic and pursuing his self-interest. She's not just interested in his military competence, although that's certainly interesting to her- she's also interested in his political acumen and ability to deescalate or escalate situations as needed. His ability to fit in everywhere and command a situation- especially when she thought he was losing- like when she collars Joline, or when he scraps his winning streak in the hell- is so compelling to her.
On one level she's no stranger to winning from a position of weakness, given that her default M.O. is apparently 'play dead'. But I don't think Tuon has fit in anywhere without a great deal of effort, and Mat's sprezzatura is a pretty different strategy from her disappearing acts or virtuoso compulsion tactics. I'm not even thinking so much about Tuon's constant fending off of assassination attempts; more along the lines that we know she had to train herself to have Resting Bitch Face and project 6 feet of presence from 4'11".
(Incidentally, I don't know if she knows the Crystal Throne is a mind control ter'angreal, especially since she seems to be canonically resistant to mind control, so it's possible she's been assuming her mom's magically-augmented strength of presence is natural. No wonder she feels inadequate.) She's also clearly incredibly weird to both normal Seanchan and other people in her social sphere, whereas Mat is a social chameleon coasting on instinct (and thousands of strategic geniuses).
Tuon is desperately envious of and fascinated by authentic people who pursue their own self-interest, since she can't pursue her own self-interest without cloaking it as her duty, and she can't be an authentic person except by either flying under the radar or using up social capital by being stubborn. Her life is circumscribed by so many forces outside her direct control, yet she believes she is supposed to control everything for her own survival and the good of the world.
Mat seems to be to Tuon what she longs to be- a responsible, independent, kind leader who forges their own path in response to changing conditions & who has earned the respect, loyalty, and competence of their followers. She’s completely baffled at how Mat got there from being... Mat... but she recognizes that it gets results. I think the end result of her development is ideally to become more like Mat- someone who is a person first, albeit one with an outsized sense of responsibility, who is able to act productively on her instincts to help people.
How Tuon Can Help Mat Grow
Meanwhile, Tuon is someone whose strengths, struggles, and shared values Mat can learn from. Like him, she's been brainwashed by a paranoid culture where the ends justify the means, and unlike him, she spent almost her entire life in it. Yet she still has a powerful sense of empathy, even if it's twisted in the service of the Empire and she mostly uses it for manipulating people. It's clear that what she thinks will help people most is her control rather than her empathy, so that's what she tries hardest to give. But the empathy seeps out even when it isn't deliberately being used to build power or influence, like when she caught that Jain was feeling guilty about leaving his wife to die. Mat should follow Tuon at her best, and not completely strangle his sympathetic impulses in the service of power.
(A note on terms: Mat's sympathetic- he's always putting himself in other people's shoes and imagining how he would feel in their situation, and that motivates him to action on their behalf. It's about saving himself in the shape of the other. Tuon's empathetic- she can imagine how someone else feels and mirror their feelings back, or manipulate them based on her accurate assessment of their feelings. It's about modeling her social/political environment and therefore exerting the correct amount of control for the reaction she wants.)
Tuon's also built and sustained a culture of personal loyalty- one of her and Mat's shared values- in an utterly paranoid environment. The degree to which her personal slaves care about her is unusual for imperial Seanchan- it was very surprising that Selucia wanted to stay with her, and notably unusual for Karede to request to work with her again. The loyalty her personal damane show her is largely due to her skill at manipulation and brainwashing rather than anything resembling charisma or personal virtues- the damane have vastly less choice about who owns them or commands them than Selucia or Karede do- but she seems to be less openly cruel to damane and da'covale than say, Suroth. (Yes, I know, the bar here is in the ocean.) She also has Setalle Anan of all people willing to protect her, and while Setalle has an agenda and isn't doing it just because she likes Tuon, I think Setalle does actually like her. Mat should also be making friends and allies in his enemies' stronghold.
Finally, Tuon's weirdly open to other people's input and correction, for someone in her position and with her background. Again, the bar is so low as to be at the bottom of the Aryth Ocean, but she did apologize for 'giving an order in anger', which is to say throwing a temper tantrum, which is to say abusing her power beyond acceptable-to-her limits. The limits she accepts on her power and agency are more stringent than what would be acceptable to her peers or advisors in her position. Related to this sense of integrity, she's very stubborn around anything directly involving either her survival or her responsibilities to others. And because she's spent so much time building her personal integrity and being open to criticism from trusted advisors, she's very comfortable with having and using power, at least in terms of judgement and delegation (her own Power is, uh, the major exception.)
Mat, on the other hand, starts out the series very uncomfortable with power- and that's good in some ways- but people with power who aren't comfortable with power are like people who carry weapons they don't know how to use. Those weapons are just going to be used against them. His time with Tuon is there to give him practice intentionally wielding power.
Mat's Second Shift to Proactive Agency
One thing that I think Tuon still has to teach him, though, is the strategic value of lying low, keeping intentions secret, and quietly building a power base in pursuit of a long-term goal. Mat's great at dramatic, impulsive, risky gambles; not so great at staying still and waiting for the right moment in an intentional way. He always wants to be DOING something, immediately. But just thrashing out reflexively is not going to work for taking on the Seanchan, as Rand found out. Mat gets a taste of the kind of strategic timing he needs, when working with Tuon to trick everyone into thinking the Seanchan are out of the fight, then having her come back in with the army at a critical juncture.
I'm convinced that Mat's path to full character development will be to fully accept his power base in the Seanchan military/political machine... and destroy it from the inside out, either intentionally or as acceptable collateral damage in saving Tuon from herself.
Even Tuon can tell that structurally, he's got 'military coup' written all over him. She just doesn't believe he would ever do it because she knows he's loyal to her, and ever since becoming Empress she can't conceive of a situation where "Tuon" and "the Seanchan Empire" are separated that doesn't mean her own death. She has a blind spot in the exact place where Mat is most creative and motivated: preventing Tuon-the-person from dying (physically or spiritually) when the Empire does.
There's all sorts of interesting strategic gambles Mat can take advantage of. The Empire has cracks all over the place. The continent of Seanchan is a hot mess of civil war and domestic infighting and that's going to prevent Tuon from using it as a power base immediately, and distract her from local issues. The sul'dam secret and Tuon's relationship to it is already out among her most dangerous enemies (her immediate peers) and Elayne's gambit to rehabilitate sul'dam and damane and send them back to Seanchan territory is also going to spread that info.
Tuon and Mat's kids are a ticking time bomb of 'likely to be involuntary channelers' and even before that, you think Mat's going to do nothing to mitigate the childhood trauma of 'everyone is trying to kill me'? This man raised an orphan in a war camp in a perpetual 'take your adopted child to work day'. He might not be able to get them out of the Seanchan cultural deathtrap altogether, but he's going to do his best to make it less dangerous for them, which could mean radical cultural change.
Oh, and the Aiel are going to want their Wise Ones back in the next year and a day, which has the potential to be a real diplomatic time bomb. Also, as far as I can tell, no one has yet told the Black Tower they can't make war on the Seanchan, who will be in a tight spot re: getting more female damane, and therefore very interested in anything they can do with male channelers, ESPECIALLY if they can be convinced saidin is clean. Also: Moghedien is there!?! And Elaida, for that matter. Creator help anyone who goes to Elaida for Foretellings.
Seanchan has 99 problems and I guarantee you Tuon is thinking that at least her man ain't one. She is wrong. She is so, so wrong. (And we haven't even gotten to Min, who could convince Tuon to do pretty much anything if she played her cards right, because Tuon is weak to prophecy and trusted advisors. Or Mat's private army, which is going to be both a point of political tension and a valuable asset for him.)
How Mat Can Help Tuon Grow
I don't think people who think that Mat has utterly surrendered and lost his moral compass by falling in (love) with Tuon are correct. Mat has a history of losing to win. And I think Tuon is going to teach him- by example and circumstance- how to take responsibility in the most deliberate possible way, for the biggest possible stakes. She's going to teach him how to win friends and influence people in his new environment. She's going to teach him how to wait for precisely the right moment for maximum impact. And she's going to teach him how to sneakily rescue the fuck out of an entire society or die trying.
But Tuon can't learn that she's a person, not an institution, until she's literally removed from the institution and it is removed from her. When it comes to damane and slavery more broadly, she IS the Empire, and her changing her heart and mind- even if it were possible for that to come first- does jack shit to actually help anyone enslaved by Seanchan without the material conditions for societal change.
Empires change by economic, military, social pressures combined. You have to break the Empire before you can break Tuon, at least if you're Mat and you like her, and also if you want her along to help you pick up the pieces and fit them into something that doesn't just kill everyone and create more massive collateral damage. Tuon's relationship with power is cancerous; her desire for control has metastasized through her life and the lives of others, and the entry point of that relationship is her self-image as The Empress (and before that, a sul'dam, and an imperial heir...)
Mat's the mature one here, for a change, and that means his character development has to come first; Tuon's will fall into place once you change the conditions around her. She's infinitely malleable that way, because she was shaped to be responsive to those pressures from birth, and she kept shaping herself to be responsive to them as a survival tactic.
Mat listens to his instincts and the dice in his head because he relies on them for survival; Tuon looks for the omens in the world and the shifting currents of power because she relies on them for survival. Once Tuon experiences the consequences of her overreach, if Mat builds Tuon a world where she and others can survive without slavery and exploitation, where she doesn't HAVE to have an iron grip on everything, I promise you she'll go for it. Above everything else, Tuon is a survivor, and I think she could surprise you by how much she would change to survive.
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multi-lefaiye · 1 year
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no i haven't watched or read jjba and in fact i know very little about it. but anyway here's a stand i created for my boy salvatore <3
i promised earlier that i would talk about how this stand works, so here we go!
debt collector's ability is that it allows salvatore to draw blood from the people around him without having to touch them himself, though he does have to be able to see them. there's a catch, though--he can only draw the amount of blood equivalent to whatever *debt* the person owes to him.
what counts as a debt can be flexible and ultimately is up to salvatore's perception, but point is that he can't draw blood from strangers with no connection to him *or* completely drain a person.
essentially, salvatore's vengeful tendencies and "eye for an eye" shit manifested as this little freak.
art taglist heehoo (ask to be added or removed): @skitzo-kero @anexor @jezifster @lychniscitrus @transmasc-wizard @albatris @presidentquinn @midnight-and-his-melodiverse @lower-ones-eyes @rosesandartss @approximately20eggs @astral-runic @whonsper @kingkendrick7 @invaderskoodge @moonflowerrss
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moregraceful · 1 year
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bound my first little fic zine with my own seminal dumbass gay hockey rpf fanfiction top to the bottom, just cool!! i followed these perfect and thorough instructions on binding a fic zine from @eat0crow and typesetting the text block was done according to these incredible instructions by @armoredsuperheavy. i really would have had no idea where to start without their instructions. i started with a fic zine bc all my favorite fics are under like 25k and i'm not sure i want to invest in all the tools necessary for larger works when i'll be binding such short fics generally.
musing on process and future plants and mistakes i made under the cut - not due to the instructions but simply bc i am a moron 😌
this took about an hour and a half to make (not including typesetting), so it was pretty quick. (it might help that my first job in college was doing book conservation for an academic library, so i sort of have the skills in my toolbox, they're just hella rusty.) this is a 6.5k fic on 28 pages so it was a thin and manageable first work. i made several mistakes but it was good to try a first one and i'm pretty proud overall! i made a little zine of my fic!!!
mistakes...so first i printed it on the long edge despite eat0crow specifically calling out to pay attention to how you print it. i simply. have zero reading comprehension lol. so now i have a tidy 14 pages of paper that i will be cutting up into squares make paper cranes with! we love to reduce, reuse, and recycle in this house.
my next mistake was buying this beautiful decorative paper from two hands paperie for a cover, then receiving it and realizing that it was much too thin for a cover, and then buying OTHER colored paper that was also too thin and deciding i would split the difference and simply glue the decorative paper on the colored paper. i didn't glue it onto the paper before i bound it! it ended up okay. i'm honestly not entirely sure if it would have worked out for me to glue it on before binding it? it might not have had enough give when i bound it? so that's something to continue playing with future bindings. i bought more decorative paper specifically for other projects, but i'm going to keep playing around with it on my own fics until i figure out the best way to do it.
i also fully dropped into 20yo kasper being fussed at by his boss to NOT take shortcuts. DO everything slowly, she said. DON'T try to do too much at once! so i tried to cut down page creep page by page but i wasn't satisfied so i took my exacto knife and hacked it down all at once and then it looked worse lol. could hear my boss sighing from across the country. i don't know if i will keep trying that one honestly, i might be too lazy to do it when a book has more than on signature. this was only 28 pages so it was manageable but i typeset a work that was 72 pages last week and having done 28 pages and being unsatisfied, i really don't think i have the energy to do 72 pages and still be frustrated with the results.
which brings me to my next thing! this was a manageable 28 pages and i think that was a good length! but the next one i want to try binding is the second fic in the series brother let me be your shelter. i've been struggling in the salt mines for literal days trying to typeset it into sensible signatures and currently it's 48 pages long in signatures of 16 so i could bind them with french binding but i think 16 pages on 20lb paper might be too thin for french binding! so i'm going to have to keep messing with it. i had to make the font 10.5 pt to get it to fit to 48 pages. 10.5pt i think is fairly standard for a fic zine but i kind of think that if i am going to have to/want to bind multiple signatures anyway, i should just suck it up and make it bigger and play around with sizing. i really want to try french binding (here is a demo video from the preservation lab).
my final and probably biggest mistake is that i was using a rubber ruler i've had since freshman year of college, so it's completely warped and made cutting in a straight line a complete pain in the ass. might be why when i was cutting down page creep they looked like complete ass. so i gotta buy a metal ruler lmao.
the next fic after brother that i want to try (or maybe i should try it first if i am so determined to do french binding lol) is the baby sharks fic, which is only 10k, but the spacing is odd due to the format of the fic, which is why it is 72 pages (signatures of 24 pages). that will be a french binding project, but i'm still trying to decide how to do a cover if i do only french binding, since i foolishly bought paper before my first project and now have a shit ton of gorgeous but very thin paper - french binding doesn't have a cover so i gotta do some research. and after THAT i got permission from ash to bind two thousand miles away, but i can see you a fic that i love so much and which has similar framing (short scenes, social media posts, texts threads). it contains chapters which is a different challenge. also the anxiety starts to kick in when i'm working on other people's fic, so i want to have done the baby sharks fic first so i can see at least what that kind of spacing will look like and how to work with it. this is why i do not do podfic lol i have so much anxiety about honoring people's creative works appropriately and respectfully.
AND THEN. i feel like i shouldn't even say this so as not to spoil the surprise, but i'm already deep into the post and i don't know who is still reading. i know i would have refreshed tumblr to close the cut tag and gone to look at something else by now. anyway i want to try to bind all of lorna's witch verse, which i initially chose because eat0crow said their instructions worked best for fic that is 5k-20k and i thought well it's 27k so i'll just split it in half and treat every fic as a chapter. but now that i've seen how it goes with a 6.5k fic and also experienced HOW MUCH OF A PAIN IN THE ASS word is, i think i might try coptic binding to get it all done at once! (here is a video example.) i was rly reluctant to do any kind of hardcover binding as i didn't want to store davy board and all the tools necessary for davy board, but i'm in love with lorna and ella (who asked for a copy when she found out i am making one for lorna!) so now i'm like ok i better go for broke on this one lol.
anyway great to have a new hobby. my friends are always fussing at me to engage my brain other than writing fic or watching sports, and it's good to stretch muscles that have been dormant for a decade. excited to try new things, as you can see by the amount of paragraphs in this post. i always wanted my own bone folder in college and now i have one!!!!! sorry to my boss who spent so long and so much effort teaching me book conservation, i know you wanted me to be an academic conservation librarian and i feel bad every day that i threw your hard work down the drain and now work in a public library and decided to use the skills you taught me so carefully and gently thirteen years ago to bind gay fanfiction about hockey players.
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inkillable · 1 year
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some thoughts re: laurie, allyson, and michael myers' overall character and existence being directly connected to The Final Girl™
i'm compliant with halloween 2018 & kills - so michael and laurie are not brother/sister for me. he simply saw her one day and became obsessed with her on first sight, which is the only thing draws him out of his house in 1978 and after her. and for me, this didn't happen because she was reminiscent of judith - it's because she was the opposite.
i think a lot about my heart is a chainsaw, and how it goes at length to speak of how the slasher cannot exist without the final girl, and that the slasher helps her transform into her complete, fully realized self. michael pursues laurie and draws her to act in violence against him because he knows they're equals - it's not a predator hunting prey. it's a dance. when he sees her in the window, he immediately recognizes that fact. the fact that he went home and was immediately drawn out of it because of laurie? yeah. why else would he have continued? likewise re: allyson.
and i think without having this Object of Obsession (lmao) michael has no standing as a character for me. it's what made halloween kills, beyond reading heavily into it re: michael possibly feeling the same level of obsession toward allyson hence not killing her on the 3-4 occasions in which he could have, feel extremely pointless and empty to me. not a huge fan of the idea of michael killing Just Because He's Evil, yk. like yes. he IS evil incarnate, but he's obsessive and an unstoppable force once he's dedicated to something - or someone. to what purpose? who knows.
the 2018 novelization implies he saw allyson running on halloween morning on lampkin lane and subsequently felt watched throughout the day. michael slowly picked off her friends, then killed her father, then her boyfriend, then her mother. it's all very, very intentional, and the cycle continuing albeit in a much more brutal manner because he's been lying in wait for 40 years. he's angry, repressed, and more violent and powerful than he was in 1978.
and so this is why allyson specifically is extremely important to my interpretation of michael and why i was heavily disappointed by ends. the only thing i really take from it is that michael was willing to work with corey to find allyson until he led him to where she is, which made him disposable to michael (hence why he killed him immediately).
all of this being said, i truly do think michael spent the 40 years he was incarcerated thinking about laurie. which is why, in the 2018 novelization, he still thinks of himself as a 21-year-old and laurie as 17, and the passage of time means nothing to him because he hasn't developed cognitively whatsoever. the only times in which he's truly been lucid ---- between the extremes of loomis drugging him into a catatonic state vs. sartain most likely not medicating him at all and endlessly enabling him ---- has been in pursuit of laurie.
considering it's been over 50 years since he killed judith--and he was literally in kindergarten when it happened--i don't even know if michael remembers killing judith at all. i don't even think 6-year-olds understand the meaning or permanence of death. so yes, i do definitely think by 2018, michael would not remember judith's death much if at all and is likely returning home (again) to look for her and look out her window (the compulsive need to look out her window, it's the mental illness innit love) vs. his original intent on recreating his first murder in 1978 with laurie's friends ---- but by that point, i think he returned home both to return to judith's room and also to lure allyson or laurie to him at that point.
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dragondiviner · 2 years
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what if you liked this for some memes
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shymaidxn · 2 years
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3am Thought: Seeing Summer Clarisse lowkey reminded me that I lowkey ship Clarisse / Diantha, but maybe it’s finally my time to turn highkey about it and explore all the possibilities (spoilers: i won’t because i’m sleepy)
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blujayonthewing · 2 years
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the problem with having a longtime special interest in bushcraft/ wilderness survival but only ever actually going camping in the most casual, ‘pitch a tent at A Campground that you just drive to and park’ context and not really even doing that very often is that I am very bad at prepping to go camping in a way that is remotely pragmatic in any direction
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Also, now that they’re back, I need new EXO blogs on my tl..where you guys at
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ousnap · 1 year
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Any active btspopper out there?? I need more to follow. But must be an active user. Check the tags please.
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appletvsource · 11 months
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Ted Lasso S3 Second Half - Rebecca Welton
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sexhaver · 1 year
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for whatever reason I feel like you may know this particular piece of reddit lore, how did the methwithoutcommunism subreddit get its name?
people kept smoking meth and getting mad at the government and posting stimulant-fueled multi-paragraph communist rants to r/meth and the more right-wing methheads made their own subreddit where they would be free to discuss tweaking without hearing about how capitalism must be destroyed. tl;dr:
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multi-lefaiye · 6 months
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when customers (i'm ok now)
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who-is-page · 4 months
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CALL FOR SUBMISSIONS: Inky Paws #3
Inky Paws is a nonhuman anthology zine for original fiction writings by nonhumans and alterhumans about nonhumanity, alterhumanity, and similar, related themes. This zine is primarily literature focused, but will also be open to more illustrative methods of story-telling such as comics. The zine’s focus is on fictional pieces that are centered around nonhumanity, alterhumanity, therianthropy, and similar (see Submission Guidelines section for more details).
You are welcome to submit:
Short stories
Microfiction
Satire
Poetry
Song lyrics
Experimental fiction (fake newspapers, fake recipes, fake blogs, fake posters, etc.)
Mixed media
Comics
And more! If you're unsure, just ask! Seriously, please just ask. I promise I would 10000% love to hear about your idea even if you're unsure about submitting it, there is no such thing as a bad idea and I cannot stress this enough.
How to participate:
You can submit your pieces in this Google Form!
OR
Email invisibleotherkin(@)gmail(.)com with your submission, and please title the email "Inky Paws Zine #3 Submission". With your submission, please include:
The piece's title or name,
A name or pen name to attribute the piece to,
Any content warnings that you feel are necessary for the piece,
Any social media handle or personal website you’d like to be published alongside your name with the piece (optional), and
Any relevant author notes or author biographical information (optional).
Anonymous pieces are also welcome.
Once submissions have been collected and the deadline has passed, these submissions will be put into the zine and it will be posted online as a free PDF. Submissions are due by April 30th, 2024.
Please see the Submission Guidelines, and Submission FAQ, below cut.
SUBMISSION GUIDELINES:
Each individual may contribute up to 3 accepted submissions to be published in Inky Paws; individuals within systems may each submit 3 pieces, that is to say 3 pieces per systemmate/headmate/preferred term.
Comics and similar multi-part pieces count as one submission altogether: if you submit a single story that has been divided into two sub-stories for dramatic emphasis, or if you submit 10 pages of a single-story comic, or if you submit a written piece of fiction and an accompanying image that you drew or otherwise created to go along with it, that would still only count as one piece.
Submissions must fit the thematic criteria of:
Being explicitly about or based on nonhumans, otherkin, therianthropes, fictionkin, alterhumans, or similar groups, or;
Having strong themes or describing experiences strongly reminiscent of or related to nonhumans, otherkin, therianthropes, fictionkin, alterhumans, or similar such as (but not limited to):
Characters experiencing nonhumanity or alterhumanity as being a part of themselves/their identity,
Characters experiencing anything similar to a shift (including physical shifting),
Characters struggling with (emotionally, socially, or otherwise) being both human and nonhuman or alterhuman in some way,
Characters having a past-life as something nonhuman or alterhuman that strongly still impacts their current life, or
Characters desiring to be nonhuman or have nonhuman attributes.
TL;DR - Your submissions have to relate to or be about alterhumans or nonhumans in some way, shape, or form.
Written submissions must not exceed 7500 words, and must also use a reader-friendly font with a text size of or exceeding 16 pt.
For stories that use multiple different fonts, such as pieces meant to imitate newspapers and similar, every effort will be made to preserve the general "feel" of your piece but fonts may not be transferred over 1:1 due to potential conflicts with font copyright, readability, and overarching zine style.
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SUBMISSION FAQ:
Q: Where will this zine be hosted? A: The zine will be hosted for free download on Itch.io, where issues 1 and 2 of the zine are already hosted.
Q: What is the cap on submissions? A: At this time, we are not looking to accept more than roughly 25 submissions at most, in order to keep numbers and expectations manageable.
Q: Can I update my application after submitting? A: Yes, so long as the updates are submitted before the submission deadline!
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With that said, It should be noted that any items submitted with soapboxing intent and anti-nonhuman, anti-alterhuman, anti-fictionkin, or similar leans are largely not welcome, as this is a zine geared towards all aforementioned groups and then some.
Q: Can I submit an in-progress draft or sketch? Can I claim a spot in the zine before sending in my submission? A: We are not currently accepting WIP pieces for submission at this time, though feel free to send us your WIP if you have questions related to its future submission. We also cannot reserve or guarantee a spot in the zine pre-submission, regardless of any existing drafts or WIPs.
Q: Can I submit a piece of fanfiction? A: While we've now accepted pieces of fanfiction in the past, we tend to prefer to leave them out for legal reasons. If you submit a piece of obvious fanfiction, please know that it may be significantly more likely to be rejected from the zine and that, if the piece is accepted, the piece may be removed without warning from the zine later on if DMCA or legal issues arise. We strongly advise that individuals who wish to write something inspired by fiction make it non-obvious to the outside reader where the inspiration is being taken from.
Q: Can I submit something I've created in the past? A: You can submit something you've created in the past, but please try to avoid submitting anything that you've published previously and is currently publicly accessible. For example, if the story you want to submit has already been featured in a different anthology, please don't submit it to Inky Paws! We want to encourage people to create new pieces, or to put the spotlight on pieces that haven't previously had the opportunity to be published.
Q: Do I have to write something based on the provided prompts? A: Nope! The prompts are there by popular request to help give people a jumping off point for creating, but are not required to be incorporated into your piece and will not have any effect on if your submission gets accepted or not.
Q: What is the projected timeline for this project? A: Submissions will close by April 30th of 2024. The publish date of the zine depends on submission amount and size of submissions; in an ideal world, we hope to have the zine published by December, before year's end.
Q: Can I rescind my submission? A: As long as you request to rescind your submission before the submission deadline, yes. After the deadline passes and the formatting and work towards publishing begins, we cannot guarantee that we will be able to remove your work from the zine due to time constraints and potential formatting issues. Please take this into account before submitting.
Q: Will there be any physical copies of this zine? A: Due to cost restraints and a lack of printing experience on the part of the zine organizers, we have no physical copies of this zine planned for print. You are, however, welcome to download and print copies of the zine for personal use.
Q: Who are the organizers of this zine? Where can I reach out to ask further questions? A: Who-is-Page and Noel Sol of the Sol System are organizing this zine. Feel free to send us any questions, comments, or concerns to invisibleotherkin(@)gmail(.)com, or you can always message us on Tumblr at Who-is-Page.
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huevobuevo · 5 months
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ive fuckingggg HAD IT . i am going to talk about gegg qsmp because idk why but charlie slimecicle made one of the best representations of age regression ive seen in media and i am NOT joking.
so i dont rlly post alot about the qsmp on my blog, thus i wouldn't be surprised if this post goes unnoticed or ignored by a vast majority of my friends & followers. for those of you who ARE reading this with no prior experience with the QSMP lemme just quickly summarize some much needed background knowledge.
(Quackity Voice) The QSMP Is The Worlds First Multi-lingual Minecraft Server; it hosts a wide variety of twitch streamers who speak English, Spanish, Portuguese, and French. the beginning plotline of the server (which is where Gegg came into existence) follows the various players as they are grouped into pairs to care for a dragon egg. The main ones that will be talked about today are Tilin, Quackity's egg, and Juanaflippa, Slimecicle & ElMariana's egg. The eggs are, of course, played by anonymous admins, who have given these eggs their own unique personalitys despite only communicating through signs and emotes. The players have quickly imprinted on their respective eggs, as expected, and have gone on to view these eggs as their own children. The rules were simple - each egg had two lives and two lives ONLY. each day the eggs have tasks for the streamers to complete ON STREAM or else the egg could die of starvation & neglect (points at Trump, Maximus & DanTDM's egg).
i will be referring to Slimecicles character in the QSMP as Charlie or Slime for better coherency. from now on i will be referring to the characters, not the streamers.
Slimecicle and Mariana were not the best parents to Juanaflippa, but it was clear that they truly and deeply cared for their daughter. They supported her transition and, especially in Slimes case, did everything they could to make sure their daughter was safe. Juanaflippa had lost her second life due to an accident, which caused Slime to loose his shit and go on a murderous rampage to try and get the literal Minecraft Jesus Christ of Nazareth to come back and revive his daughter (she came back after a court case. long story.)
Basically Juanaflippa was loved, and she loved her parents back- but there was someone else she cared for the most in the whole wide world
Tilin, who Slime offered to take care of once her father had to log off game. There was another accident, and Tilin was caught in the crossfire between Charlie and a few mobs at night. She was on her second life, meaning that Charlie had officially ended his daughters best friend right infront of her eyes. Distraught and ashamed, Charlie ran off into self-isolation and left Juanaflippa in the care of Mariana and their friend Roier. During his "Eggxile" while he was trying to find a way to bring back Tilin, Charlie learnt that Mariana killed Juanaflippa AGAIN. Instead of going on another tirade Charlie just lost it.
He's now carrying the deaths of two children on his mind, isolating himself from what little friends he had on the main island. During his initial stay on the island there were only English and Spanish players, but when the French and Brazilian players arrived he still spent a majority of his time in isolation. Charlie wasn't apart of a good chunk of the main island lore for a long, long time, and pretty soon it began to feel like he was completely, and utterly, alone. He attended a wedding and a few parties, but it was visible how outcasted he was from all the new events and connections. He had regular breakdowns and pretty soon began to believe that Juanaflippa wasn't dead, she was just... somewhere else. He was gonna get her back. He did it once, he'll do it again. Fuck, he couldn't even bring himself to attend her own funeral, and even when he was allowed one final goodbye with his dead daughter Charlie still refused to accept the fact that Juanaflippa was never gonna come back home. He built a campfire on the beach of his Eggxile house with three chairs- one for him, one for his wife (who hadn't logged on in months), and one for Flippa.
TL;DR q!slime is going the fuck through it.
Later on Quackity decided to get Charlie in on a plan to try and steal from other peoples houses. They both lost their families, so it seemed only fair to Quackity that they ruin other people's lives as well. Basically Charlie had to pretend to be Quackity's NEW egg so that he can get close with the other eggs and fuck shit up.
Charlie liked it. Charlie... REALLY liked it, actually. His egg name was Gegg, and without knowing it he began to age regress.
Im calling Gegg a form of Age Regression because not only is Charlie mentally AND physically becoming a child, but through Gegg Charlie is allowed the freedom to escape his grief and explore what it means to be a "child" who was loved unconditionally. On the last Gegg stream Slime referred to the little goopy guy as something that lives inside of him. Gegg takes over him and he just looses himself in the act. He's not just playing a character called Gegg, he IS Gegg.
In the very first stream as Gegg he expressed his desire to learn what having a family was like- a common reason most people have for regressing. When "regressed" to this state Charlie/Gegg is constantly acting as a young child and actually enjoys it! He LOVED being Gegg! Even if it got too far in the end, Gegg was allowed to be open about his wants & emotions. Charlie was pushed back into the lives of the other players and fully reconnected with several people again for the first time since his self-imposed isolation. He gained new friends, too, once Gegg was introduced to the Brazilian and French players.
In turn the players never made any effort to expose Charlie's regression. while at the beginning there was some distrust & confusion over Charlie's sudden egg act it never went farther then a few subtle jokes at Geggs "true" identity (commenting on his backflips, which is something Charlie was known for). Aside from Wilbur, everybody treated Gegg as any other egg-child. He was cared for, his tasks would be completed on occasion, and the French+Brazilian players ESPECIALLY loved him! They supported Charlie's regression since at this point they began to realize how much shit he has been through since the deaths of Tilin and Flippa. Not only that, but the eggs as well played along with Gegg's coping mechanism; Leonarda (FoolishGamers + Vegetta777's egg) was one of the first to try and adopt Gegg as their own baby, while Chayanne (Philza+MissaSinfonia's egg) & Tallulah (Wilbur Soot's egg) acted as his "Geggsiblings" (even though Tallulah sorta got a bit rude to him during their second encounter, im guessing due to a new admin who wasn't around during Tallulah & Gegg's first interaction),
Infact, one of the best scenes of the Gegg Arc was during an interaction between Gegg & Bobby. Bobby was Roier & JaidenAnimation's egg, and he was also close to Juanaflippa & Tilin. The two kids talked through signs, where Bobby confessed that he held a grudge against Slime for what he did. Gegg said that he had every right to be upset, the poor boy had lost two of his closest friends after all. But then Bobby did something that shocked Charlie- he forgave him. he told Gegg to tell that "green guy" that he shouldn't be hard on himself anymore, both of them needed to move on already. Not only was Bobby a child, but he was one of the main eggs Quackity wanted Gegg to kill off first. Bobby was the reason why Gegg existed, the reason why Charlie was given the chance to heal from his trauma, and now he is telling Charlie to his face that its ok to forgive himself for the deaths of Tilin and Flippa.
Bobby knows who Gegg is, everybody does, which is why they treat Gegg with the same amount of love that every other egg gets.
Age Regression has frequently been misunderstood, and very rarely does it get the proper representation that it deserves. It is a very "taboo" form of coping, which is unfortunate due to how common it actually is. Most people feel uncomfortable with the image of grown adults acting as toddlers in diapers, and lump it together with the whole Age Play/DDLG ordeal- yet they fail to take into account what age regressors are ACTUALLY like. while it is something that just about anyone can do, the type of regression I will be talking about stems from people who seek refuge from traumatic events usually in their childhood. It can be voluntary or involuntary, and is a way for people to explore & reevaluate what it means to be a child. it is just that- a trauma response, one that im sure many of you participate in but are too scared to discuss it due to the stigma around it. Children who have experienced abuse regress, Teenagers who struggle with mental health regress, Adults with severe PTSD regress, and yet it is such a misunderstood part of the healing process that is practically unaccounted for in media. There is little to nothing on age regression representation that delivers it in a respectful, honest manner, due to this stigma, which only serves to push it further into the shadows of mental health discourse.
So to see age regression be used on a fucking minecraft server of all places in such a healthy light is so refreshing to see. While ironic at first, Charlie showcased age regression as something that shouldn't be shunned. It actively aided him through a dark period in his life and showed that he deserves a second chance. After Gegg canonically "died" Charlie returned to the island for his birthday and was finally ready to move on from Flippa & Tilins death (and then, yakno, the whole Codeflippa Arc happened)
TL;DR #2 Charlie Slimecicle's Character In The QSMP Age Regresses As A Way To Cope From The Deaths Of Two Eggs & Oh My God It Was Actually Really Fucking Emotional
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dizgreen · 6 months
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Was listening to Dimension 20: A Starstruck Odyssey and came to a headcanon that I’m gonna randomly share.
Sundry Sydney seems to get a lot of positive attention from other droids, specifically cyber-aligned droids that aren’t as interested in humans. Even MORE specifically, she seems to be really attractive to Virkadian Protectir Droids who seem to find her “stunning”
I like to headcanon that, to droids who are specifically design and purpose focused beings, Sydney is an absolutely GORGEOUS droid.
Droids can easily be made to be attractive to humans if that’s their purpose, so I don’t imagine they put a lot of stock in physical appearances. To a droid, I’d imagine the most attractive quality another droid can have is to be very effective at their assigned purpose, or designed extremely well. Sundry Sydney, however, completely breaks that ideal by being a droid made to do LITERALLY ANYTHING. Her purpose and design is effectively infinite in terms of what she CAN do. So I imagine to another droid, she would appear like some kind of superstar, her design being so versatile and multi-purpose effective that they can barely understand it. Not to mention that the crux of her design is “what would another droid want to see being made into droids.”, she would seem ESPECIALLY stunning to cyberform aligned droids.
Tl;dr headcanon that Sundry Sydney is fuckin HOT to other droids
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