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multi-kpop-fanfics · 23 hours

Text

more than i can handle

pairing: wonwoo x seungcheol x fem!reader

genre: smut, fluff, poly!au, non-idol!au - minors dni.

warnings: dirty talk, dildo play, heavy degradation (whore, slut etc), use of petnames (sunshine, princess, baby boy, pretty boy), dom!wonwoo, switch!reader, sub!seungcheol, kissing, makeout session, anal sex, oral sex (m rec), heavy mxm action, unprotected sex (pls stay safe), creampies, voyeurism, masturbation, hair pulling, sir kink, ass slapping, aftercare

word count: 5,517

summary: the abundance of snow outside won't stop you and wonwoo from restocking your fridge. and it certainly won't stop seungcheol from getting what he wants from his girlfriend and boyfriend - their undivided attention.

Disclaimer: Both Seungcheol and Wonwoo are depicted as bisexual in the fic, which is used only for the purposes of fanfiction and it is not an assumption of the members' sexual orientation in real life. If you're not comfortable with these themes, then this fic isn't for you.

Author's note: your favorite poly is back and better than ever hehe - big thanks to @wongyuseokie, @gyuwoncheol, @highvern, @ourdawnishotterthanourday and @wonuvs for beta reading this fic!

p.s.: if you read about snow and holidays pls ignore, it was in the works since december😭

©multi-kpop-fanfics, 2024. No reposting allowed. No translations without permission allowed.

“...Thank you, Sir. I really appreciate the understanding. Have a nice day.”

Wonwoo ends the phone call with a satisfied hum and he slouches back on his chair, returning to his work at hand.

“So, what’s the verdict?” You ask him, sitting on your own chair.

“Work from home. There was absolutely no way I’d be able to move the car with so much snow outside.” Wonwoo replies.

“Does that mean we get to be with you all day long?”

“That’s right, sunshine.” He smiles sweetly and you get up and hug him excitedly, pressing your lips on his cheek.

“What’s the plan for today? Aside from working, of course.”

“I was thinking of just being cozy with the two of you, y’know? Like those cliché Pinterest aesthetic winter routines.”

“I thought you weren’t the hot cocoa type.” You raise your brow playfully as you go back to your laptop.

“Just because I’m a coffee addict doesn’t mean I hate everything else.” Wonwoo defends himself while fixing his glasses.

“Well you definitely hate my protein shakes!” Seungcheol butts into the conversation from afar.

“That’s because your protein shakes are atrocious.” Wonwoo deadpans, “No sane person puts chicken breast in a glass.”

“Ew, that does sound atrocious.” You grimace in disgust.

“This is why you’re still lanky and not buff, Jeon.” Seungcheol scoffs as he downs the rest of his shake.

“Maybe not everyone wants to be a muscle monster like you, Choi.” The younger man sighs and goes back to his task at hand.

“Oh wow, thanks for paying so much attention to me.”

“Don’t take it the wrong way, Cheollie. He has a lot of work to do, despite staying home.” You try to reassure your other boyfriend.

“Does that mean you’re willing to make up for lost attention?”

“I’m sorry, but I need to catch up with my assignments….” You rub the back of your head apologetically.

“In the middle of the holidays?!” Seungcheol looks at you baffled.

“But my exams start two weeks after the holiday break! There’s not a lot, I promise.” You cup his cheeks.

“Whatever.” He rolls his eyes at you with a huff.

You watch him walk towards the bedroom with heavy steps and guilt settles in your gut.

“I think I was insensitive…” You plop down on the armchair.

“No, he’s being dramatic.” Wonwoo replies without breaking contact with his computer screen.

“But he got a leave from his job just to spend it with us and we’re ignoring him!”

“Y/N, he’s doing it on purpose.”

“How can you be so sure?”

“Wait a couple of minutes and you’ll see.”

You look at Wonwoo with a puzzled expression and return to your laptop.

Shortly after, you notice Seungcheol coming into the living room, clad in nothing but a pair of shorts and a tight muscle tee. He’s sporting his earphones, as if he was going to the gym for his daily work out session.

Except he starts working out right in the middle of the room, without giving a single fuck.

He starts by stretching out his legs and arms and then proceeds to put music in his ears, switching into the more intense part of his workout. It doesn’t take long for him to start grunting and moaning as he does series after series of exercises, the sweat accumulated on his body staining the fabric of his muscle tee.

“Cheollie?” You peek your head from behind your laptop. “Do you need some water?”

“No worries, princess. I don’t want to distract you from your assignment.” He gives you a quick peck on the corner of your lips.

In true Choi Seungcheol fashion, he does his best to actually distract you from your work by taking off his muscle tee and continuing his work out shirtless.

Wonwoo turns around and takes a look at his boyfriend, mouthing a “told you so” when he turns his gaze to you.

It takes all of his willpower to not bodyslam Seungcheol on the floor and fuck the living daylights out of him with the grunts and moans he’s letting out. He swears there’s a tent forming in his black sweats and he’s quite certain there will be wet spots on the fabric pretty soon. He puts on his noise canceling headphones to focus on his work and get it done as soon as possible.

You, on the other hand, are the epitome of distractedness and all you’ve written in your essay is utter gibberish, rubbing your thighs together to provide some relief to your aching core. Right now, all you can think of is being underneath Seungcheol and getting fucked into next week.

You get up from the couch and walk over to the fridge to grab some ice cold water. As soon as you open it, your eyes widen in horror when you see the lack of basic groceries and dairy products.

“Um, guys? We have a problem.” You shout at them, but none of them lift their heads.

You get back to them and tap their shoulders to get their attention.

“What’s up, princess?” Seungcheol removes his earbuds and pushes his hair back.

“Our fridge is empty. Like, the basics are missing.”

“You’ve got to be fucking kidding me.” He rubs his palms over his face.

“Are the stores even open right now?” Wonwoo asks.

“It has stopped snowing for now and there are probably tons of people who didn’t anticipate this weather. Some stores have to be open, even for emergency situations!” You rest your hands on your waist.

“Give me a second.” Wonwoo goes back to his laptop and with a few rapid clicks on his keyboard, he searches for nearby stores.

“There is one, about six hundred meters away from here.” He turns his screen to the both of you to see.

“It won’t be an ordeal to get there. All we need is sturdy shoes and warm clothes.” You shrug and move towards the bedroom.

“Where are you going?” Seungcheol asks you.

“To get dressed and go get groceries. The fridge won’t get full on its own.”

“Hold on , I’m coming with you.”

“You aren’t going anywhere.” Wonwoo gets up.

“I thought you were really fucking busy with work?” The blond man asks with irony laced in his words.

“I still am, but if you go out all sweaty, you’ll be bedridden for the rest of the holidays and none of us want that.”

“You’re not my mom, Wonwoo.”

“No, but I’m your boyfriend and I still care about your health. Now please go take a fucking shower, you’re all sweaty and gross.” He walks past the shirtless man, but Seungcheol stops him by putting his hand on Wonwoo’s chest.

“You better not think I haven’t noticed that little tent of yours, pretty boy. Two people can play a game.”

“Too bad there’s three of us in this relationship. And I won’t be the outnumbered one.” Wonwoo bites back and pushes his arm away to join you in the bedroom.

Seungcheol scoffs and pokes his cheek with his tongue.

Fine by me, he thinks, already thinking of the next step he’s gonna take.

A few minutes later, you and Wonwoo leave the apartment to go buy the much needed groceries and Seungcheol is left alone, an almost childish grin plastered all over his face.

He skips over to the bathroom, stripping himself naked and throwing the dirty clothes in the laundry basket. He jumps in the shower and lets the warm water run over his body, washing away the sweat from his work out session. He pours a generous amount of shower gel over his body and spreads it thoroughly over his skin, the cherry scent enveloping the small room. Even if the shower itself is relaxing, Seungcheol himself is way too worked up - and it’s not just because of the post workout adrenaline. The blatant ignorance he experiences from you and Wonwoo annoys him and turns him on to the point of lunacy.

He washes the suds from his hands and brings two fingers in his mouth, spitting on them and rubbing them over the rim of his ass experimentally.

He moans heavily when he pushes the fingers inside, cock twitching with need. He puts his free hand on the wall of the shower to support himself while stretching out his hole. He works his thick digits in and out of his ass, eyes scrunched shut and thighs flexing with each thrust. Every time he bites his bottom lip to suppress his moans, he fails miserably and moans even louder - he’s home alone, after all.

His cock is rock hard by now, the tip flushed an angry red and veins bulging over his shaft. He can almost feel the precum starting to build up and ready to leak all over, but he doesn’t want to cum yet and definitely not like this. He removes his fingers from his ass, satisfied with the stretch and washes away the rest of the suds, turning off the shower.

He fastens his bathrobe around his waist and goes into the bedroom, opening his side of the closet to search for his sex toy stash. He giggles when he finds the familiar box and opens it hastily, taking out his favorite knotted dildo. He grabs the lube from the nightstand drawer and looks around the bedroom to see where he’ll place the toy.

His gaze falls on the full bodied mirror next to the closet and an idea pops up in his head as he fiddles with the dildo in his hands. He removes his bathrobe and throws it on the bed, walking to the living room to get his phone. Once he returns to the bedroom, he kneels in front of the mirror and grabs his cock, slowly pumping it with his fist. He pulls up the phone camera and snaps a handful of pictures, flexing his biceps and thighs on purpose to make them look even more attractive.

“Damn, I don’t even have to filter them.” He checks them one by one, absolutely satisfied with the results.

He sends them to the group chat with a quick text, waiting for the two of you to open them and lose your minds.

“Are we missing anything else?” Wonwoo asks you while pushing the shopping cart down the aisle.

“Maybe some bathroom supplies? Just to be sure, in case it snows again.”

“I swear, if it weren’t for you, we would have died a long time ago.” Your boyfriend applauds you for your organizing skills.

Both of your phones go off at the same time and you fish your phone out of the pocket of your parka.

“What’s up?” He asks you while putting two ramen cups in the cart.

“Cheol texted the group chat.”

“He probably wants us to buy chicken breast for his godforsaken shakes.” Wonwoo rolls his eyes.

You open the messaging app and you let out a loud gasp, covering your mouth after being heard by other customers, instantly closing the screen of your phone.

“What happened, sunshine?” The tall man asks you with worry written all over his face.

“Um….How do I put this….” You scratch your heated cheek.

“Y/N, what did he send you?”

“See for yourself.” You point to his pocket and Wonwoo impatiently unlocks his phone

He clenches his jaw tight when he opens Seungcheol’s messages, the previous hard-on he was sporting now threatening to get bigger.

cheollie has sent three photos.

cheollie: it could be your hands but you’re working instead

“This motherfucker.” He pokes his cheek with his tongue and types back a quick reply. He puts his phone back in his pocket and pushes the cart towards the cashiers with quicker steps.

“Hey, what about the rest of the supplies?!” You tug at the sleeve of his parka.

“We’ll get them, sunshine. We just need to be quick about it.” He almost grits his teeth.

“You’re not the only one who’s hot and bothered because of Seungcheol.” You step in front of the cart.

“So you admit that you were having a hard time with your essay.”

“I never said I didn’t! Do you know how difficult it was to type on my laptop while he was groaning and moaning-”

“Like a bitch in heat?” Wonwoo completes your sentence with a lopsided smirk.

“Exactly! And he looks so beefy and thick and-”

“And unbearably hot, yeah I know. And God, it drives me insane.” He lets out a shaky breath.

“Wonu?” You ask him with a lowered voice.

“Yes?”

“Can we get out of here? Like, real soon?”

“I thought you wanted to shop some more stuff?” Wonwoo chuckles at your sudden burst of impatience.

“I still do, but I also have a hot boyfriend at home who could be doing God knows what.”

“Your other boyfriend is still here with you, though.” He pushes his glasses on the bridge of his nose.

“My other boyfriend wants to fuck the boyfriend at home too.” You grin and pull on the other end of the cart. “Come on, time is of the essence.”

As soon as you step foot into the apartment, you are greeted by absolute silence. You opt to call out Seungcheol’s name, but Wonwoo covers your mouth with his hand. He tells you to keep quiet by mouthing the words. He nods towards the fridge and you take off your shoes, tiptoeing your way to the kitchen and place the bags on the counter as stealthily as possible. He takes off his shoes and parka, taking careful steps towards the bedroom.

The closer he gets, the louder he can hear noises coming from the secluded space. He notices the door being cracked open just enough to get a good view of what is happening inside and he takes the initiative of pushing it wide open to rest his body on the door frame and watch the show in front of him.

Seungcheol is bouncing his ass on the knotted dildo like his life depends on it, the muscles on his thighs and back rippling with every motion. His moans are airy, almost whiny and it makes Wonwoo’s cock drip in his boxers, his self control starting to run thin.

A small creaking noise on the doorframe alerts Seungcheol and he turns his head around, scanning his boyfriend up and down.

“Oh, don’t mind me, you can keep going.” Wonwoo waves his hand in dismissal.

“I wasn’t planning on stopping for your sake.” Seungcheol scoffs and keeps fucking himself on the toy, as if the younger man doesn’t exist in the room.

“If you want to grab my attention for real, you can try taking the knot in your ass and stay there.”

“Are you challenging me?”

“You’re the one who said your ass can handle a lot.”

“Hmph. Whatever.” Seungcheol scoffs as lifts himself off the dildo to grab the lube and pour some more over the toy, climbing back on it again to ease himself on the bulbous knot.

The initial stretch is always intimidating, but as soon as the knot disappears inside him, his body shudders and his nails scratch the wooden floor, bottom lip caught between his teeth.

He wants to move so bad, so fucking bad-

“Don’t you dare move.” Wonwoo’s voice is rough and demanding.

“You don’t get to tell me what to do.” The blond man bites back and raises his hips ever so slightly, never breaking eye contact with his boyfriend.

“I don’t think you want to do this. Am I right, baby boy?”

Seungcheol freezes in his spot, thighs going weak at the pet name. His mouth quivers, the knot stretching him open and he struggles to keep himself in check.

Wonwoo walks with slow steps towards his boyfriend, kneeling next to him.

“What’s wrong? You went pretty docile just now, didn’t you?” He smirks.

“Fuck you.” Seungcheol grits his teeth.

“What did you say?” Wonwoo grips his jaw tight.

“I said fuck you, pretty boy.” Seungcheol sports a shit-eating grin and it earns him a harsh slap on the ass, making him whine pathetically.

“I prefer it when you make pretty sounds like the one you made just now.” Wonwoo runs his thumb over the pretty pink bottom lip and the naked man sucks the digit.

“That thing where you two start without me is getting annoying.” You shake your head in disapproval, stepping into the bedroom impatiently.

“Sorry sunshine, but baby boy is being a little impatient slut today.”

“Yeah, I noticed. I bet he thought of walking around the apartment completely naked just to get our attention.” You take off your clothes in a hurry, remaining only in your underwear set.

“Ooh, she has the lace on.” Wonwoo whistles in a flirty way as he takes his thumb away.

“I always like to be prepared for any case.”

“Could you please p-pay some attention to me?” Seungcheol asks through gritted teeth, struggling with the toy inside him.

“Hm? What was that, Cheollie?” You kneel right next to him, “I didn’t quite hear you.”

“Please pay some attention to me.” He repeats his sentence a bit louder.

“We are right here, baby boy.” Wonwoo cups his neck lovingly, “Just tell us what you want and we’ll give it to you.”

“I need you, both, please.” The blond man exhales shakily.

Wonwoo and you look at each other, sharing impish glances, as if your brains thought of the same thing at the same time. He then gets up and takes off his long sleeved shirt and sweats, dropping the clothes right in front of Seungcheol. He then sits on the bed, patting his lap for you to join him.

You climb on the bed and in your boyfriend’s lap, leaving your other boyfriend shocked and visibly upset.

“You- I hate you both.” He grumbles while clenching his fists on the floor.

“If you want to join, then don’t cum.” Wonwoo looks him straight in the eyes while groping your ass. “Perhaps then we’ll consider it.”

“Wonu? I am right here, baby.” You get his attention by putting your hands on his broad shoulders and you rub yourself on his boxers to rile him up. And it works like a fucking charm, because he’s shoving his tongue down your throat like a man who hasn’t kissed someone in an entire lifetime.

His kisses are usually softer and more calculated, but not today - Wonwoo is far too riled up to care about details and the only thing he wants is to ravish you. He pushes you on the mattress and climbs over you, ruthlessly attacking your lips and neck with his mouth. He uses both teeth and tongue to abuse your skin, deliberately targeting your weak spots to elicit sweet noises from you.

He steals a few side glances towards Seungcheol, who is on the brink of tears from being edged for so long, droplets of sweat running down his flushed skin. The irrational, needy part of his brain wants to jump on the bed and kick Wonwoo outside, while keeping you all to himself. But he knows better than disobeying a pissed off Wonwoo.

Wonwoo pulls you by the arms and makes you sit on your knees facing Seungcheol, while he sits behind you, chest touching your back.

“Let’s give our baby boy a show, shall we?” He whispers in your ear and you nod, biting your bottom lip.

Wonwoo caresses your body with his hands, over your stomach and reaches your covered breasts. He hooks his fingers in the lace of your bra, tugging it harshly to let your mounds bounce out of the undergarment, a small ripping sound reaching your ears.

“Ease off the lace!” You whine, but he grabs your chin with his hand, the other glued on your chest.

“Act up and I’ll make sure you won’t cum at all, sunshine. Am I clear?”

“...yes Sir.” You sigh,

“Good girl.” Wonwoo kisses your cheek and relaxes his grip on your chin. “Good girls always get rewarded.” He murmurs in your ear, his hand descending lower and lower.

You let out a small moan when your boyfriend’s hand palms over your clothed pussy, slowly rubbing the lace hiding your clit.

“I can already tell you’re excited about this, sunshine. Soaking through your underwear like the needy little thing you are.” Wonwoo’s lips are glued on your ear.

“Please touch me more, Sir.” You whine, looking right into Seungcheol’s eyes.

“I didn’t hear you well, darling.” The dark haired man chuckles.

“Just touch her, you asshole.” Seungcheol groans, his cock twitching like crazy again.

“You don’t get to speak a damn word.” Wonwoo grits his teeth.

“Wonu, please!” You cry out, “I need you so bad, I’m gonna lose it!”

“You goddamn little shits.” He pushes you on the bed and gets up, standing next to Seungcheol.

“You want to get fucked? Now’s your chance.” He grips the blond man’s hair and lifts him off the knotted toy, practically throwing him on the bed like a ragdoll.

“Ouch, that hurt, you fucker!” Seungcheol snarls at Wonwoo, but the younger man pins him down on the mattress, despite being less muscular.

“Playtime’s over, baby boy. My turn now.” He discards his boxers, cock slapping against his stomach, bright red and leaking.

“Funny how you’re trying to act all dominant yet you’re leaking more than a broken faucet.” Seungcheol snickers, spreading his legs apart.

Wonwoo glances at you and offers you his hand to help you get up. You take it with a smirk and he positions you right between Seungcheol’s legs.

“You know what to do. And remember - don’t let him have his way with you.”

“Gotcha.” You grin devilishly.

“Princess, do you seriously think you can dom me? Please be real now.” Seungcheol laughs, but his laughter is cut short when he sees Wonwoo hovering right above his face.

“No. But we can dom you.”

You put your hands under Seungcheol’s knees and push his thighs apart to make room for yourself, putting him in a mating press instead of the opposite that usually happens in the bedroom. You position yourself right over his tip and slowly slide your pussy down his length, until it has completely disappeared inside you.

“O-Oh….Fuck, Princess, didn’t see that coming.” The blond man’s mouth goes slack from the novel sensation.

“God, no wonder you like this position so much.” You moan and start moving your hips the same way one of your boyfriends usually fuck you stupid.

Seungcheol throws his head back and grins when he sees Wonwoo pumping his cock with his hand, the tip dangerously close to his cheek.

“What are you waiting for, Wonu?” The older man snickers and moves his hand to touch his boyfriend’s shaft, but Wonwoo pins his wrists down and lets his cock rub the plush lips.

“For the right moment to shut you up.”

Wonwoo slides his cock inside and starts fucking Seungcheol’s throat harshly, finally letting out his pent up frustrations.

“Don’t be so h-harsh on him, Wonu, he might choke.” You point out the gagging, sloppy noises coming from above.

“Don’t worry, he can take it. Isn’t that right, baby boy?” Wonwoo takes off his cock for a few seconds.

“Yeah,” Seungcheol coughs a bit, but regains his breath like a pro, “Just make sure to fuck me like you both mean it, you weaklings.”

The comment makes you and Wonwoo’s blood boil like molten lava and you climb over Seungcheol’s body to push his thighs further apart and fuck him like a bitch in heat.

“That’s it, sunshine. Fuck him like the whore he is.” Wonwoo grunts as he facefucks your (and his) boyfriend, putting one hand on his throat to squeeze it ever so slightly.

“Shit, this feels so damn great,” you moan out loud as you ride his cock, “I can feel him twitching inside me, he’s close.”

“Of course he is,” Wonwoo leans closer and gives you a quick kiss, “Nobody could ever resist your beautiful pussy, sunshine. Especially us.”

Seungcheol starts moaning around the shaft bullying his mouth and he wraps his thick thighs around your waist, pulling you closer to him.

“Oof- God, he’s so damn desperate to cum.” You chuckle and run your hands over his torso to rile him up even further.

“Don’t stop until you are fully satisfied, Y/N. Baby boy is here to take whatever we’re going to give him.”

Your pussy stays glued on Seungcheol’s cock, rubbing it like a tight fleshlight until it starts milking him dry, sucking globs after globs of cum. The muscles of his thighs twitch behind your waist and his fists clench on the mattress, the shocks of his orgasm torturing his body.

Wonwoo detaches his hips away from Seungcheol’s mouth, letting the man breathe and spew a string of moans and curses.

“Princess, please, s-slow down! You’re- ah, fuck!” He whines loudly, tears stinging his eyes.

“She won’t stop until she has had her fill, baby boy.” Wonwoo digs his nails in Seungcheol’s wrists, “And don’t even try to stop her. Am I clear?”

“Shit- Yes, Sir.”

You rhythmically bounce your hips on top of his dick, your inner thighs beginning to burn from exhaustion and a thick, milky ring forms around your entrance. You can feel your own climax inch closer and closer, the pattern of your movements growing sloppier by the second.

“S-Sir I’m gonna cum, God I’m so close!” You cry out and plant your palms on the toned pair of pecs underneath you.

“Go on, sunshine. You earned this orgasm all on your own, you and your capable pussy.” Wonwoo stares at you with hungry eyes, watching you fall apart on the blond man’s cock.

Your eyes nearly roll in the back of your skull when you finally cum and you would be lying if you said it isn’t one of the best orgasms you’ve ever had. You’re certain your brain has stopped working and you probably look like a lust-crazed animal.

“That’s it, sunshine. Ride it all out.” The dark haired man presses a kiss on the column of your neck, while Seungcheol is writhing and shaking under the two of you.

“I’m so….full.” You sigh in satisfaction and you feel the meaty legs around your lower back relaxing around you and plopping down on the bed. You carefully lift yourself off his lap and let out a long drawn moan when a sticky trail of cum runs down your thigh.

“God, I’m so spent.” Seungcheol groans, wiping the sweat on his forehead with the back of his hand.

“Already? That’s too bad.” Wonwoo scoffs and flips his boyfriend face down on the sheets. “Because I’m nowhere near done with you.”

“And I thought you had completely forgotten.” Seungcheol grins and bumps his ass directly on Wonwoo’s hardened dick. “Come on, don’t you want to fuck my ass already?”

You sit back on the headboard, your fingers ghosting over your chest and clit, your gaze entirely focused on your boyfriends.

“We even have an audience, pretty boy. I think you should hurry up and stick it in.”

Wonwoo chuckles as he lines up his cock and slowly pushes in, until he’s balls deep.

“Enjoy the show, sunshine.”

The tall man grips Seungcheol’s waist and begins thrusting slowly inside him, grunting at the tight sensation around his cock.

“How are you still tight after sitting on that monstrosity for so long?”

“Can’t betray my secrets like that.” The blond man sends a wink towards you.

“Wonu, go faster.” You say with a demanding tone, your fingers working circles on your clit.

“You heard the princess - Put your back into it, pretty boy.”

“Damn you both, fucking brats.” Wonwoo uses one hand to fist Seungcheol’s hair and keep his head down, now towering over him. He pistons his hips against his boyfriend’s ass hard enough to make it bounce repeatedly, smacking noises filling the room.

“Fuck - That’s what I’m t-talking about.” Seungcheol grips the sheets, lips parted open and moans spilling freely.

Your whines match your boyfriend’s moans, your hands working out your pussy at the same speed Wonwoo is thrusting. Two of your digits are covered in the cum left inside you from previously riding Seungcheol, acting as the perfect lube.

“Ass made in Heaven, damnit,” Wonwoo catches his bottom lip with his teeth, “Made to be railed by none other than me.”

“My toys would like to disagree.” Seungcheol half moans and the snarky comment earns him a slap on the ass, forcing him to whimper.

“The only noises I want to hear from you are whimpers and moans, you whore.”

Wonwoo gets rougher with his thrusts, his hand pulling Seungcheol’s hair by the roots, lifting his head to make him face you. “Now, I want you to look at her while I’m fucking you stupid and give her the most cunt-watering expression you have.”

“Y-Yes, Sir.” Seungcheol breathes out, a fresh layer of sweat adorning his body.

Wonwoo delivers full-bodied thrusts, pulling and pushing his cock until the tip is barely inside and then fully sheathed again, knocking the air out of Seungcheol’s lungs. Salty tears cascade his cheeks, his body jerking forward with each movement.

“W-Wonu, you’re being too r-rough with him.” You comment shakily, two of your fingers rapidly plunging into your weeping cunt

“Rough, you say? Do you want me to slow down, baby boy?” Wonwoo asks his boyfriend, halting his hips.

“N-No, please don’t, please don’t stop, fuck!” Seungcheol pushes his ass back, chasing the stimulation.

“See, sunshine? Baby boy likes it rough and sloppy - and so do you.”

“I-”

“Keep your beautiful pussy stuffed until we’re done, will you?”

“Yes, yes Sir.” You nod furiously as you try to push back your orgasm.

“W-Won’t be too long until then,” Wonwoo groans loudly, “I’m almost there, fuck.”

“Please do it inside, please!” Seungcheol begs loudly, his body nearly giving out.

“Fuck, take it all, slut, all yours.” Wonwoo curses in his ear and finally topples over the edge, dumping a part of his load in his boyfriend’s hole. He takes out his cock, giving it a few more pumps to splatter the remnants of his climax all over Seungcheol’s ass.

The sight before you makes your head spin with more arousal and your walls clench around your fingers, your own orgasm washing over you and sending you to cloud nine.

For a good few minutes, mixed heavy breaths are all the three of you can hear. It’s clear as daylight that all three of you are beyond tired and barely able to move.

“My body hurts everywhere.” Seungcheol whines in defeat.

“Mine too.” You agree.

“I’m afraid both of you need to get up,” Wonwoo stretches his back, “We need to change the sheets, they’re fucked.”

“So are we, dumbass.” The blond man grimaces in pain.

“I am fully aware,” Wonwoo tries to lift Seungcheol up and you right after, “Now get up, we need to get you cleaned up.”

“You haven’t even prepared a bath!” You pout your lips in protest.

“Really going through the princess act, don’t you?” He lifts you in bridal style and carries you to the bathroom, gently placing you on the edge of the tub.

“As if you don’t like treating me like one.” You grin playfully.

“I would say this is Cheol’s duty, but I love you a little too much to not treat you like a princess.” He presses a kiss on your cheek and lets the water run. “Mind checking the water until I’m back with him?”

“Not at all.” You reply with a smile and he leaves the bathroom to return to the crime scene.

To his surprise, Wonwoo finds Seungcheol standing up and removing the dirty sheets, the skin on his ass and thighs stained from cum streaks.

“What are you doing?”

“Can’t let you do all the work now.” The blond man picks up the sheets and the used toy from the floor. As soon as he takes a couple more steps towards the door, he can feel his legs screaming in pain.

“Ow fuck!”

“Whoa, careful!” Wonwoo sweeps at the right moment and catches him before falling, “Can you please not be so fucking stubborn?”

“But-”

“No buts.” He throws Seungcheol’s arm over his shoulder, “I need to get your ass to the bathroom.”

“What are you doing? The bath is ready!” You yell from the corridor.

“Coming!” Wonwoo yells back.

“Well, at least now we’re even, right?” Seungcheol gives a silly wink towards the dark haired man.

“You’re so fucking stupid.” Wonwoo snorts as he helps the older man out of the bedroom.

“After being fucked like this? Definitely.”

“Stupid and incorrigible.”

“And hot and rich and-”

Wonwoo cuts him off with a quick kiss on the lips, catching him off guard.

“Can you please shut the fuck up?”

Seungcheol flashes a toothy grin and runs his tongue over his bottom lip.

“Yes, Sir.”

#svthub #scoups smut #seungcheol smut #wonwoo smut #scoups fluff #seungcheol fluff #wonwoo fluff #svt scoups #svt wonwoo #choi seungcheol #jeon wonwoo #svt smut #seventeen smut #svt fluff #seventeen fluff #seventeen #tw polyamourous

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darkbluekies · 6 hours

Text

GOLDEN TRIAL

Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader

Summary: Its 1935 and you've been sent on the Liner Normandie to retrieve a stolen painting. You have six suspects and the clock is ticking — you only have four days before the ship reaches New York to find it. But soon, you find yourself caught up in something even more serious than you could have believed.

Warnings: getting hit in the head with a bottle, kidnapping, mentions of drugging, stalker behavior, light misogyny(?), guns, needles, violence

Word count: 11.7k

DAY 1 — Debark

The ship towers over you like a mad giant. Gray smoke rises from the two forward funnels. It’s the biggest in the world, bigger than any man made object that can float. You shake your head. Focus. You’re not here for pleasure. You continue your way over to the terminal. The agency sent you in hopes of finding the lost painting, no one else. You need to stay focused, they’re counting on you.

Without questioning, you give the fake ID to the man behind the desk. When you had started out as an agent, you were always nervous that your covers would be blown and you would be found out. Nowadays, you’ve noticed that if you look nervous, risk are that you’ll be asked questions.

You walk over the gangway with your bag in hand. You have just above four days to find the painting — a very famous portrait of a woman with her head slightly turned to the viewer, wearing a big, blank pearl earring. It was stolen from the Mauritshuis in the Netherlands two weeks ago, and details have revealed that it has been taken to France, and will be moved to America on the SS Normandie. The painting itself isn’t insanely big, but the fuss about it’s disappearance is. You have to find it at all cost.

Before you got here, you had time to take a look at the passenger list. There are six people you recognise, where of five could be your potential smugglers.

Silas Achilleos, a mob boss wanted by the police, and his second in command. A man like him was probably not interested in paintings, but he could have clients who did. And those could pay him heaps of money.

Edmund of Vesanus, a young king who likes the bachelor life. He surrounds himself with loads of women and alcohol, partying like nothing matters. He would take the painting because he doesn’t want anyone else to have it. He’s traveling with his doctor, a certain Karl Kry who you don’t know much about.

Hedwig Carter, a young heiress who’s father is noble, and who's mother is famous in the acting business is traveling with a young woman named Jerry Kim, someone you guess is Hedwig’s chaperone. Hedwig is known for getting whatever she wants with a snap of her fingers, and if she wants a painting … she will get it. Jerry, however, does not have much information out in the open. Everything about her before she started to work for Hedwig is wiped away. You want to know who she is and where she comes from, and what she would want a painting for.

You walk down the stairs to your cabin on A-deck and start to pack up, using the second bed in the room to store your bag. After settling in, you decide to take a look around this magnificent vessel to get familiar with it. You make your way up to the promenade deck and give the open cinema by the stairs a quick look. You guess that they’re going to put on movies once the ship reaches open water. If you’re lucky you’ll see something interesting. And hopefully, you have the time to watch it.

The promenade is enclosed decorated with a gray floor, comfortable deck chairs and clear windows. A line in the tricolor fashion runs along the floor, as if to show where to walk. You walk on the line, flashing a little childish smile. You’ve left Le Havre and are on your way out towards the Atlantic’s open arms. The clock is ticking.

Your eyes lock onto someone walking towards you and you immediately realize that it is Hedwig and her chaperone, an east asian girl … wearing pants and a long sleeved shirt. You don’t realize how obvious it is that you’re staring until the woman opens her mouth and you realize that they’ve stopped right in front of you.

“What are you staring at, sir?” she asks, raising her eyebrows and putting her hands in her pockets. “If you want to say something, do it.”

“No—no, sorry”, you say quickly, feeling your cheeks heat up. “I didn’t mean to stare.”

“Tell me, do you approve of women who wear pants?”

It sure looks weird, but is it? When you think about it, aren't pants just pieces of the same fabric as skirts, just sewn differently?

“Uh, I … suppose so.”

To that, Jerry nods approvingly.

“I don’t see why only men should wear pants”, she says.

“Well, I don't feel comfortable wearing them”, Hedwig chuckles nervously and smiles softly. “But they fit you, Jerry. They really do.”

“You must be miss Carter”, you say, as if you don't know, and shake her hand. “It’s nice to meet you.”

“Nice to meet you too, please call me Hedwig! Who are you?”

“I’m Axel Ainsworth, I'm in the art industry.”

Hedwig’s smile widens. “That is very interesting, I love art. Especially portraits. Capturing humanity’s differences and details are magical. Don’t you think so, Jerry?”

“I’m more for that new thing — surrealism, I think it’s called — where everything is here and there and weird to believe”, Jerry says, shrugging. “But portraits can be okay too, depending on what type.”

Hedwig has turned her eyes to you, glued them onto you as if you are the only thing she could ever see. “Are you traveling alone, mister Ainsworth?” she asks.

You have remembered your entire forged background and learned it skillfully. Even your fake name rolls off the tongue as smoothly as if it was your real name. You're traveling alone because you're on your way home to your fiancé from a business trip.

“I see”, Hedwig smiles and turns to the woman next to her. “Let me introduce you to my chaperone, miss Jerry Kim. You're always welcome to sit with us during dinner. We'd be more than happy to accompany you.”

“I'm grateful to know that, miss.”

With that said, the two women walk away. You frown and sigh. Hedwig seems like a very sweet young woman, it’d be a shame if it was her who was the culprit. Her chaperone, on the other hand, gives you weird vibes. Something about the look in her eyes … as if she’s looking right through you, scanning you.

You continue down the promenade until you turn into the Winter Garden, a half moon-shaped room full of plants and lamps and big, wide windows, overlooking the special shaped bow that has given Normandie the speed it has. Passengers have already started gathering in the Winter Garden to talk to friends and family and watch how Normandie makes her way out onto the Atlantic. None of them resembles the men you’re looking for. You continue your way through the ship, eventually finding yourself in the smoking room on the embarkment deck, where you had stepped onto the ship. You had only glanced at the room before, but now when you’re standing in the smoking room — and very well the lounge since they’re connected — you realize how stupid you must have been to miss it. There must be ten meters up to the ceiling, you think, and bigger than a concert hall. A long, grey staircase leads up to the outside deck. The art deco interior is modern and sleek, but the whip overall has a classic, conservative design that reminds you of the great liners of the old age. You sigh while thinking of the Mauretania and the Olympic, Britain's biggest rivals which now are laid up in Jarrowtown, side by side, ready to be scrapped. There’s something melancholy about it all, and at the same time something beautiful, starting as enemies and now ending it all under the same flag, together.

You shake your head. Focus. Your eyes catch someone standing by the windows, someone very familiar. Silas and his right hand man. You move closer, trying to hear what they’re talking about.

“I’m not complaining, I just think that it is annoying that it has to take four days to get to America”, Silas mutters and takes a whiff off his cigar.

“Any other ship would take double the time, sir”, his second in command says apologetically. “I doublechecked.”

“I don’t like being in one place for too long.”

“See it as a vacation. You’re deserving of it. Let’s enjoy some good food, alcohol and some company. It’ll do you good.”

“I don’t like to be in one place too long. Especially when we know that they're on board!”

You furrow your brows. Who?

“Nothing will happen.”

Silas hums and smokes again. You’ve stood by the windows a few meters away, pretending to be interested in the horizon. Silas turns his eyes to you.

“You, sir”, he says, pointing at you with his cigar.

You look away from the ocean. Both Silas and his second in command have turned to you, their dark eyes looking right at you.

“Yes?” you ask.

“Is it true that the Normandie keeps her speed?” Silas asks. “No matter the weather?”

“I believe so, sir.”

Silas nods in satisfaction. “Good.”

You decide to try to get some information out of him. You know who he is, but he doesn’t know who you are, doesn’t know that you’re out to get him. To him, you’re just another first class passenger.

“Are you in a hurry?” you wonder.

“You could say that”, Silas sighs and turns his eyes out the window again.

You hold out your hand. “I’m Axel Ainsworth.”

Silas second in command gives him a short look before his boss shakes your hand. His grip is hard, firm.

“You can call me Silas”, he says. “No need for a surname.” He takes another blow on the cigar. “What brings you out on the ocean like this?”

“I’ve been on a business trip, but now I’m going home to my fiancé”, you say, pretending to smile at the thought of your made up fiancé.

“What business are you in?”

“Art.”

Silas lifts one of black his eyebrows. “Art?”

His second in command straightens his back.

“Yes, sir”, you say.

“Are you a … painter?” Silas wonders.

“God no, I can’t handle a brush even if my life depended on it. I’m an art trader, I help people sell their paintings for the right price.”

“I see. Well, one can’t do everything.” He blows a cloud of smoke. “Have you traveled on this ship before, Axel?”

“No, it’s my first time. But I’m not unfamiliar with the ocean, I used to travel a lot on the older ships in my younger days.”

“Then I suppose you have a favorite?”

You think for a second. “I did like that Cunarder, the Lusitania … such a shame Germany sunk it.”

“You never know which ships are safe or not, just look at that Titanic fiasco. They thought it was the safest ship afloat. Yeah, sure it was.” Silas shrugs. “Wouldn’t surprise if this peace of junk also sinks. Why wouldn’t it?”

“Well …”

Silas’s second in command taps him on the shoulder and whispers something in his ear. Silas frowns and nods before turning to you.

“It was nice speaking with you, but I have some business to deal with”, he says shortly.

“Have a good day”, you say.

Silas nods politely and leaves. You follow him and his second in command with your eyes until they’ve left the smoking room. He was nicer than you had anticipated.

Your next suspect, you find in the dining hall that evening. You’ve met up with Hedwig and Jerry in the reception. Hedwig is wearing a pink evening gown with pink gloves. Her honey blonde hair is curled and put up with hairpins. Jerry is wearing a dark purple, sleeveless dress, showing a couple tattoos. In her short, black hair, there’s a little decoration that reminds you of a flower. She's wearing dark lipstick, in contrast to Hedwig who wears a Hollywood red.

“They wouldn’t let me in unless I dressed ladylike”, she mutters.

“I think that you look gorgeous, Jerry”, Hedwig smiles and takes her hand.

“I guess that it isn’t that bad.”

“I like your tattoos”, you say. “Where did you get them from?”

“A tattoo artist, of course.” She then twists her arm to show something on the inner side of her bicep. “Okay, I made this one myself.”

You step closer, seeing a small heart tattooed on her arm.

“That’s cute”, you smile.

“Thank you”, Jerry smiles smugly. “Hurts like hell though.”

“I can imagine.”

The stewards allow you into the dining room and — for what feels like the thousand time today — you’re amazed by the interior. Silver walls with golden ceiling and art decor wherever you could see. In the middle of the long dining hall, there’s a gigantic, golden statue of a woman.

Hedwig and Jerry leads you to a table and sit down. That’s when you see your last suspects. They’re walking through the dining hall, dressed in tuxedos. The king can’t be more than twenty years old. His doctor is a minimum of fifteen years older.

“You son of a bitch”, he says suddenly and looks at the table you’re sitting at. “Hedwig?”

Hedwig’s eyes widen in shock.

“Edmund, what are you doing here?” she asks with a smile. “Sit with us, please.”

The king and his doctor sit down at your table.

“Good evening”, the blonde doctor says and shakes yours and Jerry's hand before introducing himself. “I’m Doctor Kry.”

“Nice to meet you, I’m Axel Ainsworth”, you say.

“This is king Edmund.”

You’re about to shake his hand, but Doctor Kry removes your hand.

“I’m sorry, but he doesn’t shake people’s hands”, he whispers.

“Oh, I see”, you say.

The king gives you a bored look.

“It’s a pleasure to meet you, your majesty”, you tell him politely.

“How do you know Hedwig?” he asks shortly. “I haven’t seen you before.”

“We met today”, Hedwig smiles. “Axel, Edmund is my relative. It’s been months since we last saw each other.”

“I’ve told you to visit.”

“I know.”

“Are you that much of a hypochondriac that you need a doctor to accompany you while you’re traveling?” Jerry chuckles.

“What are you doing here, Jerry?” Edmund mutters coldly.

“She’s my chaperone”, Hedwig explains.

“Oh fuck me.”

“Your majesty, maybe you should think about your language”, Doctor Kry says. “We are around others.”

Edmund rolls his eyes before looking at you in a bored manner.

“Tell me”, he says, “where do you come from, mister Ainsworth?”

You ramble your rehearsed background. Edmund nods along with you.

“I’ve always wanted to visit that place”, Doctor Kry says. “I’ve heard that it is a beautiful city.”

“It is”, you say.

“And now you’re going to America”, Edmund says. “What were you doing in France?”

“I was on a business trip.”

“What type?”

It strikes you as odd. He doesn’t sound interested, but still he asks you curious questions.

“I’m in the art business”, you say.

“What for?” Edmund wonders.

“Art is beautiful and should be getting what it is worth.”

“I like art”, Doctor Kry. “I would do anything to see the Mona Lisa.”

“Why didn’t you visit it when you were in France?” Hedwig wonders.

“We didn’t have time … Edmund didn’t want to go there.”

“Why should I squash together with other people to see paintings?” Edmund scoffs. “If I want to see a painting, I get it for myself. That’s that.”

“But do you like art, your majesty?” you ask.

“Everyone likes art”, Edmund replies nonchalantly. “That’s what gives life meaning.”

“Have you read a certain story, Edmund, called ‘The Picture of Dorian Gray’?” Jerry asks with a teasing smile. “Thought that it’d fit you.”

The story is about a man who wants nothing more than to remain youthful … to the point where he has a painting of himself where all of his sins can be seen. In the end, the picture is as gruesome as can be, but Dorian himself is as youthful as he started.

“Oh, shut up, Jerry”, Edmund mutters angrily. “One day, I’ll teach you manners, believe me.”

Jerry smirks.

You eat dinner together with the young king and the doctor. Afterward, to soothe your aching stomach, the five of you walk up to the outside promenade deck to get some fresh air. You strut under the lifeboats, under the stars. Above you, a big luminous sign spells out the name 'NORMANDIE’, casting a soft light on you. Doctor Kry has lent his blazer to Hedwig, and you’ve tried to offer yours to Jerry who refused before you had the time to open your mouth.

“Ladies, I think it’s time for you to retreat”, Edmund says, sounding sweeter than before. “It’s starting to get late.”

“The evening is young”, Jerry insists.

“I’m tired”, Hedwig yawns.

“Jerry, be a good girl and bring Hedwig to your cabin”, Edmund grits. “Please. I’m not fighting with you again.”

Jerry rolls her eyes, removes the doctor’s blazer and tells you goodnight. Hedwig gives you and Edmund a hug. Her flowery perfume clogs up your nose, dulls your head for a moment. The three of you wish the girls a pleasant evening and continue walking.

“Hedwig is a stupid girl”, Edmund says, strolling slowly. “One can’t help but want to take care of her.”

“She seems very sweet”, you admit.

“She is. Just very naive. I’ve promised her father that I’m going to take care of her whenever I meet her.”

“Her chaperone is … interesting”, Doctor Kry remarks.

“God, yes, I hate her!”

“What is it about her that you don’t like?” you ask curiously.

“I do not like girls like her. Did you see her tattoos? She often walks around in man’s clothing and I don’t think it’s fitting for a woman — especially someone that is close to my relative. I don’t want her influencing Hedwig.”

“I don’t think you have to worry, your majesty”, Doctor Kry says calmly. “I think Hedwig is going to be okay.”

“If there’s one thing I’m glad for, it is that Hedwig is predictable.” He groans. “I need a cigar. Let’s go to the smoking room.” Edmund turns around to give you a look. “Axel, are you joining?”

“I don’t know”, you reply. “It’s the first day, I’m still tired from embarking.”

“Don’t tell me that you’re going to bed now.” He looks at his expensive watch. “The clock is ten. Stay one hour.”

You give up and follow them to the smoking room. Maybe it is for the best. If you want to get close to them, you’ll need to spend as much time observing them as you can.

Sitting with them in the smoking room, you find that Silas and his second in command aren't here among the other men. You frown, thinking that they would be here since they were earlier.

When you’re allowed to leave, two hours later, your mind is fogged up by smoke and whiskey. You make your way through the empty corridors to your cabin, closing and locking it behind you. Tiredly, you sink down on your bed and sigh out. You have observed them, and talked with them the entire day, and yet you haven’t figured out who could be hiding the painting. They all seem interested in art. They all could have taken it.

There's so many questions. What kind of doctor is Kry? Where did Jerry come from and why is there no information about her? Why would someone like Hedwig hire her as her chaperone? And who is that person that Silas doesn't want on board? Is there someone you haven't accounted for, someone else that can have stolen the painting?

You hide your face in your hands and groan. Three days left.

DAY 2 — Sea

You wake up early, get ready and head out into the corridor. You lock the cabin door behind you, feeling the handle to make sure that it is locked and make your way to the Winter Garden to have a cup of coffee. The large windows give you a wide view of the calm ocean. The sun rises up from the blue water in a magical sense that has you hypnotized. It's all so very quiet and relaxing.

After your cup of coffee, you stretch your muscles, and contemplate going down to the swimming pool to take a few laps, to warm up your muscles and clear your head for the day's work. You pay the purser and make your way down to the swimming pool on D deck. The tile walls are covered with art that reminds you of ancient Greece and the new, abstract type of paint. The pool itself was formed as a long rectangle with curved corners, green steel ladders, and a steep and a shallow part. Throughout the shallow part, there were thick, dull spikes, likely to stop children from going out into the deep end.

Despite being the early hours of the first morning on board, someone is already in the water. Doctor Kry.

“Good morning”, he says. “You’re up early.”

“So are you”, you reply.

“I always need to clear my head before starting the day.”

“What about the king? Is he swimming too?”

“Don't kid around. He doesn’t wake up until nine. I wouldn’t be able to get him out of bed before that anyways. He’s a very deep sleeper and hates getting woken up.”

You feel your heart skip a beat.

“Where do you have your cabin?” you ask.

“On the promenade deck, one of the suites. A-54.”

Bingo.

“Why do you ask?” Doctor Kry wonders.

“I was just thinking that since the king doesn't want to be disturbed, choosing the right cabin place is important.”

“Did we choose a good cabin then?”

You nod, despite not knowing a single thing about cabin placements. The only thing you're aware of is to be as far away from the noisy engine room as possible.

Perhaps if you asked the purser, you could get the number of the other cabins. He, if anyone, should have the passenger list.

You glance back at Doctor Kry who's still hanging by the side of the pool. This is your time to investigate him. You slowly get into the water.

“Such a shame that you didn't get to visit the Mona Lisa”, you say as you start to swim. “It's a very pretty painting.”

“So I've heard”, Doctor Kry says slowly.

“My favorite painting is ‘the girl with the pearl earrings’, have you had the opportunity to see it?”

He's quiet for a second.

“I haven't”, he says, sounding low. “I guess that, an art trader like you, must be troubled by its disappearance.”

“Of course”, you answer.

At this point, a detective and an art trader don't seem like different things, especially since both would be looking for the same thing.

“Can I ask you something?” you wonder.

“It depends”, Doctor Kry says. “Go ahead.”

“Forgive me for being nosy, but why doesn't his majesty like Jerry?”

“He is very old fashioned. He doesn't think that women should be dressed in pants or have tattoos. Edmund is very self centered, yes, but he's also very possessive of the ones he holds dear — example being miss Hedwig. As you may know, his parents were murdered by enemies to the monarchy and ever since, the only relatives that have been in his life have been Hedwig and her family. They're very close in age too — Hedwig being eighteen and Edmund nineteen — which has been a very important thing for him. He sees her as a friend, maybe his only friend. So having someone that could potentially blemish his friend and only family is a threat to Edmund.”

“Then why does Hedwig have Jerry?”

“I don't know. It could be because of a teenage revolt. Jerry is different to everything that Hedwig has ever known … and now that she's eighteen she might want to try something new.”

“Do you think that Edmund is worried about her? Because of Jerry?”

“I wouldn't say worried, because the only thing the king worries about is himself, but I think that there's something along those lines. I think that he sees Hedwig as an extended part of himself rather than her own person.”

You nod carefully.

“I wonder where Hedwig found Jerry” you say. “How someone like her could get the job as Hedwig’s chaperone. Do you know where she comes from?”

Doctors Kry suddenly laughs.

“You ask an awful amount of questions this early in the morning”, he says and gets out of the water. “I'm sorry, I don't have more answers for you, Axel.”

You look up at him, where he stands on the tile floor. He looks down at you with a small smirk.

“You remind me of a little boy”, he says and lowers his eyes onto your physic. “You're awfully trained to be an art trader. One could think that you were an Olympian.”

“Shouldn't a doctor be pleased that I am taking care of myself?”

“I am. You look good, healthy. Just found it humorous.” He wipes away a few drops of water trying to go into his blue eyes. “I suppose that I will see you later. Goodbye, Axel.”

“Goodbye.”

You decide to do a few more laps around the swimming pool before getting up and drying yourself. Tomorrow morning, you will sneak into Edmund’s and Doctor Kry’s cabin to see if the painting is in there. But for now, you need to go to the purser.

You change into your suit. In the front pocket, you keep a little commonplace book to take notes. You make your way back to the pursers office. The man behind the desk gives you a service smile and asks how he can help you.

“Do you happen to have the passenger list?” you ask. “I would like to know where some people’s cabins are located.”

“What is your name?” the purser wonders.

“Axel Ainsworth.”

“Who are you wanting to find?”

“Hedwig Carter and Silas Achilleos.”

The purser disappears into his office. You wait impatiently, suddenly feeling watched. Carefully, you glance over your shoulder, but the only ones in eyesight are two men who are conversing. The purser returns. You fish out your notebook, ready to note it down.

“Miss Carter has cabin B-23 and Mister Achilleos has cabin A-11.”

You write it down. “Thank you.”

With that said, you leave to go to the staircase. You’re not sure where to go, so you decide to take a stroll down the enclosed promenade while thinking. Doctor Kry knows more, you think, but he doesn’t want to tell.

You sit down on one of the deck chairs to write down what you have gotten to know, so that you won’t forget any important information. You write down the suspects' motives to steal the painting, Silas’s weird enemy, their relation to each other — which only connects Edmund, Kry, Jerry and Hedwig — as well as the answers that you have gotten from Doctor Kry earlier today. Who has the painting? Your first instinct says that Doctor Kry doesn’t have it, because he’s not interested in that painting. Had it been the Mona Lisa, things would have been different, but this painting doesn’t interest him. That doesn’t mean that the painting couldn’t be in his room, though, because Edmund could still want to have it.

You stand up after a while and continue walking. Your eyes fixate on something in the distance. A woman dressed in pants talking to a man in a suit that seems to be hiding in the corner of the promenade. You frown.

What does Jerry have to do with Silas's second in command?

You want to move closer, but you don’t want to expose yourself. You’ll have to change the relations in your notes, because there’s clearly something more than you’ve been led to know.

What if Jerry’s lack of background has something to do with the mafia? It would explain her tattoos … that or being a sailor. But because of what you've just witnessed you can most likely scratch the latter. A shiver runs down your spine. If Jerry is dangerous, then Hedwig could be too. You stop in your tracks. Hedwig? Really? Edmund said it himself, she's a stupid, naive girl. Could she be dangerous?

You walk up to the open deck in the stern of the first class accommodations where you find a few kids playing something reminding you of curling. You sit down on the zig-zag benches placed out on the deck and watch them. They notice you looking and ask you to join them, so you do. You decide that maybe you can pleasure yourself in a harmless children's game for a few minutes, and continue the mission after.

When lunchtime rolls around, you make your way down to the dining hall. It's emptier than yesterday evening. You find Silas and his second in command sit by a table. Silas notices you and waves you over. Your feet bring you to him.

“Sorry to cut our talk short yesterday, Axel”, he says politely and gesticulates at the chair in front of him. “Sit down. Let me buy you lunch.”

And so, he does. You sit down and try your best not to glance at the second in command who’s black eyes burn through you. Your stomach twists.

You both get lamb, something you have eaten many times before. Still, it tastes better at sea.

“What did you say that you were here for again?” Silas asks suddenly as he’s cutting his meat.

His voice sounds different from yesterday. You clear your throat to make sure that your voice won’t shiver.

“I’ve been on a business trip”, you say. “And now I’m going home.”

“Yes, yes, I know that. What I mean is that you didn’t tell me why you were in France. What kind of business trip was it? What did you do? I know that you were there for art, but what do one do on an art business trip? You have to forgive me for being curious.”

“I was meeting some people from the Louvre.”

“I see. About what?”

“Art’s future, how to make sure they don’t break or smudge or get tainted by the sun. And how to protect them. You must have heard about ‘the girl with the pearl earrings’ missing?”

“Yes, of course. Isn’t it weird that someone would steal that painting? Why not a Monet painting? Or the Mona lisa?”

“I don’t know. Maybe taking one of them would be too big of a deal. Maybe the one taking the painting thought that since it isn’t one of the most cherished, they’d have an easier time taking it … that the commotion about it would die out sooner or later.”

“Perhaps.”

You’ve noticed that you haven’t heard the second in command’s voice at all, beside the talk he had with Silas yesterday. He doesn’t speak to anyone else than Silas … and Jerry. You still don’t dare look at him, scared that he will see right through you and know that you’ve seen him talk to her. You wonder what they were talking about.

“Did you have a good time yesterday?” Silas asks.

“Yes, I did”, you reply.

“Did you meet someone?”

“No, I didn’t. I chit-chatted with some people here and there, but kept mostly to myself.”

“You do good in that. You never know who you can trust on a big ship as this. You never know who wants you good or not.”

“Why are you traveling, Silas?” you ask innocently. “You said that you were impatient to get to America. Is there a reason?”

“Of course. Everything has a reason. But I don’t think I can share that with you. At least I shouldn’t.”

“Why not?”

Silas turns his black eyes to you and smiles slightly. His hungry gaze makes you freeze. He had seemed so sweet yesterday, but you finally see a slice of what makes him so terrifying.

“Because someone like you shouldn’t know that”, he smiles.

“I understand”, you say and take a piece of food into your mouth, to avoid speaking further.

“You have to excuse my man here”, Silas says and nods at his second in command. “He’s the shy type. He goes wherever I go, so you have to get used to him.”

“Is he your bodyguard?” you wonder.

“You could say that. But I’m always prepared in case someone wants to attack me.”

He opens his blazer, showing you a revolver tucked into the fabric. You have your own in your suitcase. Walking around with it feels too risky, but maybe you’ll have to go get it. In case anything happens.

After lunch, you’re left with a weird feeling in your stomach. You have talked with him for an hour, about everything between heaven and earth … and yet it feels like you have been having two conversations in one — one on the surface and one real.

You walk to your cabin and press down the door handle and walk into the room. The first thing that strikes you as odd is that there’s a new smell in the air. A flowery scent. You can swear that you have felt it before. Without a second to waste, you open your bag and pick up your gun, putting it in your suit. Quickly, you turn around, realizing something. Didn’t you lock the door when you went out this morning?

That evening, you spend dinner with the two girls and stay in the smoking room with Edmund for what feels like an eternity. Edmund wants to play a deck of cards with you. He seems a bit more relaxed than yesterday and even smiles a bit.

After your games against Edmund, you decide to retreat. You walk down the long, dimly lit corridor. The narrow spaces feel almost ominous at night time, although barely any daylight reaches here at daytime either. You glance over your shoulder every tenth step, hesitating, can't help but feel watched. Your hand reaches for your gun, but before you have time to get it, someone reaches up behind you and smashes something heavy in your head. Everything turns black.

DAY 3 — SEA

“He's waking up.”

Your eyes feel like lead, and your head is even heavier. It takes a few tries to open your eyes and when you finally manage to, you want nothing more than to close them again. For a few seconds, you wonder if you're dreaming. They're all here, looking down at you. You look around and notice that they've tied your hands and feet, and left you on the floor at the end of the bed, with your back against the footrest.

You catch a glimpse of the clock on the wall. Just a bit past one in the morning. The third day has begun. You have been blacked out for three hours.

Your head is pounding, making it hard to think clearly.

Jerry bends down, grabs your chin and turns your head back and forth to inspect the damage caused on your head.

“He'll live”, she says and gives your cheek a quick, but harsh, tap.

“Well, well, Y/N”, Silas says, smirking. “You're a bit nosy aren't you?”

The mention of your name causes you to twitch and widen your eyes. In your dulled stage, you wonder if you've heard wrong, but the smirk in their faces confirm that you have, indeed, not lost your hearing.

“So, you were the agent”, Silas continues and shrugs. “I gotta admit, I was hoping that it wasn't you.”

“You were smart-”, Doctor Kry starts.

“But not smart enough”, Edmund cuts him off sharply with his arms crossed over his chest. “‘Art dealer’, yeah, sure. A detective dealing with art. That's not the same, Y/N, if you didn't know that.”

Silas picks up something from his pocket, a small commonplace book.

“‘Suspects are all interested in art, could be any of them’”, he reads out loud. “‘J involved with S? Talked with SIC.’ Jerry? Involved with me? Talked with my second in command? You seem to have it all written down.”

“I was involved with Silas”, Jerry says. “I know his second in command very well.”

“How—How did you … know?” you ask, baffled. “Were you all in on it?”

“Not from the start, no”, Doctor Kry says. “I only knew Edmund and had met Hedwig before. I didn’t even know Jerry, Silas or his second in command.”

You quickly realize that Jerry is the linking chain between them. She linked Hedwig, Edmund and Kry to Silas and his second in command.

“I had already been informed and knew that there would be someone on this ship out to get me”, Silas says. “I heard that Jerry was on board and caught up with her. She told me that she and Hedwig had met you. It was her that thought it was weird that you asked all of us about art. My men dug, and found out your real identity. My men saw you speaking with the purser, hearing you ask for our cabins and decided to tell it all to me and my second in command, who told Jerry … who told the others.”

“You have more men?” you ask and can’t hide how shocked you get.

“Of course. You don’t think I would go on board with only one man? Do you think I'm stupid, darling? You, on the other hand, probably should have had someone, at least.”

“Awfully inconsiderate of your bosses, don't you think, to send you all alone?” Jerry says.

“You were looking for this, weren’t you?” Edmund asks and pulls out something from a wooden box behind him.

You stare at it with wide eyes. The painting.

“Who—Who had it?” you can’t help but question, gulping between the first word.

“Me, of course”, Edmund says with an offended, yet proud scoff. “It will do nicely in my castle.”

“Now, little Y/N, you know”, Silas says. “Are you happy now? Your mystery is solved.”

Your head hurts too much to answer. You’re not sure if you’re happy. You have learned where the painting disappeared, but you’re tied and hurt, and in the enemies’ grasp. A mixed bag, so to say.

“I can’t watch the blood”, Hedwig suddenly says and stands up from the armchair she's sitting on.

She has been the only one that hasn’t smirked at you and seems genuinely apologetic that you're here, but you don't trust that damsel in distress look anymore. She pushes through the others to reach you with a wet handkerchief in her hands. Carefully, she kneels down in front of you and wipes the wet cloth against your forehead. She wipes away the dried blood gently.

“What are you going to do now?” you spit, coming your head to the side. “Throw me overboard?”

“Not exactly”, Silas says, smiling menacingly.

“Not yet, at least”, Jerry says, grinning.

“If I don't meet my contact in New York, people will know that something has happened to me”, you say coldly. “They'll hunt you down.”

“Oh, will they now? I didn't realize that we had stolen their golden boy.” Silas's cruel smile widens. “Well, Golden Boy, plans seem to have changed.”

You glare at him in confusion. Silas pets your head twice and you hiss at the painful touch. Whatever they hit you with, it must have caused a gigantic bruise.

“Seems like we have to keep you for a while”, he says. “But you will have to stay in here, I’m afraid. You probably understand that we cannot let someone like you wander around the ship.”

You glare at him.

“Do you really think ropes will stop me?” you ask. “I'll be out of here in no time.”

“I would very much like for you to see what we do to you if you decide to break free.” He gives you a testing look before turning to his new companions. “Oh, and one more thing …” He picks up a familiar revolver, spinning it around his hand. “... thank you for the free gun.”

You want to curse at him, but keep quiet for your own sake.

“It's late, the ladies should head to bed”, he says, gesturing for Hedwig and Jerry to leave. “We need to keep someone here to make sure that our little Golden Boy won't free himself and run around, causing trouble.”

“I can take the first shift”, Doctor Kry says and golds up a syringe filled with a translucent liquid.

“Do not harm him, you hear me?” Silas tells him warningly. “I want him alive, coherent and unharmed.”

“Where am I supposed to sleep?” Edmund questions angrily. “In this cabin? Now that I'll have people staring at me?”

“You and Doctor Kry will take Y/N’s cabin”, Silas says.

“Are you fucking kidding me?”

“Stop being so spoiled, your majesty.”

“Won't that be suspicious?” Silas’s second in command questions. “If they see the young king exit and enter someone else's cabin instead of his own?”

“No one knows his cabin”, Silas says as if things were obvious. “Besides, we're in New York tomorrow anyways. It won't be a problem.” He turns to the others. “Scatter.”

The five of them walk out, leaving you and Doctor Kry alone. The doctor sits down in one of the two armchairs in front of you with a long, tired sigh. In his hand, he twirls the syringe.

“What is that?” you mutter.

“Something that will make you go to sleep if you're trying to escape”, Doctor Kry says simply, as if he was talking about watering flowers.

“Why did you hit me in the head if you had that instead?” you ask bitterly.

“Because it wasn't me, it was the second in command and Jerry.”

“Did you lie down in the swimming pool? About not knowing where Jerry came from?”

“No, Y/N, why would I? I told you that I didn't know anything. I didn't get to know until this afternoon.”

“And yet you're quick to jump the wagon to get me killed. I thought doctors were supposed to be nice.”

“I’ve never said that I was nice.”

“What do you gain from this? Why do you want to engage in collusion with people like this? What kind of doctor even are you?”

“Still, with all these questions … look, Y/N, it’s late. You’d do good in trying to get some sleep.”

“On the floor? With my head pounding in pain? With my hands and feet tied?”

“Suit yourself.”

There’s a deadly silence after that. You listen to the sounds the Normandie creates, and somehow wishes that she could save you, but you’re trapped within her, there’s nothing to be done. You rest your head back onto the edge of the footrest and sigh heavily. Doctor Kry looks at his syringe as if it is the most interesting thing he has ever witnessed.

“I'm thirsty”, you say after a while.

Doctor Kry stands up, walks over to the dressing table where a crystal carafe is waiting and pours you a glass. He returns to you and holds the glass to your lips, making you drink. You gulp it down and breathe heavily. Doctor Kry returns to his armchair.

You don't know how long you've been sitting on the floor before you start to fall asleep. You thought that you wouldn't, not in this position (figuratively and literally) but you somehow fall asleep.

“Wakey wakey, Golden Boy.”

You feel someone poke your head to the side multiple times and open your eyes to see Jerry hold a stick in her hand which she's using to poke your head.

“It's morning”, she says.

You groan groggily. She imitates you and chuckles.

“Did you have a pleasant night?” she teases.

You decide not to answer, not to humor her further. Your eyes draft onto a silver tray on the table.

“Yes, that's your breakfast”, Jerry says and lifts the tray, putting it on the floor in front of you before sitting down.

She picks up a piece of toast and holds it to your mouth. You take a bite, feeling more humiliated than ever. If only you knew that this was where you'd end up when you stepped on board in France.

“We will be in New York tomorrow”, Jerry says, holding the toast to your lips. “And we'll sneak both you and the painting past your contact.”

“It's just a painting”, you say cluelessly. “Why do you all want it so much?”

“I’m not particularly interested in the painting, but I know that Edmund and Hedwig are.”

“Why?”

“Art nerds.”

“Is it even selling for much?”

“It is — if you give it to the right consumer.”

“And you? What do you gain from this?”

“The thing isn’t about what I gain, it is what I lose … in case I let you roam freely. I don’t trust what you will do with the painting or it’s contents. Plus, you know who I am. If you wouldn’t have stuck your nosy head in everything, you wouldn’t have any problem with me.”

You suddenly realize something.

“Jerry, I need to go to the bathroom”, you say. “I haven’t been to the bathroom since before you knocked me in the head.”

She sighs heavily. “Alright, come here.”

Before pulling you up on your feet, she unties them. You stumble, almost falling on Jerry.

“Watch it, big boy”, she warns you. “If you knock me down I’m kicking you between your legs until you can’t have children.”

“If you hadn’t tied my feet, I would actually have blood in them. I can’t feel them.”

She unties your hands bitterly. You make your way into the bathroom and catch a glimpse of yourself in the mirror. Hedwig had wiped away some of the blood, but there were still traces of it in your scalp. You sigh heavily. What should you do? Finally, your hands and feet are free, but you aren’t yet. And — after a quick look around — there’s no way out. The only way out is through the door which Jerry is guarding.

You could perhaps get out by defeating Jerry, but you have something against fighting women. But, then again, she had knocked you with — what you guess was — a glass bottle. You look around for something that can help you and lay your eyes on a metal bar over the bathtub, used to pull one up. Without a second thought and will all your might, you rip it off. You give it a few squeezes, feeling if it could be strong enough to be used as a weapon and trying to find a comfortable, yet strong, grip.

You open the door quickly and swing the metal bar towards Jerry. She tries to grab it out of your hands but you push her off and knock her to the ground with the bar. You're not sure how hard you are hitting her, but it's enough force to keep her down. Quickly, you make your way past her and storm out of the cabin, almost crashing into the opposite wall in the corridor. You look around quickly, trying to think of where to go. After what Silas said, that he has more men than just his second in command lurking around, you're not sure who you can be seen by. You need to find an officer. You need to get higher.

Shit, the painting!

Your heart is beating loudly in your chest as you scurry back into the cabin. Jerry is lying on the floor, unconscious, and you almost feel bad for knocking her, but you know that it had to be done. It was her or you. Quickly, you open the wooden box and fish out the painting, tucking it under your arm. You can't hide it in your cabin, not when they know about it. You have to dispose of it somewhere safe.

Every step you take is careful, planned and mortified. You clutch the painting tightly, as if it is life itself.

Moving through the long corridor, you're certain that someone will jump out behind a corner and knock you out, like yesterday. Adrenaline is pumping through your veins, almost making you nauseous. You continue through the corridor, over to the hall with the staircases. Your suit has dried blood on it, you look (and feel) manic, will anyone take you seriously?

You freeze as you see a pair of eyes on you. Kry. His blue eyes seem to darken as he notices you, and the painting.

Quickly, you throw yourself into the elevator, and press a random button, wanting the doors to close before Doctor Kry reaches you. And they do, but when you look at the display beside you, you're going the opposite to where you need to go. New plan, you think, I have to sneak into tourist class — or third class, whatever gets you furthest away.

While standing in the elevator, you take a look at the painting to make sure that it hasn’t been damaged in this mess. You turn it around to inspect the canvas and notice something stuck in the corner of the wooden brackets. Carefully, you reach your fingers in and pull out a folded paper. Tucking the painting between your arm and your waist, you unfold the paper to find a list of names and locations … some of which you recognize. They’re all wanted criminals and you guess that the ones you don’t recognize are criminals as well. And the locations …

Your body goes cold and stiff. For a few moments, it feels like the entire world has stopped spinning. This is suddenly more serious than you could ever expect. Quickly, you put the paper in the pocket of your black pants.

You make your way through corridors you haven’t been in before, through doors you’re sure you’re not allowed through. You can’t help but look around at the new environment. Despite being one of Normandie’s lower classes, the attention to detail had been given to every centimeter of the ship.

Focus!

You’re not sure where you’re going, but you need to find someone that can help you. You consider giving it to a random passenger and ask them to give them to an officer, but in your entire training, you have been told not to pull innocent civilians into your job. They could get seriously hurt and it would be completely your own fault.

You make your way through tourist class, making sure not to be seen by anyone. If Silas have more people than you thought, why wouldn’t they be in multiple classes? You’re not even sure why the painting have caused this big of a commotion, but there’s no way you can give up the painting now — not after everything you’ve gone through. Your head is still pounding from the glass bottle and your heart beating out of your chest by the sight of Doctor Kry. He knows that you’re roaming freely, and soon, they all will know … and they will look for you. Silas’s words still ring in your ear; “I would very much like for you to see what we do to you if you decide to break free” — well you surely don’t. But where can one run where the space is limited? It’s not like you can grab a lifeboat and sail your way to safety. The sea can be just as dangerous as the people you’re dealing with.

You look around for someone in black uniform, desperately wanting to find someone to help you before you get a bullet through your head. Finally, you find a steward carrying a metal tray. Like lightning had struck through you, you barge forward and grab his arm.

“Sir, you have to help me!” you hiss and pull him into an empty corridor.

“What are you doing-?” he gasps.

“Please listen and listen quickly”, you whisper in pure panic. The words fall out of your mouth incoherently, but you somehow manage to create the sentences you need for the steward to listen to you. “I have to get to the Captain! Like … now! It’s really, really urgent! Please, just trust me!”

You look around with wide eyes, heart now pounding in your throat. The steward nods in confusion and signals for you to come with him. You’re not sure why he decides to trust you, but you’re ever so grateful for it. He takes you through hidden passages used for staff so that none of the paying passengers will have to see them, up a couple of steep stairs and through some more doors. You hug the painting tightly against your roaring chest. Every corner makes your heart stop, terrified that someone will stand on the other side and knock you out the second you turn.

The steward points at a door with a golden sign on it — ‘Officers’ quarters’. You pound on the door until you’re sure your knuckles bleed. A stern looking man in neat uniform opens, giving you a dark look.

“Who are you?” he questions. “What do you want?”

“I’m Y/N L/N, I’m an agent of the crown and this is the missing painting that has been all over the news … you have to keep it secure until we reach New York.”

The officer looks confused as he takes the painting in his hands and lets you into the quarters.

“You’re bloody, what happened to you, sir?”

“There’s six passengers — Mr Achilleos and his man, His Majesty Edmund of Vesanus, Doctor Karl Kry, Miss Hedwig Carter and Miss Jerry Kim. They knocked me out and kept me in a cabin the entire night. They’re working together. They want this painting …”

… and probably my life by now.

“ … keep it safe”, you beg the officer and feel your voice quiver. “Please. If i can’t meet you at the harbor when we dock tomorrow, please give it to my contact — I will write down his name — and tell him that he can find further information on board the ship.”

“I will tell the captain about the passengers, they will be taken care of and kept in arrest until we reach land where the police will deal with them”, the officer says.

“Thank you. A lot. Really.”

“You can stay here if you want.”

You feel for the note in your pocket and shake your head. “I have to do something first.”

The officer nodded. On shaky legs, you open the door and walk out into the corridor again. The steward is long gone and you’re alone in an unfamiliar corridor. You suddenly feel exhausted and decide to stay close to the door for a few moments to catch your breath, as if the officers’ quarter was a safe place.

The note has to be hidden somewhere across the ship so that your contact can find it in case you don’t make it out alive. The note is more important than the painting and can, under no circumstances, go in the wrong hands. These names have to reach your contact. The group will look for the painting in belief that the note is still there, so the note has to be hidden separately so that they won’t find it.

You make your way through the corridors slowly, making sure not to be caught with the list of names on you. In a weird, panic filled daze, you make your way through corridors, through lounges and dining halls where you hide the note. Underneath a chair, stuck to the corner. You deice to find your way back to the officers’ quarters and somehow find yourself out on deck. The wind is grabbing at you, pulling you left and right. You have a hard time keeping yourself on your feet. No one else is outside and you suspect it has to do with the fact that it’s early in the morning and the dark gray sky above you threat of rain.

“Y/N, don’t move.”

You turn to see the second in command with a gun in his hand.

“If you shoot me you'll ruin your life”, you say to him as confidentially as you can muster, but you can't help but worry if he's going to pull the trigger.

“Do you think I care?” the second in command questions with a scoff. “I serve my boss until my last breath, I couldn't care less about other trivial matters. Where's the painting?”

“You don't care for the painting. Ask me instead where the note is.”

His eyebrow twitches.

“You know about the note, huh?” he says, eyes narrowing. “Seems like I'll have to get that out of you.”

“Why don't you have your boss do it? Or is he in arrest?”

“Don't worry about him, he always comes out on top. Come with me now or I will shoot you-”

“Shoot me then. The note is hidden and the painting is with trusted people.”

“Idiot. Do you think I was born yesterday? If I shoot you, I can't get the note. You may be stupid, but i dont think youre careless enough To sacrifice yourself for such a trivial thing. Get over here. Now.”

You're unarmed and alone, but if there's one thing you've been taught, it is to not give up without a fight. Your eyes catch onto an officer patrolling the upper deck and whistle. As the second in command takes his eyes off of you, you dive head first into the swimming pool. From his perspective, you don't think — wish — that he sees the man above him. The water wraps around you like a cold blanket and for a few seconds you can't even feel the wetness, only biting cold that almost makes you gasp under the surface. Somewhere, you think that you can hear a gunshot and see something whooshing past you in the water. And then another, and another. And then nothing.

You don't return to the surface until you're sure that the bullet rain has stopped. Your burning lungs gasp for air and you grip the ladder to your left. The second in command has been wrestled down on the deck by the same officer you saw. A smile tugs at your lips as the second in command glares at you from the floor, smashed against the planks.

“Sir, are you alright?” the officer asks, panting.

“I'm okay”, you reply, panting heavier.

An ice cold wind cuts right through you.

“Go inside”, the officer tells you.

“Y/N!” the second in command shouts as you've started to walk. “Don't forget that there are more. You barely know half of the people we have on board. Don't think for a second that you are safe!”

You pretend not to hear him and make your way inside for warmth. Unsure of where to go because of the second in command’s words, you return to the officers’ quarters.

That evening, you make your way down to the arrest. There are still two questions you haven’t gotten an answer to. You've gotten your gun back from a steward and have tucked it in your blazer. Nausea is eating you up from the inside as you walk into the room, watching the cell and its habitants.

“Look who it is”, you hear Jerry snicker. “Change your mind, Golden Boy? Do you want us out?”

You don't even bother to answer.

“The painting is in a safe place, and so are the note”, you say. “I suppose that Jerry, Silas and your second in command wanted the note and not the painting … and Edmund and Hedwig wanted the painting … but what did the Doctor want?”

“Me?” Kry asks coldly and walks over to the bars with his arms crossed. “What I wanted?”

“Yes”, you reply.

“You, of course. Imagine, my own little lab rat that I could do whatever I wanted with … no one would even bat an eye if both you and the painting disappeared.”

“You won't get any of it.” You let your eyes wander over the six people. “Not the painting, not the note, and absolutely not me. Jail is what you will get.”

You can hear Hedwig start to sob in the corner of the cell. She has sunken down along the wall with her head hanging between her knees, body shaking with sobs. Edmund sighs and walks over to her side, grabbing her shoulders and trying to pull her up on her feet.

“Don't cry”, he says quietly. “We won't go to jail, I will make sure of that. I won't allow it.”

“Did you just come down here to revel in our misery?” Silas asks you.

You're not sure why you came down here. Did you want to make sure to yourself that they were behind bars? Or make you feel more powerful? Or even just get to see them?

“You do know that we will have our revenge, don’t you?” Edmund says and looks at you. “This is not the end.”

“I hope that you like being a dog, because that's what you're going to be, leash and all”, Silas scoffs.

“Tattooed”, Jerry adds on with a tilted smile. “Marked. Would Golden boy like that?”

You ignore her, and walk over to the cells bars, eyes glued onto Hedwig.

“What were you doing in my cabin?” you ask.

She freezes, looking cluelessly at you through her teary eyes.

“What?” she asks in shock.

“Your perfume was all over my cabin”, you say coldly. “Why were you in my cabin?”

“I-I’m sorry, Y/N!” she cries and runs over to the bars, reaching out for you.

You back away.

“I’m sorry, I-I … I looked through your things. I couldn’t help it, I just … I really, really wanted to hold you. I didn’t take anything, I promise! Please believe me, Y/N, I just wanted to- … it doesn’t matter. Forgive me.”

You don’t answer. Maybe Hedwig isn’t as sweet and innocent as you thought.

DAY 4 — End of voyage

After your hell night last night you couldn't be more grateful for the somewhat pleasant night you had. Every single sound and movement woke you up, preparing you to see one of the six criminals or their acquaintances. And since a ship is in constant movement and makes sounds only God knows about, you barely slept for an hour straight. But at least you were in a warm bed.

You can't eat anything during breakfast. You stare at the sandwich and steaming coffee in front of you with a twisted stomach. The room is filled with passengers, like normal, but the bright room can’t be more dark and sinister. It is as if someone has drained it of color. Any of the smiling guests can be one that want to put a bullet through your skull, and is waiting for you to rise from your chair and follow you outside.

When a waiter comes over to your table, the coffee has stopped steaming.

“Good morning, sir”, he says politely and places a silver tray with a silver cloche on your table.

“What is this?” you ask in confusion.

“A gentleman told me to give this to you. He has paid for it and everything.”

With that said, he smiles and walks away to continue his job. You glance down at the dome looking metal and feel your heart sink. Although you don’t want to, your heart reaches out to pull it away and reveal whatever is lying on the silver tray underneath. You’re not sure what you are expecting but a small, folded paper is certainly not it. As if on autopilot, you open the paper to see only a line.

“We will be waiting for you when we dock, you won’t get past us. We are watching you.”

You were right. A knot appears in your throat. Your legs go numb. You will be killed.

The air is hard to breathe in and you have to get out before you suffocate. You get out on the deck with the lifeboats hanging above your head and lean against the railing. In a few hours, Normandie would dock and you would be caught. You’re not sure that the steward who had helped you before would be able to save you, and you don’t want to put him in more danger … but you can’t step off the ship in New York’s harbor. The lifeboat above your head gives you an idea. A stupid, right out ridiculous idea …

You look around you before your shaking hands release the lifeboat from its holds. You have been taught the most outrageous things to rescue yourself — including lowering an ocean liner’s lifeboat. The davits slowly bring the lifeboat downwards and you climb in, lying down to avoid being seen. Your body trembles with fear, unsure of what this will bring you … or where it will bring you.

There's nothing on the ship that you should bring with you. There's no guarantee that the lifeboat will reach the harbor safely, but its a try. The painting will be more secure with the steward.

You feel a ‘thump’ from when the lifeboat hits the waves underneath you. You see how Normandie towers above you, the black steel never seeming to end. A pair of heads stick out from the side and something hits the water beside you. Quickly, you cover your body with your arms and legs, curling up until all vital organs are covered. Hitting you with bullets on this distance are harder than one can think, but not impossible. The second you’re sure that they can’t reach you, you get up and start to paddle. If the men tell a steward about the missing lifeboat, they’ll steer their ship over here to get you.

Your arms quickly grow sore. From now on, you’re entirely alone. There’s no one to save you in case anything happens and you will have to find your way to land by yourself. But it's better than being on board the ship.

The sea around you feels abnormally calm. There’s no distinctive sounds apart from the waves hitting the side of the lifeboat.

You sit for a moment, taking the time to think. This case has been different from all the others you have done. More personal than you could ever have anticipated. You’re not sure why, but something with this case told you that things wouldn’t be over if they got their way. It was more than just materia, they want you too … to use as they please. Doctor Kry was right. Who would bat an eye if you disappeared along with the painting? They wouldn’t call it a kidnapping, it would be a disappearance that could be explained by the painting. And now they have none of it. Not the painting, not the list of criminals and not you. Pretty successful, you think. Maybe you succeeded this mission after all?

You hiss as you touch your sensitive head. You’ll have to find a doctor in New York.

Hours go by. You row, you rest, row, rest, row, rest. Throw up. Damn if you have gotten a concussion, you think, but it’s probably just the sea air making you nauseous.

How things had turned out. You thought that you would have had to deal with one or two criminals … not six. Ad how Silas had seen right through you …

It’s over now. It will be over soon. Is it over?

You continue to row.

in the distance, you see a fishing ship pulling up their net and you wave with your arms in hope for them to see you, which they inevitably do. Your exhausted, cold body is picked up and wrapped in an old blanket.

“What were you doing out in a lifeboat like that?” one of the old sailors asks. “Which ship has sunk?”

“It’s the Normandie!” another one says as he reads the name on the wooden planks. “Has the Normandie sunk?!”

You tell them that it hasn’t suck — in fact, it’s steaming on better ad stronger than ever — but that an accident had happened, which resulted in you all alone in a lifeboat in the middle of the ocean.

They give you a yellow rain coat that you use to hide in and join the sailors to New York’s harbor that evening. In the distance, you see the different ocean liner piers. Cunard-White Star Line, United States Lines, HAPAG, Italian Lines, Swedish-American Lines … and finally, Compagnie Générale Transatlantique. Normandie was towering above all the other liners and you stood there on the pier, looking at it. Four days ago, you had been standing in the harbor at Le Havre and been excited to step on board. But now, that you are looking at it from afar, in the dim lights, there’s something unsettling about the her. It looks like she’s apologizing to you for everything that she allowed to happen between her walls. You almost start to cry.

You turn around and walk without giving the ship one more glance, hoping that it will be the last time you get to see the Normandie.

You meet up with your contact in a small warehouse that following morning and tell him what you have hidden on the ship. He promises to retrieve it. He already has the painting and has secured it, had gotten it from the very steward you had left it with.

“I have something else too”, he says and gives you an apologetic look.

“What?” you ask and watch him closely as he takes out a paper from his pocket.

“I’m sorry, Y/N.”

You open the paper and feel your blood go icy cold. The handwriting is unfamiliar, but the nickname you see written in black …

“Thought you could lock us in? Think twice, Golden boy, we’re already out. We’ll find you, be so sure of that. Don’t think that we will let you slip away. You will look good in a leash.

S.A”

You fold the paper just as quick and breathe out a shaky breath.

“Don’t worry, Y/N, you will be protected”, your contact promises. “It will not be any problem, I assure you.”

With the six people’s contacts and power, you doubt that your protection will do much, but you nod. The painting is safe and the note is safe. They may have escaped jail and are looking for you, but you succeeded with your mission. And that is all that matters.

#yandere #yandere x reader #yandere x you #yandere imagines #yandere drabbles #yandere oc x you #yandere mafia #yandere oc x reader #yandere fics #yandere stories #yandere doctor #yandere king #yandere female #female yandere #yandere rich girl #yandere oneshot #yandere ocs #yandere ocs x reader #male reader

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buddiebeginz · 2 days

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Since everyone is so up in arms over Ryan's recent interview I wanted to compile some of what he's said in other interviews this season. There are a lot of breadcrumbs here that show Eddie's sexuality storyline is in the works it's just going to take some time to get fleshed out especially since there has been so much focus on Buck and his coming out this season.

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But what about Eddie and Buck? Is there still a chance for romance between them?

"As far as [Eddie's] sexuality, I think it's pretty clear that he's tried to fill in this motherly, this wife type role—that's all he knows," Guzman explained. "And he's a man [that] first off, he's Catholic. Second off, he's from the military. So those are very straight-edge kind of lifestyles that don't offer too much of exploring. But through the 118, he's had this epiphany each year, like, 'Well, maybe I don't know as much as I thought I did. And maybe I should be exploring a little bit more and maybe I should understand myself a little bit more and even seek a therapist,' which is something new for Eddie. So I feel the representation is reflective of the inclusivity that Ryan Murphy's show likes to have and Tim Minear likes to write."

Parade

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Did you have a personal reaction when you found out about the reveal of this moment and the change in Buck's character? Was it something you saw coming, or was it a surprise?

GUZMAN: Since there's so much talk about our characters, it wasn't a shock to me. For Buck's character, I feel like it kind of tracks. And I think that we trust Tim [Minear], to be honest. He's such a great, incredible writer, and he's very inclusive in his writing. And it shows beyond the sexuality, beyond representation. It shows humanity, and that's what I love about these characters. You can do whatever you want in the bedroom, but at the end of the day, that love remains, brother-sister, intimate relationship, whatever that kind of connection is. We allow the audience to get a sense of the human side. And I think we explore that in new ways every single season. So, this season, getting that opportunity to see Buck evolve into who he is has been just a beautiful storyline.

You've mentioned it a little bit already, but I can't not talk about the potential of romance between these two characters. It's such a huge aspect of the fandom around this show and around the commentary of this show. Did the reveal make you consider a romance between these two characters? Have you considered it seriously before? Or was it always, "We'll see where it goes, we'll see where it takes us"?

GUZMAN: It's always kind of been a "we'll see where it goes, we'll see where it takes us." Because, at the end of the day, it's a fine line between giving the fans what they want and also staying true to the characters themselves. As an actor, your one job is to give your character truth. And what I love about this whole world that we play in 9-1-1 is that truth changes at a moment's notice. So, we allow ourselves to stay open to all possibilities. At this moment, Eddie's got so much going on in his life as far as his relationship with himself, and Marisol, and God, that he's got his plate full. And to take on anything else at this moment, I don't know, he might crack again! [Laughs] So, who knows what happens with him, and we're here for Buck and his relationship. And, again, I think that strengthening of that bond is crucial.

I don't think either of these characters are ready for this yet. They need to settle their own lives first before anything happens in that direction!

GUZMAN: Yeah.

Collider

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Do you think it was the right decision for Marisol to move back out?

Eddie has shown himself to go from zero to 100 all the time. He finds one girl that checks off a couple boxes in his list and he's like, "Ah, that'd be good enough. Let's get married." This time, thank God, he didn't need a Carla in his life to say "Slow down." He did it himself. He had a conversation with Bobby, he had a conversation with Buck, he figures it out and he goes, "Okay, maybe it's time to have some growth on my end." He is doing a big thing for not only him, but for his son. He's not trying to fill in this space that was left open by Shannon and he's taking care of that relationship that [Gavin McHugh's] Christopher has with his mother that passed. He realizes he has to take it a lot slower. It seems like a step back, but it is so many steps forward for Eddie in what that means to him and his family dynamic.

How did you react when you found out Buck was going to explore his bisexuality? And what did you think when you first read the scene where he comes out to Eddie?

I think we felt this scene was coming one way or another — and we knew we had to handle this with care, because there are so many people who have attached themselves.... Oliver and I are so grateful for the people who have attached themselves to our characters, and what they do with it. And so we really wanted to give this scene a sense of groundedness. And luckily for me, I've had an experience in my life where a friend trusted me with their own coming out, and I got to understand first person that it wasn't so much about me accepting them, it was more about me allowing them to feel safe and loved. So I wanted to exemplify that in this scene. Like, "Hey man, you can say whatever you got. I'm not going anywhere. Okay? This connection remains." That was something that forever changed my life — in my personal life, with my friend — so this had to feel the same for the millions of people who are going to see it, because some may not be getting this from their friends. Some may be scared to do this in front of their friends, and maybe this gives them the opportunity to find their own bravery, as Buck did, and go to their closest friend and say, "Hey, this is how I feel nowadays. Can you explore this with me?" I love that scene.

What else can you tease for Eddie this season?

Now that Eddie's taken that step forward with Marisol, that offers a lot of new obstacles. This is unknown territory — much like Buck's character, it's unknown territory. And that is something to be a little bit more scared of, to be honest, because we have no clue how to handle the unknown. So I think with Marisol and Eddie, their relationship is strengthening, but there's so many traumatic moments that Eddie still has yet to answer for himself in his own past. So how that plays into this present moment is a balancing act. And what I'd like to see is him handle it with ease, but that doesn't offer great TV. So yeah, he's going to be a mess just as much as he was — as we all are, really.

#ryan guzman #buddie #911 buddie #rg inter #911 s7*#911!

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slccpiehead · 2 months

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I just re-read the 'tezuka vs yukimura' match in NPOT and I totally forgot who won here, the way I was dreading yuki will win 💀

my actual reaction when tezuka won:

#like i love yuki and he's one of my faves but #tezuka is my number one boy like I would root for him whatever team he's representing #I want fuji to be the one to defeat him tho #those two need to settle whatever it is they need to settle because they are stressing me out 😫#tezuka kunimitsu #new prince of tennis #tenipuri #the prince of tennis

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tarrynightss · 4 months

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what happens when sukuna’s precious little jewel actually does get pregnant ???

I’m so glad you asked Anon hehe

Concubine!reader x Sukuna thoughts part 1 here

Tags; Pregnancy, Concubine!fem!Reader, smut below cut, breeding kink, size difference, bit of lactation kink

Sukuna is not surprised when it happens after all the hard work you both put into realizing his dream. He notices a subtle change in your smell, in the energy that pulsates around you when he caresses his hand over your body. A wide grin splits on his face as he lays his hand over your lower stomach, his chest sturdy against your back. He can’t help but nuzzle his face against the side of your head, inhaling more of your intoxicating smell. “It took.”. Those simple words have your eyes widening and your heart pounding in your chest, looking back at him to ensure you understood correctly. “You’re with child.”

He’s overjoyed with the prospect of having a baby, an heir of his own. He’s more affectionate than he ever was, taking time to settle you close against him, his fingers absentmindedly tracing the growing bump on your stomach. He even caresses your hair and kisses you in an attempt to comfort you when you feel pain, all of it shockingly gentle for Sukuna. In his mind there’s a simple explanation. You did as he wanted, and you continue to do your duty well, ensuring his child is safe and growing strong inside you even when it hurts you, so you should be rewarded for it.

Sukuna has always been wary of others, but with the pregnancy he turns outright paranoid. With the amount of enemies he has he worries that one might now lash out and target you and your baby. He focuses more on maintaining barriers around the house, has someone sample your food in front of him before it’s allowed to be served to you, and you never sleep alone anymore, him always curled protectively against your side. He also decides to dismiss a large portion of his harem, not trusting them to have your best interest in mind. He knows how jealous humans can get, had seen women scratch each others eyes out just to get ahead of the other, and so the only other concubines allowed to stay are the ones you claim are your friends. He still keeps a careful eye on them, only truly allowing it because he knows that when the time comes, you will need women to aid you through it, and he doesn’t trust random midwives more than he trusts them.

Sukuna will spoil you more than ever, making sure you are comfortable in whatever way he can offer. The pregnancy is clearly taking a toll on you, your stomach having grown large and heavy, and he almost worries the size difference between you that excited him so might become the death of you. He carries you basically everywhere the last two months, wrapping you up in his strong arms and doing anything you need of him. It’s quite ironic; you used to be the one helping him get dressed, fawning over your master, and now he does the opposite for you. Though you know it’s out of necessity, it still makes your heart flutter.

That Sukuna is stressed out when you finally give birth is putting it lightly. He waits outside as customary, trying to appear stoic but panicking on the inside at your pained screams. As soon as he hears a baby cry, he barges in, watching as another concubine places the child against your bare chest. He quickly finds himself on his knees beside you, brushing one large hand over your sweaty forehead to comfort you as the other joins you in holding your baby. It’s a daughter, but she’s healthy and strong, screaming her lungs out for a minute more before calming down. You laugh, and he breathes in deeply, knowing you both made it. Relieve makes him bend forward and press a kiss to your forehead, leaning back just in time to see the child’s eyes open. Four in total, just like her father, but with the scarlet stare replaced by the lovely color of your eyes.

It surprises everyone, including you, how much of an involved father he is, holding his baby as often as he can, a large finger prodding at her pouty lips till she smiles and coos. When you apologize to him for not giving him a son, he stares at you blankly, gesturing for you to rise from where you kneel before him, putting one hand on your cheek as two others still cradle your baby. “I don’t need your apology. The child is healthy, and you will give me a son next time.” The surprise is evident on your face as your eyes snap to his. Not only is he being benevolent, but he also just said he wants another child with you. You were afraid he would discard you like a broken toy after this, no longer interesting enough to him, but it seems you still manage to hold your position as his favorite, bringing a smile to your face.

It has to be said that Sukuna can’t take his eyes off of you from the moment that tiny bump appears on your stomach. There’s something about it, about you, that makes every fiber of his being crave touching you. Maybe it’s that famous pregnancy glow, or maybe it’s the fact that he knows he’s the one who fucked a baby into you. You’re his, more clearly now than ever, and it excites him beyond his own comprehension.

Luckily for Sukuna, the hormones coursing through your body have you seeking him out desperately throughout most of your pregnancy. The first few months he fucks you like he wants to ruin you, rutting into you like an addict, but as soon as you really start showing he becomes more gentle. He wouldn’t risk seriously hurting you or his child, often seating you in his lap as he thrusts into you, his mouth lapping at your sweet neck. You still mewl so sweetly for him, so eagerly, and he already knows he might want to do this all over again after you’ve given him his first child.

Sukuna takes such good care of his little jewel, even massaging your poor sore breasts, teasing your aching nipples with his tongue. The changes to your body have him drooling all over you, his hands constantly on your growing breasts or belly. It becomes a guilty pleasure of his to touch you there, enjoying just having you on his lap as he rolls your nipples between his fingers, loving the way you squirm against him.

You find some of the changes quite embarrassing, especially when your breasts start leaking milk as you enter your third trimester. He only grins wolfishly when he notices the wet patches on the fabric covering your breasts, tutting as he pulls you to his chambers. “You need to relieve the pressure, little one.” And of course your benevolent master knows just how to do it, massaging your breasts till more drops come out, making sure he’s right there to help you through it all. This definitely gets far worse after you’ve given birth and your milk fully comes in, aching painfully to be released, Sukuna hot on your heels after ensuring your baby is fed to ‘help’ you.

#sukuna x reader #jujutsu kaisen #tw: pregnancy #smut #jjk sukuna #sukuna ryomen #sukuna ryomen smut #sukuna #ryomen sukuna #jjk #jjk x reader #jjk smut #jujutsu kaisen smut #jujustsu kaisen x reader #jujutsu sukuna #true form sukuna

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capslocked · 3 months

Text

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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writethrough · 4 months

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I Know Better

(Billy Hargrove x Female Reader)

Synopsis: You've heard every rumor about Billy Hargrove—from the girls, the guys, the teachers, the parents—it never interested you all that much. Until one of those pesky rumors involved you.

Warnings: Language, slut-shaming

Word Count: 1396

A/N: This is the first stop on the apology tour for everyone who's sent me in a request. It's been a year for some of you, and I'm so sorry and grateful for your patience.

I had a really hard time starting this in the sense that I had so many ideas, but none of them fit with this prompt. So, it took me a while to settle on the story I wanted to tell. I had to stop thinking about this as a “Billy is mean to everyone” fic, and start considering it a “You are Billy’s soft spot” fic. It had to be a “How is he different because of you?” And then it sort of clicked.

This is a sort of soft-launch to a larger something. I'm not sure if it will turn into a full multi-part fic or just spontaneous additions in this little fanfic universe.

And to the anon who requested this, Tumblr ate your request when I tried saving it to my drafts, so I really, really hope you come across it.

I hope you enjoy!

Anon Request: “Another Billy request idea is “he’s mean as fuck to everyone but me

"Like??? Maybe I need to go to therapy but the hard as stone exterior on that boy and the thought of him being sweet as pie to his girl makes me mush”

Billy Hargrove never scared you.

Not even in high school when all you heard about was his bark and bite and overall terrible attitude.

You didn’t cross paths often, surprisingly so with how small Hawkins was, but sometimes you’d get glimpses of him against his locker or waiting by his car.

You still remembered the time he pulled in beside you as you were shutting your door.

Max had waved at you before rushing off to the middle school. Then, Billy had slowly risen, lighting a cigarette in the process, and locked eyes with you.

He greeted you by name, a lazy smile spreading across his lips, and sauntered away.

You had replayed that morning for the next two weeks, stunned that he knew your name let alone gave you the time of day.

It was a month or two afterward when you actually witnessed Billy at his worst.

You weren’t there for the start, but you had turned a corner in the halls and were met with other students gawking at a fight.

You shoved your way between teenagers, intent to get to your class before the bell rang when that mullet stopped you.

Billy had been looming over Roger, the school’s very own sleazy douchebag.

In your mind, whatever that prick had said or done, he absolutely deserved the consequences Billy was doling out.

You were about to continue walking when Billy leaned in closer to him with a tilt of his head. And until that point, you didn’t know that gesture could be so menacing.

“Wanna say that again?”

Your brows pulled in confusion.

What could Roger have said that made Billy so furious?

It must have been some insult, something that cut right to whatever insecurities Billy hid from the world. You really couldn’t imagine what he’d be self-conscious about. To you, Billy was the epitome of confidence.

Billy’s eyes caught your shoes, and you swore his shoulders tensed. He trailed up your body and met your gaze, grinding his teeth.

He slowly straightened, and without another word, stormed out of the building.

Mrs. Click finally arrived and disbanded everyone and helped Roger to the nurse’s office.

Your last class was full of whispered theories and passing notes.

I heard he keyed Billy’s car.

No, Billy definitely slept with the chick Roger was eyeing up.

Could’ve sworn I heard Roger call some girl a slut-in-the-making.

The day couldn’t have been over soon enough.

At least it was the weekend, and in a month, you’d be graduating.

You were walking to your car, sun in your eyes, and didn’t see Billy leaning against it until you were too close to pretend you forgot something to head back inside.

“Hey,” he said, putting out his cigarette.

“Hi,” you said slowly, gripping your backpack strap.

“You okay?” His hands slipped in his pockets.

Your furrowed your brow. “Shouldn’t I be asking you that?”

He chuckled. “Fair enough.”

He pushed off your car and took a few steps toward you.

It was really the first chance you had to take in how blue his eyes were. And while normally you’d look away as you held each other's gaze, something planted you where you stood.

He had the barest of smirks, so slight that you’d dare call it a smile.

“If I said I wasn’t alright, would you agree to hang out tomorrow?” he asked.

You let out a surprised laugh and glanced down. This was the first conversation you’d ever had with Billy, and he was asking you out.

This was probably how he operated. He’d set his sights on some girl, give them that eat-you-alive smirk, and you’d wake up alone Sunday morning without even a note saying “bye.”

But even with all that, your curiosity won out. So you made a deal.

“Tell me what that was all about, and I’ll be there.”

There was a flash of anger, but you didn’t think it was toward you. Leftover feelings for whatever happened no doubt. Then, he softened in a way you had never seen before.

“I’ll pick you up at six,” he said, beginning to walk away. He turned around before he could get too far. “Don’t bring a jacket.”

“Why?” You couldn’t help your smile.

“You’ll have mine.”

The cocky grin would’ve been irritating with anyone else, but Billy’s was endearing.

You drove home with a stupid smile plastered on your face, and you stayed that way until Billy rapped on your door.

—

That Saturday night, he tried to breeze past his altercation. Until you leveled him with a sincere look and said his name.

He had leaned back in the booth, ripping his remaining fries in pieces to distract himself.

“He pissed me off,” Billy said, still maintaining his gruffness.

“I figured as much,” you said gently. You knew if he sensed anything else, you wouldn’t get any answers.

He huffed, glancing at you before returning to his basket of food.

“The prick said somethin’ he shouldn’t have.” He shrugged. “I told him as much.”

You nodded slowly, narrowing your eyes in thought. Billy wasn’t know to beat around the bush. He said what he thought, and you kind of admired that about him. Even if that got him in trouble. But the way he wasn’t maintaining eye contact when that was his favorite way to throw someone off guard was suspicious. He was hiding something, of course, but it felt more than hiding something from you alone.

You took a shot in the dark.

“Are you…Are you not telling me what he said because it was about me?”

His jaw clenched and hands stopped.

So, that was it. Roger had said something nasty about you, and for whatever reason, Billy took it upon himself to…defend your honor?

But why?

And what could it have been to make Billy react like that? You hardly knew each other.

You inhaled deeply. “Okay. Tell me what he said.”

“You don’t need to hear his bullshit.” He met your gaze, steady and stern. You wanted to slap your chest to keep your heart from skipping.

“Billy,” you started, “I promise whatever he said isn’t going to affect me. I just want to know why you had him on the ground.”

At this point, you had dissociated from high school and the people in it. All that mattered was graduation.

“What does it matter?” His tone came out more harsh than you anticipated, but the way his face pinched told you he didn’t mean for it to happen.

You leaned on the table. “Because I’ve had a really nice time so far. And as much as I appreciate you standing up for me. If you wanna continue this,” you gestured between you both, “you can’t beat the shit outta people.”

“You wanna go out again?” His eyebrows rose slightly, and your cheeks warmed.

Of course, that was what he took away.

“Billy,” you warned playfully.

“Alright,” he sighed. “He caught me starin’ at you a few times. Said your legs were locked shut, but I could probably get them open.”

You scrunched up your nose. You knew Roger had to have said something vulgar, but you were more surprised it was about you then the actual content.

“Okay. Was that all?” Sure, it was gross, but that didn’t seem like something Billy would lose his shit over.

“That happened last week,” he admitted. “Told him to shut the hell up, and I thought that was that.” He shifted in his seat. “Guess he saw you lookin’ at me and he started callin’ you names. And then I hit’im.”

Names.

You could hazard a guess what names he called you. Probably the same ones he called every other female who didn’t wanna sleep with him. Ones that would describe him more than you.

You reached across the table and grabbed his wrist.

“Thank you for telling me,” you said. “And I need you to know, I don’t give a single fuck what that dipshit thinks.”

He chuckled, putting his hand on top of yours.

“So, that mean a second date is in the books?” he asked.

“Like I said, only if you don’t punch someone when they say something you don’t like,” you said, hoping your face conveyed how serious you were.

He leaned his elbows on the table.

“I was thinkin’ a movie for next time.”

Taglist: @bookshelf-dust, @steph-speaks, @nix-rose, @ballerina-orchid, @realmermaidariel

If you’d like to be added to any taglists, please comment or message me with the character you’d like updates on.

#billy hargrove #billy hargrove fluff #billy hargrove angst #billy hargrove x reader #Billy Hargrove x female reader #Billy Hargrove x fem!reader #Billy Hargrove x you #Billy Hargrove one shot #Billy Hargrove oneshot #Billy Hargrove fanfic #Billy Hargrove fanfiction #Billy Hargrove imagine #Billy Hargrove imagines

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sim0nril3y · 3 months

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Pairing: Simon 'Ghost' Riley x Civilian!Reader Scenario: Simon hasn't been able to stop thinking about your relationship and how not making a commitment to you might lead you to running off with someone else. He needs to solve this.

Warnings: No mask Simon (It's my personal headcanon in his regular life he probably wouldn't wear it), suggestive thoughts, canon-typical swearing.

It was strange to Simon that the two of you had settled into routine together. Most nights he’d pick you up after finishing work, he’d bring you back to his home or drop you off at your flat. More often than not Simon would cook you some good food to fill up your empty tummy, then roll around in the sheets together. The next morning you’d wake up beside him and he’d set to making you a hearty breakfast and discuss plans for the days. Those plans typically of doing exactly what you’d done the day before, spending time together and… though he’d never say it aloud Simon enjoyed it, he looked forward to it.

There was the times when Simon was left feeling lonely because you weren’t around. It was when he wouldn’t see you from one day to the next because you were busy working on an art project or work had left you exhausted. Simon was a solitary person, not needing or even wanting other people around him, or… at least that was how he’d felt before meeting you.

So, what was this? A question that Simon had never asked himself before, but now it was burning inside of him. Never before had Simon desired clarification, but as it currently stood you were just two people living independent lives that slept with each other and spent time together. That left opportunity for you to find someone else and bring them into your life. He hoped that wasn’t the case, it certainly wasn’t something you’d mentioned before but it still left that door open for someone to take you from him.

The thought of losing you filled him with utter dread. How was he supposed to sleep at night with your body to curl around? He’d started buying extra food when doing his weekly shop, who was going to help him eat it all? Plus, all your favourite snacks were filling the cupboards, if you weren’t here then they’d just go to waste… Besides, there wasn’t another living soul out there that would be able to make you fall apart as quick as he could.

Bloody hell. He was in deep here.

That night after a long shift at work you were curled up beside him on the sofa, blanket draped over your legs, snacks between your lounging bodies and eyes fixed on whatever dumb show you’d thrown on the TV. You hadn’t seemed to notice that from beside you Simone was stewing silently, mind racing with how to broach the subject in the most subtle way.

These questions and that anxiety was beginning to build up inside of Simon, his knee was bobbing relentlessly, muscles wound tight, fingers tapping furiously against the arm of the sofa like a metronome. How was he going to do this? How was he going to ask for clarification on what you were to each other? What did he actually hope the answer was going to be? He wanted you, right? Only you. He didn’t want another living soul to have you… fuck, the thought of someone else having their hands and their lips on you. It made him seethe.

“What are we?” The question tumbled from his lips, short and frustrated. It caused you to look up at him, brows furrowed. “Sorry?” “You… do you ever do this with anyone else?” He looked down at you through intense dark eyes. “Do I… watch TV with other people?” You questioned, almost not following his line of questions.

Further frustrated Simon bit out. “Do you fuck anyone else?” That made you begin to fight a little smile, finally figure out what he was trying to ask. “And the rest of it… everything we do together… like going for walks, or to dinner… or just watching TV like this…” He gestured to the way you were lounging so comfortably behind him, sans any make-up and looking so relaxed. “Do you?” Simon asked, you simply smirked as you flitted you gaze back towards the TV and muttered easily. “Would it bother you if I did?”

This question only made him stew and simmer again at the thought of someone else being in your life like this. The thought of them kidding and making you fall apart only mad his anger bubble further. “Mm.” He grumbled out, keep his dangerous eyes locked on you.

Reaching across to rest a delicate hand on his tattooed forearm you mentioned softly. “I don’t do this with anyone else, Si.” You informed him, watching the tension leaving him body in that moment. “Only you.” You quip with a little shrug of your shoulders, before continuing. “If I’m not here with you then I’m at work and I’m wishing that I was here with you or counting down the minutes until I’m going to see you again or wildly ignoring all of tasks and remembering all my time with you.” There was vulnerability to your tone as you informed him that. “Then I see you and I’m happy in all those hours before I’m back to being on my own and wishing it’ll happen all over again.”

You were in deep too. With the way that Simon was looking at you, you could have been convinced that there wasn’t anyone else in the world. “Simon, are you trying to ask me something?” Reaching up you brushed your fingers against his face delicately before following with a gentle few kisses against his cheeks and temples and jawline. Every action made forced his body to relax, coaxing his anxiety away before finally the words came. “What if… we did do this everyday? Just… us two…”

You gnawed your lower lip. “I could get behind that.” You agreed with a tiny shrug of your shoulders. “So… if we did do this… what would I call you?” You quirked a brow at him. “My boyfriend?” Simon grimaced. “Love, I’m not a boy.” He muttered, snatching some of your snacks and beginning to munch away. “How about my lover?” You purred playfully and once again Simon groan and threw you a look. “So… just my Simon?” You raised your brows at him, this time he didn’t seem to fight your suggestion, simply smirked.

“Mm…” Then he nodded, much to your surprise. “And you’d be mine.” It was like your heart exploded in your chest, smiling at him and trying not to act overly excited and frighten him off. “I guess I would be~” Then leaning forward you kissed a couple sweet kisses. “Are you sure you’re okay with this? Not moving too fast?” You ask, concerned that Simon might change his mind all of a sudden and end up hurting you both. “M’sure, babe.” He responded, pressing a sweet kiss to your nose. "You're mine."

Masterlist | Ask | 29-01-2024

1K notes · View notes

fanficimagery · 2 months

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The Nanny

When babysitting your neighbor's kid, trouble seems to find you.

Author's Note: SOA AU - No Tara, Clay, or Gemma. Trigger warning for violence! This was supposed to be up for Valentine's Day, but as you can see... that wasn't the case lmao.

Charming, California is one of those picture perfect little towns where everyone tries to be prim and proper, and act like their shit doesn't stink. And in the short time that you've lived here, you quickly realized that the law-abiding citizens hated the fact that Charming was home to a MC, the Sons of Anarchy.

It doesn't bother you to see them riding down the streets as you're out and about, but you do find it hilarious that a majority of the locals either gasp in outrage upon seeing the bikers or avoid them at all costs. You find the bikers very easy-going, but then again the club president is your neighbor.

Jax Teller had taken it upon himself to introduce himself when you were moving in, carrying boxes for you and flashing a rather charming smile as he pumped you for information about yourself. You knew what he was doing, and it was rather laughable, but you had nothing to hide and were a rather boring person, so you gave the information freely. Between the two of you, he was more interesting as a MC president whereas you stayed home and lived off the money your brothers made. Jax seemed interested in what your brothers did for a living that they were able to provide you with the life you have, but you explained they made their money because of the family business that provided private security for celebrities and individuals with a high profile. You helped them with scheduling, but they still did a majority of the work.

Finding out Jax has a son (Abel) makes your heart warm towards the biker, and then warm up to the club when his brothers visit every now and then. Juice was really just a goofball when he wasn't doing business for the club, Chibs was a secret sweetheart, Tig was a little crazy, Happy was hard to read, but it was Opie who was the most normal of the bunch.

You settle into your home quite nicely, working from your little office when your brothers need help to prevent any scheduling conflicts. Then in your downtime, you either have a book in hand or waste time on your gaming system. Jax and his brothers have been over a couple of times, drinking a beer to wind down or eating whatever leftovers you happen to have after you've already eaten.

This morning, however, you've just finished making breakfast when there's a knock at your front door. With a strip of bacon in hand, you answer the door and are surprised to see Jax and his son Abel standing there.

"What's up, Teller?"

He immediately smiles and your eyes narrow. "I hate to do this on such short notice, but my nanny canceled. Do you think you could watch Abel for the day?"

You glance down at the blonde boy, shrugging. "Is he cool staying with me?"

Jax glances down and nudges his son, but Abel merely asks, "Do you have more bacon?"

You open the door wider as you chuckle. "Sure, kid. You want some eggs and hashbrowns too?"

"Yum."

Abel walks into your house without a care in the world and you meet Jax's amused gaze. "So are there any rules I should abide by? Are you one of those dad's that limits screen time or bans sugar?"

"Nope and nope. No allergies either."

"Cool."

"Thank you. I owe you."

As Jax starts to walk down your porch steps, you say, "I'm a slut for food, Teller. Bribe me with food and I'll say yes to anything."

"Anything?" He peers over his shoulder and arches an eyebrow. You scowl at him.

"Almost anything."

Jax laughs. "Don't cook tonight then. I'll bring some cheeseburgers and fries from this diner that makes pretty good food."

"Alright."

. .

When Jax returns later that night, Chibs and Happy follow after learning he was picking up food from the diner. What surprised them, however, was that while Jax parked in his driveway, he started taking the food to his neighbors house. But Chibs, nor Happy, said a word and followed their president with their own food when he didn't protest.

Jax is poised to knock on the door when he hears, "Don't you- don't you dare do it, kid. If you do it, I will personally wait until you turn seventeen to kick your little ass." The words give Jax pause because what the actual fuck! But then Abel's giggling makes him grin.

"Did she just threaten to kick Abel's ass, Jackie?" Chibs wonders, smirking.

"I think so."

"No, no, no! You blue-shelled me?! You're like two. How do you even know how to play this?!" Jax snorts and finally knocks. The trash talking suddenly ceases before… "It's open! If you're friendly, welcome! If not, I got a little ankle biter in here and I'm not afraid to sic him on you!"

Jax laughs some more and enters the house, walking to where he hears all the commotion. Walking into the living room, he can't help but smile at the sight of YN and Abel sitting side by side on the couch, attention focused on the TV where they're apparently playing Mario Kart.

"You bring the goods, Teller?"

"Burgers and fries as promised."

"You are currently my favorite Teller." Still your attention is on the TV, your trash talking his kid being kept very polite all of a sudden. Jax, Chibs, and Happy have no idea what's going on, but suddenly one of the characters is spinning out because of a banana peel and then Abel's giving a long, suffering sigh as the other character passes the finish line. "Yes!" You jump up, pointing down at Abel. "Sucks to suck, kid. Now come on. Your pop's got the goods."

When you finally look up at Jax, you momentarily freeze when you see Chibs and Happy there as well. "Oh. Hey, guys. Kitchen's this way."

Everyone follows you into the kitchen and you immediately grab drinks from the fridge. When you turn around, Jax is divvying up some food for himself, Abel, and you. You pass out the beers to the men and you have cans of Sprite for yourself and Abel. Then as you take the last remaining available seat since Jax kept Abel on his lap, you thank Jax for the food before digging in.

"So did you have fun today?" Jax asks his son.

"Yeah. I got to color and watch TV and play games."

Jax glances at you and you shrug. "I made do. I would have gone to the store to pick up some stuff for him, but I didn't know if you'd feel comfortable with me taking him anywhere."

"I appreciate that."

"So what about you? Is your nanny good or will you need another favor?"

"Uh, she actually might be out for a few more days."

You nod. "I can do it. Is it cool if I take him to the store with me tomorrow morning? I forgot how much little kids snack throughout the day."

"Yeah. I have an extra car seat you can use and I'll leave you some cash."

"Nah. Don't even worry about it. I'll be snacking with him, so I can front the bill."

But still, cash ends up thrown onto the table from both Chibs and Jax. You have a feeling it'd be useless to argue, so you say nothing.

After dinner, Jax helps you clean up before they all take their leave. He tells Abel to tell you goodbye and your heart absolutely melts when you crouch down, and Abel hugs you.

You visibly melt as you hug the little boy back and then pull back to tweak his nose. "Okay, you're officially my favorite Teller again."

Abel smiles at you as Jax laughs and then you bid everyone goodbye at the door.

Abel ends up preferring your company to that of his nanny, so Jax ends up splitting his son's time between the nanny at his house and you at your own house when you have nothing going on.

On this particular day, after a lunch of sandwich and chips, you and Abel are lounging in a kiddie pool right in the middle of your front yard. You even went as far to put up a canopy to have the pool half in the shade and half in the sun, and are soaking in a sports bra and a pair of black tights that look like shorts.

You're sitting in the shade, sipping on a juice box as Abel stands on the other side playing with water blasters. You hear the rumble of a motorcycle, unsurprised to have Jax checking in.

As the blonde walks up, you smile innocently as he laughs. "Where did the pool come from?"

"The store." You shrug. Abel takes the moment to load up his blaster with lukewarm water and shoots his dad with it. Jax doesn't bother dodging the stream. "We saw a commercial for the waterpark and since we can't go there, I brought the water to us."

Wiping water from his face and using it to slick his hair back, Jax crouches next to the pool and asks, "How much do I owe you?"

"Not a cent, Teller." You sip on your juice, grinning. "I haven't been in one of these since I was a kid. This is for me as much as it's for Abel. He just gave me the excuse of getting one and chilling in it without looking like an idiot."

"Well I don't know about that…"

He trails off and you gasp in mock outrage. As he laughs, you say, "You're lucky I respect the kutte and the fact that you have a phone in your pocket somewhere. If I didn't, I'd drag your butt in here with us."

"Next time." Jax splashes his son and then stands before Abel can shoot him point blank with water. "Am I grabbing dinner tonight?"

"Nah. Abel already made a request. He wants chicken tenders and fries."

"And what the little man wants, he gets?"

"Obviously." You roll your eyes playfully. "Plus, it's an easy meal and I enjoy it too."

"Alright." He chuckles as he starts making his way back towards his motorcycle. "Don't stay in the pool too long."

"Yes, sir." You mockingly salute him, lips twitching when you see him momentarily tense before relaxing once more. "See you later."

. .

It's past Abel's bedtime by the time Jax makes it home, and already he's prepared for his kid to either be bouncing off the walls or very cranky. But as he nears YN's house, he notices that it's mostly dark. All the lights are off with the exception of the porch light and a couple of lamps he can see through the windows that peer into the living room. And the TV, of course.

Instead of knocking, he lets himself right in. It's almost too quiet, but he can hear the TV playing rather low in the living room. Heading there, he walks up to the sofa and can't help but smile at the sight that greets him. YN is laid out across the sofa with Abel on her chest, his back to her front. Both are knocked out cold.

Without second guessing himself, Jax pulls out his phone and snaps a quick photo. Chuckling to himself, he then walks around the sofa as he pockets his phone and crouches down. "Hey. YN," he gently calls out while shaking her shoulder.

It takes a few shakes before you wake, sleepily humming until Jax's voice coaxes you until you're fully awake. Your arms wrap around Abel on instinct and when you notice Jax's smirking presence, you relax. "What time is it?" You mumble.

"A little after ten."

"Really? Fuck. I guess the sun really did kick my ass if I'm this sleepy."

"Yeah." Jax chuckles and then carefully starts to gather Abel in his arms. "Sorry about showing up so late."

"Don't even worry about it." You sit up, rubbing your eyes and yawning. "You know I adore your kid." As you follow Jax to the door, you remind him about going away for a week and not being able to watch Abel, but that you'll have your phone on if Abel wants to talk.

Jax laughs. "I swear, my kid loves you more than me sometimes."

"It's only because I'm a better cook," you muse.

Jax opens his mouth to argue, but ends up shutting it and shrugging. "You're not wrong there."

As Jax then exits your home, you bid him goodnight and watch until he disappears into his home.

When you explained to Jax that your brothers made their money because of the family business that provided private security for celebrities and individuals with a high profile, you weren't lying. Nor did you lie when you also explained you helped them with scheduling for said high profile individuals.

What you chose to leave out, however, was that your family had such a great record with security because no one wanted to fuck with a family who had connections to two different cartels through your dearly departed parents.

However, before you settled into the calm life of personal security, your brothers made a name for yourselves as ruthless hitmen amongst the cartels and you… you were a little unhinged when you were caught up in the moment as one of their torturers. You worked for the cartels when they needed you to, but when you and your brothers wanted to distance yourselves, it was the cartels who helped set up your security business.

The week spent with your brothers is just to visit and catch up with those who all three of you came to see as uncles. It was most definitely not supposed to end up with you being caught off guard by a fist to the face. Someone who didn't know all what you were capable of took advantage of the fact that you were a woman who was close to big names within the cartels. They thought you to be easily taken down and used as leverage, but what they didn't count on was you hiding daggers on your persons. The fight was dirty and bloody, and by the end of it you were spitting mad.

You have the urge to carve into someone that your brothers are trying to quell for once when your phone rings. You pull out your phone mid-pacing, and then freeze upon seeing Jax's name on the screen. But it's not a normal call- it's a video call.

"Fuck."

"What?" Your elder brother asks. "Who is it?"

"It's my neighbor. Most likely his kid Abel since I babysit him most of the time." Your brothers glance at each other and you roll your eyes. "I've told you about them. Now toss me my hoodie. I can't let them see my face like this."

Before the call ends, you answer it but make sure to angle the camera away from the bruised side of your face. "Hey, Jax, give me one sec," you say. Your brother tosses you a hoodie and you quickly pull it on after setting your phone down. Then you take a seat at the kitchen table, turning off a few lights so it's a little darker and you can hide within your hood. Picking up your phone and keeping only half your face on camera, you smile. "Hey, guys, miss me?"

Jax's smile falters, but Abel immediately starts talking, telling you all about his day with his dad. He tells you he misses your food and play time, and you assure him you'll be home soon. You tell him about hanging out with your own family and even make your brothers wave at the camera when you switch it on them. Abel's little voice telling them hi makes you smile and then Jax is telling Abel to go watch some TV before bed.

Left alone with Jax on the phone, his smile vanishes. "What happened?"

"What do you mean?" You refuse to meet either of your brothers' gazes as you can feel them staring at you. "Everything's fine."

"Bullshit." Your brothers snort and you huff. Very reluctantly, you pull your hood down and maneuver the camera so it catches your full face. Jax's expression hardens. "Fuck."

"Don't worry. It looks worse than it is."

"What the fuck happened?"

You shrug and quickly glance at your brothers, but they're back to doing their own thing. "Went out drinking with the family and got caught in a brawl. It's been handled."

"So I don't have to gather the boys and kick some ass?"

His words make you huff a laugh. "Nah. I'm pretty sure I put the guy in a hospital."

"You took down a dude?! Now that's hot. I wish I could have seen that."

Uncaring that they're eavesdropping, your brothers burst out laughing and you sigh. You can't help but smile and you end up rolling your eyes when Jax laughs too. "Whatever. How's Abel really doing? Is he driving his official nanny insane yet?"

"Not really. He's just moping around."

"Aww." You coo. "Well I should be home soon. I'll take him to the park or something."

Jax's teasing smile turns genuine. "You know, I've never told you this, but I appreciate everything you do for Abel. You don't have to do anything, but you still treat him like family."

"What can I say? I like kids." You shrug. "And my idiot brothers will never give me any nieces or nephews."

"Hey!" Both your brothers protest.

You grin at them before looking back at Jax on your phone. "I should get going though. We have a meeting with the uncles here in a bit and I need to get ready."

"Alright. No more fights unless I'm there to avenge you. I can't have my favorite girl looking like she's in an abusive relationship."

Snorting, you say, "No promises. Tell Abel goodnight for me and to come up with a plan for what he wants to do when I get back home."

"Will do. See you soon."

As soon as you hang up, your brothers start making teasing kissing noises. "Oh shut the fuck up."

Valentine's Day has never been a day that you really cared for. Sure it was sweet to see teenagers and kids swap gifts and/or cards, or to buy candy half off, but it didn't bother you to have a significant other on this day. But you do remember how good it felt to get a gift as a kid, so you want to make sure Abel has a good day.

With your time spent with Abel, you've come to know that he loves certain fruits and chocolate. So after heading to the store for a quick shopping trip, you return home with strawberries, bananas, and melting chocolate. Then after cleaning the strawberries and chopping up some bananas, you dip them all in the ooey-gooey chocolate before letting them harden while fixing up a white dessert box with edges that say Happy Valentine's Day.

You've just filled the box with chocolate covered fruit when your phone rings and you can't help but smile at the name. You're no stranger to how handsome Jax is, but you know better than to go there with him.

"Hey, Teller, to what do I owe the pleasure of your hot voice?" You immediately answer.

Jax's laughter meets your ear before, "While it's nice to hear you like my voice, I'm actually calling on behalf of Abel."

"Aw. What does my favorite Teller need?"

"You know I'm your favorite Teller, YN." You hum, not denying his words. "But Abel is requesting your appearance here at the shop because he has a very important question to ask you."

"A very important question?" You muse. "What does Abel have to…" You trail off, the amusement in Jax's voice suddenly making something make sense. "His question doesn't happen to coincide with what today is, does it?"

Jax chuckles. "I am not ruining the surprise."

"I swear to God, Jax, if I end up crying I'm going to kick your ass."

"I look forward to it. Now get pretty and get your ass over here. Do not break my kid's heart."

"Never. And I'm always pretty, Teller."

"...yeah. You are." Your eyes widen at his words, but you don't say anything. Jax then clears his throat. "I'll see you soon."

"Y-Yeah. I'll be there in ten."

You can feel yourself blushing as you hang up, but quickly put it out of your mind as you hurry to your room to get dressed. You pull on a black sundress that's covered in sunflowers, the flowy skirt hitting right above your knees. You step into some black wedge sandals and quickly tie your hair up in a messy ponytail. You apply the basic amount of makeup and spritz some perfume around your body.

Heading downstairs, you throw all your necessities into a purse and then grab Abel's box of chocolate covered fruit before heading out.

The drive to Teller Automotive isn't a very long one, and you're soon parking in the lot. You leave your purse in the car, but you keep your box of fruits in hand. You get several wolf whistles as you cross the parking lot, but you merely laugh off Tig and Chibs' teasing.

Before you can enter the auto garage, Jax walks out, a smirk in place. And then before you can ask him what he's smirking for, your gaze is drawn downward to Abel who walks out behind him… and oh. You fuckin' melt.

Abel's hair is slicked into a faux hawk, a red bow tie is clipped to the very crisp white button shirt that's tucked into a pair of tiny faded jeans. In his hands he's holding a teddy bear that's adorned with a miniature Sons of Anarchy kutte, and a red carnation. The adorableness of it all makes you melt and tear up at how cute he is.

"Oh my goodness. You look so handsome," you tell him.

As you crouch so you're more at his level, you make sure the skirt of your dress still covers everything. Abel blushes as he asks, "Will you be my Valentine?"

"Hell yes I will." Abel smiles as he hands over your gifts, and Jax and the others- who were apparently listening in- whoop in celebration. "And as my Valentine, it's only fair that I give a gift as well. Strawberries and bananas covered in chocolate. Your favorite," you tell him.

Abel is so ecstatic over his gift that he nearly knocks you over as he hugs you. When Chibs ask him what he's got, he's more than happy to run off and show his uncles what you've given him. Jax offers you a hand up and as soon as you're steady on your feet, you notice him looking at you in a certain way.

"What?" You huff a laugh, carefully wiping away your tears that never fully fell.

"You are amazing, you know that?"

"Hardly. Tiny Teller is just adorable as hell." You can feel yourself starting to blush so you glance down at the teddy in your hand. "Where did you find a tiny kutte anyway?"

"It's actually Abel's. The guys had it made for him when he was born and he wanted your teddy to have it."

"I'll take extra care of it then." When you glance back at Jax, you ask, "So does Abel have to stay or can I take my valentine out on a date?" You have no idea what Jax had been thinking, but it's like your words make him snap. From one second to next, he goes from staring at you in awe to gently grasping your face and pulling you into a kiss. You gasp but quickly return the sentiment. And when Jax pulls back, still cupping your face in his hands, you ask, "So me wanting to take your kid out on a date really did it for you, huh?"

Jax barks out a laugh and you smile as he leans in for another quick kiss. "Been wanting to do that for a while actually."

"And you waited until this moment to do it," you muse. "Jokes on you though. You gotta stick around and listen to your boys tease you about this while I take Abel out all on my lonesome." You kiss him for a third time and then step out of his reach to holler, "Little Teller, let's go! It's you and me, buddy. Whatever you wanna do."

As Abel approaches with a lot less fruit, he asks, "Can we eat pizza in the park?"

"We sure can. Now say goodbye to your dad so we can go stuff our faces."

Dating Jax Teller is rather thrilling. You do not care to know what goes on in the club unless it pertains to any woman trying to sleep with him, or when Jax needs someone to vent to. Then, and only then, do you let your opinion be known about what goes on with the MC.

But while you have nothing against the MC, you still prefer to spend a majority of your time with Abel. Sure you'll show up to some parties so all the other women know Jax is off limits, but you're content to do activities with little Teller wherever he wants to be for the day.

You thought it was cute Jax tried to shield you from the violence the club was capable of, but never pressed him for information when you noticed he looked stressed about something. This time, however, you wish you had pressed him for information when he asked you to stay in with Abel.

It's nighttime, and you and Abel are relaxing in front of your TV as you watch some new Pixar film about dragons and their riders. The two of you are dozing off when your front door is kicked in, which then makes you jump into action. But you're not just defending yourself, you have a little boy to think about. So before you can find a proper weapon, you're left standing in front of Abel who is now clinging to your leg as he whimpers in fear.

"Jax Teller chose a pretty one this time."

"Fuck off."

The men all chuckle in front of you. "Take her."

. .

The Sons of Anarchy roll up to a subdivision that's still in development, cautiously dismounting their motorcycles and arming themselves. A new MC had established themselves in a neighboring town, looking to make a name for themselves, and they thought knocking down the Sons a peg or ten was what they ought to do to establish their foothold in the MC world for good.

The encroaching MC took to ambushing the Sons whenever and wherever, and the people of Charming were starting to become afraid of strolling their pristine streets. Even the Sheriff was looking to the Sons to end the conflict, but they could only do so much. Unfortunately, one of the fights involved a chase on motorcycles as the Sons were making a run, and the son of the enemy President took a bullet to the right side of his chest and fell. His injuries then resulted in a coma which set off to this little meeting.

As they creep through the eerily quiet streets of the deserted subdivision, Opie flanks Jax. "I don't like this, brother. Something feels off."

"I agree," Chibs says. "We should have put the club on lockdown before ridin' out."

Jax sighs. "Too late now."

Juice, Happy, and Tig jog up to homes still under construction, trying the doors or looking for any signs that someone's been there. It isn't until they get to the end of the block that they notice one home has been vandalized and they know that's where they're supposed to go.

Every Son cautiously enters the house, nose wrinkling as the state of the house. But in the middle of the living room, there's an odd clearing around a small round table. And on that table sits a folded notecard.

The Sons seem to freeze, but then Jax is marching towards the note. Snatching it up, the words written make him tense as his world starts to tilt. "Fuck. They're going after Abel."

As the note flutters to the floor, the Sons all race after their President as he flees the house.

The note read, [A son for a son.]

On the way to YN's, Jax instructs half the Sons to break off and check on the club, while also making calls to get everyone on an official lockdown. Jax, Opie, Chibs, and Happy race to his neighbor's house.

When they pull up, a few neighbors are peering out their doors looking a bit distraught. Immediately, they know something terrible has happened, and that feeling is only intensified when they spot the broken down door.

Rushing to park in YN's front yard, guns are pulled from the back waistband of their jeans. Jax takes point as he enters the house and his heart drops to his stomach. The house is an absolute mess, furniture and glass broken.

The TV is still playing some cartoon movie and when he walks further in, he curses at the sight of a body laying in a pool of blood.

Happy peers over his shoulder. "Now we know she can hold her own."

"Find them. Now."

. .

Sitting in the bathtub, Abel clings to you as his face hides against the side of your neck. Your face hurts from the numerous punches you took, your lip is split, your arms have multiple lacerations, and there's blood dripping into your eyes. But your worst wound is definitely the bullet wound to the left of your abdomen, and you're grateful that Abel's weight is putting pressure on the towel you had pressed against the wound.

It's been quiet for what seems like forever, but suddenly you hear movement. Shakily raising the gun you'd taken from one of the intruders, you take aim and dare the next motherfucker who enters to be someone intending harm on you or the boy in your lap.

The door gently swings open, but no one is there. Your arm hurts from holding the gun up and then you see someone try to peer around the door jamb. You can only partially see his face, but the voice- you recognize the voice even if you rarely hear it when you're at the club.

"Baby girl?"

"...Hap?"

The stoic man steps fully in the doorway, putting his gun away as you drop yours in the tub. Abel shifts as he whimpers and you wince. "Jax! Upstairs bathroom!"

Abel realizes his uncle's voice and dad's name, so he moves to turn. Happy is quick to lift him, his eyes widening at the blood soaking his clothes. "S'fine. My blood," you tiredly tell him. "I didn't… I didn't let them touch him."

"You did real good." Happy's assurance makes you smile, but you're just so tired. As your eyes slide shut, you hear, "Hey! Don't do that. Stay awake, YN."

"Tryin'…" Pounding footsteps race up the stairs and it isn't long until Jax, Chibs, and Opie are pushing their way into the bathroom as well. Jax takes Abel right away, eyes scanning the room before they land on you. Happy and Opie move to help you out of the tub, but Chibs is quick to point out your bleeding wound. The last words you say are, "Call my brothers," before darkness consumes you."

. .

Jax is pacing the hospital waiting room, blood covering his shirt and hands from where he carried Abel. Chibs had taken Abel back to the club to clean him up and fill in the others about what was going on, but now he's back and filling in the Sheriff about what they had walked in on at YN's house. Thankfully Jax and YN's neighbors liked them, and were honest about hearing gunshots before the Sons had frantically rolled up.

Opie and Happy are the only two sitting patiently, but their attention is drawn to a large group of men entering the room. Two men in particular glance around before making a beeline for Jax, but the others hang back by the door. It's evident these men mean business as they stand guard, their suits standing out among the scrubs, kuttes, and regular clothing of the others sitting in the waiting room.

When Jax notices the newcomers, his shoulders sag at the sight of YN's brothers. But his interest is piqued with the suited thugs behind the brothers, tattoos visible along their hands and neck.

The brothers quickly introduce themselves as Noah and Theo, both of their expressions grim.

"What happened?" Noah asks. He's the elder of the two, his muscled torso covered in a button down with their sleeves rolled up to his elbows.

"They were after my kid," Jax immediately tells them, voice low. "She took a bullet for him and she's in surgery right now."

Both brothers' jaws clench.

"Do you know who they are?" Theo asks, tapping away on his phone.

"Yeah. It's another MC. They attacked us on a run and the son of the President took a fall off his bike. He's in a coma, so the President went after my kid in return."

"And your kid was in the care of our sister," Noah realizes.

"Yes."

Noah sighs, running a hand down his face. Then after a few more taps and texts, Theo grins. "Found them."

Jax frowns. "Found who?"

"The people responsible for putting our sister in the hospital."

Jax then tenses. "This is club business, man. We'll handle it."

Both Noah and Theo tense, but end up chuckling. Jax's jaw clenches, but he keeps his anger in check.

Noah says, "If you think it'll remain club business when YN wakes up, then that means my sister hasn't confessed the family secret."

Jax freezes. "What secret?"

"We had to get our start somewhere when our parents died," Theo tells him. "And it just so happened that each of our parents came from very powerful, very wealthy families. We worked our way to the top of the food chain and became rather notorious until we wanted out and settled into the business we currently have."

Noah starts to smirk. "Your club business just became cartel business, my friend. And our uncles are livid that their little girl was attacked."

Jax glances at his boys, but says nothing.

"We'll find them and keep them occupied," Theo says. "When YN is released, she'll be out for blood."

"And she'll get it," Noah muses. "After all, she is quite the little torturer."

When you wake up, you're unsurprised to find Jax by your bedside. You are surprised, however, to learn that he knows about your past thanks to your brothers promising bloodshed. You groan, but then remember Abel. And after assurances that Abel is fine, you relax.

You're anxious to know where you stand with Jax as he explains why you ended up in the hospital. He feels guilty for not telling you what was really going on or putting you on lockdown, along with the club, but you don't blame him for what happened. Dating the President of an MC, you were bound to be pulled into the violence sooner or later, and with your past you knew you could handle it.

When he runs out of steam, it's your turn to start apologizing for not telling him about your life with the cartels. You make sure he knows that you would have never endangered Abel, and if your past had come calling, you would have made sure that they were protected at all costs. Jax assures you he's not mad, but he did wish you would have told him given you knew about the roles some of his brothers played in the club.

But what's done is done, and Jax is more interested in what you plan on doing since your brothers have gone quiet after calling him to inform him that they've got a majority of the MC tucked away in a building that no one can hear the impending mayhem.

"They broke into my home and put a bullet in me just to get to Abel and send a message to you," you say, expression turning thunderous. "The one who shot me doesn't get to walk away. Hell, the ones who fuckin' raised a gun in Abel's direction are lucky that they'll be limping away after I'm done."

"Limping away?"

You slowly smirk at him, lowering your voice. "I'm not gonna draw out my punishment, but my brothers and my uncles' men sure as shit ain't gonna sit back. They're gonna make sure they get the message that they fucked with the wrong people."

Jax huffs a laugh and then ends up staying for as long as the nurses would let him, only leaving when YN's brothers came or he had to go pick up Abel so he'd see that YN was fine for himself.

Then after two and a half days, you're released.

You're still sore, but you've got nothing but vengeance on your mind. When your brothers send you the address of where they're holding several individuals for you to interrogate, you get dressed and head for Teller Automotive.

Some of the guys are surprised to see you up and about, but you wave off their concern as you continue towards the club portion of the shop.

The usual sweetbutts are milling about, cleaning up and most likely getting ready for a party since it is a Friday. You spot Jax and Juice at the bar as Juice taps away on a laptop.

"Boys," you greet as you walk up behind them. "Whatcha workin' on?"

Jax turns in his seat, eyes subtly widening as he stands. "You're out! Why didn't you call me?" He's quick to carefully take you in his arms, pressing a chaste kiss to your lips.

"Because if I'd have called you, you'd have taken me home and coddled me."

"Well yeah. You were shot."

"I got shit to take care of, Teller, and I'm not wasting another day."

"Then what are you doing here?"

You shrug. "I just thought that you'd want to see the MC face their consequences."

"Now? You're going to do that now?" He asks, his gaze darting down to your covered abdomen.

"Yep. "My brothers procured a place just on the outskirts of Charming where we won't be interrupted. You in?"

"Well, yeah. Obviously."

"Good. Then gather whoever's in and follow me."

As you sit in your car, you watch Jax as speaks with several of brothers to see who he's going to leave in charge. And after everything is settled, only five follow Jax to their motorcycles- Opie, Happy, Juice, Tig, and Chibs.

You start your car and start to drive, pausing by the gate until Jax and the others start to roll out. You take off, keeping your speed down as you drive through the town. But the moment you get to the road leading out of Charming, you step on the gas and race towards the location your brothers sent to you.

You drive along an empty stretch of road until you turn down a dirt road which is surrounded by empty crop fields that have seen better days. The road leads up to a dilapidated farmhouse, a very rusted horse corral, and behind all that is a barn where several vehicles have parked.

You park and get out, waiting for Jax to find the perfect spot to park their motorcycles. Once they do, you wait until they gather around.

"I know this started off as club business, but now it's cartel business. I can't have you questioning me in there."

"This is your playground," Jax says. "We're just here for a show."

You nod and then turn towards the barn doors, pushing them open with the help of Chibs and Tig when they get stuck. Inside, several men are hanging about on turned over crates or bales of hay, some even sitting at a small wooden table playing cards. Music plays softly in the background, but it's cut off the moment your presence is noticed.

Immediately, every man and woman scramble to their feet as you approach.

In the middle of the barn, there's a line of eight men with burlap sacks over their heads sitting in chairs with their wrists tied down to the armrests and ankles tied to the legs. Walking down the line of men, you snatch the sacks from their heads.

"Wakey, wakey, motherfuckers." Each man is clearly exhausted, agitated, and pissed off.

You save the MC President for last, smirking as he sneers at you. "Stupid bitch." He seethes. "Let us go. Right now."

"Bitch," you muse. "If you're going to insult me, at least call me a cunt. Or whore. Those words have much more of an impact."

"Cunt."

Your fist whips out, striking him across the face so hard that his head jerks to the side. He turns to glare back up at you, spitting blood that lands on your pant leg. "Now, now. If you're going to insult me again, at least be creative about it. Your lack of creativity is sorely disappointing." He roars at you, trying to free his wrists and feet, but you merely laugh and continue to pace in front of his men. "Now I'm sure you're all wondering why you're here and it's quite simple, really." You stop pacing, expression hardening. "You fucked with the wrong woman."

Then like a switch has been flipped, you go back to smiling and pacing, gesturing wildly as you talk. "Normally I wouldn't touch MC business with a ten foot pole, but you fuckers messed up. You broke into my home and went after a child under my care- a child that I hold very near and dear to my heart. So, now your piss poor attempt at taking over territory that doesn't belong to you has now come under cartel jurisdiction, and I will make sure that any stupid motherfuckers who dares to come after the Sons of Anarchy will pay a price."

"Fuck that. We didn't cross any cartel!"

"Oh honey," you mockingly coo as you come to a stop in front of the one who spoke. "I am part of the cartel." Turning around, you walk towards a long table and lift the cloth laying atop of it. Beneath the cloth, there's a variety of weapons. You tuck a glock into the back waistband of your jeans and then grasp a dagger in your dominant hand. Then turning to walk back towards the bound men, you smirk. "Now what I want are the assholes who attacked me and dared to point a gun at a child. You give me those men and the rest of you can walk out of here."

Silence.

Dead fuckin' silence.

"Nothing?" You chuckle. "Come on, guys. Give 'em up. I swear it's not worth protecting them. I mean, I can probably figure it out. Eyes are windows to the soul and all that rot. You might have been wearing masks, but I still remember those cowardly glints very well."

"Fuck you! I ain't no coward."

"Bingo!" You shout, pointing the tip of your blade at the culprit. Walking up to the guy, you can't help but laugh as he realizes his mistake and clamps his mouth shut. "One down, one more to go."

"I ain't telling you shit."

"No?" Switching the dagger to your other hand, you pull the glock free from behind your back. You step close to the man, taking aim at his crotch. "Are you sure about that?"

He cruelly smirks. "You're all talk and no-"

BANG!

The guy immediately starts screaming, his buddies struggling in their chairs, and you laugh. When you glance around the room, you see those you consider family chuckling and the Sons cringing in sympathy as they cover their crotches. You walk around so you're standing behind the screaming fool, swapping the dagger and gun in your hands so the dagger is back in your dominant hand. "Going once… going twice…" He continues to scream, and you sigh when no one else speaks up.

And then before anyone can comprehend what you've done, you've dragged the blade across the guy's neck.

As he gurgles on his blood and his friends shout obscenities at you, you walk around so you're standing before them once again.

"That's three of my men you've killed already," the President says. "I think fair's fair."

"I want the last one," you say. "One last guy and you're good to go."

No one says anything, but the President's expression hardens. There's a cold glint in his eye that you're very familiar with, and you know that should he walk out of these barn doors, he'll do anything and everything for revenge. "Samuel. I sent Samuel."

The Samuel in question squawks and you smile beautifully at him over the shoulder before staring at the President once more. "Harsh. Selling out your own guy like that." You saunter up to him, sighing. "But he's the thing; I hate snitches."

Then before the President can blink, you take aim and pull the trigger. The bullet hits him right between the eyebrows.

The struggling, bound men all seem to cease movement and you turn towards them. "Now that that's out of the way…" You walk back towards Samuel, scoffing at his whimpering. "You might get to live today, Sammy, but not without something to remember why messing with the Sons a big no-no."

"And w-what's that?"

You slowly smile. "Open your fist, Samuel. Lay your hand flat against the armrest."

His eyes widen as he whimpers, but he hesitantly does as you've said. Then when his hand is nice and flat, you drive your blade through the back of his hand, pinning it to the arm rest.

As he screams, you sneer at him and then start to make your way towards the Sons. On your way, you hand off your gun before coming to a stop in front of Jax and pasting on a smile as you glance at each Sons. "Who's hungry?"

"Marry me," Happy grumbles.

You laugh at him, winking, and then glance back at Jax. "You're a little psycho," he says.

"Only when the occasion calls for it. But seriously, can we go get food?"

Jax laughs as he sidles up to your side, sliding an arm along the back of your shoulders. "Do burgers sound good?"

"Burgers sound marvelous. I also want a vanilla milkshake."

"Good. We'll go grab some and surprise Abel. He's been itching to go to your house again."

"Ugh. Your kid is so adorable. But maybe let me settle in before you grab him. My abdomen is on fire and if we tell him I'm sick, maybe he won't be so hyperactive."

"Let me see."

Begrudgingly, you lift the hem of your shirt and glance down. Sure enough, you've bled through your bandages. "New plan; No Abel."

"What? But-"

"Nope." Jax squeezes you to his side as you sigh. "You're gonna go home, Chibs will follow to patch you up, and I'll go pick up some food. Abel can go one more day without seeing you."

"Boo."

The Sons chuckle.

"What about us?" Juice asks, gesturing between himself, Tig, and Happy.

"I don't care, Juice. Do whatever you want."

As they head towards their motorcycles, Jax walks you to your car.

"So, are you really okay with this?" You ask. "Okay with me and all that I'm capable of?"

"Yeah." Jax nods. "More than okay, actually. It's good to know that should shit find its way to your doorstep again, you'll handle it."

"Damn right I will." You swing around so you're standing in front of Jax, arms wrapping around his waist as his go around your shoulders. "I will protect Abel with my life again and again. Never doubt that."

"Just Abel?" His eyebrow arches.

"You're a close second," you muse. Leaning up on the tips of your toes, you peck his lips. "Now seriously. Food, Teller. I need food."

"Yeah, yeah." He kisses you again. "Go home and get settled. I'll be there soon."

#jax x reader #jax teller x reader #jax teller imagine #sons of anarchy imagine #soa imagine #jax teller #happy lowman #abel teller #mc romance #motorcycle club romance #dark romance

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