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#this single panel is so fascinating to me
age-of-moonknight · 1 year
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“Ill Met by Moonlight,” Moon Knight (Vol. 9/2021), #24.
Writer: Jed MacKay; Penciler and Inker: Federico Sabbatini; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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talentforlying · 3 months
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woman at the park: aww ... that your little boy, then? constantine: not me, luv. he's me mate's, god help him. woman at the park: cor, 'e loves you though, don't 'e? i mean, 'e really trusts you ...
sb: man that kid really trusts you huh john, experiencing an extreme range of human emotions over the potential velocity of a child on a slide: he WHAT
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stra-tek · 1 year
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This is one of the greatest things ever. Walk around every single version of the U.S.S. Enterprise in photorealistic 3D in your browser, from the Roddenberry Archive. On a phone you just see wraparound 3D pics. On a PC or laptop you get the full 3D interactive experience. They NEED to make this VR compatible, it'll be beyond words.
There are more Enterprises here than Tumblr will allow me photos of, and more will likely be added.
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Here's the TOS Enterprise, which appears in several incarnations ("The Cage", "Where No Man Has Gone Before" and TOS proper as well as TAS with the second turbolift!), has the correct original graphics and is perfect.
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This is the bridge from the unmade Star Trek: Phase II series (whose pilot episode "In Thy Image" was rewritten to become Star Trek: The Motion Picture), with it's legendary big comfy command sofa seat and tactical display bubble!
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The Motion Picture, such an accurate recreation that there's even a very faint flicker on the rear-projection animated screens as seen in the movie.
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Enterprise NX-01, looking exactly as it did in "Broken Bow"
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Recognise this? It's the briefing room of Discovery season 2's version of the U.S.S. Enterprise NCC-1701. Although at the front of the saucer on the "real" ship, here it's off the second bridge door which may well be where the set was IRL.
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I wasn't expecting modern Trek to be represented equally as the originals in this project, but it is. This is the Enterprise from Strange New Worlds, with Pike's Ready Room located just off the bridge.
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Star Trek V: The Final Frontier. My favourite version of the classic bridge, as a kid I drew all these control panels and stuck them on my bedroom walls. And now I can look around and look at them all close-up! They've even replicated the noticable TVs stuffed into the panels for the more complex animated screens.
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The Enterprise-C bridge from "Yesterday's Enterprise". This one has always fascinated me, being a low-budget TV set (formerly the Enterprise-D battle bridge, originally built from the rain-damaged TMP set's back wall and redressed endlessly though TNG) representing TNG's immediate predecessor. In the episode they mostly shoot the back wall and imply the consoles make a huge circle, but here you can see the set's real dimensions and the weirdness of the classic movie helm/nav console in front of the TNG con/ops panels. I love it.
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You know how much I love the Kelvin movies, so seeing this was amazing. For some reason the consoles don't have their screens lit (hopefully this'll be fixed soon), but you can see the saucer under the window and it's shiny and amazing.
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The last thing I expected was the U.S.S. Titan-A/Enterprise-G bridge, but it's here. And the lights are on.
Other bridges available to explore which I'm out of pictures to show: The Enterprise-D (of course), Enterprise XCV-330 (the ringship, based on concept art for the unmade non-Trek series "Starship"), the Planet of the Titans U.S.S. Enterprise (again, based on concept art for a cool multi-levelled set) and the "launch" U.S.S. Enterprise NCC-1701 (based on the very first piece of TOS bridge set concept art), the Enterprise-E, the Enterprise-F (seen on viewscreen for all of 2 minutes in Picard) and the U.S.S. Voyager NCC-74656!
Take a bow lads, you've done good. Now just add VR support!
That link again.
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threegunbrainrot · 1 year
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i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but
it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.
let me explain.
i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.
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more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.
the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).
he just doesn't shoot people. at ALL.
then if we look at 98 trigun, things change drastically.
here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...
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he holds a casual, sarcastic conversation while pointing his weapon at people.
he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.
tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.
...so what about trimax, then?
(PLOT SPOILERS AHEAD)
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he is so. shockingly. violent.
of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.
tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?
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he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.
seriously:
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hunting legato. HUNTING him.
it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.
i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.
but the progression of vash's personality is fascinating regardless.
from a tortured, angry loner desperately trying to cling to his morals for rem's sake
to an equally devastated man who devotes himself so completely to acting the role of the fool
and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.
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genericpuff · 2 months
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Do you think Rachel can evolve in her writing and art in possible future projects?
As much as I talk shit about her work here, I do hope that she moves on to better things after, yeah. I think getting away from WT would do a load of good for starters, though I do hold Rachel responsible for a lot of the 'creative' decisions in the story that are indicative of her being just a poor writer, there are certainly a lot of things that can be pinned on Webtoons as well, such as the deadlines and panel requirements they enforce that don't allow anyone to have the room they need to breathe and plan ahead.
I'm not planning on following any of Rachel's work after LO, not just because of how bad LO turned out, but also because I just don't think it would be in good spirit to do so. When I started reading LO, I loved it, and I hadn't seen the issues in it yet because many of its issues were still hidden by the potential that it had. When that potential fell through, I saw the cracks more and realized that Rachel just... didn't have it in her to write the story that was promised. So now, knowing how badly LO turned out, it just wouldn't feel right for me to read her future projects because I would be going into it with that bad taste still in my mouth, and that wouldn't be fair to her or myself. I never set out to read stories with the intent of hating them right off the bat and that goes for any of Rachel's future projects as well.
If I do ever read her work in the future, it'll be after a lot of time has passed and only if improvement in her writing and art has become evident enough that it's worth checking out. I don't think she can find that improvement working for WT's, or with the attitude that she seems to have towards criticism and holding herself accountable to doing better.
If she does evolve and improve in her art and writing, great. I may not read whatever projects she has planned for down the road, but I hope they improve and do better so that her legacy doesn't begin and end with LO. I don't think anyone deserves to be known for one project forever (unless they explicitly want to), regardless of whether they were good or bad, because every artist and writer is so much more than a single piece of work.
And hey, if Adam Ellis can turn his career around from being known as the daily laughing stock of /r/ComedyCemetery to being known for his fascinating horror comics and creepypastas and legitimately funny comedy strips, then I don't think it would be impossible for Rachel to turn her work and reputation around, either. The potential is always there - she just has to take hold of it and learn how to move forward with it.
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tinietaehyun · 11 months
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Mystic Trail ✧ * ˚ ˗ˏˋ ´ˎ˗˚
[supernatural!txt x researcher!reader] [One-shots]
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Pairing(s): Various supernatural!txt x researcher!reader
Contains: Profanity, dark themes, mentions of blood & injury, romance, fantasy elements, supernatural creatures, fluff, angst.
Genre(s): One-shot series, Romance, fantasy, dark fantasy, comedy.
Link: Masterlist
Summary: Your fascination with the supernatural grew beyond just reading online journals and documentaries from a young age but rather it's now your entire career. As a rookie researcher, you have gone on a decent amount of field expeditions.
You knew some supernatural creatures were more dangerous than others, though that didn’t stop your pursuit towards them.
Though the question remains, how safe can you remain and to what extent were you willing to go to get your research?
———————-•••••••••••••••••————————
Take your pick and see if you make it out unscathed or utterly in love…
———————-•••———————
1. HUENING KAI:
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Pairing: Elf!Hueningkai x Researcher!reader
Contains: Mentions of injury, profanity.
Genres: Fantasy, fluff, romance.
Summary: Your footsteps crunch through the dead leaf litter and you grunt as you push through the numerous vines. You’d gotten separated from your fellow researcher and now you were additionally lost. You had no idea where your base camp was?
You knew this was a fucking bad idea; but the pay check was just too damn good. Now you know it was more likely incentive.
A pure voice alerts you through the shrubbery, “Goodness, don’t you look all bruised up! You’re rather far from your little camp, no?” You peer to your right-
Holy fuck, this man was beautiful.
[CLICK HERE]
———————-•••———————
2. YEONJUN:
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Pairing: FallenAngel!Yeonjun x Researcher!reader
Contains: Dark themes, mentions of blood, injury, manipulation, captivity, slight possessive behaviour, lots of angst.
Genres: Dark fantasy, fantasy, romance, thriller, angst.
Summary: When you wanted someone to fall for you, this was not exactly what you meant. Your lips tremble as you see his hands press against the glass panel of his containment. He was merely just a specimen to your team right? He was the first ever fallen Angel caught alive.
You’d been used as the bait, immediately once they knew you’d found one. Heartbreakingly, you toyed with his heart and trapped him for research.
His dark eyes stare into your emptily as he gives you a smile, “I lost my wings for you, y/n. I won’t let you go that easily. Not after what you did to me.”
[CLICK HERE]
———————-•••———————
3. SOOBIN:
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Pairing: Vampire!Soobin x Researcher!reader
Contains: Mentions of blood, injury, profanity.
Genres: Fantasy, romance, fluff, slice of life, comedy, slight angst.
Summary: You peer at your fellow researcher with slight suspicion. “Are you…okay?” He hums trying to avoid any eye contact with you. Sighing, you say, “You’re pale. Paler than usual I mean. Have you eaten? Had anything to drink?”
Soobin freezes, “What?” You scoff, “Blood, I mean?” The man seems to pale even more impossibly, “You know?” You start laughing, “Doesn’t everyone know?”
You realise he’s not laughing with you. You murmur awkwardly, “Wait, is it not obvious?” Soobin murmurs, “It’s not supposed to be, yeah.” “Oh.”
[CLICK HERE]
———————-•••———————
4. TAEHYUN:
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Pairing: Siren!Taehyun x Researcher!reader
Contains: Profanity, manipulation, gaslighting, dark themes, possessiveness, violence.
Genres: dark fantasy, fantasy, thriller, romance
Summary: You had heard about numerous siren sightings upon this very beach; and you were determined to take a photo of at least one!
Perhaps, it was stupid, though, you were just ever so intrigued. After all this field of research was your specialty. Though, you’ve been here for two days and there’s still not single sight of one. Was your effort coming here going to got to waste?
A sudden voice breaks your thoughts, “My, my, are all humans this adorable when they space out?” You freeze instantly. No way.
[CLICK HERE]
———————-•••———————
5. BEOMGYU:
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Pairing: Fae!Beomgyu x Researcher!reader
Contains: profanity, thriller elements, mentions of blood and injury, manipulation.
Genres: Romance, fluff, fantasy, slight enemies to lovers, dark fantasy,
Summary: Stepping up the rocky terrain you grunt clearly unimpressed with how you weren’t alone. “Come on, won’t you tell me your name, pretty please?” Deadpanning, you scoff, “Surely you don’t think I’m that stupid?”
The ethereal man pouts innocently but you knew there was true mischief behind it. His eyes glimmer stepping forward, “What’s in a name? I’ll tell you mine. Consider it an honour to know my name.”
Glaring you mutter, “No thanks, I’ll pass. I’m here to study the elves anyway, not you.” His eyes narrow, “Sorry, what?” His sweet tone changes making you snort.
[CLICK HERE]
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salty-an-disco · 3 months
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Hey bud! If you had to give your favorite voice a favorite movie, what would it be? And would their matching vessel like or dislike it?
I know this wasn’t the assigned task, but I couldn’t resist–
Here’s me headcanoing a fave film for every single voice and their respective princess’ opnion on it–
Hero: Shrek 2. No it is NOT just because of the Holding Out For a Hero scene, tho that is a very nice scene that always makes him start bouncing on his seat the moment it starts playing. It isn’t Default Princess’ favorite (she prefers Shrek 1), but she still appreciates the satire and subversion of common fairy tale tropes and the exploration of Shrek’s character here.
Contrarian: The Emperor’s New Groove. It’s memeable, it’s funny, it has such iconic characters, what else could he ask for? Stranger likes what they saw of it well enough, but they can’t really bring themselves to focus on a movie for the entirety of it. Would rather be doing something that requires them to be proactive.
Cheated: Fight Club. I haven’t watched Fight Club myself, but from what I hear from it, sounds like something Cheated might enjoy. Razor isn’t allowed anywhere near a TV.
Cold: Inside Out. Am I projecting? Yes. Do I care? Absolutely not. She watches Inside Out over and over again, imagining those little emotion guys as some of its friend, and getting a weird tight feeling in its chest when the control panel starts going gray because of Riley’s increasingly depressive state. Spectre likes the movie :)
Paranoid: Paranorman (I didn’t realize how similar those names are, but holy shit that’s funny), she finds Norman’s struggles to fit in and being seen as a ‘weirdo’ relatable and finds the way he’s fascinated with horror weirdly compelling. Both the fact it’s a stop-motion movie, and that it’s ‘children’s horror’ helps Paranoid feel safe watching it, and she doesn’t even jerks her arms once! Nightmare finds the zombies funny and gets… weirdly emotional during reveal at the end.
Hunted: The Lion King. It’s pretty, it’s colorful, the scenery and characters makes it feel at home, and it’s really compelled by the lion hamlet storyline. Beast tries to paw at every animal on screen and starts howling sadly when Mufasa dies.
Opportunist: Says it’s The Devil Wears Prada, but actually, it’s Legally Blond. The musical, specifically. Constantly has ‘Gay or European?’ playing in his head. Witch also loves The Legally Blond musical and is constantly grumpy that it’s also Oppy’s favorite.
Stubborn: Kung Fu Panda. It has FIGHTS, it has a panda struggle to become stronger, it has a compelling emotional core, he loves that shit! Adversary prefers John Wick, personally, but she’s also cheering for that white leopard guy every time he’s on screen (yeah, she knows he’s the villain, so what?).
Broken: Winnie the Pooh. It’s comforting and so nice to watch! It always makes them feel better. Tower doesn’t concern herself with this kind of leisure.
Smitten: The Princess Bride. Do I need to explain this one? Damsel also likes it, though she prefers Enchanted; especially the animated bits, she finds animation much more compelling than live action. :D
Skeptic: Knives Out. The mystery is compelling, the characters are engaging, and the set design! Skeptic could spend hours dissecting every frame of this movie and he did. Prisoner thought the culprit was too easy to figure out.
Extras–
Long Quiet is very fond of the Rio movie, while Shifty really likes Everything, Everywhere, All at Once (she’s also fond of The Lego Movie :))
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cartoon-buffoon · 2 months
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I decided to read the Epic Mickey graphic novel—which by the way it's just chilling on the Internet Archive? Like you can read it at any time and I'd highly recommend doing so—but I noticed something very interesting in regards to the heart and the entire real plot point of Epic Mickey. I LOVE over analyzing stupid meaningless things in relation to my favorite characters so this is another stupid rant, sorry if someone has analyzed this before me it's just a neat thing I noticed.
WARNING: rant by someone who hasn't played Epic Mickey properly, sorry if the game contradicts whatever I say somehow. Also SPOILERS for the Epic Mickey graphic novel, I'd recommend reading it yourself because it's pretty cool.
Okay I'm aware the heart is a metaphor for fame, yeah the toons stuck in wasteland are stuck there because they are forgotten. However one thing I find interesting however is how the heart seemingly changes a toon's personality as well? It's for like a single panel where they show the heart does more for the toons than allowing passage in and out of wasteland. It at least affects them in some way.
This is right after Mickey gave up his heart to save Gus and Oswald who the blot had grabbed, now up until this point Mickey was very happy go lucky. Until his heart was stolen, and he suddenly lashes out at Oswald?
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This is really random and out of character from what we've seen until now and in fact Mickey himself seems like he's aware he's not acting himself. As soon as the heart gets stolen we see Mickey who is generally jokey and happy suddenly get mad and outright confrontational. Look at how he gets up in Ozzie's face! Now Oswald did have a reason to be mad at Mickey, his reason was TOTALLY justified and idc if it was an accident Oswald had all the right to mistreat Mickey for ruining wasteland and killing his wife. Yet Mickey always just took on the chin, he felt remorseful yeah yet he just kinda took the insults, this is the first case of Mickey fighting back and Oswald wasn't even insulting him!
Later on when using the rocket we also see Mickey start writing his will when the plan to self destruct the rocket starts going up in flames.
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Although comedic and funny this is pretty fucking grim if you look at the fact that he's just casually preparing for his death. After the rocket crashes we also see him give Oswald some slack and make a snarky remark.
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Now not exactly out of character for Mickey to be funny it's still interesting how his way of being funny in this instance is taking a small jab at Oswald's piloting skills.
Later on we also see Mickey get serious and be really aggressive when fighting the blot.
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Now this could just be of course Mickey deciding to right his wrongs and taking things serious, but I find it interesting that this comes AFTER he loses the heart.
This spring of sudden aggressiveness only awakens after he loses his heart and we see from the panel right after he loses it and Mickey seems dazed and discombobulated. AND THEY JUST GRAZE OVER THIS DETAIL! "I just... Feel so..." AND THEN BOOM! The comic just goes "alright keep it going, move the plot along we only got so many pages" and nothing comes of this. They never clarify what Mickey is feeling, this detail is just passed over, yet it seemingly affects the way Mickey acts for the rest of the comic (or at least until he gets his heart back). What I find so fascinating about this is Oswald and his character, we see him be pretty dynamic and go through a character arc, we learn he has resented Mickey and he built a eutopia for him and other forgotten toons until Mickey ruined it with the tinner. From there his resentment turned to full on rage due to his grief of not only losing his world yet also his wife, yet we see when Mickey tries to right his wrongs Oswald comes to realize Mickey isn't a threat and he acts a lot better. By the end of the comic we also see the two being best friends and relationship patched up.
We never really see Mickey go through a character arc though? Yeah he rights his wrongs and fixes the world he fucked up, yet that's the bare minimum and we see the wizard intended for it to play out like this.
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I mean, I guess Mickey learned a lesson although I don't think "don't mess with magic and things that aren't yours" is a lesson, that's common sense. Mickey is the protagonist of the story and he fixes what he messed up and in the process rekindles his relationship with his lost brother, that's pretty much it. I find this really interesting as generally Mickey is just a tool to tell a story and he rarely shows his character. The time he DOES show character its usually not referenced by Disney or acknowledged, like Runaway Brain.
Fun fact, Runaway Brain which is one of the few instances Mickey is more of a indepth character is also referenced in this very comic!
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Now of course this could be pure coincidence and I 100% think I'm reading WAYYYY to far into this, but it's still interesting to see this comic reference an instance of Mickey being a character with depth. I don't wanna talk about Runaway Brain too much as there's a YouTube video that does a better job of analyzing it better than me, but if you're unfamiliar with the movie it does something unique in the fact that it gives Mickey flaws, painting him (haha get it paint?) as a video game addict.
Got off track a bit but circling back around to my point: Mickey has never really had personality once he became a Disney mascot. In the classical shorts we see him be a lot different than the sterilized mouse we have now and it's only recently did we actually see Mickey get some of his actual charm back (I love the Wonderful World of Mickey Mouse so much and all the stuff related to it). Now as much as I love Oswald he ALSO didn't have much of a personality when being owned by Disney back in the silent era and it wasn't until Epic Mickey did we get to better understanding him and his personality considering he actually talks and he's in a setting with a genuine plot that's more than humor. Oswald in Epic Mickey is this actual character who changes as the plot happens, meanwhile Mickey stays constant UNTIL HIS HEART IS STOLEN. The games could be different or something idk, it's entirely plausible this theory is counteracted by the second game. But at least in the comics we see once that heart is snagged he acts more dynamically and becomes more than just a jolly cartoon character trying to fix his mistake.
I think the heart is more than just fame, it's also a reflection of character and a company's treatment of a character because of fame. Mickey is the mascot, he's flawless, he's the face of a corporation, his heart or aka his fame is what makes him him and it's the image Disney crafted for him. Without a heart toons end up like Oswald, old, bitter, and resentful, yet also dynamic and capable of change and I find this concept so cool yet once again in the graphic novel, IT'S A LIKE A SINGLE PANEL! This idea is kinda just discarded and left as an inference to be made and possibly entirely retconned or countered by the second game or the first game! I don't know, I haven't played either nor the awful 3Ds game.
Alright well that's all, I just wanted to make this little rant because I wanna procrastinate on some stuff I gotta do and I love coming up with theories or overanalyzing things. I don't know how to end this so have this screenshot from the graphic novel that made me go "what the fuck does that mean?"
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(seriously wtf are gus and Mickey on?)
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novantinuum · 22 days
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Pink Onyx AU- An Analysis and Theory Post, Part 3
[Part 1] | [Part 2] | [Part 3- You are here!] | [Part 4] | [Part 5]
~
Welcome once again! This is part 3 of my analysis series on the excellent @pink-onyx-au comic made by @ceephorsshitshow. If you haven’t already, please check out the first and second parts- linked above- for more information on what these posts are all about. A lot of this analysis will build on what came previously.
So without further adieu- 
__
Question Four: What is it that makes Onyx finally front as themself? What’s unifying Steven and Jasper, here?
For the whole first six episodes of this comic, Onyx does not have any clear personality of their own- merely existing as a vessel for Steven and Jasper to continuously wrestle for control over. (Like, literally- Steven controls one half of their limbs, and Jasper the other.) 
In episode seven, however, this paradigm changes in a very dramatic way.
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(Episode 7: Page 12)
Jasper is in the midst of trying to split Onyx by dropping a rock on them when the two realize that they’re crying… but that neither of them are consciously doing so.
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(Episode 7: Page 13)
And then it finally happens.
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(Episode 7: Page 14)
Take a good, nice look at that speech bubble. For the first time in this whole comic, it’s solid. It’s Onyx’s pink.
After multiple nights of these two taking this fusion for a spin as a mere vessel for their whims, the fusion’s unique sense of self has finally surfaced.
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(Episode 7: Page 15)
And in one of the most stunning pages of the comic thus far, what they surface to is this haunting realization- the hollow understanding that they don’t truly want to be themself.
As I hinted towards in the last post, I think it’s vitally important to note the reappearance of the Gem battlefield in this page. It’s the same one we saw in the dream Onyx experienced. Not only that, but I’m fascinated by the cracking pink at the bottom of the wedge with Onyx… it appears very much like the bottom of a cracking diamond, and has that familiar oozing pink dripping from it. These two elements featured together alongside the splitting of Onyx as they realize they “don’t want to be me” paint a very clear picture of what binds everyone together in this fusion.
Everyone here- Jasper, Steven as a whole, and even his component parts- are highly dissatisfied with who they’ve become and the choices they’ve made in the past. Jasper doesn’t wish to be “herself-” at least, not as she is now. Neither does Steven. Neither did Rose, for that instance… with whatever out-of-context whispers of his mother’s memory still exists within his gemstone. Hell, Rose didn’t want to be herself so much that she outright “shattered” the old image of herself to become someone entirely new. That’s what I believe the cracking pink design in this panel represents.
Now, slight tangent… one of the biggest questions I had when I started this comic is what Jasper might stand to gain from a fusion with Steven- and I think the finer details of this particular page give us very clear hints as to what truths she might ultimately face.
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(Episode 1: Page 9)
Early on into this storyline, Jasper admits that she does not understand anything Pink Diamond or Steven has done up unto this point. She does not have any context for why Rose made the decisions she has, and thus all her actions as a Diamond seem erratic and unreasonable.
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(Episode 2: Page 10)
Specifically, she does not understand why Pink Diamond couldn’t manage to commit to any of the responsibilities she was given. To Jasper, every single choice Pink/Rose made was filled with immense hypocrisy. Wholly unfulfilled. 
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(Episode 8: Page 9)
Thus, by the end of this, I think one of the big revelations Jasper is going to face will be what makes her and Pink Diamond irrefutably similar. Namely, the self loathing they both intensely felt.
The imagery of that shattering pink wedge at the bottom of Onyx’s frame, flanked by scenes of desolate battlefields right after the corruption blast are just oozing with the fleeting memory of Rose’s self loathing, to me. It is something she held intensely in common with all of them.
Except now… unlike her, who kept her self loathing tightly bottled up… Steven and Jasper are in a position where they just might be able to work out some of their difficult emotions together, as a pair. Because through fusion, mayhaps they’ll grow to understand that they aren’t so different than they originally thought. 
Perhaps through fusion… they’ll realize- and Onyx, too- that they aren’t alone in the way they feel at all.
__
Question Five: Is it possible that both Steven AND Jasper have a point?
The night after Onyx finally surfaces, Steven and Jasper reconvene in the woods.
In the conversation that follows, the two of them showcase very polarizing stances about the nature of fusion as a whole.
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(Episode 8: Page 2)
Essentially, Steven believes that their fusion has free will and that it’s Onyx who is either splitting them apart or causing them to not be able to split whatsoever. He paints a comparison between their situation and what he’s witnessed with Sugilite- a fusion Gem who wanted to exist so badly that she essentially forced Garnet and Amethyst to remain fused even when they were entirely worn out from it.
He does briefly touch on the idea of both him and Jasper subconsciously causing it, but when he later clarifies his ideas, his focus swerves more towards Onyx’s role in the matter as a wholly unique third party.
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(Episode 8: Page 3)
The thought he heard, I imagine, is Onyx’s “I don’t want to be me?” realization.
(A thought that- while they all share in the sentiment- I doubt either Steven or Jasper have acknowledged on their own, yet.)
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(Episode 8: Page 3)
Meanwhile, Jasper’s opinion is that this is complete bunk, and that a fusion is nothing more than the combined whims of the individuals who form it. She sees fusion as something to conquer, an ability to wield. A body to drive.
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(Episode 8: Page 5)
Jasper’s stance may seem a bit harsh and narrow-minded- given what we the audience know about fusion’s full nature beyond Homeworld’s rhetoric- but I do think her insistence that fusion is just “the combined power and wills of the Gem making them” brings up an interesting point about how fusion actually works, one that Steven is trying to brush over a little here. 
Not only- once stability is reached- is Onyx their own person with their own wants and feelings, but the very person they ARE is strongly influenced by the people who combine to form them and who THEY are. There’s a damn lot about a fusion’s actions and personality that can be traced back to their components, basically. Jasper is half right. 
Like, look at Garnet- before her existence as a fusion was revealed to Steven, she acted rather aloof and distant with him… a far cry from the spirited, openly affectionate, confident person she becomes by the end of the show. 
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In my mind a large part of this can be traced back to what we learn in the s4 episode “Three Gems and a Baby,” where we see Garnet momentarily split in front of baby Steven. Steven is distraught about this, bursting into tears- and while one can’t blame the poor little guy (object permanence issues ahah), I think it brings up old traumas for Ruby and Sapphire. Traumas of rejection… of Homeworld Gems not understanding the point of fusion for them at all, of Gems being scared of them. Thus, Garnet becoming a bit more guarded around Steven before this very important facet of her identity is revealed would make sense to me- it all echoes back to what insecurities and fears Ruby and Sapphire are bringing into this fusion.
So, moving back to this episode of the comic, Steven wants to believe that it’s specifically Onyx who is causing their fusion issues because it relieves him of his duty to look into himself and analyze his own problems. (He doesn’t want to think about himself, because he often doesn’t want to BE himself.)
And Jasper isn’t willing to see Onyx as their own person because she’s too afraid of getting attached to yet another fusion who in her mind- once Steven gets the answers he came to her for- won’t ever exist again.
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“Nobody I fuse with ever wants to stay.”
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(Episode 8: Page 8)
Jasper is terrified of being abandoned by people, so much that she’s isolated herself in these woods so she never has to become close to anyone and risk that possibility again. Steven shares in this fear, although his way of coping with it is a bit different- by trying to make himself indispensable to others so they’ll have a reason to want him as a continual part of their lives. 
And thus these buried emotions have boiled in the pot while fused as Onyx to create a fusion who violently ping-pongs between falling apart and being outright stuck together because paradoxically, the two of them are afraid of being alone while ALSO afraid of the vulnerability that comes from not being alone. Staying as Onyx for too long is scary, because deep down they know damn well they have a lot in common to talk about. And yet, their loneliness and deep need for understanding and connection (Jasper is a quartz, and quartzes are ever so social) compels them to try.
Only time will tell if they manage to push past these deep-seated fears and find a true sense of camaraderie and companionship with each other.
_
Look out for the next post in this series at 7am PST tomorrow. Farewell!
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celestialtrolls-moved · 6 months
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Aelynn is ready for the ball! The result of blood, sweat and tears (both mine and hers), and now I'm gonna go let my hand collapse and potentially fall off my body!
But that's not all, because I put my whole brain into this design, so click the read more to see ME EXPLAIN NEARLY EVERY SINGLE DESIGN DECISION I MADE AND WIPS
themes that were kept in mind
CARNEVALE CONFECTIONS: A BLOODSTAINED MASQUERADE
Sogno Dell’Arlecchino + Blood & Candy
inspiration focuses were chocolates, vampires (blood and gothic), carnevale (harlequins), decadence and detail, and Italy. just. in general.
DRAFT 1, sketch
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writing, from top left to bottom right
makeup is carnevale inspired, maybe jade for vampire/rainbow drinker
ribbon-like chocolate gift decoration (in hair)
drips - blood? chocolate? (necklace)
wavy hair to invoke pouring chocolate
cream filling or icing (around the hem of bust)
rhinestones in hair and in tulle for decadence
tulle (bustle) -> make it lace, more common in carnevale costumes
caramel drizzle, small jewels as 'salt' (decorating the gloves)
corset VERY IMPORTANT for vampiresque vibe
subtle pattern (on the corset)
like little maltesers (on the bustle)
alternating black and white (skirt panels)
the dress shape itself was inspired by several looks from 'salon du chocolat' fashion shows, however this was abandoned
DRAFT 2, lines (attempt 1)
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switched to a long skirt for a more classic silhouette, skirt drafts
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based on various cake decoration methods, asked in servers which i should go with and then tried to merge the chocolate chips and the icing for maximum decadence, however
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chocolate chips were abandoned due to looking somewhat messy
some rhinestones were placed to replace them much later
LINEWORK, attempt 2 (i redrew the entire thing with a thinner lineweight)
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as well as the things written here, i switched out the hairpiece from chocolate squares to unturned fangs and roses
i also included the rest of the moodboard i was using in this image so you can see the other things i was inspired by
COLOUR DRAFTS
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tried roughly placing colour in this phase, wanted to have a bright lilac main colour to balance out the dark details and hair, since carnevale costumes tend to be extremely bright and eye-catching, tried to avoid using completely desaturated colours
decided to put the gradient at the bottom of the dress because putting it at the top made it look like it wasn't one piece with the bust, wasn't really happen with the contrast between the leg ribbons and the lilac however
part way through colouring i decided i hated the lilac, tried to darken it a little, still didn't like it, turned it black
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decided to hand-draw a tonne of embroidery for the corset because most carnevale dresses have heavy detail in texture and lace pattern
the front two panels are paisley/plant-inspired and then the panels on the back which is then echoed for the translucent torso piece are geometric patterns based off of commedia dell'arte costumes for the character trope 'harlequin'
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the torso piece also has small unique embroidered flowers in each of the larger empty spaces because seriously these carnevale outfits go so heavy on patterns
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more italian gothic architecture, this hatched pattern has a multiply layer depicting the Duomo of Siena onto the fan, which is a fascinating piece of architecture that spanned centuries to finish
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wrencatte · 8 months
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I don't know about you, but that "I'm so scared." panel is haunting me....
Please excuse all the weird errors of all kinds. I once again wrote this on my phone in tumblr drafts...at work (😅😅).
I won't know how many words this is until I can get it in a doc and clean it up for ao3 posting
Bruce closes his eyes and takes a deep breath, steeling himself.
Dick had a tendency to go high. Jason's tendency is to go low. He tucks himself under tables and in small spaces that adults usually can't fit into. The Cave has a lot of places to hide under (and has a lot of places to climb onto, high into the sky where fear is just a memory and your parents bodies seem so far away) and Bruce has scoured the more obvious places before finding this one: the work table, where he dismantles and fiddles with gear.
And where Jason has taken to messing with his own gear, absolutely fascinated by the intricate mechanisms that made it all work. The kid is an absolute gearhead along with his love for literature, several books on different engines and vehicles have started to migrate to his room.
So Bruce crouches on his knees and peers under the table. The table is deep for toolboxes and a set of drawers on top, and Jason has managed to shove himself in the darkest corner, curled up in the smallest ball possible. He's hit a slight growth spurt in the last few months, leaving his elbows and toes sticking out from the shadows. His face is tucked into his knees. His breathing frantic and hitching - but still so impossibly quiet, like he's spent years teaching himself to cry silently and Bruce's heart breaks all over again at the reminder
(This isn't the first time Jason's cried since he came to live in the Manor, and every single time Bruce never knows unless he's right there when he starts or if he walks in on him mid-sob. And Bruce hates it.)
Bruce's broad shoulders block the light, and Jason flinches into a tighter ball, toes disappearing in the shadows.
"Hey," Bruce starts then stops and doesn't continue for a long moment. Jason stills like a rabbit caught in a fox's gaze, barely perceivable quivers. He exhales slowly. His knees ache on the worn thin rug that's meant to keep dropped things from rolling away. He settles down, legs crossed, hands up on his knees to show he's unarmed, though who knows what Jason's actually seeing. "Want to come out from there?"
Jason shakes his head.
"That's alright," Bruce assures him even though it can't be comfortable down there. "You don't have to so anything you don't want to do."
Jason's next breath is the loudest thing he's ever heard since he got hit with the fear gas. A new batch, more potent than the last. Half a dose could give an adult a heart attack. Jason got one-eighth of a dose via a broken mask and a second too late realization. Hell, they didn't even know he'd actually gotten hit until they made it to the Cave and Bruce turned around and he was gone, the analysis beeping behind him with the announcement that their current anti toxins would be ineffective.
He has a new anti toxin slowly being pieced together by a program and under Alfred's watchful eye, but that does nothing for him right here, right now, with Jason too terrified to make a sound.
Bruce doesn't talk much - he's never needed to - but he sits there and he starts talking. First about a case, of a long ago Rogue that had a funnier gimmick than most and did surface level property damage more than anything else - but eventually he found himself talking about the Justice League, about their unprecedented expansion, about various antics some of the newer heroes get up to.
He doesn't know if Jason's listening or even hears what he's saying. The boy doesn't uncurl. Doesn't make a sound. He hopes that he's breaking through the living nightmare somehow, but he also knows that hope doesn't mean anything.
But he keeps talking anyway.
During a lull, when Bruce's mouth is dry and his throat hurts and - Jason shifts just the tiniest bit. He peeks out from behind his knees, eyes glittering in the dark, and stares at Bruce with pupils blown wide from fear and drugs, chin trembling. Bruce feels like the kid is looking into his soul and finding him lacking, but he opens his mouth anyway and croaks out,
"I'm scared," soft and wavering, thick with tears and the type of brokenness that lends itself to helplessness.
It's a little bit like a confession. An admittance he doesn't want to make but he has no choice but to make it.
"I know," Bruce says gently. "We can fix that, though. It may seem like it, but you don't have to be scared forever."
He holds out a hand, warm and inviting in that same way he did towards the kid sitting across from him at a rickety outdoor picnic table, one who'd just finished inhaling a subpar batburger and fries, one who'd just fifteen minutes ago had even caught jacking the batmobile's tires and had the moxie to whack Batman in the stomach with a tire iron.
The kid then had eyed it warily. And didn't take it, just took a sip of his drink and quietly agreed to let Batman set him up in a warm house with warm meals and clean clothes and the most comfortable bed ever with the 'person I trust the most' - which isn't Bruce Wayne, but one Alfred Pennyworth.
The kid now eyes the hand warily. And takes it. Lets Bruce help him from under the table and lets Bruce fold him into a tight hug, his face tucked against the man's neck, breaths sobbing and hitching.
"I'm so scared," Jason repeats.
"Not for much longer, Jaylad. I've got you."
"I'm so scared," he says out loud, but there's no one around to hear it.
Jason's both grateful for it and collapsing inward when there's no assurance that'll all be over soon, that it won't be forever, that dad's got him. He drops to his knees with a gasp, heart thudding so hard he can feel it in his throat.
He's alone.
He's alone and there's a fear in his chest, invading his lungs, burrowing in his bones. It's going to be there forever. Forever and ever until he dies from it because this isn't a new life, this isn't a gift or love. This is a death sentence. Jason puts a hand to the ground to heave himself up but the thought of walking onto those streets makes him gasp and choke and the fear cycles in on itself from fear to adrenaline to fear fear fear. Never ending. Ramping up bit by bit the more Jason breathes and trembles and, fuck, he's terrified.
Jason scrambles backward on his hands until he hits a shelving unit that rattles. It feels like a knee to the spine, holding him down, driving in, and he sobs quietly. Quiet like he always is when he cries because there's never been a point in being loud about it. Being loud just got attention and attention was always bad.
And he's back to where he was fifteen minutes ago before Marquise - Scandal - showed up and dismissed him and walked away before he could explain. Knees tucked to his chest, arms around his legs, trying to convince himself to stand up, to just go already. His chest heaves. The space gets humid from his tears. He feel like he's going to pass out, dizzy and nauseous.
He's too exposed like this, Jason thinks. Realizes. Fears. (And that fear feeds back into itself, and he hates, hates this so much, but that's not enough. The hate isn't enough to override it.) The room is half trashed and covered in rubble, and he's a whole foot taller than he'd been as a kid, but there, right there -
Jason fits there. Here, under a metal table that has his mask sitting innocently on top. It got wedged against a wall, propped up slightly by some concrete. He tucks himself under it and stays there.
And thinks about - nothing. Because if he thinks about anything - like Batman across the rickety picnic table, offering him a warm house and warm food. Like Batman scolding him for doing something reckless and scaring the shit out of him. Like Bruce sitting on the floor, so patient and understanding and telling him that this fear is only temporary.
Like Batman throwing batarang and the thick spray of blood. Like Batman throwing a punch hard enough to shatter his helmet. Like Batman ripping the insignia off his chest and dragging him across a rooftop.
Jason can't help the whimper. He tips over to lean against a table leg and gasps around the vice around his lungs.
He won't make it out of here. He'll hyperventilate himself into unconsciousness and someone will find him, wearing most of his Red Hood suit, and that person will kill him. Or they'll call the cops and he'll end up in Arkham and he'll die there. There is no normal life. No identity in Metropolis for him. Even if he did make it there, he'd be dead at the first villain attack, unable to defend himself as his aderenaline surges and the fear sets in.
He never expected Bruce to be this so fucking naïve. Cynical idealism? Sure. But not this.
"Hood?"
Jason doesn't acknowledge his name, or the voice. Purposeful footsteps crunch on debris, announcing their path from the hole in the wall to Jason, getting closer and closer.
And closer.
Until there's a shadow of legs blocking the scant light. Until the figure crouches down and there's Nightwing, peering under the table with wide, concerned eyes. He's not wearing his domino, Jason notes almost distantly. His body doesn't feel like his own anymore for all that he can feel the cool metal table against this temple and the rough feel of his pants in his clenched fists.
All there is, is the fear.
"Jason," Dick says with his own kinda fear.
He's reaching under the table, not holding a hand out for Jason to take, for Jason to choose for himself - and the man doesn't know the significance of that, but something in Jason settles anyway at the stark difference.
Dick goes all the way, cupping Jason's face like he does with them all - a pinkie under the jaw for the faint hint of a heart beat, a thumb across the cheek for comfort, his palm to lean into and let him carry the weight. And Jason does lean into it, trembling and shuddery, wet eyes closing.
"C'mon, let's get out from under here." He guides Jason forward until he's spilling into his brother’s arms, face pressed into his shoulder. The Nightwing suit is too tight to grip so Jason wraps his arms around Dick instead, clinging to him tightly. Dick hugs him back just as hard, rocking back and forth.
"I'm scared," Jason whispers - an admittance he has no choice but to make.
Dick hugs him tighter, pulling him into his lap like he's a child. Under a difference circumstance it would be comedic - Jason is broader and taller than Dick - but right now he's just small.
"I've got you," Dick says gently.
He doesn't know why, but that juat makes Jason cry harder.
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thepersonperson · 24 days
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Thoughts on Sukuna and Kenjaku’s relationship as of JJK 258.
Before we start I want to clarify some things.
1) This analysis deals with topics of nonconsent and reproductive manipulation. 
2) I will be mainly using the TCB scans because of their accessibility. 
3) This analysis is based on Sukuna being aroace.
(Click pictures for captions/citations.)
On Sukuna being aroace...
There’s a strong case for this given how he responds to both sexual advances from Yorozu and romantic advances from Yorozu and Kashimo.
Rejecting Yorozu
Sukuna does not like Yorozu. This is rather obvious. His official updated character description states that he is "Turned off with Yorozu's excitement".
He dislikes her the most when she comes onto him romantically or sexually as shown by the panels below. Otherwise he regards her with a mild annoyance.
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It should be noted that in the rules of Heian Era courtship, showing passive disinterest is how you properly turn someone down. Sukuna is someone who is a stickler for propriety when it comes to conduct associated with the upper class so this speaks volumes.
Rejecting Kashimo
Kashimo has much more tact when coming onto Sukuna but he's still pretty forward. He brings up love and laments how it's impossible for them to love people weaker than them. Sukuna is the first person Kashimo believes he is capable of loving. He even calls him beautiful.
Sukuna is not a fan of this. He straight up says he understands what love is, he simply does not care for it. Going onto express additional irritation at Yorozu while looking rather bored with the conversation.
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Sukuna does go onto explain how the strong express love with their violence, but his entire demeanor mimics that of his one with Yorozu. If we go by the Heian Era courtship rules, this once again is Sukuna turning Kashimo down.
Sukuna also declares he does not need another person to satisfy himself directly to Kashimo. (And later internally.) This sounds rather silly given that he needs people to eat and fight, so we can infer he's speaking on relationships. Especially since this was a response to Kashimo talking about love.
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What's fascinating about this declaration is that also notes most people do not understand him when it comes to love. Other people think he needs it, but he is content not having romantic or sexual relationships. This is a common problem aroace people experience.
His wording "never crossed my mind" also suggests he doesn't experience attraction outright instead of not having opportunities to act on it. (Yorozu has given him plenty of chances to do so.)
What's more is Gege stating Sukuna never had a wife or children via the official fanbook. Sukuna is strong enough to do whatever he wants and that includes forcing people to be with him. The fact he has no direct descendants and is not a rapist despite seeing humans as playthings really shows how uninterested in sex Sukuna is.
In conclusion? Sukuna is probably aroace.
Wait what about Gojo?
As an aside, I want to emphasize that out of the “fighting for love trio” Gojo is the only one who did not try to force love on Sukuna. (Which aligns with this character pretty well. He consistently respects boundaries when it comes to love.) These panels here are not Gojo. This is Sukuna recalling what Yorozu said to him and is projecting that onto Gojo. At no point did Gojo bring up love to Sukuna.
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I think this is important to note because Gojo winds up being the only person Sukuna deeply respects by the end of the battle. He is also the only person who Sukuna consistently smiled at during the fight. There wasn't a single panel where Sukuna gave Gojo the passively irritated look. (Good job Gojo you did right by an aroace.)
What does this have to do with Kenjaku and Sukuna's relationship?
Bear with me this is going to be a lot.
On Kenjaku...
We know that Kenjaku has achieved semi-immortality with a Cursed Technique (CT) that involves corpse desecration. Though it’s a bit more severe than that. The brain transplant just doesn’t steal the body, it also steals their memories and their privacy. When most people die, they take their most personal secrets with them. Kenjaku’s CT takes away that last remaining bit of dignity. 
Kenjaku exists and survives by violating others physically and emotionally. The search for entertainment to relieve boredom comes at the cost of empathy for all other living things. Everyone is just a toy for Kenjaku to play with. (Not unlike Sukuna.)
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We also know that Kenjaku wants to evolve humanity through cursed energy no matter what. Mainly for the lolz. It’s an interesting idea to Kenjaku so it’s being pursued to sate that curiosity. No more and no less.
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Kenjaku is crafty and wise enough to have backup plans. The culling games can bring about this evolution, but so can Sukuna by merely existing. 
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When Tengen is forcibly evolved because of these plans through cursed energy, they start looking more like Sukuna. Kenjaku explicitly makes this parallel. 
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Kenjaku also raped a poor woman 9 times with a cursed spirit to experiment on how cursed energy could evolve humans. Though all her pregnancies were aborted, it is heavily implied she died from them.
What does this have to do with Sukuna?
We know that Sukuna’s body is perfect sorcery and cursed energy. He has 2 mouths and 4 arms. On top of that he learns and adapts to all things sorcery with scary speed. Sukuna is the pinnacle of human evolution through cursed energy. Tengen's evolution via cursed energy making them resemble Sukuna also indicates this.
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In other words, Sukuna is Kenjaku’s ideal specimen for evolution via cursed energy. There’s just one problem. Sukuna is aroace and very fudging strong. Unlike Tengen or Choso’s mother, Kenjaku can’t force Sukuna to go along with these plans. Sukuna will simply kill whoever doesn’t respect his boundaries. So how do you work around this? You build a cage.
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Yuji is the perfect cage for Sukuna and I’m pretty sure Kenjaku did that on purpose. As Sukuna stated, Kenjaku would not have a child for no reason. He also says that Jin is basically a fragment of himself. In JJK twin’s souls are treated as the same person. So in a way that makes Sukuna both Yuji’s uncle and his father. But that’s not the problem here.
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(Please note that there are a lot of translations floating around because of how confusing this lore is. In every variation Sukuna seems to consider Jin a piece of himself.)
We know for a fact Kenjaku has been genetically manipulating people for a very long time and has found ways to capture souls and stuff them into an unwilling host. What this implies to me is that Kenjaku has been selectively breeding the Itadori family to get the perfect cage for Sukuna. (This could be as simple as manipulating who the Itadoris pair with or as gross as Kenjaku being the “mother” every step of the way. Which would make this particular panel insane foreshadowing.)
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Wasuke says something a bit weird here when Kenjaku is in Kaori’s body that might make this the case.
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How does he already know this? It feels like he has fallen victim to Kenjaku’s manipulations before and is trying to warn his son.
Now it’s not clear if Jin got turned into a cursed object and was reincarnated forcefully or if he naturally reincarnated. I lean towards the former because of how meticulous Kenjaku is with planning. The end result is the same though—Kenjaku created a version of Sukuna that was willing to have sex and children, despite Sukuna’s clear wishes not to.
Kenjaku has been a very rapey character from the start, but this takes it to another level for me. There are so many asexual individuals who are the targets of unwanted sexual desire. When discomfort is expressed, people take it as a challenge. There’s this kind of entitlement to our bodies and sometimes our refusal to bear children. 
As of chapter 257, people have started to read Kenjaku as someone in love/obsessed with Sukuna and not willing to give up on it. Those implications make me deeply uncomfortable, but they have merit to them.
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(The link may die because Twitter but hopefully this credit is enough.)
Kenjaku seems to have spent centuries coming up with the perfect plan to trap Sukuna and keep him as a lab rat forever. Even going as far as to force a pregnancy on Sukuna after death with a binding vow.
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Sukuna’s unyielding hatred of Yuji becomes something a little more than opposed ideals with Kenjaku’s involvement. Yuji is essentially a constant reminder that someone else has control over him and might force him to engage in things he really does not want to do. (And under this interpretation, Sukuna has been forced to coexist with what is his unwanted child. Which is honestly pretty fudged up.)
Sukuna seems to be rather neutral to disinterested in Kenjaku despite sharing similar ideas about other people, loneliness, and a desire for entertainment. But when he realizes how Yuji was made, he refers to the action as gross/twisted. Since Sukuna is ok with murder, cannibalism, and stealing people’s bodies, you can infer he’s referring to the sex and pregnancy.  (This might also explain why Sukuna tries to speak to Kenjaku as little as possible. Someone getting with your twin after you turn them down is weird behavior.)
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I think Uraume’s hostility towards Kenjaku should also be noted because they’re the only person who seems to understand and respect Sukuna’s boundaries at all times. Sukuna likes keeping Uraume around for a reason. They have a knack for telling people to piss off when they’re encroaching on his space (See naked Yorozu and trying to shoo away Kenjaku when the yapping starts.)
Whatever the case, Kenjaku is someone who causes others to relive their traumas and violates their autonomy for entertainment. I think Sukuna is a victim of this too.
As for Yuji having Sukuna’s actual power? Maybe he inherited it. Maybe Jin was turned into a cursed object and fed to Yuji as a baby. We don’t know yet and I’m sure whatever it is will probably be gross.
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jabberwockprince · 2 months
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Who in ur pfp they kinda hot
Dylan Springbell, a minor character from an old webcomic (2010s) called Todd Allison & the Petunia Violet, who makes extremely fuckin funny faces and basically defined my teenage years
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he's this kind of brash and very outspoken, combative violinist and a childhood friend of the protagonist and her brother. shows up pretty late in the webcomic but it's always such a treat to see him, like. look at his introduction
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the webcomic follows these two neighbours, Petunia and Todd Allison, and their daily struggles in early 20th century Australia. Petunia, described as a very ordinary but perky girl, is fascinated with Todd Allison, pretty much the weirdest, most interesting guy in the world to her, and who works for the government investigating a terrorist named Violet
I want to stress the fact that most of the cast are poc, with the protagonist and most of the people in her life being aboriginal australian. which doesn't seem like much now, but back in the early 2010s this shit was revolutionary, especially because one of the themes the comic openly tackles is the racism and oppression indigenous ppl and other poc experience, the communities these minorities form to support each other, and feelings of resentment, hatred and displacement born from these aggressions
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but its also full of whimsy and really funny, slice-of-life moments <3
there's a lot of characters but the main cast is very strong, every character is so unique and make very good first impressions.
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the artstyle does change a lot throughout the whole thing, but listen. the fuckin covers. the paneling. the vibes. look look, these are just a few examples i had saved on my laptop
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however. the webcomic is unfinished (there's only 17 chapters) and its been presumably abandoned by its author, nozmo. every single site that the comic was hosted on, including archives ran by fans here on tumblr (@tapvfans and @tapvarchive) are defunct or abandoned pretty early. the only way you can read it is through the wayback machine here
I've been archiving the main story, the sidestories and extra pages/zines for awhile now because this webcomic means a lot to me even a decade later, and so that ppl can have an easier time reading it, but i've only archived up to chapter 8 or so orz
anyway, if it caught your eye, I deffo recommend it. it was such a hidden gem <3
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2n2n · 7 months
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ch 108
WEWWWWWW!!!!!!!! amazing times.
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ghoul.... mmm... you look amazing honey
distractions
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what is it with aida-sensei wwwww... if it's not Mokke running all around playing sillay little games in the BG it's a detail like this... well I love it very much
It's good to see Akane indict the Clockkeepers in some sense. The real threat indeed...
here we go AGAIN~
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poor little songbird~~
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it's the captive princesses ... Nene-chan.... I really adore you... you are pure of heart... you have to absorb and appreciate your scenery and role, don't you... it suits you. Unfortunately, even despite your intentions to do this secretly while he sleeps for some self-indulgent reason, I don't think Tsukasa can perceive your fetish, as he is too innocent. Now, you need to show it to Amane....
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so kind of you to try to free you both at once, Nene-chan.... you really warmed up to him, didn't you?
N-Nene-chan animal theater.... I love when Aida-sensei does this so much!!!!!!
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whore drawing...
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but.. I really love to get to see a listless Tsukasa. I've been waiting forever... it's very cute that fatigue makes him depressive and unmotivated! I like that he's not trying at all and just laying down... Tsukasa strikes me as ah, not tolerant of bad stimuli...? the kind of boy who needs to keep his shirt untucked and his suspenders loose to the point of falling off... who can't tolerate a movie theater longterm. It's a charm point, part of this childishness... if he's bored, he just leaves ... if he's tired, he just lays down...
I'm so fascinated that his Tsueshiro are rendered inert, now. I couldn't imagine-- not when the general time power itself couldn't effect him like it did Amane... and, since Amane's Tsueshiro is operating perfectly normally, this means what happens to one doesn't touch the other...
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Th-thank you for having beliefs like this, Nene-chan.... please, please think about how they are twins. It makes their minds special, doesn't it? Surely.
another instance to add to the list of 'Tsukasa having a surprising amount of faith in Nene-chan"! WELL-PLACED FAITH !!!! she's amazing isn't she....! this chapter....!
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meanwhile.... a wrecking ball smashes into our minds...
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what an incredibly intense bit of lore for the Yugi. I love how Tsukasa approaches 'facts'-- with a practical sense, without seeming morose or mired in what could seem a grim absolute. It's just like his delivery of, "Amane hates me" as his younger self.... Tsukasa doesn't lie to himself, doesn't pull away from what is true, but neither does he express resentment, or any expectation or wish for it to be any different. Amane is Amane. Tsukasa knows Amane. I really don't think Tsukasa imagines ... change ... in their dynamic, as much as Amane also struggles avidly with the idea of having anything 'new' as a ghost. I'm sure that is why Tsukasa is seemingly aiming for Amane to rip him asunder again....
He can't seem to be sad about what he doesn't have, because he just doesn't fathom having it in the first place. I... think that's, the purpose of, Nene-chan... to make Tsukasa consider what he doesn't have, or what could be had. Despite being the wish agent, I don't think Tsukasa wishes for much. I think Nene-chan does that for Amane too, of course... I think she's meant to give both the Yugi an impetus for seeing more. For wishing.
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whatever part of Tsukasa may have mouthed Amane's name despite his own belief, he does seem to feel something profound....
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you're acting tsun and fussy at a time like this.....
I hope Amane heard their entire exchange ... I imagine he would feel quite stubborn and fussy about what Tsukasa's so easily declared as a fact about him. I wonder how he feels about it.... "never come when called by you?"
I am sure every single second, feeling his weight accounted for and bared by Amane's body, is dreamlike. I doubt he can believe what he's feeling! For real.. Amane's arm! Carrying you! In equal measure to carrying Nene-chan!! THERE COULDN'T BE A BETTER MORE IDEAL PANEL FOR EXPRESSING AMANE'S LOVE FOR THE TWO--!!! these little GOONS!! also, this panel kind of gives you lewd thoughts
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I'm sure.... if Amane showed up, Tsukasa expected Nene-chan to be plucked from his hands, and to continue to watch them pivot away to safety, while he falls down into the dark pit.. left to his own devices to figure out how to get out. He had to get out of Amane's boundary by himself, didn't he? and Tsukasa wouldn't be sad about it….! Really. It would be Amane being Amane, to him. He expects it, and it's fine. He loves Amane, anyway. He'd die for an Amane who he believes hates him. That's the kind of person Tsukasa is.
a moment to appreciate Tsukasa releasing his own hold on the edge of the cage, to catch Nene-chan...
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A wonderful display. I don't think he thinks twice about it.... not a choice to plummet himself to oblivion, but an instinct. That's just like him, isn't it....?
I'll talk a little more about cages, crying for help, beseeching, at the end... because I have a few more thoughts about it!
ughhh save your princesses ♥♥♥♥ I can't believe you've threaded Tsukasa's bound arms around your neck.... ♥♥♥ God do I wish I could see it second by second....
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you're making all my dreams come truuuueee Amaneeeeeehhhhh ♥♥♥♥ all three...!!! your two precious things....!!! ohhhhh our heroooo ♥♥♥♥ dashing in his cape.........
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y-you remove Nene-chan's shackles but not Tsukasa's .......
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if that is how you want me, master... wwwww
goobie woobie oobie baby Nene-chan in Hanako's arms. Hanako experiencing a new lolicon emotion. Ohhhhhhhhh sweet darling preciousness.... it's not so bad to experience a little bit of pain for such an incredible pleasure, right??
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oh all this build up and sweating and shaking to say absolutely nothing in response is so incredibly Amane. She loves you just the way you are, thankfully.... we all do.....
I like DBS's TL of Tsu here better than the MangaUP actually AHAH... mangaUP did "good for you." which I think in ENGLISH carries a bitter connotation that I genuinely do not think Tsukasa has lol. He just talks in a naturally simple way lol.
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god. Amane you'd love to get away with doing things with no commentary but unfortunately you have a funny little bug of a brother who is obsessed with you.... what an. amazing and perfect Yugi interaction. Amane obviously being pissy. extremely. Tsukasa keying into it. Amane lying blatantly but stubbornly doubling down anyway. Tsukasa continuing to ask like a little pest. Oouuuh. Boyce... brothers....
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ohhh Tsu-chan... you can't... imagine.... the kinds of feelings... Amane has about that kiss... okay... he can't begin t o .. articulate ... any of it at all ... I'm sure he would honestly like it to be as simple as 'mad' ....
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personally I enjoy that this makes it obvious it wasn't really Tsukasa's intention ... but I think it's cute to him Amane is still thinking about it despite all the circumstances and events lol.... I actually think Amane is being very charitable and maybe the best big brother he can manage to be here ............ I would give him a treat if I could ... not gonna yell at Tsukasa.... not gonna lash out rn.... contain it....
now I would like to say something funny lol. Tsukasa's line here is actually incredibly ambiguous:
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he doesn't actually make reference to Nene-chan, it's like " Amane kiss also?" in that casually threadbare way JP can be ... it means the fujoshi are free to interpret "he's pointing to himself, is he referring to Amane kissing him?" playfully aahahahaa... I'm sad its hard to preserve that kind of ambiguous way of phrasing something!!! it's sad that kind of "wait what did he mean" funny discussion can't happen here, mangaUP also just had him directly refer to kissing Nene-chan.... I'm SUUUUURE it's 'meant that way' but, like, I love when coach lets the girlies play....!!!! they are loving this panel.... its way funnier vague .... Amane ? kiss ? too ? wwwww
AN AMAZING EVENT!!!!
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LOVE to see Amane THROWING Nene-chan into Tsukasa's arms, Tsukasa dutifully catching her carefully, Amane trusting he will catch her...!!!! Well I have to say it... it's been funny watching the fandom predict a lot of animosity and hatred in all directions that just isn't there ahahaha. All these expectations for Amane to punch and maim Tsukasa in jealous rage, and instead, you have him relying on his brother to help protect her, and trying to graciously handle the situation. The Yugi... they always surprise you by how familiar they really are...
I'm in love with every time Amane seamlessly commands Tsukasa by saying his name... ♥♥♥ look at him, being such a useful otouto even though Amane hasn't granted him the use of his arms back, and the spell making him fatigued... ♥♥♥ even with a ball and chain on his ankle, Tsukasa can run for Nene-chan...!!
I don't have many profound feelings about Teru and Akane lol, they are just very funny to me-- ultimately neither's alliance is truly with one another, despite that I do believe Akane is one of the only people Teru is his true self around. A complicated closeness which is easily broken .... Akane would kill Teru for Aoi, Teru would kill Akane for his little siblings, these are things I think of as fact. It's such a tenuous bond and, they are mutually aware ... but kind of, struggle with betrayal and reliance and trust and dependence on one another's skills and support. I like how KILL TRAIN Teru is here lol. He's got plenty pent up concerning Akane ... unlike Kou, I think Teru is much more capable of "when push comes to shove..." and suspending empathy or compassion ... even if he could later hold remorse. Crazy Minamoto conditioning and such ...
Interested in the greater machinations and Akane's vagueries, but I don't have thoughts about them. Happy to wait for more (:
stupid ... uke .....
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--pomf-- ooo get humped idiot
A FEW EXTRA THOUGHTS ...! pertaining to.... Tsukasa's ominous statement, that Amane would not come if he called... that he "never has before"
what a tantalizing thing to say. When, at what point in time? It conjures the image of a Tsukasa pleading for Amane-- something I'm sure many of us, can't even imagine. I haven't thought of a begging Tsukasa, wanting to be saved. He is so typically 'fine' where he is, even if that circumstance is unpleasant.... even at age 4. In a normal situation, it's hard to imagine Tsukasa calling for help from Amane ... and it's hard to imagine Amane, that sweet older brother, not simply sheltering him. He's sweet to Tsukasa, at 4. He's happy to read to him, and tries to put on a calm front for him while so ill, so as not to worry him. Amane cared about Tsukasa, of course! He's even charmed by the Tsukasa absorbed in katanuki for hours at 8. Wouldn't that Amane come running if called? .... but would that Tsukasa cry out for him .... ?
So.....
when, how? The only Tsukasa we've seen a glimpse of post-ghosting is the coffin boy, who appears quite inert and dead. He certainly can't call for Amane. The Tsukasa at the start of this series, struggled to even get used to moving at all. Is there a stage we don't know about?
How much could Tsukasa call him with no answer, until he ultimately concludes it simply will never be replied to? Why would he think that it is specifically himself Amane won't respond to? Only doing something once or twice, wouldn't create conviction like that. In order to say something like, "this person never ____", you would think there would be extraneous circumstances that proved ... beyond a shadow of doubt ... that it simply is the way things are. Tsukasa is so shocked to see Amane appear, and save him ... that belief has to be rooted in something Tsukasa took to heart.
Perhaps something happened when they were alive .... we really don't know what that final year was like.
Whatever the case... Amane does love Tsukasa-- unlike Tsukasa, we have the benefit of knowing this completely! In our hearts! There are circumstances where, because Amane loves you, and wants to protect you, he ignores your cries....
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I wonder when, why, how... Amane wouldn't come when Tsukasa finally called. I wonder why Tsukasa would call for him ....
Honestly, if Amane didn't love Tsukasa, the possibilities wouldn't be so scary. They are much more haunting, knowing how much he loves his little brother. I can't wait to learn more about Amane!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I want to see the Tsukasa pleading for his brother!!!!!!!!!!!!!! I wonder how hopeless we have had to get .... !
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transformers-mosaic · 10 months
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Transformers: Mosaic #401 - "Blackup"
Originally posted on July 20th, 2009
Story - Sekhmet Demagis Art, Letters - Minttu Hynninen
deviantART | Seibertron | TFW2005 | BotTalk
wada sez: The writer of this one left a lot of comments on the strip, so I’ve compiled the salient ones here: “Sup dawg, we heard you like TF Mosaic and memes, so we put memes in a Mosaic so you can enjoy while you enjoy. :D [...] The genesis of this piece was that Blackout bio posted in the Transformers Collectors' Club Magazine, which stated that he single-handedly defeated several Omega Sentinels during the Great War - it became a big wish of mine to portray this feat, and Minttu was invaluable in helping me fulfil said goal. [...] Shortly after the script idea germinated in my mind, I was seized by a mad impulse to pen it as a love letter to a phenomenon that has always fascinated and tickled me - Internet memes. A good number seemed almost too apropos for the story, and I must confess that I might have gone too far with cramming in as many as I could. The one meme I won't apologize for, though, is DO WATS RITE - a near-legendary fixture of the infamous Laserbeak.org, whose denizens are good friends of mine and have been singularly supportive of my artistic forays. [...] I originally conceived the script with Blackout being equal to Omega Supreme in size. Then 'Transwarped' aired, and I discovered that he was actually but a tad larger than Lugnut. The subsequent release of official height charts only served to reinforce the truth. So I ended up revising things. In retrospect, the fact that Blackout is far smaller than the Omega Sentinels makes his triumphs over them that much more impressive. :) [...] The posing and photo-taking [in the final panel] were not in my script, actually - Minttu added them on her own initiative.” As Demagis says, the strip uses several memes from the time. I’m pretty sure the mispelling “evar” was just common to LOLspeke back then. “Campaign’s closed” references “Pool’s Closed”. “Victoly” is a translation error from the game Samurai Showdown. And the entire format for the strip is that of a demotivational poster.
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youre-ackermine · 4 months
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hello dearest, I hope you’re doing well 🩵
for the aot ask I’ve come with new questions:
15.a) if you could have prevented the death of a single character, which one would it be? (I already know the answer but still 🤣)
15.b) what is your favorite (top 3 if you can’t choose one) soundtrack?
15.c) do you prefer the anime or the manga?
much love to youuu 💓💓
Hi my dearest Dee ✨
I'm fine, even if I barely slept last night. I hope you're doing well too!
<><><><><>
15 a- If you could have prevented the death of a single character, which one would it be?
As you already guessed, I would have saved Hange of course!
Like Erwin died when the answer to his lifelong quest was within his grasp, Hange sacrificed themself before they could explore the outside world, quench their thirst for knowledge, help make people's lives better with new discoveries... I'm fascinated by their intelligence & all those amazing qualities that make them one of the best written characters in SNK, personality-wise. They would have been such an asset in the post war SNK universe.
15 b- What is your favorite (top 3 if you can't choose one) soundtrack?
If it's about the instrumental OST only, those I listen to the most at the moment are:
For the songs with a vocalist, my all-time favourite are:
I can't listen to 'Bauklotze' without crying now obviously 💔
15 c- Do you prefer the anime or the manga?
To be perfectly honest, I read the whole manga only once. I often read a random chapter or a few panels online but I still have to read it again (& it's a pain in the ass because I have the Edition Colossale & every book is f*cking heavy lmao). Besides, the French translation is not very good imo, it missed most of the dialogues' subtleties / nuances :((
Still, the manga panels are amazing, Isayama has a real talent for drawing the facial expressions & making us understand what's going on or feel so many emotions without a single word.
But I love the anime, even if a few things missing or changed kinda rub me the wrong way! The animation is insane (Levi's action scenes are always flawless & omg it's part of why I love the short badass so much!). The music is amazing & epic. The VAs are phenomenal (I only watch the Japanese version with French or English subtitles). It's a f*cking great show!
Just a few words about the scene between Eren & Armin in the last episode. As much as I cannot accept Eren's actions, I still felt sorry & sad for him. But the scene with Armin in the manga was so pathetic it almost swept away my sympathy towards him. Thanks Mappa for fixing this scene, making it a real moment of emotion between soulmate friends, & giving Eren a bit of his humanity back.
So anime it is!
<><><><><>
Thanks for taking the time to send these to me!
Sending much love back ❤️
Have a nice Sunday lovely Dee 😘
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