*peeks at dungeon meshi* hm cute but i'm not sure i comprehend the appeal
*keeps peering in curiosity* oh! each of these characters is, how you say. Insane
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A little hopeful moment which I missed on the first watch, but which I think is so important. Nina and Maggie come to have their talk with Crowley. Now, we all know that Crowley is Maggie—yes, sure, Nina is sarcastic and suave and cool and calls Maggie angel—but it’s obvious that Crowley is Maggie and Nina is Aziraphale. Crowley even admits it himself in the very beginning of this conversation when he tries to justify meddling to get Maggie and Nina together:
“Nina needed rescuing.” Yeah, you know who else always “needs rescuing”? Anyway, moving on.
Nina says she just got out of a relationship and it would be a disaster to get into another one right away. And then this happens:
Nina says she hopes Maggie will still be around, but she knows she can’t ask Maggie to just wait while she figures out her own baggage. There's no guarantee. And then Maggie interjects—
The parallel between Maggie/Nina and Crowley/Aziraphale is so intentional as to feel heavy handed. So what does it mean that we get this exchange in at this particular moment in the script—buried within the conversation which is the catalyst for Crowley confessing his feelings, occurring in the lull immediately before the spectacular dissolution of everything the first two seasons were building towards?
“We could have been us,” Crowley says. Crowley walks out of the bookshop. Crowley turns off their song in his car. Whatever tentative blooming thing has been building between him and Aziraphale for six thousand years appears to be very clearly over. Aziraphale presses the kiss to his lips and knows there is no guarantee they will ever have a chance to be together. There's no guarantee that Crowley will ever want to forgive him, that he will keep on waiting for him.
But.
There is.
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Consider this: ghosts are actually exactly what the Fentons think they are.
They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.
In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.
Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.
What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?
What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?
If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?
Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?
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it was so interesting how the mihawk vs zoro fight was different in the manga than in the show.
i feel it was much more sudden, no planning the duel for next day, just when zoro saw mihawk he already knew he has to try and fight him.
luffy doesn't say anything against if even if they had just seen mihawk split that ship with just his sword. he accepts it (because he already understands he can't stand in the way of zoro's dream), and stands close by without saying anythign almost the whole fight. watching it closely.
and when zoro is having troubles, luffy still holds johnny and yosuku back so they don't interfere with the duel .
only after zoro is defeated and drops in the water, luffy loses it, and goes after mihawk with so much anger.
it was a nice and interesting moment that mihawk saw luffy holding the others away from the fight.
lets luffy know that he didn't kill zoro.
and then this whole thing sksajds
"luffy, can you hear me?"
"i hear you."
the way they showed it in the show was great - with how close luffy was by zoro's side, immediately checking up on him and hearing what zoro wanted to say to him directly.
but the way it's in the manga, it's almost heartbreaking because they're some distance away and luffy has to ask usopp if zoro is ok, and zoro isn't even sure if luffy is around, but he needs him to know!
that we won't ever fail!
"got a problem with that, king of the pirates?"
and same as in the show, luffy in different words say zoro could never fail him! he's so happy zoro survived that
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there’s something about how Stede crossing out DEAD and circling ALIVE on the wanted poster like the silly little lover he is manages to be, like…the heart and thesis of the show all in one.
it’s baffling. it’s goofy. it’s a bit sad. it’s optimistic, despite. it’s love in action. it’s earnest beyond belief.
and—quite literally—it’s choosing live.
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WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.
Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.
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