Ok as someone with a longstanding special interest in scooby doo, I feel qualified to pitch an actual "real" reboot. They're poly, in a qpr, and instead of solving random mysteries, people come to them to help solve crimes that the police have brushed off. They're Benoit Blanc except they're four people and they have a dog. Scooby can still talk, somehow
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I've only recently started having my own thoughts about Emanator!Sampo and I think my favorite version of this is that he is technically an Emanator, it's just that he doesn't talk about it because Aha is a dick who only blesses people that don't want it and Sampo hates it here dkjxkdkdck
Aha blessed the Mourning Actors! A whole faction of people who have specifically made it their life's mission to resist Elation! THEY made a literal worm THEIR Emanator just to see if it would be accepted into the Genius Society! And when it wasn't, Aha just as easily killed it and tossed it aside! So I feel like there is a good possibility that Aha looked down at Sampo, this little oddball who doesn't seem to even like Epsilon or a lot of the Masked Fools and was like.
Hey.
You know what would be really really funny.
And I feel like being an Emanator wouldn't even be a plus for Sampo, because of how he operates. Sampo excels at blending in; he managed to smuggle himself onto a planet
that had been isolated for 700 years,
with only one (1) single city on it,
and going even further, he snuck himself into the Underground,
where the population is even more sparse,
and STILL. Not a single accusation of him being an alien! Not even after the Astral Express lands and proves that interstellar space travel is possible! Sampo is so thoroughly ingrained into Belobog that yeah, some people admit they don't know his origins, but none of it ever comes with the question of whether he actually is a Belobog native or not. Sampo knows exactly how to blend himself into his surroundings in the most subtle way possible. And being an Emanator, something far more powerful than any normal human or Pathstrider could ever hope to be, would only throw in a massive extra variable for him. Sampo would have to be so so careful to keep a lid on his Emanator traits, to keep up the appearance of being totally normal and average at all times. It doesn't help him at all.
And this part is pure indulgence, but I love taking Aha's closeness with mortals, and THEIR tendency to take human form, and twisting it into a case of THEM using Sampo as a vessel.
I want Aha to look at Sampo the same way all of us look at Sampo. A chew toy. A plaything. Something to shove through the meat grinder. Aha thinks Sampo is hilarious and a funny, silly little guy, and THEY want to put him in Situations just to see what he does. Sampo is not a fan.
This though, this is what makes Sampo so wildly entertaining as a vessel. Because Aha knows that Sampo does not want to be a vessel, does not even want to be an Emanator, and THEY find it SO much fun to watch the mental gymnastics he has to pull to convince himself he's ok with it, this is fine actually, because he's not exactly about to tell off a literal god. He doesn't feel like getting a smiting today, please and thank you.
Because squeezing yourself into a human vessel is so different than merely adopting a human disguise, there's already a human soul in there, it's kind of a tight fit. If Sampo doesn't make room, doesn't all but dissociate right out of his own body, it could cause. Consequences.
And so, Aha always gives a warning, just to watch him squirm.
It begins with the sound of bells.
Just little ones, at first. Small, clinking little sounds that could even be considered nice. Something almost gentle, like a wind chime in a pleasant breeze on a warm day. This is the signal for the countdown.
Sampo breathes in, breathes out. Makes himself as small as possible within his own body.
The bells rise and multiply, tinkling wind chimes give way to sleigh bells, to shopkeepers bells, the sound of something inevitable approaching, something entering.
Sampo breathes in, breathes out. Dilutes himself, weaker and weaker concentrations.
The bells rise and rise, multiply and multiply, celebration and tragedy resonating in the sound of church bells, ringing bright and loud, the sounds of weddings and funerals both the same.
Sampo breathes in, breathes out. Becomes like smoke, like vapor. Hollows himself out.
Empty, empty, empty until he echoes, like a bell, like something with the sole purpose of being shaken and rattled around, a thing to be struck, the sounds jarring and punched out and gasping and piercing the air, the lung, the eardrum.
Sampo breathes in.
Beaten he rings, bashed in he sings.
Aha breathes out.
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rouge >>>>>>>>
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Dean is such a paradox for me because on the one hand, I have been actively triggered by him in the show, there are moments where, intentionally or not, the writers managed to create a portrayal of manipulation and abuse and control issues that it sets off actual alarms for me. And on the other hand, I would not have him any other way. There is something — not comforting, that’s too soft a word — about knowing where Dean’s actions stem from, having seen and learned all that we do about his childhood neglect and parentification and the trauma he goes through repeatedly in the show, and that he doesn’t come out clean. He comes out a goddamn mess who ends up hurting the people around him in reaction to his own pain!
There’s a reality there that’s. Almost nice, actually. Distressing to watch, but it is a fucking mess, it’s a good mess! He’s got zero healthy coping skills and a healthy relationship with say, his brother, is terrifying because it leaves him open to abandonment!
I’m not sure I’m wording this correctly. There is a way to be a good abuse victim. Take the pain, martyr yourself on it, and then, even if you have no support or idea how to, then you have to become a Good Person who never hurts anyone the way you have been learning to your entire life. Simply toss everything that shaped you out the door and emerge a saint with a tragic backstory. And Dean is not that. And that’s so fucking good. Everything that he has gone through continues to effect the way he treats the people around him, and he can’t fight the behaviors he might recognize as harmful because he also sees them as protecting him (or protecting Sam by keeping Sam with him.)
And sometimes, idk. It feels good to see a guy who didn’t heal the “right way.” Who mostly didn’t heal at all, just keeps the wound open because it’s easier that way.
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different asker but i would like to add on to the last ask if thats okay? curious to know which characters you think would be the opposite, like who can't shut down no matter how hard they try? bonus for the characters who have to outsource their self regulation a little
Nekomaru is an emotionally healthy man and he lets it all out! Usually in the gym but sometimes you might catch a Very tight hug and/or some tears (mostly a problem with the touch-averse crew). He can't fully shut it down you'll Notice the mood even if he doesn't say anything.
Fuyuhiko is fine at shutting down more sensitive feelings but he needs like actual help with his anger issues. They go 0 to 100 real fast and he doesn't even think to temper himself before he's already said or done something unhelpful. If he's sad he won't act on it but you'll still notice, he's worse at pretending than he thinks he is
Ibuki doesn't see why she would ever even try. (Redirecting the emotion is different)
Mikan obviously is very bad at keeping level headed when it comes to sadness, anxiety, and at times anger (but the last one is the quiet kind, less noticeable but more scary)
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Luke Arnold did not put his entire psyche and pussy into John Silver to the detriment of his own health for yall to say Silver is a mastermind liar and not a fucking repressed bisexual MESS
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Every time I see the English translation of a certain Clear Card panel with Touyuki appearing on my TL I want to pull my hair because that line was mistranslated so, so badly and people are making speculations and going nuts about it in the tags and it's all based on something that doesn't exists because that's not what Touya says, not at all. Like, not even remotely. It's also so out of character for him to say something like that, I don't know how his fans don't realize something is off in that line.
One day I will compile those translation mistakes in one giant google sheet or something, I need to turn this into a mission because it's honestly so irritating to see how riddled with mistakes this localization is, sometimes to the point of messing with important parts of the plot. I don't see them releasing a decently translated edition in the near future, so it's all I can do to give back some respect to the story. Clamp are aware of the translation mistakes and how they change the perception of the story for the foreign readers, just as they are aware of the posts I've made about them over the years (they talked about this in a Space long time ago, and I still cherish that mention in my heart with pride). But there was basically nothing they could do at the time, if not suggesting the English readers to check the posts mentioning the translation differences. That's great and all, I'm glad I have their blessing but this is also not really how ideally one should read a story. My posts are long and filled with personal comments and maybe that would deter many people from checking out what a certain line actually says, so I need to find a quicker and easier way. Also, I started to do those only from chapter 40 onwards (and in the beginning I was way overzealous, I would need to revise) and this panel I'm mentioning above is part of the butchery they did in the first volumes, which weren't covered by my posts yet.
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Really really excited to compare Martha, Esther, and Agnes when theyre all grown up!!! I hope I can convince my mom to show them for me! Theyre all from really good lines, and they look great so far! Also i just need to send in a couple papers and tattoo Agnes and they’ll be registered soooo 🙂🧡
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and btw im in my hater arc rn. as time goes on the more i find a lot of 'fandom' stuff insufferable (i like art n stuff. just the way that fandom refits every media to fit a single mold and set of boring archetypes is exhausting.)
i just get really easily annoyed lately. and have been unfollowing people on a whim a lot. its not personal i promise
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early op/dc au fic plot points
in honor of finding my notes finally after five months have passed since writing them and after i just wrote out a huge block of what happens during part one of the fic relying entirely on memory and wit alone, here are some freebie things-that-will-definitely-happen (and just random Things to throw in between) to think over while i'm trying to get back into writing this fic
also tagging @kiteou who created jason/sabo and 100% inspired this verse (please look at their ship art it's all so impeccably goooood)
sabo wears make-up to cover his scar when he goes crime fighting and chooses to hunt criminals in a distant district of gotham to avoid being recognized since he doesn't wear a mask
though he doesn't weak a mask, he does adorn a large tophat with a wide brim and uses the shade to conceal his face from view; when he runs into jason and snarls about a hero not posibly wearing a fucking full-face helmet mask, jason argues back about protecting his identity and accuses sabo of being a hypocrite since his hat also hides his face
jason quotes old literature sabo has never heard of when he's trying to make the most of a situation (so rarely) and sabo scribbles illegible-chicken-scratch words in tattered notebooks when he needs to vent about Life in general (it's maybe his goal at some point to create an autobiography of life in gotham and how much It Sucks, Bad™)
sabo using a metal pipe as his choice weapon reminds jason of damian (he's in his bo staff days) in kind of a fond but wary way - this does not last; at some point the pipe scraping against concrete or brick sets jason off, triggering something in his subconsciousness bad enough to make him lose focus in a fight, and it gets to the point where he tells sabo they can't fight together anymore if he's gonna continue to use the pipe as a weapon
ace and sabo are 19 in the beginning because it takes place in fall, and jason is newly 20 - because of this, sabo is 5'9 and ace 6'0 but sabo wears platform and heeled (the heel is inside so it's not visible) boots when he plays vigilante so he's taller than jason by a couple inches; at some point when ace meets jason he implicates sabo's true height and sabo shouts at him (shut the fuck up, ace!) before ace can finish; even later on, sabo ends up at jason's apartment and when his shoes come off, he stands shorter than jason, much to jason's surprise; sabo admits gruffly that being over six foot makes a person more intimidating, which is his goal at night when facing off with criminals, but also insists that he's still growing (which he is, and eventually he doesn't need the boots to stand at 6'2 properly); even though ace is (barely) taller than sabo (just like he's barely older than sabo), he's still shorter than jason, which rubs him the wrong way (and sets off the comment about sabo's alleged height)
while ace is just trying to survive in gotham, owing nothing to the city that's chewed them both up in childhood and spit them back out again in adolescence, sabo chooses vigilantism in a bid to 'just do what's right, or at least try to'
^ going with this, ace and sabo both have awakened meta-genes that grant them fire powers; ace got his first and is proficient in using his powers - in contrast, sabo develops his after his accident that leaves a portion of his upper body scarred, and refuses to train or even try and control/subdue his powers at all due to his intense fear of fire; this causes daily strife because ace should be able to coach sabo through developing (or at the very least, getting under control) his powers so they don't cause accidents all the time, being the more experienced and honed of the two, but because he's never willing to overstep and always afraid of reigniting sabo's trauma, he never pushes sabo toward what should be the reasonable solution
aaaaaaaa smth smth jason being more experienced in relationships but none of them ever going well, versus sabo who's never been in love and doesn't know how to act, doesn't know how to be vulnerable in front of another person (who's not ace, but even then) or what's considered normal for their relationship status, and eventually having to tell all of this to jason to dispel some worries threatening to make him sick; jason tries his best to insist that sabo doesn't need to act a specific or certain way and that they were going to figure this out together and find what worked for them; in the beginning their "romantic" relationship is super dysfunctional and not much different from their status before when they were just friends, but it slowly becomes more functional when they start to clue in to what they and each other want out of this
i CANNOT find my notes which makes me sick (< actually i did!!! not long after i wrote this which makes me SO mad in hindsight) but in this verse jason runs around with roy harper and artemis crock, who are roughly the same age as him and sabo but have the dynamic they do in earth-16 when they're (sibling) in-laws, meaning, they get along like a tight pair and often will team up to lovingly tease jason whenever the opportunity present itself; when they're introduced to sabo, the initial reaction is them recounting ('oh so this is the boy you're always mentioning') various things jason has said about him and then low-key embarrassing the both of them with their teasing, so it takes a bit for sabo to warm up to them
after sabo is burned by a lighter and his make-up runs, jason believes his old face scars to be part of the fresh injury and rushes sabo to leslie's clinic to get seen; sabo is bandaged up and none of the staff ask questions about the vigilantism that would (tie him w illegal activity) but in the beginning when someone asks sabo a basic question in regards to the injury, sabo clams up; jason has to snap at him that (leslie) was a doctor and not the fucking cops, so would sabo please put an ounce of trust in someone for once and let them take care of him; sabo relents and lets himself be treated
when he arrives home with his eye covered, ace is shocked because sabo never lets anyone but ace bandage him up; ace asks what (the fuck) happened and sabo clams up, flinches back when ace tries to reach for the wrap, and snaps at him to leave it because an actual medical professional treated him for once; ace says smth like 'but you always let me patch you up' and sabo appeases him by saying he can redress the wound later when it needed changing, but right now, he wants it left alone; later ace gets to see the damage and immediately realizes sabo got burned which terrifies him, putting sabo's shying away from him earlier into a new light, and ace takes on a new perspective when he helps sabo tend to the injury in order to frighten sabo as little as possible
sabo lives with ace and rouge until zero year, when their apartment floods and rouge gets sick and eventually dies in the hospital without proper medical care; without rouge, neither of them go back to the house in coventry and instead spend most of the remainder of zero year in a church - despite spending a good portion of their upbringing from that point on around clergymen, sabo refuses to believe in a god that would let him and ace to suffer through life to the extent that they had, and when ace curses 'god damn' or 'oh god' sabo isn't even willing to humor it, always blunting insisting 'there is no god' that ace in turn always counters with 'it's an expression, sabo, it doesn't have to mean anything'
aaaaaaaand since i've been sitting on this intro for a good six months now here's a small actual written pv :)
(if tumblr blurs the ss just click on it and it'll clear up)
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Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
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I KNOW MARK WOULDN’T DO THIS TO ME. I know damn well Onlyoneof wouldn’t treat me like this. I JUST KNOW THAT SOME OF MY FAVS DESPITE BEING MALE WOULD NOT DO THIS TO ME BECAUSE THEY ARE EITHER GIVING FRUIT OR RESPECT WOMAN LIKE BE FUCKING FR AND I NEVER WANT TO STEP FOOT IN FORMULATION AGAIN.
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Fanny, my sweet, beautiful girl
17.11.2012 – 14.04.2019
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[A] is a character who is in an emotionally-delicate state and needs constant contact with someone to feel stable. [B] is the only person [A] feels understands them, so they form a close relationship with [B]. Little does [A] know, [B] is also in an emotionally-delicate state, but they need to be away from people 24/7; so [B] never calls [A], because [A] never gives them enough time to recharge before they call again.
As a result, [A] believes [B] to be just like the rest of people; they think [B] finds them annoying and doesn’t care about them. But nothing could be further from the truth; [B] may not ever go out of their way to contact [A] willingly, but [A] is the only person [B] ever talks to. [B] doesn’t find [A] annoying in particular; [B] finds anyone who tries to talk to them annoying, but finds [A] less annoying than most, because [A] is like them, letting [B] vent on them for hours because they recognize no one else will give them that quality time. [B] becomes jaded with so-called “extroverts” because they shun [A] for their quirks, and let all the duties of being a halfway-decent emotional support fall to them.
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Bunny girl tls123… ?
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im still not over the sleep thing one sec i gotta rant about this shit
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