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#this is a very different post from my usuals but i have to do what little I can
luvfy0dor · 1 day
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Heyy, I was thinking about a concept with Fyodor (or whoever from BSD) having a streamer bf, but like, one of -those- streamers where every word they say can be quite questionable (in a “good” way/ironically). For some reason it amuses me to imagine it with Fyodor and Reader occasionally teasing him, calling him their ‘discord kitten’ or streaming for 5 hours (or more lol) saying nonsenses or playing video games instead of paying attention to Fyodor. What do you think?
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“Get Off The Game ♡⁠˖” BSD x GN!Reader ੈ✩‧₊˚
╰┈➤ Fyodor Dostoevsky, Dazai Osamu
Warnings;
Description; BSD men with a streamer!reader
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A/n; these are in headcannon form, I hope that's alright!!! I think Dazai or Nikolai would be a better person to have this occupation w so I also did headcannons for one of them
Fyodor Dostoevsky ★
• Fyodor thinks it's stupid at first, but when he realized you made money from it he learned to tolerate it. He wasn't too fond of the noise, though.
• I don't think he was too fond of the nickname 'discord kitten', always raising an eyebrow when he's called that, he also strongly dislikes brainrot cause what do you mean you're so sigma? No you're not, you're y/n. That's unrelated, but I thought I'd add that in there.
• "A discord what? Kitten? What even is that? I am nothing of the such."
• Catch him dead before he makes an appearance on camera, he much prefers to keep his business private. He doesn't mind you talking about him though, he loves that. He loves that people know you're already taken by him and that all those losers in your chat don't have a chance with you.
• Sometimes he'll watch your streams from a different room in attempt to understand your work and the art of gaming. He enjoys when you play horror games, especially the ones that get you thinking. He sometimes finds your facial expressions when you get jumpscared funnier than anything else in the stream.
• When it comes to the duration of your streams, Fyodor can entertain himself for as long as you need him to, but he can't help but feel like he'd rather be spending that time with you every now and again.
• He usually just takes the time to work on his DOA stuff, and occasionally he'll get so lost in it that he doesn't even realized you've finished with your stream and on whenever that happens, you make some tea and go to fetch him to spend some quality time together, whether it's you laying in his lap while you both read a book or having a conversation about whatever comes to mind
Dazai Osamu ★
• Dazai is your #1 supporter since day one. There's a conversation going on about content creators? He's immediately bringing you up. You need new items for your set up? He's manifesting that said items go on sale ASAP!
• Oh my god, and he LOVES it when you get recognized in public. He's very prideful of you and likes that it's only him and a select group of people that get to see the real you outside of the camera frame.
• He, unlike Fyodor, does have an issue with the long hours, so he busies himself with the ADA and otherwise to keep himself from walking in and talking your ear off while you play your games for umpteen thousand people.
• He doesn't despise being called a discord kitten, but it does confuse him a little bit. But whatever, as long as you have 'my' in front of any name he doesn't care.
• Dazai watches your old streams when he's bored and can't help but giggle at the out of pocket or questionable things you say. He likes to watch the compilations of you on YouTube, too.
• Sometimes he'll quote you out of the blue.
• He doesn't like people trying to flirt with you or talk to you on the Internet as any partner wouldn't, so he is in the comment section of every post reading through individual comments. Type guy to see '❤️‍🔥❤️‍🔥❤️‍🔥' comments on your posts and reply '🧯🧯🧯'
• All in all, Dazai is well received by your fanbase, especially the ones who don't try to romance you and are normal. They think he's funny and a good match for you.
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A/n; I hope it wasn't to short!!! I thought it was a cutsey idea, I think Nikolai would be pretty similar to Dazai in this scemario.
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mysterycitrus · 1 day
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Quick question about how you decide what comics to care about? When it comes to characterization?
I know there’s comics that are generally considered ooc and no one really incorporates them into their characterizations. (Eg: I skimmed All Star Batman and Robin for fun. I now understand why people call him Crazy Steve, and I’m obviously not going to be taking this particular iteration of Batman and Robin into account when characterizing them.) But other than these really obvious instances, how do you deal with it? Like, I know fans of pre-N52 comics avoided a lot of stuff during that time? But now that we’re in Rebirth? I know that characterization in comic fandoms is always a bit thorny because of comic books as a medium, with all those different writers, timeline resets, etc… But you seem to have a really good handle on that, cause whenever I read any of your stuff and then read a comic, I’m usually like, yeah, same person here. Which I think is a feat! So, do you sort on vibes? Writers? Another metric? Case by case? TLDR: How do you deal when a character canonically says/does something that makes you go, “he would not fucking say that?”
Love your blog! And your writing!!!! Thank you!!!!!
ahh, crazy steve. what a guy (derogatory)
hmmmmmm for me personally if im writing a character i generally identify a “core” comic, regardless of retcons or conflicting characterisation, and then go off that. im reading a lot of bart allen atm so i focused on mark waid and todd dezago and completely ignored everything geoff johns has done with the character. for dick, scott snyder and judd winick are kinda the benchpoint for me, and then i kinda pick and choose (from wolfman, dixon, higgins, etc) what i think fits with that character. jason is easy cause he’s only had two comics worth anyone’s time. weirdly, some of roys best comics are written by devin grayson. so on and so forth.
wrt “he wouldn’t fucking say that” disease of which i am a chronic sufferer, I look back on dick (as an example) and his legacy characterisation, and whether or not it would make sense. not all legacy characterisation is good, mind!! but it’s generally easier to get a good benchmark if u go off a period when writers weren’t terminally on twitter. a lot of it is case by case, and i just map that in my brain
idk like SO much of it is just vibes and trying to create some internal consistency. like u said — there is so much conflicting characterisation and plotting and events that it can be very difficult so u just kinda have to trust ur own intuition. when i first posted persephone and got positive feedback for how i wrote dick I was kinda surprised — cause how i write him tends to clash with his popular depiction in both fandom and many modern comics. ig my real advice if ur writing (or reading) about these characters is to not fear complexity, and be conscious of exactly how racist most comic writers are.
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shepscapades · 10 hours
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Hi there! Your dbhc au is lovely and I love it very much! Between base level knowledge of hermitcraft, base level knowledge of detroit: become human from rtgame’s playthrough, and extra extra headcannons about deviancy and all that that entails (I forgot androids can’t eat… the post-game au that I love and follow made it so that they could haha…) I love the way you’ve incorporated androids and deviancy to hermitcraft!!!! Not to mention how electric (pun intended) your art is!!!! <3
One question! Are we working with minecraft death mechanics (aka respawn)? What happens when the androids shut down, normally? It’s just a reboot them type of scenario?
(ignore how long I scrolled down your blog for uh haha… oooo you did not see the timestamps of the posts i reboggled ooo /j)
First of all!!! Thank you so much for your kind words!!! <3 Delighted to report that probably at some point doc and xisuma will develop some kind of way for the android hermits to have the option of eating food… I don’t really have any idea of when that happens in the timeline though LOL
The respawn mechanics question is super interesting!! the way I see it in my head, yes… yeah I think respawning is a thing, some kind of magical innate quality of the world I suppose, connected to whitelisted players/entities or what have you. Naturally, when Xisuma begins to “whitelist” deviated androids, it establishes them as players part of the world, the same way the other hermits are! I think in my brain, most respawns in general are inconsequential… in the way that players don’t necessarily retain scars when they die and respawn, unless it’s a particularly painful or meaningful death? That’s kind of how I’ve always seen respawning anyway!
So when it comes to the androids, I think when Xisuma whitelisted them/ reprogrammed them as player entities on the server, he also programmed a way for androids to detect… things that would normally do damage to biotic/ organic players, in a superficial “taking damage” sense? So while androids don’t necessarily feel… “pain,” they have a pain sensor/set of hearts like normal players that will “go down” the same way a normal player’s would. They aren’t completely removed from the damage, though, because I think Xisuma probably also works up some kind of system that would create similar “feelings” that a player might feel when taking damage? For example, as an android takes “damage,” it might trigger a certain fear, panic, or surprise response (such as up-ticks in thirium pump rate, a slight degradation in motility functions (like fumbling with motor skills when you’re nervous/panicking), or brief stalls in processing power (the same way you might hesitate in surprise)). So even if they don’t feel pain the same way, their experience would pretty closely mimic pain responses in humans/organic players!
The vessels themselves are harder to explain I suppose… such as a body being left behind on a server when a player can’t respawn, but you could probably explain the androids the same way you would explain other player respawn mechanics, like a body disappearing when a player “‘chooses to respawn,” stuff like that.
“Shutting Down” tends to be treated differently than dying or respawning, though. A shutdown is most similar to a permanent death, unless an android is voluntarily rebooting, in which case they would probably use the word “reboot” rather than shutdown. For sleeping or other “low-power” modes, androids kind of go into “low-function” states that have specific protocols and stuff like that, some kind of stasis state that xisuma or doc have programmed specifically to mimic sleep. Shutdowns usually only happen when an android loses the ability to function, somehow. Runs too low on thirium to function, self-destructs from stress, any other reason an android would stop working all together and require maintenance to turn back on. So when Etho shuts down at the end of s8 it’s because he doesn’t realize he has a been leaking thirium for so long and ends up not being able to function, and when Xisuma/Doc shut him down at the end of Destruction, it’s a force-shut down (you’ll see how soon enough LMAO).
THATS SUCH A LONG RAMBLE LOL but hopefully that answers your questions!! I’m gonna go back and start tagging posts like this with #dbhc mechanics for anyone who is curious about the application of androids on the server :]
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sgiandubh · 1 day
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Lallybroch: copyright vs. trademark
An excellent question was asked by our friend @rosfrank in the comments thread to 'The door faces North' post and given the cosmic amount of uninformed bullshit being ventilated for almost ten years in this fandom, I think it's time to answer it once and for all:
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Whenever we are informally talking about 'owning the rights to something', I think it's very important to bear in mind a fundamental distinction between two different categories of ownership rights: copyright and trademark.
The copyright is the most familiar one to many of you. It is what you usually find on those annoying and apparently useless first or last pages of all the printed or digital editions on this planet. Something like this:
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In the US, copyright issues are regulated by the Copyright Act of 1976, as included in Title 17 of the US Code. The US public authority competent for registering and managing copyright is, as predictable, the US Copyright Office.
Perhaps the most seminal US Supreme Court decision, as far as copyright is concerned, is the 1991 Feist Publications, Inc., v. Rural Telephone Service Co. In it, the Court ruled that mere compilations of information or facts (such as, for example, telephone books) are not protected by copyright, according to US law. In other words, the ancient legal concept of 'sweat of the brow' (which simply means the amount of work required to gather and compile those facts/information) is not enough to qualify a work for copyright protection, if no creative effort is added to enhance its content. This is why I have always considered absolutely ridiculous Marple's efforts to watermark public information screenshots: it is useless (to the extent that it legally protects her from nothing) and, as her timelines, a mere compilation of facts (legally ditto). A similar approach is preferred by the UK and also by many Roman law legal systems, such as the French one - just making things clearer, here, by the way.
See how 'Erself is roughly doing, right now, in this department:
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But I am rambling. In my view, Lallybroch, as a pivotal concept used in Diana Gabaldon's books, is protected by the copyright granted to each and every of her books mentioning it, according to the Roman law principle 'accessorium sequitur principale' (the accessory follows the principal). So it will remain protected for at least 70 years since the last of her books mentioning it would have been published under copyright. Unless she chooses to separately protect the entire finished cycle as a whole, once Book Ten (fingers crossed) is published, preferably during our foreseeable lifetimes.
That being said, that goes only for one copyright category: (published) text - you cannot copyright that secret diary in your drawer, LOL. This is why, the current US Copyright Office records concerning Lallybroch look like this:
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Sony Pictures Television Inc owns the copyright to the fictional name Lallybroch in the motion pictures category, as it is the title of the Episode 12, in Season 1 - DG has been handsomely compensated for this, no worries. And someone I have no idea about owns the rights to an original musical score she has written and titled Lallybroch in the music category, since October 2013.
Onwards to the trademark. This is something different and this is all about making your name/concept/idea profitable. It is all about branding it, putting it on a product and selling it under that brand. It includes all the graphic elements and the logo of the brand (accessorium...) - in short, its visual identity to the consumers. In the US, trademark issues are regulated by the 1946 Lanham Act and the public competent authority is the good old US Patent and Trade Office (USPTO).
Right now, the situation for the Lallybroch trademark is as follows:
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So, we see three different trademarks: two of them, owned by Diana Gabaldon, are classified as 'dead' (cancelled and/or abandoned) and the third, Lallybroch Spirits, owned by S's Great Glen Company is pending approval - he will not be able to label any booze bottle Lallybroch Drink Me before permission is granted by the USPTO.
Let's unpack:
Both Lallybroch trademarks formerly owned by Diana Gabaldon were filed at the USPTO on February 21, 2000 and granted on December 12, 2000. The first was aimed at producing 'tartan fabrics for the manufacturer of clothing' and it was abandoned in December 2003:
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The reason is that the owner did not file in any Statement of Use after the trademark was granted. She had three years to do so, and since she chose not to do anything about it, the trademark was deemed abandoned (Stacy K. Smith is the attorney hired by Herself, btw). That means she specifically implied not to intend using it in the future. As such, she may claim NO rights on a now free to use mark:
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The second trademark was aimed at producing 'clothing, namely, t-shirts, dresses and headwear' and also 'jewelry, namely, rings, pins and necklaces'- to cut the story short: OL merchandise - and it was cancelled on March 1st, 2013:
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The reason is that the owner did not file the Section 8 declaration (of continuous use for five years) within the allowed legal timeframe (6 months after the fifth anniversary of the trademark granting renewal). Her trademark federal rights are now deemed canceled (but not her state law and/or common law rights!) and if she wants to ever use that name again, she would have to start the whole process over, bearing in mind the trademark could have been granted to someone else, in the meanwhile (not her case).
And for anyone who might ask, 'Erself does not own any other trademarks whatsoever:
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The other (Doll Lab - LOL for ages) Diana Gabaldon is a pharmacist from Albuquerque, NM. Chill. 🤣🤣🤣
The owner of the copyright to the fictional toponym Lallybroch, as far as published text is concerned, is Diana Galabdon.
The owner of the copyright to the fictional toponym Lallybroch, as far as motion pictures are concerned, is Sony Pictures Television Inc.
The owner of the copyright to the fictional toponym Lallybroch, as a personal work of music, is Mrs. Kelly Ruth Davis, of Pennsylvania, USA.
The owner of the Lallybroch Spirits trademark will be Sam Roland Heughan, when that trademark is granted by the USPTO.
I hope this answers your question, @rosfrank. Thank you for asking.
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if you think agp is a thing(and presumably exclusive to trans women) what do you think of cis women claiming to masturbate in front of mirrors and CIA women who report being aroused by breastfeeding?
literally every single answer to these questions is available on my blog. I'm tired of writing the same posts over and over and over. if you can't find sufficient answers scrolling my blog, searching key words on my blog (or on google citing my blog, which yields better results oftentimes), going through the links in my pinned, or checking the tags referenced in my pinned, then I'd say if it's reeeeally important to you to get answers, your best bet will be to sit tight and occasionally check for updates to my Pinned as I am gradually adding more and more links detailing my views, and/or skim my blog from time to time - it's pretty much guaranteed to cycle through again within a month at most 🤷
I was actually gonna put a partial (that is to say, just not my usual thorough, detailed, and nuanced) answer at the beginning, but honestly I'm getting VERY tired of anonymous strangers who most likely just stumbled across my blog for the first time today thinking they're entitled to a personalized thinkpiece from me when almost every time I get an ask like this (which are distinctly different from good faith curiosities, which I'm more than happy to answer), I've already posted my answer, I've already written about the subject in depth on my blog. so I'll put my answer below instead so you have to read all of the above first, so you at least sort of vaguely kinda earn some response by putting in a miniscule fraction of the work/time I've put into both reading/informing myself about all sorts of different opinions, ideologies, experiences, perspectives, and views (rather than just demanding opinions from strangers on anon, lmao) and writing countless posts (& that's just on here, ignoring the offline side which is where I'm wayyy more active), which are almost always VERY long and detailed and proofread and edited and polished several times over.
btw, kind of a side note -- I have NEVER sent a single anon in my life, and I have NEVER, anonymously or not, demanded someone give me a personalized just-for-me explanation of their opinions (or any at all). the reason I call this entitlement is because you (most likely) aren't asking out of genuine curiosity or good faith. you (most likely) are asking because you dislike what you think my views are (you are most likely misinformed and think I believe things I do not) and you (most likely) think this is some kind of gotcha rather than the same ignorant, unoriginal, boring ass points that I've read countless times as far back as when I was a transactivist and trans-identifying myself. they've been debunked/responded to by a LOT of other women, too, and I'm very confident you could easily find at least one such response. I'm not holding you to a standard I don't also hold myself to; in fact, that I'm going to give you any degree of actual answer at all is demonstrative of my holding myself to a HIGHER standard. because again, nothing I'm about to say on this topic is just now in this post being born into the universe as a novel thought. or even a novel tumblr post; like I said, you could find the radfem answers to this ask yourself with just a tiny bit of effort - and while radfems are far from a monolith, and I am a frequent vocal dissenter on a variety of radblr hot topics, this isn't even really a matter of opinion. read on to find out why.
Part A - Not answering the questions here per se, but a clarification of terminology that may help you (any reader, not necessarily anon) see my perspective:
The word "cis" has different definitions. It used to mean someone who is not trans, whereas trans referred to sex-dysphoric transitioners, a demographic who now often prefer terms like transsexual or transsex or simply "sex-dysphoric" BECAUSE they don't agree with gender identity ideology (GII) and object to the way GII has been actively hostile to them and erased transsexuality (and thus their identities, needs, beliefs, and experiences as well), similarly to the ways in which GII engages with pretty much everything that isn't complete and total blind allegiance. These include but are far from limited to:
1. Obfuscating people's (especially children's/young adults' - as they are the primary consumers of most GII content by far) understanding of biology, particularly as it pertains to the sexes of human beings and sexual dimorphism, and inserting "gender identity" as a direct (but importantly not synonymous or remotely parallel) replacement for the material and biological reality of sex. Sex, absent patriarchy and the gender construct, is simply a neutral and factual categorization of human beings: sex categorizes human body types according to the two developmental pathways that evolved solely for the purpose of producing one gamete type or the other to enable perpetuation of the species via sexual reproduction. What this statement does NOT imply to anyone reading it with even an ounce of integrity/intellectual honesty: "women are defined by having babies," "infertile/childfree adult female humans are not women," "humans with anomalous sexual development of any variety are not male or female, but rather a 3rd sex or even proof sex is a spectrum," or anything along these lines; I refer to these arguments as intellectually dishonest because they are originally intentional (disinformation -> misinformation) misinterpretations & serve to moralize, dogmatize, and essentially theologize facts of nature.
This obfuscation of biology is committed via a variety of tactics that frequently include outright gaslighting; "gender and sex are different" turned into "sex is actually a spectrum" (it's not - read on to learn why not!) and then outright science denial while gaslighting others as being the unscientific, uneducated, "3rd grade understanding of biology" ones (again, this is simply factually not true*).
*Feel free to request to see a peer-reviewed neuroscience journal publication bearing my name and/or my thesis (original research regarding the overlapping genetics + epigenetics of norepinephrine dysregulation in both dysautonomia and attention deficit disorders) if you are skeptical of my credentials regarding biology. alternatively, feel free to cite your sources and I will provide a free-of-charge peer review service :)
2. Building from #1, the erasure of patriarchal sex-based oppression of women & girls (by definition: human beings of the female sex, adults & children respectively) via aforementioned tactics obfuscating sex biology & human biology in favor of an innate, internal "gender identity" which is extremely poorly defined with the individual "gender identities" themselves left utterly non-delineated. Gender identity ideology is to be taken entirely on pure faith, despite the fact that there is absolutely no evidence to support gender identity as a universal component of human beings/universal human experience. In fact, the existence of absolutely any nonzero quantity of human beings who do not experience gender identity firmly disproves it as universal human experience - and we know not all humans have a gender identity. However, every human being experiences sexual development, be it typical, disordered (DSDs, congenital infertility, etc), or otherwise anomalous; the vast majority experience typical sexual development, and one's sex is entirely clear in the vast majority of atypical cases as well. Female humans are oppressed on the basis of our biological reproductive capabilities; patriarchy desires control over the female sex as a direct product of its desire to control reproduction. Patriarchy created the gender construct to instill and enforce a caste system between the sexes upholding the patriarchal dogma of male supremacy and female inferiority. Similarly, patriarchy created father-gods in order to make the creation of life a male act. Erasure of sex in favor of the gender construct serves male supremacy and cannot ever be anti-patriarchal or feminist. Evidence of sex based oppression abounds offline (frankly, you need look no further than menstruation stigma in all its forms up to and including menstrual huts, but there is infinitely more evidence) and right here on my blog as well; I even have some posts tagged to serve as proof of sex based oppression.
3. Erasing homosexuality via working toward erasure of exclusive same-sex attraction (this is particularly targeted at lesbians, and this is VERY well documented. I have many examples of this in my TRA Receipts tag, including a particularly excellent masterpost containing, in total iirc THOUSANDS of screenshots), once again replacing sex with "gender identity" as if one's orientation being defined as attraction to another human's invisible, internal, and highly individual "gender identity," which not all humans even purport to have in the first place, could possibly make any sense. This is uniquely absurd.
As stated in the 2nd link in #1 on my Pinned, I object to the usage of "cis" for non-trans-identifying people. Why? At the core of it, because the most commonplace definition of "cis"/'cisgender" that I see at this point in time is "having a gender identity that aligns with what was assigned at birth." As stated above, gender identity is not universal, rendering "cisgender" equally as personal and internal of an identity label as "transgender" - and these are not a pure dichotomy by any means. Radical feminism does not grant any degree of objective factual legitimacy to the gender construct; thus, no radical feminist is or can be, by definition, transgender or cisgender (this does not carry over to whether or not radfems can have dysphoria or even be medically transitioned). Radfems are not the only humans without "gender identities," and it is dishonest and disrespectful to force the term/label onto everyone else according to an ideology we/they may not share.
Part B - The Long-Awaited Answer! [I changed my mind since this ended up significantly longer than initially planned so here ya go]
Autogynephilia was coined as a term with a specific definition. That definition is still the same one in use today. That definition explicitly states that only males can qualify. That definition is: "a paraphilia that describes when a man experiences sexual arousal from the thought of himself as a woman" per Google, and "a male's propensity to be sexually aroused by the thought of himself as a female" per Blanchard's original stated intention for the term he created. Wikipedia goes on to add "intending for the term to refer to 'the full gamut of erotically arousing cross-gender behaviors and fantasies.'"
I have many criticisms of Blanchard himself and of the quality of his research methodologies. However, the evidence for the existence of the paraphilia itself is abundant and undeniable given that many males outright refer to themselves as autogynephiles and many have openly discussed their experiences as someone with this paraphilia. What I do not believe is that all trans-identifying males are AGPs, that there is proven legitimacy to the HSTS/AGP dichotomy (even Blanchard himself said not all OSA trans-identifying males are AGPs - just a whole lot of them), or that non-trans-identifying males can't be AGPs - actually I think it's likely that most AGPs don't identify as transgender.
The core of the paraphilia, the source of the arousal, is a product of the patriarchal sex caste system; autogynephiles are aroused by the idea of themselves as women - as they themselves have stated - because of the sexual objectification of femaleness and/or because they're aroused by degradation and humiliation (as is blatantly obviously on brilliant display in the existence of and obsession with "forced feminization" and similar female-degrading sexual concepts), and the AGP male views femaleness and the gender that patriarchy has forcibly ascribed to femaleness ("femininity") as inferior and thus sees his engagement in performing femininity as degrading - which in turn sexually excites him.
One reason some women find themselves arousing in their own bodies and natural non-performative states is the same as when men find themselves arousing in their own bodies and natural non-performative states: self-confidence increases libido and associations can be made between A and B. Where women and men inevitably differ, however, is about the arousal surrounding performing femininity and/or sexual self-objectification. It is not at all unreasonable to speculate that some women can be turned on when they "feel hot" for a reason other than just self-confidence; for one speculative example, it's possible that some women may see herself in the mirror all dressed up in hypersexualized clothing and feel that they've succeeded in mirroring the pornified images and sexually-appealing-to-males beauty expectations. Ultimately, this is self-objectification. It's patriarchy and the male gaze that have forced these associations onto all of society, and hypersexual associations have a tendency of causing sexual arousal in people (duh).
Oh and I've never heard of women being aroused by breastfeeding, only complaining about it being painful asf, but like. Nipples are among the most common and well-documented non-genital erogenous areas so? This seems terribly unlikely to be a common phenomenon, but utterly irrelevant to the existence of autogynephilia regardless lol. If this is a thing, like I said I doubt it's commonplace at all, but even just hypothetically, I'd say it would distinctly fall in line with everything else I say in this answer. Patriarchy and its pornographers have indeed sexualized breastfeeding - there are a concerning number of men who ask their partners NOT TO BREASTFEED their babies - his own children! - because it makes him JEALOUS and even resent the baby. I'm dead serious you can look this up, it happens. So... read on for elaboration.
I neither know nor care precisely what you're referencing in this ask, because the answer remains the same: autogynephilia by definition can only affect males, and males who have a fetish for the idea of themselves as female, be that through imagining themselves Fucked (anatomically female, specifically in a sexually objectified - aka Fucked - manner; the anatomical/biological form of autogynephilia fetishizes the male subject imagining himself as the female Fucked object of pornography) or Feminine (as discussed above) fundamentally are not and cannot be the same as women who are turned on by feeling like they look sexually appealing or by their own natural anatomy or biological functions (which have been violently hypersexualized by patriarchy). This is a form of internalized misogyny; when men do it, it's just misogyny. These are not the same.
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3k - A celebration!
Hey there, guys and gals!
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TLDR: There's a poll at the bottom asking which story deserves a sequel!
Today is a very special day, at least to me. After a little more of one year posting stories to Tumblr, I have reached the absolutely staggering number of 3000 followers. During this time, I have posted about 100 stories with a unbelievable (and I kid you not) 33,333 likes and reblogs. Yes, this is the exact number at the time of writing this post. Yes, I wrote a program to look that up and the number is accurate.
Let me just say: Wow. And thank you. 3000 of you found my writing enjoyable enough to want me in their feed. And there were exactly 33,333 times in the past year-and-a-bit that someone actually *liked* what they saw/read/skimmed over. I couldn't feel more honored, really.
As a celebration, I am going to do something I usually don't (even though I have been asked a couple of times): I will write a sequel or prequel or related story to one of those stories YOU liked most. Remember the program I wrote to find out my total number of notes? Yeah, the original function was to find out the stories with the most notes. Out of the top six of those, I will let you chose the one story you want to see more of. Additionally (although it is only at rank 10), as a seventh option I'll add "Your wish is my command", since that is the story I have received the most sequel requests. So, without further lamenting, here are the stories!
#1: 11:48
#2: Boyfriend Material
#3: ATArena
#4: Spice Up
#5: Beating Recession
#6: Calling the Plumber
#7: Your Wish is my Command
So! Which one is it going to be? Choose wisely!
That's it from my side for today. Stay awesome!
AT
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Ok I wanna talk about Ethari's clothing/design over all. His clothes and tattoos are different from every other Moonshadow elf we've seen, and he's one of the few that doesn't wear braids. Like:
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The recurring elements are intricate patterning; over layers and under layers; multiple colors in the same garment (or at least same outfit); wraparound construction, color contrast between mediums, lights, and darks; and the dominant color is always the medium, never the lightest or darkest color (usually navy, true black is very rare outside of the assassins). Even arc 2 Rayla follows most of these rules and she's been away from her culture for two years!
But then we have Ethari:
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He doesn't have an outer layer, he wears almost solid navy, none of those clothes are wraparound, he has no light color, there's not a lot of contrast, and his dark color is true black despite not being an assassin. He bends all the rules, though he only breaks one completely. He still has that patterning, but it's minimal compared to the others. He has plenty of accent colors, more than anyone else actually, but they show up on him far less. He does have light, medium, and dark colors, but his whole pallet is darker than everyone else's. The only rule he 100% breaks is the wraparound construction
A lot of this probably derives from the fact that he's a metalsmith:
For the most part his clothes quite are practical;
Black/navy hides coal dust/soot very well. It gets everywhere, on your pants and face especially, and is highly visible on just about every other color.
Forging is hot work & you do it next to a fire that needs to be at least 1000° celsius, I never wear more than one layer either.
those sleeves, while a bit looser than I'd be comfortable with, probably aren't going to get in the way. Plus I heard somewhere that they're spelled to repel heat (couldn't find if that's actually canon tho), so if that's true they're much better than my gloves.
The crop top isn't great but he's got that belt to stop most embers. Besides he's probably not the type to yelp every time one lands on him like I am.
if he pulls the scarf over his mouth & nose it'll help delay him getting lung cancer in the death trap of a smithy Wonderstorm designed for him (my problems with it are a post all on their own. I have nothing against the artists, its pretty, but by all rights he should be dead)
There might also be a cultural aspect to his clothing:
I think the navy blue, the arm bands, the boot decorations, and his belt & tabard could all be symbols that mean "I am a metalsmith" in Moonshadow culture. (Quick side note, he's not technically a blacksmith. historically blacksmith means specifically iron workers. If anything he's a whitesmith since he usually works with silver.) We see it with the assassins, why not metalsmiths too?
Plus if you take a look at his forge in the art book, there's a design carved on it that looks almost exactly like the one on his tabard. Elements of it also appear on other parts of his clothing:
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I suspect that this is some sort of symbol for metal working or fire protection. If he's in a guild it could be their symbol, or it could just be a wider cultural symbol. Either way it has a meaning that relates to the forge specifically. I couldn't find it anywhere else in the room.
I just realized that I never even brought up the metal hems on his sleeves. Then again what is there to say? It's metal, he's a metalsmith. It's pretty, he likes pretty things.
But what about the rule he completely breaks?
As I said, every moonshadow garment has some sort of wrap-and-secure construction to it-- except Ethari's clothes. I seriously doubt this is a metalsmith thing. Basic garment construction isn't a sensible way to differentiate your group within one culture. I fully believe Ethari is doing this on purpose. But why? That why gets even bigger when you realize that no other moonshadow elves we've met have brown eyes or periwinkle blue tattoos.
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Put a pin in all that, I need to explain my interpretation of Moonshadow culture for this to make sense.
"Moon Primal creatures can be private and secretive, and are keenly aware of the power of appearances." - from the official website
"Moonshadow Elves obey a rather rigid, honor-driven culture." - from the wiki
To me this paints a picture of a fairly collectivist culture. They place a heavy emphasis on community and duty, two things that are usually more peaceful/simpler when you have cohesion within the group. Cohesion creates less conflict, less conflict makes your community more peaceful and your duty to it easier to complete.
But they know that this cohesion is- to an extent- only an act, so each person has a sub community where they don't have to act. Your inner self is for family and friends close enough to be family. (I honestly think they might have some sort of ritual to formally adopt friends as family) To everyone else you're supposed to put up a front that makes you seem more like everyone else.
OK back to the pin
Even without his clothes, Ethari is already visually different from everyone else. No other Moonshadow elves we've seen have tattoos or eyes the same color as his. It's a subtle difference but it is noticeable, and in a culture so focused on appearances people would notice. Most people's instinct would be to try to hide or downplay it, to prop up that front as much as they can. Yet Ethari doesn't put up a front, not to the extent that most people seem to. He's even accentuating his differences by dressing in a different style than them- and he's respected.
In my comm class the other day we were talking about groups, and one of the things that came up was that cohesion fosters sameness and diversity fosters innovation. Ethari is an innovator, it's literally his job. He invents the wingalings in bloodmoon huntress, Runaan and Rayla's weapons, and probably a bunch more stuff we haven't seen. Maybe for all they value appearances and fitting in, moonshadow culture still recognizes that people like him are important and they aren't as effective when they have to fit in. They can't be too out there (remember, Ethari only bends the rules rather than breaking them) but as long as they stay within a certain radius of the norm they can gain a lot of respect. I think this is what Ethari has done. The fact that his family (Runaan, Tiadrin, Lain) are all pretty traditional probably helped a lot. They keep him from pushing too hard on the edge of the box and he keeps them flexible.
That they aren't there anymore has probably exacerbated the rift between him and the rest of the silvegrove caused by Rayla's ghosting and whatever news has reached them from the storm spire.
I am so excited to see him in S6. I thought about adding some speculation about what his new design might look like, but I honestly don't think he'll have changed that drastically aside from his hair. My biggest question is honestly whether or not he's still in The Silvergrove.
Bonus:
I bet that some of Ethari's relative weirdness rubbed off on Rayla. She didn't have many friends as a kid so, when she wasn't in school or with the assassins, it makes sense that hung out with Ethari a lot. Since he's less strict than Runaan she was probably only comfortable completely unmasking with him. He heard about all her crushes, fears, and insecurities that Runaan didn't. Which goes a long way to explaining why Ethari was the only one who could see she wouldn't be a good assassin; she was hiding those traits from everyone but him.
This also explains some of why he was so willing to believe that she ran away. Ethari saw all of her vulnerability, but he didn't see all of her strength. While she was out training and facing her fears with Runaan, Ethari was in the smithy and only heard about their exploits after the fact. Neither of them saw all of who Rayla is, but both of them thought they did and had to find out that they were wrong in just about the most heartbreaking way imaginable.
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aurumacadicus · 10 hours
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i'm not sure if tumblr is lying to me or not about when you responded to my ask but i only just got the notification for it, so. if you're still doing the 1-161 stony ficlet challenge, can i request 123 if that one hasn't also been taken? ps i'm really loving the ones you've posted so far, they're great! <3
Thanks! It's been a lot of fun!
--
Steve grit his teeth as Tony carefully, casually prodded his thigh with the toe of his left foot again. They were fighting, and he couldn't tell if this was an olive branch or a deliberate attempt to make him lose his cool.
They didn't fight often. They argued a lot, of course. He and Tony both had very strong personalities, and they also had very strong opinions. More difficult still, Steve was from a different time, and while he'd made great strides in acclimating himself to the time (and while Tony had been very patient as he learned) some things he said and believed still had them butting heads sometimes.
Tony prodded his thigh again, and Steve sucked in a deep breath and closed his eyes, exhaling slowly. He would not give Tony the satisfaction of reacting.
"I'm not going to stop poking you until you give me some attention," Tony finally declared, prodding him again.
"We are fighting and I'm still mad at you," Steve answered curtly, looking back down at his book. He figured that was attention enough, with the mood he was in and their fight still hovering at the edges of their conversations.
The ball of Tony's foot stayed pressed to his thigh a moment longer before he slowly drew it back. "Oh. Sorry."
Steve slanted his gaze over at that, brows furrowing together at the tone of Tony's voice. It was the one he used when he knew he'd misstepped but didn't understand why. He looked genuinely upset before his emotional shutters came back down as he returned his gaze to his tablet. He pulled his feet in closer, tucking himself tighter into the corner of the couch.
Steve watched him, considering, then carefully asked, "We... are still fighting, aren't we?"
"Of course. Obviously," Tony scoffed, prodding at his screen a little harder than he usually might.
Steve waited a beat, but Tony didn't plow on like he usually did when he was angry. He'd had no problem shouting for hours yesterday, but Steve had no doubt he'd come up with new things to shout if he was still very upset. He cast around his mind for what Tony's sudden change in heart and remembered, frowning, that Colonel Rhodes had huffed out a frustrated, 'well, his parents never apologized to each other, at least not in front of him, so he thinks fights just stop eventually and you carry on as usual.'
Tony must have just been... ready for things to carry on as usual. Steve set his book in his lap and sighed again, tipping his head against the back of the couch. He'd been the second one to sit down on the couch. Tony must have thought that was an olive branch. And maybe it had been, he realized, turning to look at Tony again. Maybe, unconsciously, he'd been ready to end the fight, too. But not like Tony wanted, where they simply stopped talking about it and returned to life as normal.
"I'm sorry," Steve said, because he was. His ma always said it took two people to fight, after all.
Tony prodded at his tablet a couple more times, then turned his head a little, peering at him out of the corner of his eye. "...For what?" he finally asked, skeptical.
"For fighting," Steve answered simply. He'd learned early on that if he said too much, Tony would have more to read into.
Tony turned his head away, then looked back at him, eyes narrowed. "...I'm... sorry... too," he finally said, slowly, like he was waiting for Steve to spring some sort of trap after each word.
It hurt a little, Steve could admit to himself. But luckily, he'd learned that it wasn't his own shortcomings as a boyfriend that caused Tony to be suspicious of something he thought was a good thing; the lists of people who had hurt Tony in the past were all available online, after all. Not necessarily under that label, but Steve was pretty good at reading between the lines.
And it was a step in the right direction, Steve figured. Acknowledging their wrongs to each other was certainly better than just letting them go unsaid. They could have a discussion about it later, when the hurt wasn't so fresh and they had time to decompress.
Until then, Steve reached out to grab Tony's ankle and drag his leg back out, and Tony squawked as he was pulled across the cushions. "C'mere."
"Brute!" Tony howled, trying to claw his way back across the couch, but Steve's grip on his leg was immovable. "Stop fucking dragging me everywhere you want me, you neanderthal, I--"
"You what?" Steve asked, flipping him easily, and immediately dug his thumbs into Tony's arch, exactly where he knew Tony got sorest. Tony let out a moan, and Steve knew he had won, at least for the moment.
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worldunbent · 1 day
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a difference between the experience of reading the natsuyuu manga and watching the anime which is only interesting to me is that there's no distinction between special chapters and regular ones in the anime. the reason i find that interesting is that the specials are, so far in my reread, the only chapters that spend any time completely outside of natsume's POV. when we see other characters' perspectives in regular chapters, it's typically part of an extended monologue or a memory being transmitted to natsume, so we're still not really leaving his perspective. the only times we leave his POV are when he's physically not present in a scene, and in those instances we usually don't get any narration or interior monologue from the other characters.
tanuma in "a suspicious visitor" is the only exception i can think of off the top of my head, though i'm sure there are others i'll get to and just don't remember at the moment. the scene between matoba and ban at the end of the homura arc, for example, is outside of natsume's POV by necessity but is pure dialogue with no interior narration because these are not characters to whom we have that kind of access! (for more on matoba's elusive subjectivity see sp15, says tumblr user worldunbent.)
the special chapters jump all over the place; so far i've gotten to chapters from the perspectives of little fox, an unnamed youkai, nyanko, tanuma, and hinoe (although hinoe's chapter is framed as a story she's telling natsume, so it could have fit in a regular chapter). they have a separate numbering system from the regular chapters, are much shorter, and almost always come at the end of volumes*. in the anime, however, there's absolutely nothing to distinguish the episodes adapting the specials from the ones adapting regular chapters other than the POV shifts, which gives anime-only viewers a very different impression of how the series approaches character interiority. i don't think there's anything wrong with this as an adaptation move and it's pretty much necessary, but it's just notable because in a series that's all about how people see the world differently, the choice to make such a distinction between chapters in the protagonist's POV and chapters from everyone else's POV is a significant one.
the reason i'm paying so much attention to POVs in this reread in the first place is because i've been listening to the podcast media club plus and jack, who is pretty new to anime, keeps pointing out the constant perspective shifts in hunter x hunter and the other hosts are like, "yeah, that's normal." this post from another listener expands on how and why it works as a genre norm in shonen battle anime/manga specifically. so now i'm just cursed to be hyperaware of POV shifts in anime/manga, and given that the three series i'm reading/watching at the moment are hxh, dungeon meshi, and natsuyuu, natsuyuu really stands out in how rarely it leaves natsume's head in the regular chapters. i guess i need to go read some more shoujo for a larger sample size lol
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*i have a chapter spreadsheet 🤓 and the exceptions to this are sp18, which is just stuck in the middle of v22, sp20, which is the second-to-last chapter of v24, and sp21, which is the first chapter of v25. i understand the placement of sp20, which is "intermission detectives" and makes sense to have as an break between regular chapters, but i'll have to figure out what sp18&21 are doing when i get to them.
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farfetchedshow · 9 hours
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You're making a lyric video for the new song, right? What stage of production is the video at?
I am yes. The lyric video is only at rough boards and concept art currently. The song would have released with a lyric video if we were doing our standard practice of just have one piece of art and moving lyrics, but this song is important to me so I want to go a little above and beyond for it. But as that's on me, and I don't want to waste budget for the pilot in doing so, I'm likely going to need to make the entire video myself. (I've also been very very busy lately so I haven't had a ton of time to work on the lyric video) The previous videos have also been primarily made by myself so that isn't horribly different from the norm, but usually I don't handle much of the art as I'm not the most skilled artist compared to my team. However! I need to learn and get better. I'll post updates as the video comes along and probably even stream some of the work on it.
-🐰
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normal-paldean-student · 34 minutes
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Muse Mixup Madness—May 1, 2024
hello, one and all, and welcome to our very delayed prompts post! this should be the last time prompts are this late, since i've added reminders in my calendar now.
like i said before, this month there's going to be reruns. specifically, i'm going to be taking the most popular prompts from february and march to offer up again. so without further ado! all prompts are low fantasy.
1. What Once Went Wrong
This and What Once Went Right were originally one prompt, but given how different they are in practice I've decided to divide them into two. For this one, you'll be envisioning what your character's life would be like if an unfortunate event in their past either didn't happen or turned out in their favor.
2. What Once Went Right
Both sides of the coin are here today, but in the future you'll usually only be seeing one of this prompt and What Once Went Wrong. This one's the exact opposite of its twin: take a time in your character's life that worked out well or where they succeeded at something, and find out what would have happened if things hadn't ended so nicely.
3. The Road Not Taken
Decisions, decisions! Everyone's made them, and everyone's path in life has been forever altered by them. Pinpoint a critical choice your character once made, and see who they'd have become if they'd chosen a different option.
4. Home On The Range
We do have one new prompt, though it's a very different style from the other three! In the Pokémon Ranger games, people and Pokémon have a somewhat different relationship. What would your character be like if they were from one of those regions?
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This is part rant, part sex advice so read at your own discretion. Also one of those posts I'll get a lot of flak for.
In lesbian nsfw content on tumblr dot com one of the most prevalent sentiments is 'I want to pleasure my partner' (insert any variation on it) which is fair and all, and there are a lot of service tops around so it makes sense really. But. For some of us who have difficulty experiencing orgasm or even enjoying sex at all, making our pleasure the focal point of the experience is the absolute worst thing you could do.
It's a nice sentiment, I guess, but if it doesn't actually produce pleasure, is it really that nice? And before you come at me with 'some people really are just service tops and they get their pleasure from pleasuring their partner' - I get it, I do. As a top (or dom/me) you have the right to your preferences and you may absolutely refuse to tell your partner 'Your orgasm is inconsequential, I'm gonna fuck you anyway'. Not to mention that approach is verging on kinky and getting near mindfuck territory, which not every top (as in the person doing the penetration in this case) is comfortable with. Heck, not every dom/me is comfortable with that either - pretending to disregard your partner's pleasure can be a particular flavor of kink not everyone is into.
Buuut.. a lot of what I'm seeing here comes across more as a lack of real-world experience rather than a self-aware preference to focus on your partner's pleasure. Like for example, the amount of 'overstimulation' posts I'm seeing is just wildly disproportionate compared to the amount of women who can be forced to orgasm again and again, and again. This has never been my experience on either side of the dynamic, nor the experience of any of my friends or acquaintances. More often than not, women have trouble reaching a climax and can't really be "forced" into it.
Orgasms are not just a bodily sensation triggered by a certain type of mechanical stimulation. They require you to be in the right headspace as well. So if you actually want to bring about an orgasm, dropping the pressure may be (I want to say usually is) your best bet.
Look, I get it. I've been with women who come from a 2-minute clit rub. I didn't feel particularly accomplished with them... but they do exist! How wonderful for them and the people who just love pleasuring them. The rest of us however? 'Your pleasure is my pleasure' is the worst approach with us. Like, thanks, now if I don't come not only am I bruising your ego but also diminishing your pleasure? That's A LOT of pressure put on my fickle mental focus and unreliable vagina.
All of this is to say: it's fine to have your fantasies of overstimulating a partner to the point of incoherence. But be prepared that the reality of sex may be very, very different depending on how your partner's body and mind work. And sometimes, if your partner's pleasure really is that important to you, pretending it's the complete opposite might be the key to the castle - if you can get with that of course. Nothing's done a better job at helping me let go and experience actual pleasure than a partner's response to my 'I'm not sure if I can come though...':
"That's okay, baby. I don't need you to come for me to enjoy your body."
Um. Yes, Sir.
*I use the word 'woman' here purely based on my actual real-life experience so far but I'm sure this is applicable to a number of different identities. Even for some cis men orgasms are not as easy and effortless as porn makes it seem, I've been told.
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nohoperadio · 2 days
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Here's a little breakdown of my personal relationship/non-relationship with various types of aesthetic self-modification (?, I feel like there might be a word or at least a more elegant phrase to denote this category). The point is not to offer my "take" on each thing but to express the different feelings/desires/inhibitions my psyche manifests around them. Some of these will approach awkwardly personal territory, fair warning! You may notice that basically none of them are especially positive; I'm going to leave off from analyzing that pattern for this post.
Tattoos -- I think tattoos as a concept are extremely cool, frequently they're cool in practice also and I like seeing other people's, but I don't think I've ever had even the smallest urge to get one for myself. I'm not totally sure why. The lack of an obvious thing to get is one factor, I feel like "band tattoo" would be the most likely thing for me to have but I don't like the idea of directly lifting a band logo or album art and I really don't like the idea of a lyric tattoo (I offer no justification for these prejudices), so I'd have to get clever with it if I'm doing that and I'm not very clever. More broadly, I predict that my enthusiasm for any artwork I put on my body would fade through overexposure in a matter of weeks if not days--other people describe "barely knowing it's there" after a short time--which on top of making the value of the project seem dubious, I feel like having a permanent image on my skin that I don't actively love would be something I'd feel bad about rather than neutral. Like "man, that thing's on my arm and I don't care about it at all, that sucks" rather than just not noticing it. Maybe I'm wrong about that.
(Tattoos are the one that got me thinking about this whole subject I think, it feels like they're reaching a ubiquity in the culture where it's almost like you're expected to have a reason not to have one rather than a reason to? Maybe that's just a people-I-know thing, anyway it got me thinking about why I don't want one.)
Piercings -- An interesting thing about me and piercings is that it's virtually impossible for me to notice when somebody has them unless I'm like, actively consciously scrutinizing their face (or whatever it is). When I was about ten months into my current job I asked my co-worker who I worked closely with almost every day "hey when did you get that septum ring" and she was like "well way before I met you". That is simply how it is with me and piercings and I make no apology.
If my inability to perceive piercings (perceirvings...) makes me indifferent to the idea of getting one, what makes me actively hostile is the total certainty that I would fiddle with it constantly if I did. I know these hands and their ways and there would simply be no dissuading them, it would be so bad you guys, oh my god. This is probably the hardest no on the list I think, although I haven't finished the post yet so idk maybe I'll think of a worse one.
Makeup -- There's undeniably a lot that's very beautiful in the universe of makeup and there's also the weird dark side, I have dabbled a little in this area and in my heart I feel more positively than not about it, but it's just never going to be a sustainable part of my life because (not unrelated to previous para) I am a perennial and unrepentant face-toucher. I will be itching and rubbing my face-skin and also inflicting other hard-to-characterize punishments upon it (is this "stimming"?) until the day I die and anything that wants to be on my face has just gotta deal. It would probably be better if this was not the case but I don't make the rules, sorry.
Haircuts -- When I was a child I haaaaaated getting my hair cut, like the physical sensation of it? Was so horrible and would usually make me cry and always ruin my day (is this "sensory overload"?), I didn't understand why I was being made to go through this ordeal and basically as soon as I reached an age when I realized my mom couldn't literally force me to do it if I just stubbornly refused hard enough--that age was 13 I think--I stopped. I haven't had a professional haircut since that time although I'm sure I could cope with the sensory aspect at this point, it's just not a habit I ever picked up again (I've had a couple of non-professional ones from my ex who just kind of wanted to try it, in a not particularly ambitious or dramatic fashion). Sometimes I feel like I should, but idk. My hair as it stands is not optimized for making me look hot but I don't think it looks especially horrible either, it's just kind of whatever I think.
Complicating factor here: I've had trichotillomania since I was 15/16, and it's hard to imagine it going away at this point but it's a lot more under control than it used to be, to the point where you can't really tell just from my appearance that something's up now. I say "under control", I have very little conscious control over it and usually no conscious awareness that I'm doing it, but over the years the compulsion seems to have unconsciously settled into a routine where it's just kind of... sculpting my hair into a more-or-less normal silhouette? Like I sort of have a fringe and stuff despite no haircuts. Oh I guess this doesn't make sense unless I clarify that I mostly break rather than pluck the hair nowadays, that's a big part of the gradual unconscious shift that's occurred.
A fun thing about trichotillomania is that it often makes people really uncomfortable when you talk about having it, which sucks for me because it makes me feel lonely, but I guess it sucks for the person feeling uncomfortable too in a smaller way. If you're one of the people who feel uncomfortable around this topic, sorry! Quite genuinely.
Gender transition in general -- I feel like I'm just, just on the boring side of cis-by-default. I think about transitioning shockingly often for someone who's never gonna do it, like it's not searing a hole in my heart or anything like it is for a lot of people but it occupies that "it would be cool to learn an instrument" kind of niche in my thoughts, if that makes sense? (Probably a bit stronger than that analogy makes it sound, it's on my mind frequently but not with a massive sense of urgency attached I guess is what I'm getting at.) I can see myself taking the plunge if the medical technology was like 10% better, or the social technology was like 20% better, or with some medium-sized changes in how my personality was configured, but this life being this life there's no way in heck the juice would be worth the squeeze. If I had one fifth of the executive function required to do all of that lying to doctors and learning how to clothes shop and having awkward conversations with people in my life and all the rest of it, well I can list like ten things I'd rather spend it on first. And I don't!
Glasses -- Love wearing glasses, 10/10 no notes. I knew since I was like 11 that my face should have a pair of glasses on it and I was very smug when the optician agreed (I did not cheat on the eye test in any way for what it's worth). The only times I'm not wearing glasses are sleeping and showering. I don't even carry a case because there's no point because I simply don't ever take them off. This is probably overkill, I think as a kid I was instructed to only put them on when I need to see something in the distance, ignoring that and just wearing them permanently has probably led to my vision weakening to the point where they're now pretty much mandatory in every situation, but I don't give a shit about that because just let me wear my goddamned glasses okay, fuck off. It's actually crazy how much I like wearing glasses, this is the only true thumbs up on the list.
I remembering trying to explain how I like my glasses to a then-close friend of mine many years ago when the subject of laser eye surgery came up in conversation, he said I should get the surgery and then just wear glasses with non-prescription lenses. When I tried to explain why that wouldn't be the same at all he was adamant that I was just being stubborn. That guy was a wonderful person in many ways and I loved him very deeply, but man what a dumbass thing to say.
Facial hair -- There are so many great beards and moustaches in this world, there are few more cheering sights than someone bearing some swish whiskers who's pleased about it, but personally I don't wish to be involved in that business at all.
I never learned how to ride a bike -- Obviously this one doesn't belong on the list, it doesn't fit with any of the other categories, and yet I feel compelled to include it here. And why should I resist that which compels me? This is my post. Yeah, I'm the oldest of four siblings, we were all given bikes at the appropriate kid-on-bike age, the others picked it up but not me. I liked it when I had stabilizers on my bike, then they took them off and I started falling off the bike, and after a very short amount of time I gave up. Like I didn't get mad injuries or anything, it just felt like I wasn't improving at it quickly enough and I didn't feel like keeping it up so I didn't. Early indication of my bad personality.
Fashion in general -- Clothes shopping has always been extremely aversive to me for whatever reason, it's gotten a little better in recent years, I have been able to exist inside clothes shops for long enough to purchase a small thing or two, but eh. Most of my tops are band t-shirts I bought at gigs, most of my bottoms are exactly identical pairs of jeans, there's just not much going on you know? But unlike with most of the items on this list I would really like to be doing this properly. I would like to wear cuter things with prettier colours and designs. This one's an actual goal. But so far I haven't really made progress. The aforementioned shopping sucks thing, plus a fear of being so aesthetically clueless that I just make myself look like a big idiot if I try anything risky, plus the fact that doing things that are not my established routine is tricky in general--these are barriers for me. I guess another barrier is that the things that would be most interesting to try out and therefore most potentially motivating fall into the wrong-gender-clothes category and therefore bring into play some of the barriers from that other category a few ones up. I did actually somehow get myself to dabble in that area some years ago to a modest but positive degree of satisfaction. It'll probably happen again. The patterns and causes that determine whether I can or cannot find motivation to engage in a thing--they are mysterious indeed.
Like horn implants or whatever other crazy miscellany -- I don't want anything in this category and don't have any non-trivial thoughts about it either. Including this section for completeness only.
---
Well, there you have it, that's the post. Now you know a bit more about some of my little weirdsies. If you actually made it through the whole thing, a) how interesting and b) why not tell me a little weirdsy of yours in return, whether it pertains to the above list or not? Why not get all antiphonal on my post, that way I'd get to know a thing about you as well, it might be a whole fun kind of deal. You don't have to though, I didn't make this post to try to snare people into letting themselves be known, I just kind of made it to be a post mostly. I make all sorts of kinds of posts you know? And so I thought I'd try one that's like this.
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fannyyann · 2 days
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hi! I’m not really sure why so many people ship mattdrai, and I was just wondering what it is about them that you like personally? I’m not usually someone who can see ships unless they have a lot of “canon” content, and I’ve seen them only interact like twice. can you help me see it?
hiiiii anon! i like mattdrai so much because as individuals matthew and leon are veeeery similar. they're two sides of the same "yappy alternate captain who likes to start shit and is obsessed with his quieter captain" coin and from the interactions they have had on the ice it's very clear that they have FUN riling each other up and that kind of dynamic has always been my favorite across all my fandoms.
also, i definitely get where you're coming from with canon content but from a writing and creating stand point it's sooooo fun to not really have anything but their personalities and canon events to work with!
but before i link you to the mattdrai primer, and some of my favorite canon moments, i'm going to say something super insane and say if canon ships are more your speed you should definitely just get into all matthew and his teammates because there's sooooo much good stuff going on in the panthers locker room lmao
anyway, here's a pretty comprehensive primer for their ~lore up to November 2023 and a list of things not mentioned in it but i'm constantly thinking about:
that time leon very gently grabbed matthew by the waist to pull him away from mike smith
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(much funnier and compelling behavior because darnell nurse comes in after this and just pulls matthew back by the neck)
2. the way leon is pretty well known for zooming into scrums when connor's involved, but has been known to just stand by and watch while connor and matthew get into it.
like here in round 2:
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and then again earlier this season:
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(this is THE most compelling thing about matthew and leon's actual canon, like WHY DOES HE DO THAT?? what's different about matthew???)
3. that time in december 2022 one of the oilers' charity partners chirped matthew in the comments of one of leon's friends & family puma sponcons and instead of deleting the comment, he just deleted the whole post (which, if you scroll through his feed, you know he doesn't delete his sponcon posts lmao)
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4. and then of course, my favorite hidden gem, the fact that matthew got some of his game worn jerseys from the 2023 asg signed by all the guys there, and then all the guys from the atlantic team (8:05), so somewhere in matthew's possession he has a jersey he asked leon to sign :')
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indignantlemur · 2 days
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My dear Indi, I need your expertise !
Do you have any ideas or headcanons for Andorian outfits, from lighter to warmer? What would they look like in general, what texture is most appreciated or considered fashionable ?
Thanks ! 💙
Hello Zier! Let's see what I can do for you! Fair warning, this one is going to be image-heavy.
For the most part, Andorian fashion in my headcanons isn't unified. Different folks prefer to wear different things, same as Humans, but there are broader elements that are quite common.
Firstly, we know from ENT and subsequent appearances in the modern Treks that Andorians tend to wear a lot of leather, often embossed or tooled to have a particular sort of feel. The samples below from Discovery give me powerful 2009-2013 Gareth Pugh vibes.
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Beyond that, the only other time we see Andorians is when they're in Imperial Guard or Starfleet uniforms, which mostly just gives an overall impression of leather, suede, and future-kevlar.
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The Andorian ambassador in "Terra Prime" had a very different feel from these, of course, and that shiny outer robe ultimately inspired Thoris' official get-up.
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By contrast, some super early screen tests and comic book depictions for everyday Andorians look rather different, however. We've got draping fabrics, robes, tunics, some thigh high boots, and what looks like bits of armoured studding and chainmail. That's quite the departure from the other depictions!
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And then, of course, we have Shran's post-Imperial Guard coat. This one gets its own mention, because that coat is fabulous.
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Honestly, this isn't a lot to work with. It's better than nothing, of course, but the different depictions feel very disjointed and all over the place. There's no sense of unity in the designs across the board.
So, from there I looked to real-world fashion to help me build a better idea of what I wanted my Andorians to actually look like outside of a uniform. As much as their depictions would lead us to believe that Andorians have an oddly prevalent leather kink, that's really not practical. Leather is a useful material, and certainly a heavily carnivorous population would end up with quite a lot of it, but surely that can't be everything they wear. So, I started looking around for things that felt like they fit the vague aesthetic we were given to work with.
Below are some samples from the ungodly huge pinterest board I keep for ideas and references for Andorian fashion. I think these mostly hit all the key notes for my headcanons.
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A lot of these images are very bland in terms of colour, particularly by Andorian standards, but I think you should be able to see what I've drawn inspiration from.
What I ended up with was a combination of future-fashion elements, and influences from places like Japan and India - with a heavy slant towards using leather, silk, velvet and occasionally soft, drapey fabrics. Heavy ornamentation, such as embroidery, is very common but lacework on clothing is actually quite unusual. Andorians tend to find it catches on their chitin and tears too often to be worth the fuss.
In particular, I really like the idea of layers, off-set or asymmetrical necklines, and elements of structural/architectural fashion for Andorians. Tooled leather is very popular, as well.
Another detail about Andorian fashion that I've mentioned a few times in other posts is that they like to show off their chitin patterns. Often this is done using leather as the medium, but embroidery is also a perfectly acceptable option. Often times, these articles of clothing (usually outerwear but not always) will have a Clan sigil somewhere on it as well, but it's not at all a requirement. These practices accomplish a couple of different things:
Firstly, it offers prospective playmates a tantalising 'preview' of what's underneath. Andorians are not shy about these things, nor do they understand why aliens think they should be. Some Andorians find particular types of chitin patterns very attractive, while some are averse to partners with what they perceive to be too much or too little chitin - or worse, chitin patterns that are far too similar to their own, which would suggest a shared lineage somewhere.
Secondly, it shows off Clan affiliations, especially for Clan members who were not born with their Clan's 'typical' chitin pattern. (Married individuals will often wear things that show their affiliation to both their birth Clan and their marriage Clan, as well, though these are usually ornamental items such as jewellery or hair pieces.)
Thirdly, wearing one's Clan affiliations stamped on their sleeves can sometimes serve as a conflict deterrent. Some Clans are just not worth picking a fight with, and knowing who's who ahead of time instead of after someone says something spectacularly stupid tends to save lives. Since the Unification, the need for these sorts of deterrents has dropped substantially, but it's never entirely gone from Andorian society.
This is not to say that I imagine that all Andorians wear the same things. Being able to express individual preferences is very important, especially in a society where most other individualistic pursuits are seen as counter-productive to the harmony and unity of a community.
Shral, for example, deviates from the norm by preferring dark colours and minimal ornamentation. To other Andorians, his sartorial choices are almost conspicuously bland. On the other end of the spectrum, Thelen adores vivid colours - neon oranges, shocking yellows, acid greens - and fully embraces the bombastic colour palettes his people are known for. Thoris is doomed to be trapped in billowing robes he'd much rather burn in a steel drum behind the embassy under cover of darkness, but he prefers layered tunics, boots, and breeches that don't inhibit his movement. Vrath is in the middle of the road, favouring bold colours and practical clothing but never quite able to resist bits of ornamentation that give her wealthy Tha'an Clan allegiance away. Miraal, on the other hand, adore soft, draping fabrics and wears very little leather, or any other similarly heavy materials, and she prefers to wear minimal ornamentation so as not to distract from her wares.
In terms of seasonal clothing, Andorians can tolerate very broad rangers of temperatures, and they have thermal regulators built into much of their clothing. They can get away with quite a lot, in terms of weather, but a heavily cultivated sense of caution generally prevents them from wandering out into surface conditions wearing anything less than full winter gear - though, naturally, their idea of full winter gear is rather lighter than what a Human would go in for. In extreme heat, Andorians have no problem wearing as little as possible - often to the consternation of other species who do not share their total lack of nudity taboos.
Regarding colours, I headcanon that much like how Vulcans view green as a traditional mating colour owing to the hue of their blood, and Humans view red much the same way, so too do Andorians with the colour blue. Just wearing blue alone isn't an invitation for anything, but it is very noticeable and considered a very attractive colour. Wearing a particularly fetching shade of blue while lurking in a bar and being very noticeably single, however...
Andorian silk is a luxury item, and one in high demand. Made from cocoons harvested from a domesticated relative of the infamous Andorian ice borers, it's ten times stronger than Terran silk, rendering it resistant to slashing and piercing damage. It can be woven into heavy brocades or crafted into a diaphanous, organza-like material, or blended with other fibres. It almost always has a slight iridescent or even metallic shine to it, a highly coveted property, and it is ludicrously expensive.
Hope this helps! <3
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gingericywolf · 7 months
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Ehy Birblr ATTENTION pls
DO YOU LIKE BEARDED VULTURES? Even if you don't, Well we need all help possible.
Bearded Vulture Eglazine is Missing
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Eglazine was born at Parco Natura Viva in Italy in 2020 and released in the wild later that year in the French Massiv Central. Since then she flew all around France, Belgium, Netherlands and Germany.
As of May 2023 her GPS has stopped sending signals and we have no information on her status. Her last know position was in Normandy. Neither her or the tag have been found. This is a call to all vulture lovers, birdwatchers and photographers to keep an eye out for her and help search for Eglazine.
But HOW Do I recognize Eglazine?
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Eglazine is currently in her sub-adult phase, which means she is transitionig her plumage. Black head with some possible white feathers starting to show up, gray-brown body plumage, on her wings she had 3 bleached feathers as of her last sight but more could be present now, she has a PVC ring argent color with the code ET.
If you happen to find a Bearded Vulture that seems to possibly be Eglazine please share informations and photos to the Vulture Conservation Foundation at [email protected]
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Best case scenario she just lost her GPS Tracker while molting her feathers, in the worst case scenario...
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Please reblog and share this so more people can keep an eye out for any trace of her.
Photos and pictures shared are from the instagram page of Parco Natura Viva ( @parconaturaviva )I got permission to share
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