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cripplecharacters · 2 months

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The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it.

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia.

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred.

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic.

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up.

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are?

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask?

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns.

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it.

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

#mod sasza #disfiguremisia #face difference #mask trope #writing trope #writing resource #writing reference #writing resources #writing advice #writeblr #writing tips #long post #burn survivor representation

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twilightprince101 · 10 months

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Let's be careful before labeling Wally or Home as "The Villain" of Welcome Home

Or anyone for that matter imo

Listen, I can completely understand why people would go to that conclusion. "So Below" and the eerie vibe that Wally gives off in his obsession don't exactly give either a flattering light (I know there are also the art pieces on Clown's personal blog, but I'm not counting anything that hasn't been officially released yet)

But whenever someone labels a character who is acting weird as "the villain," it puts a bad taste in my mouth. At the end of the day, characters in fiction are real people with motivations, so labeling one as "evil" or "the villain" can sometimes erase that complexity. And after the most recent update, we know that Wally has A Lot of very, very complicated feelings about the situation.

Before I get into that though, I wanna point out something that Clown himself has said describes the brand of horror that "Welcome Home" gives off to themselves personally. Click here for the link to the post.

"My home doesn't feel like home anymore."

That line sticks to me pretty hard. There's a pervasive feeling of unfamiliarity, unreality, that exists in the core of the story itself.

I think we see, firsthand, Wally experiencing this in the latest updates. In all of the hidden Bug/Answer secret videos, we see a familiar pattern. We get some sort of scene of two other characters talking, a scene in whatever universe they call home, until at the very end one of the characters addresses Wally (who was apparently there the whole time) and the video glitches out.

A key part that not a lot of people seem to realize though is that these videos are from Wally's perspective. See the above picture with Wally's hands. In every scene, Wally is present and was supposedly taking part in an activity (in the above one, helping Poppy with knitting), before the video started playing.

Whenever I saw these videos I had that same feeling that something felt. Different. The interactions felt like scenes you would see in the animated/cartoony aesthetic we'd see from the various art pieces, it doesn't feel like it's "on set/TV" to me. They're moreso just intimate glimpses into their lives. But they're shot in the real world, and that feels. Wrong.

This is very likely the same feeling that Wally's having in that moment. "My home doesn't FEEL like home." It's like he's disassociating, having a brief episode of that unreality feeling. Those bouts of strangeness don't go away until, like clockwork, someone says his name and the video ends, snapping him out of it.

Do other people in the neighborhood also feel the same way? Maybe, but we don't know. What we do know is that Wally, whether or not he tries to explain this to others, feels isolated by this sensation. "My neighbors are only neighborly until they know I'm different in a way they can see."

The only other person he likely shares this feeling with? I'd take a guess that it's Home. Nearly every time Home has been featured, Wally has been there, close. I don’t think it’s a coincidence that the only physical puppets/props we’ve seen of the cast are Wally and Home.

According to this post by @eldritchravens, Home is the only other person who talks directly to Us, the viewers. That's probably why they're so close, because they're the only ones who can truly confide in each other about this.

"So does that mean Home is manipulating Wally?"

Again, I really don't think that's the case. I don't wanna call people villains quite yet. Besides, we see (or well, hear) Home and Barnaby have a conversation together, and from how Barnaby reacts it's fairly casual.

This shared feeling is likely why Wally is so obsessed with us, including the Restoration Employee. They seem to be sharing a similar sensation to Wally's bouts of unreality, in the fact that it seems they're the ONLY one who doesn't remember Welcome Home being a thing. They seem to be one of the few things that Wally (and maybe even Home) consider to be "Real." Hence their obsession with "seeing" us.

"Isn't this Wally or Home manipulating the Employee though?"

Maybe, I don't know. We don't really know much of what's going on right now, we're only getting glimpses. For all we know this could be a side-effect of Wally/Home trying to reach out. For the time being though, I want to keep my own expectations in check. I'm choosing not to label Wally, Home, The Restoration Team or anyone as a "villain" until something definitive comes up.

It is very, very likely that Wally is going to be doing something more dangerous later down the line (or maybe even is doing so now). But if he's doing anything, I get the feeling it's more out of desperation. He wants something to quell this feeling inside of him, this pervasive sense of unreality, and to connect with something he feels is "real." And, for better or for worse, that thing is us.

This whole thing isn't to bash on people for speculation or theorycrafting, I personally think speculation is very healthy! But it's still important to remember what the core of this story is going to be. We're only seeing the very start of the story right now, and we don't know what'll happen down the line. It's useful to keep that core idea at the center of our speculation so we can have reasonable expectations going forward.

As for me? This doesn't feel like a story with villains. I don't think he'll pull a Monika from DDLC and start gaining a kill count, but if something does happen to the rest of the cast, my money is that it'll happen completely by accident, and he'll regret it. Hard.

#scopophobia #welcome home #welcome home arg #welcome home wally #wally darling #barnaby b beagle #Restoration employee #welcome home restoration project #twi talks #doki doki literature club #ddlc #welcome home july update #eldritchravens #the playfellow exhibition #poppy welcome home #poppy partridge #partycoffin #welcome home clown

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henrysglock · 2 months

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High Existence and ZeroSpace: The First Shadow and NINA May Be Massive, Immersive Drug Trips

The blurb in last Friday's video from TFS sounded familiar, but I couldn't place it. I found a lot of sites quoting The Alchemist about the universe conspiring to give you what you truly want (which is similar and it's probably what I was thinking of when this blurb registered as familiar), but I couldn't find this exact quote:

Well...not at first, anyway. I decided to stick every word I could make out here ^ into my search bar...and I found where the blurb comes from:

This blog post is quite literally the only source I could find for it, and the whole damn thing is directly lifted.

Right off the bat, the site fucking jump-scared me:

And it doesn't end there. Let's dive in, because this rabbit hole is a trip unto itself...no MDMA required.

1. The Fucking Website...#1 (HighExistence.com)

High Existence is a sort of drug-induced-spiritual-trip centered self-help site.

It's got blog posts and podcasts and all that jazz. Here are some of the highlights:

Wow! That was...a lot. A lot of words from the word show, too:

Wholeness, heroes, ancient aliens, prisons of politeness, and the fucking Shire, too, I guess. Why not?

(An Aside: I've included the VR in here too because of the sheer similarities between Henry's experience with the Shadow in VR, El's experience in NINA, and The First Shadow in general.)

Like fuck it, why not keep going, these posts date back to at least 2017:

And don't let me start in on that Creel boy and Faust...

[Jason voice] "[Eddie] made a deal with the devil and now he has his powers!" (Also we get it, one of them is neurotic and the other is psychotic. I've been saying this since like...forever)

Of course, all that insanity aside, the Russian base arc has just...an insane amount of ST4 and TFS stuff packed into it in general:

(And this isn't even all of it. I know others [cough] Stav Heroesbyler [cough] have covered it even more...but bro it is THERE)

But most importantly for the NINA arc:

Three things: Dialogue doubling (there's the one I showed, plus a) Robin yelling "Wipeout!" at Steve which has the pipeline -> "Wipeout!" at Rink-O-Mania -> 002-005 bullying El in a very similar manner and b) Steve's "that's amazing" line about the water fountain -> "This is amazing!" not only from Alice irt the Creel house but also from Mike irt Will's painting on their way to save El from NINA. Again, these are just a few of MANY instances), makeup doubling with the bloodshot eyes, and my beloved: set/prop doubling.

I love that beautiful framing on the nearly-identical square clocks. I have so much to say about that clock, but specifically:

The clocks being set 9 minutes apart, which happens to be the exact length of time from the end of Vecna's voiceover in 4.07 to the start of the fight sequence in 4.07 (aka the length of One's frozen-clock monologue).

Not only that, but the clock isn't even right. It says it's 3:55, but it's definitely not 3:55 AM (see: movie theater scene) but it's also not 3:55 PM:

(And why do we have a clock in an elevator anyway? That's the real question. That thang only exists to deliver subtext, baby! It exists to connect the two scenes further!)

Anyway, as you all likely noticed, this site mostly deals in psychedelics, stimulants, and empathogens.

link

Hell, you could even pull One's bit on the ecosystem into it, since he's describing connections between beings that are being disturbed/destroyed by humanity.

Anyway, the site tends to center specifically on DMT and MDMA...so let's talk about those:

MDMA & DMT An aside: Interesting to me that psychosis here can be counteracted with sedatives. Makes me wonder if whatever happened in 1979 could have been halted if they'd just tranq'd One. Hm.

First off: Did I read that right? Piggy-backing? Damn, son. 4.09, The Piggyback, is pictured in that paragraph. So is Brenner's candy bit with the children -> "candy flipping" vs LSD use in Brenner's lab.

Second: Ah, how nice. Intravenous/injectable. Just like how El is constantly being shot up with...something...to enter NINA.

Now, nearly all psychedelics can induce psychosis, but especially so if they're combined with other psychoactive substances and/or if the user has a history of psychosis (either themselves or in their family).

However, MDMA specifically has been posited as a treatment for PTSD and retrograde/traumagenic amnesia:

link Like...wow. Okay, I guess!

tl;dr: One seems to have been tripping fucking balls during the monologue. Literally every fucking version of him. El likely is as well. Funny how that works. Was any of that real? [smash cut to the way blood pours down the walls and the dead children dance around in the VR version of NINA] And either way, Henry in TFS isn't far behind with his hallucinogenic moments.

The connection? Whatever the hell is going on in Hawkins Labs...and symptoms of drug use.

I was not expecting to get this much out of a single rabbit hole. But...that's life with this show, isn't it? And this is only Part 1.

2. The Fucking Website...#2 (Futurism.com)

The guy who made that original post that TFS lifted the blurb from (Jordan Lejuwaan) runs a couple different websites. The most interesting one is Futurism, which is basically an online version of the Weekly Watcher:

It won't let me filter by date, but it seems to have been founded in 2017, stemming from an infographic subreddit. (Now, it says it's a trustworthy news source, and maybe it is, but... Do your own assessment of that. I'm not your mother, yknow?)

Jordan Lejuwaan was also involved in something far more interesting irt Stranger Things...

3. Zero Space

Jordan co-founded an immersive, interactive theater experience called ZeroSpace back in 2018. As we all know, TFS was just in the beginning phase of its creation around this time.

So...This was like a brick to the skull:

"Alice in Wonderland" (don't get me started: rabbit fuckery, DRUGS!!!!!, clocks/being later, Alice Creel, Fringe connections (Through The Looking Glass and What Walter Found There being the episode about the pocket universe where 20 years passed in 5 days...and also wherein we find out about him hiding away an Observer child that he will later time travel with to save the world from the Observer takeover...erasing himself from time/the timeline by doing so...there is SO much) not to mention the "one pill makes you larger/smaller" vs teen El and baby El...it's too much to try and fit in this post), "ALIENS AND LASERS", "stretch the perceived reality of the sense", "art, actors and your own mind converge to prompt MORE QUESTIONS THAN ANSWERS" (which was a common complaint about TFS: it leaves people with more questions than answers).

("See you on the other side" being an in-show line from Henry in the lab to Patty in the void, but this image is ripped directly from the same promo video that the High Existence blurb appears in.)

Here's a little taste of what ZeroSpace is like, but I suggest going to the actual page to see it in action:

It's heavily heavily reminiscent of TFS, even just in the content warnings...

Not to mention the actual show content SFX:

However, the goal of TFS isn't to stretch our senses. We're just watching. We are not the volunteer seeing the other side.

For most of the show, that person is Henry (except the first 5 mins, when it's Cptn. Brenner and his crew literally experiencing the other side). Henry is doing the experiencing. He's the one breaking the fourth wall by picking at/breaking the sets, the one running through the audience and leaving out the theater doors (only to end up right back on stage just like El in the Rainbow Room in 4.05).

With each bit of info I find out adjacent to the play, the more convinced I am that this is some secret third boy's experience in a NINA-like simulation.

Overall—

a) TFS most likely isn't wholly real, and it seems very likely that it's the same kind of simulation as NINA.

b) El was probably drugged up with some kind of empathogenic psychedelic going into NINA, likely with the goal of setting her up to form emotional connections quickly and deeply only to rip that deep connection away in order to bolster her abilities.

c) NINA is not, then, wholly based in truth. Parts of NINA (staring at the bullying from 002-005) may have been generated from El's memories of the outside world.

d) With NINA and TFS seeming so similar, I wouldn't be shocked if parts of it are just one massive empathogen trip (staring at how quickly Henry and Patty bond, similarly to how quickly Henry and El bond in NINA).

e) Whoever is in NINA with teen El is also tripping balls, most likely, and may have gone off the rails in that regard. However, that's in a simulation...hard to assign guilt or blame for things done in a fictional/unreal world.

f) Whoever was with baby El in 1979 may have been in a similar situation "moving chess pieces"-style instead. Read: drugged in order to put him in a situation where he would bolster El's latent abilities...and it went wrong (see also: Walter Bishop's orchestrated/fake massacre meant to bolster Olivia's latent abilities.)

g) Richard Brenner having been the head of narcotics makes me question which Brenner we're seeing at any given time: Martin, or Richard?

#st nina project #st: tfs #henry creel #el hopper #non-consensual drug use #medical malpractice #ZeroSpace #High Existence

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mistressoftherant-blog · 1 year

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TMNT Fanfic Complaints

As this blog is mostly a space to vent, and I am currently obsessed with pretty much every iteration of the TMNT, I thought I'd throw together a list of things that make me close a fanfic instantly. If you like any of these things, then that's totally fine, but for the most part, any of these things will have me dropping a fic in minutes. A few of these are aligned with posts I've made in the past, but I am noting them down anyway as this is a way of me getting out a lot of my major complaints at once 😅

No.1 Having all the brothers be abusive (particularly towards Mikey), with bonus points for any crossover that will then have one version of the turtles chastising the others for the way they treat their brothers. It just doesn't work, every set have very specific dynamics, but none of them are abusive.

No. 2 Crossover fics that make it impossible to tell who is who. This can occur in a few different ways. One of which is that the authors completely fail to differentiate different universes, making every single version of the turtles talk and act in the same way. Another is when a fic gets flooded with nicknames/pronouns/usernames, without a decent key. If you have a crossover fic with even just 3 or 4 universes, but every single turtle has multiple sets of pronouns, multiple nicknames, and multiple usernames, you really need a way to make it clear who is who.

No.3 The 'poor baby Blue' phenomenon in which every version of the turtles seemingly forgets all of the horror they have suffered because of what the Rise boys have gone through, particularly Leo. I honestly hate it when I am reading a crossover fic and all of the trauma from every series is disregarded in the face of the Rise Shredder and Rise Krang, which brings me on to my next point...

No.4 Essentially an extension of No.3, but can we all finally drop the idea that the Rise Boys had the scariest villains? Sure, their Shredder and Krang were intense, but for the most part, their villains are all pretty much played for comic relief. Either 03 or 12 had the scariest villains. And before anyone comes at me like 'Oh, Rise Shredder was a demon, the Rise Krang managed to take over the world, etc', may I remind everyone that 03 also had a demon Shredder who took over the world (and multiple others including the one who took over in SAINW), and the 12 Triceratons straight up destroyed the Earth with a black hole?

No.5 Fics that give away traits from one turtle to another e.g. making any of the other turtles better at science/math/tech etc than Donnie. Each of the turtles has their own thing, and Donnie will always be the smartest academics wise. It annoys me to no end when people try and make any if the others, usually Rise Leo or 12 Mikey, out to be a genius like him. I actually once read a fic where Rise Donnie asked Leo to help someone with a chemistry question that he couldn't handle. It's ridiculous, and usually carries over from the headcanon that Rise Leo is the medic (is there genuinely any evidence for this in the show besides Leo having a pouch? Because the only time I can recall anything medical related being brought up was when Donnie mentioned Raph's allergies). I have also seen people talk about Rise Leo loving to dance more than Donnie, even when the show explicitly states on multiple occasions how much Bootyyyshaker9000 loves to dance (also making Leo a massive theatre kid when Donnie breaks into songs and dance numbers on multiple occasions.) Or when 12 fans make Mikey the artist when it is actually Raph.

No. 6 (people will probably be mad at this one) Stop making everything about Leosagi, please! He doesn't even exist in the Rise verse, yet the entire fandom is absolutely swamped with Leosagi content. It's annoying when you are reading a Rise fic, and then out of nowhere it all becomes about Leo's relationship with Usagi. These fics also tend to make Usagi the most bland character in existence, with his two defining traits being samurai and Leo's boyfriend. They even do this to Bayverse!! Or bizarre crossover ships that start taking over everything (Why is Mikey being shipped with pretty much all of the spiderman iterations now??(

No. 7 Any fic that has all of the Donnies despise each other. I don't know if this is bias, but I feel like most of the Donnies would enjoy having people on their level to discussbthings with, people who would respect their boundaries and listen to each other's rants. And before anyone brings up their egos, most of the Donnies are shown to be able to and even enjoy working with others who are around their level (Aprils, Leatherhead in 03, Fugitoids etc). I actually think that, aside from the Mikeys, the Donnies would probably get on the best.

No. 8 One of my biggest pet peeves (that I have complained about before) is acting as if any version of the turtles is far superior to the others in terms of intelligence, fighting skills, etc. The Rise boys do not solo every verse. If they had had more training, then yeah, they would be probably some of the strongest characters. But they haven't had the training of the other verses, and mystic powers cannot compensate for everything (considering the fact that they got absolutely bodied by their Krang, you think more people would realise this). The other iterations pretty much all have more formal training, more experience fighting a variety of opponents (Bayverse and the 90s are perhaps an exception to the greater variety of opponents here, but as Bayverse Raph alone can yeet a shipping container singlehandedly with no powers, I think they're good). In no universe should the Rise boys be giving any of the other characters fighting tips.

I will probably write more of these at some point, this was pretty cathartic 😅 I also promise that I do not hate Rise, I just have more issues with the wider Rise fandom than most of the other shows.

#rottmnt #tmnt 2012 #tmnt 2k12 #tmnt donatello #tmnt donnie #tmnt michelangelo #tmnt mikey #tmnt raphael #tmnt 2003 #tmnt leo #tmnt leonardo #tmnt 1987 #tmnt 2014 #tmnt 2016 #bayverse donatello #bayverse donnie #tmnt raph #tmnt 90s

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gffa · 7 months

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hiya! long time listener, first time caller-- I'm writing a couple fics with Jedi protagonists (Shaak Ti, Mace, other Prequel Jedi) which is really fun so far except for the part where I "majored in" (read: hyperfixated on) Organization and Tactics of the GAR and don't actually know that much about the Jedi as individuals, *especially* anything that happened before TPM.

I was wondering if you know of any resources that organize/compile information about that era of Jedi? Things like lineage lists, who was on the Council when, typical schedules/roles/responsibilities, that kinda thing. Resources can be any format; other Tumblr blogs, articles, images, discord servers, archived websites, whatever works! Even the obvious stuff can be helpful (outside of Wookiepedia), since this isn't a part of fandom I've walked through much. You're the only big-name Jedi blog I know.

(If you don't have the spoons to respond, I understand, thanks for reading anyway!)

Hi! Congrats on writing your fic, I'm wishing you all the luck in the world! And here's where my brain starts spinning in a bunch of different directions, because here's the sticky thing about Star Wars "lore": there are three separate continuities and, while you are absolutely free to mix and match as you like and should pick out all the things that interest you, no matter the continuity, they do still exist in separate realms. You have Lucas' Star Wars, you have Legends Star Wars (the Extended Universe/EU under Lucas' ownership of SW, but he has explicitly said it's a separate world from his Star Wars), and you have Disney Star Wars. There is worldbuilding in each of them (though, often very thin on the ground at times) but what's true in one isn't going to be true in another--for example, in Legends there was an age cut off for Jedi initiates at 13, if they didn't get a Master. This limit does not exist at all in Lucas' SW (is contradicted by Ahsoka at 14 being said to be YOUNG for being a Padawan) and Disney Star Wars (there's an Initiate who is 16 and doesn't have a Master and will have to wait at least another year to try again, with no hint of them aging out). You pick which works for you! Just that I think it helps to be aware of what bits come from which continuity. There's also not a ton of pre-TPM content, at least not after The High Republic! Though, I've found THR stuff generally pretty helpful for prequel-era Jedi stuff, because they act and behave 98% of the same way imo! THAT SAID, I tend to collate as much of the Lucas continuity and Disney continuity (as they're the ones I generally prefer) and I have a bunch of resources if you don't mind some homework reading! 😂 I did at least make it as easy to browse as I can, though! - Jedi Culture and Teachings in Canon - A mix of Lucas and Disney content mostly, organized by sections for hopefully easier browsing for what you're looking for! Because 75k words of citations is a lot. orz This is going to give you probably the most of what you want, because I have been working to collect all of that kind of stuff--descriptions of the Temple and personal quarters, any rituals they have, how a Jedi's day is structured, what different paths and roles are common with Jedi, all the Jedi philosophy, what kind of pets they have, etc. It's in three (so far) parts, so you'll have to browse through each of them, but the set-up is the same in each one, so if you find a section that you need the info on, just Ctrl+F to find it in the next part or skip to the same chapter, they're the same template for each! - My "reference" tag - Which is a mixed bag of various posts and different continuities (primarily Lucas + Disney, though) that organize this kind of thing, like a possible in-universe calendar system [also here], a collection of worldbuilding bits specific to Padawan, which was pre-TPM, crossection of the Jedi Temple, a Jedi Council seating arrangement chart through the years, a list of the handful of Master&Apprentice match-ups that we know, a list of "what kind of swearing do people of the galaxy do?" because it's hilarious, a compilation of everything I could find about Jedi healers in ANY continuity, etc. I hope this helps and if you have any other questions (or anyone else wants to suggest other resources!), feel free to ask, I might be able to better steer you if you have a specific question--or at least tell you that I don't think we have anything on that. AND ALSO just remember: the books and games and comics are pretty low on the "hard canon" level, the movies and the TV shows are the highest level of canon, everything else is supplementary and you do NOT have to scour every inch of it if you don't want to! Relax and have fun with it as best you can. <3

#lumi.txt #jedi order #reference #meta

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centrally-unplanned · 3 months

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I was listening to this cast by The Weeb Crew, with SteveM as a guest, going through some other Evangelion video and dissecting the mythical memetic tropes it buys into. Which was a lot of fun, I recommend the cast, and the video they are critiquing is a bit of a grad-bag of zombie memes about Evangelion from the 2000's, which yeah have aged poorly.

One of the ones they get into is the idea that Evangelion's TV ending was "intensely unpopular", and Anno & crew were getting like bombarded with death threats and stuff. Which happened at some level sure, but certainly wasn't the median response. The video actually sites the "emails" shown on screen in End of Evangelion as evidence:

And like, bro those emails are fake! The staff wrote them for the movie, they didn't use real death threats or fan mail, that would be a huge legal liability. Not saying they are analytically useless or anything but, you know, you need to know that.

Anyway, SteveM mentions that of course there was pushback against Eva's ending, but actually the big wave wasn't interior to the fandom - instead it was sparked by Eva "going mainstream" discourse-wise. In particular a review essay by social critic Eiji Otuska (who is also a former lolicon creator ding ding ding) that was published after the finale aired sparked a widespread discussion in the media by other critics. He links to the essay in their discussion....except he doesn't. He thinks he did, and then when they look, its just someone else mentioning it in an article in 2003:

Bitter disputes broke out on online bulletin boards, with some critical of the producers for failing to provide a clear-cut end to the story, and others who praised the finish for being "typically Evangelion-like." But when commentator Eiji Otsuka sent a letter to the Yomiuri Shimbun, complaining about the end of the Evangelion series, the debate went nationwide. "The debate that erupted over the ending went way beyond our calculations," Gainax's Sato chuckles. "Anno probably knew what was going on. He realized that media other than anime had taken notice of Evangelion."

Which triggered in me the thought - why doesn't he have it? He references it in his own work after all. As you can guess, after some searching I am pretty sure I know why; no one has it. Its never been scanned or reprinted in an accessible format! It definitely is important in the history of Evangelion - I have seen this claim in other contexts, the essay that sparked a discourse, and you can find many works about Evangelion citing Otsuki (generally later works, like an article published in September of 1996 which you can buy) But what the article article said is only discernable via the clues dropped from second-hand accounts.

So can we find it?

First of all I need to figure out what is even being referenced. Searching through contemporary Japanese sources, I dug up an extremely handy find:

A somehow-still-existing 1997 fan page by a Japanese otaku (I'm giving you this stuff auto-translated btw, what would you do with a wall of kanji?) who extensively catalogued every media mention of Evangelion. I am sure they missed some, but they didn't miss a big one like the Otsuki letter - which we know from the above interview appeared in gigantic newspaper Yoimiuri Shimbun:

This gives us three candidates; given that we know it was written after the finale aired, and that was March 27th, 1996, our most likely candidate is the April 1st essay; I was able to find a secondary source mentioning the review was "immediately" after the finale, so I think that nails it.

Which alas does not bring up anything! Try as I might I cannot find any extant blog post, or scanned image, or long quoted form. But after trying the usual methods I did realize something - unlike my average document hunt, this is Yoimiuri Shimbum, a newspaper, a big newspaper. Which means they probably have their own archive, which I might be able to access. and low and behold, they do! And my university research services actually have an account!!

Incredibly blessed by this stroke of luck, I went digging for everything containing "Evangelion" and "Eiji Otsuka" in 1996, and found it:

And it's fucking blank. If the article is scanned or anything it will have that "Japanese Text" you see on the first result, or "Scanned Image" tag or something. I swear its like the only ones not scanned, all the random ads and list of best sellers are all there, but the entire cultural essays section is just an archival void. Shot in the skull right at the finish line.

Alas I am out of ideas of this one - its a newspaper, no one is selling this on Yahoo Auctions. Though hey, at least now we know the title:

"オウム」を超えるはずが... / It should surpass Aum...", 876 characters long.

"Aum" by the way is Aum Shinrikyo, the cult terrorist group that conducted the 1995 Tokyo subway sarin gas attack. Which you can imagine really took the chattering classes by storm; it was the culmination of a series of "extremist" actions that began in the 1980's that built up a narrative of societal decay and alarm. It really isn't surprising that Otsuka linked Evangelion to Aum Shinrikyo; the apocalyptic connections were obvious, there was even an episode of the show that had to be changed due to the attacks as the production team thought the events were too similar. And additionally, if this essay was gonna spark a "societal backlash", it has to say something controversial right? I have definitely seen other critics like Hiroki Azuma discussing Eva in relation to Aum as a "social phenomenon" - I am betting Otsuka is the source of that comparison being so ubiquitous.

From other sources like people on twitter and other articles, I can pick up a few other details on what it contained; apparently he referred to Evangelion's finale as a "self-help seminar" for otaku and lambasted the idea of airing one of those on TV. And from his other writings I think you can certainly piece it together - essentially seeing Evangelion's self-involvement and hyper-introspection as a product of the same societal malaise that birthed Aum Shinrikyo, while failing to deliver a solution that could "go beyond" that. Which, the shit you said about media in the 90's, I want a hit of what he's having! But while today its quite obvious that groups like Aum were, sure, saying something about society but turned out overwhelmingly to be fringe weirdos as opposed to canaries in the mental institute coal mine, at the time this was very much the zeitgeist.

Still, I don't really care all that much what it says - its an important artifact! It started the "Eva discourse boom" that broke out of otaku circles and launched Evangelion into a cross-societal phenomenon! We should have a record of it, it should be preserved. I will ruminate on it, and see if any other ideas pop up. And meanwhile if anyone out there happens to see what I missed definitely let me know.

#evangelion history #Ash anime deep dive bullshit #mini-essay

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bolithesenate · 1 month

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Hi! For some reason it wont let me ask from the blog I want it to, which is why the random name, but I really love your stuff! Quick question - what do you think would he Dooku/Sifo Dyas/Jocasta/Jaster’s main rule(s) for Padawans/foundling-child-thingy?

Sorry if this is boring or smthing its just Ive decided your word on these things is law!

Thank you!!! Xxxxxxx

eyyy!! never apologize for blessing my inbox with asks! especially not about the blorbos!!

Now, I'm not entirely sure on what you mean with 'what their main rules on children' are.... but that just means my answer gets to be more elaborate.

Sifo-Dyas:

In my head he is the most child loving of the bunch. He would THRIVE on taking a Padawan and honestly I could even see him have a biological child most out of all four of them. But he bars himself from either because of his visions – since there's no telling on how they would interact with a Master/Padawan bond or smt similar he isn't willing to risk a child's wellbeing for his own desires.

That being said, he lives all the more vicariously through Dooku and Jocasta when they take Padawans. (As well as visits the Crèche any day he can) In any universe he and Jaster are a thing he definitely tries his best to be of assistance there as well, even if just as a long-distance-father. He doesn't care if someone claims it's attachment. Raising children is only good and just and if he can help in ANY capacity he will do so and you'd have to kill him first to make him stop.

(And even then his Force ghost probably would find ways to meddle)

Dooku:

Dad-in-denial-supreme.

His stuck-up ass will loudly proclaim he doesn't like children and that they are too noisy and erratic and then turn around and immediately take the next best street urchin under his wing. Provided they look at a lightsaber with even a modicum of interest.

I mean, considering the NUMEROUS apprentices he has in the different flavors of canon (Rael, Qui-Gon, Komari, Sev'rance, Grievous, Assaij, Savage) this man simply is MADE to teach.

In fact, people wiser than me (hi Jess), have famously said that he'll actually go stir-crazy if he doesnt have someone to drill in makashi.

He isn't the best at emotions, but that's what he has Sifo for. And also he WILL offer each and every one of his Padawans/Apprentices/pseudo-children a place in House Serenno's actual lineage, even if just to spite his dead father and brother. But only after they turn 18/are knighted. Whichever comes first. (similarely to Jaster, he refuses to paint any more of a target on a child's back than strictly necessary)

Jaster:

As absolutely child-loving as most Mandos are. He would have adopted many more children already if not for the target that his existence as Mand'alor paints on them.

So while he tries to find them good homes, unless he is directly responsible for them or honor bound in some other way to adopt, he might refuse to say the words (even if it pains him gravely).

In any universe where he's in a relationship with the rest of the blorbos, you better bet he sees their Padawans as his foundlings-by-extension. Even if all the Jedi WILL argue that it is not the same (except Sifo, Sifo can has and will support this interpretation of the Master-Padawan bond until his dying breath). Although, again, he might not ever make it official. Politicians have many enemies. MANDALORIAN politicians doubly so. That isn't beneficial for a child's health long-term.

In any universe where he never gets to be Mand'alor tho he has like 10 foundlings MINIMUM.

Jocasta:

Last but not least. For her, children/padawans were a very distant thought most of her life. Biological ones she would never have in my opinion – either she's infertile to begin with or she got a permanent solution to prevebt pregnancy early on.

And while she did eventually take on three Padawans (yes, Olee counts even if she was stolen from her), she always considered them more students/peers than children in the familial sense. She just isn't very maternal in any capacity, but that is fine.

While she isn't involved a lot in the child-rearing aspects of whatever kids the other three drag along, she very much IS always up for bending some rules in favor of her precious nepo-niblings. Being the Head Archivist lets you get away with quite a bit.

Especially if it ultimately benefits the kid in question academically.

I hope the answer you were looking for is in here, otherwise let me know! I'm always up for talking more about the blorbos!

#answering asks #random boli thoughts #me writing #honorable mention: seeker!sifo #because i think that suits him so beautifully #a character so desperate to secure his family and cultures future for sure would go oit there and do it himself #and i do think that he thinks of all the foundlings on his searches as a bit of his children as well #(another hc sponsored by charmwasjess so say thank you)#star wars #sifo dyas #dooku #jocasta #jaster #jaster mereel

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tyrantisterror · 3 days

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Top ten favorite Orcs? Either specific characters or a given setting’s take on the species as a whole.

I'm not sure I have enough strong feelings about Orcs to really make an interesting list of ten, but what the hell I'll try.

Tolkien's orcs - not just LOTR orcs, but specifically orcs as written by J.R.R. Tolkien - are pretty high up there for me. I've probably mentioned this more than enough on this blog, but I'm still moved by the moment in The Lord of the Rings where we get this conversation between two orcs when their bosses aren't around, where both of them commiserate with each other about how shitty being drafted into Sauron's war is, how they long to go back to their simpler life as mountain bandits, and how, maybe, if they could find a way to escape being caught by their superiors, they could run off and find someplace far from the war to settle down together. Their names are Shagrat and Gorbag, and later in the book one of the heroes finds them among a pile of dead orcs, their dream of a simpler life tragically unfulfilled. I bring this up because, for all the flak Tolkien's cosmology gets for codifying the fantasy trope of "Always Chaotic Evil" races, there's a lot more moral complexity to his "evil" races than most people think. The orcs we meet in his stories are universally pretty nasty people - even Gorbag and Shagrat can't conceive of a simple life that doesn't involve killing people for their valuables - but it's very clear this is a result of the culture they are living in, which, if you get nerdy and read up on the Lore (TM), is one that has been specifically designed by the Middle Earth equivalent of Satan to turn all living things in it into tools of warfare - a world that exists solely to serve as a vast machine of industrialized conquest and mass murder. And it makes them miserable. Orcs don't like living this way, even though it's the only way they know how to live. They are at once victim and villain, and that's explicitly the canon way to look at them in the text. So it kind of sucks that their reputation in pop culture - and how they're presented in most adaptations, including good ol' PJ's film trilogy - is as one-dimensional evil henchmen, because they do have more going on than that in the books themselves, and it enriches the themes of the story when those dimensions are included.

The orcs in Rune Factory are probably my favorite from a design standpoint. I'm kind of neutral at best with the standard "green skinned humans with optional tusks" look of most orcs. There's nothing wrong with it, but it doesn't thrill me either, existing in the same nebulous space as, like, traditional fantasy elves, dwarves, and hobbit expies - I understand why they're classics, but they feel kind of boring when you've got other options on the table. So seeing these guys when I booted up my first Rune Factory game was a revelation - finally, orcs that look INTERESTING! And they're so cute, these gnarly little Jim Hensen/Brian Froud style pig people. And they'll help you water your plants! A+ Tier orcs as far as I'm concerned.

Dungeon Meshi found a good middle ground between "gnarly boar people" and "humans with tusks" that I really like, and while the orcs aren't given a whole lot of focus, what world building we do get about them is pretty great, taking a lot of the classic orc tropes and giving them that Ryoko Kui caliber thought and detail that makes them so wonderful.

What else... well, ok, my brain still categorizes these guys as "goblins" rather than "orcs," but since the two are more or less synonymized in both Tolkien and the Rankin Bass adaptations of his work, I guess I can include them. They're one of my favorite designs for goblins of all time, and since I generally like goblins more than orcs, I guess this makes them my favorite orc design by default? I just love them, nasty little toad people.

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The 1980 Return of the King movie in particular is one of the few adaptations that keeps Tolkien's sympathy for the orcs in tact, with Frodo even having a dream sequence about living in a world where his run in with orcs is fully pleasant, each of them waving at each other as they cross paths, content to share a beautiful world together.

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And while it adapts the parts of the text that take place after the deaths of poor Shagrat and Gorbag, it still manages to work in a moment where the orcs lament their lot in life by way of the infamous "Where There's a Whip There's a Way" song written just for the film. I know this song is generally viewed as "bad" and corny and whatever, fuck that, I unironically love it. It's my wakeup alarm for workdays. I am these orcs five days out of the week.

What else...

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So, like, kind of a cheat I suppose, but the Darkspawn in Dragon Age take a lot of cues from Tolkien's take on orcs, right down to seeming like they're just always chaotic evil at first glance, and also being the product of Supernatural Crimes Against Nature by semi-divine powers. And indeed, in Dragon Age Origins you're basically given no reason to view them as anything but evil obstacles to destroy, especially when you learn the body-horror involved in how they reproduce (it's more in the vein of Slither than Goblin Slayer, for those unaware - grotesque but, thankfully, not in that way).

But the big ol' DLC for the same game, called Dragon Age Awakening, throws a big monkey wrench in that view of them. We meet Darkspawn who are capable of speech - ones that have been broken free of the evil hivemind their species is ruled by, and, like freed borg drones, are now at a loss of what to do with themselves. They are, like Tolkien's orcs before them, a people who were made for war and violence, and yet still crave something more than that when given the chance to think about it. It's something that hasn't been followed up on much since, sadly, but it's a damn cool take.

What else...

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I'm probably the only person who still remembers this movie, especially with any fondness, but I liked the orcs in the Warcraft movie directed by David Bowie's son. They were given a lot of nuance and I honestly think their parts of the film were by the far the best. Actually I remember liking that movie a lot despite some of its pacing issues, I should revisit it.

Ok that's not ten takes but I feel like there are at least 10 designs on display here so I'm calling this done.

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pudding-parade · 1 year

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Piece of Paradise by Visty6

Do you like elaborate Victorian architecture? Then this might be a world for you. Alternatively, are you OK with utterly destroying elaborate Victorian architecture and creating a beautiful natural environment for fairies or merpeople instead? Then this also might be a world for you. :)

In general, I really like this creator's worlds. They're usually small, (mostly) empty, often roadless, and they're always beautifully decorated with a riot of dense, colorful flora and pretty waterfalls and such. If you like such worlds, I highly recommend that you take a look at the other worlds on this creator's blog, too, as well as the lots they have up for download. I use this creator's worlds often to make naturalistic fairies-only worlds, which is something I like to play sometimes. They're perfect for that.

This one, however, is suitable for humans because it has houses and rabbitholes and such. However, as you might have guessed, I have also used it as a dedicated world for merpeople, after bulldozing all the existing lots, creating a more natural living environment, and adding some diving lots. The mers swim between the islands to get where they're going, and because the islands are close together, it doesn't take too long to swim between them, so it works beautifully.

The world's download page also has a lot of pics of the world, so you can look at them there, too. (As usual, the title of this post is a link to the world's download page.) I'm not sure if/how those pics are edited and/or what sort of lighting mods and such the creator used for their pics, if any, so I'm posting pics taken in my own game with my lighting mod and my minimalist Reshade and such. Between the two sets of pics, hopefully you'll get an idea of how the place might look in your own game. :)

Note: This world does use some CC, all made by the world's creator. I'm not going to say it's required, because it's outdoor plants, but if you don't have them, you will lose some of the "look" of the lots. The CC isn't included in the world but is rather linked to on the world's download page. However, when you go to those pages, you'll likely get a security warning from your browser/antivirus. It may or may not be false positives. Either way, my computer is like Fort Knox, so I just barge right through. :)

I don't generally reupload non-Exchange worlds with these overviews, especially not for creators who are still active (though Visty has moved on to TS4), but I'm making an exception here because of the possible security issues. So, I'm reuploading a folder with the CC in .package format along with a .world file for the world. The file is here. The .world file goes in your install files under GameData - Shared - NonPackaged - Worlds, while the CC .package files go in with all your other CC. I made it so that the CC is separate from the .world file, so that you can decide whether or not you want to install the CC. I recommend that you do if you're going to keep the world as-is -- if you're going to tear it all down, obviously you won't need the CC :) -- and I installed the CC to take the pics on this post, but it's up to you. It's only 10 files, total, nine plants and an arbor. The plants are mostly climbing roses for walls/columns/porches and roses that drape over the arbor. So, if you like Victorian/cottage-y kind of feels, the CC would probably be useful to you in general.

More info and pics behind the cut!

Here are Edit Town images of the islands with lots on them, pre-built and otherwise:

And here is a map view image that includes the two community rabbithole lots:

According to its download page and Google Translate (because the download page is in Czech, and I don't speak Czech), the world requires World Adventures, Pets, Supernatural, Seasons, and University Life. I don't think it has any Store content. The most important EP to have is Supernatural because each island in the world has a LLAMA box or two on it. So unless you want your sims constantly using water taxis to get anywhere, you'll want Supernatural installed for this world. Plus, many of the rabbitholes and much of the build/buy stuff is from Supernatural.

The world is roadless. There are footpaths on some of the larger islands, but mostly you're meant to travel to the different lots via the LLAMA boxes. Because of the nature of the world, I would recommend using NRaas Register to disable strays and wildlife in the world. They will just get stuck if you don't.

I'm not sure how big the world is overall. I think it might be 1024x1024, but whatever the case, the playable area is a collection of small islands clustered together, as you can see in the pics. Thanks to combo rabbitholes, the world does manage to squeeze in most of the base game rabbitholes. It doesn't have a diner, a stadium, or a mausoleum. It doesn't have an equestrian center, but horses wouldn't be practical in this world, anyway. And it doesn't have the Supernatural rabbitholes, but those and a mausoleum are easy enough to plop down somewhere, if you want them.

The world has no spawners except for fish. Even minor pets do not spawn. This is typical of Visty's worlds, for whatever reason. So, if you want collectibles and minor pets and such, you'll need to add spawners yourself.

There are 15 pre-placed lots, total. Other than the two rabbithole lots, they are residential or empty. There are six pre-built residential lots (If Google translated the Czech on the download page correctly, the residential lots were made by a different creator) and seven empty lots to do with as you please. Most of the pre-built lots are fully furnished/decorated, but one is completely empty and one is semi-empty inside.

You might want to use some of the empty lots to build/place other kinds of community lots -- Like a graveyard, for instance -- because the world has none of them. It is also possible to add more lots, especially on the islands that have none and especially if you want to add some lots that extend into the water and then build some ports/houseboats or over-the-water lots on stilts. But, there are also some spots on some of the islands where you could squeeze in small lots completely on land, too, if you need more lots. Such added lots will likely not be flat, however. The islands that only have pre-placed empty lots on them already have LLAMA boxes placed off-lot, in the world, like so:

So, you don't have to worry about adding them to the lots you build/place buildings on the pre-placed empty lots.

Here are exterior pics of the pre-built residential lots:

Personally, while the lots are creatively built, lavishly landscaped, and very pretty to look at, I'm not in love with them. Partly, this is because I detest Victorian-style architecture but it's mostly because the houses just don't seem practical for playing purposes. Those that are fully furnished and decorated are cluttered and pretty cramped inside, with sunken spaces and small rooms that I can see sims getting stuck in. Or, it's likely that a pair of sims will have to walk a bit to find a spot that's large enough that they can do the routing necessary to have a conversation. Plus, about half of them only have one bedroom, despite being large. So, it would maybe be great if you're playing the world as a retirement island for wealthy elders or if you're just using it as a set/backdrop for period storytelling, but for regular playing with families? I'm thinking not. This is why I was happy to bulldoze the lots and reimagine the entire world, but maybe it will be your cup of tea just as it is.

Here are some random pics of some of the interiors of the fully-furnished/decorated houses, so you can see something of what I mean:

Here is a view of the lot with most of the rabbitholes:

And I think that's about all I have to say. We'll finish off with more random scenery.

#sims 3 #world overview #world overview wednesday #sims 3 pictures #sims 3 worlds #sims 3 scenery

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thebestofoneshots · 3 months

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firstly, I absolutely adore your blog!! <3 ur so cool

secondly im curious to know- what marvel superhero would you assign to each of the marauders? I personally think sirius would love ironman, he’s so tony stark coded

AH, you're combining some of my favourite fandoms, babe! Which is why I might end up writing a way deeper analysis than I need to lol. But let's go through it one by one.

My darling James, the golden boy of his era, he is 100% Captain America. He is hell-bent on protecting those he loves, and he would do anything for them. Also, he's been in love with one girl for all of his life. It's just so fitting for him, I feel?

But also, I feel like James could also be a great Spiderman (and that is probably his favourite superhero), especially younger James, with his charm and charisma and how he is loved and cherished by his people. Also, he is totally in love with a redhead.

Remus Lupin is a complicated one. You know, I feel like Hulk is quite fitting, since you know he gets angry and turns into a green monster, which kind of relates to Rem in a deeper level. Having said that, I think his superhero would be Moon Knight and I'm ready to diе on this grave.

Hear me out, it's about the deep-held emotional trauma and the way Steven and Jake came into existence to protect Mark, he would absolutely love, love Moon Knight, especially the Disney+ version of him. There's also the lack of control the multiple personalities entail (which is very much like Remus' turning into Moony) and the moon theme. Besides, Rem would totally have a mini crush on Oscar Isaac.

And for Sirius, I agree, he is definitely Iron Man coded and would love Tony, I mean it's in the daddy issues they share with each other, the family background, the rich kid persona and all that. But I also think Sirius would love, and I mean LOVE Peter Quill (StarLord).

StarLord also has family issues, but he grew to become an absolutely charming character, sharing his love for beings with Sirius (aka they're both a little bit of heartbreakers) and he is super funny, which I feel Sirius would love. They both love music, and Sirius would praise Starlord's taste every single day of the week. Something else Siri would love about StarLord is his found family. He met the Guardians of the Galaxy and they all adopted each other, in the same way, Sirius adopted and was adopted by James and Remus.

Reggie is Bucky Barnes (and this is one of my favourite Marvel characters). Bucky was brainwashed and tortured by Hydra, in pretty much the same way Reggie was by his family. He shared that traumatic past and his absolute desire to be better, and to improve, he doesn't want to be a deatheater anymore and he fights for what's good. Also, if he is Bucky and James is Cap, we can have a bit of Starchaser hehe.

Lily loves Spiderman, and not because James does, nah, Lily has been a fan since she was a kid, she loves his sense of justice and how he fights for what's good. Spiderman's motto "With great power, comes great responsibility" is literally Lily's bible.

Marlene is into Black Window, and not only bc she has a massive crush on her, but because she thinks she is the most badass character in the entire fucking Marvel universe, no joke. She can stand against beasts three times her size, and fight alongside the most powerful superheroes on earth by being just a human woman? She is INCREDIBLE!

Mary gives me Vision vibes, I'm not sure why, but I totally see her reading Vision fanfiction and writing some too.

Barty is a Loki kid, you cannot change my mind. I mean, forgotten and neglected child who has to be exceptionally good at everything to get the attention from his dad? He becomes evil bc he thinks it's the only way he'll get Odin to see him? This to me screams Barty, and he would love Loki.

And lastly, I think Evan likes Quick Silver. Firstly, he thinks he's super hot, but he also loved his relationship with his sister, and he loves Pietro's charm. There's just something about him that he can't stop thinking about. I also feel he would like Mystique, but that's due to her complicated past, and her ability to become anything anyone she wants. He feels it would be so freeing to do that.

PS. Didn't I say I'd go crazy with this analysis? Aaaah I'm such a nerd...

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subsystems · 8 months

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10.2.23

Disclaimer: This is my own musings about plurality. I talk about my personal experience with unification (final fusion) too. Don't read if that upsets you for some reason.

Something I haven't really talked about is my relationship with the idea of plurality. I saw someone talking about how they feel simultaneously plural and not plural, and I find that really relatable.

I used to despise being called plural. It brought me so much shame. Made me feel like this one single symptom of my disability was being cherrypicked and pinned onto me as a label. I felt like my vast and varied experience with DID was minimized for something much more palatable and "fun" to others. It was almost like the full DID was being pushed aside. Like being told "yes, you should continue to hide that and you should continue to be ashamed of it."

I also felt like plurality still applied to me, though. Yes, the blanket definition of plurality does fit me. I am a person who has multiple parts, a plurality of perspectives, I am "more than one." That fits...but that's not all?

I think another thing is that, when I got diagnosed, I didn't even feel plural even though I knew the term technically fit me. I hardly ever felt a presence of parts even though they were there. We hardly talked, hardly wanted to acknowledge each other, even though the evidence was there. For me, it was like being forcibly dragged in and out of existence. Someone else would replace me but I wouldn't know that, wouldn't remember. So, what do you mean that there are systems who never feel lonely or out of control because they're always co-conscious, voluntarily switching, and chatting inside? What do you mean that's even possible? Was I the only one living my own life in slivers and pieces? Was I the only one experiencing the unbearable loneliness that is my DID?

Yeah, I am "more than one" but...

It was complicated. There's probably old posts on my blog where I talk about how I'm not plural even though I have DID. And probably other posts where I'm calling myself plural as if my teeth are clenched. Like it's painful but necessary.

Sometimes I revisit those old feelings, but for the most part I feel at peace with the concept of plurality now. As a young trauma survivor, it was hard to separate the concept itself from the online culture surrounding it. But, ultimately, the way other people experience their plurality doesn't invalidate me. The concept itself doesn't minimize or shame me. It's just a word for an experience, in the same way that dissociation and flashbacks are words for experiences. The way these things are treated and talked about are ripe for criticism, not the experiences themselves. It's nice to have words for them.

And there's no universal way of "being more than one" because it ranges on a spectrum of experiences. Much in the same way dissociation can be mild or extreme, be it brought on by trauma, mental disorders, religious practices, drugs, or other things. Who fucking cares.

But when I think about it...when did I start actually feeling plural despite always fitting the concept? Out of anything, I think unification (final fusion) was actually what helped me finally feel my own plurality. Isn't that interesting?

Unification was when we finally felt each other. I feel the entire multitude because I am it. We're all together, all at once, at all moments. We're constantly in communication. There's no blocks, no separations, no barriers. I'm all of us and we're all of me: a big bundle of parts, connected together like a constellation.

That feels more like plurality than anything I ever felt before.

#sunflower posts #actuallydid #actuallyplural #actuallydissociative #actuallycdd #actuallymultiple #plurality #DID recovery #dissociative identity disorder #long post #personal experiences #final fusion

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yourlocalbreadenthusiast · 11 months

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Hi. I exist.

Ello. I'm a Pinterest convert who happened to join at the same time as the great Reddit migration, so that's fun. Anyways, figured I'd make a post to give people some info about me.

I'm in a large number of fandoms, including (DEEP INHALE), SCP Foundation, Wanderer's Library, The Owl House, Gravity Falls, Amphibia, Generation Loss, Murder Drones, Marvel, Star Wars (Somewhat), FNAF, DnD, Wings of Fire, Percy Jackson universe, Grishaverse, The Dragon Prince, Nimona, The Hunger Games, and probably some other I forgot to mention.

I'm also a bit of a nerd and hyperfixiate on both fictional and nonfictional things, I know wayyyyy too much about things like Chernobyl and Plague Doctors. I also sometimes write as a hobby and am learning how to art, still kinda figuring it out though. Due to the writing thing, I know a lot of incredibly random facts that I shouldn't, as well as just random science stuff.

I like helping people, so don't be afraid to reach out with questions or concerns if you need help with something. If you want info on things, I'm more than happy to help. Here's some things I know a lot about:

The Black Death, Plague Doctors, Chernobyl, oddly specific horrific events in history, the fandoms I've listed above, the lowcountry region of USA (Southeastern coast, I live in South Carolina about 15 minutes from the beach) and the ecosystem of said area (Marshes, swamps, beaches, and our temperate forests), mythology (Greek, Roman, Egyptian, and some Norse), SCIENCE, and other things I'm probably forgetting.

Seriously gimme asks I wanna be a living encyclopedia.

For writing, I mainly like to do fantasy, some sci-fi, and a bit of horror. I'm far from consistent with when I write, you know how it is with motivation.

This IS a safe space blog for LGBTQIA+ people. I don't care if you're straight, gay, lesbian, bi, pan, omni, somewhere else on the spectrum, like asexuals, aromantics, and aroaces, or maybe you're enby, or maybe you're trans or genderfluid, or something else I forgot to mention. I do not care. You are all welcome here, my only DNIs are if you're going to be rude. One of my mottos is "I'll respect your opinion as long as your opinion doesn't disrespect anyone else's existence or rights."

I sorta use a persona for some areas of Tumblr, such as Wizardblr, so here's a reference for that:

Name: Dr. Corvius (Will respond to Doc, Doctor, and Crow), Official Title is "Corvius The Plagued."

Appearance: Dr. Corvius appears human at first glance when wearing full attire, but this is not the case. They are actually an avian, with feathers covering most of their body and rough, scaled skin similar to that of bird feet covering their hands, forearms, lower legs, and their feet. Their fingers have short claws on the ends, and their feet are structured like that of a crow. They don't wear shoes, as their feet are not well shaped to even wear them, and they frequently perch on branches and the like, which is far easier with their talons exposed. They do have wings, and usually will tuck these in under their mantle, giving the appearance of a feathered cape. They wear the outfit of a plague doctor, with a long black robe, mask, and other accessories, including a pouch of supplies. They also carry around a plague doctor stick, which doubles as an arcane focus. Under their plague doctor mask, they have an actual beak. (Essentially just take a Kenku from DnD and give it wings, and a plague doctor outfit.)

Abilities: They are a magic practitioner, specializing in necromancy, alchemy, chaos magic, and experimentation. She is also good with medicine, and despite not being licensed in any way, is incredibly good at healing people. Birds, specifically corvids, seem to follow them around, and will obey their commands. Their "flock" consists mostly of crows and ravens, but has a few magpies and rooks as well. This Flock is actually tied to her, so protection spells and immunities that she has extend to them. They can make noises like that of corvids, allowing for communication with their flock, and can also mimic sounds.

Behavior: They are generally a wise and intelligent person, taking the logical approach to things. They are kind, and are always willing to lend a helping hand.

Background: [ERROR: DATA LOST]

(The persona reference is a WIP im writing this late at night and I gotta go to sleep, I'll finish it later.)

(Contact me if you want an autopsy or reanimation done)

Ok byeeeeeeeee

Stealing these crows from this post

#informative #about me #hi hello #fandom #plague doctor #wizardblr #lgbtq safe space #lgbt safe space #safe space #lgbtqia+#gimme asks #ADHD

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ray-is-they · 11 months

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Hi! Welcome to my blog!

INTRODUCTION PAGE!

Hello! My name is Octovia call me Ray/Octi for short :D

I'm 14 years old minor

I'm Pansexual

My pronouns are They/Them

Hobby is I write fanfics, I draw stuff, I watch some other fandoms that I like!

I don't write on ao3 but I do write on wattpad @Ray_is_They

I luv SpicyNoodles n Shadowpeach(also FreeNoodlespigsyxtang)

THIS BLOG is a sideblog of mine which I could never follow you unless I know you personally.

You guys probably came from tiktok who also know me there as or also known as @ray_is_they

"Ray Princex of SpicyNoodleShip"

My BOUNDARIES!

No:

-my pronouns are THEY/THEM not SHE/HER or HE/HIM

-LIONPEACH shipping is not my thing but I respect it

-NO NAME CALLINGS ONLY TO MY REFFERED NAME!

-racists and homophob is a big nono to me

-do not argue with me when it includes my works because i created it and my own rights for it

-nezha x [someone] sorry but no for me

-nsfw/rape/sexualizing

-MACAQUE/SWK x MK

-no critisizing my art/fic writing I only share when I share

-making jokes abt something serious <includes character getting hurt in lmk>

-I am not a dragonfruit shipper but I see them as a friend/sibling way [but i dont hate it dnattack]

OK:

-I am okay with Fluff and Gore or any angst.

-I'm good with talkative ppl because they cool.

-If you wanna DM me I'll just have to make sure we have good stuff going along

-I am a SpicyNoodlesShipper its ok to talk stuff about SNS with me :3

-if you wanna talk stuff about lores or anything included to my work I am happy to talk abt it/or if others not included to my work i am also happy to talk abt it

-art requests are fine by me just don't overfill it

-mention me if there is something important related to my work or something else

-calling me Ray or Octi is fine but if you call me Bud or Kiddo I'm fine w it

About my information:

I do digital and traditional art and I mostly do them just for fun, I write fanfics when something random comes into my mind, I share some lores if I could [my ask box is open if you want to ask something anonymous/user], I do my editing on tiktok!

MY HEADCANONS FOR THE CHARACTERS:

Mei: AroAce|Sometimes Sapphic

Mk: Gay/Transmasc

Redson: Genderfluid/Bisexual

Pigsy: Bisexual

Tang: Gay

Sandy: Queer Platonic

Sun Wukong: Gay

Macaque: Demisexual

Nezha: AroAce

SHIPS:

Sandy x Hunstman = SilkTea [for somereason-]

Pigsy x Tang = FreeNoodles

Sun Wukong x Macaque = ShadowPeach

Mk x Redson = SpicyNoodles

Mk x Mei [not much but briefly] = GoldenDragon

Mei x Redson [platonic] = DragonFruit

Mei x Mk x Redson = Chimera [not much but it's cute tho]

YEP-

ALTERNATE UNIVERSES I'VE CREATED!

The Noodle Boy- SPICYNOODLES ANGST AU S4-S5 TIMELINE

-CREATED IN MAY 1, 2023

-Redson Screentime [he left the celestial realm than fight alongside with Ne Zha]

-Him and Mk had chemistry with each other so this implies more hits to his soul

Successor Who?- FORGOTTEN TIME

-CREATED IN AUGUST 22, 2023

-A world without Mk, A world with no 'Successor' a world where the seemingly supposed hero Xiaotian doesn't 'exist' practically

-Redson is stuck from the wish he regretted

SPECIAL THANKS:

From Discord! Drawn by BUNZ!

[I LOVE EVERYTHING TGE ART IS JUST SO MWAH TYSM FOR DRAWING MY OC :>]

From Discord! Drawn by Lynn!

[I REALLY APPRECIATE THE GIFT AND LOVE DOING ROLE SWAP AU! I LOVE THISS]

#my art #ray is they

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