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tyrantisterror · 3 hours
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tyrantisterror · 4 hours
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tyrantisterror · 4 hours
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White dragons in Dungeon Meshi have feathers, and are adapted to living in colder environments, which makes me think DM dragons might normally be ectothermic, with white dragons being endothermic as an exception so they can survive the cold - in which case, Falin might have grown feathers as a way to make up for her endothermic human half not adjusting to the metabolism of her mostly-scaly dragon half. It keeps the human parts warm.
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Dungeon Meshi - Chimera
According to the Adventurer's Bible Faligon is 11m from head to tail while red dragons are between 19-25m from nose to tail, in imperial that would be Faligon 36ft and Red Dragon 62-82ft
The height chart shows the red dragon standing besides a scale around 39ft and Faligon standing around 19ft.
Tried to match the scales.
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tyrantisterror · 5 hours
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big grumpass cat
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tyrantisterror · 6 hours
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Goth girls love trains
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tyrantisterror · 7 hours
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Drawing monster girls.
Oh hai I keep forgetting I have this. I set up a NSFW instagram to post uncensored art.
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tyrantisterror · 8 hours
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i hate all FNV mods that restore/add an option to convince Mr. House to broker a truce between himself and the Brotherhood of Steel because it's not just a symptom of a completionist, goopy goblin gamer brain that doesn't want to miss out on any of the CONTENT, but also because Mr. House's inflexibility on his desire to see the Brotherhood of Steel exterminated is such a significant character moment. Because it's a moment where this autocrat who views himself as purely rational, purely objective, and purely motivated by an altruistic desire to protect (what he thinks are) the best interests of humanity is forced to let his mask slip in front of the lackey on which he completely depends. He has zero reasonable rationale to want the Brotherhood destroyed and he knows it, he just hates them, and he hates them just because he thinks that they're just fucking lame. He, personally, finds the cultish medieval technoknight schtick obnoxious enough to justify total obliteration, and the fact that he will not back down on this is supposed to be revealing! It makes sense, too, if you understand how aesthetically driven his vision for the future of Vegas and humanity is and how badly a bunch of LARPers in power armor wandering around outside clashes with that aesthetic (he is, literally, a RETVRN guy, except he wants to "retvrn" to everybody looking like they're going to see the Rat Pack perform in concert). Mr. House's stubbornness on this issue is intentionally frustrating, especially if you're someone who up to this point may have found him otherwise agreeable! The Brotherhood of Steel is also something of a mirror, or a competitor even, to Mr. House's vision of himself as the sole worthy heir to the splendor of pre-war technology and control thereof, but that's actually far less important than the fact that he just hates their pussy
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tyrantisterror · 8 hours
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all goofing aside I genuinely don't understand the urge to reimagine Taylor Allison Swift as a secretly queer icon when the pop music scene(TM) is like. literally overflowing with women who actually like women. Gaga and Kesha and Miley and Halsey are right there. Rina Sawayama and Hayley Kiyoko and Rebecca Black and Kehlani and Victoria Monét and Miya Folick if you're willing to get slightly less top 100. Janelle and Demi for them nonbinary takes on liking girls. like what are we doing here. like I'm not even saying you can't enjoy Taylor but why would you hang all your little gay hopes on her.
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tyrantisterror · 8 hours
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tyrantisterror · 10 hours
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the moer sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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tyrantisterror · 10 hours
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mandatory daily art with Karlach
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tyrantisterror · 20 hours
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... the Lord is testing me.
(Specifically, the Getty Museum shop is testing me)
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tyrantisterror · 1 day
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This moment reminded me of the scene in Godzilla vs. the Sea Monster where Godzilla jumps off the island seconds before it explodes, which I recreated at a public swimming pool's diving board as often as I could get away with in my youth, complete with flailing legs and my best Godzilla scream.
The way he could of just went into the water like normal on the ground but no he just chose to climb up a mountain and dove headfirst
We stan a DRAMATIC KING with a DRAMATIC EXIT
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tyrantisterror · 1 day
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tyrantisterror · 1 day
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You, a heroic paladin have successfully slain a fearsome dragon. But the dragon warns you that death is but a door, and dragons don’t die, they reincarnate. You paid it no mind….until your son was born with golden, slitted eyes.
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tyrantisterror · 1 day
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For the last time: Mary Shelley and Lord Byron were friends. She didn't hate him. His death was a very painful loss to her. She didn't write Frankenstein because she was stuck in a house with him and he was an unbearable person. For God's sake, just read her journals and letters.
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tyrantisterror · 1 day
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Don’t Hug Me I’m Scared is a Roald Dahl story for adults and Charlie and the Chocolate Factory is a Junji Ito story for kids. Agree or disagree?
Disagree - Don't Hug Me I'm Scared is incredibly critical of authority figures and favors disobedient children, which isn't very Dahl-esque to me. Charlie and the Chocolate Factory is in the slasher movie mold despite predating them, while Junji Ito's stuff is much more cosmic horror, even when the premise is seemingly simple.
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