Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
1K notes
·
View notes
he never really tries to hide it but i loveeeee how soft-hearted sachio is...!
when he first goes after his sister to get her away from all those drug pushers he's pretty ruthless but every time he comes across someone in her likeness or girls who are pretty obviously caught up in the fighting against their will, he just gently pushes them aside before continuing to beat people to shit immediately afterwards.
(also when he says that his sister shouldn't make their mother cry :( !!!!!)
when sabakan slaps someone's head while scolding them he makes a short but quick protest against it before taking up the responsibility to fix things on his own (followed by yuken saying that when things go wrong he tends to blame himself...!)
when he sees fujio help that old woman up the stairs and fall down right after, he supplies him with bandaids and a can of soda and starts to chat with him despite the two not knowing each other very much at all (though that might be more on fujio than sachio—he seems like more of an extrovert that sachio)
the final nail in the coffin for me was seeing him wear the jacket sawamura was wearing when he was beat up, bloodstains and all. like a reminder why he was getting revenge/fighting in the first place, which—i don't think you have to be non-violent to be soft-hearted...! it just means that he cares and that's okay...!
(+ "now that i found out it wasn't you... i'm glad.")
just! i like how soft-hearted sachio is sometimes, even if we only get glimpses of his demeanour.
62 notes
·
View notes
More Flatland stuffff~~~
[Cursive transcript: I'm so sorry this is so sudden, but I had to keep my Chosen safe!]
So, uh, the 4th dimension, am I right?????
So, on my last post, people were more interested in A. Tesseract than I thought. I did not expect her to stir so much interest, but here you go lol.
More under the cut lol / lots of notes:
Some basic information on 4th dimensional beings:
They refer to themselves as "hypersolids" and "polytopes". Only Tesseracts prefer a different name than just "hyper(insert shape here)". When talking to other dimensional beings, they call themselves "Spacelanders".
They usually keep their eyes closed, and they do not emote much.
Their bodies naturally morph as they talk. They are also partially transparent, so you can see their inside movements. Not organs or anything, but the next emotions or actions they are going to express. Sort of like key frames or a fade in effect.
They call "Spacelanders" "Heightlanders".
Their civilization is located in space. They are able to breathe through little pockets of air on their rings that recharge when they enter the atmosphere of other plants. (This is why they are spotted relatively frequently)
Buildings are constantly moving spirals. They also fly everywhere, so they require a lot of energy to maintain their health. Luckily, any stars nearby tend to charge them up just fine.
Also, everyone goes by they/them along with another pronoun if they choose. Gender constructs be damned (or certain groups are fighting for that).
There will be more once I think of it, but that's what I have in the world-building department right now.
Some basic information on Angelica "A." Tesseract (she/they):
She tends to say "I'm sorry" after anything they might think could have been of inconvenience or offensive.
They are relatively soft-spoken, but they are incredibly smart compared to her peers.
Her quiet nature causes others to disrespect and step all over her.
She overthinks LITERALLY EVERYTHING. You could tell her something that is even the slightest bit vague and they have the chance of spiraling.
She KNOWS there are more than four dimensions, but they are struggling to prove it with science.
They are much more emotional compared to other hypersolids. They tend to cry easily.
She chose A. Sphere because of his confidence and drive to get his points across. They admire him for that.
Some basic information on A. Sphere in this:
He's much less snarky. His whole vision of the world was destroyed in the blink of an eye, and he's stuck in another world completely unknown to him. He's going though it currently.
He's still blunt about everything. If you suck, he'll tell you. If you are cool, it'll take a little longer, but he'll tell you.
He got his eye busted after the attack on Messiah Inc. When getting removed from "Heightland", his eye got caught in the blow last minute and it got damaged. He can still open it slightly, but he can't see out of it.
He was relatively indifferent to seeing his body transparent. He was more worried about his eye injury over anything else.
At first, he did not like A. Tesseract (cuz kidnapping), but he learns to appreciate the gesture and does his best to help her out.
[Cursive transcript: For now, I'm afraid so... sorry. / I'm so sorry. If I was just a but faster, I could have saved your eye.]
Yeah, their friendship starts out really rough.
A. Sphere adjusted to the environment very poorly at first. He was very standoffish and snappy, but it then soured to just sorta feeling sad all the time. He gets better eventually the more he learns about the world, but it takes a lot of effort out of A. Tesseract to get him there.
I mean, he expected to die, lost his eye, everyone in "Heightland" hates him now, he lost his business and research, and he fails to take the blame for anything for a while. I would also be super pissed and sad.
A. Tesseract was not any better. She feels an incredible amount of guilt for not stepping in in time to prevent A. Sphere's eye damage, and she constantly apologies to him for everything. This sucks for A. Sphere since he finds it super annoying.
[Cursive transcript: N. H.Sphere: You weren't supposed to bring them HERE! / A. Tesseract: I'm sorry, I had to save him- / N. H.Sphere: I should fire you-!]
N. H.Sphere is a mega grouch. He is A. Tesseract's boss who treats her terribly. Discrediting her work, ignoring their research, and just not valuing her opinion cuz women, he is not fun to talk to or just be around in general. No one knows how HR lets him stay in charge, but some theorize that he pays them off or something.
Despite all of the traumatic crap A. Sphere has gone though in this story, he still does not stand for disrespect from anyone. When he learns that A. Tesseract is constantly being pushed around by her bitchy boss, he decides to defend her.
This solidifies their friendship and later science partnership when the story ends. This also makes N. H.Sphere more resentful towards both A. Tesseract an A. Sphere. This leads to A. Tesseract actually getting fired from her job. Thanks A. Sphere.
[Cursive transcript: N. H.Sphere: Why are you so scared? He's fine! / A. Tesseract: It's my un-medicated anxiety!!]
One of the downsides of being in the 4th dimension and living in space is that the gravitational pull is super sporadic with no real patterns. Some areas have super powerful gravity while others have zero. 4th dimension beings have learned to adjust perfectly fine.
The pressure changes and general lack of oxygen negatively impact A. Sphere's body, however, so to help him be okay, he sits in those vacuum boxes that allow for added pressure to be put on him to help even his breathing. He usually isn't put in unless he is fading in and out of consciousness, since he hates the confined space. It freaks out A. Tesseract every time it happens.
Her boss thinks she's stupid for worrying so much and using company tech. A. Tesseract worries more for A. Sphere than keeping her job, so she ignores N. H. Sphere.
[Cursive transcript: Care to see him again?]
Outside of the partial angst and stuff, this dimension is the reason why A. Sphere shows up in A. Square's hallucination.
During A. Square's trauma-induced hallucination, he shows up in the 4th dimension briefly with the Monarch of Pointland. A. Sphere and A. Tesseract take notice, and she offers him the ability to talk to A. Square one last time for closure reasons.
In this version, this scene would be longer, with A. Sphere possibly apologizing for denying the existence of the 4th dimension and not being able to assist A. Square in the way he wanted to. It's more wholesome and conclusive than transactional like in the movie. The other stuff is there too, but having more sentimental moments would be so cool.
----------
I am very sorry how messy these particular doodles are, I was drawing all these super late at night during my shift, so I was not paying much attention to the flow of the images. When the inspo hits, you don't really realize how incohesive they are until you start photographing the images to post lol
Thank you once again for reading this whole thing, and have a wonderful day :)
55 notes
·
View notes
Anyway, the issue where the Teen Titans meet the four horsemen of the apocalypse might be the strangest thing I've ever read like, first they crash their bus, and then they run across this little shack with a blacksmith, right?
And this dude is all, I've got some horseshoes to fix but I'll fix your bus later. And he has like the funkiest looking horses ever or something but sure, they agree.
Then plot happens and they end up in this fictional country and when Wally tries to prevent a slaughter from happening, the first horsemen, War, knocks him out. And this is only very subtly references with Robin saying "War is stupid!"
Then after that, they try to get (read: steal) some food for some rebels who are being starved, but Famine, the second horsemen, burns away all the food. Lilith (of course) makes the connection and announcement that what they were seeing/meeting, but Robin doesn't buy it (which incidentally is hilarious because Robin was one of the quickest to believe Lilith when she said she was Juliet's reincarnation).
Anyway, so they meet and fail to stop the third horsemen, plague.
And finally, faced with death, they actually finally succeed! They rescue some refugees and beat death!! (Also giving us the hilarious panel with Robin saying "Get the child, Flasher!" which wasn't funny then but is kind of funny now with our use of the term flasher T.T)
Whether or not they do beat death does end up being kind of debatable because death then kills their friend, but these two specifically do not die.
And finally, when they get back to the blacksmith guy, he fixed their bus, and claims he hasn't done blacksmithing in 30 years and the forge has not been lit since then, BUT Wally does fine a hot ember in the fireplace so... WHAT? (Also, Wally zooming around secretly to check on stuff and/or change stuff happening since forever lmao)
Anyway, I don't really know where I'm going with this, it's just SUCH a strange story but also I recall someone mentioning the Sins of Youth lowkey making the Titans immortal and I'm just thinking about how this story could conceivably be made to tie in to that since they successfully evaded Death at the very least which is fun to think about so do with that what you will!
20 notes
·
View notes