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thebiscuitlabryinth · 2 months

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Cookiekind, in general, seems to hold the strange belief that Shadow Milk Cookie, as the Beast of Deceit, does not understand truth. This is because they have burnt ash for brains, and cannot comprehend that a change in superficial title does not mean that Shadow Milk Cookie is no longer the Master of Knowledge. Even if it did, a deciever can only be effective by understanding the nuance of truth, for the greatest lies are created through its flexibility.

So despite popular opinion, Shadow Milk does recognise, understand and know truth. Well, he knows everything, but especially something as fundamental as that.

Look, here's a truth, right now; Shadow Milk Cookie quite likes Pure Vanilla Cookie, in spite of everything.

Not in the soft, fluffy cotton candy way, of course. Shadow Milk likes Pure Vanilla in the same way a cat likes a mouse, or a researcher likes a test subject, or a puppeteer has a favourite puppet. He likes him because he is a source of entertainment – having such a soft, simple heart makes him fun to watch struggle with silly emotions, and easy to taunt and frazzle. That's all, really. Shadow Milk can't even say he likes him to the point of wanting to crack him open and see what makes him tick, because he doesn't need to. He already knows everything about Pure Vanilla, right down to the composition of the yeast in his body, because he has constantly kept his eyes on him since the start.

It must be said though, if we are to talk in truths, that Shadow Milk may have some biases that make him more invested in Pure Vanilla's continued existence. Namely, the fact that he holds his Soul Jam.

Now, obviously he doesn't like that this little half-cookie, this unworthy, flimsy vessel, holds half his power. On the contrary, it is nothing but an insult to watch him clumsily flaunt it around while Shadow Milk stays unjustly shackled. It is the only transgression Pure Vanilla has ever committed against him, but it is a blasphemous one.

And yet, even with his bubbling rage at the disrespectful theft of his rightful power, Shadow Milk sometimes likes to toy with the idea that he is a gift, a plea for forgiveness from the Witches that he can righteously ignore. After all, Pure Vanilla has his Soul Jam – his, not theirs – and does that not make Pure Vanilla his too?

Naturally, Shadow Milk knows that the Witches are horrible, selfish old tyrants and would not grant him that grace, but that does not change the fact that Pure Vanilla is, for all intents and purposes, his other half. There is something powerful in that knowledge, especially since he knows it would tear Pure Vanilla apart.

So Shadow Milk does like Pure Vanilla quite a lot, even with the full knowledge that he's a dirty little thief, because he is entertaining and, most importantly, he is his.

Now, here is another truth, since we're already on a roll; Shadow Milk Cookie will escape the Seal and get his Soul Jam back.

It's an inevitability, really. Even if Shadow Milk feels like he is absolutely crumbling of boredom stuck in this stupid tree, especially since the rest of the Beasts have one by one drifted into a bitterly restless slumber, they are all far too strong to be contained by a single measly seal forever. The day will come when it gives way beneath the probing of his hands, and with the cracks in the tree nearly large enough for him to stick his fingers through, he knows that day will come much, much sooner than later.

As for what comes after he escapes? Well, Shadow Milk has no concerns there.

The Faerie Cookies may have longer lifespans than average, but sadly that doesn't make them any smarter. It'll be a piece of cake to knead their doughy brains into doing what he wants them to, even with half his power missing. The Guardian is the only one who poses any real threat, and even that has a laughably easy solution, because he certainly isn't immune to crumbling.

Shadow Milk picks at the slim seam of the cracks with hands that are not his own, encouraging them to grow as he takes a moment to fantasise standing over the Guardian's pathetic crumbs.

Speaking of laughably easy solutions, Pure Vanilla is awfully kind to come to Beast-Yeast, right on the cusp of Shadow Milk's escape! Really, Shadow Milk was estatic when he overheard him discussing those travel plans. It saves him the trouble of having to track him down once he's finished freeing his friends and razing the Faeriewoods to the ground.

Even better, having Pure Vanilla around to welcome him back to the free air could prove to be useful. It would be so deliciously poetic, for Pure Vanilla to cut down the tree with his stolen power and set Shadow Milk free with his own hands, offering himself up in a syrupy spotlight to reunite the two lost halves of Knowledge to its true owner.

Shadow Milk could push him into it, he thinks confidently as he twists his claws into the fracture, grappling at the edges to force them wider. He knows Pure Vanilla better than Pure Vanilla knows himself, he is sure. It wouldn't even be hard.

Now, let's review! Shadow Milk Cookie quite likes Pure Vanilla Cookie, that is the first truth. And he will escape the Seal and get his Soul Jam back, that is the second.

These truths coexist, and because they do, Shadow Milk has long decided he won't immediately crumble Pure Vanilla into fine dust when he takes his Soul Jam back.

Oh, he could, and so easily too. Shadow Milk has held Pure Vanilla's hunched form in his palms dozens of times, in the pit of the abyss, has felt how fragile and weak it is – not that Pure Vanilla ever notices, the silly, blind thing. He has curled his claws around his silhouette like a cage countless times, and entertained and irritated himself with how easy it would be to crush him in one fell swoop.

Yes, he could crumble him without a second thought, but that wouldn't be much fun, would it? It's not like he needs to destroy him to be able to retrieve his Soul Jam, and really, it would be a bit of a waste. He's been waiting to meet him – really, truly meet him – for oh so long, to get rid of him immediately would just be anticlimatic. Nobody likes a boring ending, least of all Shadow Milk.

There is a sudden, audible crack, and Shadow Milk's hands finally breach the containment of the bark, fingers quickly scrambling to anchor themselves on the edges of the open wound. An uncontrollable, wild grin splits across Shadow Milk's face, or whatever is currently left of it, wide and eager.

He lurches forward, all of his eyes narrowing in on the wispy traces of light outside, with the exception of the one that always follows Pure Vanilla like a curse, currently watching him settle into an airship with some teeny, insignificant Cookies. Anticipation begins to simmer the endless darkness around him, finally, finally, finally making him feel alive for the first time in far too long.

Somewhere nearby, Silent Salt is slowly beginning to rouse, and Shadow Milk's grin stretches even wider. They don't make a sound and hardly move, but Shadow Milk knew they would be the first to wake. They always are.

Finally, a third truth, to neatly complete the rule of threes; Shadow Milk Cookie is looking forward to properly introducing himself and the other Beasts to Pure Vanilla Cookie.

This one doesn't need any further explanation. After all, there is nothing more thrilling than a good reveal.

The wood groans pitifully beneath his harsh grip, the noise mingling with the distant thrum of an airship in motion, and Shadow Milk's quiet but sharp giggling.

Ah, he can't wait to see Pure Vanilla's face when he realises the true identity of his precious Light of Truth.

#sorry. i was overtaken by demons (sm) it will probably happen again #this pov was an interesting one to write in!#my current conclusion on sm is that he is very entitled and very sure of himself #(hence the confidence that he knows all about pv here. and the irritation in canon when it doesn't work)#basically he's a whole bastard. love that for him though <3 #shadow milk cookie #crk #cookie run kingdom #shadowvanilla #vanilla milkshake #← implied but the nature is up to interpretation #the biscuit library

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grimalkinmessor · 4 months

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Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

#death note #yagami light #light yagami #character analysis?#character analysis #the stapels of his character ✨#i see so many character profiles for him that i thought id make one of my own :D #these are the points of contention for me—ESPECIALLY on the pride bit #if his pride isnt the most important thing to him beyond his life (and sometimes his family) then i consider it an ooc interpretation #but he's also not just. blatantly evil. he doesnt revel in the gore of his victims killing just for kicks #again its not about his own desires so much as its about his need to be seen as perfect and honorable #his intelligence bites him in the ass on that front. bc he can convince himself that his killing is righteous with very little struggle #anyway ✨ i love him #he's so interesting #this is how i see him WITHOUT all my headcanons in the way lmao #bigender light my beloved im sorry this is not your time to shine 😔

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kobitoshiningneedle · 2 months

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AA localization is something that in most cases enriches characterization, but sometimes the context on the original Japanese script gives something really intriguing as well

We all know Manfred von Karma is a perfectionist, and in almost every his line we are reminded of it. He even set his ATM card number to 0001. So an ummovable object in terms of superiority complex

I like the Japanese version of this moment as well if not more, though. There, Manfred's card number is 4649 which by the rules of Japanese wordplay means yoroshiku or "nice to meet you". He also points that this is not an actual date (thanks). It makes him look like a lot more whimsical guy who just isn't 100% of time serious, which I'd personally take over the "hee hee I'm number 1" thing (because let's be real, it's not that funny and falls a bit flat)

It's a really minor detail, but where else people are gonna pick up some bits about Manfred's personality aside from being a perfectionist asshole? Even for a cartoonish villain MVK is often positioned as it's really interesting to peek into other sides of his personality

#i also remember seeing a japanese lawyer playing aa and gushing that mvk probably wanted to finish the trial in 3 minutes #because he wanted to play with his grandchildren #which adda oddly wholesome tones #all in all its interesting to step aside from usual fanon interpretations once in a while dontcha think #ace attorney #manfred von karma #meta

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heliological · 3 months

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omelas writing masterpost

accepting that I will be thinking really hard about omelas approximately once per year for the rest of my life so here's a bunch of links for future me next time I go down this rabbithole

The Ones Who Walk Away from Omelas, Ursula K. Le Guin (1973)

Omelas, Je T’Aime, Kurt Schiller (2022)

The Ones Who Stay and Fight, N.K. Jemisin (2018)

The Ones Who Yell at Omelas, Rite Gud podcast (2022) [links a bunch of other responses]

tumblr post by shedoesnotcomprehend (2018)

After We Walked Away, Erica L. Satifka (2016)

Why Don't We Just Kill the Kid In the Omelas Hole, Isabel J. Kim (2024)

and bc I always forget, the BTS music video that references it is Spring Day

@ myself read another story jfc

#le guin #omelas #hmu if you've got other stuff that's interesting #always want to talk about uklg #also I want to see some older interpretations since all of these are from the past 10 years

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fulcrum-art-fox · 10 months

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Ok but the scene where Ava goes “that guy has a (demon) in his soul” and Beatrice immediately goes “what do you need me to do?” is cute and all, but it’s also really interesting from this perspective of Ava being the first person since Areala to have the Halo accidentally and just how unusual that situation is for everyone involved. Like, Ava is informing Beatrice, who’s the acknowledged knowledgeable one, who’s been in the OCS for years, about the problem, expecting her to have a plan. Like how it was with Mary last season. But for years and years of Beatrice’s life it’s been ingrained in her that it’s the Halo-Bearer who directs the others in these situations. Whereas in this case, it’s the Halo-Bearer herself needing direction. But that’s not Beatrice’s default. So she just deflects it back, out of habit. What do you need me to do? And Ava doesn’t have a plan, because she’s still pretty much entirely new to all of this. It’s a really neat little moment between them. It’s like Beatrice comments later, “I’ve been training for this my whole life and sometimes I forget that you haven’t.” All previous Warrior Nuns were prepared, trained for this. And both Ava and Beatrice can forget, just for little moments, how out of the ordinary each other’s situation is. And seeing them reckon with that and still make it work is a lot of fun to watch

#warrior nun #ava silva #sister beatrice #avatrice #I love them ok all their scenes are just packed with interesting details and character choices #as always just my personal interpretation

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messiahzzz · 2 months

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while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.

bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:

Fear of abandonment

Unstable or changing relationships

Unstable self-image; struggles with identity or sense of self

Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).

Suicidal behavior or self-injury

Varied or random mood swings

Constant feelings of worthlessness or sadness

Problems with anger, including frequent loss of temper or physical fights

Stress-related paranoia or loss of contact with reality

source: [x]

i highlighted the criteria that do apply to gale in one way or another in a pretty purple.

i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.

gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.

gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.

gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.

gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.

he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.

gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.

gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?

gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]

the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.

gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.

neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.

gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.

(taken from tumblr user galedekarios's post.)

there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.

player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.

this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.

gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.

player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.

gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.

gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.

gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.

there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.

i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.

gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.

even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.

devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.

to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]

gale may be many things to many people, but he is no entitled narcissist.

#with love. a person diagnosed with bpd <3 #this turned much longer than i originally intended it to be (aka less of a reply and more of a character study)#by now you know that i am incapable of cutting myself short. i’m so sorry #i debated if i should put this in the tag at first #but i personally think that this is a very interesting discussion #also to reiterate: this is by NO MEANS a slight at the original poster #i just thought it more respectful to make my own post instead of invading theirs with my ranting #fandom is all about fun and escapism.#if you interpret characters in a certain way that i personally disagree with that is a-okay #BUT i’m also gonna have my own specific brand of fun by pointing out why you’re wrong (affectionately)#also i quickly want to add that if you're interested in a very accurate and respectful portrayal of bpd: watch crazy ex-girlfriend!!#its on netflix and genuinely such a funny and unapologetically weird show. the writers have really done their homework #bg3 #baldurs gate 3 #gale dekarios #gale of waterdeep #bg3 meta #character analysis #it speaks #long post #suicide mention

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